Image Grammar

Image
Grammar
Teaching Grammar as Part of the Writing Process
2011 by Harry Noden from Image Grammar: Teaching Grammar as Part of the Writing Process, Second Edition. Portsmouth, NH: Heinemann
Brush Strokes
Participle
Appositive
Action Verb
Absolute
Adjective
Out of Order
Brush Strokes
Writers, like artists, paint images.

Novelist Robert Newton Peck explains this concept in his Secrets of Successful
Fiction:
Readers want a picturesomething to see, not just a paragraph to read. A
picture made out of words. Thats what makes a pro out of an amateur.
An amateur writer tells a story. A pro shows the story, creates a picture to
look at instead of just words to read. A good author writes with a camera,
not with a pen.
The amateur writes: Bill was nervous.
The pro writes: Bill sat in a dentists waiting room, peeling the skin at
the edge of his thumb, until the raw, red flesh began to show. Biting the
torn cuticle, he ripped it away, and sucked at the warm sweetness of his
own blood.
Brush Strokes
How do writers paint images like Pecks example?

One way is by using five simple grammatical structures called the writers brush
strokes:
1.
the participle
2.
the absolute
3.
the appositive
4.
adjectives shifted out of order
5.
action verbs.
Brush Strokes
To examine each of these five brush strokes, well follow four simple steps.
STEP 1. First we will look at a simple definition of the brush
stroke.
STEP 2. Next, we will begin with a short, simple sentence that
describes an image.
STEP 3. We will use an imaginary zoom lens that will help us to
either see or imagine a close-up detail.
STEP 4. Finally, we will add a brush stroke that captures that
close-up detail.
Brush Strokes
Step 1
Definition of the Participle Brush Stroke
A participle is an ing word placed at the beginning or end of a complete

sentence. (Dont place the participle in the middle of the sentence or it might
become part of the verb.)
There are other types of participles, but you only need to know this type to get
started.
Brush Strokes
Step 2
Create a short, simple sentence of the
image you want to describe. For
example, with this image you might
write a short sentence like this:
The diamond-back snake attacked
its prey.
Brush Strokes
Step 3
Imagine you are a photographer viewing the rattlesnake through a camera
zoom lens. Look for specific detailsdetails that you want to capture and use
in step 4.
This zoom lens is unique. It allows you to examine visual details that you can
see and imaginary details that you cant see or hear. For example, you might
see the snakes curled body ready to strike and observe the diamond pattern
on its skin. But with this zoom lens, you can also use your imagination to
describe things you cant actually see, like the sputtering sound of the snakes
rattle or the slithering movement of its body.
Brush Strokes
Brush Strokes
Step 4
With this step, you have two choices.
First, you might add one to three ing
participle brush strokes like this:
Hissing, slithering, and coiling,
the diamond-back snake attacked
its prey.
Brush Strokes
10
Or you can choose to add one or two

participial phrases. A participial phrase
is just a participle (ing word) with other
modifying words attached to it.
Hissing its forked red tongue and
coiling its cold body, the diamondback snake attacked its prey.
Brush Strokes
11
NOTE: Adding one or two participial phrases at the beginning or end of a

sentence can strengthen an image. However, three phrases usually dont work.
Brush Strokes
12
Another Example
Lets complete the four steps again using participles.
Brush Strokes
13
Step 1
A participle is an ing word placed at the beginning or end of a complete
sentence. (Dont place the participle in the middle of the sentence or it might
become part of the verb.)
Brush Strokes
14
Step 2
Create a short, simple sentence about
the image you want to describe. For the
image on the right you might write a
short sentence like this:
The cowboy needed to stay on
another fifteen seconds to win.
Brush Strokes
15
Step 3
Imagine you are a photographer viewing the image through a

camera zoom lens. Look for specific detailsdetails you want
to capture and use in step 4.
Brush Strokes
16
Step 4
With this step, you have two choices.
First, you might add one to three ing
participle brush strokes, like this:
Struggling, holding, hoping, the
cowboy fought to stay on long
enough to win.
Brush Strokes
17
Or you can add one or two participial

phrases. A participial phrase is just a
participle (ing word) with other
modifying words attached to it.
Struggling with each
sledgehammer kick of the bull,
holding tight with one hand, the
cowboy fought to stay on long
enough to win.
Brush Strokes
18
Here are a few more examples of participles created by well-known authors.

The first example is taken from Robert Ludlums The Bourne Identity:
The man got out of the chair with difficulty, pushing himself up with his
arms, holding his breath as he rose.
Brush Strokes
19
Ernest Hemingway uses participial phrases to create tension and action in this
excerpt from Old Man and the Sea:
Shifting the weight of the line to his left shoulder and kneeling
carefully, he washed his hand in the ocean and held it there, submerged
for more than a minute, watching the blood trail away and the steady
movement of the water against his hand as the boat moved.
Brush Strokes
20
Now it is your turn. Review the following three images and select one to write
about. Create one short sentence first. Then, use your zoom lens and decide
whether you want to add one or two long participial phrases or three one-word
participles.
Brush Strokes
21
Brush Strokes
22
Brush Strokes
23
Step 1
Definition of the Absolute Brush Stroke
An absolute is a combination of a noun followed by a participle.

Here are a few examples, the first from Ann Rice, the others from students.
The mummys right arm was outstretched, the torn wrappings hanging from it,
as the being stepped out of its gilded box! Anne Rice, from The Mummy
Mind racing, anxiety overtaking, the diver peered once more at the specimen.
(Erin Stralka)
I glanced at my clock, digits glowing fluorescent blue in the inky darkness of my
room. (Jenn Coppolo)
Jaws cracking, tongue curling, the kitten yawned tiredly, awaking from her nap.
(Tara Tesmer)
Brush Strokes
24
Step 2
sentence like this:
The volcano erupted violently.
Brush Strokes
25
Step 3

camera zoom lens. Your task is to look for specific details
details you want to capture and use in step 4. Remember,
these details can be real or imagined.
Brush Strokes
26
Step 4
Add absolutes to the simple sentence.
The volcano erupted violently,
molten lava ravaging the
mountainside, smoke clouds
smothering the wildlife.
Brush Strokes
27
Another Example
Brush Strokes
28
Step 1
An absolute is a combination of a noun followed by a participle (an ing word).
Note that all of the brush stroke definitions are simplified to the point that
they translate well into effective writing techniques; however, they can be
criticized as incomplete by scholars.
Brush Strokes
29
Step 2
sentence like this:
The scuba diver froze, not knowing
what to do.
Brush Strokes
30
Step 3

camera zoom lens. Look for specific detailsdetails you want
to capture and use in step 4. Remember, these details can be
real or imagined.
Brush Strokes
31
Step 4
Add absolutes to the simple sentence.
A shark circling, oxygen running
out, the scuba diver froze, not
knowing what to do.
Brush Strokes
32
about. Create one short sentence first. Then review the definition of the
absolute and use your zoom lens to search for details. Finally, paint an
absolute into your simple sentence.
Brush Strokes
33
Brush Strokes
34
Brush Strokes
35
Brush Strokes
36
Step 1
Definition of the Appositive Brush Stroke
An appositive is a noun that follows another noun and refers to the same
thing. For example, in the sentence The car, a new Porsche, ran out of gas,
the words car and Porsche refer to the same thing. The second noun (Porsche) is
usually more specific and designated as the appositive. Having a second noun
often allows the writer to add more detail and emotion.
Brush Strokes
37
Step 2
the image you want to describe. For this
image you might write a sentence like
this:
The raccoon loves to hunt turtle
eggs on dark spring nights
Brush Strokes
38
Step 3
Imagine you are a photographer viewing
the image through a camera zoom lens.
Think of labels for your main noun
(raccoon), like creature, animal, beast,
scavenger, thief, pet, plaything, etc.
Look for a noun that fits your
characterization of the raccoon. If you
are depicting him as fun-loving, a word
like plaything or pet might work. If you
want the raccoon to be portrayed with
some suspicion, you might use an
appositive like scavenger or thief.
Brush Strokes
39
Step 4
Add your appositive to the sentence.
The raccoon, a clever scavenger,
loves to hunt turtle eggs on dark
spring nights.
Brush Strokes
40
Another Example
Brush Strokes
41
Step 1
An appositive is a noun that follows another noun and refers to the same
thing.
Brush Strokes
42
Step 2
the image you want to describe. For this
image you might write a sentence like
this:
The diver plunged 500 feet down
into the deep river rapids on a fifty
dollar bet.
Brush Strokes
43
Step 3
Imagine you are a photographer viewing
the image through a camera zoom lens.
Think of labels for your main noun
(diver), like daredevil, stunt man, acrobat,
risk taker, madman.
Brush Strokes
44
Step 4
Add the appositive to the sentence:
The diver, the local daredevil,
plunged 500 feet down into the
deep river rapids on a fifty dollar
bet.
Brush Strokes
45
about. Create one short sentence first. Then review the nouns that might
work with your main image.
Brush Strokes
46
Brush Strokes
47
Brush Strokes
48
Step 1
Definition of Adjectives Out of Order
When amateur writers want to use adjectives, they jam a long list into a
sentence, like this: The tall, white, muscular, fearless horse galloped across the dusty
field.
A professional author who wants to use a number of adjectives selects a
maximum of three adjectives, then places one before the noun it modifies and
two after. Our sample sentence about the horse would read like the example
on the following slide.
Brush Strokes
49
The white horse, muscular and fearless, galloped across the dusty field.
Placing two of the adjectives after the noun horse creates a spotlight, giving the
adjectives a more profound quality.
Brush Strokes
50
Here are a few more examples to review before you create your own.
The Pavilion was a simple city, long and rectangular.
Caleb Carr, in The Alienist
I could smell Mama, crisp and starched, plumping my pillow.
Robert Newton Peck, in A Day No Pigs Would Die
The woman, old and wrinkled, smiled upon her newborn great-grandson
with pride.
Student Stephanie Schwallie
The boxer, twisted and tormented, felt no compassion for his contender.
Student Chris Hloros
Brush Strokes
51
Step 2
sentence like this:
The gorilla stared scornfully at the
zookeeper.
Brush Strokes
52
Step 3

camera zoom lens. List five adjectives that describe the gorilla.
Use this format: The
,
,
,
,
gorilla stared scornfully at the zookeeper.
Brush Strokes
53
Here are some adjectives that could

be used to fill the blanks: angry,
irritated, infuriate, enraged, fuming.
Here is how they appear when
added to the sentence:
The angry, irritated,
infuriated, enraged, and
fuming gorilla stared scornfully
at the zookeeper.
Brush Strokes
54
Step 4
Select three adjectives from your list of
five. Then place one of them before the
word gorilla and two of them after it.
The result will be much more powerful.
The angry gorilla, irritated and
fuming, stared scornfully at the
zookeeper.
Authors often shift only two adjectives
as in a sentence such as the following:
The gorilla, infuriated and volatile,
stared scornfully at the zookeeper.
Brush Strokes
55
Using the four steps we have just demonstrated, create a one-sentence

description that includes adjectives out of order. Select from the following
images.
Brush Strokes
56
Brush Strokes
57
Active Versus Passive Verbs

Try this experiment. Close your eyes and visualize this sentence:
The gravel road was on the left side of the barn.
Now visualize the following sentence:
The gravel road curled around the left side of the barn.
Can you see the difference? The verb was creates a still photograph. The verb
curled creates a motion picture.
Brush Strokes
58
Verbs are cameras that deliver images to your imagination. Being verbs can
weaken images by freezing the action, while action verbs create motion
pictures. Therefore, in the majority of sentences, authors prefer action verbs.
The most common being verbs include is, was, were, are, and am. Almost all
other verbs are active verbs.
Brush Strokes
59
Visualize the difference in the motion picture of your imagination as you

compare these two drafts, both written by Shawn Jividen. The first is from a
rough draft of her novel Goose Moon. The second is her final revision after
eliminating being verbs.
FIRST DRAFT
Rockwell was a beautiful lake. Canada geese could be heard across the
water bugling like tuneless trumpets. Near the shore, two children were
hidden behind a massive maple tree. Watching quietly, they hoped to see
the first gosling begin to hatch. Tiny giggles escaped their whispers of
excitement.
Brush Strokes
60
FINAL DRAFT
Rockwell Lake echoed with the sounds of Canada geese. Their honking
bugled across the water like tuneless trumpets. Two children hid behind a
massive maple tree. They silently watched, hoping to see the first gosling
hatch. Tiny giggles escaped their whispers of excitement.
Brush Strokes
61
The two paragraphs below, by student

Adam Porter, use a number of these
brushstrokes.
Then it crawled in. A spider, a
repulsive, hairy creature, no bigger
than a tarantula, crawled into the
room. It crawled across the floor up
onto his nightstand and stopped, as if
it were staring at him. He reached for
a nearby copy of Sports Illustrated,
rolled it up, and swatted the spider
with all his might.
He looked over only to see a hideous
mass of eyes and legs. He had killed
it. Just then, another one crawled in,
following the same path as the first.
He killed that one too. Then another
one came, and another and another.
There were hundreds of them! Hands

trembling, sweat dripping from his
face, he flung the magazine left and
right, trying to kill the spiders, but
there were too many. He dropped the
magazine. Helpless now, his eyes
darted around the room. He could no
longer see the individual spiders. He
could just see a thick, black blanket of
movement. He started squirming as
he felt their fang-like teeth sink into
his pale flesh like millions of tiny
needles piercing his body.
Brush Strokes
62
Select one of the five images that follow and write a brief three- or foursentence paragraph describing the action taking place. You will have to
imagine the action since the photograph captures only a single moment.
(You may also find an image of your own choosing through a Google Images
search.)
In your paragraph include one example of all of the brush strokes we have
studied. Use the rubric in the final slide to evaluate your work.
Brush Strokes
63
Brush Strokes
64
Brush Strokes
65
Brush Strokes
66
Brush Strokes
67
Rubric for Brush Stroke Assignment

Name ____________________________________________________ Period _________
Absolute
(Possible Points = 10)
Points earned = _________
Appositive
Participle
Adjectives Out of Order
Active Verbs

Total = _________
Grade = _________
Brush Strokes
68

Image Grammar

Uploaded by

Copyright:

Available Formats

Image Grammar

Uploaded by

Document Information

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Image Grammar

Uploaded by

Copyright:

Available Formats

Image

Teaching Grammar as Part of the Writing Process

Writers, like artists, paint images.

How do writers paint images like Pecks example?

adjectives shifted out of order

Definition of the Participle Brush Stroke

A participle is an ing word placed at the beginning or end of a complete

Or you can choose to add one or two

NOTE: Adding one or two participial phrases at the beginning or end of a

Imagine you are a photographer viewing the image through a

Or you can add one or two participial

Here are a few more examples of participles created by well-known authors.

Definition of the Absolute Brush Stroke

An absolute is a combination of a noun followed by a participle.

Imagine you are a photographer viewing the image through a

Imagine you are a photographer viewing the image through a

Definition of the Appositive Brush Stroke

Definition of Adjectives Out of Order

Imagine you are a photographer viewing the image through a

Here are some adjectives that could

Using the four steps we have just demonstrated, create a one-sentence

Active Versus Passive Verbs

Visualize the difference in the motion picture of your imagination as you

The two paragraphs below, by student

There were hundreds of them! Hands

Rubric for Brush Stroke Assignment

(Possible Points = 10)

Points earned = _________

(Possible Points = 10)

Points earned = _________

(Possible Points = 10)

Points earned = _________

Adjectives Out of Order

(Possible Points = 10)

Points earned = _________

(Possible Points = 10)

Points earned = _________

You might also like