The 10th Victim
The 10th Victim | |
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File:The 10th Victim.jpg
US film poster
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Directed by | Elio Petri |
Produced by | Carlo Ponti |
Written by | Tonino Guerra Giorgio Salvioni Ennio Flaiano Elio Petri Ernesto Gastaldi |
Based on | The Seventh Victim by Robert Sheckley |
Starring | Marcello Mastroianni Ursula Andress Elsa Martinelli Salvo Randone |
Music by | Piero Piccioni Sergio Bardotti |
Cinematography | Gianni Di Venanzo |
Edited by | Ruggero Mastroianni |
Production
company |
Compagnia Cinematografica Champion
Les Films Concordia |
Distributed by | Interfilm (Italy) Embassy Pictures (US) |
Release dates
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Running time
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92 minutes |
Country | Italy France |
Language | Italian |
The 10th Victim (Italian: La decima vittima ) is a 1965 Italian/French international co-production science fiction film directed by Elio Petri and starring Marcello Mastroianni and Ursula Andress, and featuring Elsa Martinelli in a supporting role. The picture is based on Robert Sheckley's 1953 short story "Seventh Victim". Sheckley later published a novelization of the film in 1966,[1] and two sequels (Victim Prime and Hunter/Victim) in 1987 and 1988, respectively.[2]
Plot
In the near future, big wars are avoided by giving individuals with violent tendencies a chance to kill in the Big Hunt. The Hunt is the most popular form of entertainment in the world and also attracts participants who are looking for fame and fortune. It includes ten rounds for each competitor, five as the hunters and five as the victims. The survivor of ten rounds becomes extremely wealthy and retires. Scenes switch between the pursuit, romance between a hunter and a victim, with a narrator explaining the rules and justification of the Hunt.
Caroline Meredith (Ursula Andress) is a huntress armed with a high caliber Bosch shotgun looking for her tenth victim. To maximize financial gain, Meredith wants to get a perfect kill in front of the cameras as she has negotiated a major sponsor from the Ming Tea Company. Marcello Poletti (Marcello Mastroianni) is the victim. He is reluctant to kill Meredith because he is not sure that she is his hunter; later he is more reluctant because they have become romantically involved.
Cast
- Marcello Mastroianni – Marcello Polletti
- Ursula Andress – Caroline Meredith
- Elsa Martinelli – Olga
- Salvo Randone – Professor
- Massimo Serato – Lawyer
- Milo Quesada – Rudi
- Luce Bonifassy – Lidia
- George Wang – Chinese attacker
- Evi Rigano – Victim
- Walter Williams – Martin
- Richard Armstrong – Cole
- Antonio Ciani
Reception
The 10th Victim received positive reviews from critics, and became an international hit. On review aggregator Rotten Tomatoes it received a score of 83% based on 6 reviews (5 "fresh and 1 "rotten").
In popular culture
In the early 1990s, comedian and actor Mike Myers, along with musicians Susanna Hoffs and Matthew Sweet, started a faux British 1960s band whose members adopted personas from that era. The band named itself Ming Tea, after the company that sponsored Andress' character in the film. The band is best remembered as the first appearance of Myers' famous character Austin Powers.
See also
- Assassin (game)
- Battle Royale
- Death Race
- Girls with guns
- The Hunger Games
- The Most Dangerous Game
- The Running Man (film)
- Series 7: The Contenders
- The Tournament (film)
References
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External links
- Lua error in Module:WikidataCheck at line 28: attempt to index field 'wikibase' (a nil value). The 10th Victim at IMDb
- The 10th Victim at AllMovie
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- Pages with reference errors
- Pages with broken file links
- 1965 films
- Italian-language films
- Articles containing Italian-language text
- Lang and lang-xx using deprecated ISO 639 codes
- 1960s science fiction films
- French science fiction films
- Chase films
- Italian films
- Italian science fiction films
- Science fiction action films
- Films directed by Elio Petri
- 1960s action films
- Girls with guns films
- Films based on short fiction
- Snuff films in fiction
- Adaptations of works by Robert Sheckley
- Films produced by Carlo Ponti
- French films
- Death games in fiction