17i Padoana 7 Course

10
0
3
0 1R
0
3 1 3
20
30
2 3R
0
0
3 0

0 4
3
3
2 5
0
3
3
75
0
0 3
0
0
2 0 2R
5
4
3 0 1R
2
0 2
3 0
0
3 1 3R
0R
2
0 2R
3
0
0 3

2 0
0
3 2
5
0 4
3 3
3
65
0 2
0 2R
2 3
0
A @

0
5
4 4
3 3
A

3
0R 2 3R
55
2 0R
0
2
3
2
0
A

3 3
1 1
0 0

0
2 0
0
2 3
45
0
2 0
0
2B 3
0
5
3
2 3
0 7
@

0
5
4
3

3 2R
@
0
3
0
0
5
4 0
3 3
5 2
3
5
4
3 1
0

0
0
3
3
3 2R
2
0 2R
3

0
5
4
3
80
0
3
2 3 2R
70
3
2 0
1 0
0
3
3 0 2R
1) Ornament here is ' " '.on the "d", placed to the side for legibility. Same in bars 42, 98, 106.
2) Bracketed notes from here on added by Otto Gombosi.
Capirola Lute Book (ca. 1517), f.27v. Encoded and edited by Sarge Gerbode. 6th course tuned to F.
50
4 0
3 3
5 2
0
2
3
2
0
3
3 2 0R
3R 2 0R

0
3
2
0
@
5
4
3
0
0
2B
3R
3 2R 0
A
@

0
0
2 0R
2
0R
2B
1)
0
0
5 5 3R
60
0
U3
0 5
[3]
[3] 3
7
2)
0
2
0 1R
2R B
0
0
5
0
3
3
0
0
2B 5
0
3 1
1
0

0
0
5 5 3R
0
2
2 3R
Vincenzo Capirola
0
2 0
2 B 0R
0
3
3
0
1 0
0
3
3
0
0 0
0
2
15
25
S 0
1 3
3 2
0
3
2
0 2 3R
@

35 0
0
0
3 0
0R
0
2
0R 1 3R
0
2 0
0
2B 3
0
2
3
2
0
A

0
A @

0
3 1
3 0
2 0R
0
0
0
3
3
S 0
1 3
17. Pavane
2 3 0R
0R
40
0
2
1
2B 0
0R
0R
2
0 2R
3
0
3
2
3
5
4
3 1
0
0
2
2 3R

0
5
4 4
3 3
3 3
1 1
0 0
A
@

0
3 1R 0
2R
0
0
2R
[0]
0 1R 3
85
0R
0
2
3R
2
5 4 2
3 3

0
3
3
105
1
0
1
0
0
3
3
0
3
2 0 2R
0
@

0
3R
2B
A @

5 3R
155
5
4
3
5
0
3
3 7
5
145
90
3
3 2 0R
S
0 2R 3 0R

3 1R 0
5 5
1R
7 7
5 5
5 5
8 8
7 7
0R
7
5
7 8
5
5R
0
2
2
3R
0
3
3
100
0
3
2
5
5
8 7
7 5
2R
0
0
S
2
3R
3 0
3R
0 2R 3 0R
2R 0
0 5 3R
2B
2 3
A @
@
A

120
0 115 0
0
0
0
5
5
5
5 5
4 4
5
4 5 4
5 4 2 0R
2
3
3 3
3 3
3
3 3 3
3 3
2
0
@
A

125
130
0
0
0
0
0
2 0
2
0R
0
0
0
3
3 0
0
2 3
3 2R
3
3
5
5 7 5R
@
A
A

135
0
3
0
0
5
8R 7 5R
7
7
5
5
5
3 7 5R
5 3R 2 0R
7R
5 7R 8
A

0
0
2
0
3
2 3R
3
0
2
3
2
0
A

A

0
0
2
2 3R

0
5
4 4
3 3
2
0 2R
3
A @

2
0
95
0
2 4 0R
2

0 2R

0
0
3 2
2 0
110
0
3
2 3 2R

7 5
5 8
8 7
0
2
0
3
3

0
5
5 5
3 3
2R
0
3 2 0R
2

5
0 4
3 3
3
A

0
1)
4 5 4
3 3 3
3R 2 0R
0
7
7
5
5
0 5
4
7 3
5
5
0R 2 3R
140
2)
7 5R 7 9R
@

150
0
0
3 2
2 0

0
5
4 4
3 3
5
4
3
2 3R
0
0
3
2
0
@
0 1R
2 3 0R
0R
: 8 7R

3
5
4
3 1
0
0
3
3

0
5
4 4
3 3
160
3)
0
3
3
1) In orig, chords are played by holding one string of the 3rd course down at the 3rd fret while the other is fingered, both played at once by the right hand.
2) See note 1.
3) Tab breaks off here. What follows is Otto Gombosi's reconstruction.
-2-
-3-

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