Tristram Shandy

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Tristram Shandy, a satire to the traditional narrative structures in novels. Essay Outline. I. [Introduction] a.

Brief introduction to the first chapter of the novel. b. [Thesis statement] Tristram Shandy is a novel that

satirizes traditional narrative. c. Brief definition of narrative. II. [Development] a. The satire to narrative in the storys style. i. Analysis of the narrative style used in the novel. How the narrative jumps from the plot to some

dissertations. ii. Analysis of the plot. How the plot does not work in a linear, temporal way; instead it jumps back and forth in time. iii. Analysis of the type of narrator in the novel. The narrator, Tristram Shandy, works as a first person omniscient narrator that uses the novel to portray his opinions while narrating a seemingly inconsistent plot. iv. This narrative opposes the traditional, linear

narrative structure, and it serves as a

contrast

to it, making evident the mistakes of the former one, thus, being a satire to the traditional

narrative

b. Tristrams own opinions on the book. i. He says that the reader should not forget the

meaning of the words opinion and life in order to interpret the book as a whole. ii. According to him the book should be read not in a straightforward read each of way, the instead, ideas the reader should by it

portrayed

individually, and analyzed individually. iii. He acknowledges that he makes several digressions in the course of his narration in order to set it forward iv. He explains the purpose of the book; he says that the book is a history book of what passes in a mans own mind. By doing this, he acknowledges that the structure of the book is a series of dissertations because he desires it to be so. This proves that the book works as a satire to the traditional narrative style. III. [Conclusion] Both the narrative style and the narration itself satirize the traditional way of writing, and they lead the reader to analyze the novels for their right value and to think about more than just the plot in a story.

Christian M. Rudich de la Rosa

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