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VOUME IV:
Fitness and strength are meaningless qualities without health. With correct training, these three benefits should naturally proceed hand-in-hand. In this "book, every effort has been made to convey the importance of safe training technique, but despite this all individual trainees are different and needs will vary. Proceed with caution, and at your own risk. Your body is your own responsibility-look after it. All medical experts agree that you should consult your physician before initiating a training program. Be safe! Despite this, the author maintains that all the exercise principles within this volume-techniques, methods and ideology-are valid. Use them, and become the best.
TENTS
CELL I: BRIDGING THEORY
THE TEN BRIDGING COMMANDMENTS
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17 21 25 29
33 37
41 47 51
55 59
LL 3: THE VARIANTS
TRIPOD BRIDGE BOW HOLD CAMEL HOLD INVERSE HYPEREXTENSIONS OUTRO
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64 66 68 70
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efore we launch into the specific exercises of the bridging series, we're going to follow the approach we used for all the DVDs in this collection, and plant ten ideas in your mind. These ten ideas really are the "x-factor" of spinal trainingthe kind of stuff you just won't find in training magazines and videos, and probably won't be taught unless you've spent some time behind bars. This is the stuff you need to know if you want to take your bridging from "okay" to "world class". Each of these "Ten Commandments" of bridging relate to any bridging exercise you do. We're not going to repeat each of these ten for every exercise we show you later, so it's your responsibility to remember them. Take a look at them now, and return to this section later when you actually begin your bridging program. Okay, let's look at the ten bridging commandments.
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MOVE YOURSELF!
Many people know bridging movements from eastern disciplines like yoga. As a result many people think of the bridge as a "hold". You get into, say, a full bridge, and you hold it. Like this.
In traditional western-type strength training where bridging movements are still used to :rengthen the spinewrestling and gymnastics are good examplesthe bridge is a dynamic jovement. It involves motion; it's not just a static hold. You move up and down. The way bridges are done in American prisons are more akin to the western way. When you do rullups, you do, say, two sets often repetitions. The same is true for pushups, or leg raises. It's also . for bridges. Don't just push up into a single bridge, hold it, then relax. When you bridge, perform sets and reps, the exact same way you would for any other exercise. Yoga is great for supr.eness and gentle toning, but if you want a powerful spine with dense tendons and thicker mus:.es. you should be using the bridge to repeatedly move your bodyweight up and down. Muscles gain size and strength fastest when you fatigue their cellular energy, and the most efficient way to do this is through movement under resistance. Using bridges as a moving, up-and-down, up-anddown exercise will also work more muscle groups than just holding the top position of a bridge. Your back has evolved to move, and as you press up and down into your bridges, emphasis shifts from one set of muscles to others. There certainly are benefits to holding the bridge at the top, not least the fact that it stimulates the deepest layer of spinal tissue. Combine both techniques. Move during bridging practice, and pause at the top. This leads us automatically to the next commandment.
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Trapezius Upper back complex Posterior deltoids Triceps Spinal erectors Glutes Hamstrings Gastrocnemius and soleus Powerful, healthy spinal erectors which are trained to arch well are worth their weight in gold to any strength athlete. Any architect will tell you how strong an arch is. When the spine is convex, and rounds forward, you risk all types of nasty back injury. That's why, when we lift heavy objects, we're told to arch the back slightly if we canit makes us stronger and much safer.
POSTERIOR CHAIN
We arch the back when we pick something up, curl something; powerlifters even arch their spines during "upper body" movements like the bench press. Make the most of your bridging exercises and always make the effort to hold it when the arch, is at its highest point. It will be incredibly worthwhile if you do this.
When the spine is convex, and rounds forward, you risk back injury.
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BREATHE SMOOTHLY!
^ ith a lot of exercisessuch as squats, pushups and leg raisesathletes are often advised to wreathe a certain way; for example during a pushup it's helpful to inhale on the way down and rreathe out on the way up. This use of alternating breathing relative to your direction exploits the crural expansion and contraction of the ribcage. When you begin performing more difficult bridges, your chest will be consistently open, and your diaphragm stretched. At first, you'll find it .cult to take in enough air. For this reason, the best approach to breathing during bridging isn't tiy and link breathing to your movement. Instead, just try to breathe as normally and smoothly .* r rssible. Avoid heaving, panting, choppy breaths, and focus on drawing in the good lungfuls of sir you need during healthy exercise. This will be tough at first, because your ribs may be stiff. But ] your best. Over time, your ribcage will gain strength and flexibility, and you'll be able to Treathe deeply and smoothly when you bridge. Never hold your breath when you bridge.
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The reality is though, that very wide stances are a type of cheating; plus, they put the hips in a vulnerable position when you're bending back, and this can irritate them. Whenever you bridge right from step oneavoid wide stances. Keep your feet shoulder width or a little narrower. Get into this movement pattern and you'll gain greater strength and flexibility in bridging. When you get to later, more advanced stages, you won't need "tricks" because you'll have a grounding in good technique from the start.
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When pressing into a bridge, push down through the hands and feet, and continue pushing in an attempt to totally straighten your arms and legs.
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Many athletes, when they bridge, are at a loss as to what to do with their head. They either struggle to hold their head up, or they just let it flop backwards under gravity. Both of these options are bad ideas. The noggin is pretty heavyit can weight upwards of ten pounds. Straining to hold your head up while you bridge will quickly tire out the muscles of the throat, and letting your head just drop down does nothing for your bridging and may even injure the vertebrae of the neck. So how should you move your head during bridges? When you are bridging, certainly if you are doing anything beyond angled bridges, you should forget your head and instead focus on pressing your chin up towards the ceiling.
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This action will automatically control the backwards rotation of your head. Keep pushing until you can see the wall behind you, and then stop. This technique activates the hard-to-reach muscles of the upper spine, the cervical spine, and makes this area more flexible and healthy. All forms of bridging strongly activate the lumbar spine and t-spine, but activating the c-spine as well will go a long way to improving your total suppleness and spinal strength. It will also improve your posture and, if performed correctly, eliminate a lot of neck pain.
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The justification is that this action takes pressure off the lower back. It is true that pressing down through the heels during bridgingor during any exercise where your feet are on the flooractivates the posterior chain of muscles. For this reason, lifting your heels can make you feel less tension in your back during bridging. But this is the opposite of what you wantthe whole point of bridging is to train the deep muscles of the spine and posterior chain. If bridging causes your lower back to become sore because you lack flexibility, the solution isn't to lift your heels. The solution is to improve your flexibility. You do this by working through the bridging series methodically, increasing your hip and spine flexibility at the same pace as your strength. Keep your heels flat on the floor to get the most out of your bridging. Never raise your heels.
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Another option would be to follow a set of bridges with one of the leg raise movements, which stretch out the spine as you strengthen your core. Alternating these two is a particularly efficient way to train. Not only will this post-set stretching feel great because you're releasing the waste and tension built up in your back, but you'll also find you're more flexible after bridging because your nervous system is fired up and easier to control. You don't have to stretch hard, but if you're into serious stretchingmaybe you're a martial artistperforming forwards stretches immediately after bridging is a wonderful idea. Because your back is hot and full of blood, the chances of a stretching injury will be greatly reduced.
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^ ^ ridging has many benefits. It doesn't onl\ make your whole bod) stronger, more supple, *mmdr and less likely to get injuredbridging will even improve your posture, your digestion, and increase your lung capacity. But most people rarely even train, let alone bend over backwards. So when you begin to tackle bridging, it's important that you do it gradually. In this section, we're going to show you ten bridging techniques. We'll begin with exercises that stimulate the spine and the protective muscles around the hips and back. After some more training to increase shoulder flexibility, we'll move on to exercises like the classic full bridge. From there, we'll move to even bigger movements like wall walking and closing bridges. These exercises are constructed in a ten step series that are designed to increase your flexibility, stamina, joint health and total body strength. By the time you reach the tenth step in the seriesthe Master Stepyou'll be an expert bridger with incredible posterior chain strength and a spine like a steel whip. And your days of bad backs and tight hips will be a thing of the past.
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BASIC P0STUB1
Lie on your back with your hands crossed on your stomach. Your feet should be drawn in, approximately six to eight inches from your butt. Your feet should be flat on the floor, and approximately shoulder width apart.
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POSITIVE
Push through your feet and lift your butt off the floor. Keep your knees hands relaxed and neutral. Continue pushing until your spine and hips form a straight line, with no sagging Breathe normally throughout the exercise. Pause in this position for at least a one count.
Continue pushing until your spine and hips form a straight line, with no sagging.
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BEGASIVX
Reverse the movement and slowly lower your hips back down. Lower yourself under muscular controldon't just collapse onto the floor. Continue until you have reached the starting position again, and repeat.
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Begin this exercise with one set of 10 reps, and gradually add reps from workout to workout. When you can perform a strict set of 25, add a second set of 10. Build up to two sets of 25, then add a third set of 10. From there, work up to three sets of 50 before moving to Step 2.
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OVERVIEW
All kinds of bridges work the spinal muscles and hip extensors, the posterior chain muscles. In short bridges, you activated these posterior chain muscles through the lower limbsyou pushed down through the feet. This is how most people activate their spine and hips in everyday life. We run, we bend, we jump. Bridging is a total posterior chain exercise because it activates the spinal muscles from both endsnot just through the feet and hip girdle, but also through the hands and shoulder girdle. In Step 2, we're going to begin using the upper limbs as well. We're going to show you the most fundamental way to begin working with this aspect of bridging, and that's through straight bridges.
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BASIC P0S5JUE1
Sit on the ground with your legs stretched out in front of you. Your legs should be straight, with your feet approximately shoulder width apart. Place your palms either side of you and behind your back, at least four to six inches back. Sit up straight, so that your body is in the jackknife position.
Place your palms either side of you and behind your "back, at least four to six inches "back.
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POSITIVE
Push through your palms and heels and lift your butt off the floor. Keep your arms and legs locked straight. Draw your chin up and look towards the ceiling. Continue pushing until your spine, hips and legs all form a straight line, with no sagging Breathe normally throughout the exercise. Pause in this position for at least a one count.
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Reverse the movement and slowly lower your hips back down. Lower yourself under muscular control-don't just collapse onto the floor. Continue until you have reached the starting position again, and repeat.
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This exercise can be made easier by improving your leverage. This is done by bending the legs while keeping the arms straight. Over time, straighten your legs into the straight bridge.
Begin this exercise with one set of 10 reps, and gradually add reps from workout to workout. When you can perform a strict set of 20, add a second set of 10. Build up to two sets of 20, then add a third set of 10. From there, work up to three sets of 40 before moving to Step 3.
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BASIC POSTUBE
Sit on a sturdy object which reaches around knee-height or a little taller. Prisoners use bunks, but a bench, bed or couch is acceptable. Lay back, and shuffle forward so that your hips and lower back are clear of the surface. Your legs should be bent, with your feet approximately shoulder width apart. Place your hands either side of your head, with your fingers pointing down towards your feet.
Sit on a sturdy object which reaches around knee-height or a little taller. Prisoners use "bunks, hut a bench, bed or couch is acceptable.
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POSITIVE
Push through your palms and heels and lift your shoulders off the bunk or bench. Draw your chin up and look towards the ceiling. Continue pushing until your shoulders have reached as high as possible. You will now be supporting your bodyweight using only your hands and feet. Pause in this position for at least a one count.
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K1GATIV1
Reverse the movement and slowly lower your upper back and head down onto the bunk or bench. Breathe normally throughout the exercise. Continue until you have reached the starting position again, and repeat.
Angled bridging is easier the higher your hands are. If bridging off a bed or bunk is too hard at first, try using the edge of a desk or table and try the bunk again later.
Start angled bridges with a single set of 8 reps. Continue adding reps until you can do 15. At this point, add a second set of 8. Keep on adding strict reps until you can perform two sets of 15, then add a third set of 8. Gradually work up to three sets of 30 before moving to Step 4.
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OVERVIEW
Once you've completed a course of angled bridges, your hands, wrists and arms will have the strength to support your bodyweight, and your shoulders will have the rotational tension-flexibility required to maintain the "palms alongside head" position under tension. This means most people will be able to hold a bridge in the top position. Pushing yourself into a bridge all the way from a flat floor will be somewhafharder on the shoulders however, so before you launch into full bridges, it makes sense to continue your training gradually, by working only on the top half of the full bridge. That's the purpose behind this stage.
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BASIC POSIUEE
Lie flat on your back. Your feet should be drawn in, approximately six to eight inches from your butt. Your feet should be flat on the floor, and approximately shoulder width apart. Place your hands either side of your head, with your fingers pointing down towards your feet. Press down through your arms and legs and lift your back off the floor. Arch your back and push your hips as high as you can. Draw your chin up and look towards the wall behind you.
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BIGAIIVE
Keeping the arch in your spine, smoothly bend your arms and legs. Lower yourself under muscular controldon't bang your head on the floor. Continue descending until your head gently makes contact with the floor.
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POSITIVE
Push through your palms and heels again, lifting the head from the floor. Keep your chin pointing to the ceiling. Continue pushing until you are back in the top position, with your hips as high as you can get them. Breathe normally throughout the exercise. Pause in the bridge hold for at least a one count before repeating the technique.
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To enable you to get into the initial bridge hold, support your lower back with a base, such as a basketball (See: Half Bridges) If touching the head to the floor is too difficult, place one or two books under your head before you begin, and touch your head to them. As you gain strength, remove the books
If you can't get into a full bridge hold yet, pushing off with a basketball under your hips will help you. If touching the head to the floor is a problem, increase your range over time.
Begin this exercise with one set of 8. When you have built to 15 reps, add a second set and continue adding strict reps whenever you can. Since we are moving towards harder bridges now. stick with two work sets and build to 25 reps on each set before moving to Step 5.
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OVERVIEW
A program of angled bridges will have given you the wrist and shoulder flexibility and rotational strength to perform the correct hand position required for harder bridging. With head bridges, the athlete applied this hand position on the floor, and the horizontal surface will have increased the weight going through the shoulders and arms. Now that the shoulders, elbows and hands are conditioned for bridging, the next step is to begin increasing the depth of the horizontal bridging movement. That's what half bridges do, and as a result they condition the deeper spinal muscles.
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BASIC POSIUBE
Sit on the floor with a basketball behind your lower back. Your feet should be flat on the floor, and approximately shoulder width apart. Lean back so that you are lying over the ball, until your shoulders and upper back are on the floor. Place your hands either side of your head, with your fingers pointing down towards your feet. Press down through your arms and lift your shoulders and head off the ground. At this point, you should be supported by five points; your palms and soles will be pushing on the floor, and your lower back will be resting on the ball. If this is uncomfortable you can lay a towel or blanket over the ball before you begin.
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POSITIVE
Press down through your arms and legs and lift your lower back clear of the ball. Draw your chin up and look towards the wall behind you. Straighten your arms and legs as much as possible. Arch your back and push your hips as high as you can. Pause in the bridge hold for at least a one count.
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HBGA5JIV1
Reverse the movement, smoothly bending your arms and legs. Breathe normally throughout the exercise. Continue descending until your lower back gently makes contact with the ball again.
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To make this exercise easier, increase the height of your base. (Lay pillow or folded up blanket over the basketball) As you get stronger, remove the covering from the basketball and perform the technique as shown
To make the half bridge easier at first, just make your base higher. You can do this by putting a pillow or folder blanket on top of the basketball until you get stronger.
Begin your half bridges with one set of 8 perfect reps. Gradually add reps from workout to workout until you can perform a strict set of 15 repetitions. When you achieve this goal, add a second set of 8 and build up to two sets of 20 before moving to Step 6, full bridges.
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BASIC POSTUEB
Lie flat on your back. Your feet should be drawn in, approximately six to eight inches from your butt. Your feet should be flat on the floor, and approximately shoulder width apart. Place your hands either side of your head, with your fingers pointing down towards your feet.
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POSITIVE
Press down through your arms and legs and lift your body clear of the ground. Draw your chin up and look towards the wall behind you. Straighten your arms and legs as much as possible. Arch your back and push your hips as high as you can. Pause in the bridge hold for at least a one count.
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HEGAHIVE
Reverse the movement, smoothly bending your arms and legs. Breathe normally throughout the exercise. Continue descending until your head, back and hips are resting on the floor again, and immediately repeat the exercise.
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To make the exercise easier, push off a base somewhere halfway between the basketball you used for half bridges, and the floor. (A football is a good option) Use progressively smaller bases (e.g., mini soccer ball, softball) until vou can easily bridge from the floor
If you can perform half bridges but you can't yet bridge all the way from the floor, begin by using a distance marker somewhere between the height of the floor and the height of the basketball. A good tacky football laid .on its side is an ideal halfway option.
Begin this exercise with one set of 6 reps, and add reps until you can perform a strict set of 10. Then add a second set of 6. Build up to two sets of 15 before moving to the next step. Remember, when it comes to full bridges, quality is more important than quality.
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STEP 7:
WALL WALKING BRIDGES (DOWNM
OVERVIEW
Most bodyweight athletes only go so far as to master the full bridge. The full bridge is an awesome exercise conveying many benefits, but if you want to get the best strength and flexibility you can out of bridging, the time will come where you'll have to move on to more advanced bridges. For this next step you'll begin exploring stronger, bigger bridging movements. The next two exercises will induct you into the art of wall walking; that is, bridging from standing using the wall. The first stage of wall walking that bridgers must learn is how to walk down the wall safely. Obviously, walking up the wall will be harder due to gravity, so we start like this to learn the basic technique, range of motion, and to get your confidence, balance and vestibular system used to wall bridging. Before you start this exercise, make some safety preparations. Check that your hands are dry. If they are sweaty, wipe them down. You want to have dry hands if you are walking down the wall so that you don't slip and smack into the floor. Also make certain there's nothing between you and the wall that you could slip on, or fall onto. If you're new to wall walking, you might want to dump some pillows or cushioning next to the wall, so that if you do fall you'll be safe. Once you've started, if you get in trouble or feel you can't go any further, just push yourself away from the wall or go back up. Once you've looked into safety you're ready to roll.
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BASIC POSEUBl
Start by standing approximately one arm's length from a solid wall. If you're not sure how far away you need to be, start closer to the wall for safety's sake. You can always adjust and step away if you need to. Your posture should be natural, with the feet about shoulder width apart. Push your hips forwards until they are as far as they can go. Bend at the knees a little to keep upright. As you do this, draw your chin up and look towards the wall behind you. Once you can see the wall, bring your hands up over your shoulders and place them on a point you can see. It's important to place your hands on the wall under controldon't just fall back onto it. Once your hands are secure, lean back and put some of your bodyweight through your hands and fingers. Your hands should be level, with your knees a little bent and pressure running through your heels and hands. This is the basic starting position for all wall walking.
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Your hands should " b e level, with your knees a little "bent and pressure running through your heels and hands.
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Take one hand off the wall and lower it by a few inches before placing it securely on the wall again. Now do the same with your other hand, placing it even farther down the wall. Repeat this process, making sure you push hard through the wall when only one hand is making contact. At first, use small "steps" with your hands as you find your way. Take as many hand "steps" as you need, and shuffle your feet forwards as you go. Try to breathe normally during all wall walking. Keep taking these steps until you are close to the bottom of the wall. When you are ready, place one palm flat on the floor next to the wall, and put your weight through it. Now place your other palm on the floor. Straighten your arms and legs as much as possible. Arch your back and push your hips as high as you can. You will now be in a full bridge hold next to the wall.
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POSITIVE
Lower your butt and shoulders to the floor, and stand up. To perform your subsequent rep, reposition yourself next to the wall.
Very few athletes manage to walk down the wall first time of asking. But if you mark your depth and work on being progressive, you will achieve this feat sooner than you think.
Once you've mastered the basic movement, begin this exercise with one set of 3 full repsto the floor and back up. Add reps until you can perform one set of 6 repetitions. Once you achieve this, add a second set of 3 and build up to two sets of 10 before moving to Step 8.
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STEP 8:
WALL WALKING BRIDGES CUP) 4
OVERVIEW
Now that you can walk down the wall, the next step is learning to walk up. Walking down will have given you the balance and flexibility to walk upthe range of motion is just the samebut walking your bodyweight up a wall requires greater strength, due to the fact that you're fighting gravity, too. So this next step makes for a perfect progression. It also makes for a good special exercise to prepare you for harder bridging. This exercise is an important step in the series. Previous bridging has involved pushing your body into an arch using your arms and legs. That method also involves strength in your hip extensors, the glutes, spine and hamstrings, to create the body arch. But now you are also straightening your body. This requires increased strength from the hip flexors, the abs and thighs. At this level, bridges are becoming a total-body workout. We're beginning to strengthen our entire body with bridges nowposterior and anterior chains.
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BASIC POSTURE
Assume the same basic posture you learned for walking down the wall.
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Take mini-steps down the wall with your hands, as before. Shuffle your feet forwards when you need to. Finish in a bridge hold next to the base of the wall.
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POSITIVE
Place one palm on the wall, and press through it, until you generate enough tension to support you briefly. Then place your second palm on the wall, in line with the first. Now begin to take mini "steps" up with your hands, pressing through the palms, fingers and thumbs. Try to breathe normally during all wall walking. Keep taking these hand steps until you are nearly back to the standin position. From here, gently push away from the wall, and return to the standin position.
JTow "begin to take mini "steps" up with your hands, pressing through the palms, fingers and thumbs*
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Begin this exercise by only hand walking down to a point where you are certain you can walk back up. Mark your progress and you'll find you rapidly increase your depth over time.
The reps drop here, because one rep involves both going down and coming back up. When you can complete 2 reps like this, start adding to the set gradually until you can perform 4 full down-and-up repetitions. From there, add a second set of 2 and build up to two sets of 8.
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***-,
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BASIC POSTUBI
Your posture should be natural, with the feet about shoulder width apart. Place your hands on your hips. Relax your breathing and try to breathe normally throughout the exercise.
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Push your hips forwards as you simultaneously arch your spine. When your hips are as far forward as possible with fairly straight legs, begin bending your knees and keep shifting your gravity forward. As you do this, draw your chin up and look towards the wall behind you.
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Continue arching until you can see the floor a few feet behind you. Once you can see a place to put your hands, take your hands off your hips and begin to bring them up over your shoulders. Continue shifting your gravity forward as your hands pass beyond your head, and place your and palms on a point you can see. It's important to place your hands on the floor under full controldon't just fall back onto your hands. Once your hands are secure, lean back and put some of your bodyweight through your hands and fingers. Straighten your arms and legs as much as possible. Arch your back and push your hips as high as you can. You will now be in a full bridge hold on the floor.
It's important to place your hands on the floor under full control-don't just fall back onto your hands*
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POSITIVE
Lower your butt and shoulders to the floor, and stand up. Reposition yourself correctly before performing your next rep.
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Make this exercise more progressive by using a set of stairs. Stand at the toot of a carpeted stairwell and bridge back until your hands rest on one of the higher steps Reach back to lower steps each time you bridge, until you can bridge to the floor
Most athletes should gradually work up to closing bridges by using a set of stairs; bridge back onto lower steps over time, until you can bridge all the way back onto the floor.
Once you have worked through closing bridges on the stairs (if you need to), begin by performing one rep on flat ground. Once you can perform 3 reps in succession, add a second single rep after a rest. Build up to two sets of 6 before moving to Step 10the Master Step.
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BASIC POSTUBl
Your posture should be natural, with the feet about shoulder width apart. Place your hands on your hips. Relax your breathing and try to breathe normally throughout the exercise.
BBGASIVE
Push your hips forwards as you simultaneously arch your spine. When your hips are as far forward as possible with fairly straight legs, begin bending your knees and keep shifting your gravity forward. As you do this, draw your chin up and look towards the wall behind you. Continue arching until you can see the floor a few feet behind you. Once you can see a place to put your hands, take your hands off your hips and begin to bring them up over your shoulders Continue shifting your gravity forward as your hands beyond your head, and place your and palms on a point you can see. It's important to place your hands on the floor under full controldon't just fall back onto your hands. Once your hands are secure, lean back and put some of your bodyweight through your hands and fingers. Straighten your arms and legs as much as possible. Arch your back and push your hips as high as you can. You will now be in a full bridge hold on the floor.
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POSITIVE
Shift your centre of gravity forward, by pushing up through the arms while pressing your hips up and forward. Continue until more of your weight is going through your legs, and less through your hands. If you need to take mini "steps" forwards with your hands as you go, do it. Keep going until your palms aren't needed any more and lift off the floor. Continue the gravity shift as you straighten your spine a little, and flip your arms back over your head. Place your arms by your side and pull your chin down to its normal position. Draw in the hips and straighten the legs and body until you are back in the starting position again.
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BRIDGE SERIES
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For ease of reference, let's take a look at the ten steps of the bridge series all together.
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STEP 6 :
FULL BRIDGES
Step six: Full bridges. Build to two sets of fifteen. Then start;
STEP 8 :
Step eight: Bridge walking down and up the wall. Build to two sets of eight. Then go to;
STEP 9 :
Step nine: Closing bridges. Build to two sets of six. Then finally advance to;
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m ^ B ow you've got those ten steps as a fundamental resource, as the cornerstone of your ^ f c ^ back training, we're going to give you some more weapons for your armory. You may not ever feel the need to use these'exercises we're about to show you. You may just want to stick with bridging. That's fine. But no matter how good, or even essential, any movement series is, it's good to have some variations in your pocket. This is particularly true when it comes to anything which involves the back or spine. If done correctly, bridging can help heal old back injuries, but so many athletes carry injuries or minor aches and pains in this area anyway that it can be helpful to have a few variant exercises if you need to work around a pulled muscle or stiff lower or upper back. It never hurts to have more movement skills under your belt, provided you apply them right and don't overuse them.
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OVERVIEW
Once you've mastered the full bridge, tripod bridges are an excellent and challenging variant. As the name suggests, you push up into the bridge position using just three limbs instead of the usual four. Since the legs are stronger than the arms, the best way to learn is to push up using two arms and just one leg, like this.
PERFORMANCE
This variation will really test your leg and trunk strength. That makes tripod bridges a good "assessment" exercise. If you've got any weaknesses in the bridge, they'll start to show in this technique. But if you're okay, try to build up to sets of fifteen reps. If that gets easy, you're ready to try the advanced variation, where you use two legs and just one arm, like this.
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PEEE0EMMC1
This is a lot tougher, and will really maximize your arm and shoulder strength. Due to the circular pressing movement, it will also strengthen your rotator cuffs if you build up to it properly. If one-arm tripod bridging is too easy, you can explore "gecko bridges" pushing up with one arm and the opposite leg stuck out. Gecko bridge holds are discussed in the Convict Conditioning x>ok. The gecko version provides variety, strengthens your arms and legs, and improves your balance for bridging. Because your lumbar muscles have to generate extra tension to keep your body stable, this is great for giving you a lower back made out of steel. Excellent variation to add into your program from time to time.
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HOLD
OVERVIEW
A lot of athletesmen in particularknow lots of bodyweight exercises for the showy muscles of the body. But they neglect the functional musclesand no muscles are more functional for strength and fitness than the spinal muscles and posterior chain. They might be able to show you ten different pushup variants, but if you ask them to show you a good exercise for conditioning the spine they'd be lost. That's one reason why it's good to know the bow hold. Apart from bridging, the bow hold is one of the best exercises to really work your spinal muscles. It's simple, safe, and fairly easy to learn. You just lie face down on the floor and lean back, grasping your ankles and pushing your chest and knees as high as you can. Your body looks like a bow; hence the name. Let's take a look at how it's done.
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TRAINING IDEAS
This is a great exercise to add to your routine. It's not a substitute for bridging, which is better, but it does work the spinal muscles well and provide a good anterior chain stretch. It's a great alternative to bridging if you're feeling tired, or if your arms are exhausted from training. You can build up to thirty second holds, or just hold the top position for a two count then lower back down and go for reps. Two or three sets of ten reps makes for a great spinal workout, with very little total bodv burn-out.
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CAMEL HOLD
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OVERVIEW
Once you've mastered the bow hold, the camel hold is a great spinal exercise to work with. The camel is a lot like the bow, but you do it upright, instead of on your belly. You just kneel on the floor and lean back, grasping your ankles and pressing the hips forward. Because you can't use the leg muscles as much this way, the spinal erectors need to do most of the work, so the camel position is progressively more demanding than the bow position on the ground. As a result, the deeper muscles of the spine are activated really well. Let's see how it's done.
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TRAINING IDEAS
This exercise is actually pretty hard, particularly if you have a tight anterior chain, and your back's not as strong as it should be. Most beginners and intermediates should learn the bow first. Irs always useful to have some static, or isometric exercises in your back training toolkit, because from time to time you might not want to do regular bridges, maybe because of a shoulder injury, a wrist injury, or you just want some variety. Camel holds will keep the deeper muscles of your spine toned and in great condition if you need to substitute them for a while. Once you can do this exercise perfectly, build up to thirty second holds. Three sets of holds will be enough to really work out any athlete's back muscles.
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INVERSE HYPEREXTENSIONS I
OVERVIEW
Hyperextensions and rear hyperextensions are exercises for the lower back and posterior chain which involve straightening the body at the hips. You normally need a special exercise unit to perform this exercise, or at least the help of a partner. But prisoners have figured out a way to perform hyperextensions alone, and without any custom-made apparatus. You perform a headstand. and lower your legs down towards the floor, without letting them touch the ground. From there, you raise your legs back up straight, using only the spinal muscles, glutes and hamstrings. Here's what it looks like.
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TRAINING IDEAS
This is never an exercise which is going to build thick, powerful back muscles. But hyperextensions are a great way to work the lower back and r_.=mstrings safely. In a deadlift or good morning, your feet are on the ground, so the weight passes through your spine. This makes these exercises riskier if you have a bad back. But, because your feet are in the air during wall hypers, minimal pressure is running down through your spine. This makes this exercise a perfect warm up tor a stiff back, or alternately, a therapy drill to loosen up your posterior chain and force lots of healing blood s.io a sore back. Be strict and work up to three or four sets of double figures to see good results. To make this movement easier, perform it from a shoulderstand; to make it harder use a handstand.
Hyperextensions are a great way to work the lower back and hamstrings safely.
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You are now in possession of the most advanced bridging progressions in the whole world. There's no excuse for a bad back or a weak spine any more. We've given you the techniques. All you need to do is bring the willpower and actually start. Nobody can do it but you. But you can do it. If you need support, come and visit us at the forum at dragondoor.com. We're there. Until next time, keep doing those bridges!
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Exercise/Fitness/Sports
Erect Twin Pythons of Coiled Beef Up Your Spine and Develop Extreme, Explosive Resilience With the Dynamic Power and Flexible Strength of Advanced Bridging
aul Wade's Convict Conditioning system represents the ultimate distillation of hardcore prison bodyweight training's most powerful methods. What works was kept. What didn't, was slashed away. When your life is on the line, you're not going to mess with less than the absolute best. Many of these older, very potent solitary training systems have been on the verge of dying, as convicts begin to gain access to weights, and modern "bodybuilding thinking" floods into the prisons. Thanks to Paul Wade, these ultimate strength survival secrets have been saved for posterity. And for you...
Filmed entirelyand so appropriately on "The Rock", Wade's Convict Conditioning Volume 4, Advanced Bridging: Forging an Iron Spine explodes out of the cellblock to teach you in absolute detail how to progress from the relative ease of a Short Bridgeto the stunning, "1 -in-1,000" achievement of the Stand-to-Stand Bridge. Ten progressive steps guide you to inevitable mastery of this ultimate exercise for an unbreakable back. This home-study course in ultimate survival strength comes replete with bonus material not available in Paul Wade's
original Convict Conditioning bookand numerous key training tips that refine and expand on the original program. Prowl through the heavily and gorgeously-illustrated 80-plus-page manual and devour the entire film script at your animal leisure. Digest the brilliant, precise photographs and reinforce the raw benefits you absorbed from the DVD. Paul Wade adds a bonus Ten Commandments for Perfect Bridgeswhich is
worth the price of admission alone. And there's the additional bonus of 4 major Variant drills to add explosivity, fun and super-strength to your core practice. Whatever you are looking for from your bridgesbe it supreme suppleness, a tigrishly powerful spine, extreme resilience against injury, or a godlike level of strength-flexibilityit's yours for the progressive taking with Convict Conditioning Volume 4, Advanced Bridging: Forging an Iron Spine.
Copyright 2012 Paul "Coach" Wade A Dragon Door Publications, Inc production
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