Bad Tales

It's hard to review such a title: talking about the plot might give away too much or be misleading. I'll just write my observations on the final product: not very useful for those who have to decide whether to watch it or not but well... that's it.

Despite the initial word joke about the source material, I found the story quite inspired - whether it is supposed to be true, made up, a mix, a fairy tale or whatever hermeneutical meta-perspective we are supposed to adopt. Inspired, as was the previous (and first full length) film written and directed by the D'Innocenzo brothers: "La terra dell'abbastanza". Unfortunately I found here the same problems I found there: the overall result is uneven, disjointed, a little inconsistent and often cold.

By cold, I don't mean that it lets the viewer feel the unbridgeable divide between these kids/adolescents and their parents: that divide emerges as an overall unwillingness of adults to understand (or even listen) to kids. By cold I mean that while I wasn't bored wacthing the film, I didn't care either about most of what happened to most of the characters: alienating. Among other things this is mainly due to scenes too stylized/simplistic and to the acting from the kids which - with few exceptions - is not good enough.

At times surgical in a too detached way and others indulging in irrelevant details that just stress the same buttons or feel gratuitously obscure. Finally - and in this worse than "La terra dell'abbastanza" - "Favolacce" feels sometimes inconsistent even for those willing to spend time trying to decipher the code:

• who is this narrator that talks like columnists (and screenplayers..) write, finds quite an intellectual's hobby, but has the most unrefined and boorish accent of the film?
• are we supposed to (re-)read "the Canterville Ghost" to LOVE the movie?
• are we supposed to listen again and again to the badly pronounced/registered dialogues to not miss what's said?.
• are we supposed to give our own answers to these and all the other questions that arise watching this "fable"?

Or the questions ARE the story, and we're just tricked with opaque symbols and vague happenings into believing that there's more (and in this "La terra dell'abbastanza" fared better given its plain Noir status). I don't feel like attempting to reach the "hermetic intellectual heights" of any author: for sure I won't make an exception in this case.

Still some scenes and characters magnetize the viewers' attention and alone deserve to be watched (thanks to both the direction, supporting actors like the very good Ileana D'Ambra and Barbara Chichiarelli and/or the writing).

Surely I won't miss D'Innocenzos' next work: yet - and I'm really unsure which one - I would suggest to the authors to work together with a better screenplayer, a better director or both.