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    Theory Chapter 5

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    harneyrp
    This document provides an overview of principles of voice leading, including: 1) Defining terms like harmonic progression, voice leading, conjunct motion, and focal point. 2) Discussing procedures for creating melodic lines, notating chords, and voicing single triads. 3) Identifying types of parallel motion and intervals to avoid, like unequal 5ths. 4) Providing two musical progressions as examples for composing simple melodies that conform to the given chord progressions.

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    Download as PDF, TXT or read online from Scribd

    Theory Chapter 5

    Uploaded by

    harneyrp
    734 views3 pages
    This document provides an overview of principles of voice leading, including: 1) Defining terms like harmonic progression, voice leading, conjunct motion, and focal point. 2) Discussing procedures for creating melodic lines, notating chords, and voicing single triads. 3) Identifying types of parallel motion and intervals to avoid, like unequal 5ths. 4) Providing two musical progressions as examples for composing simple melodies that conform to the given chord progressions.

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    This document provides an overview of principles of voice leading, including: 1) Defining terms like harmonic progression, voice leading, conjunct motion, and focal point. 2) Discussing procedures for creating melodic lines, notating chords, and voicing single triads. 3) Identifying types of parallel motion and intervals to avoid, like unequal 5ths. 4) Providing two musical progressions as examples for composing simple melodies that conform to the given chord progressions.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    734 views3 pages

    Theory Chapter 5

    Uploaded by

    harneyrp
    This document provides an overview of principles of voice leading, including: 1) Defining terms like harmonic progression, voice leading, conjunct motion, and focal point. 2) Discussing procedures for creating melodic lines, notating chords, and voicing single triads. 3) Identifying types of parallel motion and intervals to avoid, like unequal 5ths. 4) Providing two musical progressions as examples for composing simple melodies that conform to the given chord progressions.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
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    Name: _________________________________

    Chapter 5 Principle of Voice Leading


    Review of Chapter 4
    In the given key, name the notes that would be in its I, IV, and V chords

    C: I IV V

    E: I IV V

    ab: i iv V

    5-1 The Melodic Line


    Define the following:

    Harmonic Progression

    Voice Leading

    Conjunct

    Focal Point

    Name the 5 Procedures used to create a Melodic Line.

    1.

    2.

    3.

    4.

    5.
    Name: _________________________________

    5-2 Notating Chords and Voicing a Single Triad

    Define the following:

    Full Score

    Reduced Score

    Close Structure

    Open Structure

    Name the two conventions concerning spacing

    1.

    2.

    Show the ranges for each voice

    5-3 Parallel motion


    Identify the types of motion in each bar:

    Define the following

    Objectionable parallels

    Unequal 5ths

    Direct (or hidden) 5th or 8ve

    In Parallel Motion, which intervals should be avoided? Why?

    Explain 5ths and 8ves by contrary motion.

    When should you avoid unequal 5ths?


    Name: _________________________________

    Compose simple melodies that will conform to the given progressions Slashes
    Represent bar lines, and every chord except for the last takes one beat.

    D: I V I / IV I I / vi ii V / I

    Name: _______________________________________

    Homework 10-4-2010

    Compose simple melodies that will conform to the given progressions Slashes
    Represent bar lines, and every chord except for the last takes one beat.

    F: I V vi IV / I IV ii V / I

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