Politicalcartoonsprohibition

BECOMING MODERN: AMERICA IN THE 1920S
PRIMARY SOURCE COLLECTION

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National Humanities Center: AMERICA IN CLASS,
2012: americainclass.org/. Title font The Twenties (TestarossaNF) courtesy of Nicks Fonts at FontSpace.
Complete image credits at americainclass.org/sources/becomingmodern/imagecredits.htm.
Spirit of Prohibition: Get Down and Give the Lady
Your Place, Life, January 29, 1921

HE WENTIES
T T
IN POLITICAL CARTOONS
Eight political cartoons examining Prohibition from
wet and dry perspectives appear on the following
pages. They span the years from 1921, when the
nation was one year into the Noble Experiment,
to early 1930, when its path to repeal was hastened
by the Great Depression.
To analyze a political cartoon, consider its:
CONTENT. First, basically describe what is drawn in
the cartoon (without referring to the labels). What is
depicted? What is happening?
CONTEXT. Consider the timing. What is happening
in national events at the time of the cartoon? Check
the date: what occurred in the days and weeks before
the cartoon appeared?
LABELS. Read each label; look for labels that are not
apparent at first, and for other written content in the
cartoon.
SYMBOLS. Name the symbols in the cartoons. What
do they mean? How do they convey the cartoons
meaning?
TITLE. Study the title. Is it a statement, question,
exclamation? Does it employ a well-known phrase, e.g.,
slang, song lyric, movie title, radio show, political or
product slogan? How does it encapsulate and enhance
the cartoonists point?
TONE. Identify the tone of the cartoon. Is it satirical,
comic, tragic, ironic, condemning, quizzical, imploring?
What adjective describes the feeling of the cartoon?
How do the visual elements in the drawing align with
its tone?
POINT. Put it all together. What is the cartoonists
point?
QUESTIONS
What arguments for and against Prohibition are
presented in the cartoons? what benefits, harm, and
unforeseen consequences?
How is the public depicted? Uncle Sam? ardent wets
and drys? How do cartoonists employ these generic
caricatures?
What perspectives are expressed in the cartoons
published in Kansas and Nebraska? in Chicago?
in New York City? Why?
ROHIBITION

Bullet Proof
Chicago Daily Tribune, April 29, 1926

National Humanities Center Political Cartoons from the 1920s: Prohibition

Spirit of Prohibition: Get Down and
Give the Lady Your Place

Life, January 29, 1921
Cartoonist: William H. Walker

The Spirit of Prohibition is depicted as a preacher-reformer, his wings implying a
holier-than-thou attitude.

Temperance activist Carrie Nation carries a book of blue laws, laws that restrict
commercial activities, especially the sale of alcohol, on Sunday, the Christian Sabbath.

Permission request in process to Digital Holdings, Inc. Digital image from original publication.

Pigs in Clover
Kansas City Times, September 10, 1921
Cartoonist: Herbert Johnson
Reproduced by permission of the Indiana Historical Society.

Pigs in clover: those living in their ideal setting, in luxury.

Pigs in Clover, a popular puzzle toy introduced in 1889,
never was considered an easy puzzle to work.

Blind pigs: speakeasies.

12 mile limit: offshore range in which the U.S. enforced
Prohibition (later modified).

Farmer: Uncle Sam; U.S. government.

Courtesy of the Lilly Library, Indiana University, Bloomington, Indiana
Jerry Slocum Mechanical Puzzle Collection

Regular Halloween Scare

The North Platte Semi-Weekly Tribune
North Platte, Nebraska, October 17, 1922

Booze interests. Uncle Sam. Bumper crops [exceptionally large]. 1922 business progress. To continued prosperity.

In folklore, finger-snapping repels ghosts.

On October 5, 1922, U.S. Attorney General Harry Daugherty announced that it would henceforth be illegal for any
ships, American or foreign, to carry or sell liquor within the three-mile limit of U.S. coastal waters. The U.S. Shipping
Board opposed the move, arguing that foreign shippers would trade at Canadian instead of American ports. This
concern was not shared by many Americans enjoying renewed prosperity and record agricultural yields in 1922.

Courtesy of Chronicling America: Historic American Newspapers, Library of Congress. Cartoonist unknown; signature illegible.

The Unhappy Couple

Chicago Daily Tribune, September 21, 1925
Cartoonist: Carey Orr

The wife is depicted as a caricature of the female temperance activist of the 19
th
and early 20
th
centuries.

Reproduced by permission of the Chicago Tribune. Digital image courtesy of ProQuest Historical Newspapers.

Bullet Proof

Chicago Daily Tribune, April 29, 1926
Cartoonist: Carey Orr

The law. Justice. Organized crime. Bootleg profits. Gang rule. Pardon. Bond money. Money to bribe politicians.
Money to bribe jurors. Money to beat the law. Money to hire best lawyers.

Organized crime is depicted as an armored, hooded executioner with a bloody axe, wearing money bags.

Reproduced by permission of the Chicago Tribune. Digital image courtesy of ProQuest Historical Newspapers.

What a Queer Looking Camel

The New York Times, July 8, 1928
Cartoonist: Edwin Marcus

Uncle Sam. Prohibition. Bigotry. Religious prejudice.

The camel, which can subsist long periods without water, became a cartoon symbol for the drys
(Prohibition supporters).

Prohibition opponents (wets) included many Roman Catholics, most notably the 1928 Democratic
presidential candidate Al Smith, whose religion became a central issue in the campaign.

Reproduced by permission of the Marcus family. Digital image courtesy of ProQuest -Historical Newspapers.

Some People Are Like That

The Atlanta Constitution, July 4, 1929
Cartoonist: Brown

Public. Drys. Prohibition muddle swamp. Graft. Bribery. Crime. Contempt for law.

Permission request in process to the Atlanta Journal-Constitution. Digital image courtesy of ProQuest Historical Newspapers.

Untitled

The Washington Evening Star, January 6, 1930
Cartoonist: Clifford Kennedy Berryman

After 1928 the Prohibition debate became centered on the issue of enforcement. If the law is upheld only by
government officials, stated President Hoover in his December 1929 State of the Union address, then all law is at
an end. Responding to a last-ditch campaign by the drys, Congress had passed the Jones Five and Ten Act in
March 1929, increasing the penalties for violating the Volstead Act (five years in prison and/or a $10,000 fine), but
the national will for aggressive enforcement had waned. After the stock market crash of October 1929, economic
necessity brought the long-debated Smoot-Hawley tariff bill to the top of the priority list (it was passed in June 1930).
There was no further federal legislation for Prohibition enforcement until its repeal in 1933.

Courtesy of the U.S. National Archives & Records Administration, Center for Legislative Archives.

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BECOMING MODERN: AMERICA IN THE 1920S

PRIMARY SOURCE COLLECTION

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