Best known as the granddaughter of Ernest Hemingway, six-foot-tall sexpot Mariel Hemingway crafted her own legacy by showing off her killer body in a wide variety of films. Named for the Cuban port, in just her first attempt at acting Mariel earned a Golden Globe nod for her role alongside sister Margaux Hemingway in Lipstick (1976). Soon after, she garnered an Academy Award nomination for her role as the May in the May-December romance with Woody Allen in Manhattan (1979). If we may say so ourselves, her turn as a lesbian track athlete in Personal Best (1982) was both groundbreaking and earth-quaking. Her training in the film included jumping into the sheets with her butch female track pal, Patricie Donnelly, and indulging in some (off-camera) sixty-nine during the '76 Olympics. Teamwork makes the dream work! She shows her gold medal worthy globes and girl gully in a scene where she showers with a ton of topless Olympians. Mariel's mams were again on display for her role as Playboy bunny turned murder victim Dorothy Stratten in Star 80 (1983), before she earned a Razzie nomination for her work in Superman IV: The Quest for Peace (1987). In 1991, she gave us a manhood of steel when she showed up in the Tales From the Crypt episode "Loved to Death." Mariel takes off her top while doing some laundry and shows off the bells we'd love to toll. After hosting SNL, a mature Mariel again went girl crazy in The Sex Monster (1999). After a three-way with her husband, Hemingway happily humped, bumped, grinded, and licked every pretty girl that crossed her path. Rarrr! She opted to ride a man's bull instead of fighting one when her cowgirl riding was loud and aggressive, but the nip slip was quick in Fourplay (2001), her last nude appearance. Mariel has been mostly popping up in documentaries like Running From Crazy (2013) about her families history of mental illness, Unity (2014), and Skin: A History of Nudity in the Movies (2020). For males. Mariel's clothes. Should never be worn.
