The Beach Boys Today!

The Beach Boys Today!
Studio album by The Beach Boys
Released	March 8, 1965 (1965-03-08)
Recorded	June 22, 1964 (1964-06-22)–January 19, 1965 (1965-01-19)
Studio	United Western Recorders, Gold Star Studios, and RCA Victor Studios, Hollywood
Genre	Baroque pop orchestrated rock
Length	28:54
Label	Capitol
Producer	Brian Wilson
The Beach Boys chronology
The Beach Boys' Christmas Album (1964)The Beach Boys' Christmas Album1964 Today! (1965) Summer Days (And Summer Nights!!) (1965)Summer Days (And Summer Nights!!)1965
The Beach Boys UK chronology
Beach Boys' Party! (1966) Today! (1966) Pet Sounds (1966)
Singles from Today!
"When I Grow Up (To Be a Man)" / "She Knows Me Too Well" Released: August 24, 1964 "Dance, Dance, Dance" Released: October 26, 1964 "Do You Wanna Dance?" / "Please Let Me Wonder" Released: February 15, 1965

The Beach Boys Today!, also known simply as Today!, is the eighth studio album by the American rock group the Beach Boys, and their first of three 1965 releases. It peaked at number four on US record charts and was preceded by the top 10 singles "When I Grow Up (To Be a Man)" and "Dance, Dance, Dance", along with "Do You Wanna Dance?" which reached number 12.

The album marked a major transition point for the band through Brian Wilson's sophisticated, orchestral approach. In December 1964, Wilson suffered through a nervous breakdown while on a plane, and was introduced to marijuana as a stress reliever. He then became a regular user after he realized the profound effect it had on the way he perceived music, subsequently resigning from touring with the group in order to focus solely on songwriting and producing.

The tracks on the first half of Today! feature an electric guitar-rock oriented sound that contrasts the second half consisting of ballads, showing an increased mature lyrical depth that would foreshadow future efforts like Pet Sounds. The second side marks Wilson's continuing maturation as a recording artist; all the songs showcase creatively developed vocal & instrumental arrangements, complex Wall of Sound production, and lyrically introspective subject matter.

In 2012, the album was voted 271 on Rolling Stone magazine's list of the "500 Greatest Albums of All Time". In 2005, it was included in the musical reference book 1001 Albums You Must Hear Before You Die.

Background

By the end of a particularly stressful 1964, the Beach Boys had released four albums in 12 months, dismissed the Wilsons' father Murry from his managerial position and recorded the advance hit singles "When I Grow Up (To Be a Man)" and "Dance, Dance, Dance." Mid-1964 also saw the divorce of Mike Love from his first wife Frances St. Martin whom he had married in 1961. During the album's recording sessions, Love told Melody Maker that he and the band wanted to look beyond surf rock, wanting to avoid living in the past or resting on the band's laurels. Brian Wilson had written his last surf song in April 1964, intending All Summer Long (released July 1964) to be the group's final statement on beach-themed music.

Wilson became physically and emotionally exhausted to a point that he suffered an anxiety attack on December 23, 1964. During the recording sessions of Today! in January 1965, he informed the band that he intended to retire from touring and focus his attention solely on creating and producing music, to which the band reluctantly agreed. Wilson expressed regret over not having done this sooner so that he could do "justice" to the band's recordings, saying "I was run down mentally and emotionally because I was running around, jumping on jets from one city to another on one-night stands, also producing, writing, arranging, singing, planning, teaching – to the point where I had no peace of mind and no chance to actually sit down and think or even rest."

Music and lyrics

In songs like 'She Knows Me Too Well' and 'In the Back of My Mind', Wilson's dream lovers were suddenly no longer simple happy souls harmonizing their sun-kissed innocence and dying devotion to each other over a honey-coated backdrop of surf and sand. Instead, they'd become highly vulnerable, slightly neurotic and riddled with telling insecurities.

—Nick Kent, "The Last Beach Movie Revisited", 2009

Today! marked a maturation in the Beach Boys' lyric content by abandoning themes related to surfing, cars, or teenage love. Some love songs remained, but with a marked increase in depth, along with introspective tracks accompanied by adventurous and distinct arrangements. British rock critic Nick Kent explained: "What was really happening was Brian's approach to romance was becoming more and more personalized, more honest in a distinctly autobiographical way."

According to author Scott Schinder, "Today!'s suite-like structure, with the album divided into a side of fast songs and a side of ballads, presented an early manifestation of the rock album format being used to make a cohesive artistic statement – an idea that Brian would soon explore more fully." It was thus the band's first flirtation with the album-as-art form. Brian's recent introduction to marijuana greatly influenced the album's writing, as he would later claim: "Pot made the music grow in my head." Musicologist Philip Lambert disagrees with the notion that "Brian wrote B-side songs before his December catharsis and A-side songs in the sunny glow of his subsequent freedom", believing that the compositions which preceded his plane episode still showed evidence of progressive ingenuity.

Side one

PopMatters notes that even though Today!'s A-side is filled with uptempo numbers, "it would be a mistake to assume that the ballads are more sophisticated. ... Wilson proves that he can be just as harmonically and structurally inventive with catchy dance songs as he can with emotional ballads." On "Good to My Baby" and "Don't Hurt My Little Sister", the journal points out "deceptive simplicity" in its music and lyricism, with the latter "capturing the conflicting and tortured feelings Wilson was dealing with through this period" that may not be heard on a first listen. The journal explains that "Don't Hurt My Little Sister" is commonly suspected to be autobiographical, with Wilson alluding to his conflicted, romantic feelings toward his sister-in-law. According to Van Dyke Parks, Brian had a "fervent desire to reinvent himself as an individual, not as a boy." This culminated in "When I Grow Up (To Be a Man)", a song discussing his anxieties about becoming an adult. Released as an A-sided single, it was one of the first rock songs to explore the subject of impending adulthood. The next track, "Help Me, Ronda", would later be re-recorded as "Help Me, Rhonda" to deliver the Beach Boys their second number one hit in May. Its riff was taken from Buster Brown's "Fannie Mae" (1959).

Side two

"Please Let Me Wonder" was claimed to be the first song Wilson had written under the influence of marijuana. "Kiss Me, Baby" contains an expanded instrumental palette of three guitars, two basses, two pianos, two saxophones, and percussion, English horn and French horn. Thomas Ward of AllMusic called the song a product of Wilson's "dense, multi-layered confessional songs, with adult themes and exploring issues previously only developed by performers such as Bob Dylan" while biographer Jon Stebbins would refer to it as "the pinnacle of balladry ... one of the Beach Boys' most romantic and emotional songs." In the book Yeah Yeah Yeah: The Story of Modern Pop, Bob Stanley of Saint Etienne wrote of the lyricism in "In the Back of My Mind":

"[The narrator's] emotions, whatever really was in the back of his mind, seemed to come out without any filter for what was deemed cool, or appropriate, or even musically acceptable ... The same album's 'She Knows Me Too Well' opened with 'Sometimes I have a weird way of showing my love', a line that wouldn't shock in the catalogues of Nick Cave or the Jesus and Mary Chain, but was pretty unsettling in the hands of the car-crazy Californians. Brian was aiming for Johnny Mercer but coming up proto-indie."

The front cover lists nine of the album's 12 tracks, followed by "plus three great new songs written by Brian Wilson." However, of the remaining three tracks, only "In the Back of My Mind" was another original composition. "I'm So Young" is usually attributed to William H. "Prez" Tyus, Jr., and the other song, "Bull Session with the "Big Daddy"", is an informal interview with the band.

Recording and production

Begun on June 22, 1964 in between sessions for The Beach Boys' Christmas Album, "Don't Hurt My Little Sister" was the earliest song tracked for the album. August was devoted to the singles "When I Grow Up (To Be a Man)" and "She Knows Me Too Well"; followed by "I'm So Young", the outtake "All Dressed Up for School", and "Dance, Dance, Dance" in September. Only one session occurred in October for a remake of "Dance, Dance, Dance", being the first session date labelled for Today!, and the only session which was conducted at RCA Victor Studios. "Kiss Me Baby" was then tracked two months later in December. Following Brian's return to the studio on January 7, 1965, the rest of the album was completed in less than two weeks, ending on January 19. As documented by Craig Slowinski, the extent of the album's instrumentation features:

• guitars
  • twelve-string, electric, and acoustic guitars; electric and six-string bass guitars
• keyboards
  • accordion, harpsichords, grand pianos, upright tack pianos, Wurlitzer electric piano, Hammond organ, Farfisa organs
• woodwinds
  • English horn, oboes, harmonicas, tenor, baritone, and bass saxophones
• strings
  • autoharp, violins, cellos, mandolins, electric mandolin, ukulele
• percussion
  • drums, wood blocks, tambourines, timpanis, congas, timbales, claves, sleigh bells, triangle, castanets, bell tree, vibraphones
• brass
  • French horn

In comparison to previous albums, Today! necessitated Brian's use of session musicians to a greater extent. Despite this, Carl Wilson was still employed on lead guitar for many of the album's tracks, and usually played alongside these session musicians which would later be informally known as the Wrecking Crew, comprising many of the same musicians who played on Phil Spector's Wall of Sound productions that Wilson idolized. The recording process typically involved recording an instrumental on two tracks of 3-track tape with one remaining track left for the first vocal overdub. This tape was then dubbed down to a second tape for an additional layer of vocal overdubs. The LP was finally issued in mono, their first album not to be issued in stereo since Surfin' U.S.A. (1963).

Reception

Professional ratings
Review scores
Source	Rating
Allmusic
Blender
Encyclopedia of Popular Music
The Guardian	positive
Rolling Stone

Despite being a departure from the Beach Boys sound that pervaded prior efforts, the album was a commercial success; Today! climbed to number four in the US chart during a chart stay of 50 weeks and also reached number six in the British chart during the summer of 1966. Singles "Do You Wanna Dance?", "When I Grow Up (To Be a Man)" and "Dance, Dance, Dance" had all charted.

The album is often described as a foreshadowing of the later Beach Boys' album Pet Sounds. Alice Bolin writes: "Pet Sounds was released only a little over a year after Today!, and it can be hard to separate Today! from the masterpiece it led to—so much so that Today! can feel like a rehearsal for Pet Sounds, with its themes and ideas repeated and perfected in the later album." PopMatters adds "Pet Sounds is about growing up and moving on, and as such, it’s melancholic and reflective. But Today! is about the optimism, not the sadness, of leaving adolescence. Even on the more sentimental b-side songs, there’s a sense of excitement and longing for what the future has in store."

Accolades

In 2005, Today! was included in Robert Dimery's 1001 Albums You Must Hear Before You Die. In 2007, The Guardian named it one of "1000 Albums to Hear Before You Die". In 2012, a variety of musicians and writers voted the album at 271 for Rolling Stone's "500 Greatest Albums of All Time" list, with it stating: "The Beach Boys were still into cars, girls and surfboards, [sic] but Brian Wilson was already a genius. He writes sweet California tunes here, and the haunting 'She Knows Me Too Well' hits Pet Sounds-deep."

Release history

In the early 1980s, as part of Capitol Records' repackage series of their Beach Boys albums, Today! was retitled Dance Dance Dance and had two tracks deleted: "In the Back of My Mind" and "Bull Session with the 'Big Daddy'". This was one of several Beach Boys releases not to be issued in true stereophonic sound. Originally, Capitol issued the album in mono, as well as "duophonic". In 2012, a complete stereo mix of Today! was finally released for the first time.

Track listing

Track list details per Craig Slowinski. Following a 1990s court case, the songs "Good to My Baby", "Don't Hurt My Little Sister", "When I Grow Up (To Be A Man)", "Help Me, Ronda", "Dance, Dance, Dance", "She Knows Me Too Well", and "In the Back of My Mind" were amended to include a songwriting credit to Mike Love that did not exist previously.

All songs written and composed by Brian Wilson and Mike Love, except where noted. 

Side one
No.	Title	Lead vocals	Length
1.	"Do You Wanna Dance?" (Bobby Freeman)	Dennis Wilson	2:19
2.	"Good to My Baby"	B. Wilson with Love	2:16
3.	"Don't Hurt My Little Sister"	Love with B. Wilson	2:07
4.	"When I Grow Up (To Be a Man)"	Love with B. Wilson	2:01
5.	"Help Me, Ronda"	Al Jardine	3:08
6.	"Dance, Dance, Dance" (B. Wilson/Carl Wilson/Love)	Love	1:59

Side two
No.	Title	Lead vocals	Length
1.	"Please Let Me Wonder"	B. Wilson with Love	2:45
2.	"I'm So Young" (William H. "Prez" Tyus, Jr.)	B. Wilson	2:30
3.	"Kiss Me, Baby"	B. Wilson with Love	2:35
4.	"She Knows Me Too Well"	B. Wilson	2:27
5.	"In the Back of My Mind"	D. Wilson	2:07
6.	"Bull Session with the 'Big Daddy'" (The Beach Boys)	Earl Leaf, Ron Swallow, B. Wilson, Love, D. Wilson, Marilyn Wilson, and C. Wilson	2:10

2001 CD reissue bonus tracks
No.	Title	Lead Vocals	Length
13.	"The Little Girl I Once Knew"	B. Wilson, Jardine with C. Wilson	2:40
14.	"Dance, Dance, Dance (Alternate take)" (B. Wilson, C. Wilson, Love)	Love with B. Wilson	2:02
15.	"I'm So Young (Alternate take)" (Tyrus)	B. Wilson	2:29
16.	"Let Him Run Wild (Alternate take)"	B. Wilson	2:18
17.	"Graduation Day" (J. Sherman/N. Sherman)	Love with B. Wilson	2:18

Personnel

The Beach Boys in 1964

Sourced from Musician's Union AFM contract sheets and surviving session audio, documented by Craig Slowinski.

The Beach Boys

• Al Jardine – lead, harmony and backing vocals; electric rhythm guitar; bass guitar; handclaps
• Mike Love – lead, harmony and backing vocals; handclaps
• Brian Wilson – lead, harmony and backing vocals; four and six-string bass guitar; grand, upright and tack piano; baldwin harpsichord; hammond organ; handclaps
• Carl Wilson – harmony and backing vocals; lead, rhythm and twelve-string guitar; six-string bass guitar; handclaps
• Dennis Wilson – lead, harmony and backing vocals; drums, tambourine, handclaps

Additional musicians and production staff

• Hal Blaine – drums, woodblocks, sleigh bells, triangle, tambourine, castanets, temple block
• Chuck Britz – engineer
• Glen Campbell – guitar
• Peter Christ – English horn
• Steve Douglas – tenor saxophone
• David Duke – French horn
• John Gray – grand piano
• Carl Fortina – accordion
• Plas Johnson – tenor saxophone
• Carol Kaye – bass guitar
• Barney Kessel – classical nylon rhythm guitar, twelve-string guitar
• Larry Knechtel – bass
• Larry Levine – engineer
• Carrol Lewis – double-reed harmonica
• "Louie" (last name unknown) – castanets
• Jack Nimitz – saxophone
• Jay Migliori – baritone saxophone
• Earl Palmer – drums, timbales
• Don Randi – tack upright piano, organ
• Bill Pitman – electric guitar, acoustic guitar
• Ray Pohlman – bass guitar
• Billy Lee Riley – harmonica
• Leon Russell – piano, organ
• Billy Strange – electric guitar, electric mandolin
• Ron Swallow – tambourine
• Tommy Tedesco – autoharp, electric guitar, mandolin
• Russ Titelman – percussion (microphone boom hit with screwdriver)
• Julius Wechter – vibraphone, bell-tree, timpani, tambourine, congas
• Jerry Williams – vibraphone, timpani
• Marilyn Wilson – backing vocals
• unknown – oboe, cellos, violins, violas, English horn

Charts

Albums

Year	Chart	Position
1965	German Albums Chart	14
1965	US Billboard 200 Albums Chart	4
1965	UK Top 40 Album Chart	6

Singles

Year	Single	Chart	Position
1964	"Dance, Dance, Dance"	US Billboard Hot 100 Singles Chart	8
1964	"When I Grow Up (To Be a Man)"	US Billboard Hot 100 Singles Chart	9
1965	"Do You Wanna Dance?"	US Billboard Hot 100 Singles Chart	12
1965	"Please Let Me Wonder"	US Billboard Hot 100 Singles Chart	52

References

Sources