Nightwatch – Demons Are Forever is now shooting in Denmark with a cast led by Nikolaj Coster-Waldau.
TrustNordisk has boarded international sales for Ole Bornedal’s thriller sequel Nightwatch – Demons Are Forever. The sequel to the hit 1994 film is now shooting in Denmark with a cast led by Nikolaj Coster-Waldau.
The original Nightwatch had more than 465,000 admissions in Denmark and played in Cannes Critics’ Week, Toronto and Berlinale. A US remake starred Ewan McGregor and Nick Nolte. The original story was about a serial killer and a young law student (Coster-Waldau) working the night shift at a Copenhagen hospital.
Coster-Waldau (Game Of Thrones) again stars,...
TrustNordisk has boarded international sales for Ole Bornedal’s thriller sequel Nightwatch – Demons Are Forever. The sequel to the hit 1994 film is now shooting in Denmark with a cast led by Nikolaj Coster-Waldau.
The original Nightwatch had more than 465,000 admissions in Denmark and played in Cannes Critics’ Week, Toronto and Berlinale. A US remake starred Ewan McGregor and Nick Nolte. The original story was about a serial killer and a young law student (Coster-Waldau) working the night shift at a Copenhagen hospital.
Coster-Waldau (Game Of Thrones) again stars,...
- 9/28/2022
- by Wendy Mitchell
- ScreenDaily
The wait for “Bridgerton” Season 2 is over at last. As usual, Netflix has a robust lineup of new movies and shows streaming in March, including the return of the lusty Shondaland Regency romance series that left audiences swooning after Season 1 debuted in December 2021.
Other new shows on Netflix this month include the thriller series “Pieces of Her” starring Bella Heathcote and Toni Collette as a mother-daughter duo contending with the mother’s past after a shocking act of violence uncover long-hidden secrets. Also debuting this month is the “Big Mouth” spinoff “Human Resources,” which “pulls back the curtain on the daily lives of the creatures – Hormone Monsters, Depression Kitties, Shame Wizards, and many more – that help humans journey through every aspect of life from puberty to childbirth to the twilight years.”
In the realm of new Netflix Original movies, “The Adam Project” is the sci-fi film from “Stranger Things” and...
Other new shows on Netflix this month include the thriller series “Pieces of Her” starring Bella Heathcote and Toni Collette as a mother-daughter duo contending with the mother’s past after a shocking act of violence uncover long-hidden secrets. Also debuting this month is the “Big Mouth” spinoff “Human Resources,” which “pulls back the curtain on the daily lives of the creatures – Hormone Monsters, Depression Kitties, Shame Wizards, and many more – that help humans journey through every aspect of life from puberty to childbirth to the twilight years.”
In the realm of new Netflix Original movies, “The Adam Project” is the sci-fi film from “Stranger Things” and...
- 3/25/2022
- by Haleigh Foutch
- The Wrap
“The Adam Project” and “Pieces of Her” topped Netflix’s Top 10 lists of English-language films and TV series for the week of March 7, when the fifth and final season of “The Last Kingdom” was viewed for 63.5 million hours in its first five days after launch.
Debuting March 11, the Ryan Reynolds-led pic was viewed for 92.43 million hours in just its first two days on the platform. Meanwhile, “Pieces of Her,” which premiered on March 4, was the No. 1 show for the seven days, drawing 95.72 million hours by March 13.
“The Last Kingdom” drew the above-mentioned 63.54 million hours and ranked second for English-language TV shows. Shonda Rhimes’ limited series “Inventing Anna” was in No. 3 in its fifth week post-premiere with 51.84 million hours watched. The rest of the list was rounded out by “Vikings: Valhalla” Season 1, “Formula 1: Drive to Survive” Season 4, the first season of “Worst Roommate Ever,” “Good Girls” Season 4, “Love Is Blind...
Debuting March 11, the Ryan Reynolds-led pic was viewed for 92.43 million hours in just its first two days on the platform. Meanwhile, “Pieces of Her,” which premiered on March 4, was the No. 1 show for the seven days, drawing 95.72 million hours by March 13.
“The Last Kingdom” drew the above-mentioned 63.54 million hours and ranked second for English-language TV shows. Shonda Rhimes’ limited series “Inventing Anna” was in No. 3 in its fifth week post-premiere with 51.84 million hours watched. The rest of the list was rounded out by “Vikings: Valhalla” Season 1, “Formula 1: Drive to Survive” Season 4, the first season of “Worst Roommate Ever,” “Good Girls” Season 4, “Love Is Blind...
- 3/15/2022
- by Jennifer Maas
- Variety Film + TV
After three weekends in theaters, an unexpectedly early release of “Dog” (United Artists/$19.99) received a strong initial response with three #1 slots on charts ranked by revenue (Vudu) and by total transactions (iTunes and Google).
The Channing Tatum-co-directed and -starring film is #4 in theaters this weekend, down only 13 percent and approaching $50 million. That made it seem like a prime candidate for extended exclusive play and its studio has not been particularly aggressive on early PVOD. “No Time to Die” did appear after 30 days, but since then both “House of Gucci” and “Licorice Pizza” had two month windows before going to home platforms. It is one of two new PVOD releases from UA: “Cyrano” ($19.99) came out after only its second weekend.
“Spider-Man: No Way Home” (Sony/$19.99) debuts on Tuesday, a week ahead of the previously announced release date. It is certain to displace “Dog” and dominate the charts, as it did in theaters.
The Channing Tatum-co-directed and -starring film is #4 in theaters this weekend, down only 13 percent and approaching $50 million. That made it seem like a prime candidate for extended exclusive play and its studio has not been particularly aggressive on early PVOD. “No Time to Die” did appear after 30 days, but since then both “House of Gucci” and “Licorice Pizza” had two month windows before going to home platforms. It is one of two new PVOD releases from UA: “Cyrano” ($19.99) came out after only its second weekend.
“Spider-Man: No Way Home” (Sony/$19.99) debuts on Tuesday, a week ahead of the previously announced release date. It is certain to displace “Dog” and dominate the charts, as it did in theaters.
- 3/14/2022
- by Tom Brueggemann
- Indiewire
Netflix’s list of new releases for March 2022 is packed with just about everything a streaming enthusiast might need.
This month sees the usual arrival of Netflix original offerings. The big draw is undoubtedly the premiere of Bridgerton season 2 on March 25. Say what you will about the beloved period drama, but more corgis in the world is never a bad thing. Also arriving in March are He-Man and the Masters of the Universe season 2 (March 3), Big Mouth spinoff Human Resources (March 18), and Toni Collette mystery series Pieces of Her (March 9). Additionally, Netflix appears to have something big brewing with its latest buzzworthy docuseries Bad Vegan: Fame. Fraud. Fugitives. on March 16. This one comes from some of the folks behind Tiger King and Fyre: The Greatest Party That Never Happened so maybe keep an eye on it.
Read more Books From Bridgerton to Sanditon—Putting Island Queen in a Period Drama...
This month sees the usual arrival of Netflix original offerings. The big draw is undoubtedly the premiere of Bridgerton season 2 on March 25. Say what you will about the beloved period drama, but more corgis in the world is never a bad thing. Also arriving in March are He-Man and the Masters of the Universe season 2 (March 3), Big Mouth spinoff Human Resources (March 18), and Toni Collette mystery series Pieces of Her (March 9). Additionally, Netflix appears to have something big brewing with its latest buzzworthy docuseries Bad Vegan: Fame. Fraud. Fugitives. on March 16. This one comes from some of the folks behind Tiger King and Fyre: The Greatest Party That Never Happened so maybe keep an eye on it.
Read more Books From Bridgerton to Sanditon—Putting Island Queen in a Period Drama...
- 3/1/2022
- by Alec Bojalad
- Den of Geek
Netflix brings one of its biggest shows back to the streaming service in March with the return of “Bridgerton.” The second season of the 2021 Emmy Award nominee for Best Drama series debuts on March 25. But there are loads of other original shows and movies coming to Netflix in March 2022 – including the Ryan Reynolds blockbuster “The Adam Project” – plus legacy titles such as “Shrek,” “Top Gun,” “My Best Friend’s Wedding,” and “Dunkirk.” Here’s everything coming to Netflix in March 2022 and what’s leaving the service in March as well.
What’s new on Netflix in March 2022
Coming soon
800 Meters
Tomorrow
March 1
The Guardians of Justice
Worst Roommate Ever
21
21 Bridges
A Nightmare on Elm Street (2010)
A Nightmare on Elm Street (1984)
Battleship
Christine
Coach Carter
Due Date
Freddy vs. Jason
Gattaca
The Gift
Redemption
The Replacements
Richie RichThe Shawshank Redemption
Shooter
Shrek
Shrek 2
Sorry to Bother You
Starship Troopers
Texas Chainsaw 3D...
What’s new on Netflix in March 2022
Coming soon
800 Meters
Tomorrow
March 1
The Guardians of Justice
Worst Roommate Ever
21
21 Bridges
A Nightmare on Elm Street (2010)
A Nightmare on Elm Street (1984)
Battleship
Christine
Coach Carter
Due Date
Freddy vs. Jason
Gattaca
The Gift
Redemption
The Replacements
Richie RichThe Shawshank Redemption
Shooter
Shrek
Shrek 2
Sorry to Bother You
Starship Troopers
Texas Chainsaw 3D...
- 2/24/2022
- by Christopher Rosen
- Gold Derby
Nordic production powerhouse Miso Film, which looks to make a splash at the Berlinale Series with its daring HBO Max show “Lust,” is developing high-end international dramas with Scandinavian creatives such as Pilou Asbæk (“Borgen”), Ole Bornedal (“Nightwatch”) and Fenar Ahmad (“Darkland”). The company is part of Fremantle.
Ahead of the Berlinale, Miso founders Peter Bose and Jonas Allen discussed with Variety their ambition to find new voices and original ways to tell stories.
The banner, which just started shooting the third season of “Those Who Kill” and is about to begin filming Season 3 of “Face to Face” with Lars Mikkelsen, recently shot Norwegian sci-fi comedy “Blasted,” for Netflix. “Streamers have opened up new possibilities for genre,” said Allen.
“‘Blasted’ is now in post and is a mix of science fiction and comedy with a lot of CGI,” added Allen. He and Bose said working with streaming series has also...
Ahead of the Berlinale, Miso founders Peter Bose and Jonas Allen discussed with Variety their ambition to find new voices and original ways to tell stories.
The banner, which just started shooting the third season of “Those Who Kill” and is about to begin filming Season 3 of “Face to Face” with Lars Mikkelsen, recently shot Norwegian sci-fi comedy “Blasted,” for Netflix. “Streamers have opened up new possibilities for genre,” said Allen.
“‘Blasted’ is now in post and is a mix of science fiction and comedy with a lot of CGI,” added Allen. He and Bose said working with streaming series has also...
- 2/13/2022
- by Elsa Keslassy
- Variety Film + TV
Jonas Poher Rasmussen’s animated documentary won the best documentary, best editing, best score and best sound design prizes.
Flee made history at the Danish Film Academy Robert Awards, which took place on Saturday (February 5) in Copenhagen, as the first documentary to win all four awards it was nominated for, scooping the best documentary, best editing, best score and best sound design prizes.
Jonas Poher Rasmussen’s animated documentary focuses on a man, on the cusp of marriage to his boyfriend, revealing the secrets of his journey from Afghanistan to Denmark as a child refugee. Last week, the title was...
Flee made history at the Danish Film Academy Robert Awards, which took place on Saturday (February 5) in Copenhagen, as the first documentary to win all four awards it was nominated for, scooping the best documentary, best editing, best score and best sound design prizes.
Jonas Poher Rasmussen’s animated documentary focuses on a man, on the cusp of marriage to his boyfriend, revealing the secrets of his journey from Afghanistan to Denmark as a child refugee. Last week, the title was...
- 2/7/2022
- by Mona Tabbara
- ScreenDaily
2021 was another annus horribilis for cinemagoing in the Nordics, due to on-going and strict Covid restrictions that halved admissions compared to pre-pandemic levels.
Released late September/early October when cinemas for once ran at full capacity, “No Time to Die” literally saved the film year, and even ranked No. 1 among all James Bond movies ever released in Denmark.
Aside from Sweden, strong homegrown offers such as “Checkered Ninja 2” in Denmark, “Class Reunion 3” in Finland, “Cop Secret” in Iceland, “Three Wishes for Cinderella” in Norway enabled the Nordic nations to secure bullish market shares.
Denmark
In 2021, “No Time to Die” smashed all B.O. records for a James Bond movie in Denmark. That, however, didn’t prevent overall ticket sales from plummeting 45% from 2019, due to the pandemic.
The Danish film year opened and ended with closed cinemas, and faced a record 138 days of full cinema lockdown, according to the cinema association Danske biografer.
Released late September/early October when cinemas for once ran at full capacity, “No Time to Die” literally saved the film year, and even ranked No. 1 among all James Bond movies ever released in Denmark.
Aside from Sweden, strong homegrown offers such as “Checkered Ninja 2” in Denmark, “Class Reunion 3” in Finland, “Cop Secret” in Iceland, “Three Wishes for Cinderella” in Norway enabled the Nordic nations to secure bullish market shares.
Denmark
In 2021, “No Time to Die” smashed all B.O. records for a James Bond movie in Denmark. That, however, didn’t prevent overall ticket sales from plummeting 45% from 2019, due to the pandemic.
The Danish film year opened and ended with closed cinemas, and faced a record 138 days of full cinema lockdown, according to the cinema association Danske biografer.
- 2/6/2022
- by Annika Pham
- Variety Film + TV
The Danish Oscar committee has selected Jonas Poher Rasmussen’s Flee, an animated documentary, to represent the country as its contender for the 2022 Academy Awards in the best international feature category.
Flee beat out the other two Danish films on the committee’s shortlist: Charlotte Sieling’s Margrete – Queen of the North and The Shadow in My Eye by director Ole Bornedal.
The documentary is an intimate account of the life of Amin, a close friend of Rasmussen, who arrived in Denmark as a young refugee from Afghanistan 25 years ago. His story is told via animation, with sections of real-life footage woven ...
Flee beat out the other two Danish films on the committee’s shortlist: Charlotte Sieling’s Margrete – Queen of the North and The Shadow in My Eye by director Ole Bornedal.
The documentary is an intimate account of the life of Amin, a close friend of Rasmussen, who arrived in Denmark as a young refugee from Afghanistan 25 years ago. His story is told via animation, with sections of real-life footage woven ...
- 10/26/2021
- The Hollywood Reporter - Film + TV
The Danish Oscar committee has selected Jonas Poher Rasmussen’s Flee, an animated documentary, to represent the country as its contender for the 2022 Academy Awards in the best international feature category.
Flee beat out the other two Danish films on the committee’s shortlist: Charlotte Sieling’s Margrete – Queen of the North and The Shadow in My Eye by director Ole Bornedal.
The documentary is an intimate account of the life of Amin, a close friend of Rasmussen, who arrived in Denmark as a young refugee from Afghanistan 25 years ago. His story is told via animation, with sections of real-life footage woven ...
Flee beat out the other two Danish films on the committee’s shortlist: Charlotte Sieling’s Margrete – Queen of the North and The Shadow in My Eye by director Ole Bornedal.
The documentary is an intimate account of the life of Amin, a close friend of Rasmussen, who arrived in Denmark as a young refugee from Afghanistan 25 years ago. His story is told via animation, with sections of real-life footage woven ...
- 10/26/2021
- The Hollywood Reporter - Movie News
The Danish Oscar committee has selected Jonas Poher Rasmussen’s Flee as its entry for this year’s international Oscar race.
The animated documentary tells the true story of a man, Amin, on the verge of marriage which compels him to reveal his hidden past for the first time.
The film beat out Charlotte Sieling’s Margrete – Queen of the North and Ole Bornedal’s The Shadow in My Eye to be chosen.
The decision was made by Danish Film Institute CEO Chairman Claus Ladegaard, Jacob Jarek (Danish Producers), Tea Lindeburg (Danish Directors), Mette Heeno (Danish Screenwriters), Jan Weincke (Danish Cinematographers), Nanna Frank Rasmussen (Danish Film Critics), Søren Søndergaard (Danish Cinema Owners) and Marianne Moritzen.
Flee was selected for the Cannes Film Festival’s virtual edition last year. It screened physically in Sundance, winning the World Cinema Grand Jury Prize.
The animated documentary tells the true story of a man, Amin, on the verge of marriage which compels him to reveal his hidden past for the first time.
The film beat out Charlotte Sieling’s Margrete – Queen of the North and Ole Bornedal’s The Shadow in My Eye to be chosen.
The decision was made by Danish Film Institute CEO Chairman Claus Ladegaard, Jacob Jarek (Danish Producers), Tea Lindeburg (Danish Directors), Mette Heeno (Danish Screenwriters), Jan Weincke (Danish Cinematographers), Nanna Frank Rasmussen (Danish Film Critics), Søren Søndergaard (Danish Cinema Owners) and Marianne Moritzen.
Flee was selected for the Cannes Film Festival’s virtual edition last year. It screened physically in Sundance, winning the World Cinema Grand Jury Prize.
- 10/25/2021
- by Tom Grater
- Deadline Film + TV
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