J og Jpiter

for
Sinfonietta
by
Gunnar Karel Msson

Score is in Concert C

2011

Instrumentation;
Flute
Oboe
Bass-Clarinet in Bb
Bassoon
Trumpet in Bb
Trombone
Tuba
Percussion (2 players)
Violin
Viola
Violoncello
Contrabass

Performance notes;
Quarter tones :

"

"

$#

$!##

1/4

"

Flute :

!
!

"
"
"

( "*

!%## "
%## "#$#
2/4

=% 5
=
=

Flute Multiphonics (FM)

FM1

FM6

3/4

FM2

FM7

Keyclicks

(up or down ar less or more than a

quarter tone)

#
$##

# #&&#
# #&#
#&#

1/4

2/4

3/4

"5 #

Fingered, non voiced; quasi glissando

harmonics
multiphonics
Flutter tongue

"

(in order of appearance)

"
"

FM3

FM4

FM8

FM9

"
In some places of the score the notation has been simplified.
So that it only encompasses quarter tones, and not any derivations therefrom.
In some cases enharmonic notes are spelled differently compared to this table.

"

ii

FM5

FM10

Oboe :

!
!

=
=
=

Keyclicks

Fingered, non voiced; harmonics

Flutter tongue

Oboe Multiphonics (OM)

OM1

OM6

OM11

(in order of appearance)

OM2

OM3

OM4

OM5

OM7

OM8

OM9

OM10

OM12

OM13

OM14

In some places of the score the notation has been simplified.

So that it only encompasses quarter tones, and not any derivations therefrom.
iii

OM15

#% 5 $Keyclicks%

"$

"$

Bassoon :

!
!

"

"
"

"
( "*
"
"
"

Fingered, non voiced; harmonics

!
!

"

" #
#
=
$ %
5
=$ # # $ %
%
=
="
5
%5$ % " #
#=
#
$ %
=$ " " # # $ % " %
=
= ""

Bass-Clarinet in Bb :

Slap tongue

Flutter tongue

Keyclicks

Fingered, non voiced; harmonics

Slap tongue

Flutter tongue

"

%
" #= "" $
# =$ " #
5

"

Brass (except for buzz mute - only trumpet and trombone) :

!"
!
!

Con sord. (buzz)

Fingered, non voiced; harmonics

=" " #
"
= "
="" " " "

"

% " %
"
#

Slap tongue; the normal "tu-tu" attack should be replaced

with an attack using "thud",
as it is pronounced in english, instead.

$#

Multiphonics, this notehead represents the note which is to be sung

Flutter tongue

A buzz mute is a
harmon mute (with
its stem) wrapped in
aluminium foil

"

"
"

iv

$
$

"
"
"
"

"

"

Percussion 1 and 2 :

"" Percussion
Setup 1

Wood-blocks
(hi - lo)

&& &

"

"

"

"

Bongos
(hi - lo)

Timbales

&& & &

&

"

"

Toms
(hi - lo)

Snare-drum

&&

"

Cow bells
(hi - lo)

Suspended cymbals
(hi - lo)

&& & &&

&
&&
Cow bells
(hi - lo)

Bass-drum

&

T
Z

Z
Y

Tam-tam

Tam-tam

Suspended cymbals
(hi - lo)

& &&&&

&

The Percussion 2 player is also to play

Glockenspiel
Gongs (f# ,b , c , d / F#4,Bb4,C5,D5)
Tubular bells (c ,f , f# ,g ,ab ,b ,c ,d#
/C4,F4,F#4,G4,Ab4,Bb4,C5,D#5)

C = Cow bells
S = Suspended cymbals
T = Tam-tam
Z = Glockenspiel
G = Gongs
Y = Tubular bells

Z
S

&

Percussion
Percussion
Setup 2

W = Wood-blocks
Y = Timbales
Z = Bongos
T = Toms
S = Snare-drum
B = Bass-drum

Setup 2

"

Per
Set

# =$

Strings :

$ %

&

'

Behind bridge on the given string (sub ponticello)

Scrape tone ( 75% noise 25% pitch)

Rhythmic subdivisions :

"

"

These are guidelines for the conducting of the piece. It is preferred that they are followed quite strictly!
In cases where the subdivisions are problematic, the aesthetic judgement of the conductor should prevail!

Ensemble layout :

Percussion 1

B
S

W
Z

Flute

Oboe

"

T
G

Bassclarinet

"

Bassoon

"

Trumpet
Trombone

Tuba

"

Violoncello

Contra-bass

Viola

Violin

) *

"

Percussion 2

) (*

Conductor

vi

"

q = 30/ h=15
e=60/x=120

Rythmic
Subdivisions
Flute

!
)

!"
!#

(3+2)

/#

/#
+01

+01 +01
pp

1
1
7 +0 +01*01 :01 :01 +01 +01 :0 7
3

"

Percussion 2

Violin

+01 :01

ff

+01

/
2

!"
!#

"(

Violoncello

"

$
%

pp

//

$3
/

pp

;/ / / /%3;/ /%3;/ / /%3;/ / / /%3;/ / /%3;/ /%3;/ /%3;/ /

8

mf

/ / /%3;/ / /%3;/ /%3;/ /

5:4y

$$3
/

mf

Perc.
setup 1

!
)

$3
/

mf

&
!#

+01 :01 +01 *0 +01 +01 :01 +01 :01 9

1

q = 30/ h=15

G. Karel
2011

9:8y

1 e=60/x=120

"

*01 +0 :0
1 1

#
+01 +01 +01 +01 +01 +01 +01 :01 :01 *01 : 0 *0 +01 :01 8
+ 01 1 1
pp
p
pp
5

mf

+01
6

+2
6

Viola

Contrabass

8#

/
+ /4

!
)

Trombone

Percussion 1

+ 01

(in 6)

$
%

/#
+ /4 #

11 1
3
+0 +0 +*/2 + 2 */ # +2 +2 +2 + 2 #
5
5
,

pp

Tuba

+01

/#

Bass Clarinet
in Bb

Trumpet in Bb

*01

/#

Oboe

Bassoon

J og Jpiter

5:4y

5:4y

ff

7:4x

pp

mf

&
!#

Rythmic
Subdivisions

Ob.

!
)
"

Tbn.

!-

Tba.

"

Bsn.

Perc. 1

!
"(

&
!#

/#

/#

< +0
< 7
1 :01
p

8#

&/ #
$$5

pp

=>
+01 +01 < +01 :0 +01 +01 :01
1
pp
5:4y

01 :0 +01 +01 :01 +01 +01 :0 +0 +0 +0 7

1
1 1 1 1

'/ #
$$5
pp

$>
/$

8#

8#

&
!# /

/#

&/ #
$5
8#
8#

pp

/#

/#

< +0
< 7
1 :01
p

8#
&/
$

pp

&/
$$

/#
=>
+01 +01 < +01 :0 +01 +01 :01
1
pp

'
%

01 :0 +01 +01 :01 +01 +01 :0 +0 +0 +0 7

1
1 1 1 1

pp

&/
$$

'/
$

,
,
4

'/
$$

&/
$

pp

'
%

Rythmic
Subdivisions

Fl.

!
)

Ob.

B. Cl.

"

1a

!
"

(in 3)

#
$%

con sord.
(harmon - no stem)

Tbn.

Tba.

Perc. 1

"

- %&'/
$

pp

!
"(

<

1a

!
"

&>3/
$

$$1
,/

&/
$$?
<

1
,+/0 ,0 ,0 +0 +0
5

$$ $$ $$ $
!
$
) ,/ +/ ,/ 7/
pp

pp

$$
,/

5:4e

Tpt.

/#

mf

$;
2 (/3$
>

$$1
,/

$;
(/$

#
$%

pp

$$
,/
/

<

<

$$
+/

$$
,/

/ >/

>/

)1
/

pp

"
$% 7$/

7/
$$

4
,/

, 30

,9: ,9: ,9 ,9: ,9: ,9: ,9 ,9:

:
:

58 6
,9: ,9: ,9: ,9:

ff

,9:

,9: ,9: ,9: +9: :

,9

,9:

5:4y

$$ $$
, / 7/

$$
,/

9:7x

>/

)1
/

)1
/

,/
$$

,9: ,9: ,9 ,9: ,9: 2

:
p

$$
,/
//>
/

,0 #
5

2
5

$;
, /$

pp

, 3/4 #

(in 4)

$
7/$

$
(/3$

$$
/
)1
/

pp

"
$%

>/
pp

$;
/$

<

/
5

/ / / / /

pp

5:4y

mf

( /

Rythmic
Subdivisions

Fl.

!
)

, /4

,0
5
- ,9:

B. Cl.

/
4

, / , /4

6 ,9@; ,9 ,9
: : : ,9: , 30
:
,9: ,9,9:,9:+9: ,9:

,0
5
,9:

//

Tpt.

Tbn.

!
)

pp

$$
(/3 #

! / / / / >/ /1>/
2
"(

Vln.

Vla.

!
)
".

$1
/

, /4

10

2 <
,0
5
,9: ,9: +9: <

,0
?
<

mf

,/
$

,/
$

$$
(/

mf

5:4y

pp

&

+/
$

mf

pp

5:4y

mf

0/##

pp

<

$
(/3$

"
$%

4
,/

, /4
,0
5
,9:

/ /

$
(/

13

6 ,9
, 0 ,9: : ,9: ,9:
58
:
,9: ,9,9:,9:+9:,9:
5:4y

pp

$
(/3$#

, /4

5:4y

pp

6 ,9
, 0 ,9: : ,9: ,9: , 30
58
: : ,9: : :
,9: ,9 ,9 ,9,9+9:,9:

+/ 2 <
$5

10

12

, /4

5:4y

$1
/$

pp

$1
(/3$

11
12
13
/ / / / / / / / / >/ /)1 >/ /
/ / / / / / / /)1>/ /)1>/ / / / / /
2
2
5
5:4y

0/ 2 <
5
mf
4;
,,/0 2 <

4
,,/0 ##

11

,9:,9:,9: ,9: , 0
p
?
,9: ,9: ,9:,9:,9: +9:

/ / /

pp

/ / / / / / / /)1>/ / >/ / / / / / ' / / /)1>/ /)1>/ /

2
<
9
)1

$
(/$ 2 <

, 3/4

,9:,9:,9:,9:,9 <
:
pp

con sord. (straight)

pp

"
$%

<

$1
(/3

/ / /

1b

Perc. 1

& , 3/4
'

5:4y

- $$
" %('/

1b

2,9 ,9 ,9
: : : ,9:
:
,9: ,9,9:,9:+9:,9:

"

5:4y

Bsn.

mf

11

pp

5:4y

pp

12

13

5:4y

mf

( ,

Rythmic
Subdivisions

Fl.

!
)

Tpt.

"

Perc. 1

/0

+ /23

!
)
+
"

Tba.

!
)
+

Tbn.

"

/23
p

/ ,! / ,! / ,! / ,! / ,!
////- /-

/ ,!
/-

5
/23 /23

/23

#
%,.#

#
,#

5:4y

/, /, :,##/,##9,## ## ##7
## ##
/,:,
;

senza sord

#
9,#

spp

$
%&

pp

##
9,

#
/,#

"
# , , ;, ;, ,

pp 5:4y

mf

,'

, ,'

18

;
%., '
#

(2+3+2)

, ,'

5:4y

, ,' ,

p f

,
21

## ##
;
;
%, %, %., %, (, %, , %., ' (, %, ' %,
#
#
;.
## # # ## # # ## # #

#<
/ ,#'

/, /,(, (,
/, ## ## ## #=
#

##5 8 8 7
/,
18
mf

(,
##

/,
##

##
5# 8 9,
,#

#
/,#

(, ;
# /##,
p
sff

5:4y

pp

//23

$
%&

5:4x

pp

## ## #
8/#,/#, :,#/,#9,#/,#:,#7 9,
## ;
#=
5:4y

(, (,
# ##

#5
7 /,# /, /#,
# #
mf

# # #
/,# /,# #
/,

6:5e

!
/,

:23/23:23/23:23 8923 /23 923 /23 923 8 7

#####
#
##5 8 /#,/#,:,#/,#9,#/,#:,#7 9,# ## ##<
## ;
/,
/, /,
spp

##
/,

## ##
5# 8 9, /,
,#

sff

#
/,#

6:5e

## ##
/,
/,

spp

;
7
/#,
#

$
%&

16

p f

'
#

(in 8)

, ,,, , ,,,
#
?#

22

## ## pp
%,(, #, %, '
# ##

5
<
<
#
8 ## ## 9,## 9,# 8 ## # 9,## ,## 8 ## ## 9,#' 8 #5 #<
%
,
%
,
%
,
/ ,.
/ ,.
/ ,.
/ ,.# / ,#
;
;
;
;
f

5:4x

pp

>

(3+2+2)

20

/23

/23

/ ,! / ,! / ,!
//- /5
8/23 /2
3

8 /2
3

17

pp

19

(,
#

pp

17

/ ,! / ,!
//-

2a

, ,

(2+2+3)

/ ,! / ,!
//-

/-

q = 15/ h=7.5
e=30/x=60
(in 3)
(3+2+2)

/ ,!

5:4y

1c
,,, , ,

# # #
/,# /,# #
/,

6:5e

16

:23/23:23/23:23 8 923 /23 923 /23923 8 7

mf

sff

5
8 /23

8 /2
3
p

#<
7 /,#

#<
/;,#

pp

##
9,

14

5:4x

pp

5:4y

Tpt.

Bsn.

pp

15

:23 /23 :23 /23 :23 8 923 /23 923 /23 923 8 7

5:4y

pp

!
/ , / ,! / ,!
1
//- /- /06

/23/23/23 923 /23

! , , , , ;, ,)<;,
8
"(

B. Cl.

" / ,!
#
8

/23

1c

Fl.

!
/,

#
+ $%&,#'
"

(2+3)

1 /245/2 /2
3 3 3 /23 / .-

Rythmic
Subdivisions

14

!
)

Tbn.

Tba.

/ .,!

Ob.

B. Cl.

con sord. (cup)

>

pp

>

# ##
:,# /,#/,# # ## ## ##
9, 9, /,
/,
mf

%# , , , , ,
%& 5
#8 7
,#

<
7 (,## 7
9, 9, % ,
8# # #
mf

p7:4e

ff

mf

, , , , , , , , ,, ,
>'

pp

# ##'
%,# 9,

(in 18)

#
%,#

%, '
##

>'

23

##
(,

##
(,
!

### # # #
(,#%,#%,# # # #
(, (, (,
!
f
5

%, '
##

12:8x

senza sord.
:,
##5 8 7 /,9, /,9,/, /,9, /,9,/, /, 7
#
#
#
/,
# # # ## ## # # # # # # #

9, '
##

mf

%, '
#

mf

19

20

21

22

23

mf

,,

(, '
#

##
8 # /,#9,#
/,
pp

mf

&
#

(in 12)

&

Rythmic
Subdivisions

Fl.

!
'

!
"

$+
//++

0+
//++

Bsn.

Tpt.

Tbn.

#2
%$& +#

)
"

,
$+
#

!
'

$+ '
#

/+
#5
) %$&#+
"
1

$+
#

$+
#

(+
#

5:4x

$+
##

pp

mf

/+ $+
## ##

5:4y

0+
##

/+
##

/+
#
p

(+
#

5:4x

/+
#

(+
#

pp

#
$

/#

/+
##
1

/+
#

25

/#
0+
, //++

$+
#1

mf

+
/ +.

/ +.

/##

$+
//++
1

pp

.
/+

$+
//++

0+
//++

(+
#

$+
//++

0+
//++

#
"

pp

B. Cl.

+
24

$+
/
/
' ++

Ob.

(
24

25

3
&

Rythmic
Subdivisions

Fl.

Ob.

Vla.

!
'

#
$

q = 75/h=37.5
e= 150/x =300

+
.
/+

/##
1
%0& +
//++
"'
1
!
*
)

Vc.

#
$

+
,

"

%
$

#
/ 7#'

+
(

28

%
$

(78 '
#

2
(/++
(+

#
/ 7#'

26

(
/77 ''

mf

+
27

'
(/77 '

(78 '
#

26

pp

Cb.

(+

27

/+
f

(+

(+

5:4x

'

/+

5:4x

/+

(+

(+

(+

/+
ff

(+

5:4x

ff

/+

(+

/+

/+

5:4x

/+

(+
f

/+

/+
f

28

Rythmic
Subdivisions

Perc. 1

Perc. 2

Vln.

( -

!
*
+

5:4x

31

!
#

(in 4)

5:4x

ff

(
'011 (

- ' - '- ' - '- '- ' - '- ' - '5:4x

5:4x

5:4x

ff

5:4x

+
0 1+(

'1 (
++

0- 0- 0- 0- 0- 0- 0- 0- 0- 0- 0- 0- 0- 0- 0- 0- 0- 0- 0- ,
"* 0ff

ff

29

'- (
++

mf

$
!$

%
&'

33

- -

/- /-

.
0 /&
ff

''45
'++
5

pp

pp

31

%.
-

pp

30

.
-

pp

Perc.
setup 2

.
'0-- 2 3
''4- ''4- ''40++

5:4x

32

5:4x

Cb.

, )'*- ' - '- ' - '- '- ' - '- ' - '-

Vc.

!
"

29

"(

Vla.

3a

33

32

(in 2)
(2+3)

Rythmic
Subdivisions

Fl.

!
*

3b

%
&'

-(

"
&'

34

B. Cl.

3c

(in 3)
(in 2)

$
"

35

"
&'

36

37

$
!$

.
-

38

(in 2)
(2+3)

%
&'

(in 3)

-(

$
&'

$ 0 -7

0 440
pp 8
-, 2
5

39

6
0 -7

"

$#
' -7
04
8
ff

Bsn.

Tpt.

"

Perc. 1

Perc. 2

Vln.

!
*

"

%
&'

Vc.

Cb.

"

--

39

"
&'

"
&'

36

37

.2 2 9
&

)'*)'*4- '/0f

$
"

35

'- 0&

'- 0& '8

ff

'- (
34

'- ' - '- ' - '- '- ' - '- ' - '5:4x

3:2e

5:4x

ff

5:4x

5:4x

35

ff

36

'- 2 9
5

0- 0- 0- * 0- 0- 0- 0- 0- 0- 0- 0- 0- 0/ / /
f

$ 3c %
!$ &'
%.
-

/- /-

ff

ff

3:2e

0- 0- 0/ / /

37

38

0f

6
0&
/

.
0&2 9

6
''-

.
'- 2 9
'-

'8

'/- (

)
3
3
/- (

'- (

'- 0/
p

39

40

!
"

ff

'- '- 0& '- 0&

41

- -

$
"

/- /-

. 2 9(
&

.
0 /&

%
- - 40

pp

/
'5

pp

.
0- 2 9

$
&'

41

!
"

0, ;, 0,
2 .
,:
pp

2 9

' -7
2 9
04
5

3
2 0,. 2
/:

!
*
+

"(

Vla.

Tbn.

Tba.

04
5

.
0- 2 9
/

9
5:4x

0- 0* 0- 0- 0f
41

ff

3d
'

Rythmic
Subdivisions

Vla.

!
"

!
( #.-- $$
f

#, # , #, # , #, #, # , #, # , #, #,

Vc.

5:4x

Cb.

5:4x

ff

) #, $

5:4x

"*

#,
%

%%

., ., ., ., ., .,
f

mf

"
#$
%%
., $

/
#.,, 0

!
"

#2,
%

!
%

/
#.,, 0

%
. -2%$

%
. ,2%$

#2,
#2, #2,
%3 .4, .4, .4, %% %%
mf

#2,
%

3:2e

43

42

$
#.-- $

%
. ,%

pp

#,
%

#,
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pp

45

44

3e
(in 2)

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Rythmic
Subdivisions

Fl.

(in 3)

,$

!
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$
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46

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&-

mf

8
* &, $

Ob.

B. Cl.

Bsn.

/
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7
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2:3x

. ,7
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!
= =
* 0 :' .' 0 1 $
pp

Tpt.

1 &' :'
= =

7
# , . ,7
6 6

# ,7
6

7 7
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6 6 6 6

. ,7 # ,7 . ,7 # ,7
6 6 6 6

pp

Tbn.

) .' .'
/
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Tba.

Perc. 1

Perc. 2

Vln.

"

3e
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49

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(
(

+ + +

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2+2+2+2+2+ 2+ - 2+ 2+ 2+ .
5 5 5
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Rythmic
Subdivisions

Fl.

!
'

B. Cl.

Tpt.

"

Tba.

Perc. 1

Perc. 2

Vln.

Vla.

Vc.

56

*
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+ ++
58

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57

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55

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55

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Bsn.

(in 4 or in 2)

pp

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pp

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61

q = 150/h=75
e= 300/x =600

Rythmic
Subdivisions

Fl.

&

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(in 6)
(3+2+1)

4.

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62

.#

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,0
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pp

Ob.

Tbn.

Perc. 2

Vln.

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Rythmic
Subdivisions

Fl.

Ob.

Tpt.

Tbn.

Perc. 1

Vln.

&

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1
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5:4e

4b
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(3+2)

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Rythmic
Subdivisions

Fl.

Ob.

Tpt.

Perc. 1

Vla.

, ,

!
(

87,
mf

3:2q

ff

"

mf

!
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68
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(3+3+3+2)

Rythmic
Subdivisions

Fl.

'

!
(

Ob.

B. Cl.

Tpt.

"

Perc. 1

Perc. 2

Vc.

Cb.

8, #
5
p
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3
+

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(in 4)
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10

&

Rythmic
Subdivisions

Fl.

!
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!
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76

-,
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#$% +
- +
' #$%+7

$ + &&
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pp

Ob.

B. Cl.

Tpt.

"

Vln.

-.

+
1

-2/

-2/

32/

pp

+
1

32/

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+
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ff

(
3+

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76

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pp

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mf

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col legno tratto

ord.

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77

Vla.

Cb.

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8

pp

) #'%+9

-+
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0
--- +++/

Tbn.

Tba.

#
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6
77

4d
&

Rythmic
Subdivisions

Fl.

!
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-+ &

-+ -+
-+ -+
-+ -+

(in 3)

#
" -+ &

78

$,
-,
' ,

+&

!
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-+
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$ + $0+ 3 0+
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pp

Ob.

) #'%+
"
7

pp

B. Cl.

Vln.

#
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9

!
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p

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Vc.

Cb.

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79

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80

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8

pp

6
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"(col legno tratto)

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ff

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11

(in 3)

'

Rythmic
Subdivisions

Ob.

!
(

!
"

Tpt.

"

/ ,3

!
(

#1.

Tbn.

Tba.

Perc. 1

Perc. 2

Cb.

"

/2

'

!
(
(

Ob.

B. Cl.

Bsn.

Tpt.

"
!
(
)

Tbn.

Tba.

Perc. 2

Vln.

!
"

/,
p

"

!
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(

+
)

Vc.

Cb.

"

mf

57
.

42

5
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ff

57
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5
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8

p
p

;
81

(in 5)
(3+3+3+3+1)

.%

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7
.

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//.. $=..
<

ff

9
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p
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Rythmic
Subdivisions

Fl.

'

#1.

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mf

pp

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senza sord.

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pp

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8

ff

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12

(in 4)

Rythmic
Subdivisions

Fl.

" 3 . 843 . 2 .
!
$%&.
* 0 1 2.4 2.4 5 5 2.4
p

:.
f

Tpt.

(in 6)

.#

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' 7.
3.
'. 5

' 8.
3.
5' .

:. 5 5 '.
4
4

'. 5
0

Perc. 2

Vln.

'. '.
3. 3.
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mf

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85

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con sord. (harmon - no stem)

con sord.

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2. #

ff

pp

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+
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5:4e

5:4y

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2
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Rythmic
Subdivisions

Fl.

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Tpt.

Perc. 1

Vc.

Cb.

,1 4 4 5 #
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3

Ob.

B. Cl.

!
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"

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14

4i
Rythmic
Subdivisions

Fl.

&

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'

Ob.

B. Cl.

Tpt.

Perc. 1

Vln.

"

+
,+
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+
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+
96

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(con sord. (buzz))

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Fl.

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Vln.

)
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102

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(in 3)

5
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2
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B. Cl.

5
6

Tpt.

"

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p
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0
$5

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'

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16

Rythmic
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Fl.

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B. Cl.

Tpt.

"

Perc. 1

"

Vln.

pp

134 134 134 134 . 134 534

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Rythmic
Subdivisions

Fl.

'" ,
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( 134 53 /
4
pp
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B. Cl.

Bsn.

Perc. 2

Vla.

"

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Vc.

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(in 4)

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Ob.

pp

134 534 13 534 /

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17

5b
(in 4)

Rythmic
Subdivisions

Fl.

!
*
*

Ob.

B. Cl.

Bsn.

Tpt.

Perc. 2

Vla.

Vc.

"

!
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!
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#
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115

301 201
pp

301 201 30 201 5

1
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5c
(in 3)

Rythmic
Subdivisions

Fl.

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Ob.

B. Cl.

Bsn.

Tpt.

"

Perc. 1

Perc. 2

Vla.

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119

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(in 3)

: 65 @ A

121

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30120130201
1
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18

(in 3)
Rythmic
Subdivisions

Fl.

!
*

B. Cl.

Bsn.

Tbn.

Perc. 1

Perc. 2

Vla.

!
"#

/ /
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"
!
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5e

(in 3)
(3+2+2)

.$

.
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. ;. ;. . ; ;
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125

!
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!
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pp

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125

Fl.

!
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&
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Bsn.

Tpt.

Perc. 1

Perc. 2

Vla.

"

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%&
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756 756

mf

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128

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ff

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Rythmic
Subdivisions

129

5:4y

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Cb.

128

. . . . .

(2+2+3)

"*

Vc.

127

f ff

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.. .. .. ..

1 9
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126

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(in 4)

(8). 1 1 3
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(in 5)

Rythmic
Subdivisions

Fl.

) !" -$
# %&' .
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Bsn.

Tpt.

Perc. 1

Perc. 2

Vc.

Cb.

Rythmic
Subdivisions

Fl.

"

+$

!"
#

q = 120/h = 60
h. = 40

)
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)
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pp

6:- $

Glockenspiel

Ob.

Tba.

Perc. 1

Rythmic
Subdivisions

Tba.

Perc. 2

)9
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6:- $

3 :- $

pp

-$

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138

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con sord. (buzz)

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37 37 37 37 37
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3 .8 3 .8 3 .8 3 .8 3 .

pp

+
6 -8

pp

#5
#

8
3.

5:4x
5:4x
9
6<= 6<= 5:4e
6<= 6<= 6<= 6<= 6<= 6<= 6<= = 5
6<
&. 0 1 6<= 6<= 6<= 3<= 6<=

mf

5 ?. ?-

136

pp

&-4 $

(- $

(-

(in 4)

-$
137

9
(. 0 1 2

6;

& -8
! 6-

pp

01 5 5
+
67
/
5:4q
3:2x
1
*
"
6<= 6<= 6<= 6<= 6<= 6<=6<=6<= 6<= 6<= 6<= 6<= 6<=
5:4e

146

&-4 $

67

140

!, 6. 1 0 5 6" /
!#
+
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(-4 $

(;

-$

&-4 $
p
(- $

' 6 -$.8
#

) .

-$

%
#

136

6;

,
" '
#
!
)
"

% -$
#

138

(-

(;

ff

pp

Tpt.

$
!

)
-$)

)
-)$

90 1
6.
6- $
f
ff
p
8 8
8
6. 3.
3 .8 3 .8 3 .8 3 .8 3 .
!
5
"* 67
37 37 37 37 37
3
7
/

!
*

(in 3)

%&'-4 $

6:- $

mf

(inpp
3)
(3+2+2)

Fl.

)
-)$

3:- $

!
*

pp

) -$

Bsn.

136

135

Rythmic
Subdivisions

+$

B. Cl.

+$

135

(in 6)

$
!

-$

!,

Tpt.

+$

-$

#
*
"

"

-$

!
"*

"

-$

%3'. 0 1 2
/

B. Cl.

19

q = 120/h = 60
h. = 40

6mf

6- ?-

3-

6-

+
6-

mf

ff
151

!"
(
!"
(

20

Rythmic
Subdivisions

Tbn.

!*

q = 60/h = 30
e = 120/x = 240

!" 1&
# 12 &con sord. (straight)

2
+ '&
*
2
"
!" +1 &
pp

Tba.

Perc. 1

,
Rythmic
Subdivisions

Ob.

!
")

!
.

B. Cl.

Bsn.

Tbn.

Tba.

Vla.

"

pp

$
%

1&
21 &

1&
21 &

2
+ '&
2
+1 &

2
+ '&
,21 &

2
+ '&
+21 &

2
+ 2' &&
-1

3&

(
1&(

3&

pp

4
/

)1 )1 # 4
)4 #4

pp

1&

mf

/
5 9

$
%

& 1&
#

:
* $-%1 8 5 3 9

!
0
"

1&
21 &

pp

!*
"

(
1&(

1&
21 &

1& 1&

(in 3)
(3+2+2)

' 1&
#

4
/

/
/

+ ' -' + ' -'

2 2 2 2
+4
+4

%
% 7a

154

155

'
#

+1
7

(
#

++#1++#1++ ++ #4
ff

ff

mf

1
+ 1 + 1 +1 &
+ 1&
5 )),11 )),11 )1 &
7

#1 #1 )1

)1 #1 #1

#1 )1 &

mf
2 f
: 2
++1* #1 +1 #1 +#1' ++1' && #1

+1 #1

5:4y

1
+1
+1
)1
7

mf

$
%

1
1
+ 1 +1
+1
5)),11 )1
6
/

senza sord.

:
'

pp

(
#

(in 2)

-1 &

+ 12 - 12 + 12 - 12

pp

153

1 1

mf

&
#

%4
%

#1
7 8 5 5 3& 3&

7a

1& 1& 1&

(
1&( mf

$
%

pp

+4

+4

pp

#1 8 5 3
7

158

159

157

7b

Rythmic
Subdivisions

Fl.

!
.

1
/

+ 1 ++ 11
5 )),11 )1
p

B. Cl.

Bsn.

$ ) 11
((
(

160

+1
+ 1
. $)%16

Ob.

". $)%1 #1 #1 )1
mf
< 2
!* +$#%1' ++1' & #1 +1
f

Tbn.

Tba.

Vln.

"

7b

!
.
*

Vc.

+4

+1 &
+ 1&
)1 &
6

mf

8 3

pp

8 3

#1

<
);1
ff

: 8 5
)1

2
++1*

#1

3
)1 )1

#1 )1
#1 +1 #1

"

160

161

163

+ 1 + 1 ++ 11 &&
5 )),11 )),11 )1 &
7
p

+1
+1
)1
6

#1 )1 &

mf
: 2
+#1' ++1' && #1

+ 1 ++ 11
5 )),11 )1
p

/
)1 #1 #1

164

+1
+1
)1
7

+1 &
+ 1&
)1 & 8
6

+ 1 ++ 11
8)),11 )1
p

1 #1 #1 )1

1& #1 #1 #1 )1

f
mf
< 2
&
#1 +1 #1 +#1' ++1' #1 +1
f

"
(

165

f
2
+#1' && ++1' ++1' #1 +1
mf

pp

+4

( )1
#

pp

7 8 5

+4

7c

+4
/

pp

sul tasto

pp
Cb.

5:3q

162

+ 1 ++ 11
5 )),11 )1
6

mf

)1

7 8 5

ff

<
+#1' &&
8 3
6

$
( #1

(1
# #1

);1
++11

)1 #1 )1 )1 5

pp

#1

2:3q

pp

<
1&

(in 2)

161

+4

7c

sul tasto

pp

162

+4

+4

+1

+4

+4

+1

163

164

3
3
165

"
(

21

Rythmic
Subdivisions

Ob.

Bsn.

Tbn.

Vln.

&

!
'

!
"* * ,,
#$%,
#$%,

"'
!)
"

!
'

* ,&

!
"

)
"

*)

*)
f

Cb.

*)

6:5q

sul pont.

*)

', $, $, *,
5,
* ** ** * *

pp

6:5q

* *
*, *,* 5,*(
*

/(

',
1

*)

*)

*)
5,
*

sul pont.

#
$

pp

*)

*)

*)

6:5q

#
$

',
/ / 1

$,
1

*)

pp

0
/ $2

*
52*

166

pp

*)

*)

', (
4 1

*)

*)

*)

$,
3

*
52*

pp

',
3 / $0, $2
3

pp

*)

*)

',

**
', $, *,
* ** ** **, 5,

f
Vc.

0
/ $, $2
1

Vla.

', $, *, ** * **
** ** ** *, 5, 52
p

167

168

q = 25/h = 12.5
e = 50/x = 100

8
Rythmic
Subdivisions

Fl.

Ob.

Perc. 2

Vln.

Vla.

Vc.

&

!
'
"'
!
"&
!
'
+
)

*,
3

#
$

6,
*,

169

$,
**,,

5,
**,,
3

mf

Perc.

arco setup 2

6,
*,

$,
**,,

ff

mf

mf

#'% ,
3
0
$+(

',
f

',

',

',
5:4y

ff

* ,7 (

) #5%, (
"
**

',
f

ff

mf

Cb.

# *0,
$

0
''8, ((

ord.

4
* ,
$$5,,
3
p

,
0
*,
*,
3

6,
*,

169

sfz

6,
*,

$,
**,,
f

mf

,
f

/
$+

0(
$+

* ,7
3

ff

''8,

,
',

',

',

',
5:4y

ff

',

/
f

$+

* ,7
mf

%
$

5,
**,,
3

$,
**,,

mf

mf

''08,
1
170

pp

170

ff

* ,
$$5,,
3

%
$

22

Rythmic
Subdivisions

Ob.

Tpt.

! - ++
" #,+
!
# +
'
"
.

&

!
'

,+0
.
p
4
3
5+

Perc. 1

Vla.

"

!
"&

,+0
.
5 +4

-2

!
"

"

,7+
f

3
%
+%

%
+%

%%
+

171

/
8

,+0
.
5 +4

))2+

7$
))2+ $

spp

171

4
53+

-2
.

-2
.
,7+

%
+%

#
"

+
(

-2 $
.
,7+ $

3
%
+%

')(')(2+

4
53+ $

,+

-2
6

'#( &
.
- +4 $
.

!
*

Vc.

Cb.

f
Tba.

8a

p
senza sord.

Tbn.

%%
+

172

8a

3
%
+%

%
+%

%%
+

))2+

#
"
p

7
))2+

172

173

Rythmic
Subdivisions

Fl.

&

!
'

Tbn.

Tba.

Perc. 1

Perc. 2

Vln.

"

)
&

"&
!
'
*
)

Vc.

"

+
8

174

#+
--++

5+
-+

,+
--++

#
"

+
5+
-+
mf

mf

'5( +4 $
-2 $
',(.+

#+
--++

mf

Vla.

Cb.

!)
"

+
-3+
-+
6
ff

'

Ob.

Bsn.

#
"

(sul pont.)

3$
#&

+
)+
f

)+

)+

)+
5:4y

ff

- +4 $
ff

) ')(')(2+ $$

7
))2+ $$

mf

174

$
#!

9
+

/
- *0

4
-+

4
-+

-2

-2

pp

8$

ff

-*0

4
-+

4:3x

#3* $
6

- *0

-2

(
175

4
-+

4:
9
-+

-2

-2

pp

%
+%

%
+%

3:2

mf

%%
+

%
#!
p

+
)+

%
#!

- +$
##,++ $$
6

9
+
175

174

arco

- +
##,++
6

9
+$

(2+2+3)

8
,3+

$
#!

(in 3)
(3+2+2)

#&$
6
- +4 $
6

))2+

(2+2+3)

(
/
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f

))372+ $$
175

'

23

Rythmic
Subdivisions

&

B. Cl.

!'

Bsn.

'

Tpt.

"

Perc. 1

Vla.

Cb.

'

!
"&

.6

"

.$-

%$-

ff

.+

/,
. $-

%$-

/,
. $-

/,
%$-

5:4y

3$-

.$-

#+
%
/,
3$2

mf

.$-

,
3+

ff

,
.+
7
82+

.$-

pp

.6

$ 8b
"#
)
+)

176

%+
9

8 +7 #

7
.+

&%(&%(6+ ##
9

)
+)

pp

%+ #

5:4y

))
+

#
%2

))
+

8 +7
9

mf

mf

176

)
+)

)
+)

B. Cl.

Bsn.

Tpt.

!'
"

Perc. 1

Vla.

!
"&

!
*
)

Vc.

Cb.

'

"

'

%$-

%%6+

,
+
%$-

/,
. $-

mf

0
&8( +7 #

'
"

,
+#

ff

'

!
)

Tbn.

Tba.

!
"#

#
%%6+ #

!
"#

.6 #
9
&3(+ #
9
))
+

pp

2
%* #
9
ff
8 +7 #
9

#
&%(&%(6+ #
9

3$-

/,
%$-

178

.$-

.$-

5:4y

))
+

ff

.$-

)) 179
+

mf

179

%*
9
8 +7
9
%%6+
9

,
+

.+

3+

.$-

/,
.+

pp

#
"#
0

.+
4
(

2
+

pp

/,
3$- #
2

5:4y

))
+

%%6+

%%6+

,
+#

. $-

8 +7
:

+
&

178

177

(in 2)
(3+2)

))
+

%*
:

ff

7
8+
9
%%6+
:

!
"#

2
%*
9

mf

%%;6+
9

32+

mf

Rythmic
Subdivisions

!
"#

'

$ +
"#

%+

8b

,
+

!
"#

!
*

Vc.

&'(+

7/
,
.+

'
"

,
+#

!
)

Tbn.

Tba.

!
"#

(in 2)
(3+2)

)
+)

))
+
3

mf

))
+

#
"#

180

%*

8 +7
%%+6

%+

%+
9
8 +7
9

sp

7
.+
sp

%%+6
180

24

8c

+
*

(in 3)

Rythmic
Subdivisions

Fl.

!
&

&

Ob.

!
"!

#,*
-

!
# #*

181

'

" 0,*
#

0*
-

*
1*
0*

0*
0*
0*
,
$%4
-5

$*
00**
mf

1*
0*

183

ff

0 ,*
0*
0*
3

182

B. Cl.

mf

$*
00**

2*
00**
3

$
"!

mf

0 *
$$2**
p

ff

Bsn.

Tpt.

"

'

'

Perc. 1

Perc. 2

"

'

"%

!
)

&

Vc.

Cb.

"

'

0:
8

0:
-

0: &
8

0*

2,* &

0*
-

pp

*
''

''
*

*
''

*
''

(#)*
-

pp

!
#

,
'
*'

''
*

182

"
#

$
"!

183

arco

0 ,*&

<
1*

0*< &

0*<

col legno tratto

pp

##*:

##*:
p

00*:
182

pp

,&
$*
ff

ff

mf

181

'
*'

sfz

mf

+
(#)(#)*:

*
8

#*

(1) *<
-

(
1 *<

0:
-5

'
*'

<
1,* &

0:
-5

'
*'

pp

<
0*

! 8c
"!

0 ;*<

pp

2*4
8

0 ;*<

Vla.

7+
0%

pp

Tba.

+
0*

ff

!
&

Tbn.

+
0 %4

'

0 *< &

ord.

mf

&
00:* &

##,:* &&
183

25

'

!
(

!
"# /$%.&,,

Rythmic
Subdivisions

Ob.

Tpt.

Tbn.

Perc. 1

Vla.

"

('2

('2

"

.'2
p

5:4y

/'2

.,

ff

/,

/'2

pp

!
+
*

)
,)

pp

)
,)

))
,

))
,

$%& *
0
/ ,:
0

$(&$(&9,
;

6
,

8d

"
!

/'2

:
/,

:
/,

/ '2

%6'
0

%,
0

/9

/9

:
/,

:/,

/9

/9

/9

186

:
/,

4:3x

%
&

"
$%

pp

"
"#

187

6
(*
0
ff

(*
;

< ,:
0

< ,:
;

mf

% *#
6
ff

/,: #
0

col legno tratto

pp

9,
;
184

/ '2

pp

5:4y

"
"#

184

,#

"
$%

ff

!
"#

35 .'2
6

/'2

(in 4)

3/ '2

!
"'

"

"
!

3
5 ('- 4
2

3/ '2
mf

!
(

Vc.

Cb.

8d

ff

Bsn.

$%& ,
0

B. Cl.

8
185

186

187

%
&

26

Fl.

+#

&

Rythmic
Subdivisions

!
'

!
"

8e

+#

pp

/-

pp

2 2 2
1 , $% &% &% 1 ,
&%2 3%2 $%2

B. Cl.

pp

Bsn.

Tpt.

"

/ %2

pp

!
'

ff

5:4e

;%2

'

Tbn.

/%2

;%2 ;%2 ;%2

pp

/ %2

$%2

/%2

/%2

3=+ #

$=+ #

pp

189

$+ #

$+

# / +. / +. / +. / +. / +. / +. / +. / +. / +. / +. / +. / +. / +. / +. / +. $ / +.
"
"

188

;%2

/-

/-

/-

$%2
4

&%2

$%2

ff

/+
0

5:4e

pp

;%2

/%2

sffz

/8%

mf

=+

Tba.

Perc. 1

Perc. 2

Vla.

"

3+ / + ; +

3+

/+

7:6e

mf

&

"&

!
"

/+

'
+'

=
+#

''
+ +

7:6e

8
$(#
!
* )$*(

5:4e

/+

/+

3+

/+

.
;8+

; +.

/-

/4

pp

'
+'

=
+#

8#
$( $( &(

''
+

8
+

#
"8

''
+

''
+

&(

&(
4

'
+'

$
"8

Vc.

Cb.

"

'
)

#
&&-+ #
pp

/=+ /+= / +
=
&&+- ##

188

/ += / +=

9
/ +=

' ' '

+' +' +'
3

<

<

(
189

#
%$

6
/+ 1 ,

/- /- #
0 4
38+
f

191

' ' ' '

+' + +' +' +
5:4y

pp

$
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192

' '
+' +'
3

ff

&( 1 ,
0

; +.
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; +.
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190

&&-+
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mf

1
191

''
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8
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&&-+

pp

6
3+ 1 ,

.
; +. ;8+ #

3+
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190

ff

.
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pp

sfz

pp

'
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5:4e

8
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arco

mf

188

''
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3+

7 3%2 /%2 /% /%
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%
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192

56 7
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5:4y

pp

9
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&%2

mf

3
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4

ff

&=+

$
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56
5
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mf

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190

6
$%2
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;%2

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/- /- // - /- / - /- / - /- /- /-

&&-+

pp

192

%
"

27

Rythmic
Subdivisions

Fl.

Ob.

Tpt.

!
%

"%

!
%

Tbn.

'

Tba.

'

Perc. 1

Perc. 2

Vla.

Vc.

"

"$

!
(

'

8f

!
"

+*)
+)
,

)
.)
+)

193

ff

#) 0)
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mf

.)
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+*)
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,

+ )
##0))
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mf

.)
- +)

194

ff

#)
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,
p

mf

+4
1

.)
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+*)
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,

mf

mf

mf

mf

mf

196

197

&

+ )
- ##0))
1

&

mf

0)2
1

&

&
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194

195

&

*
#(&

&

*&
#(

*
#( #(

# 8g
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+ )5
,
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1

)4
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f

193

+ )5 &
1

194

))*64)
1
f

'
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'
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197

&

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5
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' '
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&

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ff

+ )5 &

+4 +4 &
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f
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5
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+4

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0)2
1

5
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&

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&

' $)%$)%4)
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,

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28

8h

Rythmic
Subdivisions

Fl.

&

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'

Tpt.

Tbn.

Tba.

Perc. 1

Perc. 2

Vla.

Vc.

Cb.

"

198

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+
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29

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(in 4)

Rythmic
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ff

Bsn.

Tpt.

"

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+
2 &5 #
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Perc. 1

Perc. 2

"

9
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27

27

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30

(in 2)

&

Rythmic
Subdivisions

Fl.

!
'

"
"

* 0/
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+ $%*&' $%& -1

%-

B. Cl.

pp

Bsn.

Tbn.

q = 50/h = 25
e = 100/x = 200
205

Ob.

(
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pp

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Vla.

"

pp

6
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pp

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31

Rythmic
Subdivisions

Fl.

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"
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Tpt.

Tbn.

Vc.

Cb.

"

"0
$ -. 11

209

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pp

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(in 2)

208

Ob.

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212

9b
(in 2)
Rythmic
Subdivisions

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!
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213

Vc.

!,

Cb.

"

0
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' 50 % 50 '550 % 50 ' 50

%.00 %.00 %.00 %.00 %.00

-0 '0 -0 4
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/ 1!
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((
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2
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pp

B. Cl.

Tpt.

(3+2)

Ob.

Bsn.

%
$

1&

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pp

% 9b
$ (:

. ,( 3 4
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213

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pp

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32

9c
Rythmic
Subdivisions

Fl.

!
+

"
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2
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%1 /1

217

Ob.

(in 3)
(3+2+2)

2
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ff

% 31
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2
1
4

218

Bsn.

3
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1

3 3
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2
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Tbn.

Perc. 1

Cb.

"

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219

% 31 ' 31 %531
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B. Cl.

Tpt.

(in 3)

pp

"

2
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221

Rythmic
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Fl.

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2
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/ 31
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7 /1
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0 31
01
01
01

2
1&
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f
Ob.

Bsn.

"+

Tpt.

Perc. 1

Vc.

Cb.

!
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2
1&

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pp

(in 3)
(3+2+2)

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33

9e
Rythmic
Subdivisions

'

B. Cl.

!(

Bsn.

Tpt.

Tbn.

Vc.

Cb.

"

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(in 2)

%%
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pp

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Rythmic
Subdivisions

Fl.

'

!
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228

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( (#)%0
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4
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pp

Tba.

Perc. 1

Vc.

"

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9f

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34

(in 2)
Rythmic
Subdivisions

Fl.

!
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Tpt.

230

+
+

B. Cl.

%
#$

/(

Ob.

Bsn.

"
#$

/(2+3)

0
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(in 3)

231

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3

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4
+
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Tba.

Perc. 1

Vc.

"

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2
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231

232

10

q = 100/h = 50

Rythmic
Subdivisions

Fl.

Ob.

B. Cl.

Bsn.

Tba.

Perc. 1

Vc.

Cb.

!
*

1e = 200/x
1 = 4001

%
./ ( ./
&&-'. // )/ ( )/ )/
233

./

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234

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3 .8 ( .8
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35

Rythmic
Subdivisions

B. Cl.

Bsn.

Tpt.

!&
"

!
"

&

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!
(

-+,
.

pp

-+,

%)

pp

pp

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%)

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$)

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p

10b
)

&&
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Tba.

Perc. 1

Perc. 2

Cb.

"(
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# 10b
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"(

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Rythmic
Subdivisions

B. Cl.

!&

$8
$-6

- 68
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p

Bsn.

%6

pp

Tpt.

Tbn.

Tba.

Perc. 1

Perc. 2

Cb.

"

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