Features
Filmmaker Toolkit
Basel Adra and Yuval Abraham tell IndieWire they made their documentary so they could reach a U.S. audience, a surprisingly difficult task for the fall’s best-reviewed film.
A 4K UHD release of "Play Misty for Me" provides a timely opportunity to see where the director began and examine how much has changed (and stayed the same) over the course of 40 films.
This November is going to be stressful. Unwind with a cozy movie of your choice.
Interview
B. Monet tells IndieWire about bringing a multifaceted storytelling approach to her documentary on the experiences of Black girls and women.
Take Me To Church
Production designer Suzie Davies tells IndieWire about blending Vatican grandeur with mundane modernity in Edward Berger's papal election thriller.
Interview
Murphy tells IndieWire about playing a man who, in 1985, unearths awful discoveries at the local Irish convent — something the Catholic Church in Ireland is still reckoning with today.
Thompson on Hollywood
"Carville: Winning Is Everything, Stupid" and Errol Morris' "Separated" were lucky to get out before the election. But others, like incendiary abortion doc "Zurawski v Texas," still await buyers.
Interview
As Americans await the results of a national biopsy, Klepper is feeling quippy, anxious, and exhausted.
From "Duck Butter" and "Set It Up" to modern gems and Bollywood classics, these are the best romantic comedies to stream on Netflix.
Netflix and Thrill
There are many bad thrillers on the streamer, but you can dig into the best of the genre if you know where to look.
Spoilers
Spoilers: From music cues to sifting through reaction shots, editor Gary Levy tells IndieWire about assembling the tense final three minutes of the Netflix hit.
High Note
Costume designer and artistic director Virginie Montel tells IndieWire about dressing an operatic story with an equally heightened aesthetic.
