The Art of Paper Cutting

The Art of Pa p e r C u t t i n g
Th e Art of Pa p e r C u t t i n g
Henya Mel i c h s o n
Contents
Introduction
Paper Cutting Around the World
6
8
Tools and Materials From Imagination to Image

Center and Border Keep Things Connected Symbols Text Color
22
Types of Paper Cuts

Bookmarks Decorative Wall Hangings Frames Greeting Cards
10
10 11 12 13
26
26 26 26 29 29
Techniques
Symmetrical Asymmetrical Combined Symmetrical and Asymmetrical Positive Negative Combined Positive and Negative
14
14 16
Step-by-Step Instructions
Tree and Rooster Heart of Love
31
32 34
17 18 19
Gallery of Projects
Holiday Tree Owls Eves Seduction
37
39 41 43
20
Golden Hamsa Golden Lions Blessing for Fertility Colorful Tree Woman in a Rose Dress Playful Angels The Grape Harvest Woman and Player Three-Branched Candelabrum Woman at the Window Jerusalem The Creation Woman in the Garden Profile with Grapes Lovers Court Jesters Jacobs Ladder Angel Holding a Candelabrum
45 47 49 51 53 55 57 59 61 63 66 70 73 75 77 79 81 83
The Gift Stained Glass Birds Wall Candlesticks Birds of Love Women and Children The Troubadours Players Under a Tree Fiddler on the Roof The Bird Woman Pair of Candlesticks Noahs Ark Butterflies The Artist at Work Painted Heart Woman and Water Lilies About the Author
85 87 89 91 93 95 97 99 101 103 105 107 109 111 113 114
Templates
115
Introduction
I ARRIVED AT THE ART OF PAPER CUTTING quite by chance, after having drawn, sketched, and painted for several years. After completing a few paper cuts, I became enchanted with the medium, as I realized that the skills I had been honing with pencils and paint could be expressed through paper cutting. From that moment onward, I have been channeling my artistic efforts into paper cutting. With this book, I hope to convey that enthusiasm to you, and inspire you to find the same delight in this precise, ancient, and beautiful art. Some of the paper cuts communicate specific messages; others are simply aesthetic, designed for the purpose of expressing beauty. All of them have been done out of inspiration, love of the craft, and a belief that any imagined image can be created through paper cutting. The Art of Paper Cutting features a selection of paper cuts that I made over the course of several years, reflecting diverse influences in my life. In addition to calling upon styles and symbols traditionally used in paper cutting, I have also integrated artistic techniques usually associated with drawing to create works with depth and movement.
OPPOSITE, PARROT STAINED GLASS, BLACK PAPER WITH WHITE BACKING, 24" X 10" (61 X 25 CM)
THE ART OF PAPER CUTTING
PAPER CUTTING AROUND THE WORLD

Paper cutting is an ancient craft that is practiced in diverse forms in cultures around the world. In some cultures, only white and black papers are used; in others, colored papers and paints are favored. In some cultures, paper cuts are done only with scissors; in other cultures, sharp blades are used. In some cultures, the paper is folded once, twice, or several times before cutting; in other cultures, the paper is never folded. Despite these differences, there are also many similarities. For example, paper cutting is generally connected to other arts, and may borrow ideas and patterns from other areas. In ancient China, paper cuts were used to transfer embroidery patterns, and for adding decorations to ceramics. Wood carvings had an impact on paper cutting in England, France, and Holland, while the patterns featured in Persian carpets inspired paper cutting for book covers in ancient Iran and Iraq. At the same time, diverse art forms have also been influenced by paper cutting. Lace patterns have been influenced by paper cut designs in Europe, the United States, and Mexico. Asia Paper cutting likely originated in China, the country where paper was invented. It is known here as jian zhi, and was traditionally used to transfer patterns, adorn walls and windows, and decorate presents. Chinese paper cuts are often cut from red paper; common motifs include flowers and animals. In Japan, paper cutting is known as kirigami. A cousin of the widely known craft of origami (the art of paper folding), kirigami combines both folding and cutting. In ancient times, kirigami was used to cut the symbols of great Samurai families. Paper cut stencils were used to transfer these symbols to peoples clothing and property.
Shadow puppetry is an Asian craft based on paper cutting. In these plays, puppets are cut from paper using sharp knives, and shows are carried out in front of an illuminated surface. These plays likely originated in China, but eventually spread throughout Asia, and are popular today in Thailand and India. The Americas The United States, as a center of immigrants, attracted people from all over Europe, and when they came, they brought with them distinct paper cutting traditions. Paper cuts were used for diverse purposes, including decorating religious texts, public documents, and cards. Traditional U.S paper cuts may depict homestead scenes or images associated with holidays. Paper cuts are particularly favored on Valentines Day, when people often send frilly heartshaped cards to their loved ones. Mexico features a distinct form of paper cutting known as paper picado or punched paper. In this technique, artists use a hammer and chisel to punch designs onto stacks of thin colored paper. They may produce tens or hundreds of paper cuts at one time. The paper cuts are often cut into long banners, and used for decorations during Day of the Dead celebrations, and other holidays. Europe Paper cutting arrived in Europe during the fifteenth century, and was quickly embraced by craftspeople in several countries. Known as scherenschnitte in German, the craft became very popular in both Germany and Switzerland by the 1600s. It was used to cut stencils for furniture, embroidery, and lace patterns. One style that was particularly popular in these cultures was using paper cuts to decorate the front of greeting cards, while the inside featured a religious sign or the image of a saint. Another
popular style, known as marques, involved cutting very delicate bookmarks. Paper cuts here are usually made with a blade, and the paper is not folded. Common motifs include mountain images, vases with flowers, rural scenes, and portraits. In England, paper cutting became a pastime for people in the upper classes during the nineteenth century, alongside embroidery and other handicrafts. Silhouettes were a popular form of paper cutting all over Europe during the eighteenth and nineteenth centuries. They are an excellent method for reproducing the likeness of a person or place without using a camera.
In Holland, paper cutting is known as papiersnyden. It is traditionally done on white paper, without any addition of color. Dutch paper cuts are almost always cut with scissors, and though they may be either symmetrical or asymmetrical, the paper is almost always unfolded. One distinct Dutch style of paper cutting involves cutting small serrated scales. In Poland, paper cutting is known as wycinanki, and dates to the nineteenth century. Polish paper cuts generally involve various colors of paper, often affixed in layers. These papers are cut, clipped, or torn, then assembled into a composite image. Peacocks, flowers, roosters, and star-shaped medallions are common motifs.
1 TRADITIONAL DUTCH PAPER CUT,

RED PAPER ON WHITE BACKGROUND,
6" X 4" (15 X 10 CM)
2 TRADITIONAL POLISH PAPER CUT,

BLACK PAPER WITH LAYERS OF COLORED PAPER ON WHITE BACKGROUND, 6" (15 CM) DIAMETER
INTRODUCTION
Types of Paper Cuts

BOOKMARKS
Paper cuts can be used to fill a variety of functions, both practical and aesthetic. In the following pages, you will see examples of my favorite types of paper cuts, and get ideas on how you can put your own paper cuts to use. If you are just starting out in paper cutting, bookmarks are excellent first projects. They are relatively small, which means you can likely complete one in just a few hours. Bookmarks arent only for beginners, though, and you can integrate any type of design you like, be it simple, intricate, or something in between. Insert a piece of colored paper into a folded paper cut to add a colorful background to your design. Both functional and aesthetic, bookmarks make lovely gifts.
1 BIRD IN TREE BOOKMARK,

PINK PAPER ON PURPLE BACKGROUND,
8" X 2 12" (20 X 6 CM)
2 BUTTERFLIES BOOKMARK,
YELLOW PAPER ON BLUE BACKGROUND,
8" X 2" (20 X 5 CM)
3 BIRDS AND TREES

BOOKMARK, BLUE PAPER ON YELLOW BACKGROUND,
8" X 2 12" (20 X 6 CM)
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DECORATIVE WALL HANGINGS

Paper cuts of any size can be mounted, framed, and hung on the wall. The subject of your paper cut may be anything under the sun, and use a range of colors. Paper cuts can be used to make blessings for the home, recreate a scene from a story, or convey meaning through the use of symbols and text.
1 GOD BLESS OUR HOME,

BLACK PAPER ON VARIEGATED BACKGROUND,
3" X 8 12" (8 X 22 CM)
2 A ROYAL WOMAN,
BLACK PAPER WITH GOLD CELLOPHANE ON WHITE BACKGROUND,
16" X 14" (41 X 36 CM)
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FRAMES
Paper cuts can be excellent frames for mirrors, photographs, drawings, or paintings. Frames are often symmetrical and made with a vertical fold down the middle. Measure carefully before you begin cutting to make sure that the open area
in the middle of the frame suits the object you are framing. In planning this type of paper cut, keep in mind that you want the paper cut to add beauty to the central object, but you dont want it to steal the show.
1 ROSE GARDEN FRAME,

BLACK PAPER ON MIRROR,
22" X 16" (56 X 41
CM)
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GREETING CARDS
There are so many reasons to send greeting cards; making them yourself with paper cuts means you never have to rely on something from the store. You can make Christmas cards, New Year cards, Valentines Day cards, birthday cards, or anniversary cards.
Paper cut designs are also excellent for making invitationsjust bring your finished paper cut to a print shop and make high quality photocopies. Paper cuts made for this purpose can be mounted on metallic paper first, then onto card stock, for added festiveness.
1 SWAN GREETING CARD, 4

WHITE PAPER ON VARIEGATED BACKGROUND,
7" X 4 12" (18 X 11.5 CM)
2 LOVEBIRD CARD,
CREAM PAPER ON VARIEGATED BACKGROUND,
7" X 4 12" (18 X 11.5 CM)
3 CHRISTMAS CARD,
BLUE PAPER ON VARIEGATED BACKGROUND,
7" X 4 12" (18 X 11.5
CM)
4 PEACOCK WITH FLOWERS,

ORANGE PAPER ON BLUE BACKGROUND,
4 12" X 7" (11.5 X 18
CM)
TYPES OF PAPER CUTS
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Techniques
SYMMETRICAL
In symmetrical paper cuts, two sides of the paper cut are mirror images of each other. Paper cuts may be vertically or horizontally symmetrical, or both, depending on how they are folded. In these paper cuts, the paper is folded, and the design is drawn onto one side. The paper should stay folded until the entire paper cut is cut, since unfolding and refolding the paper can weaken the folded seam, and cause it to rip.
2 1 ANGELS WITH FLOWERS,

BLACK PAPER ON WHITE BACKGROUND,
10" X 12" (25 X 31 CM)
2 DANCERS,
10" X 20" (25 X 51 CM)
3 HEART FILLED WITH LOVE,

BLACK PAPER WITH RED PAPER ON WHITE BACKGROUND,
12" X 10" (31 X 25 CM)
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15
ASYMMETRICAL
In asymmetrical paper cuts, the paper is not folded at all. The design is drawn onto the back of the paper before cutting.
1 INDIAN ELEPHANT,
10" X 8" (25 X 20 CM)
2 WOMAN IN LEAF,
12" X 8" (30 X 20 CM)
3 ANGEL WITH HARP,

8" X 6" (20 X 15 CM)
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COMBINED SYMMETRICAL AND ASYMMETRICAL

Many of my paper cuts feature both symmetrical and asymmetrical elements. To make this type of paper cut, I draw and cut the symmetrical elements first. I already know how the asymmetrical elements will look, and usually sketch them on a piece of tracing paper in advance. I dont draw them on the paper cut until the symmetrical elements have been cut.
After cutting the symmetrical elements, I carefully unfold the paper cut and flatten the fold. Using the asymmetrical design that I sketched on the tracing paper as a guide, I sketch these elements onto the paper cut. When it comes to cutting the a symmetrical elements, I recommend using a knife rather than scissors, since using scissors at this stage can be tricky, and can cause the paper cut to rip.
1 WOMAN WITH CHILD,

2 SCENES FROM THE CASTLE,

12" X 8" (30 X 20 CM)
14" X 8" (36 X 20
CM)
TECHNIQUES
17
POSITIVE
In positive cutting, elements of the design remain in the paper, and the background is removed. For example, if the paper cut is cut from white paper and mounted on black paper, the white paper will feature the design, and the black paper will show the background. In such paper cuts, all positive elements must be connected; otherwise, they will fall out when the background is removed.
NATURES LEAF, BLACK PAPER ON WHITE BACKGROUND,
12" X 8" (30 X 20 CM)
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NEGATIVE
In negative cutting, elements of the design are cut out of the paper, and the background remains. For example, if the paper cut is cut from white paper and mounted on black paper, the white paper will show the background, and the black paper will feature the design.
A FAMILY TREE, BLACK PAPER ON WHITE BACKGROUND,
6" X 8" (15 X 20 CM)
TECHNIQUES
19
COMBINED POSITIVE AND NEGATIVE

When starting out, it is easier to make the whole paper cut either positive or negative. However, as you gain experience, youll find that combining the two cutting styles in a single design introduces a world of possibilities in terms of creating shade, movement, and three-dimensional effect. This series of photos shows the steps in making Garden Boy. First, the image is drawn onto the back of silhouette paper and positive cutting is used to remove the background of the window areas (1). After the windows are cut, I begin cutting other areas of the design (2). I continue cutting the rest of the design. Note the mirror image of letters in the bottom right corner (3). The finished paper cut is turned over and mounted on a white background (4).
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GARDEN BOY, BLACK PAPER ON WHITE BACKGROUND,
12" X 10" (30 X 25 CM)
TECHNIQUES
21
Tools and Materials

Part of the universal appeal of paper cutting is that the supplies are inexpensive and very easy to find. All of the items below can be found in craft stores and online.
CELLOPHANE
Blade If you opt for a blade, choose one that is very sharp. I generally use a doctors scalpel, but utility blades that can be sharpened or replaced easily are also excellent.
GLUE
This translucent, light material can be used to enhance your paper cut by adding a touch of delicate color. Cut the cellophane to size and affix behind your paper cut before mounting it on the desired background.
CUTTING MAT
Use acid-free white craft glue to affix colored paper, metallic paper, or cellophane to your paper cut, and to affix your paper cut to its background. Apply the glue in carefully placed dots; do not try to spread the glue, as this can cause the paper cut to tear.
LETTER AND PHRASE DECALS
Youll need one of these if you use a blade for paper cutting. I suggest selecting a self-healing mat, comprised of layers of PVC, since this type of mat wont disintegrate with use. Using this type of mat also reduces dulling of your blade. Make sure the cutting mat you use is a little larger than your paper cut.
CUTTING TOOLS
Add a perfectly written personalized message to your paper cut using letter or phrase decals. Many companies sell phrases in prepared formats, and some even offer personalized phrases, allowing you to select the words, font, size, and color.
PAPER
Virtually any type of paper can be used for paper cutting, though you should keep in mind that the quality of the paper has a direct impact on the longevity of your work. At the same time, you dont want your paper to be too thick, since this can make cutting it more difficult. Here are some tips to keep in mind when selecting paper: Cardboard or matboard This is the paper upon which youll mount your paper cut when it is finished. Choose a color that harmonizes with the color of the paper cut.
Paper cutting artists use either scissors or a blade to cut the paper. The choice is simply a matter of preference, so try your hand at both tools to determine which is most comfortable. Note that if you use a blade, youll also need a cutting mat. Scissors If you opt for scissors, choose a pair that is very sharp, and has short, straight blades. The shorter the blades on your scissors, the easier it is to make tiny and precise cuts.
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Colored paper Polish-style paper cuts often feature several layers of brightly colored paper. Select colors that harmonize with each other and make sure that the paper isnt too thick, so that it doesnt bulge upwards from the papercut. Metallic paper This type of paper can be used to make shimmering paper cuts, or to add a festive touch to a papercut cut from regular paper. If you are cutting the entire papercut from this paper, make sure it has a white or light-colored backing for drawing your design. Also, make sure the backing is well attached; otherwise, it can become separated from the metallic paper while you are cutting. Silhouette paper This type of paper is black or darkcolored on one side, and white or light-colored on the other side. If you decide to make a dark-colored papercut, youll need this type of paper, as the lightcolored side provides the surface upon which you can draw. Tracing paper or vellum This is perfect for making a preliminary sketch of your design. When youre happy with how the design looks on tracing paper, transfer it to the paper youll be using for your papercut. Variegated paper This type of paper features at least two colors that blend gradually from one to the next. When using it as a background for your papercut, consider the orientation of the paper before mounting the papercut. White paper Most people start out using ordinary white paper (the type used in most home printers) for their paper cuts. I like to use slightly glossy paper, but paper with a matte finish is fine too. An advantage of using white paper is that you can add color to the final work if you like.
CARDBOARD SCALPEL CUTTING MAT
SILHOUETTE PAPER
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SKETCHING MATERIALS
Youll need a sharp pencil and eraser to draw your design onto the back of the paper. If you want straight lines or perfect circles, have a ruler and compass on hand, too.
WATERCOLORS AND FINE PAINTBRUSH
Painting your paper cut or its background adds artistic dimension. Be sure to use high quality watercolors that wont fade over time. Before applying the paint, test it on a piece of paper to make sure it isnt too wet. Overly wet paint can damage your paper cut.
WATERCOLORS AND FINE PAINTBRUSH
1 GOD BLESS OUR HOME,

BLACK PAPER ON VARIEGATED BACKGROUND,
3" X 8 12" (8 X 22 CM)
2 OPPOSITE, HEART IN
A WINDOW, BLACK PAPER ON WHITE BACKGROUND,
14" X 12" (36 X 30
CM)
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TOOLS AND MATERIALS
25
From Imagination to Image

Paper cutting is a craft that requires careful planning and precise cutting. At the same time, it is also an art that can convey movement, flow, depth, and shadows. For me, paper cutting is akin to painting, only I use a sharp blade instead of a paintbrush. Even before I draw the initial outline for the design, I have arranged all the elements in my mind. Careful planning allows me to integrate winding branches, linked leaves, thoughtful owls, decorative ribbons, and other elements that give the work both spiritual meaning and visual harmony. After imagining the project completely, I carefully draw it onto the back of the paper. Though paper cuts are one-dimensional, I strive to create three-dimensional effects by combining negative and positive cutting techniques that create the impression of shadows and movement. Every detail of the image is drawn in advance, so that when I start cutting, I already have a very good idea of how it will look when it is finished. Below are some issues to consider as you plan your paper cut. following guidelines when designing your paper cut center and border: Take advantage of the border to express aesthetic elements. Integrate flowers, vines, animals, ribbons, geometric images, and whatever else you enjoy designing. Remember to use images that can connect elements from the center of the paper cut to its edges. In paper cuts that feature both symmetrical and asymmetrical elements, cut the symmetrical elements first. After you have unfolded the paper cut, sketch and then cut asymmetrical elements.
KEEP THINGS CONNECTED

When sketching the design on your paper cut, be sure that all of the elements are connected. This is necessary for making sure that none of the elements are left hanging (or fall out altogether) when the paper cut is finished. In some cases (when cutting text in negative, for example), you may need to make connections by integrating thin bridges between the letters and the surrounding design. Adding vines, flowers, and leaves between objects is an excellent method of connecting the elements.
CENTER AND BORDER

In most of my paper cuts, the design is divided into a center and a border. The center usually features the main message or theme; the border generally features decorative elements, such as flowers, leaves, and wildlife, that complement the design, to enhance the meaning and complete the work. Motifs and symbols that appear in the center of paper cuts may include anything you like, including scenes from classical stories, words, messages, or symbols. The border of the paper cut may contain decorative elements such as vines, branches, flowers, text, or geometric shapes. Consider the
SYMBOLS
Integrating symbols into your paper cut design will imbue it with significance and meaning. At the right is a description of some of the symbols that appear in my paper cuts. Of course, you are free to integrate any symbols you like. Simply think about the function of your paper cut, and the message you want it to convey. I suggest conducting a little research about
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the symbols you want to use, as being informed about their meaning will make the paper cut even more meaningful.
BELLS
These delicate instruments can serve two functions. They can ring and make a beautiful sound when a gentle breeze passes by. They can also provide security, by ringing out a warning when evil spirits or dangerous winds blow by.
CHERUBS
CHERUBS
These angelic figures bring to mind spirituality and youth. They are associated with both Christianity and Judaism, and are commonly used to decorate Valentines Day cards, birthday cards, New Year cards, Christmas cards, etc.
FLOWERS, LEAVES, AND VINES
All the elements of your paper cut must be connected, and nature is an excellent source for making these connections. Consider adding winding vines, cascading flowers, and intricate leaves to your design. All of these motifs add beauty without detracting from the larger message.
GRAPES
LEAVES AND VINES
A fruit favored by many artists, grapes and grape vines are symbols of renewal, joy, youth, and life. One of the seven plant species with which Israel was blessed in the Bible, grapes are used to make wine, a beverage that has religious significance in both Christianity and Judaism.
GRIFFINS
GRAPES
These legendary creatures are depicted with the head and wings of an eagle and the body of a lion. They are mentioned in Greek mythology, and were reputed to be trusted by the gods to protect their gold. Some scholars have even suggested that the griffin may be considered a cherub.
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HAMSA
This five-fingered good luck charm image is common in both Middle Eastern and North African art, and is believed to stave off the evil eye.
HORN OF PLENTY
This image features a large horn filled with fruits, vegetables, and diverse vegetation. It is a symbol of abundance and wealth in diverse religions and regions.
OLIVES AND OLIVE BRANCHES
These are universal symbols of peace that date back to the biblical tale in which a dove brings an olive branch to Noah on his ark as a sign that the waters of the flood are receding.
POMEGRANATES
HAMSA
Since ancient times, these shapely red fruits have been valued for their medicinal qualities and durability. They are also admired for their large quantity of seeds, a trait which causes them to be associated with fertility. One of the seven plant species with which Israel was blessed in the Bible, it is believed that the number of seeds in a pomegranate is equal to the number of commandments in the Bible.
TREES
HORN OF PLENTY
Whether it is a tree of life, a holiday tree, or an elegant weeping willow, trees lend themselves naturally to the art of paper cutting. Treetops are an excellent site for integrating symbols and hidden animals. Roots can be designed as intricately as you like, and are ideal for connecting elements in your paper cut.
TREE
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WILDLIFE
To prepare the letters, simply type the message into a regular word processing document on your computer, increase the font size as desired, and print. You may want to bold the text too, so that each letter is a little thicker. If you are designing your letters freehand, plan their spacing before drawing them, so that the spaces are even throughout the words. If your message requires more than one row of letters, leave a space that is double the height of your letters between the rows, so that the letters are easy to read. Decide whether you want to cut the letters in positive or negative. In positive letters, you remove the background; in negative letters, you remove the letters. If you are cutting positive letters, be sure to make bridges between the letters and the paper cut, so that the letters dont fall away after the background has been removed.
My paper cuts feature diverse animals and birds, including owls, elephants, deer, and peacocks. Before selecting an animal or bird for your design, consider its meaning and significance. Owls evoke wisdom; fish suggest fertility; roosters symbolize good luck; peacocks are associated with beauty; doves are connected with peace. Sketch the animal a few times in advance before drawing it onto your paper cut. Refer to photographs or other drawings for help.
TEXT
Integrating words and numbers into your paper cut gives it another dimension of meaning. For example, if your paper cut is meant to mark a wedding, anniversary, birthday, or other special occasion, you may want to include a special message. Areas with text are asymmetrical, so finish cutting all symmetrical elements before integrating text. To add text without cutting you can use decals. Simply plan the spacing of the letters in advance, or use prepared phrase decals. Some companies offer custom-made decals; simply order the message you want, in the size you want, and apply to your paper cut. When writing a message that is to be cut into the paper cut, keep in mind that the mirror image of the message (and the letters) must be drawn on the back of the paper cut. I suggest practicing your message a few times on regular paper before transferring it to your paper cut. As for the style of the letters, you may use an existing font, or draw the text freehand. Using an existing font has several advantages. There are plenty of choices available on most personal computers, and it is easy to select a font in the size and style you want. This ensures that all the letters match in style and size.
COLOR
Black paper cuts are often mounted on white backgrounds, and white paper cuts are often mounted on black backgrounds, because these colors contrast and create a clean impression, However, there is no reason not to experiment with other colors, thereby adding another dimension to your paper cut. Chinese paper cuts, for example, are often cut from red paper; in Mexico, paper cuts are usually made in a wide variety of bright colors. Color can also be added after the paper cut has been cut. You can affix pieces of colored paper, metallic paper, or cellophane to the front or back of your paper cut. Color can also be added by painting the paper cut or the background.
FROM IMAGINATION TO IMAGE
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KISS FOR A BIRD, BLACK PAPER ON WHITE BACKGROUND,
8" X 6" (20 X 15 CM)
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Step-by-Step Instructions
In the following pages, youll find step-by-step instructions and photographs for making two projects. Refer to these pages when cutting your first few paper cuts. See pages 115 to 128 for templates you can use to make your own paper cuts.
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Tree and Rooster

12"X 8" (31 X 21 CM)
| TOOLS AND MATERIALS

This symmetrical paper cut features two roosters facing each other below
SILHOUETTE PAPER, 14" X 10" (36 X 25 CM) SKETCHING MATERIALS SCALPEL OR CUTTING TOOL SELF-HEALING CUTTING MAT GLUE WHITE OR VARIEGATED CARDBOARD, 12" X 8" (31 X 21 CM)
a stylized flower. The papercut is cut in positive using silhouette paper, and large areas of background are removed, meaning the backing you use will be quite visible. Use a white or variegated background for two quite different impressions. If youd like to include a message in this papercut, the bottom strip is the perfect place for writing it.
Tip
This is a positive design, which means youll be removing the background. I suggest marking that part of the design with an X.
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INSTRUCTIONS
1 Fold the paper in half lengthwise, so that

the lighter side faces outward. Draw half of the design on one side, so that the middle of the design is along the fold.
3 Cut the entire design, and remove all the

background pieces.
4 Carefully unfold the paper cut, taking care

that it doesnt rip as you separate the two sides. Press down on the back of the fold with your hand or the back of your cutting tool to flatten.
Working in a systematic manner, start cutting the design. If you start at the top of the work, cut your way downward. Leave a border of paper around the entire paper cut to hold the paper cut together.
5 Mount the paper cut onto the desired

background.
STEP-BY-STEP INSTRUCTIONS
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Heart of Love
10" X 9 12" (26 X 24
CM)

This work features a symmetrical border and nonsymmetrical center.
WHITE PAPER, 12" X 11 1/2" (30 X 29 CM)
The border is drawn and cut first; the text in the center is drawn and cut afterward. The letters in this design are cut in negative. Make sure to include
bridges when necessary so that the letters are not cut entirely from the paper cut. For example, when making the O, be sure to leave small bridges at the top and bottom of the letter, so that the center doesnt fall away.
SKETCHING MATERIALS SCALPEL OR CUTTING TOOL SELF-HEALING CUTTING MAT WATERCOLORS AND FINE PAINTBRUSH GLUE BLACK CARDBOARD, 12" X 11 1/2" (30 X 29 CM)
Tip
Test paints on a piece of scrap paper before applying them to the papercut to make sure the paints arent too wet.
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INSTRUCTIONS
1 Fold the paper in half lengthwise. Draw the

symmetrical elements of the design on half of the paper, so that the middle of the design is along the fold. Leave an area in the middle of the design solid, as youll be writing text here.
3 Cut the entire design, and remove all the

background pieces. Dont unfold the paper cut until you are completely finished cutting.
4 Carefully unfold the paper cut, taking care

that it doesnt rip as you separate the two sides. Press down on the back of the fold with your hand or the back of your cutting tool to flatten.
Working in a systematic manner, start cutting the design. If you start at the top of the work, cut your way downward. Leave a border of paper around the entire paper cut to hold the paper cut together.
STEP-BY-STEP INSTRUCTIONS
35
5 Lay the paper cut so that the back is

facing upward, and write the mirror image of your text.
7 Carefully remove the small pieces from

the letters.
8 Paint as desired, then set aside to dry

Cut out the letters. completely.
9 Mount the paper cut onto the cardboard.
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Gallery of Projects
The following pages contain photographs, highlights, and instructions for more than 35 paper cut projects. Use these projects as inspiration and motivation for your own designs.
When selecting the paper for your paper cut, remember to give yourself a border of about 2" (5 cm) all around. Keep this border intact until you finish cutting the entire paper cut, as it provides stability during the cutting process.
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BIRDS MEETING IN THE BARK
SQUIRREL ON A BRANCH
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Holiday Tree
28" X 12" (71 X 30 CM)

This symmetrical design is cut from black paper, decorated with disks of
SILHOUETTE PAPER, 29" X 13" (74 X 33 CM)
gold, silver, and bronze metallic paper, and mounted on a white background. Most of the tree is cut in positive, although the base and bark feature a few negative elements. This design features a tall, festive tree that narrows gently as it extends
SKETCHING MATERIALS COMPASS OR SMALL ROUND OBJECT SCALPEL OR CUTTING TOOL SELF-HEALING CUTTING MAT METALLIC PAPERS, VARIOUS COLORS
upward. Several pairs of birds are depicted in the tree, including two that are facing each other at the top. There is also a discreet pair of squirrels located on the second branch from the bottom, near the bark. To transform this festive tree into a family tree, simply cut out faces from family photographs and affix them instead of the metallic disks.
GLUE WHITE CARDBOARD, 30" X 14" (76 X 36 CM)
INSTRUCTIONS
1 Fold the paper in half lengthwise, so that the lighter side faces outward. 2 Draw half of the design on one side of the paper, so that the middle of
the design is along the fold. Use a compass to draw several rounds hanging from the branches.
3 Cut the design in a systematic manner. Leave a border of paper holding

the paper cut together until you finish cutting the design.
4 Carefully unfold the paper cut and flatten. Cut rounds of metallic paper
and affix onto the rounds of the paper cut.
Tip
This design features birds and squirrels that are hidden in the foliage. Draw these elements before drawing the leaves.
GALLERY OF PROJECTS
39
SMALL OWL NESTLED IN A FEATHER
40
Owls
19" X 10" (48 X 25 CM)

This asymmetrical design is cut from black paper and mounted on a white
SILHOUETTE PAPER, 21" X 11" (53 X 28 CM)
background. Most of the design is cut in positive. Notice that the claws on the tree stump are cut in negative, to contrast with the tree stump.
SKETCHING MATERIALS SCALPEL OR CUTTING TOOL SELF-HEALING CUTTING MAT GLUE WHITE CARDBOARD, 21" X 12" (53 X 30 CM)
Owls are often associated with wisdom, and this owl certainly conveys a sense of insight and understanding. The owl is perched on a tree stump, and its eyes are looking directly forward. The body is comprised of several stylized feathers featuring a variety of cutting patterns. Some feathers depict leaves and branches. Some feathers feature delicate scales of the type typically used in Dutch paper cuts. One of the feathers features a small owl, looking directly outward just like the main owl, and explaining the plural title of this design. The tail is also comprised of several feathers. Each feather features diagonal lines that differ in width and angle.
INSTRUCTIONS
1 Draw the design on the lighter side of the paper. 2 Draw a smaller owl in one of the wings, positioning it at an angle that is
similar to the large owl.
3 Cut the design in a systematic manner. Leave a border of paper holding

the paper cut together until you finish cutting the design.
4 Carefully remove all the background pieces. Mount the paper cut onto
the cardboard.
Tip
This design features a variety of patterns on the body and wings. Practice a few patterns on a regular piece of paper before choosing the designs you like best.
GALLERY OF PROJECTS
41
THE FORBIDDEN FRUIT
AN EXOTIC BIRD
42
Eves Seduction
5" X 20" (13 X 51 CM)

This asymmetrical design is cut from black paper and mounted on a white
SILHOUETTE PAPER, 7" X 22" (18 X 56 CM) SKETCHING MATERIALS SCALPEL OR CUTTING TOOL SELF-HEALING CUTTING MAT GLUE WHITE CARDBOARD, 7" X 22" (18 X 56 CM)
background. It is cut in positive, though the text featured in the snakes mouthan excerpt from the Book of Genesisis cut in negative. This design is inspired by the biblical story of Adam and Eve in the Garden of Eden, with an important twist. The design depicts the body of a snake, which is divided into sections that illustrate several scenes from the story, as well as patterns that resemble snake scales and flowers. Eve is represented with long, flowing hair, but note that in this rendition of the story, she isnt tempted by a snake. Instead, it is an angel who offers her the forbidden fruit.
INSTRUCTIONS
1 Draw the design on the lighter side of the paper. Leave a solid area at
the bottom of the mouth for writing the text.
2 Cut the design in a systematic manner, leaving a border of paper all

around the snake.
3 On the lighter side of the paper, draw the mirror image of your text.
Cut the text, and carefully remove all the background pieces.
Tip
Practice writing the mirror-image text that appears on the bottom of the snakes mouth on a regular piece of paper before writing it on the paper cut.
GALLERY OF PROJECTS
43
A FANCY BIRD WITH FLOWERS
POMEGRANATE AND FLOWERS
44
Golden Hamsa
27" X 13" (69 X 33 CM)

This mostly symmetrical design is cut from gold paper and mounted on
METALLIC GOLD PAPER, 29" X 15" (74 X 38 CM)
a black background. The design is shaped like a hamsa, a symbol believed to bring prosperity and ward off evil. Most of the design is cut in positive, though the text in the center is cut in negative. This paper cut is designed to protect a home, and features a number of elements that emphasize prosperity and protection. The use of gold paper suggests magnificence and wealth. Seven small bells are depicted at the bottom of the design, and one large bell is at the top. These bells are meant to ring should any bad spirits approach the house. As for the word in the center of the design, it means from the gate, and was taken from a fourteenth century book of Kabbalah that was found in Syria.
SKETCHING MATERIALS SCALPEL OR CUTTING TOOL SELF-HEALING CUTTING MAT GLUE BLACK CARDBOARD, 29" X 15" (74 X 38 CM)
INSTRUCTIONS
1 Fold the paper in half lengthwise, so that the lighter side faces outward. 2 Draw half of the design on one side, so that the middle of the design
is along the fold. Leave a solid area in the middle of the design for writing the text.
3 Cut the design in a systematic manner. Leave a border of paper all

around until you finish cutting the design.
4 Carefully unfold the paper cut and flatten. On the lighter side of the
paper, draw the mirror image of your text, and cut. Mount the paper cut onto the cardboard.
Tip
Follow the wavy lines that extend upward from the small bells in this design, and youll find that they meet at the top, right above the largest bell.
GALLERY OF PROJECTS
45
CLOVER DESIGN WITH CELLOPHANE BACKGROUND
DETAILED LIONS MANE
46
Golden Lions
13" X 13" (33 X 33 CM)

METALLIC GOLD PAPER, 15" X 15" (38 X 38
CM)
This symmetrical design is cut from gold paper and mounted on a black background. A piece of pearl-colored cellophane is affixed at the middle of the design to accentuate the window. The main image in this design is a pair of lions, facing each other. Lions
SKETCHING MATERIALS SCALPEL OR CUTTING TOOL SELF-HEALING CUTTING MAT
symbolize wealth, monarchy, and majesty, elements that are enhanced

GLUE PEARL-COLORED CELLOPHANE BLACK CARDBOARD, 15" X 15" (38 X 38
CM)
by the use of gold paper. The general shape of the design is reminiscent of a crown, further contributing to this paper cuts majestic feel. The lions are positioned on a decorated wall-like background, with an elegant window at the top. Note the angled lines just above the lions heads, giving the impression that the window actually sticks out from its background.
INSTRUCTIONS
1 Fold the paper in half lengthwise, so that the lighter side faces outward. 2 Draw half of the design on one side, so that the middle of the design is
along the fold.

4 Carefully unfold the paper cut and flatten. Measure the cellophane and
trim it so that it fits exactly behind the window.
5 Affix the cellophane to the back of the paper cut. Mount the paper cut
onto the cardboard.
Tip
This design is entirely symmetrical, so all of it can be drawn and cut while the paper is folded.
GALLERY OF PROJECTS
47
FISH WITH CAREFULLY CUT SCALES
AN ELABORATE LAMP
48
Fertility Blessing
18" X 20" (46 X 51
CM)

WHITE PAPER, 20" X 22" (51 X 56 CM) SKETCHING MATERIALS SCALPEL OR CUTTING TOOL
This design features a mostly symmetrical border and an asymmetrical center. It is cut from white paper, painted with watercolors, and mounted on a black background. The central symbol of this design is fish, signifying fertility and birth. The
SELF-HEALING CUTTING MAT WATERCOLORS AND FINE PAINTBRUSH GLUE
design is comprised of four areas. The main area is the oval shape located at the center of the piece. It features a pair of fish, cut in negative, and curved into one another. The next area features a blessing for the family from Psalm 128. The third area is a large rectangular shape surrounding
BLACK CARDBOARD, 20" X 22" (51 X 56 CM)
the main pair of fish. This area is filled with images of angels, fish, pomegranates, and grapevines, and is cut in positive. The fourth area creates an impression of waves on the sea.
INSTRUCTIONS
1 Fold the paper in half lengthwise, then widthwise. Draw the symmetrical
elements of the design.

3 Carefully unfold the paper cut and flatten. On the back of the paper,
draw the asymmetrical elements, including the mirror-image text.
4 Cut the asymmetrical elements and the text. Paint as desired, then
mount the paper cut onto the cardboard.
Tip
Practice writing the mirror-image text before writing it on the paper cut. The text is cut in positive, so be sure to include bridges that attach every letter to the paper cut.
GALLERY OF PROJECTS
49
FEATHERS MADE WITH COLORED PAPER
A ROOSTERS COLORFUL NECK
50
Colorful Tree
28" X 14" (71 X 36 CM)

SILHOUETTE PAPER, 30" X 16" (77 X 41 CM) SKETCHING MATERIALS SCALPEL OR CUTTING TOOL
This symmetrical design is cut from black paper, and mounted on a white background. Pieces of red, blue, yellow, and pink colored paper are layered and affixed on the front of the paper cut. The design is inspired by traditional Polish paper cuts, which often feature
SELF-HEALING CUTTING MAT COLORED PAPER, VARIOUS COLORS GLUE
several layers of colored paper. It features a large imaginary tree with four birds perched on its branches, and two birds standing at its base. Note that the tails of the birds in the branches blend into the edges of the tree. All the birds have vibrant tails and four of them have distinct crowns on their
WHITE CARDBOARD, 30" X 16" (77 X 41 CM)
heads, reminiscent of peacocks or roosters.
INSTRUCTIONS
along the fold.

4 Carefully unfold the paper cut. Cut pieces of colored paper that are
slightly smaller than the uncut areas on the paper cut, and affix.
Tip
Incorporate large solid areas in your design to give you the base for affixing layers of colored paper.
GALLERY OF PROJECTS
51
PRECISELY CUT FACIAL FEATURES
ROSE FABRIC BACKED WITH CELLOPHANE
52
Woman in a Rose Dress

24" X 10" (61 X 25 CM)

This asymmetrical design is cut from black paper and mounted on a white background. Pieces of light purple cellophane are affixed to accentuate some folds in the skirt. The design features a lovely woman standing in front of a stylized door.
SELF-HEALING CUTTING MAT
The woman is laden with jewelry, and dressed in an elegant gown that
LIGHT PURPLE CELLOPHANE GLUE WHITE CARDBOARD, 26" X 12" (66 X 30 CM)
looks as if it were made from several different types of delicate materials. The dress was cut using very delicate cutting techniques in order to create the impression that it is cascading and flowing gently around the womans body, imbuing the image with a sense of depth and movement.
INSTRUCTIONS
1 Draw the design on the lighter side of the paper. Cut the design in a
systematic manner. Leave a border of paper all around until you finish cutting the design.
2 Select the areas of the dress that will be backed with cellophane, and
trim the cellophane to size.
onto the cardboard.
Tip
The dress in this design is using a variety of very delicate cutting patterns, with the goal of creating the impression of movement and softness. Practice a few patterns on a regular piece of paper before choosing the patterns you like best.
GALLERY OF PROJECTS
53
ANGEL PLAYING WITH A HOOP
54
Playful Angels
15" X 10" (38
CM
X 25 CM)

SILHOUETTE PAPER, 17" X 12" (43 X 30
CM)
This symmetrical design is cut from black paper and mounted on a white background. It is cut almost entirely in positive and, as it is entirely symmetrical, all of it can be drawn and cut while the paper is folded. The dominant shape in this design is the fanciful heart-shaped treetop
SKETCHING MATERIALS SCALPEL OR CUTTING TOOL SELF-HEALING CUTTING MAT GLUE WHITE CARDBOARD, 17" X 12" (43 X 30
CM)
that gives the entire paper cut a sense of happiness and cheerfulness. The treetop isnt just remarkable for its shape, however; take a close look at it and youll see several creatures hidden amongst the leaves. The base of the tree is divided into two levels. The top level features two large angels and two large roosters; below this are two pairs of angels playing with toy hoops.
INSTRUCTIONS
along the fold in the paper.

4 Carefully unfold the paper cut and flatten. Mount the paper cut onto
the cardboard.
Tip
When drawing the treetop, draw the animals first, and then draw the leaves, so that the animals are discreetly concealed in the foliage.
GALLERY OF PROJECTS
55
BOWL OF GRAPES
HUNGRY BIRD
56
The Grape Harvest

15" X 15" (38 X 38 CM)

CM)
This design features a symmetrical frame and asymmetrical center. It is cut from black paper and mounted on a white background. A piece of purple cellophane is affixed in the top right area of the design to accentuate a window. This design is a celebration of the grape harvest. It features two lovely maidens carrying baskets of freshly picked grapes. At the side is a young man playing the violin. The border is cut like a latticed fence, and features clusters of grapes and birds. The girls look as though they are chatting or giggling, and the lines of their skirts seem to swirl around their feet. The overall atmosphere is lighthearted and carefree.
SKETCHING MATERIALS RULER SCALPEL OR CUTTING TOOL SELF-HEALING CUTTING MAT GLUE LIGHT PURPLE CELLOPHANE WHITE CARDBOARD, 17" X 17" (43 X 43
CM)
INSTRUCTIONS
1 Fold the paper in half lengthwise, so that the lighter side faces outward. 2 Draw the symmetrical elements on one side, so that the middle of the
design is along the fold.

4 Carefully unfold the paper cut. On the lighter side of the paper, draw
the asymmetrical elements, and cut.
5 Measure the cellophane and trim it so that it fits exactly behind the
window. Affix the cellophane to the back of the paper cut. Mount the paper cut onto the cardboard.
Tip
The trellis-like border in this design features many straight lines. You can draw these freehand or use a ruler.
GALLERY OF PROJECTS
57
LEISURELY SNACK
MUSICIAN PLAYS A TUNE
58
Woman and Musician

12" X 19" (30 X 48 CM)

WHITE PAPER, 14" X 21" (36 X 53 CM) SKETCHING MATERIALS SCALPEL OR CUTTING TOOL
This design features a symmetrical border and asymmetrical center. It is cut from white paper, selectively painted with watercolors, and mounted on a black background. The design features a woman reclining in an elegant room that is
surrounded by rich vegetation. The woman is wearing jewelry and elegant

WATERCOLORS AND FINE PAINTBRUSH GLUE BLACK CARDBOARD, 14" X 21" (36 X 53 CM)
clothes; she seems to be completely relaxed as she nibbles on a bunch of grapes and listens to music being played for her pleasure by the musician positioned at the foot of her bed. The overwhelming sense of this design is one of peace, luxury, and tranquility.
INSTRUCTIONS
1 Fold the paper in half lengthwise. 2 Draw the symmetrical elements of the design on one side, so that the
middle of the design is along the fold.
3 Cut the symmetrical elements in a systematic manner. Leave a border of

paper all around until you finish cutting the design.
the asymmetrical elements, and cut.
5 Turn the paper over and paint as desired. Mount the paper cut onto
the cardboard.
Tip
Test paints on a piece of scrap paper before applying them to the paper cut to make sure the paints arent too wet.
GALLERY OF PROJECTS
59
ANGEL GAZING OUTWARD
DELICATELY PERCHED BIRD
60
Three-Branched Candelabrum
13" X 14" (33 X 36 CM)

WHITE PAPER, 15" X 16" (38 X 41 CM) SKETCHING MATERIALS SCALPEL OR CUTTING TOOL SELF-HEALING CUTTING MAT
This symmetrical design is cut from white paper, painted with watercolors, and mounted on a black background. The main element in this design is an elegant three-branched candelabrum, which holds three burning candles. The base of the candelabrum is made from two intertwined horns of plenty. Rich vegetation spills out the open
WATERCOLORS AND FINE PAINTBRUSH GLUE BLACK CARDBOARD, 15" X 16" (38 X 41 CM)
end of each horn; the other end of the horn swirls into itself. There are two pairs of angels; one pair sits in the center of the candelabrum, facing each other and holding on to the horns of plenty; the other pair of angels faces outward. Sheaves of wheat, clusters of grapes, and diverse birds also appear in this design, contributing to the sense of richness and prosperity.
INSTRUCTIONS
1 Fold the paper in half lengthwise. 2 Draw half of the design on one side, so that the middle of the design is
along the fold.

4 Carefully unfold the paper cut and flatten. Paint as desired, then mount
the paper cut onto the cardboard.
Tip
GALLERY OF PROJECTS
61
DEER FACING OUTWARD
WOMAN WITH FLOWERS IN HER HAIR
62
Woman at the Window

20" X 16" (51 X 41 CM)

SILHOUETTE PAPER, 22" X 18" (56 X 46 CM) SKETCHING MATERIALS RULER COMPASS SCALPEL OR CUTTING TOOL SELF-HEALING CUTTING MAT GLUE WHITE CARDBOARD, 22" X 18" (56 X 46 CM) WATERCOLORS AND FINE PAINTBRUSH
This design features a symmetrical frame and asymmetrical center. It is cut from black paper and mounted on a white background. Elements of the background are painted with watercolors after the paper cut is mounted. This design features a lovely young woman wearing many pieces of jewelry and sitting on a decorated window ledge. The ledge is covered with an elegant carpet, and surrounded by arches of vines and flowers. The landscape that is visible through the window features pine trees, gentle hills, and rocky walls. Watercolors were applied delicately after the paper cut was mounted onto the background to emphasize the landscape.
INSTRUCTIONS
1 Fold the paper in half lengthwise, so that the lighter side faces outward.
Draw the symmetrical elements on one side, so that the middle of the design is along the fold.

around until you finish cutting the design. Carefully unfold the paper cut and flatten. On the lighter side of the paper, draw the asymmetrical elements, and cut.
3 Mount the paper cut onto the cardboard. Paint the landscape that is
visible through the window.
Tip
Make the designs in the arches as elaborate as you like by including elements such as birds, deer, elegant urns, and flowers.
GALLERY OF PROJECTS
63
Jerusalem
WINDOWS WITH DECORATIVE PANES
DELICATELY CUT FEATHERS
64
DISTINCTIVELY CURVED ROOFS
LAYERS OF BRICKS CUT IN POSITIVE
GALLERY OF PROJECTS
65
Jerusalem
18" X 25" (46 X 64 CM)

SILHOUETTE PAPER, 20" X 27" (61 X 69 CM) SKETCHING MATERIALS SCALPEL OR CUTTING TOOL SELF-HEALING CUTTING MAT
This design features a symmetrical border and asymmetrical center. It is cut in positive from silhouette paper and mounted on a white background. The center of the design features several buildings in Jerusalem, many of them famous for their distinctive architectural style. I sketched these buildings during a visit to the city, but you can also use images from books
and the Internet as models for drawing these buildings. Interspersed among these structures are sentences from the Bible and poetic phrases connected with the city of Jerusalem. These passages are practical means of filling spaces between the buildings; they also imbue the work with a sense of poetry and music. The buildings are surrounded by a frame comprised of stylized doves holding olive branches. Both the doves and the olive branches are associated with peace and prosperity, thus their presence blesses the city, and protects it. Note the detailed feathering of the doves, distinctive to Dutch paper cuts, and the stylized leaves at the bottom of the design.
Tip
The doves wings make up the border of this artistic representation of Jerusalem. Be sure to leave yourself enough room between them for the images of the buildings.
66
OLD CITY'S WALL
THE CITYS FAMOUS WINDMILL
CLASSIC-STLYE COLUMNS
DOME OF THE ROCK MOSQUE
INSTRUCTIONS
1 Fold the paper in half lengthwise, so that the

lighter side faces outward.
4 Carefully unfold the paper cut. On the lighter side

of the paper, draw the asymmetrical elements and the mirror-image text.
2 Draw the symmetrical elements of the design on

one side, so that the middle of the design is along the fold.
5 Cut the asymmetrical elements and the text, and

remove all the background pieces.
3 Cut the design in a systematic manner. Leave a

border of paper all around until you finish cutting the design.
(see picture on pages 6465)
GALLERY OF PROJECTS
67
The Creation
CURVED LINES REPRESENT CLOUDS
BIRD AND SUN
68
STRAIGHT LINES DEPICT RAYS FROM THE SUN
LEAVES AND GRASS
GALLERY OF PROJECTS
69
The Creation
16" X 26" (41 X 66 CM)

SILHOUETTE PAPER, 18" X 28" (46 X 71 CM) SKETCHING MATERIALS RULER
This majestic design is predominantly asymmetrical, although the columns along its left and right side are symmetrical. It is cut from black paper and mounted on a white background. The inspiration for this design is the first passage the Bible: In the
SCALPEL OR CUTTING TOOL
beginning God created the heaven and the earth (Genesis 1:1). The design
SELF-HEALING CUTTING MAT GLUE WHITE CARDBOARD, 18" X 28" (46 X 71 CM)
is comprised of six sections. Two sections, the columns along the right and left, feature a pair of angels. The bottom angels are depicted blowing celebratory horns to declaration the creation. The other angels are present to protect the world from evil forces. The center of the design is comprised of three ribbon-like strips that divide the main part of the design into four sections. The text on these strips, cut in negative, is taken from the Book of Genesis. As for the center of the design, it features elements associated with the natural world, including trees, flowers, and grass, the sun, the moon, stars, and clouds. Notice that the order of these elements is not logical, as there are trees at both the top and bottom of the center, and the moon and sun are featured in the middle. Also notice the use of both negative and positive cutting techniques to depict the various elements. These techniques are used in order to represent the confusion and chaos that existed after the earth was created, as it is written in the second passage of the Bible: Now the earth was unformed and void (Genesis 1:2).
Tip
In this design, the chaos of the biblical story is reflected in the positioning of the elements. For example, trees are located at the top and bottom of the design, while the moon and sun are in the middle.
70
ANGEL GAZING OUTWARD
DIVERSE CUTTING TECHNIQUE SHAPE A TREE BARK
ANGEL WITH TRUMPET
FLOWERS AND SUN RAYS
INSTRUCTIONS
1 Fold the paper in half lengthwise, so that the

lighter side faces outward.
4 Cut the asymmetrical elements and the text. 5 Mount the paper cut onto the cardboard.
2 Use a ruler to mark the left and right borders of

the design and draw the symmetrical elements.
3 Cut the symmetrical elements, then carefully

unfold the paper cut. On the lighter side of the paper, draw three horizontal ribbons that divide this area into four sections. Draw the symmetrical elements and the mirror image of your text.
(see picture on pages 6869)
GALLERY OF PROJECTS
71
LEAVES ON A DATE PALM TREE
WOMAN GAZING DOWNWARD
72
Woman in the Garden

20" X 16" (51 X 41 CM)

SILHOUETTE PAPER, 22" X 18" (56 X 46 CM) SKETCHING MATERIALS RULER SCALPEL OR CUTTING TOOL
This design features both symmetrical and asymmetrical elements. Though the border is primarily symmetrical, there are some places in which asymmetrical elements are incorporated. It is cut from navy blue paper, and mounted on a variegated background. The design depicts a young woman sitting in the center of a large multi-
SELF-HEALING CUTTING MAT GLUE VARIEGATED CARDBOARD, 22" X 18" (56 X 46 CM)
paned window. The panes of the window look like bars, and there is a sense that the woman is trapped and cannot leave. The woman is looking downward, as though she is gazing outside the window; her head is slightly angled, as though she is listening to somethingperhaps a song being played by her beloved? She is surrounded by palm trees, birds, and pomegranates, and an elegant vase is positioned just below her. The scene is inspired by the Song of Solomon 4:12: A garden locked is my sister, my bride.
INSTRUCTIONS
Draw the symmetrical elements of the design, so that the middle of the design is along the fold. Use a ruler to make the straight lines of the window.

paper, draw the asymmetrical elements, and cut. Orient the variegated cardboard as desired, and mount the paper cut on top.
Tip
When mounting your paper cut onto variegated paper, consider the orientation of the paper.
GALLERY OF PROJECTS
73
PROFILE OF A WOMAN
74
POMEGRANATES WITH BIRD
Profile with Grapes

16" X 16" (41 X 41
CM)

WHITE PAPER, 18" X 18" (46 X 46 CM) SKETCHING MATERIALS COMPASS OR ROUND OBJECT
This design features both symmetrical and asymmetrical elements. It is cut from white paper, painted with watercolors, and mounted on a black background. This design features many pomegranates and grapevines, two symbols
that relate to prosperity. The center of the design is the profile of a young
SELF-HEALING CUTTING MAT WATERCOLORS AND FINE PAINTBRUSH GLUE BLACK CARDBOARD, 18" X 18" (46 X 46 CM)
woman whose hair is comprised of lush vegetation that sits like a crown upon her head. Two young musicians are depicted just below the profile, and birds are featured throughout the design. The overall impression of this design is of life, beauty, and renewal.
INSTRUCTIONS
1 Fold the paper in half lengthwise. 2 Draw the symmetrical elements of the design on one side, so that the
middle of the design is along the fold. Leave a semicircular area in the middle solid for drawing the profile.

4 Carefully unfold the paper cut. On the back of the paper cut, draw the
asymmetrical elements, and cut.
5 Paint as desired. Mount the paper cut onto the cardboard.
Tip
You may want to use a compass to draw the circular area that frames the face in the middle of the design.
GALLERY OF PROJECTS
75
BIRDS MEET IN THE MIDDLE
PROFILES IN AN EMBRACE
76
Lovers
20" X 16" (51 X 41 CM)

This design features a symmetrical border and asymmetrical center. It is cut from navy blue paper and mounted on a variegated background. It features both negative and positive cutting. The central image in this design is a pair of lovers sitting in a gentle
embrace in front of a decorated lattice. The couple is positioned inside a

GLUE VARIEGATED CARDBOARD, 22" X 18" (56 X 46 CM)
window that is surrounded with rose vines. Images of roses are featured below the lovers as well, enhancing the sense of love, romance, and elegance. Two elegant vases are positioned on either side of the couple, and extending from these vases is an arc of lush and beautiful vegetation. The vegetation meets at the top of the design, in the image of two birds meeting beak to beak, as if in a kiss. Note that the vases, flowers, and birds that comprise the top area of the border are cut in negative, and the strips of roses at the bottom, as well as the couple in the middle, are cut in positive.
INSTRUCTIONS
Draw the symmetrical elements on one side, so that the middle of the design is along the fold in the paper.

paper, draw the asymmetrical design, and cut. Orient the variegated cardboard as desired, and mount the paper cut on top.
Tip
Consider using a painting or photograph for inspiration and guidance when drawing your design.
GALLERY OF PROJECTS
77
JESTER PATS A PEACOCK
JESTER WATCHES A BIRD FLY
78
Court Jesters
26" X 10" (66 X 25 CM)

CM)
This symmetrical design is cut from black paper and mounted on a white background. Pieces of orange and red cellophane are affixed at the back of the paper cut, giving it the appearance of stained glass. This design is divided into six parts that are cut to resemble real windows. The top and bottom windows feature jesters such as those that may be seen in traditional Italian theater. The jesters at the top are sitting with peacocks, while those at the bottom look upward toward two flying birds. The window is surrounded by leaves and flowers. The jesters and windows are cut in positive, while the trim around the design is cut in negative.
SKETCHING MATERIALS RULER COMPASS OR ROUND OBJECT SCALPEL OR CUTTING TOOL SELF-HEALING CUTTING MAT GLUE RED AND YELLOW CELLOPHANE WHITE CARDBOARD, 28" X 12" (71 X 30
CM)
INSTRUCTIONS
1 Fold the paper in half lengthwise, so that the lighter side faces outward. 2 Draw half of the design on one side of the paper, so that the middle of
the design is along the fold.

4 Carefully unfold the paper cut and flatten. Measure the red and yellow
cellophane and trim it to size.
onto the cardboard.
Tip
This design features horizontal and vertical lines, several circles, and rounded arches. You may want to use a ruler and compass to draw these elements precisely.
GALLERY OF PROJECTS
79
ANGEL GOING UPWARD
JACOB SLEEPS ON A ROCK
80
Jacobs Ladder
20" X 14" (51 X 36
CM)

SILHOUETTE PAPER, 22" X 16" (56 X 41 CM) SKETCHING MATERIALS SCALPEL OR CUTTING TOOL SELF-HEALING CUTTING MAT GLUE WHITE CARDBOARD, 22" X 16" (56 X 41 CM)
This design features a symmetrical border and asymmetrical center. It is cut from black paper and mounted on a white background. The design is inspired by the biblical story of Jacobs ladder, as recounted in Genesis 28. Jacob is on a long journey, weary and exhausted, he chooses a rock in the desert upon which to lay his head. While sleeping, he dreams of a ladder reaching up to the sky upon which angels ascend and descend. In this design, Jacob is depicted in flowing robes and sandals, lying on the ground with a rock as his pillow. A winding ladder extends toward the sky, and on that ladder are several angels. Some of the angels are facing Jacob, thus descending, while others face the heavens, thus ascending. Palm trees in the background evoke the desert in which Jacob slept. As for the border, it contains several lyres, as well as decorative columns, flowers, and leaves.
INSTRUCTIONS
1 Fold the paper in half lengthwise, so that the lighter side faces outward. 2 Draw the symmetrical elements on one side, so that the middle of the
design is along the fold.

the asymmetrical elements, and cut. Mount the paper cut onto the cardboard.
Tip
The coat Jacob is wearing in this design is inspired by the so-called coat of many colors that Jacob wears in the biblical story.
GALLERY OF PROJECTS
81
BIRD FLYING DOWNWARD ANGEL LOOKING UPWARD
82
Angel Holding a Candelabrum

16" X 12" (41 X 30 CM)

This design features a symmetrical top and asymmetrical bottom. It is cut from black paper and mounted on a white background. The center of this design features an angel who is holding a decorated candelabrum. The top of the candelabrum features nine candle cups, plus two birds on either side. Both the top and bottom of this candelabrum are
made up of grapes and grape leaves. Note that these elements are symmetrical at the top and asymmetrical at the bottom.
INSTRUCTIONS
1 Fold the paper in half lengthwise, so that the lighter side faces outward. 2 Draw the symmetrical elements of the design on one side, so that the

the asymmetrical design, and cut. Mount the paper cut onto the cardboard.
Tip
Note that in this design, the top is symmetrical and the bottom is asymmetrical.
GALLERY OF PROJECTS
83
PROFILE OF WOMAN LOOKING DOWNWARD
BOY OFFERS A BIRD
84
The Gift
16" X 14" (41 X 36 CM)

This design features a symmetrical border and asymmetrical center. It is cut from black paper and mounted on a white background. The center of this design features an elegant woman receiving a bird from a young boy. A stylized tree is positioned behind the woman, and its branches hang gracefully above her. This area is cut in negative, enabling
the fine details of the leaves and the womans dress to be expressed, and creating an effect that is almost two-dimensional, so that one feels the movement in these elements. As for the border, this is the area in which the design really opens up. It is cut in positive, with thin lines and large spaces that give a sense of lightness that contrasts with the darker center.
INSTRUCTIONS
1 Fold the paper in half lengthwise, so that the lighter side faces outward. 2 Draw the symmetrical elements of the design on one side, so that the

paper, draw the asymmetrical elements, and cut.
Tip
Note how the leaves on the tree and the womans dress are cut in a manner that suggests movement and flow.
GALLERY OF PROJECTS
85
PAINTED PINK FLOWER
PROFILE OF A BIRD
86
Stained Glass Birds

28" X 16" (71 X 41
CM)

SILHOUETTE PAPER, 30" X 18" (76 X 46 CM) SKETCHING MATERIALS RULER SCALPEL OR CUTTING TOOL
This symmetrical design is cut from black paper and mounted on a white background. The background is painted with watercolors. The paper cut, designed to resemble a real window, is comprised of several small panes. A large symmetrical flower sits at the top of the windows, and there are two smaller flowers at either side. Below these flowers are
SELF-HEALING CUTTING MAT GLUE WHITE CARDBOARD, 30" X 18" (76 X 46 CM) WATERCOLORS AND FINE PAINTBRUSH
two colorful birds that meet beak to beak. The birds have elaborate tails that reach the bottom of the paper cut, where they intertwine with flowers and leaves.
INSTRUCTIONS
along the fold. Use a ruler to make the straight lines.

the cardboard and paint the background as desired.
Tip
Take advantage of the large white background areas in this design to enhance the design with watercolors.
GALLERY OF PROJECTS
87
PROFILE OF A BIRD
DEER DEPICTED IN POSITIVE AND NEGATIVE
88
Wall Candlesticks
20" X 12" (51 X 30 CM)

SILHOUETTE PAPER, 22" X 14" (56 CM X 36 CM) SKETCHING MATERIALS SCALPEL OR CUTTING TOOL SELF-HEALING CUTTING MAT GLUE WHITE CARDBOARD, 22" X 14" (56 X 36 CM)
This symmetrical design is cut from black paper and mounted on a white background. The design features an elaborate wall candelabrum comprised of various animal and floral shapes. At the top of the candelabrum, positioned as though they are protecting everything below, is a pair of griffins. Under the griffins is an oval-shaped area, which features two deer that seem to be entering a gated area. The deer, cut in both positive and negative, are surrounded by leaves and floral elements. Below this area is a small fivebranched candelabrum. The bottom of the design is filled with lush vegetation of leaves and flowers. There are pairs of birds on either side, and above each pair of birds is an angel supporting a candle.
INSTRUCTIONS
along the fold.

the cardboard.
Tip
GALLERY OF PROJECTS
89
TWO BIRDS MEET AT THE TOP
LEAVES IN THE MIDDLE
90
Birds of Love
12" X 11" (30 X 28 CM)

CM)
This symmetrical design is cut from black paper and mounted on a white background. Pieces of red, orange, and yellow cellophane are affixed, often in layers. The design is inspired by traditional Polish paper cuts. It features three hearts in the center, two of which are decorated with colored paper, and one of which features an intricate design of leaves. These hearts are surrounded by two flowery branches that form another heart around them. There are pairs of birds at the top and bottom of the design.
SKETCHING MATERIALS SCALPEL OR CUTTING TOOL SELF-HEALING CUTTING MAT RED, ORANGE, AND YELLOW, COLORED PAPERS GLUE WHITE CARDBOARD, 14" X 13" (36 X 33
CM)
INSTRUCTIONS
1 Fold the paper in half lengthwise, so that the lighter side faces outwards. 2 Draw half of the design on one side, so that the middle of the design is
along the fold.

around until you finish cutting the design. Make sure you incorporate large solid areas in your design. Youll need these for affixing the colored papers.
4 Carefully unfold the paper cut and flatten. Cut pieces of colored paper
that are smaller than the uncut areas on your paper cut and affix.
Tip
The order of the colored papers in this design is always the same, with yellow papers cut in the largest size, and affixed directly onto the paper cut. These are topped with smaller pieces of red and orange paper.
GALLERY OF PROJECTS
91
A BASKET OF FLOWERS
BOY SMELLING A FLOWER
92
Women and Children

20" X 16" (51 X 41
CM)

This symmetrical design is cut from black paper and mounted on a variegated background. Note that the bottom area of the design is both vertically and horizontally symmetrical. This design is divided into two sections. The top section depicts two
women and two children who have gone to the garden to pick flowers. The
women are wearing elegant flowing dresses; each one holds a basket that is overflowing with flowers, and offers the child flowers to smell. The two sides of this section are divided by a classic Greek-style vase. The bottom section features four pairs of birds.
INSTRUCTIONS
Fold the bottom third of the paper in half upward.
2 Draw half of the design on one side, so that the middle of the design is
along the middle fold.

4 Carefully unfold the paper cut and flatten. Orient the variegated
cardboard so that the darker area is at the bottom, and mount the paper cut on top.
Tip
Note that birds depicted on the bottom area of the design will appear four times rather than twice, due to the additional fold.
GALLERY OF PROJECTS
93
WOMAN REACHING UP TO A BIRD
TROUBADOUR PLAYS A FLUTE
94
The Troubadours
10" X 20" (25 X 51 CM)

This symmetrical design is cut from black paper and mounted on a white background. It is cut almost entirely in positive though some elements are depicted in negative. The design features a scene in which two young women are sitting, with
birds perched on their hands, inside an elegant room with decorated

windows and wall. Two troubadours are located at either end of the room. They are standing under arched openings and playing their instruments, likely for the listening pleasure of the women. Note the landscape that is featured outside the openings where the troubadours are playing. The background buildings and trees are cut in very small dimensions to create an effect of depth and distance.
INSTRUCTIONS
1 Fold the paper in half lengthwise, so that the lighter side faces outwards. 2 Draw half of the design on one side, so that the middle of the design is
along the fold.

the cardboard.
Tip
Though most of this design is cut in positive, some elements (such as the chandeliers) are cut in negative to make it more interesting.
GALLERY OF PROJECTS
95
PEACOCK WATCHING THE PLAYERS
PLAYER LEANING ON A TREE
96
Players Under a Tree

13" X 12" (33 X 30 CM)

CM)
This symmetrical design is cut from black paper and mounted on a white background. It depicts a pair of players sitting in tranquility under the shade of a tree and playing music. A pair of elegant birds serves as their audience. Though the entire design is cut in positive, note how the wide open spaces of the
SKETCHING MATERIALS SCALPEL OR CUTTING TOOL SELF-HEALING CUTTING MAT GLUE WHITE CARDBOARD, 15 X 14 (38 X 36
CM)
background contrast with the dark solidity of the bark and the players legs. As for the birds, note how their head feathers extend and become integrated into the background.
INSTRUCTIONS
along the fold.

the cardboard.
Tip
Take advantage of the branches and leaves in this tree to create an interesting abstract design, if you like.
GALLERY OF PROJECTS
97
THE FAMOUS FIDDLE
CHIMNEY AND SHINGLES
98
Fiddler on the Roof

12" X 9" (30 X 23 CM)

This asymmetrical design is cut from black paper and mounted on a white background. It is cut entirely in negative. The design is based on a scene from Fiddler on the Roof, the widely loved tale written by Sholem Aleichem. The tale was made into a musical, and has been produced on stages around the world for the past 40 years. This
paper cut, designed to look like a drawing of a scene from the play, features a fiddler on his roof, looking up towards the heavens.
INSTRUCTIONS
1 Draw the design on the lighter side of the paper. 2 Cut the design. Be sure to leave bridges of paper between all of the
elements in the design.
3 Mount the design onto the cardboard.
Tip
When recreating scenes from plays or stories, be sure to choose elements that are easily recognizable.
GALLERY OF PROJECTS
99
THREE BIRDS MEET IN THE MIDDLE
WOMAN GAZES AT A BIRD
100
The Bird Woman

20" X 15" (51 X 38 CM)

This design features a symmetrical border and asymmetrical center. It is cut from black paper and mounted on a blue background. Pieces of glossy blue paper are affixed at the back of the design. The focus of the design is a woman enjoying the company of birds. Several
elaborate birds stand in front of her, and their feathers seem to merge with
BLUE COLORED PAPER GLUE WHITE CARDBOARD, 22" X 17" (56 X 43 CM)
her skirt. There is a bird perched on her hand, and several more flying over her head. On either side of the woman are two columns deigned in a classic architectural style. The columns are decorated with ribbons, grapes, and birds. Above the woman is a decorated gable featuring symbols that represent wealth and prosperity, including clusters of grapes and horns of plenty. At the base of each column is a lion, symbolizing majesty and glory.
INSTRUCTIONS
Draw the symmetrical elements of the design on one side, so that the middle of the design is along the fold.
2 Cut the symmetrical elements in a systematic manner, then carefully

unfold the paper cut. On the lighter side of the paper, draw the asymmetrical design, and cut.
3 Decide which areas you want to highlight and cut the blue paper to
size. Affix the blue paper on the back of the paper cut. Mount the paper cut onto the cardboard.
Tip
In this paper cut, blue paper is used as a backing for the center of the paper cut, and certain elements of the border. This helps connect the two areas, bringing them together with a splash of color.
GALLERY OF PROJECTS
101
AN ANGEL LOOKING INWARD FLAME BURNS AND CANDLE MELTS
102
Pair of Candlesticks
16" X 8" (41 X 20 CM)

SILHOUETTE PAPER, 18" X 10" (46 CM X 25 CM) SKETCHING MATERIALS RULER SCALPEL OR CUTTING TOOL
This symmetrical design is cut from black paper and mounted on a white background. This design features a pair of candlesticks that resemble ancient columns. A lace cloth is depicted at the base of the candlesticks, and the wavy pattern of the cloth contrasts with the vertical lines of the candlesticks. At
the top of each candlestick is a Hellenistic-style pot within which candles are positioned. A pair of angels is perched on each candlestick, wrapping the candlesticks in ribbons.
INSTRUCTIONS
along the fold.

the cardboard.
Tip
You may want to use a ruler to make the lines in the candlesticks as straight as possible.
GALLERY OF PROJECTS
103
PAIR OF SQUIRRELS
PAIR OF DEER
NOAH AND HIS FAMILY
104
Noahs Ark
44" X 16" (112 X 41 CM)

CM)
This design is predominantly symmetrical, though the top and bottom images of the ark and Noahs family are asymmetrical. It is cut from black paper and mounted on a white background. The design is based on the biblical story of Noahs ark, as told in Genesis
SKETCHING MATERIALS RULER SCALPEL OR CUTTING TOOL
69, in which God punished the world for its sins by causing a great flood.
SELF-HEALING CUTTING MAT GLUE WHITE CARDBOARD, 46" X 18" (116 X 46
CM)
God felt Noah was the only righteous person left on earth, and commanded him to build a giant ark so that he and his family could escape the flood. God also told Noah to bring pairs of every creature on earth into his ark, in order to save them from the flood. This famous ark is featured at the top of this design, on a stormy sea that is filled with fish. Below this are seven levels, arranged like a ladder. The bottom level features Noah and his family; above them are pairs of animals including elephants, snakes, lions, deer, squirrels, and peacocks, as well as lush vegetation.
INSTRUCTIONS
1 Fold the paper in half lengthwise, so that the lighter side faces outward. 2 Use a ruler to divide your design into eight sections. Draw half of the
middle six designs, so that the middle of the designs are along the fold.
3 Cut the symmetrical elements in a systematic manner. Be sure to leave

the ladder-like border all around.
4 Carefully unfold the paper cut. Draw the asymmetrical images at the
top and bottom of the design, and cut. Mount the paper cut onto the cardboard.
Tip
Take a look at the story of Noahs ark before drawing your design, and include images from the story that are most interesting to you.
GALLERY OF PROJECTS
105
BIRD WITH ELEGANT FEATHERS
FLOWERS, BERRIES, AND LEAVES
106
Butterflies
13" X 14" (33 X 36 CM)

SILHOUETTE PAPER, 15" X 16" (38 X 41 CM) SKETCHING MATERIALS COMPASS OR ROUND OBJECT SCALPEL OR CUTTING TOOL
This symmetrical design is cut from black paper and mounted on a white background. It is cut in positive. The title of the design is Butterflies, in the plural form, and if you look closely, you will see several little butterflies concealed in the wings of the main butterfly. In addition to these little butterflies, the wings also contain
flowers, leaves, and birds. These images were chosen as they represent the butterflys natural surroundings, thus the butterfly and its environment are presented in a single unified image.
INSTRUCTIONS
along the fold.

the cardboard.
Tip
This design features decorated circles on every wing, much like a real butterfly. You may want to use a compass to draw these circles.
GALLERY OF PROJECTS
107
MYTHIC GRIFFINS ADD PROTECTION
BELLS ADD MUSIC AND PROTECTION
108
The Artist at Work

11" X 19" (28 X 48
CM)

SILHOUETTE PAPER, 13" X 21" (33 X 53 CM) PHOTOGRAPH SKETCHING MATERIALS
This symmetrical design is cut from navy blue paper and mounted on a variegated background. It frames a photograph of me at work, and features protective symbols and images. The design is divided into three sections. The main section holds the
RULER
photograph, which is guarded on either side by a pair of griffins. Around

SCALPEL OR CUTTING TOOL SELF-HEALING CUTTING MAT GLUE VARIEGATED CARDBOARD, 13" X 21" (33 X 53 CM)
these griffins is a profusion of rich vegetation, adding natural beauty and life to the design. The vegetation sprouts from two large classic jugs situated on either side of the photograph. Below the photograph and griffins are two rows of small arches. There is a bell inside each arch, and one above the photograph as well. These bells contribute both to the beauty and security of the design. Their purpose is twofold: When they ring, they bring musical pleasure. They can also ring when bad winds are near, in order to warn people of a visiting bad spirit, or to scare off evil spirits.
INSTRUCTIONS
Mark a framed area where the photograph will be placed, and draw the paper cut design all around it.

3 Carefully unfold the paper cut. Affix the photograph behind the framed
area at the center of the paper cut. Mount the paper cut onto the cardboard.
Tip
The framed area in this paper cut is rectangular, but you can also make a round picture frame in the center. Just use a compass to mark the frame.
GALLERY OF PROJECTS
109
BIRDS MEET IN THE MIDDLE
DELICATE PAINTING ADD BEAUTY
110
Painted Heart
7" X 8" (18 X 20
CM)

WHITE PAPER, 9" X 10" (23 X 25 CM) SKETCHING MATERIALS SCALPEL OR CUTTING TOOL SELF-HEALING CUTTING MAT
This symmetrical design is cut from white paper, painted with watercolors, and mounted on a black background. The paper cut features several elements traditionally associated with love, including lush, colorful flowers and a pair of lovebirds. The center of the heart is an ideal place for writing a message. It can be used as a Valentines
WATERCOLORS AND PAINTBRUSH GLUE BLACK CARDBOARD, 9" X 10" (23 X 25 CM) LETTER OR PHRASE DECALS
Day card, anniversary card, wedding card, or simply to say "I love you".
INSTRUCTIONS
1 Fold the paper in half lengthwise. 2 Draw half of the design on one side, so that the middle of the design is
along the fold. Be sure to make a large open area in the middle of the design for text.

4 Carefully unfold the paper cut and flatten. Paint as desired and set
aside to dry. Mount the paper cut on the black cardboard.
5 Write message in center of paper cut using letter or phrase decals.
Tip
Plan the layout of your message carefully so that the letters are balanced and tidy. You may want to apply the decals before mounting your paper cut.
GALLERY OF PROJECTS
111
WATER LILY
WOMAN BRAIDING HER HAIR
112
Woman and Water Lilies

14" X 19" (36 X 48
CM)

SILHOUETTE PAPER, 16" X 21" (41 X 53 CM) SKETCHING MATERIALS RULER
This asymmetrical design is cut from black paper and mounted on a variegated background. It features a combination of positive and negative cutting techniques. The main image of this design is a young woman, braiding her hair while
she sits atop a water lily. Most of the woman is cut in positive, though the
SELF-HEALING CUTTING MAT GLUE VARIEGATED CARDBOARD, 16" X 21" (41 X 53 CM)
part of her body that overlaps with the moon is cut in negative. The background is airy and open, because of the use of thin lines and large, wave-shaped spaces. The waves are cut in different sizes to create a sense of movement.
INSTRUCTIONS
1 Draw the design on the lighter side of the paper. 2 Cut the design in a systematic manner, leaving a border of paper to
hold the paper cut together.
3 Orient the variegated cardboard so that the lighter end is at the top,
and mount the paper cut onto the cardboard.
Tip
When mounting your paper cut onto variegated paper, consider the orientation of the paper. In this design, placing the darker end of the paper at the bottom suggests the depth of the water.
GALLERY OF PROJECTS
113
ABOUT THE AUTHOR

Henya Melichson has been a paper cut artist for more than twenty years. With a background in painting and drawing, Henyas paper cuts are inspired by various sources, including religious and secular motifs, ethnic images and traditions, poetry, and nature. Her works have been exhibited in museums in Europe, the United States, and Israel. She has
held several solo exhibitions, including one in the Openbare Bibliotheek in Amsterdam, Holland. She has also participated in group exhibitions in the United States and Europe, including a show at the Knipselmuseum in Westrbork, Holland. Henya is a member of the Guild of American Paper cutters, and has led seminars, instructed paper cutters, and been interviewed for television programs.
114
Templates
In the following pages, youll find more than a dozen templates you can use to make your own paper cuts. Simply photocopy the template (this option allows you to increase the size with ease), or trace it onto tracing paper. Transfer the design to the paper youll be using for your paper cut. Copy the Xs onto your paper as well, because these are the areas that will be cut away from the paper cut.
If the template you are using is half of a symmetrical design, or if youd like the design to appear on both sides of the paper, line up the dotted edge of the template with the fold in your paper when copying the design.
115
X X X X X X X X
X X X X X
X X
X X
X X X X
X X X X X X X
X X
SYMMETRICAL DEER AND TREE FRAME
116
X X
X X X X X X
X X
X X X X X
X X X X X X X X X X X X X X X
SYMMETRICAL BIRDS AND LEAF FRAME
X X
X X
X X X
TEMPLATES
117
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
SYMMETRICAL ANGEL FRAME
118
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
X X
X X
SYMMETRICAL HEART-SHAPED FLORAL FRAME

TEMPLATES
119
X X X X X X
X X X X X
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
SYMMETRICAL POMEGRANATE AND JUG FRAME
120
X X X X X
X X X X X X
X
X X
X X
X X X X
X X
X X
X X
X X X X X X X
X X X X
X
X
X X X X X X X X X
X
X X X X
X X
X
X X X
X X
X X X
X
X
X
X X X X X X
X X X X X X X X X X
X X X
SYMMETRICAL FLOWER AND LEAF FRAME

TEMPLATES
121
X X X
X X X X X X X X
X
X X
X X X X X
BIRD GREETING CARD
122
X X X X
X X X X X
X X
X
X X X
X X X X X X X X X X X X
X
X
X X X X X
X X X
X X X
X X
X X X X X X
X X
BIRD WITH ROSE GREETING CARD
TEMPLATES
123
X
X
X X
X X X X X
X
X
X X
X X X X X X X X
X
X X X
X
X
ANGEL WITH HORN GREETING CARD
124
X X
X
X X
X
X
X X X X X X
X X X X
X X X
X
X
X
X X X X
X X
X X X X
X X X X
X X
X X
X X X
X X X X X X X
X
X X X
X X
X X
X
X
X X X
SYMMETRICAL FESTIVE TREE

TEMPLATES
125
X X X
X X
X X X X X X X
X
X
X
X X
X X X
X X
X
X X
X X
X
X X
X X X X X X X
X
X
X
X X X X
X X
X X X X X
X X X X X X
X
X X
X X
SYMMETRICAL JUG WITH FLOWERS
126
X X X
X
X X X X
X X
X X X
X X
X X X
X X
X X X
X X
X X
X X X X
X X X X
X X X X X X
X X X X
X X X
X
X X
X
X X
X X
X X
X X X X X X X
X X X X
X X X X X
X X
X X X X X X X X
X
SYMMETRICAL HEART WITH FLOWERS AND BIRDS
TEMPLATES
127
X X X X X
X
X X
X X
X X X X X X
X
FLORAL BOOKMARK
128
2009 by Penn Publishing, Ltd. All rights reserved. No part of this book may be reproduced in any form without written permission of the copyright owners. All images in this book have been reproduced with the knowledge and prior consent of the artists concerned, and no responsibility is accepted by the producer, publisher, or printer for any infringement of copyright or otherwise, arising from the contents of this publication. Every effort has been made to ensure that credits accurately comply with information supplied. We apologize for any inaccuracies that may have occurred and will resolve inaccurate or missing information in a subsequent reprinting of the book. First published in the United States of America by Quarry Books, a member of Quayside Publishing Group 100 Cummings Center Suite 406-L Beverly, Massachusetts 01915-6101 Telephone: (978) 282-9590 Fax: (978) 283-2742 www.quarrybooks.com
ISBN-13: 978-1-59253-525-5 ISBN-10: 1-59253-525-9 10 9 8 7 6 5 4 3 2 1 Editor: Shoshana Brickman Page Layout: Ariane Rybski Photographs: Moshe Cohen Printed in Singapore

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The Art of Pa p e r C u t t i n g

Tools and Materials From Imagination to Image

Types of Paper Cuts

85 87 89 91 93 95 97 99 101 103 105 107 109 111 113 114

THE ART OF PAPER CUTTING

PAPER CUTTING AROUND THE WORLD

THE ART OF PAPER CUTTING

1 TRADITIONAL DUTCH PAPER CUT,

6" X 4" (15 X 10 CM)

2 TRADITIONAL POLISH PAPER CUT,

Types of Paper Cuts

1 BIRD IN TREE BOOKMARK,

8" X 2 12" (20 X 6 CM)

8" X 2" (20 X 5 CM)

3 BIRDS AND TREES

8" X 2 12" (20 X 6 CM)

THE ART OF PAPER CUTTING

DECORATIVE WALL HANGINGS

1 GOD BLESS OUR HOME,

3" X 8 12" (8 X 22 CM)

16" X 14" (41 X 36 CM)

1 ROSE GARDEN FRAME,

22" X 16" (56 X 41

THE ART OF PAPER CUTTING

1 SWAN GREETING CARD, 4

7" X 4 12" (18 X 11.5 CM)

7" X 4 12" (18 X 11.5 CM)

7" X 4 12" (18 X 11.5

4 PEACOCK WITH FLOWERS,

4 12" X 7" (11.5 X 18

TYPES OF PAPER CUTS

2 1 ANGELS WITH FLOWERS,

10" X 12" (25 X 31 CM)

10" X 20" (25 X 51 CM)

3 HEART FILLED WITH LOVE,

12" X 10" (31 X 25 CM)

THE ART OF PAPER CUTTING

10" X 8" (25 X 20 CM)

12" X 8" (30 X 20 CM)

3 ANGEL WITH HARP,

8" X 6" (20 X 15 CM)

THE ART OF PAPER CUTTING

COMBINED SYMMETRICAL AND ASYMMETRICAL

1 WOMAN WITH CHILD,

2 SCENES FROM THE CASTLE,

12" X 8" (30 X 20 CM)

14" X 8" (36 X 20

NATURES LEAF, BLACK PAPER ON WHITE BACKGROUND,

12" X 8" (30 X 20 CM)

THE ART OF PAPER CUTTING

A FAMILY TREE, BLACK PAPER ON WHITE BACKGROUND,

6" X 8" (15 X 20 CM)

COMBINED POSITIVE AND NEGATIVE

THE ART OF PAPER CUTTING

GARDEN BOY, BLACK PAPER ON WHITE BACKGROUND,

12" X 10" (30 X 25 CM)