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    Doflein Outline

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    Ramiro Miranda
    Volume IV of Doflein focuses on further developing technique in bowing, fingering, and ornamentation. It covers exercises for string crossings, trills, accents, dotted rhythms, syncopation, spiccato bowing, rhythm studies, tone quality, expression, and double stops in first position. Volume V addresses higher positions from fourth to tenth position, combining lower and higher positions, and techniques for whole tone scales, chromatic passages, and rapid shifts within a position that are common in modern music.

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    Doflein Outline

    Uploaded by

    Ramiro Miranda
    217 views3 pages
    Volume IV of Doflein focuses on further developing technique in bowing, fingering, and ornamentation. It covers exercises for string crossings, trills, accents, dotted rhythms, syncopation, spiccato bowing, rhythm studies, tone quality, expression, and double stops in first position. Volume V addresses higher positions from fourth to tenth position, combining lower and higher positions, and techniques for whole tone scales, chromatic passages, and rapid shifts within a position that are common in modern music.

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    Volume IV of Doflein focuses on further developing technique in bowing, fingering, and ornamentation. It covers exercises for string crossings, trills, accents, dotted rhythms, syncopation, spiccato bowing, rhythm studies, tone quality, expression, and double stops in first position. Volume V addresses higher positions from fourth to tenth position, combining lower and higher positions, and techniques for whole tone scales, chromatic passages, and rapid shifts within a position that are common in modern music.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
    217 views3 pages

    Doflein Outline

    Uploaded by

    Ramiro Miranda
    Volume IV of Doflein focuses on further developing technique in bowing, fingering, and ornamentation. It covers exercises for string crossings, trills, accents, dotted rhythms, syncopation, spiccato bowing, rhythm studies, tone quality, expression, and double stops in first position. Volume V addresses higher positions from fourth to tenth position, combining lower and higher positions, and techniques for whole tone scales, chromatic passages, and rapid shifts within a position that are common in modern music.

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    OUTLINE OF DOFLEIN VOLUMES IV AND V

    VOLUME IV: FURTHER TECHNIQUE IN BOWING AND FINGERING


    CHAPTER 1 Practice for characteristic motion in classical and pre-classical music Teaching points: left finger agility (small 4 note patterns) string crossings (set right arm and then play exercises) bowing strokes combination of short strokes and string crossings.

    CHAPTER 2 Trills and short appoggiatura Teaching points: Different types of trills, and short and long appoggiaturas. CHAPTER 3 Accents Teaching points: Different kinds of accents, like the regular accent or sforzato, and one or many accents under one bow. CHAPTER 4 Various bowings of dotted eight notes Teaching points (ILLUSTRATE): down-down up-up down-up-down up-down-up as well as down-down-up in 6/8 up-down up-down at the point CHAPTER 5 Syncopation Teaching points: The rhythmic features of syncopation, as well as the technical aspects: where to use double ups or downs,

    CHAPTER 6 Spiccato and similar types of bowing Teaching points: Thrown bow exercises Mixed bowings Spiccato with string crossings Sautille Raising the bow slightly between slurred notes Types of bowing in 6/8 time Various bowings in 3/4 time Flying staccato Retaking the bow to avoid over accenting up bows Up-down up-down (shoe shine) bow at the middle or tip, down-up down-up at the frog

    CHAPTER 7 Studies in Rhythm Teaching points: Pieces with frequent time signature changes CHAPTER 8 Additional practice in tone quality and expression; more difficult keys, rhythmical playing; chromatic music; modern music. Teaching points: all of the above mentioned skills. CHAPTER 9 Double-stopping and chords in the first position Teaching points: Exercises in octaves, sixths, thirds, tritons, and mixed exercises Three-voice and four-voice chords Cadences in various keys APPENDIX Scales, arpeggios and chord cadences in all keys, arranged by order of flats and sharps rather than by the circle of fifths.

    VOLUME V: THE HIGHER POSITIONS


    PART I: THE FOURTH POSITION

    CHAPTER 1 Studies in the 4th Position CHAPTER 2 4th position combined with the lower positions CHAPTER 3 4th position in keys containing the diminished fifth above open string CHAPTER 4 The 4th position combined with the lower positions CHAPTER 5 Application of the 4th position PART II: THE FIFTH POSITION CHAPTER 6 Studies in the 5th Position CHAPTER 7 5th position combined with the lower positions PART III: SIXTH TO TENTH POSITIONS CHAPTER 8 The 6th position and its application Combining the 6th position with the lower positions CHAPTER 9 The 7th position Combining the 7th position with the lower positions CHAPTER 10 Exercises and examples in application of the 8th, 9nth and 10th positions PART IV: TECHNIQUES OF STOPPING IN MODERN MUSIC The whole-tone scale Chromatic passages Rapid change of attitude within the position

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