Cimarron (1931)

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5.7	Rating (42 ratings)
5.9	IMDB rating

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Directed by

Wesley Ruggles

Starring (View all)

Richard Dix
Yancey Cravat

Irene Dunne
Sabra Cravat

Estelle Taylor
Dixie Lee

Nance O'Neil
Felice Venable

William Collier Jr.
The Kid

Roscoe Ates
Jesse Rickey

George E. Stone
Sol Levy

Stanley Fields
Lon Yountis

Written by

Edna Ferber
(novel)

Howard Estabrook
(screen version)

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Pre-Code Hollywood (700 items)
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Published 14 years, 10 months ago

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Published 16 years ago

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20's and 30's Movies I Want To Watch (126 items)
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Published 6 years, 3 months ago

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When Does The Academy "Get It Right"? (85 items)
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Published 13 years, 8 months ago

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Published 12 years, 1 month ago

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Description: The Best Picture of 1931 chronicles one family's experiences in the restless days of settling the American West. Adapted from Edna Ferber's sweeping novel, ... Full Descriptionthe story tracks the growth of an Oklahoma town and the homesteaders who came there from the 1890s through the 1920s. Remade in 1960. Remade in 1961 by director Anthony Mann starring Glenn Ford as Yancey Cravat and Maria Schell as Sabra. Additional cast: Nance O'Neil (Felice Venable), Frank Beal (Louis Venable), Donald Diloway (Elder Cim), Junior Johnson (Cim Younger), and Douglas Scott (Cim Youngest). Additional credits: Howard Estabrook (continuity ... (more)

Release date: 9 February 1931

Tags: Western (6), Drama (3), Epic (2), Best Picture Oscar (2), 1931 (2), RKO Studios (1), Racial Equality (1), Best Picture Winner (1), Academy Award Winners (1), Land Rush (1), Racial Stereotype (1), Oklahoma (1), Prostitution (1), Oil (1), Murder (1), Politics (1)

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Academy Award for Best Picture☆Films (98 movies items)

" 4th Academy Awards (1931) "

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BradWesley123's Movie Journal- February 2019 (36 movies items)

" DVD- 2hrs. 3min. First Viewing Cimarron is at once both an impressive cinematic feat, and a hilariously aged ham-fest. One has to admire the effort on display; a 1931 film attempts to tell a multi-generation spanning story about the ramifications of ambition, and the inability to evolve one's perspective. For a film of that era to attempt that, and, in doing, craft sprawling spectacle is still a remarkable thing. It's storytelling is exceedingly spotty though; it's a lumbering film that never g"