Nick Levine

Outspoken glam-country star Tanner Adell is ready to tell her own story

She’s already worked with Beyoncé and gone viral by reclaiming a sexist slur. Now the 24-year-old genre-blender is releasing her most personal music yet

Remember Monday on bringing Queen-inspired chaos to Eurovision: “If we finish top five, we’re all getting tattoos!”

The Eurovision hopefuls tell NME about 'What the Hell Just Happened?', getting approval from Taylor Swift and Brian May, and plans to avoid getting nul points at the big final in Basel

Sugababes on “unexpected” new single ‘Jungle’ and being “ghosted” by ex-label: “We’re standing behind art we’re proud of”

The group speak to NME about bouncing back as an independent act, writing "exciting" music with JADE, if fans can expect any deep cuts on their 2025 tour, a potential return to Glastonbury, and why they "hate the word ‘reunion’"

‘Marching Powder’ review: Danny Dyer’s sweary coke comedy is a bit of a comedown

Reuniting with 'The Football Factory' director Nick Love results in lots of C-bombs but not much else

Lady Gaga – ‘Mayhem’ review: queen of pop bombast dials everything up to eleven

Maximalism meets controlled chaos on the superstar’s first pop album in half a decade – and it’s just so much fun

‘Mickey 17’ review: Bong Joon-ho’s oddball sci-fi satire is out of this world

Proof that you can never have too much Robert Pattinson

‘The Last Showgirl’ review: Pamela Anderson’s firecracker second act starts here

An intimate, evocative character study of a Vegas showgirl forced to face an uncertain future

Rebecca Black on 14 years of ‘Friday’ and finding ‘Salvation’: “I just hope people can see my full journey”

The viral star-turned-hyperpop queen talks about finding her own lane, fully embracing her gayness and finally learning to trust her instincts

Tate McRae – ‘So Close To What’ review: serving flip phone-era club-pop

The main pop girl contender sharpens her sound on her third outing, recalling 2000s Rihanna, Britney Spears and the Pussycat Dolls

‘Bridget Jones: Mad About The Boy’ review: big heart and belly laughs from a ’90s icon

It's a more emotional outing from our Bridget butthe messy romcom icon is as relatable as ever
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