The production design of Andrey Ponkratov makes us really believe and feel like we are in the middle of an early 80s Leningrad summer at the very beginning of major political changes. The film sets include large open nature locations like a beach, closed flats stuffed with people and things and an almost claustrophobic concert hall. The well-researched work of the whole art department team supports and underlines the authentic atmosphere of that period in a subtle way.