The Great Beauty
The Great Beauty | |
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File:The Great Beauty poster.jpg
Italian theatrical release poster
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Directed by | Paolo Sorrentino |
Produced by | Nicola Giuliano Francesca Cima Fabio Conversi |
Screenplay by | Paolo Sorrentino Umberto Contarello |
Story by | Paolo Sorrentino |
Starring | Toni Servillo Carlo Verdone Sabrina Ferilli Carlo Buccirosso |
Music by | Lele Marchitelli |
Cinematography | Luca Bigazzi |
Edited by | Cristiano Travaglioli |
Production
company |
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Distributed by | Medusa Film |
Release dates
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Running time
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142 minutes |
Country | Italy France |
Language | Italian, Japanese, Spanish, Chinese |
Budget | €9.200.000 |
Box office | $24.164.400[2] |
The Great Beauty (Italian: La grande bellezza [la ˈɡrande belˈlettsa]) is a 2013 Italian comedy-drama film co-written and directed by Paolo Sorrentino. Filming took place in Rome starting on 9 August 2012. It premiered at the 2013 Cannes Film Festival where it was screened in competition for the Palme d'Or.[3] It was shown at the 2013 Toronto International Film Festival[4] and at the 2013 Reykjavik European Film Festival.
The film won Best Foreign Language Film at the 86th Academy Awards,[5] as well as the Golden Globe and the BAFTA award in the same category. It is a co-production between the Italian Medusa Film and Indigo Film and the French Babe Films, with support from Banca Popolare di Vicenza, Pathé and France 2 Cinéma.[6][7] With a production budget of €9.2 million, the film has so far grossed over $24 million worldwide.
Contents
Plot
The film opens with a quote from Céline's Journey to the End of the Night: "To travel is very useful, it makes the imagination work, the rest is just delusion and pain. Our journey is entirely imaginary, which is its strength."[8] The main character is an aging socialite, Jep Gambardella, who once wrote a famous novel in his twenties, only to retire into a comfortable life writing cultural columns and throwing parties in Rome. After his 65th birthday party, he walks through the ruins and city streets, encountering the various characters, reflecting on his life, his first love, and sense of unfulfillment.[9][10][11] [12]
Cast
- Toni Servillo as Jep Gambardella
- Carlo Verdone as Romano
- Sabrina Ferilli as Ramona
- Carlo Buccirosso as Lello Cava
- Giovanna Vignola as Dadina
- Iaia Forte as Trumeau
- Pamela Villoresi as Viola
- Galatea Ranzi as Stefania
- Franco Graziosi as Count Colonna
- Sonia Gessner as Countess Colonna
- Giorgio Pasotti as Stefano
- Giusi Merli as Sister Maria
- Luca Marinelli as Andrea
- Massimo Popolizio as Alfio Bracco
- Serena Grandi as Lorena
- Ivan Franek as Ron Sweet
- Roberto Herlitzka as Cardinal Bellucci
- Isabella Ferrari as Orietta
- Fanny Ardant as herself
- Antonello Venditti as himself
- Francesca Amodio as Carmelina
Music
No.[13] | Title | Album[14] | Artists | Composer |
---|---|---|---|---|
1 | I lie | 1-01 | Torino Vocalensemble | David Lang |
2 | Far l'amore | 2-01 | Bob Sinclar & Raffaella Carrà | |
3 | More than scarlet | 2-02 | Decoder Ring | |
4 | Mueve la colita | 2-17 | El Gato D.J. | |
5 | My heart's in the highlands | 1-03 | Else Torp, Christopher Bowers-Broadbent |
Arvo Pärt |
6 | Que no se acabe el mambo | 2-14 | La Banda Gorda | |
7 | The Lamb | 1-07 | The choir of the Temple Church directed by Stephen Layton |
John Tavener text by William Blake |
8 | Parade | 2-06 | Tape | |
9 | III. Lento—Cantabile-semplice from Symphony No. 3 |
1-10 | London Sinfonietta, Dawn Upshaw directed by David Zinman |
Henryk Górecki |
10 | World to come IV | 1-02 | Maya Beiser | David Lang |
11 | Moody | – | ESG | |
12 | Take my breath away | 2-03 | Gui Boratto | |
13 | The beatitudes | 1-05 | Kronos Quartet | Vladimir Martynov |
14 | Forever | 2-08 | Antonello Venditti | Maurizio Fabrizio |
15 | Pancho | – | ||
16 | There must be an angel (playing with my heart) |
– | Lorraine Bowen | Annie Lennox, David A. Stewart |
17 | Water from the same source | 2-10 | Rachel's | |
18 | II. Adagio from Symphony in C major |
1-08 | film: Leopold Stokowski and his Symphony Orchestra album: New Zealand Symphony Orchestra conducted by Donald Johanos |
Georges Bizet |
19 | Dies irae from Requiem for my Friend |
1-06 | Elżbieta Towarnicka, Dariusz Paradowski, Piotr Lykowski, Piotr Kusiewicz, Grzegorz Zychowicz and Jan Szypowski | Zbigniew Preisner |
20 | Everything trying | 2-05 | Damien Jurado | |
21 | Discoteca | 2-16 | Exchpoptrue | |
22 | We no speak americano | 2-15 | Studio Allstars | |
23 | Ti ruberò | 2-12 | Monica Cetti | |
24 | Trois mouvements perpétuels | – | Peter Beijersbergen van Henegouwen | Francis Poulenc |
25 | Beata viscera | 1-11 | Vox Clamantis | Magister Perotinus |
– | Time | 1-04 | Lele Marchitelli (it) | |
– | River flows | 1-09 | Lele Marchitelli | |
– | Brain waves | 2-04 | Lele Marchitelli | |
– | Color my world | 2-07 | Lele Marchitelli | |
– | Surge of excitement | 2-09 | Lele Marchitelli | |
– | Settembre non comincia | 2-11 | Lele Marchitelli | |
– | Trumeau | 2-13 | Lele Marchitelli | |
– | Ramona | 2-18 | Lele Marchitelli |
Reception
The review aggregator website Rotten Tomatoes reported a 91% approval rating, based on 113 reviews, with a weighted average rating of 7.8/10. The critical consensus states, "Dazzlingly ambitious, beautifully filmed, and thoroughly enthralling, The Great Beauty offers virtuoso filmmaking from writer/director Paolo Sorrentino."[15] The film holds a score of 86/100 on Metacritic based on 34 reviews, signifying "universal acclaim."[16]
Robbie Collin at The Daily Telegraph awarded Sorrentino's film the maximum five stars and described it as "a shimmering coup de cinema". He likened it to Roberto Rossellini's Rome, Open City and Federico Fellini's La Dolce Vita in its ambition to record a period of Roman history on film. "Rossellini covered the Nazi occupation of 1944; Fellini the seductive, empty hedonism of the years that followed. Sorrentino's plan is to do the same for the Berlusconi era," he wrote.[17] Deborah Young of The Hollywood Reporter stated "Sorrentino's vision of moral chaos and disorder, spiritual and emotional emptiness at this moment in time is even darker than Fellini's (though Ettore Scola's The Terrace certainly comes in somewhere)."[18] Critics have also identified other purposefully explicit film homages: to Roma, 8½,[19][20] Scola's Splendor,[20] Michelangelo Antonioni's La notte.[21] Spanish film director Pedro Almodóvar named the film as one of the twelve best films of 2013, placing it second in his list.[22]
Film critic top lists
Various critics have named the film as one of the best of 2013.
- 1st: Time Out London's 10 Best films of 2013[23]
- 1st: Robbie Collin, The Telegraph[24]
- 2nd: The Guardian[25]
- 2nd: Richard Corliss, Time[26]
- 3rd: Chris Vognar, The Dallas Morning News[27]
- 4th: Sight & Sound[28]
- 4th: Lisa Schwarzbaum, BBC[29]
- 6th: Jake Coyle, Associated Press[30]
- 7th: Stephen Holden, The New York Times[31]
- 8th: Simon Abrams & Alan Scherstuhl, The Village Voice[32][33]
- 9th: Robert Gifford, The Diamondback[34]
- 9th: Empire's 50 Best Films Of 2013[35]
- Best films of 2013: Peter Bradshaw, The Guardian[36]
- Best Film of 2013: Justin Chang, Variety[37][38]
Accolades
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List of Accolades | |||
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Award / Film Festival | Category | Recipient(s) | Result |
86th Academy Awards[39] | Best Foreign Language Film | Paolo Sorrentino | Won |
79th New York Film Critics Circle Awards | Best Foreign Language Film | Paolo Sorrentino | Runner-up |
71st Golden Globe Awards[40][41] | Best Foreign Language Film | Paolo Sorrentino | Won |
67th British Academy Film Awards[42] | Best Foreign Film | Paolo Sorrentino | Won |
4th International Online Film Critics' Poll[43] | Top Ten Films | Won | |
Best Director | Paolo Sorrentino | Nominated | |
Best Cinematography | Luca Bigazzi | Nominated | |
67th Silver Ribbon Awards[44] | Best Director | Paolo Sorrentino | Nominated |
Best Producer | Nicola Giuliano and Francesca Cima | Nominated | |
Best Screenplay | Paolo Sorrentino and Umberto Contarello | Nominated | |
Best Supporting Actor | Carlo Verdone | Won | |
Best Supporting Actress | Sabrina Ferilli | Won | |
Best Cinematography | Luca Bigazzi | Won | |
Best Costumes | Daniela Ciancio | Nominated | |
Best Sound | Emanuele Cecere | Won | |
Best Score | Lele Marchitelli | Nominated | |
66th Cannes Film Festival | Palme d'Or | Paolo Sorrentino | Nominated |
60th Belgian Film Critics Association | Grand Prix | Paolo Sorrentino | Nominated |
59th David di Donatello Awards[45] | Best Film | Nicola Giuliano and Francesca Cima | Nominated |
Best Director | Paolo Sorrentino | Won | |
Best Script | Paolo Sorrentino and Umberto Contarello | Nominated | |
Best Producer | Francesca Cima and Francesca Cima | Won | |
Best Actor | Toni Servillo | Won | |
Best Actress | Sabrina Ferilli | Nominated | |
Best Supporting Actor | Carlo Verdone | Nominated | |
Best Supporting Actress | Galatea Ranzi | Nominated | |
Best Cinematography | Luca Bigazzi | Won | |
Best Score | Lele Marchitelli | Nominated | |
Best Sets and Decorations | Stefania Cella | Won | |
Best Costumes | Daniela Ciancio | Won | |
Best Makeup | Maurizio Silvi | Won | |
Best Hairstyling | Aldo Signoretti | Won | |
Best Editing | Cristiano Travaglioli | Nominated | |
Best Sound | Emanuele Cecere | Nominated | |
Best Visual Effects | Rodolfo Migliari and Luca Della Grotta | Won | |
Youngs' David | Paolo Sorrentino | Nominated | |
53rd Italian Golden Globe | Best Director | Paolo Sorrentino | Nominated |
Best Actor | Toni Servillo | Nominated | |
Best Cinematography | Luca Bigazzi | Won | |
Best Music | Lele Marchitelli | Nominated | |
39th César Awards[46] | Best Foreign Film | Paolo Sorrentino | Nominated |
34th London Film Critics Circle Awards | Best Film | Nicola Giuliano and Francesca Cima | Nominated |
Director of the Year | Paolo Sorrentino | Nominated | |
Best Foreign Language Film | Paolo Sorrentino | Nominated | |
34th Boston Society of Film Critics Awards | Best Foreign Language Film | Paolo Sorrentino | Won |
29th Ciak d'oro[47] | Best Film | Paolo Sorrentino | Won |
Best Actor | Toni Servillo | Won | |
Best Supporting Actor | Carlo Verdone | Won | |
Best Supporting Actress | Sabrina Ferilli | Won | |
Best Producer | Nicola Giuliano and Francesca Cima | Won | |
Best Cinematography | Luca Bigazzi | Won | |
Best Sets and Decorations | Stefania Cella | Won | |
Best Costumes | Daniela Ciancio | Won | |
Best Screenwriter | Paolo Sorrentino and Umberto Contarello | Nominated | |
Best Sound | Emanuele Cecere and Francesco Sabez | Nominated | |
Best Editing | Cristiano Travaglioli | Nominated | |
Best Music | Lele Marchitelli | Nominated | |
Best Movie Poster | Anna Di Cintio, Matteo Desogus, Fabrizio Caperna and Geo Ceccarelli | Nominated | |
29th Independent Spirit Awards | Best Foreign Film | Paolo Sorrentino | Nominated |
28th Goya Awards | Best European Film | Paolo Sorrentino | Nominated |
26th European Film Awards[48] | Best Film | Paolo Sorrentino | Won |
Best Director | Paolo Sorrentino | Won | |
Best Actor | Toni Servillo | Won | |
Best Screenwriter | Paolo Sorrentino and Umberto Contarello | Nominated | |
Best Editor | Cristiano Travaglioli | Won | |
20th Dallas–Fort Worth Film Critics Association Awards | Best Foreign Language Film | Paolo Sorrentino | Nominated |
19th Critics' Choice Awards | Best Foreign Language Film | Paolo Sorrentino | Nominated |
18th Florida Film Critics Circle Awards | Best Foreign Language Film | Paolo Sorrentino | Nominated |
18th Satellite Awards | Best Foreign Language Film | Paolo Sorrentino | Nominated |
17th Hollywood Film Awards | Best International Film | Paolo Sorrentino | Won |
Best Independent Film | Paolo Sorrentino | Won | |
Best New Screenplay | Paolo Sorrentino and Umberto Contarello | Won | |
Best Actor | Toni Servillo | Nominated | |
Breakout Performance | Toni Servillo | Nominated | |
17th Tallinn Black Nights Film Festival[49] | Grand Prix | Paolo Sorrentino | Won |
Jury Prix | Luca Bigazzi | Won | |
16th British Independent Film Awards | Best Foreign Independent Film | Paolo Sorrentino | Nominated |
15th Cinemanila International Film Festival | Lino Brocka Award for Best Film | Paolo Sorrentino | Won |
11th International Cinephile Society Awards | Best Film | Paolo Sorrentino | Nominated |
Best Foreign Film | Paolo Sorrentino | Nominated |
See also
- List of submissions to the 86th Academy Awards for Best Foreign Language Film
- List of Italian submissions for the Academy Award for Best Foreign Language Film
References
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- ↑ Tiziano Peccia, "Critica e critiche alla grande bellezza", O Olho da História, numero 22 (aprile 2016)
- ↑ Order of appearance in the film's closing credits. '–' indicates original music by Lele Marchitelli, individual tracks not credited in the film.
- ↑ CD and track number from 2-CD original soundtrack album, Indigo Film IND009. '–' indicates tracks not included in the album.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
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- ↑ http://www.cineblog.it/post/273115/nastri-dargento-2013-i-vincitori-sei-premi-a-tornatore-quattro-a-sorrentino
- ↑ http://cultura.panorama.it/cinema/david-donatello-2014-vincitori
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ http://www.ilfattoquotidiano.it/2014/06/04/ciak-doro-a-la-grande-bellezza-otto-premi-virzi-miglior-regista/1012251/
- ↑ http://www.europeanfilmacademy.org/News-detail.155.0.html?&tx_ttnews%5Btt_news%5D=187&cHash=7872fee2aa1512636ab74a5a3fb9a315
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
External links
- Lua error in Module:WikidataCheck at line 28: attempt to index field 'wikibase' (a nil value). The Great Beauty at IMDb
- The Great Beauty at Rotten Tomatoes
- The Great Beauty at Metacritic
- The Great Beauty at AllMovie
- The Great Beauty at Australian distributor Palace Films
- Use dmy dates from October 2013
- Pages with broken file links
- 2013 films
- Articles containing Italian-language text
- Lang and lang-xx using deprecated ISO 639 codes
- Films directed by Paolo Sorrentino
- Films set in Rome
- Films shot in Rome
- Films about writers
- French films
- Italian films
- Italian-language films
- European Film Awards winners (films)
- Best Foreign Language Film Golden Globe winners
- Best Foreign Language Film Academy Award winners
- Pathé films