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Reviews
Brigsby Bear (2017)
Yeah it Pulled on my Heartstrings... In a Good Way 🐻
Found this one quite touching for a small production and low stakes. "Brigsby Bear" is a film for those who understand the best part of making a great movie is to do it with your friends. It's quite a simple premise that really has some emotional weight once you realize what the story is about. Kyle Mooney is awesome as the lead, and I found his parents particularly riveting in the emotional scenes. There is also some subtly good commentary on the mental health of the U. S that sprouts out later that I was impressed by for such an indie comedy film. I'm not sure I would say this is a full blown comedy, so go in knowing that it is more of a drama with sprinkles of comedy. If you prefer a movie with higher stakes, I'd pass on this. If you enjoy movies with a lot of heart, it's hard not to recommend.
Boogie Nights (1997)
The Quintessential Movie about Porn Stars, A PTA Masterpiece
One of the most intricate odysseys into an industry that is seen as taboo by most people. What PTA is able to do with "Boogie Nights" is paint porn actors and workers as normal people just looking for a family after being abandoned or shunned away from their own.
Let's start with the obvious. This script is amazing, with an even amount of character and plot that I think would have been hard for any director, let alone a 27 year old, to balance in this period piece. This is a 2 hour and half movie that feels like 2 hours.
The costumes are amazing from Mark Bridges, and I'm sort of baffled how he wasn't nominated. Paul knows how to make the most from his production because at a mere 15 million dollars, this looks like a 100 million dollar movie considering the cast involved. Credit should be given to Robert Elswitt whose steady pan camera movements and immaculate lighting transport you into the San Fernando Valley during the 1970's. Finally the direction from PTA: Wow, just wow. I'm not really sure how pulled off this vision at such a young age, but I can tell why he watched "Goodfellas" once a week while filming this. This almost seeps of Scorsese energy and it's all the better for it.
In terms of acting, the real standout has gotta be Burt Reynolds as Jack Horner. He plays the part so suave and collected, it's hard to tell that he was pissed off when filming this. And let's not forget Marky Mark himself channeling in his best work as Dirk Diggler. Without his wonderfully comical performance, I'm not sure this film works. He fits the whole vibe of "Boogie Nights" to a tee and leans into the zaniness of a porn actor on an ego trip in all the right ways.
One last thing I'll say: this is a perfect way to showcase how to switch film stocks without it being distracting. The home made feel of the porn sets and scenes add to the authenticity of the movie to the point where when you see 16mm film, not only are you engaged, but you're also sucked into the world like few directors would be able to pull. I have to say, PTA has truly made a film that is "true, and right, and dramatic" just like Horner would have wanted. Well done Mr. Anderson...
The Master (2012)
PTA, Hoffman, Phoenix are The MASTERS
"If you figure a way to live without serving a master, any master, then let the rest of us know, will you? For you'd be the first person in the history of the world."
-Lancaster Dodd
This quotation pretty much sums up how oddly hypnotizing this film is to experience. It's best to go in blind, but all I'll really say is Joaquin Phoenix and a Phillip Seymour Hoffman deliver wonderfully dramatic performances as total opposites who can't help but be stuck together. To say that the acting here is good is an understatement. There is a scene between these two, you'll know it when you see it, that will go down as one of the best acted scenes caught on film. Excellent soundtrack, amazing 70mm film from a cinematography standpoint, and the impeccable directing and acting make this a must watch for anyone interested in film. Take the journey with "The Master" and you will walk out a changed person from the experience.
The Wolf of Wall Street (2013)
American Greed on Display, and it's a RIOT
Leonardo DiCaprio is that guy... This has got to be Leo's most energetic performance and he plays it to perfection as a money greedy stockbroker from New York. Jordan Belfort has the easy life when he creates Stratton Oakmont, a firm determined to sell penny stocks to the rich. He dives into drugs, women, and a whole lot of money as he pummels through Wall Street in his own terms.
This is a movie you watch in order to see what Leo and Scorsese cooked up next as artists and yeah, this is one of their best collaborations together. I don't want to spoil anything more other than just imploring people to watch this film and experience what it's like to have a masterclass director and a generational talent in Leo make a movie. It doesn't really get much better than this...
The Color Purple (1985)
Spielberg Showing his Versatility
What an interesting way to approach this subject matter. Quincy Jones, composer and producer on the film, insisted Spielberg direct this movie taking place during 1909-1947 in the South. He felt he'd be perfect for the job because of how he made audiences feel with his phenomenal film "E. T". I'm not sure he was the best choice since his connection to the subject matter is quite foreign, but my god can he get some great emotion out of his filmmaking. The ending was powerful and poignant as any good Spielberg film should be.
This is a treat to look at from a cinematography standpoint, with the framing reminding me of older classic Hollywood films. Spielberg is able to blend an old Hollywood style while infusing this picture with a much needed sense of authenticity with his set design and wonderful actors. I'd have to say that the biggest surprise performance for me was Whoopi Goldberg. She was able to bring an innocence to the part that I wasn't expecting. I think this is leagues ahead of her work in "Ghost" because she has more to do here.
The main reason I'm held back on giving this a higher score is merely the fact that I thought it was too long. The story is an epic in how many years it follows, but I felt like some parts definitely could have been cut out to make a smoother journey. For example, the scene in the bar with a scat singer is wonderful audibly, and it shows progression in Nettie's character, but I think it could have been cut. And this was not the only scene I felt that way. Because of the long length and methodically slow pacing, I would only recommend this to those who are fans of Spielberg and looking to see his versatility as a director. This is by far the best adaptation I've seen thus far so if you have read the book, this is probably a must watch.
War Dogs (2016)
Hill and Teller star in a "Lord of War" mixed with "Wolf of Wall Street" type Movie
Told in Scorsese-esque fashion, "War Dogs" follows two arms dealers and they go through the trials and tribulations of selling weapons to the U. S government and eventually the black market. This film looks like a modernized "Scarface", with its overaturated color palette and location set mainly in Miami. For starters this film looks quite good, but does have a digital sheen that can easily be noticed. These shots by Lawrence Sheer are hard not to appreciate visually. If you have problems with a film with a modern look, pass on this.
Teller and Hill are awesome and have a great chemistry as friends and business partners. I have to credit Hill for taking what could have been a two dimensional phony and making the character grounded and off kilter in the best of ways. Who can forget that laugh Hill created for the character? That was hysterical...
This is definitely one of those films where the females get side lined, so just go in knowing that you will only see Ana de Armas briefly. The script has times where it really works despite some characters being thrown to the side. Especially with its use of narration which I thought worked and clearly was paying homage to Scorsese's "Goodfellas" and "The Wolf of Wall Street". Todd Phillips knows how to direct comedy, and to be honest, the best bits in this movie are when the black comedy is working on all cylinders. I have to say though, this film leaves you cold intentionally with the central question of whether this whole adventure was even worth it or not by the end. Overall, I'd recommend this film to those who like movies about American greed and the schisms it can create in relationships.
We Are Marshall (2006)
McConaughey steals the Show, Football Gameplay was Well Done Too
McConaughey as a 1970's football coach. What more do you need to know? This is your classic sports drama movie but I have to say, when it works, the emotions of this movie resonate with you far after it's over. I don't want to spoil this story at all, but I will say it's quite amazing how this town responded to an event so surreal it's almost hard to imagine it happening. It's amazing to see how humans recover from the worst of situations. That's all I'll say so the viewer can go in more blind, but yeah, McConaughey is phenomenal in this as he is in most of his works. He was the best part of the movie for me, hands down. His performance reminded me of Denzel Washington in "Remember the Titans" which means you're doing something right if you are in the same sentence as Denzel.
The Rewrite (2014)
The Definition of a Breezy Drama Comedy Movie
Probably my go-to guilty pleasure movie when I need to watch something light. Yeah, I know this may not be the highest quality film of all time, but it's quite the charmer if you give it a chance. This is a true indie film at heart with some big name talent in the cast. Hugh Grant leads as our bumbling screenwriting professor who actually feels like a real human being. A flawed person don't get me wrong, but a realistic portrayal in my opinion of someone struggling with a mid life crisis. Shout out to the director and Grant for nailing this down.
Also the supporting cast of Tomei, Simmons, and Janey is hard not to enjoy. The plot is predictable, the jokes are simple (and at times dumb and don't work), and the stakes are low, but once again, I can't help but be moved by the humanity of the picture. In the end, this movie is about a guy who knows he is past his prime and looking for a way to continue living and working with that in mind. It's quite a universal film to anyone trying to go into an industry like film or entertainment. Definitely check this out if you need something breezy to watch on a rainy day. Also, thanks for not inserting unnecessary love triangles which you definitely could have done with Tomei's character. I appreciate the writer and director Marc Lawrence for staying focused on the task at hand which is exploring a man's midlife crisis, not his need to find romantic love.
Only the Brave (2017)
Firefighters: The Movie... and a slow one at that...
Visually gripping, emotionally powerful, but in the end painfully slow to watch. "Only the Brave" follows the Granite Mountain Hotshots as they battle wildfires in Arizona.
The best part about this movie has to be the fact that it pays great homage to firefighters across the U. S who risk their lives everyday to protect our land and communities. Kosinski focuses solely on the hotshots and the movie is improved because of it because it feels focused. Rarely do we cut to a side story B about another character because that is not what the story is about. This film is about the men and women we send to fight our battles and the fact that they clearly do not get the respect they deserve. In fact they put their lives on the line because of one simple pursuit: it's the right thing to do.
Unfortunately, this is quite a slow burn since the plot is solely on the hotshots. These characters are about as likable as you can get, with barely any flaws, which leaves the plot meandering at times. Watch this if you want to see a true story about firefighters, but pass on this if you want something gripping for the whole two hour and fifteen minute runtime.
Money Monster (2016)
A Wannabe "Network" mixed with "Dog Day Afternoon" with Clooney
I really wanted to like this, but it was a hard swallow by the end of the meal. "Money Monster" has every ingredient you need to make a good movie, yet there is something incredibly stale about the whole experience which means for some reason these ingredients are not going together as planned.
The acting is not bad at all by any of the cast members, which is no surprise considering you have some of the biggest names in Hollywood being directed by Jodie Foster, an amazing artist at her craft. Foster operates better as an actor in films than as a director, but you can't say with a straight face that she's not getting good performances under her direction. Special shout out to Jack O'Connell for giving probably the best performance despite the character being two dimensional.
Pivoting along those lines, a lot of the problems with this movie comes from the script creating the most cookie cutter characters you could imagine for a movie about an investing show getting taken hostage. Not only are these character uninteresting, they end up making highly questionable decisions as the film goes on that do not make sense. On top of that, the plot is just not that interesting if you don't care about the schemes of a figurehead on television. I've seen that rodeo before and this adds nothing new to that. The minimal commentary that is presented about American consumerism is only thrown in there as a necessity rather than adding nuance to the film in my opinion.
Overall, I would not give this movie a chance. It has commendable attributes such as good acting and well shot scenes in New York City, but that's not enough for me to recommend this stale meal of a film.
The American Dreamer (1971)
Unfiltered Look at an Artist Creating
Raw and Unsettling... probably the way Dennis Hopper would have wanted the documentary about the making of his film, "The Last Movie" , to feel.
I'm more intrigued to watch Dennis Hopper's follow up to "Easy Rider" so I guess that's a job well done from this documentary. Hopper experiences all the high and lows of an artist with a lot of support by showcasing his frequent drug use while in the process of completing his film. I can see why the "The Last Movie", which I have yet to see, was reviewed poorly by general audiences. Hopper is barely able to function at times, so it's surprising it was even completed with slight cohesion. Definitely give this a watch if you are a fan of the behind the scenes work of a film director with a lot of clout and drugs in his system. If that doesn't intrigue you in the slightest, this may not be your type of movie.
Filmworker (2017)
Great for Fans of Kubrick! And Short!
Great watch for Kubrick fans. Doesn't feel long, and pays respect to one of the greatest film directors of all time. It was quite fascinating to see the devotion he was able to acquire from people despite being very meticulous in his approach to filmmaking. Also awesome that the star of the doc is the film worker, Leon, who tells great anecdotes about working with Kubrick. Go watch this if you are interested in anything film related.
Here is the part where I reach the word count for a review and just write about how "Filmworker" is a documentary worth your time if you enjoy learning more about movies (something said previously :)
Bad Lieutenant (1992)
Kietel went to the Chiropractor after This One 👨⚕️
I'll keep it short since this wasn't my cup of tea, but "Bad Lieutenant" is a bad movie that is absolutely carried by a great performance in Harvey Kietel. He definitely stopped by the chiropractor after shooting this film.
The story is simple; a cocaine addicted police officer searches for the perpetrators involved in the raping of a nun. To say this movie borderlines on exploiting violence would be an understatement. It's very graphic, especially during intimate (or lack of intimate) moments so be warned if you decide to take this trip with a drug fueled Harvey Kietel. The almost abuse of violence without a thematic purpose sort of turned me off from the movie, as well as the fact that the movie veered into a completely other direction that I didn't agree with by the end. I have to admit the character stayed true and goes through a sort of change internally, but the ending makes no sense if you consider the severity of the crime in my opinion. Anyway, that's all I'll say to refrain from spoilers.
Once again, it was hard to completely despise this movie because Kietel does turn in a career best performance for his role, and that's not an understatement. However, there were too many problems with the plot for me to fully enjoy this truly New York film. Credit to the picture for feeling as raw as it did though because I could physically feel the seediness which means a job well done by the production designer and crew. What also might have helped though is I read the actors did real heroin when shooting up. That pretty much sums up how this movie feels to watch.
Watching the Detectives (2007)
Watching Murphy and Liu being Cute for 2 Hours, but I Can't Complain Much
A video store clerk falls for a professional schemer which throws him into a real life mystery movie every time they interact. She adds a lot of action in his life, but will it lead to more serious consequences in the future?
This was the definition of a feel good movie. Fun, light, and makes you feel all the bubbly emotions a good rom com should make you feel by the end. If you are looking for a movie to enlighten you with its fresh take on the American romantic comedy film, you will surely be disappointed. However, for what this movie aims to be, I feel like it landed the plane quite nicely. For starters, Cillian Murphy and Lucy Lui are fantastic in this. Murphy plays comedy a lot better than expected and Lui bring her character a much needed zaniness that I'm sure was in the script, but she really brings it to life with her own interpretation. The script too has its flourishes with some effective one liners and well drawn characters, especially from our supporting cast which comprise of video store workers (and young Ted Lasso).
I think the only things holding me back from giving this any higher of a score would have to be the overall lack of precision in the directing that can be seen in certain scenes, and the absence of anything new being brought to the table from this story. This is about as predictable of a romantic comedy as you can get. In terms of the directing critique, I think with a larger budget, some of the coverage could have been fixed since some shots seemed to not really flow together. A clear example of this mismatching of shots can be seen in the part where Murphy has to rob someone at gunpoint.
Overall, I'd give this a chance if you are into romance movies that don't take themselves too seriously. Also if you a cinephile in any way, they have a couple Easter eggs for you sprinkled along the way.
Anthropoid (2016)
INTENSE... but not adding much new to the War Genre
"Anthropoid", about the operation to kill Nazi general Reinhard Heydrich, does exactly what you'd expect for a film of this nature, but I did appreciate some of its unique flourishes. For starters, the performances are great here. Cillian Murphy is great as always but the real standout for me was Jamie Dornan. Consider this the first time I was actually impressed by a piece of acting from his so well done on that front.
The 16mm filmmaking is also extremely well implemented. There is a lot of use of handheld, but for me personally, it actually added to the tension of a scene rather than becoming a distraction. There are some flaws with the story in that the some characters get sidelined to focus on the operation, especially characters like Toby Jones who were there more to add to the authenticity and feel to the piece rather than feeling like a fleshed out human being. This character writing is especially apparent with the female romantic interests who do nothing but service the plot to the two male protagonists and add some love to the story. You could argue they chose to do this for historical accuracy, but I've seen plenty of period period pieces manage to write great supporting characters that enhance the whole picture.
So from a script perspective, this needed some major touch ups. However, the action is violent and intense when it hits, so if you like getting that out of your war films, this is a must watch. Also from what I've read, the historical accuracy is fairly spot on especially when the operation to take down Heydrich occurs.
Madeline & Cooper (2018)
Interesting for How Cheaply this was Made
As someone trying to make a film, this was pleasant to watch someone work with so little resources, yet create something entertaining and thoughtful. I'm not going to go into detail this review since I will probably be reviewing Raiff's debut feature film "Sh*thouse" later down the line when I revisit it, but this is amazing for a guy who just decided to act with some friends and use a college camera. Yeah it's not the fastest paced watch, but it does manage to simmer with you after the more you let each scene hit. You can see the seedlings of a great debut feature in here. Go and watch his first movie as it is one of the best college comedy's to come out in the last five years, and it was only made for $15k. Cooper sure has a gift for getting a lot out of his resources.
If you're reading this Mr. Raiff, keep up the great work in the independent scene and follow your voice. It is quite a heartfelt one that I enjoy seeing and hearing in this medium...
One Hour Photo (2002)
Williams in a Great Lead Role, Mediocre Script and Execution from Everyone Else
I'll keep this short like an instant polaroid photo, but this character study works on multiple levels. Robin Williams gives one of the darker performances I've seen from him. His work here reminded me of his "Insomnia" performance where he also plays a psychologically damaged individual. However, I think he reaches new levels of creepy in this with his bleached hair and soft spoken voice. I think if you know go in knowing this is just Robin Williams being a creepy photo developer for an hour and a half that would never exist today for a multitude of reasons, you will enjoy this one. The prolific actor even got some reactions from Sundance viewers who did not even recognize that the main character in "One Hour Photo" was being performed by Robin Williams and I can see why. That is what good acting is all about, completely embodying the character to the point where they seem real.
The plot is pretty by the numbers, and the side characters are as cookie cutter as you can imagine, but I couldn't help but be moved by William's and his character's backstory which is revealed later on. The cinematography was also quite delectable to look at with its static camera that only moved when William's character was in peril or duress. It almost had the look of a saturated polaroid which really worked to make this film feel like a distant memory, fading into the darkness as the image ages with the passing time. Check this one out if you like character studies like "Taxi Driver" or "American Psycho" because this will definitely peak your interest.
Paths of Glory (1957)
Paths of Glory is a Masterpiece 🎥
Would you follow orders if you knew it was a trap to your death? How would you defend your country if you did not trust the officer's leading your battalion? These are some of the many questions posed in this incredible anti-war film from Stanley Kubrick. The cinematography is phenomenal, with each shot conveying an emotion or moving the story forward. One particular sequence in the trenches really stood out to me due to the fluidity of the tracking. During the 1950's I am positive that was not easy to pull so well done to Kubrick and his crew. The acting is phenomenal, particularly from the defendants later down the film. It is heartbreaking to watch these men go to trial for their lives and defend themselves. Douglas is amazing as well as he gives you the classic hollywood lead with a human touch only Douglas and a select few at the time could muster up with this material.
Other things that were well done include the set design and costuming, as well as the editing of this film. It's less than an hour and a half of your time and boy is it worth it. If I were to nitpick any flaws with the picture, it would just be the utility of some side character soldiers that maybe didn't need to be there, but honestly it's quite a flawless picture other than that. For those that have problems with the lack of female characters in this movie, you should probably read a history book on World War I. Story wise, this blew me away considering older films tend to feel slower paced to me; this one did not. If you like war movies with some philosophical questions being posed on the characters, this is definitely one you should check out. Also you can't go wrong with a Kubrick war film for reasons that don't need to be written out.
Sr. (2022)
Sr. Is a WIN for Both Downey's!
"Sr." is equivalent to an experimental documentary with no real cohesive plot, which is just like one of Downey Sr.'s movies, and it's all the better for it. It starts off with our introduction to Robert Downey Jr'.s father who was a very renowned underground filmmaker during the 60's in New York. He made obscure experimental comedies which seemed to have aged well to certain audiences, especially "Putney Swope" which I have seen and think is quite a profound film. It then starts to cut randomly to Sr.'s personal documentary project which is him recording the quirky thing he notices outside and it really shed light and allows the audience to understand the older man from his worldview.
The doc did feel long in its pacing due to the whimsical plot it chooses not to follow, so be aware of that going in. Also, I noticed the drug use sections of Sr. And Jr.'s life were glossed over, but I actually thought it was poignant when Sr. Shared his thoughts on his stoned and coked days. Even Robert Downey Jr. Has a good moment with his therapist that one may find emotionally manipulative, but I found it rather touching since it is something we all have to experience at one point; grief. All in all, I recommend this documentary, but I just wish it didn't feel as long when watching it, then again, I did know a lot of the information beforehand so that may have affected my experience.
Turning Red (2022)
Bye Bye Bye to this Pixar Film 👋
Another picture that wasn't targeted towards me at all due to me being older and not a female interested in boy bands. This is likely why I could not connect to the movie and therefore had a tough time enjoying it.
I have to admit, the animation from Pixar looks exquisite, and I appreciate them diving into more mature topics, but I just didn't like this from a story or character standpoint. Most of the characters in this are downright annoying and don't have the sort of thing that I could relate to, especially the main protagonist. Again, loved how cool the fur looked, but that doesn't make up for the fact that the characters are like cardboard cutouts of all the stereotypes associated with 13 year old girls. I understood the turning red metaphor in the movie and what it meant to the character in this who is clearly going through puberty, but this picture needed more than that concept to keep me intrigued. You are better off rewatching another Pixar movie than giving this one a chance. However, you may like this if you can relate to the boy band craze of the 2000's.
Popeye (1980)
Take a Hit 🌳 and it Will Make More Sense
Altman goes Disney and I have to say it's quite the mess. Robin Williams tried his best to bring Popeye to life, but I just don't think the character translates well to film because he is a literal cartoon. That means showing some of the outlandish things that cartoon characters can do can look off-putting on film. In this specific one, Popeyes arms are massive just like in the cartoon, but it comes of the screen as fake and obscure. Shelly Duvall is reduced to a Mary Sue type role which I guess is cartoon accurate, but again, this does not translate well to film and hasn't aged well at all.
I have to admit that I liked some of the set design and the levity of the picture, but I couldn't take this seriously while watching it for the first time at the tender age of 23. Maybe this was not targeted for my age group and that's why I had a tough time with it. Pass on this unless you want to experience an 80s children's movie. If you're sober though, I wish you luck on your adventure because this picture is whacky.
The Contender (2000)
Solid, Great Acting in this Political Drama
What an interesting concept to focus the story on a political woman in a scandal that shows the biases associated with her being a woman that actually makes sense. Joan Allen, Bridges, and Oldman deliver excellent performances in a script that at times could have used some dialogue touch ups. In terms of characterization however, they are all pretty well drawn out.
If you are into walk and talk political movies, this may be your type of entertainment. I recommend it from that perspective, however, just be aware that this is pretty by the numbers and not trying anything risky in this political tale.
Hachigatsu no rapusodî (1991)
Slow, Thoughtful, and Meandering work from Kurosawa
Interesting follow up watch to "Oppenheimer" to say the least...
This movie is quite slow, feeling more like Kurosawa pondering the bombing attacks of Nagasaki and Hiroshima by exploring a single Japanese family in the aftermath. I'm not sure there is a real story here, other than the grandmother having some major PTSD from the attacks. The children actors were fairly bad and did not convince me at all that they were real people. But I have to commend the visual style of the picture. Each shot feels painterly in how it's composed, and Kurosawa follows his later career dream like imagery in this and it's effective.
I disliked the ending quite a bit, and thought Richard Gere was unnecessary, however when the film does explore the morality of the Japanese bombings, it gets way more interesting. I especially liked how all the kids wore shirts from various American universities to show the cultural impact the U. S still has on Japan despite the horrific bombings in the 1940's. Overall, I would only watch this if you want to watch Kurosawa's work, but as a standalone film, a lot of it does not work. Even some of the commentary felt a little biased on the bombings considering there were more reasons why the bombs were dropped that just weren't mentioned at all in this.
Possessor (2020)
Brandon's definitely got Talent, and a little bit of his Father's messed up mind, but IT WORKS
Didn't like this more than "Infinity Pool" but it's still a strong debut from Brandon Cronenberg. This movie is extremely violent and hypnotic in its representation of it. I haven't seen violence this stylized since Tarantino, and I have to say, I quite like it. Cronenberg is able to mix the styles of his father while creating something completely original with his use of synths and psychedelic colors.
The acting in this is phenomenal by everyone, and I think the credit has to be given to Cronenberg on how tight this script is. There isn't a single moment where a character blurts out their motivations and thoughts and I liked it more for it. Whoever edited this movie as well knew what they were doing. I guess the only reason it didn't reach the four star mark for me was the ending. It felt abrupt and I didn't like how the story wrapped up the more I thought about it. If you are into psychological messed up and violent movies, this will surely satisfy that craving.
Idiocracy (2006)
Satirical Commentary on People's Reliance on Big Corporations
Not the smartest movie of all time, but isn't that the point? This is a great comedy if you know what you're getting into. In short, this movie is about Luke Wilson going in the future by accident and learning how dumb society has become.
Does the plot or characters make any sense? Absolutely not. But it's still a fun time if you are okay with dumb humor and social commentary on how much humans rely on big corporations. I can see why Fox Studios wanted to bury this movie and only release it to select theaters because it is scathing when it comes to its commentary on capitalism and human stupidity.
Luke Wilson and Maya Rudolph look like they had fun in this, but they do not have great chemistry. Remember, this is from the guy who made "Office Space", so if you go in with that in mind, you will have a fun time. Also, shout out to Terry Crews for stealing the scenes as the President of the U. S who just shoots machine guns in council meetings to get a point across. It was hilarious and strangely on point in its messaging. Oh and the sets were great and whoever constructed them deserves their flowers.