Flexi8.0 Help Manual

Flexi Design User Manual
SA International 2 International Plaza, Suite 625 Philadelphia, PA 19113-1518 USA 610-521-6300 www.SAintl.biz
Contents
1. Installing the Software........................................................... 1 Recommended System Requirements .................................... 1 Installation Procedures ............................................................ 1 Using Preference Manager ...................................................... 2 Install Password....................................................................... 3 2. Getting Started ....................................................................... 4 Basic Elements of your Software ............................................. 4 Changing the View................................................................... 8 Tracking your Steps ............................................................... 11 Using Workspaces ................................................................. 12 Entering Numerical Values .................................................... 12 Setting Preferences ............................................................... 13 Macintosh User Interface Features........................................ 16 Getting Help ........................................................................... 16 Exiting the Software ............................................................... 16 3. Working with Files ............................................................... 17 Creating New Documents ...................................................... 17 Opening Files......................................................................... 17 Importing Files ....................................................................... 17 Saving Documents................................................................. 18 Exporting to Files ................................................................... 18 Sending a Job to EnRoute (Windows Only)........................... 18 Emailing a Job ....................................................................... 18 Closing Documents................................................................ 18 Linked and Embedded Files .................................................. 19 Using OLE Objects (Windows Only) ...................................... 20 Working with Job Info............................................................. 21 Job Statistics.......................................................................... 22 Finding Files........................................................................... 22 Job Estimation ....................................................................... 23 Applying Templates ............................................................... 25 4. Using DesignCentral............................................................ 28 Displaying DesignCentral....................................................... 28 DesignCentral Tab ................................................................. 28 5. Using DesignEditor.............................................................. 32 Displaying DesignEditor......................................................... 32
2006 SA International
DesignEditor - Layers Tab......................................................32 DesignEditor - Objects Tab ....................................................34 6. Selecting Objects .................................................................36 Selecting Objects Using the Select Tool ................................36 Selecting Objects Within an Effect .........................................36 Selecting Objects Using the TAB Key ....................................37 Selecting Similar Objects .......................................................37 Selecting Objects With The Same Color ................................37 Selecting Object Based on Attributes.....................................37 Selecting Objects Using DesignEditor....................................37 Selecting All Objects ..............................................................37 Deselecting All Objects ..........................................................37 Inverting Selection..................................................................38 7. Arranging Objects ................................................................39 Resizing Objects ....................................................................39 Moving Objects.......................................................................39 Rotating, Shearing and Mirroring Objects ..............................40 Duplicating Objects ................................................................42 Working with Auto Serialization..............................................44 Grouping Objects ...................................................................44 Compounding Objects............................................................45 Masking Objects.....................................................................46 Locking Objects......................................................................46 Changing Object Order ..........................................................47 Aligning Objects .....................................................................47 Distributing Objects ................................................................48 Spacing Objects .....................................................................49 Nesting Objects ......................................................................49 True Shape Nesting (Windows Only) .....................................50 Snapping Objects ...................................................................50 Deleting Objects .....................................................................51 Clear Transform .....................................................................51 8. Working with Color ..............................................................52 Available Color Models...........................................................52 Working with Swatch Tables ..................................................52 Applying Colors Using the Color Mixer...................................55 Sampling Colors Using the Eyedropper .................................56 Defining Colors Using the Color Specs Dialog.......................57
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Setting the Default Fill/Stroke Color....................................... 59 Setting the Background / Foreground Color .......................... 60 Modifying Existing Color Libraries.......................................... 60 Creating Test Swatches......................................................... 60 9. Using Fill/Stroke Editor ....................................................... 62 Displaying Fill/Stroke Editor ................................................... 62 Types of Fills.......................................................................... 62 Applying No Fill to an Object.................................................. 62 Applying a Solid Fill to an Object ........................................... 62 Applying a Pattern Fill to an Object........................................ 63 Applying a Gradient Fill to an Object ..................................... 64 Editing Stroke Properties of an Object................................... 65 Applying Overprinting to an Object ........................................ 66 10. Working with Shapes........................................................... 67 Creating Shapes .................................................................... 67 Editing Shapes Using DesignCentral..................................... 68 Editing Shapes Using Control Points ..................................... 70 Converting Objects to Shapes ............................................... 72 11. Working with Text ................................................................ 73 Creating New Text ................................................................. 73 Changing Text Attributes Using DesignCentral ..................... 75 Changing Text Attributes Using Control Points...................... 77 Editing Text ............................................................................ 79 Selecting Text ........................................................................ 79 Changing Text Attributes ....................................................... 80 Changing Default Text Settings ............................................. 81 Finding and Replacing ........................................................... 81 Spell Checking ....................................................................... 81 Changing Case ...................................................................... 82 Changing Kerning .................................................................. 82 Breaking and Joining Text ..................................................... 83 Changing Text Orientation ..................................................... 83 Adjusting Text Block Size ...................................................... 84 Working With Braille Text....................................................... 84 Working With Barcodes ......................................................... 84 Working With Special Characters .......................................... 85 Working With Text Styles....................................................... 86 Text Preferences.................................................................... 87 Working with Fonts ................................................................ 87
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12. Working with Paths ..............................................................90 Creating Paths........................................................................90 Selecting Points and Segments .............................................92 Using DesignCentral to Edit Points and Segments ................93 Path Direction.........................................................................94 Editing Paths ..........................................................................94 13. Working with Bitmaps........................................................102 Using DesignCentral ............................................................102 Creating Bitmaps..................................................................103 Changing Bitmap Properties ................................................104 Using the Bitmap Toolbar.....................................................106 Defining Marquees ...............................................................106 Editing Bitmaps ....................................................................107 Using Filters .........................................................................111 Tracing Bitmaps ...................................................................113 14. Working with Effects..........................................................117 Common Features................................................................117 Using Combine Effects.........................................................117 Using the Outline Effect........................................................119 Using the Shadow Effect ......................................................120 Using the Stripes Effect........................................................121 Using The Distort Effect .......................................................123 Using the Blending Effect .....................................................124 Using the Lens Effect ...........................................................125 Using the Underbase Effect .................................................126 Using the Finisher Effect ......................................................127 Using Color Trapping ...........................................................128 Using Styles .........................................................................128 Using Contour Cut................................................................129 15. Working with Measurements and Labels.........................131 Measuring Distances............................................................131 Creating Dimensioning Lines ...............................................131 Automatically Dimensioning Objects ....................................132 Dimensioning to Page ..........................................................132 Creating Labels ....................................................................133 Editing Dimension Lines.......................................................133 16. Configuring the System for Color Printing ......................135 Setting the Input Profiles ......................................................135
Setting the Display Profiles .................................................. 135 Selecting Rendering Intents................................................. 135 17. Printing to a Desktop Printer ............................................ 137 18. Connecting to Production Manager or PhotoPRINT Server.................................................................................. 139 Connecting to Production Manager ..................................... 139 Connecting to PhotoPRINT Server ...................................... 141 Sharing a Hardware Key over a Local Area Network .......... 142 19. Cutting your Design........................................................... 143 Cut/Plot Dialog Settings ....................................................... 143 Cut / Plot Dialog - General Tab............................................ 143 Cut / Plot Dialog - Panel Tab ............................................... 145 Cut/Plot Dialog Options Tab ............................................. 149 Cut / Plot Dialog - Advanced Tab......................................... 151 20. Printing your Design.......................................................... 152 Setting the RIP and Print Dialog .......................................... 152 RIP and Print Dialog - General Tab ..................................... 152 RIP and Print Dialog - Panel Tab......................................... 154 RIP and Print Dialog - Advanced Tab .................................. 157 RIP and Print Dialog Adjustment Tab ............................... 159 Setting Driver Options.......................................................... 160 Printing with Spot Colors...................................................... 161 Contour Cutting.................................................................... 161 Appendix A - ASCII CODE....................................................... 164 Appendix B - Supported File Formats ................................... 165 AutoCAD DXF Import........................................................... 166 Adobe Acrobat PDF Export.................................................. 166 Gerber File Format Supported Features.............................. 166 Appendix C Features List..................................................... 167 Appendix D - CASmate Tracing Features.............................. 169 Using Bezier Tracing............................................................ 169 Using Enhanced Curves Tracing ......................................... 169 Using Enhanced Corners Tracing........................................ 169 Using Centerline Vectorization............................................. 169 Using Color Vectorization .................................................... 170 Appendix E Keyboard Shortcuts......................................... 172
Index..........................................................................................173
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Software License Agreement

Carefully read the following terms and conditions. This is a legal agreement between you, the end user (either an individual or an entity), and SA International If you do not agree with the following, you should promptly return the package. Use of this program indicates your acceptance of the terms and conditions stated below. The enclosed computer program "Software" is licensed, not sold, to you by SA International, for use on a non-exclusive, non-transferable basis, only under the following terms, and SA International, reserves any rights not expressly granted to you. You may not disclose to any third party any confidential information concerning the Software or SA International or use such confidential information to the detriment of SA International.. 1. License. This software is protected by the United States Copyright Law and International Treaty Provisions. Therefore, you must treat the Software just as you would any other copyrighted material, such as a book. This license allows you to: (a) Make one copy of the Software in machine readable form; provided that such a copy of the original may be used solely for backup purposes. As an express condition of this License, you must reproduce on each copy of the SA International, copyright notice and any other proprietary legends on the original copy supplied by SA International (b) Transfer the Software and all rights under this License to another party together with a copy of this License and all written materials accompanying the Software provided you give SA International, written notice of the transfer and the other party reads and agrees to accept the terms and conditions of this License. (c) Use this Software on a single computer only, but may transfer it to another computer as long as it is used on only one computer at a time. In Use constitutes being loaded onto either temporary (i.e., RAM) or permanent memory (e.g., hard disk, CD-ROM or other storage device) of a computer. 2. Restrictions. You may NOT distribute copies of the Software to others or electronically transfer the Software from one computer to another over a network. You may not de-compile, reverse engineer, disassemble or otherwise reduce the Software to a human perceivable form. You may not modify, adapt, transfer, rent, lease, loan, resell for profit, distribute, network or create derivative works based upon the software or any part thereof. 3. Termination. This License is effective until terminated. This License will terminate immediately if you fail to comply with any of its provisions. Upon termination, you must return the Software, and all copies thereof, to SA International, and you may terminate this License at any time by doing so. 4. Export Law Assurances. You agree that neither the Software nor any direct product thereof will be transferred or exported, directly or indirectly, into any country prohibited by the United States Export Administration Act or any international export laws and the restrictions and regulations thereunder, nor will it be used for any purposes prohibited by the Act or laws. 5. Warranty Disclaimer, Limitation of Remedies and Damages. In no event will SA International, be liable for any damages, including infringement, lost data, lost profits, cost of cover or other special, incidental, consequential or indirect damages arising from the use of the program however caused and on any theory of liability. This limitation will apply even if SA International, or an authorized dealer or distributor has been advised of the possibility of such damage. SA International MAKES NO WARRANTY, EXPRESS OR IMPLIED, WITH RESPECT TO THE SOFTWARE, AND DISCLAIMS, WITHOUT LIMITATION, ANY IMPLIED WARRANTY OF MERCHANTIBILITY OR FITNESS FOR A PARTICULAR PURPOSE. SA International, does not warrant any drivers for plotting, scanning or either devices. These drivers are provided for our customers as a service only, and were developed using information provided to us at the time by the equipment manufacturers. SA International, is not responsible for any typographical errors in the software or in the documentation. 6. General. If you are a U.S. Government end-user, this License of the Software conveys only "RESTRICTED RIGHTS," and its use, disclosure, and duplication are subject to Federal Acquisition Regulations, 52.227-7013(c)(1)(ii). This License will be construed under the laws of the State of Pennsylvania, except for that body of law dealing with conflicts of law, if obtained in the U.S., or the laws of jurisdiction where obtained, if obtained outside the U.S. If any provision of this License is held by a court of competent jurisdiction to be contrary to law, that provision of this License will remain in full force and effect. Copyright 2006 by SA International All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopy, recording or otherwise, without the prior written permission of the publisher. Printed in the United States of America. The information in this manual is subject to change without notice and does not represent a commitment on the part of SA International Flexi, FlexiFAMILY, FlexiSIGN-PRO, FlexiEXPERT, FlexiSIGN, FlexiLETTER, FlexiDESIGNER, FlexiCUT, FlexiENGRAVE, PhotoPRINT Server, PhotoPRINT, PhotoPRINT SE, EnRoute-Pro, EnRoute Plus, EnRoute, EnRoute-Machine Shop, and/or other SA International products referenced herein are either trademarks or registered trademarks of SA International. Illustrator is a registered trademark of Adobe Systems Incorporated. FreeHand is a registered trademark of Macromedia Corporation. CorelDRAW! is a trademark of Corel Systems Corporation. AppleTalk, ImageWriter, LaserWriter, and Macintosh are registered trademarks of Apple Computer, Inc. Windows is a registered trademark of Microsoft Corporation. The names of actual companies and products mentioned herein may be the trademarks and/or registered trademarks of their respective owners. Adobe is a trademark of
Adobe Systems Incorporated or its subsidiaries and may be registered in certain jurisdictions. PostScript is a trademark of Adobe Systems Incorporated or its subsidiaries and may be registered in certain jurisdictions. SA International International Plaza Two, Suite 625 Philadelphia, PA 19113-1518 License Agreement for Users of Adobe Configurable PostScript Interpreter and Coded Font Programs 1. Licensor grants to Licensee a nonexclusive sublicense, subject to Paragraph 7 below and the other provisions hereof (a) to use the CPSI Application Object ("Software") solely for Licensee's own internal business purposes in a single central processing unit ("CPU"), optional associated display with a resolution of less than one hundred fifty dots per inch, and, optionally, connected to a single or multiple output device (the "Computer System"); (b) to use the digitally-encoded machine-readable outline programs ("Font Programs") provided by Licensor in a special encrypted format ("Coded Font Programs") and identified herewith to reproduce and display designs, styles, weights, and versions of letters, numerals, characters and symbols ("Typefaces") solely for Licensee's own customary business or personal purposes on the Computer System; and (c) to use the trademarks used by Licensor to identify the Coded Font Programs and Typefaces reproduced therefrom ("Trademarks"). Licensee may assign its rights under this Agreement to a licensee of all of Licensee's right, title and interest to such Software and Coded Font Programs provided the licensee agrees to be bound by all of the terms and conditions of this Agreement. 2. Licensee acknowledges that the Software, Coded Font Programs, Typefaces and Trademarks are proprietary to Licensor and its suppliers. Licensee agrees to hold the Software and Coded Font Programs in confidence, disclosing the Software and Coded Font Programs only to authorized employees having a need to use the Software and Coded Font Programs as permitted by this Agreement and to take all reasonable precautions to prevent disclosure to other parties. 3. Licensee will not make or have made, or permit to be made, any copies of the Software or Coded Font Programs or portions thereof, except as necessary for its use with a single Computer System hereunder. Licensee agrees that any such copies shall contain the same proprietary notices which appear on or in the Software or the Coded Font Programs. 4. Except as stated above, this Agreement does not grant Licensee any rights to patents, copyrights, trade secrets, trade names, trademarks (whether registered or unregistered), or any other rights, franchises, or licenses in respect of the Software, Coded Font Programs, Typefaces, or Trademarks. Licensee will not adapt or use any trademark or trade name which is likely to be similar to or confusing with that of Licensor or any of its suppliers or take any other action which impairs or reduces the trademark rights of Licensor or its suppliers. The Trademarks can only be used to identify printed output produced by the Coded Font Programs. At the reasonable request of Licensor, Licensee must supply samples of any Typeface identified by a Trademark. 5. Licensee agrees that it will not attempt to alter, disassemble, decrypt or reverse engineer the Software or Coded Font Programs. 6. Licensee acknowledges that the laws and regulations of the United States restrict the export and re-export of commodities and technical data of United States origin,
including the Software or Coded Font Programs. Licensee agrees that it will not export or re-export the Software or Coded Font Programs in any form without the appropriate United States and foreign government licenses. Licensee agrees that its obligations pursuant to this section shall survive and continue after any termination or expiration of rights under this Agreement. 7. The Software licensed hereunder may be used to generate screen displays on a single Computer System having a screen resolution of less than 150 dots per inch and to generate output on the associated output device. Licensee agrees not to make use of the Software, directly or indirectly, (i) to generate bitmap images on a screen display with a resolution of 150 dots per inch or greater, (ii) to generate Typefaces for use other than with the Computer System, or (iii) to generate printed output on other than an output device that Licensor has designated to be approved for use with the Software on the Computer System. Any failure of Licensee to comply with this provision is a material breach of this End User Agreement. 8. NEITHER LICENSOR NOR ANY OF ITS REPRESENTATIVES MAKES OR PASSES ON TO LICENSEE OR OTHER THIRD PARTY ANY WARRANTY OR REPRESENTATION ON BEHALF OF LICENSOR'S THIRD PARTY SUPPLIERS. 9. Licensee is hereby notified that Adobe Systems Incorporated, a California corporation located at 345 Park Avenue, San Jose, CA 95110-2704 ("Adobe") is a third-party beneficiary to this Agreement to the extent that this Agreement contains provisions which relate to Licensee's use of the Software, the Coded Font Programs, the Typefaces and the Trademarks licensed hereby. Such provisions are made expressly for the benefit of Adobe and are enforceable by Adobe in addition to Licensor. 10. The Adobe Postscript Interpreter includes an implementation of LZW licensed under U.S. Patent 4,558,302. The Adobe PostScript Interpreter, also referred to as CPSI, is provided on an as is basis. SA International is not responsible for any damages arising from the use of the program however caused and on any theory of liability.
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1. Installing the Software

The following are instructions for installing the software. A typical installation will install the design software along with Production Manager, the Install Password utility, and other features. It is possible to install the design software on a system without installing Production Manager. This can be useful if you want to connect a computer to your output devices in one area of a shop, while doing your design work in another area, for instance. For details, see Using a Hardware Key over a Local Area Network page142.
Installation Procedures
The software will not run without a hardware protection key, also known as a dongle. The hardware key protects the software from being unlawfully copied and must be connected to your computer whenever you use the software. The Sentinel Hardware Key is the only type of hardware key supported.
Recommended System Requirements

Before you begin installing the software, read the hardware requirements below. For optimal performance we suggest that your system meet the recommended requirements. As with all computer software, systems with faster processors, more RAM, and greater amounts of storage space allow you to work with larger files and keep your processing time to a minimum.
Windows Processor RAM Install Space Working Disk Space Operating System Video Pentium II 350 MHz 256 MB 400 MB 4 Gigabytes Windows 2000 / XP Windows 2003 Server OSX 10.2.8 or later Macintosh G3 300 MHz
Sentinel Hardware Key
Installing the Software (Windows)

Follow these steps to install the software:
To install the software, you must have Administrator privileges. To use the software, you must have Administrator or Power User privileges. See your Windows user guide for details.
1. Insert the Installation CD. 2. Follow the on-screen instructions to install the application. 3. Plug the hardware key into the port. Once the USB hardware key driver has been installed, the driver will cause an LED built into the key to light. The USB driver is installed automatically as part of the software installation.
1024x768 resolution monitor with 16 bit color CD-ROM or DVD-ROM Drive
Other
Free USB Port for hardware key Available Port for Output Device Internet Connection
Uninstalling the Software (Windows)

1. Exit your software by selecting Exit from File menu. 2. In the Windows Control Panel, double-click the Add or Remove Programs icon.
3. Select your software from the list and click the Change/Remove button. 4. To delete all user-created files stored within the application folder, check Delete user files in application folder.
Using Preference Manager
User-created files that are removed by this step are deleted, and cannot be recovered.
5. Click Next. 6. Follow the on-screen instructions to uninstall the application.
Installing the Software (Macintosh)

Follow these steps to install the software: 1. Insert the Installation CD. 2. Double click the Installer icon. 3. Follow the on-screen instructions to install the application. 4. Plug the hardware key into the port. Once the USB hardware key driver has been installed, the driver will cause an LED built into the key to light. The USB driver is installed automatically as part of the software installation. Follow these steps to install ICC color profiles for your printers: 1. Insert the ICC Profile CD. 2. Double-click on the installer for your language. 3. Follow the on-screen instructions to install ICC profiles for your printers.
Preference Manager is a utility that allows you to save all of the settings in the software to a file, including all output device setups, setup properties, default job properties, and all application preferences. You cannot load a set of preferences while either the design software or Production Manager is running. You can save preferences at any time.
Saving a Set of Preferences

To save the current set of preferences to a file: 1. Run Preference Manager. 2. Click Save.
Uninstalling the Software (Macintosh)

1. Exit your software by selecting Quit from File menu. 2. Drag the alias for your software from the desktop to the Trash. 3. Drag the folder where your software was installed to the Trash. 4. Empty the Trash.
3. Type the name for the set of preferences in the field and click OK.
Loading a Set of Preferences

To reload a previously saved set of preferences: 1. Exit the software. 2. Run Preference Manager. 3. Select the set of preferences you want to load. 4. Click Load.
Restoring the Software to Its Original State.

The default settings for the software are stored in the Default set of preferences. Restoring the software to its default state may be particularly helpful when troubleshooting any problems you may encounter with your software.
Install Password
The Install Password utility helps you manage the different passwords that come with the software. After you have installed the basic program with your main password, you should then launch the Password Installer to add any additional passwords you may have. Application Password - This is your main application password for software. Option passwords- If you have purchased additional options, you may enter the option passwords to this field to upgrade your software.
Loading this set of preferences will remove all of the output device setups in Production Manager.
To clear the preferences stored in your system: 1. Exit the software. 2. Run Preference Manager. 3. Select Default. 4. Click Load.
Make sure that the software is not running when you add a new password.
To add additional passwords: 1. Launch the Password Installer. 2. Your main application password will appear in the top section. 3. Add your additional passwords to the optional password section by clicking the Add button, and entering the password into the dialog. 4. When you have finished, your password should appear in list in the optional password field.
Exiting Preference Manager

To exit Preference Manager, click Exit.
2. Getting Started
The illustration below shows some of the basic elements of your software:
Main Menu
2. Right click the area around the design area where the toolbars are docked. 3. In the menu, select or unselect the toolbar that you want to show or hide.
Main Toolbar
Rulers
Standard Toolbar
You can also hide a toolbar by clicking the Close button on the upper right side of the toolbar.
Borders
Design Area
View Toolbar
In Windows, toolbars are docked or floating. Docked toolbars are placed at fixed positions around the design area. Floating toolbars can be placed anywhere in the design area. You can undock a toolbar, making it a floating toolbar and then place it at any location in the design area. Macintosh toolbars are always floating. To undock a toolbar:
Scroll Bars Swatch Table
Drag the toolbar from its docked position. (Do not drag buttons).
Status Bar Cursor Position Default Colors
Or
Double click the toolbar. (Do not double click buttons).

Dragging or double clicking the buttons will not undock or dock the toolbar.
Basic Elements of your Software Toolbars

Toolbars are a set of commands grouped according to their function.
Docked Toolbars Standard toolbar Undocked View Toolbar
Double click or drag to undock the toolbar
To show or hide a toolbar: From the View menu, select Toolbars. 1. Check or uncheck the toolbars that you want to show or hide.
Or, in Windows:
The shape of a floating toolbar can be adjusted by dragging its borders.
Menus
Menus are commands grouped by the types of operations they perform.
Shortcut key Enabled Command
Currently available. Allows you to select the command using the keyboard.
Disabled Command
Not available.
Standard toolbar in different shapes
The shape of a floating toolbar can be adjusted by dragging its borders. When a button has a small triangle on upper right corner, is an indication that this button is a part of a tear-off palette. To use the tools in a tear-off palette: 1. Click once on the button and drag it slightly to display the full palette. 2. Once it is displayed, you can either select the desired tool and release the mouse button, displaying the new tool, or you can drag the entire palette away from the original palette and release the mouse to drop it on the drawing area.
On / Off button
Indicates whether the command is currently active or not.
Ellipses ()
Indicates that a dialog box will be displayed when this command is chosen.
Submenu Indicator
Indicates that a submenu is available.
When right clicking elements in your software, a context menu is displayed. The context menu will differ according to the element that you are right clicking on.
Original palette
Dragging the tear-off palette and selecting a new tool
The new tool is selected
Right clicking a shape Right clicking a blank area
Right clicking the swatch table
Tool Tips
All fields and control points that can be dragged will show tool tips to help. Some commands will also show a brief description at the bottom of your screen. To show a tool tip, hover the cursor over the field, command or control point for a few seconds.
Rulers and Grid

Rulers appear along the top and left side of the main screen to help you measure and align objects. As you move the cursor in the design area, a tick mark on each ruler follows the movement of the cursor. Also, the coordinates of the cursor position are displayed at bottom left corner of the screen. To show or hide the rulers, from the View menu, point to Show and click Show Rulers.
Numeric field with a tool tip
Control Point with tool tip
Button with a tool tip
Grids, like rulers, can help you align objects in the design area. Grids are displayed as horizontal and vertical lines within the design area. They will not show as part of the output. To show or hide the grids, from the View menu, point to Show and click Show Grid. The rulers, grids and all other numeric values that represent a length follow a unit system defined in your software. To change the unit system, right click a ruler and select the new unit. On Macintosh, click and hold on the mouse button on the rulers. By default, the origin of the rulers is located in the lower left corner of the design area. To change the origin, you can click and drag the origin icon in the upper left corner of your screen.
Design Area
The design area is the white area inside the softwares screen. It has a border that serves as a guide and represents the size of your substrate. The size of the design area does not limit the size of your design or where the design is placed on your media during output. Margins can be placed inside the design area. Those margins are used to distribute and align objects inside the design area. You can change the size and the color of the drawing area and show or hide the borders. See DesignCentral - Document Tab on page 28 for more information on how to set up your document properties.
Swatch Table
Swatch tables includes a group of standard colors, gradients and patterns that can be applied to objects in your design. See Working With Swatch Tables on page 52 for more information on swatch tables. To toggle the display of swatch tables on and off, from the View menu, select Swatch Table. This will also force hidden swatch tables to be displayed.
Click and drag the Origin icon
The new Origin
You can also adjust the origins position by using the Ruler and Grid Settings dialog box. To display this dialog box: Double click the Origin icon in the upper left hand corner of design area
Or
From the View menu, select Ruler and Grid.
The Ruler & Grid dialog box consists of two Tabs, Rulers and Grid. To select a Tab, click the tabs on the top of the dialog box. You can adjust the following on the Ruler Tab:
Origin Orientation Units Enter the X, Y coordinates of the new origin. Click one of these buttons to change the orientation of the coordinates in the X, Y rulers. Select the unit system that will be used for length values from this list.
Select objects and from the Arrange menu, point to Guides and click Make Guide. Select Release Guide in the same menu to convert guides back to original objects.
To create a diagonal guide, create a horizontal or vertical guide, unlock the guides and then rotate the horizontal or vertical guides in DesignCentral Rotate Tab
You can adjust the following on the Grid tab:

Spacing Snap to grid Show grids as dots Horizontal and vertical space between adjacent dots. Check this option to snap the objects to the grid while moving or resizing an object. Check to display grids as dots at the intersection points instead of solid lines.
Select the objects Objects converted to guides
In DesignEditor, drag objects from generic layer to Guide Layer. For more information about the Guide Layer see DesignEditor - Layers Tab on page 32.
To lock the guides: From the Arrange menu, point to Guides and click Lock Guides.
Guides cannot be selected by dragging a bounding box around them. You have to click the guide.
Guides
Guides allow you to visually align design elements on your document. To show or hide the guides, from the View menu, point to Show and then click Show Guides. You can create a guide line by: Clicking and dragging one point on the ruler. Horizontal or vertical guide lines are created, depending on which ruler you dragged the point from.
To select all guide lines: 1. From the Edit menu, point to Select and then click Select by Attributes command. 2. Select Guide Line in Object Tab. 3. Click OK.
Status Bar
The Status bar is the area located on the bottom of your screen and displays the following information:
Click and drag
The present X, Y coordinates of the cursor or additional information about the selected command.
A new vertical guide is created
Click and drag a point in the ruler
The default fill and stroke colors or the foreground and background colors (when in bitmap editing mode).
Changing the View

You have several commands to change how the design area is viewed.
Adjust the view size to fit the design area size. Switches the view to previous magnification. Adjusts the view size to fit the selected objects. When there are no objects selected, this button is disabled. Adjusts the view size to fit all existing objects. When there are no objects in the design, this button is disabled. Select this tool and click and drag inside the design area to pan the view position. Select this tool and
Click to zoom in at twice the magnification of the current view. The point you click on will become the center of the view. Hold CTRL and click to zoom out to half the magnification of the current view. The point you click on will become the center of the view. Click and drag to magnify one particular portion of the design area.
Using a Wheel Mouse

If your computer is equipped with a wheel mouse, you can use the mouse wheel to control the view: Moving the mouse wheel up and down pans the view up and down. Holding the SHIFT key and moving the wheel up and down pans the view left and right.
Holding the CTRL key and moving the wheel up and down zooms the view in and out.
Using Scroll bars

Scroll bars are horizontal and vertical bars located in the bottom and right side of your design area. Use them to scroll the design area.
Click the arrows on both sides to scroll the design area in small increments Click the blank area to move the design area in large increments Click and drag to scroll the design area
Every time you click the Zoom or Pan tool, the view is magnified or panned. By default the cursor will return to the previous tool after using these tools. You must reselect the tool to use the Zoom or Pan tool again. If you want to use the Zoom or Pan tool without selecting it before each use do one of the following: Double click the Zoom tool and uncheck the Resume previous tool after zooming once option.
Or
1. From the Edit menu, select Preferences command. 2. Click Tools Tab. 3. Select Zoom in the list. 4. Uncheck Resume previous tool after zooming once option. 5. Click OK.
Zooming and Panning

The Zoom tools changes the magnification of items within the document to allow you to see more or less detail. This does not change the output size.
Magnifies the center of the view to twice the size of current view. Magnifies the center of the view to half the size of current view.
Using Navigator View

Navigator View allows you to view your entire document and specify which portion to display. To show the Navigator View, from the View menu, select Navigator View.
View Area
To change the way the outlines are displayed: Double click the Fill Mode tool and select the Wireframe option.
Or
1. From the Edit menu, select Preferences command. 2. Click Tools Tab.
Design Area Navigator View
3. Select Show Fills in the list. 4. Select the Wireframe option. 5. Click OK.
To change the view: Click and drag a point inside the View Area to pan the portion displayed in the design area. Click and drag a control point around the View Area to resize it, causing a zoom in or zoom out in the design area.
Showing Path Directions

The direction in which the path will be cut or plotted is determined by the path direction. See Path Direction on page 94 about how to change the path direction. You can visualize the path direction using Show path direction mode as described in previous item, or show direction arrows in each path. To show or hide the direction arrows: 1. From the View menu, select Show Path Direction. 2. Select the object.
Showing an Objects Fill

When the Show Fill option is enabled, every vector object is displayed with its fill. When disabled, only the outline will be visible. To show or hide the fill, from the View menu, select Show Fills. When Show Fills is disabled, the outlines can be displayed using the following modes:
Show layer color Show fill color Show path direction All outlines are displayed using the layer color. See Changing the Layer Color on page 33 about how to change the layers color The outlines are displayed using the objects original fill color The outlines are displayed using three colors. Green for clockwise paths, Magenta for counter clockwise paths and Gray for open paths. Selected objects will still be displayed using the layer color.
Paths with direction arrows Show Fills Enabled Show Fills Show Fills Show Fills Disabled Disabled (Show Disabled (Show (Show fill color) layer color) path direction)
Previewing Bitmaps
You can display or hide bitmap images.
To show or hide the bitmap, from the View menu, select Preview Bitmaps.
To preview the colors in CMYK mode, from the View menu, select Soft Proof.
If objects in your document and the swatch table appear washed out, it may be because the Soft Proof feature is on.
Preview Bitmaps Enabled
Preview Bitmaps Disabled
Showing Preview
When Show Preview is on, a copy of the object as it is being edited or moved is displayed. When this option is off, a rectangle representing the bounding of the object is displayed. Performing memory-intensive operations in complex objects may slow the system performance when Show Preview is on. To show or hide the preview, from the View menu, select Show Preview.
Previous Location
Soft Proof is Off
Soft Proof is On
To accurately preview the colors, you have to set up the correct Color Profiles and Rendering Intents that will be used in printing. See Configuring the System for Color Printing on page 135 for more details.
Filtering Objects by Color

Objects may be filtered by their color in the design area. For example, you can show all objects using RGB color space, or all green objects. To filter objects using the Color Filter: 3. From the View menu, select View Filter. 4. Select the colors that will be visible. Click the color space checkbox to select all colors from this color space. Click the specific color within one color space to select or unselect this color. Click Show All to select all colors from all color spaces. Click Show None to unselect all colors from all color spaces.
Moving an object with Show Preview off
Moving an object with Show Preview on
Redrawing the Design Area

Occasionally, when you edit your design, those changes are not reflected accurately. To make sure that the design area is fully updated, select Redraw command from the View menu. This forces a redrawing of the design area.
Previewing Objects in CMYK

If you are going to print your document, you can preview how your output will look by using the CMYK soft preview. This feature will alter the colors in your document to show how they will look when printed. The colors outside the CMYK gamut will be adjusted to the nearest possible CMYK color value.
5. Click OK.
Filtering settings will not be saved with your document. The next time you open this file, all objects will be visible.
You can also filter objects by color using the context menu in the Color Swatch table:
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1. Place the cursor over the color in the Swatch Table. 2. Right-click the Swatch Table. A menu is displayed. 3. From the View menu select the filtering option. The following options are available:
Hide This Color Show This Color Show All Except This Color Hide All Except This Color Show all colors Objects using this color will not be visible. Objects using this color will be visible. Only the objects using this color will not be visible. Only the objects using this color will be visible. All objects will be visible.
A list with all recent steps is displayed. The steps are shown in order, with the most recent step appearing on the top of the list.
2. Click to select the steps that you want to undo, starting from the top.

The design area dynamically shows a preview of the undoing process.
3. Click OK to confirm and apply the undo.

The selected steps are undone and placed in a redo list.
The Redo list after Undo
Cursor over the Swatch Table
After selecting Hide This Color
Selecting steps to Undo
Tracking your Steps

Your software contains several tracking tools to retrace your steps, making it easier to recover from operation mistakes.
The Undo list after Undo
Undoing and Redoing the Last Step

To undo the last operation, from the Edit menu, select Undo _____. The name of the last operation is displayed after the Undo command. To redo a step that you have just undone, from the Edit menu, select Redo _____.
After undoing multiple steps, if you decide that you didn't want to undo those actions: From the Edit menu, select Redo Multiple.
A list with undo steps is displayed.
1. Click and drag to select the steps that you want to cancel the undo, starting from the top.
Undoing and Redoing Multiple Steps

Instead of undoing just the last operation, you can undo a sequence of multiple steps: 1. From the Edit menu, select Undo Multiple.
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The design area dynamically shows a preview.
2. Click OK. The number of undo and redo operations that is allowed can be adjusted. For example, if you set the number of steps to 50, after
performing the 50th step, the 1st step will be discarded and the 51st step will be placed at the top of the list. To adjust the number of steps stored in undo list : From the Edit menu, select Preferences. 1. In General Tab, enter the number of steps in Maximum undo/redo 2. Click OK.
Repeating the Last Step

To repeat the last step, select Repeat from the Edit menu. The name of the last operation will be displayed after the Repeat command. Only the following commands can be repeated:
Moving objects Scaling objects Duplicating objects Applying effects
2. Navigate to the Menu Command or Tool. Highlight the Command or Shortcut. Press a key combination to assign the new shortcut. Double-click on the shortcut to assign multiple shortcuts to a single command. Click Undo to revert to the previous shortcut. Click Clear to remove the assigned shortcut.
Using Workspaces
Workspace stores how and where the menus, buttons, commands and keyboard shortcuts are defined. By changing the Workspace feature, you can rearrange the softwares interface to look more like the design software that you are more comfortable with. To change the workspace, from the File menu, point to Workspace and select the workspace.
Shortcuts can contain a single character or a combinations of a character and Shift, Ctrl, or Alt.
3. Click OK.
Entering Numerical Values

The software supports a number of unique features that make it easier to enter numerical values.
Workspace Editor
The Workspace Editor allows you to customize shortcut keys for Menu Commands and Tools. All default shortcut keys are displayed. To assign shortcut keys: 1. From the File menu, point to Workspace and then select Customize.
Using Spinner Controls

Use the spinner controls to increase or decrease the value. When you click, or click and hold, the mouse on one of the arrows, the value is increased or decreased incrementally. Spinner Control Using the arrow keys on your computers keyboard will have the same effect.
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Using Built-In Mathematical Operations

The software is able to perform a number of calculations whenever a numerical value is being entered.
The available mathematical operators, in order of precedence, are:

/ * + Division Multiplication Addition Subtraction
Automatic Unit Conversion

If you enter a value using a different unit of measurement than the default unit, the software will automatically convert the value to the default unit. For instance, if your default unit is inches, you can enter a value of 1 ft, and the software will convert the measurement to 12 in. Supported units are:
in, " ft, ' mm cm m pt inch foot millimeter centimeter meter point
For example, if you enter 1/8, the value 0.125 will be calculated. Operator precedence determines the order in which the mathematical operations will be calculated when more than one operation is specified. In the previous list, operators are listed from top to bottom in order of operator precedence. For instance, if you enter 6/2*3, the software will calculate 6/2 first then multiply the result by 3, yielding a result of 9.
Automatic Application of Entered Values and Expressions

Once you enter a numerical value, ratio, or mathematical expression in a numerical field, the software will automatically apply that value after a brief delay. You can also press TAB to apply the value immediately. Avoid pressing ENTER, as it will trigger the OK button and close the dialog.
Calculation of Ratios
If you enter a ratio in the format A:B, the software will scale the previous value in the field by the ratio entered. For instance, if a value is set to 12, and you enter 2:3, the new value will be 8.
Setting Preferences
Many aspects of your software may be saved so that they are set up the way you like every time you open a new file. These settings are known as program preferences. There are other settings that are saved on a document basis. Which means that each time you open or save a document, the settings will be applied only for that particular document. These settings are known as document preferences. To change the program preferences, from the Edit menu, select Preferences.
Calculation of Percentages
If you enter a percentage in the format X%, the software will scale the previous value in the field by the percentage entered. For instance, if a value is set to 10, and you enter 90%, the new value will be 9.
Simple Mathematical Operators

If you enter a simple mathematical expression, the software will calculate the result of the expression and enter that value in the field.
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Preferences - General Tab

In this dialog box, you can set the general attributes of your software:
Maximum undo/redo Selection tolerance Constrain angle Save documents every Trash capacity Precision Display color popup window as Determines the number of operations stored in the undo / redo list. Smaller values in this field use less memory. Determines how close the cursor must be from the object to select it. Setting a larger value makes it easier to select points. Sets the constrain angle when you rotate an object with the SHIFT key pressed. The rotation will be performed in increments defined by this field. Open documents will be periodically saved. You can specify the time period between saves. Number of objects that can be saved in the trash layer. Smooth screen display
at startup the software will load the settings that were in place the last time the software was shut down with this option selected. Selected by default. By default, all objects in the design area are displayed using anti-aliasing, to eliminate jagged edges on curves and provide a more attractive and accurate view of the design.
Smoothing off
Smoothing On
Number of decimals in numeric fields. Select whether the popup window that appears when you select a color from the Fill/Stroke dialog is a list of color swatches along with their names, or a palette of color swatches.
Users with less powerful computers and graphics cards may wish to turn smoothing off to increase performance. Restore Defaults Click this button to restore the default settings for above fields.
Preferences - File Path Tab

In this dialog box, you can set the default folders used in your software:
Document The default folder used to store your documents. Click Browse to select a folder. Update default location on import, open or save Temporary Files Adobe Plugins Restore Defaults If checked, every time you import, open or save a file, that folder will become the new default location.
The default folder used to create temporary files. If you have multiple hard disks, select a folder in the hard disk with more free space available. Click Browse to select a folder. If you have the Adobe Photoshop installed, specify here the folder where the plug-ins are stored. Click Browse to select a folder. Click to restore the default settings for above fields.
List view Save settings on exit
Palette view
If checked, the current settings for the software will be saved when the software exits, and restored the next time the software starts up. If cleared, the settings are not saved, and
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Preferences - Font Tab

In this dialog box, you can set the default settings for external FSfonts:
Path Password The folder where the FSfonts are stored. Click Browse to select the folder. If the FSfont is protected by a password, click Add to enter the password. To delete a password, select the password and click Delete. To specify that a Flexi or Casmate font will not be filled (to use it for engraving, for instance), select the font in the list and check Open. The font will be rendered as an outline:
The software must be restarted in order for this change to
go into effect.
RIP and Print
This tool allows you to specify that the software must communicate with Production Manager using TCP/IP.
Clear this box if the operating system is not Windows NT, 2000 or
XP, or if the computer is running firewall software that might interfere with TCP/IP communications.
This setting is not present on the Macintosh.
Select Tool Show Fills Show Grid Text Tool Tip of the Day Zoom
These preferences allow you to specify how the objects will be selected. See Selecting Objects Using Select Tool on page 36 for more information. These preferences allow you to specify how the paths are displayed when the Show Fill option is off. See Showing Objects Fill on page 9 for more details. Check Show grids as dots to display the grid using dotted lines instead of solid lines. See Rulers and Grid page 6 for details. Sets several aspects of the text tool. See Text Preferences on page 87 for more information. Displays a tip when you start your software. Selects if the zoom and pan tool will be used only once. See Zooming and Panning on page 8 for more information.
Specify Flexi/Casmate fonts with open paths
Restore Defaults
Click this button to restore the default settings for above fields.
Preferences - Tools Tab

In this dialog box, you can set the default settings for some of the tools available in the software.
Check Spelling Meter Set options related to the on-screen spell checking features of the software. See Setting On-Screen Spell Checking Options page 81 for details. These preferences allow you to specify the colorimeter used in your software to measure color values and the port where the measurement device is connected. For more information about how to use the measurement device, see Defining New Colors Using the Color Specs Dialog on page 57 and Modifying Existing Color Libraries (Windows Only) on page 60. These preferences allow you to specify if the copied objects will be automatically created when pasted, and the offset distance from the original object. See Duplicating Objects Using Copy and Paste on page 42 for more information.
Paste
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Macintosh User Interface Features

The following section lists features of the Macintosh user interface that are different than the corresponding features under Windows.
Browse button
Choose button
Getting Help
From the Help menu, point to Help Topics to view the full online documentation for the software. The online help contains all of the information in this guide, plus information on all the other commands in your software.
Macintosh Shortcut Keys

When keyboard shortcuts are listed, use the following list to find the equivalent shortcut key on the Macintosh.
Windows System Right-click the mouse CTRL key ENTER key BACKSPACE key DELETE key = = = = = Macintosh System Click the mouse while holding down the CONTROL key COMMAND key (apple/clover) RETURN key DELETE key DEL key
Exiting the Software

To exit the software under Windows: From the File menu select Exit. Right-click on the software icon in the system tray and select Exit from the context menu.
To exit the software under Macintosh OS X: From the application menu, select Quit [application]. Hold down the CONTROL key and click on the application icon in the dock. From the contextual menu, select Quit.
You can access the context menu for the ruler and swatch table by clicking on them and holding the button down.
Macintosh Menus
The following menu items are in different places on the Macintosh than they are under Windows.
Windows Menu > Item File > Exit File > Print Setup Recently viewed files (bottom of File menu) Edit > Preferences Edit > Paste Special Help > About = = = = = = Macintosh Menu > Item [Application] > Quit File > Page Setup File > Open Recent [Application] > Preferences [No Macintosh equivalent.] [Application} > About
Other Controls
The following controls are found in a number of dialogs, and are named differently on the Mac.
Windows Control Macintosh Control
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3. Working with Files

Your document can contain any combination of vector, bitmap, OLE or PostScript objects.
Vectors Vectors are a collection of straight or curved segments. These objects can be scaled to any size without losing detail or clarity. Shapes like rectangles, circles and text are vector objects. Also called raster images, bitmaps are formed by a grid of small dots, known as pixels to represent images. Each pixel is assigned a specific location and color value. A low resolution bitmap image can appear jagged when printed. Images described using a page-description language known as PostScript. These objects can contain a combination of vector and bitmap images. When imported into your document, PostScript objects can be parsed or previewed. OLE is the abbreviation of Object Linking and Embedding and it is available only for Windows. OLE is a compound document standard developed by Microsoft and it enables you to create objects with one application and then link or embed them in your document.
3. Click Open.

If the file contains fonts that are not installed in your system, a dialog box will appear, allowing you to select a replacement font.
Double clicking the file icon in Windows Explorer or dragging the file icon to your software icon on desktop, will start the application and open the file.
Bitmaps
Double click to open the file
PostScript
Importing Files
To import an existing file into the current document: 1. From the File menu, select Import. 2. Select the file format, folder and the file that will be imported. See Appendix B - Supported File Formats for all supported file formats. 3. Click Import. A bounding box will be displayed.
OLE

Vector objects Bitmap object Parsed PostScript object OLE object
TAB key changes the position of the cursor on the bounding box. ESC key stops the import operation.
4. Click the design area and place the imported object. If the file contains fonts that are not installed in your system, a dialog box will appear, allowing you to select a replacement font.
Creating New Documents

To create a new document, from the File menu, select New.
Opening Files
To open an existing file: 1. From the File menu, select Open. 2. Select the file format, folder and the file that will be opened. See Appendix B - Supported File Formats for all supported file formats.
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If the Auto-place on paste and import option in Paste preferences is enabled, the file will be imported immediately after clicking the Import button in step (3).
Layering is ignored during import, so that multiple imports do not create many unnecessary layers. To preserve layer information, use the Open command instead.
Saving Documents
To save the current document: 1. From the File menu, select Save or Save as. 2. If you have selected the Save as command or your are saving the document for the first time, a dialog box is displayed. Enter the name and the location that will be used to save the document. 3. Click Save.
Emailing a Job
To send the current job to someone as an email attachment, from the File menu, select Send Email, then select one of the following:
As Native As JPEG As PDF The job will be added as an attachment in Flexi format. The design will be converted to a JPEG and added as an attachment. The design will be converted to PDF and added as an attachment.
Exporting to Files
To export the current document or part of it into a file: 1. If you are exporting only part of your document, select the objects that will be exported. 2. From the File menu, select Export. 3. Select the file format, folder and the file name. See Appendix B - Supported File Formats for all supported file formats. The following options are available:
Selection only Suppress options Check this option to export only the selected objects. Some file formats will show an option dialog box before exporting to a file. Check this option to bypass the options dialog box.
A new e-mail message will be created in your default e-mail program, and the current job will be added to the message as an attachment of the selected type.
Closing Documents
To close the current document: 1. From the File menu, select Close. 2. If your document have been changed since the time it was last saved, a dialog box is displayed asking if you want to save the current document. Click Yes to save the document before closing it. Click No to close the document without saving. Click Cancel to exit the closing procedure.
4. Click Export. Layering information, including layer name, color and attributes (locked, visible) will be exported for the following formats: Adobe Illustrator, DXF, and HPGL.
Sending a Job to EnRoute (Windows Only)

If you have the EnRoute program installed on your computer, the software allows you to transfer the current design directly to EnRoute. To transfer the current design to EnRoute, from the File menu, select Send to EnRoute.
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Linked and Embedded Files

When importing bitmap, EPS or PostScript files, you can link or embed the file into your document. A link is a connection between the document and the original file.
Embedded object An embedded object is contained in your document. Once a file is embedded, there is no longer a connection between it and the file from which it came. Changes to the original file have no effect on the embedded object. When an object is linked, only a reference to the image file is stored in the document. The image information remains in the original image file. If the image file is changed, those changes will also appear in your document. Since linking to a picture preserves the original attributes of the image file, it is recommended for color printing.
Embedding Linked PostScript Files

To read in and parse a linked PostScript file, so that it becomes an embedded file: 1. Select the preview of the linked PostScript file. 2. Select the PostScript tab in DesignCentral. 3. Click Parse.
Linked object
PostScript files often contain an optional preview graphic. When you link or embed a PostScript file, the preview graphic will be displayed in your document. If the PostScript file does not contain a preview, a X will be displayed instead.
Document PostScript File
With Preview Linked PostScript

PostScript File
Embedded Bitmap
Without Preview Embedded Postscript Linked PostScript
Embedded PostScript files will automatically be converted into the equivalent drawing objects from the software, at which point they can be displayed and edited like any other object.
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Using OLE Objects (Windows Only)

The OLE (Object Linking and Embedding) feature of Windows allows you to import objects that were created using other software installed on your computer such as spreadsheet and word processors.
Check Display As Icon to show the OLE object simply as an icon. Click Change Icon button to change the icon. Check Link option to link the selected file. The object in the file will be stored apart from the document, and all the changes made in the source file will be reflected in your document. If the Link option is unchecked, the object will be embedded and stored with the document.
Inserting OLE Objects

1. From the Edit menu, select Insert New Object. 2. Select the type of object you want to create. Only programs that are installed on your computer that support OLE appear in the list. 3. Select Create New option to create a new OLE object using the selected application.
4. Click OK.
The document with a linked OLE object. Check Display As Icon to show the OLE object simply as an icon. Click Change Icon button to change the icon.
Editing OLE Objects

To edit an OLE object: 1. Select the OLE object. 2. From the Edit menu, point to [...] Object and then click Edit or Open. When you select Edit, the program associated with the OLE object will start in a window inside your document and will be finished after the edition. If you choose Open, a full instance of the program will start and you may leave this application running even after editing the OLE object.
4. The selected programs will start, creating a window inside your software. 5. Resize and edit the contents of the window, using the selected program. 6. To finish using the selected program, press ESC key or click anywhere outside the program window.

Design area with an Excel spreadsheet. After the OLE object has been inserted
Double clicking the OLE object has the same effect as Edit command
Converting OLE Objects

You can convert OLE objects to another format: 1. Select the OLE object. 2. From the Edit menu, point to [] Object and then click Convert. 3. Select the new format from the list. 4. Click OK.
Inserting Existing Files as OLE Objects

1. From the Edit menu, select Insert New Object. 2. Select Create From File to merge an existing file into your document. 3. Click Browse and find the file to be inserted.
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You can also convert OLE objects to basic segments and bitmaps: 1. Select the OLE object. 2. From the Arrange menu, select Convert Linked to Native.
Working with Job Info

Your program allows you to store information about the job with each file you create. You can add or change information about a job at any point in the design and production process. This information becomes part of the file and is saved when the file is saved.
Changing Linking Properties of OLE Objects

1. From the Edit menu, select Link. 2. Change the following linking options:
Automatic / Manual By default, linked objects are set for Automatic updating. This means that your software automatically updates the linked information every time you open the document or any time the linked file changes when the document is open. Select Manual to update the object in your document only when you choose to manually update it. When in Manual mode, click this button to updates the OLE object in your document to reflect the situation of the original file. Click this button to open the linked file using the associated program. Click this button to change the linked file, replacing the current file with another one. Click this button to permanently break the connection between a linked object and its source file.
Update Now Open Source Change Source Break link
Job Tab
Customer Tab
Statistics Tab
To view or edit the Job Info: 1. From the Edit menu click Job Info. 2. There are four tabs that you can view or edit the job info:
Job Tab Customer Tab In this dialog box you can edit the information about this particular document. In this dialog box you can edit the information about the customer.
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Statistics Tab
This dialog box contains stored information about the job, including the amount of time spent editing it, the number of times it was revised (the number of times it was saved), as well as other information. Data in this tab cannot be edited. Clicking the Reset button will restore the number of revisions and the total editing time on a file.
Finding Files
The Find File feature allows you to search for specific files. You can search the file based on file name or any of the parameters of Job Information. To search for one file: 1. From the File menu, select Find File. 2. Click Browse and select the folder where the search will be performed. If you want to search all sub folders check the Include subfolders option. 3. Enter the search condition: If you want to search a file by its name, enter the file name in Named field. If you want to search a file using any of the job information, select the job info field from the list provided and enter the search text in the contains field. For example, to search for all jobs where the order was taken by John Doe, you would select Order Taken by and type John Doe into the contains field.
3. Click OK.
Job Statistics
This dialog contains a list of all the objects contained in the job, along with size, position, area and color information. In addition, the parameters of the current selection are listed. Data in this tab cannot be edited.
4. Click Search button. 5. A list with all files matching the search condition will be displayed. 6. Select the file in list and: To view the Job Statistics : 1. From the Edit menu click Job Statistcs. 2. Click Export to export the job to a tab-delimited text file. 3. Click OK. Click Job Info button to show the job information. Click Open button or double click the file in the list to open the file. Click Cancel button to end the search.
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Job Estimation
Job Estimation is a tool for producing price estimates of your job. The Job Estimation stores accounting information for each job, calculates price automatically, and gives a price estimate. The information can always be changed or customized to reflect your costs and needs.
5. After the estimation is completed, you can either print an invoice by clicking Print button or save the estimation values as a text file clicking Export button.
The Total value will be automatically inserted in Job Info - Job Tab.
This feature is intended to be a guideline and therefore all results should be thoroughly reviewed before basing any business or financial agreements upon them.
The estimation is calculated based on some elements of your design like the number of characters or the material area. These values are automatically gathered from your document. Other values like preparation time must be manually entered when doing the job estimation. Those cost elements used in job estimation are grouped in Category, Item and Type:
Category
Color Printing
One sample of Job Estimation.
Customizing Forms
You can customize the existing forms to match your needs: 1. From the Edit menu click Job Estimation. 2. Select the Form type that will be changed. 3. Change the form by clicking the buttons described below:
Item
Color
Type
CMYKLcLm printing CMYKOrGr printing Spot Color
Color Correction File Preparation
ICC Customization PostScript File Creation
Add Item
Material Area
Economy Fluorescent Translucent
All Types All Types All Types
Adds a new item to the list. Click this button and select the Category, Item and Type in the dialog box that is displayed. If the item is one that incurs only a one-time cost for the entire run of finished pieces, such as design time, check One time. Select one item in the list and click this button. Then, select the Category, Item and Type. The new item will replace the selected item. Select one item in the list and click this button. The item is deleted from the list Deletes the Form type from the list.
Using Job Estimation

1. From the Edit menu click Job Estimation. 2. Select the Form type. 3. Select the Item in the list and edit the Unit Cost, Quantity and One Time fields for selected item. Repeat this process for all items that need any correction. 4. Edit the Quantity and Tax rate fields.
Change Item Delete Item Delete
4. After all changes are done, click Save to save as a new form. 5. Enter a name that will appear in the Form list. 6. Click OK.
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Customizing the Item List

The Estimation Editor allows you to customize your prices to correspond to your normal charges. Once you make a change using the Estimation Editor, it is reflected every time you insert an item that uses the data you changed. You can customize the items list to match your needs: 1. From the Edit menu click Job Estimation. 2. Select the Estimation Editor Tab. 3. Select the Category type that will be changed. The following types are available:
Built In Items that are automatically computed based on the design information such as working time and number of colors. Items used in color printing. Computes based on the size of the drawing objects. Single item charges and non-automatic items. Computes based on drawing size. Computes based on the number and size of each character.
6. To change one type, select the type and item from the list and change the following fields:
Cost Markup Allows you to enter a new default cost per unit for the selected type. Percentage of the items cost to include as markup for profit margin and to cover the cost of wasted materials. Allows you to enter a new minimum charge for the selected type. To remove the minimum charge, enter zero (0.00). Use this option when a particular item will be charged only one time, independently from the value set in Quantity field. This is the unit of measure by which the row is calculated, such as inches, square foot or per hour, day, week, or month.
Minimum
One Time
Unit
Color Printing Material Area Services Substrate Text Size
You can print a list with all categories and their item and types clicking Print button.
7. Click OK.
4. You can create a new category by clicking the New button. Clicking Delete button will delete a category and all its types and items. 5. To create or delete an item or type inside the selected category, click the buttons described below:
New Item Delete Item New Type Delete Type Click this button and type the new item name to add a new item to the Item list. Select an item in the list and click this button. The item is deleted from the list. Click this button and type the new type name to add a new item to the Type list. Select a type in the list and click this button. The type is deleted from the list.
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Applying Templates
Templates allow you to: Make multiple copies of your document using a pre-defined layout. Create documents such as invoices based on Job Information
Creating copies of a document. The copies are created using the following pattern: (2) 4.0 x 5.0 inches (2) 2.5 x 3.5 inches (4) 2.0 x 2.5 inches Invoice created using the template feature
3. Choose the template from the list. The templates are named following the convention:
(2) 4 x 5 (2) 2.5 x 3.5 (4) 2 x 2.5
Number of copies Size (inches)
4. Select the following options, if desired:

Preview Selection only Include border Check to display a preview of the template layout. If checked, only the selected objects in the original design will be copied over into the template. If checked, the entire page of the design out to the borders will be copied over into the template. If not checked, only the objects in the design will be copied over. If checked, the colored substrate in the original design (if any) will be copied over into the template. This option is only enabled if Include border is checked.
Include substrate color
If necessary, the original document will automatically be rotated to fit into the space proved by the picture placeholders in the template.
5. Choose Select. 6. A new document will be created using the template and the original document.
Applying Templates
To apply a template to your document: 1. Open an existing document or create a new one. 2. From the File menu, point to Templates and then click Apply Template.
When a template is applied to a document, any dimensions or registration marks contained in the document are converted into outlines.
Setting the Default Template

To select the template that will be selected by default in the Select Template dialog: 1. From the Edit menu, select Preferences. 2. Select the Tools tab of the Preferences dialog. 3. Select Apply Template from the list of tools. 4. Select the template you want to make the default from the Default Template list. 5. Click OK.
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Templates Toolbar
To display the Template toolbar, from the File menu, point to Templates and then click Template Toolbar. The Templates toolbar will be used to create and modify existing templates. This toolbar contains buttons that represents the placeholders. Placeholders are fields that will be replaced by objects, images or information from the original document when a template is used. The following placeholders are available:
The Active Drawing placeholder is replaced by the original document. The Used Colors placeholder is replaced by a list with all colors used in the original document. The Used Fonts placeholder is replaced by a list with all fonts used in the original document. The Job Info placeholder is replaced by a value from job info and other information from the original document. Job Info shows information from Job info Job Tab. shows information from Job info Customer Tab. shows other information from the original document, such as number of colors, fonts and characters used.
Creating New Templates

You can create your own custom templates: 1. Open a new document. 2. Select the placeholder from the Template toolbar. 3. Click and drag the cursor on design area. 4. Adjust the placeholders attributes in DesignCentral - Template Tab. 5. You can add other objects other than placeholders. Every object available in your software like bitmap, text and shapes can be used in a template. 6. From the File menu, point to Templates and then click Save as Template. The template has been created. Template objects can be masked, colored and have an effect applied to them.
Editing Existing Templates

You can modify an existing template: 1. From the File menu, point to Templates and then click Open Template. 2. Select the template in the list. 3. Adjust the placeholders attributes in DesignCentral - Template Tab. 4. From the File menu, point to Templates and then click Save Template or Save as Template. The Save Template command will save the current template, Save as Template will save the template in a new file.
Customer Info Other
Changing Placeholders Attributes in DesignCentral

Each placeholder will have different fields in the DesignCentral Template Tab.
For Drawing placeholder Width of the drawing placeholder. Height of the drawing placeholder.
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Auto Orientation Scale the drawing
Check to automatically change the orientation of the drawing to match the original file. Check to resize the drawing by percent of original size.
For Used Color placeholder Font and style used in the color description. Width of the Used Color placeholder. Height of the Used Color placeholder. Number of colors per line. Size of the font used in color description. Line spacing. Width/Height of color swatch. Select circular or square color swatch. For Used Fonts placeholder Font and style used in the font description. Width of the Used Fonts placeholder. Height of the Used Fonts placeholder. Number of colors per line. Size of the font used in font description. Line spacing. For Job Info placeholder Source of the information (Job info, customer info or Other). Information type. Font and style used in the job info description. Size of the font used in job info description.
Label
Check this option to place a label before the information text. Edit the label text in the field right of this option.
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4. Using DesignCentral
DesignCentral displays an objects properties. It displays tabs and options appropriate for the selected object. For example, when a rectangle is selected, DesignCentral displays the width, height, corner style, and other properties appropriate to a rectangle. When text is selected, it displays the font, font style, character height and width, and other settings. To show the Document tab, do one of the following: Open DesignCentral and then click an empty area in the document. From the File menu, select Document Setup.
Displaying DesignCentral
To view DesignCentral: From the View menu, select DesignCentral.
Tabs
DesignCentral - Margin Tab

Use the Margin tab to specify the margins around a drawing area. These margins are used when objects are aligned / distributed and also are useful for laying out elements symmetrically. See Aligning Objects on page 47 for more details.
Click here to : - Add a new document size - Delete an existing document size - Set a default document size - Hide the design area borders
Proportional
Click here to specify the color of the substrate
DesignCentral
DesignCentral - Document Tab
DesignCentral - Margin Tab
DesignCentral Tab
DesignCentral consists of several windows, known as Tabs. The number of Tabs and the content vary according to the objects that you have selected in your document. You can select a Tab, by clicking on its indicator in DesignCentral, or double-clicking the object. Each double-click will move to the next available Tab.
DesignCentral - Size Tab

The Size Tab of DesignCentral allows you to change the size and position of selected objects. You can change objects by dragging the control points or by changing the numerical values in DesignCentral. To change the size of an object: 1. Select the objects.
DesignCentral - Document Tab

Use the Document tab to specify the size of the drawing area and the color of the substrate (the background color). A number of standard document sizes are included. You can specify a custom drawing area size by entering new horizontal and vertical values.
After selecting an existing object, the Size, Rotate and Object Tabs are available.
2. Change the size of an object by editing the values in the entry box at Size Tab or dragging the control points of the selected object.

Checking Proportional ensures that the object will be scaled proportionally in both the width and height.
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To change the position of an object: 1. Select the objects. 2. Change the position by editing the values in the entry box or dragging the object. The X, Y coordinates displayed in DesignCentral are the position of the reference point, measured from the origin. See Rulers and Grid on page 6 about how to change the origin. You can change the reference point by using the Reference Grid. Each button in the grid corresponds to a point on the selected object. If you want to position the center of an object, click the center point in the point selection grid.
2. Select the point that will be fixed during the rotation: Or Click and drag the Reference Point to the desired position. CTRL while dragging fixes the Reference Point to the settings on the Reference Grid. Click one point on Reference Grid in DesignCentral Rotate Tab.
3. Change the angle of rotation by editing the values in the entry box or dragging the Rotation points. Click the Rotate +90 degrees or Rotate -90 degrees button to rotate the object 90 degrees counterclockwise or clockwise.
Rotation Point Rotation Angle Shear Angle Reference Point
Size
Position
Proportional
Reference Grid
DesignCentral - Size Tab
Reference Grid and Resize Points
Reference Grid Shear Point
DesignCentral - Rotate Tab

The Rotate Tab of DesignCentral allows you to rotate, shear or mirror selected objects. You can change them either by dragging the objects control points or by changing the numerical values in DesignCentral.
DesignCentral - Rotate Tab
To shear an object: 1. Select the objects.
Shear is the process that distorts one object by an angle, using one point as a reference; this points position is fixed.
After selecting an existing object, the Size, Rotate and Object tabs are available.
2. Select the point that will be fixed during the shearing: Or Click and drag the Reference Point to the desired position. CTRL key while dragging fixes the Reference Point to the settings on the Reference Grid. Click one point on the Reference Grid in the DesignCentral Rotate tab.
A rectangle sheared to an angle of 45 degrees
To rotate an object: 1. Select the objects.
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3. Change the shear angle by editing the values in the entry box or dragging the Shear points. To mirror an object: 1. Select the objects.
DesignCentral - Object Tab

The Object Tab will vary according to the objects that you have selected. In some cases, the Object Tab consists of two tabs. For instance, when you select text, you have a Character Tab and a Paragraph Tab.
2. Click Flip X Axis or Flip Y Axis in DesignCentral - Rotate Tab to mirror the selected object horizontally or vertically.
Original Object
Mirrored horizontally
Mirrored vertically Object Tab when a Star is selected / created Object Tab when a Text is selected / created Object Tab when a Path is selected / created
When you are creating an object, only the Object Tab is visible. After selecting an existing object, the Size, Rotate and Object Tabs are available. The Object Tab is not available when different types of objects (like text and rectangle) are selected. However, if you select objects with same type, their common properties are displayed in DesignCentral.
It shows a value since both rectangles have the same width It is blank since both rectangles have different height.
Object Tab when both rectangles are selected
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DesignCentral - Effects Tab

When you apply an effect over an object, DesignCentral displays the Effect Tab, with all properties of the effect.
The Object Tab for the object where the effect was applied is not visible in DesignCentral, but you can still select it using the Select Within tool or double-clicking the object with CTRL key pressed. See Selecting Objects Within an Effect on page 36 for more details.
DesignCentral - Effect Tab
DesignCentral - Setup Tab

Many of the changes you make are automatically applied as you change them. You will notice that some commands, contain two buttons (Apply / Cancel) on bottom right Apply button side of DesignCentral to confirm or cancel the Cancel button command. DesignCentral - Setup Tab copy DesignCentral will open command automatically if there is a Setup Tab associated with the command.
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5. Using DesignEditor
DesignEditor is a powerful organizational tool to manage the various layers and objects in your drawing. You can choose to display some layers and hide others, delete or add layers, and do similar functions with individual objects.
Substrate Layer Represents the surface on which your design might be applied. You cannot delete, copy, or edit the substrate layer. However, you can move it to a different location in the stack, or hide it from view (so that its color is not visible). The Grid layer is placed immediately on top of the substrate layer. Use the grid to help you position objects in the drawing area. For more information about the Grids see Rulers and Grid on page 6. The Guide layer contains the drawing Guides. For more information about Guides see Guide on page 7. The Trash layer contains the objects that were deleted from your document. This layer allows you to recover objects that were accidentally deleted; see Deleting Objects on page 51 for more details about how to recover deleted objects. These layers contain the actual objects that were created in your document. You can have as many layers as you like for each design.
Displaying DesignEditor
The DesignEditor consists of two screens: the Layers Tab and Objects Tab
Grid Layer
Guide Layer
Trash Layer
DesignEditor - Layers Tab DesignEditor - Objects Tab
To view the DesignEditor: From the View menu, select DesignEditor.

Layer 1, 2, 3...
DesignEditor - Layers Tab

Layers are a convenient way to organize the elements of your design for easy access and editing. Think of layers as sheets of acetate stacked one on top of another. Where there is no image on a layer, you can see through to the layers below. Behind all of the layers is the Substrate and the Trash Layer. The layer at the bottom of the tab is the bottom layer of your design, and the layer at the top of the tab is the topmost layer in the stack. By default, each new drawing that you open has the following layers:
The layer that is highlighted in the Layers tab is called the Active layer. At any given time, one of the layers must be active.
When a layer with a disabled Edit property is Active, most of editing tools and commands will not be available.
When you right click on any of the layers, a menu is displayed and the following commands are available:
New Layer Delete Layer A new layer is created. The new layer will be added above the active layer. The active layer is deleted.
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Duplicate Layer Rename Properties
A copy of the active layer is created. The new layer will be added above the active layer. Changes the active layers name. Shows the properties for the active layer.
You can also click the buttons on the top of the DesignEditor Layer Tab to perform some of the above commands.
New Layer Delete Layer Duplicate Layer Empty Trash
Layer 1 above the Guide and Grid layers Layer 1 below the Guide and Grid layers
Showing Layer Properties

Each layer has the following properties:
Visible Editable Printable Cuttable Specifies if the layer is visible or not. Always disabled for Trash Layer. Specifies if the layer is editable or not. Not available for Trash, Grid and Substrate Specifies if the layer will be printed or not. Always disabled for Trash Layer. Specifies if the layer is cuttable or not. Always disabled for Trash and Grid Layer
You can re-arrange the order of the stack by simply clicking and dragging a layer to a new position. A horizontal dashed line displays to indicate where in the stack the layer will be placed.
Merging Layers
When you merge one layer with another, all elements of the layer that you merged are added to the target layer. To merge layers: 1. Click and hold the mouse on the on the layer you want to merge. 2. While holding down the CTRL key, drag the layer to the layer you want to merge it with.
You can change the layer properties by doing one of the following: Clicking the icon on the DesignEditor - Layer Tab. When the property is disabled, it displays a X over the icon.
Visible Property Enabled Visible Property Disabled
A horizontal dashed line displays directly over the target layer to indicate that the layer will be merged.
3. Release the mouse button.
Right-clicking the layer and selecting the Properties command from the menu. Edit the property in the Layer Properties dialog box that will be displayed.
Changing the Layer Color

Each layer is associated with a color. For the Guide and Grid layers, this color is used to show its objects. For the Layers 1, 2, 3 this color is used to: If the option Show Layer Color in Show Fill preferences (see Showing Objects Fill on page 9 for more details) is selected, all objects are displayed using this color in wireframe mode. The border of selected objects is displayed in this color. If the Show Preview option is off (see Showing Preview on page 10), the preview for that layer is displayed in this color.
Changing the Layer Order

The order of the layer in the stack determines how the objects are displayed in your design area.
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To change the color of a layer, do one of the following: Drag any color from the Color Swatch and drop it directly onto the color icon on the DesignEditor - Layer Tab dialog box. Open the Layer Properties dialog box and click the swatch, then select a color from the list.
Changing Objects Order

You can change the order of an object by clicking and dragging an object to a new location in the stack. You can change the stack order of objects within a particular layer, or you can move objects from one layer to another. 1. Click on the object that you would like to move / reorder in the Objects Tab. 2. Drag the object to the desired location.

DesignEditor - Objects Tab

Every time you draw a shape, create text, or add any element to your design, information about that element is stored in the Objects Tab of the DesignEditor. Each object is assigned a number to distinguish it from other objects of the same type (e.g.: Rectangle 1, 2, 3 ..). Objects are stacked in the order they are created, with new objects being placed on top of older objects. Effects, such as shadows, stripes, and outlines, always appear higher in the stack than the object to which they are applied.
SHIFT key while you drag replaces the highlighted object with the one youre moving. CTRL key while dragging duplicates the object and places it in the new location. Right clicking while dragging displays a menu with the following options: Move and Insert Move and Replace Copy and Insert Copy and Replace
The Objects Tab is an excellent way to view the structure of your document. You can see the elements in each layer of your document, as well as the various effects and other changes that youve applied to each element.
Selecting Objects Using the Object Tab

The DesignEditor - Objects Tab allows you to quickly locate and select specific objects. This is useful when your design is complex, and selecting individual objects in the conventional way (pointing and clicking) has become difficult. To select an object, select the objects name in the DesignEditor Objects Tab. SHIFT or CTRL keys selects multiple objects.
3. Release the mouse button when the object immediately under the object to be stacked is highlighted.
Renaming Objects
To rename an object in DesignEditor - Objects Tab: 1. Click the object in DesignEditor - Objects Tab 2. Click the same object again. 3. Type the new name.
You can even select individual objects among compounded or grouped objects.
Applying Effects
When you move an object underneath an effect, that effect is applied to the object. This can be useful when you have applied a number of effects to a particular object and want to apply those same effects to another object. To do this, simply move the object within the hierarchy of the effect, or group of effects, that you want to apply.
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When you select an object in the design area, the corresponding item is automatically highlighted on the DesignEditor - Objects Tab.
When you apply effects in this way, they are applied to the objects underneath them as a group. It is not the same as individually selecting an object and re-applying the same effects.
Click and Drag
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6. Selecting Objects
There are several ways to select objects, from the most basic point-and-click method to sophisticated selection criteria. Selected objects display with a selection border and Control Points around them, to distinguish selection from other objects. The color of the Selection Border can be specified by using the DesignEditor - Layer Tab. See Changing the Layer Color on page 33 for more details.
Changing the Default Selection Mode

The default setting in your program is By touching. To change the default setting, double-click the Select tool, or do the following: 1. From the Edit menu, select Preferences command. 2. Select the Tools tab. 3. Select the Select tool from the list. 4. Change the selection mode. 5. Click OK.
Selecting Objects Using the Select Tool

To select objects using the Select tool: 1. Choose the Select tool. 2. Click the object that you want to select.
Selecting Objects Within an Effect

To select an object within an effect (an object with an outline, for example): 1. Choose the Select Within tool from the Select tear-off palette. 2. Click the object that you want to select.
To select multiple objects, hold down the SHIFT key, and then click on multiple items.
You can make a selection by using two modes. When you are in the By touching mode, any object that intersects the bounding box is selected. When you are in the By fully enclosing mode, the selection is restricted to those objects that are fully enclosed in the bounding box. To select objects using the bounding box: 1. Choose the Select tool. 2. Click and drag, creating a bounding box around those objects you want to select.
Or
3. Choose the Select tool. 4. Hold down the CTRL key and double-click the object that you want to select.
Holidng the CTRL key while creating the bounding box temporarily toggles the selection mode to the other setting. Rectangle selected within an Outline effect
Bounding Box
By touching mode
By fully enclosing mode
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Selecting Objects Using the TAB Key

Pressing the TAB key selects the next object. The selection order follows the order that the objects were created.
Object tab
TAB key TAB key
Fill tab
Effect tab
Select Show all to display all the possible type of objects, fills, or effects. Select All types to select all of the elements listed on the displayed tab. Choose Selection only to limit your selection to the group of currently selected objects. In this way, you can refine your selection to an area that you define. This option is unavailable, if you dont have any object selected.
TAB key
Selecting Similar Objects

This feature selects all objects with similar shape to the currently selected object. 1. Select an object. 2. From the Edit menu, point to Select and then click Select Similar Objects command.
3. Select the type of attribute will be used in the selection. 4. Click OK.
Selecting Objects Using DesignEditor

You can use the DesignEditor - Objects Tab to select one or more objects. See Selecting Objects Using Object Tab on page 34 for more details.
Selecting Objects With The Same Color

This feature selects all objects with a similar color to the currently selected object. 1. Select an object. 2. From the Edit menu, point to Select and then click Select Similar Color command.
Selecting All Objects

To select all objects in a document, from the Edit menu, point to Select and then click Select All command.
Selecting Object Based on Attributes

You can specify objects to select based on a objects type, fill and effects. For example: you can select all blue rectangles or all text. To select objects based on attributes: 1. From the Edit menu, point to Select and then click Select by Attributes command. 2. Select which attribute (Object, Fill or Effect tab) will be used in the selection.
Deselecting All Objects

To deselect all selected objects, do one of the following: From the Edit menu, point to Select and then select Deselect All command. Click an empty area.
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Inverting Selection
To invert the selection, from the Edit menu, point to Select and then select Invert Selection command.
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7. Arranging Objects
This chapter describes how to arrange, duplicate and manipulate objects in the design area. 2. Position the cursor on a Scale Control Point.
Resizing Objects
Objects may be resized by using the following methods:
Click and drag the Control Point
Resizing Using DesignCentral

Use DesignCentral when you have to adjust an objects size to a precise numeric value. 1. Select the objects. 2. From the Arrange menu, select the Resize command. 3. Adjust the values in DesignCentral:
New width of the selected objects. New height of the selected objects. Percentage that the width will be scaled. Percentage that the height will be scaled. The point selected in this grid will remain stationary after the resizing. Proportional Check this option to assure that selected objects will be resized proportionally in width and height. Check this option to resize all objects in the document, following the scaling that will be done in the selected objects.
Normal dragging Dragging with SHIFT key pressed Dragging with CTRL key pressed
3. Click and drag the Scale Control Point. CTRL key while dragging uses the center line of the objects as a stationary point. SHIFT key while dragging scales not proportionally.
Resizing to the Same Size

To resize the selected objects to have the same height and width: 1. Select the objects.
Apply scale to all
If you select the objects by dragging a bounding box, the size of the first object is used as a reference. If you select the objects by clicking them with the SHIFT key pressed, the size of the first selected object is used as a reference.
4. Click Apply. You can also resize using DesignCentral - Size tab, but some of the above options will not be available.
2. From the Arrange menu, point to Sizing and select either Same Width or Same Height.
Resizing by Dragging Control Points

You can drag the Scale Control Points around an object or group of objects to resize. 1. Select the objects.
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Moving Objects
You can move objects using one of the following methods:
Moving Objects by Dragging

1. Select the objects.
2. Place the cursor over the object.
Rotating, Shearing and Mirroring Objects

You can rotate or mirror objects by using the following methods:
When the Show Fills is disabled, placing the cursor inside the object does not change to move mode. You must place the cursor over the outline of the object.
3. Click and drag to move the object to a new position. Holding down the CTRL key while dragging creates a copy of the original object. Holding down the SHIFT key while dragging constrains the new position.
Rotating, Shearing and Mirroring Using DesignCentral

To rotate objects to a precise angle using DesignCentral: 1. Select the objects. 2. From the Arrange menu, select Rotate command. 3. Adjust the values in DesignCentral.
New angle of selected objects. Shear angle that will applied to the selected objects. Rotates selected objects 90 degrees counter clockwise or clockwise. Mirrors selected objects horizontally or vertically. Keep Original A copy of original object will be kept after rotating or mirroring. The point selected will be used as stationary point.
Moving Objects Using DesignCentral

Use DesignCentral when you have to move the objects to a precise position. 1. Select the objects.
DesignCentral displays the Size Tab.
2. Adjust the X, Y values in DesignCentral.

New horizontal position of the selected objects. New vertical position of the selected objects. The point where the X, Y coordinates will refer in above fields.
4. Click Apply. Rotating may also be done using DesignCentral, but some of the above options may not be available.
Rotating and Shearing Dragging Control Points

You can drag the Rotate and Shear control points around an object or a group of objects to rotate or shear them. 1. Select the objects. 2. Click Rotate Tab in DesignCentral. 3. Adjust the stationary point either by selecting one point in DesignCentral point grid, or clicking and dragging the stationary point. Holding the CTRL key while dragging the stationary point moves to a point of the point grid.
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Rotate Control Point Shear Control Point
You can also click and drag the control point in the middle of the Mirror Line to adjust the distance. Click and drag a point located at Mirror Lines end to adjust the angle. SHIFT key constrains the angle while dragging.
4. Click Apply.
Stationary Point
Deskewing Objects
Sometimes a scanned image is slanted because the original image was not properly positioned on the scanner. To make the image horizontal or vertical, use the Deskew command. The Deskew command rotates the objects, in order to make a baseline horizontal or vertical. 1. Select the objects. 2. From the Arrange menu, point to Deskew and select either Horizontal or Vertical. 3. Click and drag to create the baseline.
Point Grid
4. Position the cursor on a Rotate or Shear control point. 5. Click and drag the control point. Hold the Ctrl key while dragging to create a copy of the original object. Hold the Shift key while dragging to constrain the rotation or shear angle to increments of 45 degrees.
Creating Mirrored Objects

Use the Mirror command when you want to create mirrored objects that are separated by a specific distance. 1. Select the objects. 2. From the Arrange menu, select Mirror command.
Creating the baseline Deskewed image
A mirrored image is displayed, along with a Mirror Line. If the mirror line is not visible, increase the distance in DesignCentral.
Original Image Mirrored Image
Mirror Line
3. Adjust the Distance in DesignCentral. This value is the total distance separating the original and mirrored image. Check Keep Original to create a copy of the original image.
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Duplicating Objects
There are several ways to duplicate an object:
a. Select the Tools tab. b. Select the Paste tool from the list on the left side of the dialog box. c. Check Auto-place on paste and import option. d. Set the distance where the copies will be posted from original object. e. Click OK to exit the Preferences dialog. 2. Select the objects. 3. From the Edit menu, select Copy, or press CTRL + C. 4. From the Edit menu, select Paste, or press CTRL + V.
Duplicating Objects by Dragging

The easiest and fastest way to create one copy of the object, select the object and drag with CTRL key pressed. SHIFT key while dragging restrains the position of the copy.
Click and drag with CTRL key pressed
Duplicating Objects Using Copy and Paste

This method is recommended when you want to make several copies in different places. 1. Select the objects. 2. From the Edit menu, select Copy, or press CTRL + C. 3. From the Edit menu, select Paste, or press CTRL + V. 4. Move the cursor to position the copy and click.
Copy the object And Paste
Duplicating Objects Using Paste Special

In Windows, the Paste Special feature allows you to select the format of pasted data. To use the Paste Special feature: 1. Copy the objects. You can copy and paste objects from other programs. 2. From the Edit menu, select Paste Special. 3. Select the format of pasted data. 4. Click OK.
Click TAB key changes the cursor position in the bounding box. ESC key exits the paste process. ENTER to place the copy.
Copy the object
And Paste
Duplicating Objects Using Paste Over

The Paste Over command pastes an object on top of the selected objects. The pasted object will be positioned in the center of the selected objects.
Duplicating Objects Using a Specific Offset Distance

Sometimes you want to create copies with a specific offset distance from the original object. In this case, you must change the preferences first: 1. From the Edit menu, select Preferences.
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Duplicating Objects Using the Duplicate Command

1. Select the objects. 2. From the Edit menu, select Duplicate.
Circular pattern, with all copies aligned over an arc.
Original Object
Arc or Circle
Duplicating Objects Using DesignEditor

To copy objects using DesignEditor, see Changing Objects Order on page 34.
Center Point
Preview
Duplicating Objects Using the Step and Repeat Command

Use Step and Repeat command to create multiple copies of objects in a precise position and arrangement. You have the following patterns to select from: Block pattern, with all copies aligned in a specified set of rows and columns.
Spacing/Copies Control Point
1. Select the objects. 2. From the Arrange menu, select Step and Repeat command. 3. Select the proper tab in DesignCentral. 4. The following values can be adjusted in DesignCentral:
Number of horizontal copies. Number of vertical copies. Number of diagonal copies.
Bounding Box
Number of circular copies. Horizontal spacing.
Preview
Vertical spacing.
Original Object
Diagonal pattern, with all copies aligned in a diagonal line.

Spacing/Copies Control Point
When this option is selected the distance is measured from the right (top) side of one object to the left (bottom) side of the next object. When this option is selected the distance is measured from the left (bottom) side of one object to the left (bottom) side of the next object. Inclination of the line that joins the original object and the center point. The portion of the circle where the copies are distributed.
Bounding Box Preview
Original Object
Radius of the circle where the copies are distributed.
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Rotate Objects
Specifies whether or not to rotate the copies on the arc.
At least one of the objects must be text.
2. From Arrange menu, select Auto Serialize.
Every word from the selected text will be displayed in the Text Selection box, located on the right side of the dialog.
3. Select the text to be replaced. You can select multiple items. 4. Adjust the parameters:
Rotate Objects Enabled Rotate Objects Disabled
Number of Copies Copies in a row Horizontal spacing Vertical spacing
The number of copies to be created. The number of copies that will be placed in a row. Horizontal spacing between copies. Vertical spacing between objects.
You can control the copies in Block and Diagonal pattern by dragging the Spacing / Copies control point at the upper left corner of the bounding box.
Drag the point to adjust the number of copies, keeping the spacing unchanged SHIFT key while dragging adjusts the spacing, keeping the number of copies unchanged.
You can control the copies in Circular pattern by dragging the Center control point.
5. If you have a Tab delimited file, select it. 6. Click Next. 7. To manually edit the fields, select the field and then type the new text in Edit Text field. 8. To use sequential data, select one field and then click Serialization.
Drag the point to adjust the Angle and the Radius. SHIFT key while dragging adjusts the Radius, keeping the Angle value unchanged.
Adjust the parameters:
5. Click Apply.
Numeric Character
The serialized text will be a numeric value. The serialized text will be a regular text. The serialization will be performed starting from the rightmost character. Starting value. This value must be in accordance with above selection (Numeric or Character). The increment in the serial text.
Working with Auto Serialization

Serialization allows you to create multiple copies of objects. However, It is different from Step and Repeat, since each copy will have a Serial Text, which is a text following a sequential numbering.
Serial Text
Start Increment
To save the current configuration as a Data file, click Export.
9. Click Finish.
Original objects
Copies created using Auto Serialization
Grouping Objects
Grouping is the process of combining several objects into one single set of objects. Grouped objects are moved, resized and rotated as one object.
2006 SA International 44
To Auto Serialize: 1. Select the objects.
1. Select the objects. 2. From the Arrange menu, point to Group and then select Group command. To release the last grouped objects: 1. Select the grouped objects. 2. From the Arrange menu, point to Group and then select Ungroup command To release all grouped objects: 1. Select the grouped objects. 2. From the Arrange menu, point to Group and then select Ungroup All command.
Group Group
One way to create the sign on the left is to place white text over a black rectangle. That would use two colors of vinyl. You can achieve the same results using the compound command and use only one type of vinyl. Compounded objects are treated as a single object.
Another example of using a compound:
Ungroup Ungroup
+
To compound objects: 1. Select the objects.
+ =
Ungroup All
Compounding Objects
Compounding lets you view overlapping objects exactly as they will appear when cut. When you want to create a hole through an object, use the Compound feature.
2. From the Arrange menu, point to Compound and then select Compound command.
If objects with different colors are selected, the compound object will have the color of the topmost object.
To compound objects based on their color, from the Arrange menu, point to Compound and then select Compound by Color command.
Objects compounded by color are converted to outlines.
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Unmasking objects will return the objects to its original shape and size. To unmask objects: 1. Select the masked object. 2. From the Arrange menu, point to Mask and then select Unmask command.
Original objects
Normal compound
Compound by color
Multiple levels of compounds can be made. To release the last compound: 1. Select the compounded object. 2. From the Arrange menu, point to Compound and then select Uncompound command.
Locking Objects
You can lock some objects. Locked objects can be selected, but cannot be edited, moved or resized. 1. Select the objects. 2. From the Arrange menu, point to Lock and then select Lock command.
Masking Objects
Masking is the process of clipping objects, vector or bitmap objects to a shape of a vector object. A mask can be described as a window that you look through to see the objects beneath it. Everything outside the mask will be hidden. The topmost object is the mask. If you want to use more than one object as a mask, you must group them first.
A padlock displays on the object.
In some cases, the padlock is placed in a corner and when you select the object, the Control Point will overlap the Padlock.
Locked object with a Padlock symbol
A bitmap object that has been masked cannot be traced. Before tracing the bitmap, it must be unmasked.
To create a mask: 1. Select the objects. The topmost object will be used as a mask 2. From the Arrange menu, point to Mask and then select Mask command.
In a path, you can change the padlocks position by changing the starting point of the path. See Changing Starting Point on page 98 about how to change the starting point.
To release the lock in a object: 1. Select the objects.
The only way to select locked objects is to click each of them with the Select tool.
2. From the Arrange menu, point to Lock and then select Unlock command.
The Mask (ABC) and the bitmap that will be masked
The masked image
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Changing Object Order

As you create objects or import files into your document, every object will have a position in the stacking order. The first object that you create will be in the bottom of the stack. This order will be reflected when the objects overlap. You can change the objects order in the stack: 1. Select the objects. 2. From the Arrange menu, point to Order and then select the new position in the stack.
To Front Moves the selection to the top of the stack, in front of all other objects.
Back One
Moves the selection one position down in the stack.
You can also change the order, dragging the object in DesignEditor - Object Tab, see Changing Objects Order on page 34 for more details.
Aligning Objects
Align allows you to align objects in relation to one of the objects, or to align objects to the design area. To align objects to another object: 1. Select the objects.
To Back
Moves the selection to the bottom of the stack, behind all other objects.
If you select the objects by dragging a bounding box, the first object in the order stack is used as the Stationary Object. If you select the objects by clicking them with SHIFT key pressed, the first selected object is used as Stationary Object.
2. From the Arrange menu, point to Align and select how the alignment will be done.

Forward One Moves the selection one position up in the stack.
In the example below, the green square is used as the Stationary Object for the alignment.
Original Objects Left Alignment Right Alignment
Horizontal Centers
Both Centers
Top Alignment Bottom Alignment Vertical Center
To align objects to the design area: 1. Select the objects.

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2. From the Arrange menu, point to Align and then select how the alignment will be done.
If you have a margin set, the objects will be aligned to this margin.
Original Objects Original Objects Left Alignment Right Alignment Horizontal Centers
Left Edge
Right Edge
Top Edge
Both Centers
Top Alignment Bottom Alignment
Vertical Center
Bottom Edge
Horizontal Center Vertical Center
Distributing Objects
The Distribute command allows you to evenly distribute a number of objects throughout an area. It does this by making sure that there is the same distance between the edges or center lines of the objects, regardless of their size.
Distributing Objects throughout the Design Area

The second set of options for the Distribute command allows you to distribute the selected objects over the entire design area. For instance, if the Left Edge to Page selection is used: The leftmost object is aligned with the left margin. The rightmost object is aligned with the right margin. The remaining objects are distributed so that there is the same distance between the left edges of all objects.
Distributing Objects over the Area of the Selection

The first set of options for the Distribute command allows you to evenly distribute the objects over the area covered by the original selection. For instance, if the Left Edge selection is used: The leftmost and rightmost objects will stay where they are. The other objects will be spaced out so that there is the same distance between the left edges of each object.
To distribute the objects: 1. Select the objects. 2. From the Arrange menu, point to Distribute and then select the edge or center line that will be used to position the objects:
To distribute the objects: 1. Select the objects. 2. From the Arrange menu, point to Distribute and select the edge or center line that will be used to position the objects:
Original Objects Left Edge to Page Top Edge to Page Horizontal Center to Page
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Nesting Objects
Nesting fits as many objects as possible into a specified area, optimizing the material.
Right Edge to Page Bottom Edge to Page Vertical Center to Page
1. Select the objects. 2. From the Arrange menu, select Nest. 3. Adjust the values in DesignCentral:
Select the color of the objects that will be nested. If you want to nest all objects, regardless of their color, select All Colors. The width and height of the panel in which the objects will be nested. The minimum space between objects after nesting. Break text When this option is checked, all text will be separated into individual characters and save more material. When this option is checked, the objects will be rotated to increase the compression ratio and save more material. Displays the compression achieved by nesting the objects.
Spacing Objects
The Spacing command allows you to distribute objects separated by an exact value. 1. Select the objects.
If you select the objects by dragging a bounding box, the first object in the order stack is used as the Stationary Object. If you select the objects by clicking them with SHIFT key pressed, the first selected object is used as Stationary Object.
2. From the Arrange menu, select Spacing command. 3. Adjust the following values in DesignCentral:
Space between adjacent objects. Defines if selected objects will be distributed in a horizontal or vertical direction. Distance will be measured from the right (top) side of one object to the left (bottom) side of the next object. Distance will be measured from the left (bottom) side of one object to the left (bottom) side of the next object.
Free rotate
Compress Ratio
4. Click Apply.
You can also click and drag the Resize Panel Control Point located on upper right corner of the panel area. When the panel size is too small to fit all objects, its border changes color from black to red.
Resize Panel Control Point
Edit Panel
End to Beginning mode
Beginning to Beginning mode Original objects in their original position Dragging the Resize Panel Control Point
4. Click Apply.
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Compress ratio Break text
The software lists the ratio of the current area occupied by the selected objects to the original area. When this option is checked, text objects will be separated into individual characters before nesting in order to fit the text into a smaller amount of material. If cleared, each text object will be nested as one big object. When this option is checked, smaller objects will be nested inside of holes in larger objects. A period might be nested inside a letter O, for instance.
Nested objects with Break text Off, Free rotate Off
Nested objects with Break text On, Free rotate Off
Nested objects with Break text On, Free rotate On
Use holes
True Shape Nesting (Windows Only)

True shape nesting is an optional feature that uses a more detailed nesting algorithm to fit even more objects into a specified area. Because it nests objects based on their actual shape, true shape nesting is able to pack shapes together much more closely than the standard nesting algorithm.
Original layout Nested (Break text selected) True shape nested (Break text selected)
4. To force the software to re-nest the selected objects after changes are made in DesignCentral, click Redraw. 5. Click Apply.
Snapping Objects
You can activate the snap feature and then create, edit and move shapes to precise locations. There are six types of snapping:
Snap to Point Snap to Grid Snap to Guide Snap to Edge Snap to Intersection Snap to Center of Gravity (Windows only)
True shape nesting uses a more complex algorithm than standard nesting, and may take considerably longer to nest a group of objects, particularly on slower computers. To nest objects using true shape nesting: 1. Select the objects. 2. From the Arrange menu, select True Shape Nest. 3. Adjust the values in DesignCentral:
The width and height of the paenl I the objects will be nested. The minimum space between objects after nesting. The step angle for rotating parts while nesting. This is the increment used to rotate objects while nesting them. The number of copies of the nested objects that will be created. If set higher than 1, the extra copies will be duplicates of the first set of nested objects.
To activate the snap, from the View menu, point to Snap and then select Snap to [] Some examples of snap:
Snap to Point
Snap to Guide
Snap to Grid
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Clear Transform
After scaling, rotating or transforming any item geometrically you can return the item back to its original state by using the Clear Transform function. 1. Select the objects.
Snap to Intersection Snap to Edge Snap to Center of Gravity
2. From the Arrange menu, click Clear Transform.
Deleting Objects
You can remove objects by deleting them from the document. 1. Select the objects. 2. Press the BACKSPACE or DELETE key, or from the Edit menu, select Clear. The object will be deleted, but will not be entirely removed from your document. When you delete an object, the deleted object will be placed in a Trash Layer. To completely remove objects from your document, without moving them to the Trash Layer: 1. Select the objects. 2. From the Edit menu, select Cut. To restore objects from the Trash Layer: 1. Select the objects in DesignEditor. 2. From the Edit menu, point to Trash Can and then select Recover.
Clear
Restore
To remove all objects from the Trash Layer, from the Edit menu, point to the Trash Can and then select Empty Trash.
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8. Working with Color

Your software provides you with an array of powerful tools for applying color. In this section, you'll learn how to apply color to an element in your design. Each object in your design can have a Fill color and Stroke color.
Fill Color (Red) Stroke Color (Black)
Working with Swatch Tables

Every line of ink, film or foil that a manufacturer makes is represented by a separate swatch table, which lists all of the colors available for that line. The swatches in the swatch tables change appearance based on the color mode in use. Spot colors have a small dot on the right side of the swatch. Duotone colors have two dots on the right side of the swatch.
Process Color Spot Color Duotone Color
The Fill Color can be a Solid Color, Pattern or Gradient.
Opening a Swatch Table

In order to use a color of foil in your design, you must first open the swatch table for that type of foil. To open a swatch table:
Solid Pattern Gradient
1.
Access the Open dialog using one of the following methods: From the View menu, select Color then Open Table. Right-click on the default swatch table (or any other open swatch table) and select Open Table.
Available Color Models

Colors can be defined using the following models:
RGB The color is expressed as a combination of red, green and blue values. This is the color model most commonly used for computer graphics. The color is expressed as a combination of cyan, magenta, yellow and black values. This is the color model most commonly used in color printing. The CIE LAB model is a device-independent color model that expresses color using a luminance value and two chrominance values. The color is expressed using values for hue, saturation and brightness. The color is selected from a number of lists of standard ink or ribbon colors provided by established suppliers. Duotone colors are made by overlaying two spot colors. The color that is printed first is called the base color, and the color that is printed on top of the base is called the top color.
2. Browse to the Swatch/Library subfolder of the software installation folder. 3. Select the manufacturer of the foil type (such as Gerber Scientific Products) and click Open. 4. Select the swatch library for the desired type of foil and click Open. The selected swatch table will appear below the default swatch table.
CMYK
LAB
HSB Spot Duotone
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Docked or Free-Floating Swatch Tables

By default, swatch tables are docked just above the status bar in the lower part of the screen. To make a swatch table free-floating, click and drag it out of its position. To return a table to the docked position, drag it back down onto the status bar. You can also double-click on the title bar to dock a swatch table.
On the Macintosh, all swatch tables are free-floating and cannot be docked.
Changing the View of a Swatch Table

Each swatch table has two different views that it can display: Palette view displays all of the colors in the table as color swatches.
Closing a Swatch Table

To close a swatch table, right-click on the table and select Close.
Creating New Swatch Tables

To create a new, empty swatch table, do one of the following: From the View menu, select Color then New Table. Right-click on the default swatch table (or any other open swatch table) and select New Table.
If you create a new swatch table then try to exit the application without saving it, you will be prompted to save the table to a file.
List view displays a list of all of the colors, along with their name, vendor, type and part number.
Saving a Swatch Table to a File

To save a swatch table to a file: 1. Open the Save As dialog using one of the following methods: Right-click on the table and select Save Table As. From the View menu, select Color then Save Table As. Select the table you want to save and click OK. To switch between views, right-click on the swatch table and select Palette view or List view.
List view is only available when a swatch table is free-floating.
2. Select the folder you want to save the table in. 3. Enter a filename for the table and click OK.
Hiding and Displaying Swatch Tables

To toggle the display of all swatch tables on and off, from the View menu, select Swatch Table. This will also force hidden swatch tables to be displayed.
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Applying Colors From a Swatch Table

To apply colors from a swatch table to a design element: 1. Select the objects. 2. Select the desired color in the swatch table. Hold down the CTRL key to apply the color to the objects stroke. You can also apply colors by clicking and dragging directly from the swatch table.
Copying a Color to Another Swatch Table

To copy a color from one swatch table to another, click on the color swatch and drag it into the other table.
Deleting Colors from a Swatch Table

To delete undesired colors from a swatch table, right-click on the color swatch you want to delete, and select Delete from the context menu.
The Transparent color cannot be deleted.
You can also delete colors from the swatch table using the Color Specs dialog box. See Deleting Colors Using Color Specs on page 58 for more details.
Drag
Merging Similar Colors

To merge colors that have different names but the same color values as other colors in the table, from the View menu, point to Color and then select Merge Similar Colors command.
When you click and drag the cursor into the object in the design area, the cursor changes, depending on its location.
Fill the object over which the cursor is positioned with the selected color. Change the color of the stroke over which the cursor is positioned with the selected color. Change the color of the substrate to the selected color.
Changing Color Order in a Swatch Table

There are several ways to change the color position in the swatch table: Click and drag the color over the swatch table
Adding a New Color to a Swatch Table

New colors can be added to swatch tables using the Eyedropper tool, the Color Mixer or the Color Specs dialog. For details on using the Color Mixer, see Applying Colors Using the Color Mixer page 55. For details on using the Eyedropper tool, see Applying Colors Using the Eyedropper page 56. For details on using the Color Specs dialog, see Defining Colors Using the Color Specs Dialog page 57.
Drag
Using the Color Specs dialog box. See Changing The Order of Colors Using Color Specs on page 58 for more details. Right-click the swatch table and point to Sort command. You can sort the swatch table by Name, RGB / HSV values, Vendor, Type or Part #.
Creating Swatches from the Colors in the Current Design

The Merge From Document command creates swatches for every color in the current document in the swatch table of your choosing.
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If your document has gradient fills, they will also be added to the swatch table. To create swatches for all of the colors in the current design: 1. Open the swatch table that you want to save the colors in, or create a new swatch table. 2. From the View menu, select Color then Merge from Document.
Enter the numerical values or click the up / down arrows on the right side of the numerical field. Click and drag the channel sliders.
Click and drag the mouse over the color picker located at the bottom of the Color Mixer. When you locate the color you want, release the mouse button.
3. Select the table you want to store the color swatches in, then click OK.
Using the Color Mixer, it's possible to specify colors that are beyond the boundaries of the selected color space. When you do this, a warning icon is displayed next to the color swatch, along with a small swatch that is actually a functional button. Clicking the gamut correction button adjusts the color so that it fits within the target gamut. After you click the button, the color is redefined, and both the icon and the gamut correction button disappear.
Gamut Correction Button Warning Icon New Color
If you access Merge from Document by right-clicking on a swatch table, the swatches will be added to that table without any prompting.
Applying Colors Using the Color Mixer

The Color Mixer dialog box is used to specify and apply color to elements in your design. To view the Color Mixer, from the View menu, select Color Mixer.
Color Mixer
When you select an object, the fill color is displayed in the swatch located in the upper left side of the Color Mixer. When multiple objects are selected, the Color Mixer displays the color of the first object. Use the list in the upper right corner of the mixer to specify a color model (RGB, CMYK, LAB, HSV, Spot or Duotone). Once you specify a color model to use, there are several ways to specify a color in the mixer:
The warning icon only appears when you're viewing objects in RGB, HSV or LAB color space. The software checks to see if the color you specified can be reproduced in CMYK color space accurately, based on the currently active printer profile that you selected in the Color Settings dialog box (for more details see Configuring the System for Color Printing on page 135). If you do not correct the gamut, the color that you selected will not print accurately.
Adding Colors from the Color Mixer to a Swatch table

1. From the View menu, select Color Mixer. 2. Create the new color that will be added. 3. Click the color patch and drag to the swatch table. You can place the color at any location in the table. 6. Save the swatch table.
Sampling Colors Using the Eyedropper

The eyedropper tool sets the fill options of the selected objects to match the color, pattern or gradient fill of whatever it clicks on. If you click on a bitmap, the eyedropper will return a solid color that matches the pixel you clicked on. To use the eyedropper: 1. Select the objects whose color you want to change. 2. Click Eyedropper. 3. Move the cursor over the object or bitmap with the color that you want the selected object to be and click.
Creating Duotone Colors with the Color Mixer

1. From the View menu, select Color Mixer.
2. Select Duotone from the list of color modes.
Selecting a Solid Fill from a Gradient or Pattern

To select a solid color from a pattern or gradient, hold down the SHIFT key while you select the color. The fill color will be set to match the color at the point that was clicked on.
Setting Stroke Colors with the Eyedropper

3. Select the Top and Base colors. To use the eyedropper to set the stroke color of an object instead of the fill, hold down the CTRL key. The stroke color will be set to match the fill color of the object that was clicked on. If the object has a pattern or gradient fill, or if it is a bitmap, the stroke color will be set to the color at the point that was clicked on.
You will only be able to select colors from the swatch tables that are currently open.
4. Select the percent coverage. This will apply to both top and base colors. 5. Drag the color from the upper left box in the Color Mixer down into a swatch table.
Adding a Fill Selected With the Eyedropper to a Swatch Table

To add a solid fill, pattern or gradient selected with the eyedropper to a swatch table, click and drag the fill swatch out of the Fill/Stroke dialog into the swatch table.
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From the list on top of the dialog box, you can select the colors that will be displayed in the list. You can select any of the following:
[swatch table] Used colors All colors All colors defined in the selected swatch table. All colors used in your present document. All colors from all open swatch tables plus the colors used in the document.
Defining Colors Using the Color Specs Dialog

The Color Specs dialog is used to define all properties about colors. To view the Color Specs dialog, do one of the following: From the View menu, point to Color and then select Color Specs command. Double click on a solid color (process, spot or duotone) in any open swatch table. Right-click on a swatch table and select Color Specs.
Each color in the list will have an icon on the left side. This icon indicates if a color is being used in the document.
The color is being used in the document. Clicking this icon hides all objects in your document using this color. The color is being used in the document, but all objects using it are hidden. Clicking this icon will show all objects in your document that it is using this color. The color is not being used in the document.
For each color you can control the following properties:

Color Name Color Mode The color name defined in the swatch table. The color mode can be RGB, CMYK, LAB, HSV, Spot or Duotone. Spot colors have a small dot on the right side of the swatch. Duotone colors have two dots on the right side of the swatch. Process Color Duotone Color Color Values The color values for selected color. The parameters vary according to the color mode selected. The Vendor, Type, Part# and Comments defined in the swatch table. If this option is selected, the settings from the color management system are used to print this color. You can set a different Input Color Profile and Rendering Intent for each color. Spot Color
Color Info
Color Specs - Color Tab

In the Color Specs - Color Tab dialog box you can set all the properties from each color.
Use Color Management
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Creating New Colors Using Color Specs

1. Click New. 2. Select the table you want to add colors to from the list at the top of the dialog. 3. Change the color name and enter the values in Color Info. 4. For each color you want to add, do the following: a. Click New. b. Type a name for the color under Name. c. Select the color Mode.
Editing Colors Using Color Specs

1. Select the color that you want to change from the list. 2. Edit the name, color mode, color values, etc. 3. Click OK.
Changing The Order of Colors Using Color Specs

To reorder the colors in the palette using the Color Specs, click on the color in the color list and drag it to its new location.
If you are creating a spot color, select RGB color mode first, and enter the RGB values that will be used to display the spot color. Then change the color mode to Spot.
d. Specify the color values by entering them in the fields to the right, or by clicking in the color bar underneath the list of colors.
Color Specs - Library Tab
5. When finished, click OK. While adjusting the colors, the swatch will show the original color on the top, and the new color on the bottom.
Original Color New Color
Measuring a New Color

To determine the color values of a new color by measuring them with a measuring device such as a spectrometer, click the Measure button.
The measurement device can be defined in the Edit menu, pointing to Preferences and then selecting Meter Options in the Tool Tab.
In the Color Specs - Library Tab dialog box you can remove colors from swatch tables and add colors from the Color Libraries into the swatch tables. To add a color to a swatch table: 1. Select the swatch table you want to add the color into. 2. Select Vendor and Type from the list.
Deleting Colors Using Color Specs

1. Select the color that you want to delete from the list. 2. Click Delete.
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3. From the list on the right side, select the color that will be added to the swatch table and click Add.
You can select multiple colors using SHIFT and CTRL keys.
To remove a color from a swatch table: 4. Select the swatch table you want to delete from. 5. Select the color from the list. 6. Click Delete.
You can select multiple Vendor and Type.
4. Select the tolerance for the search from the list. 5. Click Search.
Color Specs - Find Tab
The closest matches for the selected color are displayed on the bottom of the screen. When you select a color from the list, While adjusting the colors, the swatch will show the color you are looking for on the top, and the color found in the Color Library on the bottom.
Original Color New Color
6. Select the color from the list. 7. Do one of the following: Click Replace to replace the selected color with the new color found in the Color Library. Click Add to add the new color to the swatch table.
Setting the Default Fill/Stroke Color

In the Color Specs - Find Tab dialog box you can find a color in the color libraries that matches the color that you are using in your design. 1. Select the swatch table that contains the color. 2. Select the color that you want to search from the list on the left side of the screen. When a new object is created, the default Stroke and Fill colors will be Default Stroke and used. These colors are displayed in the Fill lower right corner of the design area. To change the default Fill/Stroke colors: 1. Click an empty area on the document. 2. Drag the desired color from a swatch table or the Color Mixer into the default Fill/Stroke color indicator at lower right corner of the design area. Once the default Fill/Stroke colors are set, all new objects in this document will be created using these colors.
You can also use your measuring device to measure one specific color. To measure a color, click the Measure button.
3. Select the Vendors and the Types from the list. Click at ( ), located on the left side of the name to select it. Clicking on ( ) expands the list and show all the Types for the vendor.
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Setting the Background / Foreground Color

When you are editing bitmaps, the lower right corner of the Background and Foreground design area will show the colors foreground and background colors. You can change the background and foreground colors using the same methods used to change the default fill and stroke colors.
Changing Existing Color Libraries

1. From the View menu, point to Color and then select Modify Color Library command. 2. Select the Vendor and Type from the list. 3. Select the color that will be changed in the list. 4. Type the new Name / Part # for the color or click Delete to remove the color from the Color Library. You can also measure a new color using a measurement device and replace the selected color. 5. Click Save to save the changes. If this button is unavailable, click another color in the list.
Modifying Existing Color Libraries

Color Libraries are files containing a collection of colors. Color collections can be based on a particular manufacturer, an industry standard or similar concept. Like Swatch tables, you can create a new custom Color Library or modify an existing one.
Creating Test Swatches

The software has the ability to automatically create the following sets of test swatches:
Duotone This set of swatches shows all of the duotone colors that can be created using the spot colors in the swatch tables you have open.
CMYK
Creating New Color Libraries by Using Measurement Devices

1. From the View menu, point to Color and then select Modify Color Library command. 2. Click New. 3. Select the Vendor and Type from the list or enter a new name. 4. Click OK. 5. Enter the new color name and the part number. 6. Click Measure and measure the color using the device.
Current Palette
This set of swatches shows all of the CMY color combinations currently available, plus the range of black values.
This set of swatches lists of all the colors in your current palette.
To create a swatch table: 1. From the View menu, select Create Swatch, then either Duotone, CMYK or Current Palette. 2. Adjust the following settings in DesignCentral:
The size of each swatch.
The measurement device can be defined in the Edit menu, pointing to Preferences and then selecting Meter Options in the Tool Tab.
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The amount of space taken up by the labels above and to the left of the swatch table. The horizontal spacing between swatches. The vertical spacing between swatches. The number of swatches or sets of swatches per row. The swatch table to list the colors from (Current Palette only)
Advanced Settings for CMYK Swatch Tables
3. Click Advanced to set advanced settings. 4. Click Apply. The swatch table will appear in the lower left corner of the page.
Advanced Settings for Duotone Swatch Tables
On the cmyk tab, enter the following settings:

Step Start End The change in ink values between one swatch and the next. The lower boundary of the range of color values in the swatch table. The upper boundary of the range of color values in the swatch table.
On the Label tab, select the font that will be used for the labels.
Advanced Settings for Current Palette Swatch Tables
On the Color tab, toggle the icon to the left of the spot color listings to determine whether the color will show up in the swatch table. You can exclude colors from either the set of top colors, or the set of base colors.
The color will appear in the swatch table. The color will not appear in the swatch table.
On the Label tab, select the font that will be used for the labels. On the Color tab, toggle the icon to the left of the spot color listings to determine whether the color will show up in the swatch table.
The color will appear in the swatch table. The color will not appear in the swatch table.
On the Label tab, select the font that will be used for the labels.
9. Using Fill/Stroke Editor

Fill/Stroke Editor shows information about how an object is filled and its stroke.
Applying No Fill to an Object

To apply the No Fill fill type to an object: 1. Select the object. 2. In the Fill/Stroke Editor, select No Fill, or click on the swatch in the color palette.
Displaying Fill/Stroke Editor

The Fill/Stroke Editor consists of two screens: the Fill Tab and Stroke Tab. To view the Fill/Stroke Editor, from the View menu, select Fill/Stroke Editor.
Fill/Stroke Editor Fill Tab Fill/Stroke Editor Stroke Tab
Applying a Solid Fill to an Object

To apply a solid fill to an object: 1. Select the object. 2. In the Fill/Stroke Editor, select Solid Fill.
Types of Fills
Vector objects can have the following types of fill:
No Fill Solid Fill Pattern Fill Gradient Fill The object has no fill. The object is filled with one solid color. The object is filled with multiple copies of a pattern. The object is filled with a gradient, which is a combination of two or more colors so that one color blends smoothly with the next one in increments.
3. Select the color of the fill from the list. 4. If desired, check Wireframe to make the object show up as an outline drawn in the color of the fill. This setting will override the outline settings for the object.
For more information about how to set the objects fill, see Working with Color on page 52.
Solid Fill with Wireframe enabled. No Fill Solid Fill Pattern Fill Gradient Fill
5. Click Advanced to edit the fill color using the Color Specs dialog. For more information about the Color Spec dialog, see Defining Colors Using the Color Specs Dialog on page 57. You can also apply a solid fill by selecting the object and clicking on a solid colored swatch in the color palette.
Applying a Pattern Fill to an Object

To apply a pattern fill to an object: 1. Select the object. 2. In the Fill/Stroke Editor, select Pattern Fill.
Proportional
Width of each pattern. Height of each pattern. Check this option to assure that the pattern will be resized proportionally. Amount of offset applied to each column or row. Space between rows. Space between columns. Horizontal offset applied to the first tile. Vertical offset applied to the first tile.
3. Select the pattern to be used from the 4. Select the background color from the
list. list.
Add to Swatch Table Transform with Object Restore Defaults
When this option is checked, the edited pattern will be added to the swatch table as a new pattern. When this option is checked, each pattern tile will be proportionally resized when the object is resized. Restores the default settings for selected pattern.
Using Pattern Fill Advanced Settings

When the Advanced button is clicked in Fill/Stroke Editor Fill Tab for Pattern Fill, the Advanced Settings dialog will be displayed.
Click OK to save your changes.
Adding a Pattern Fill to a Swatch Table

To add a pattern fill you have created to a swatch table: 1. Select the object with the pattern fill. 2. Click on the Advanced button in the Fill/Stroke dialog. 3. Make any needed edits to the pattern fill. 4. Check Add to swatch table. The following parameters of the pattern can be adjusted in this dialog.
Pattern Name Name of the pattern. The background color.
5. Type in a Pattern name. 6. Click OK.
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Applying a Gradient Fill to an Object

To apply a gradient fill to an object: 1. Select the object. 2. In the Fill/Stroke Editor, select Gradient Fill.
c. Click to edit the gradient using the Edit Line. See Editing Gradients Using the Edit Line on page 65 for details. d. Adjust the angle of the gradient in the field.
Advanced Options for Gradient Fill

When the Advanced button is clicked in Fill/Stroke Editor Fill Tab for Gradient Fill, the Advanced Settings dialog will be displayed.
3. If desired, you can select one of the stock gradients from the list. 4. To make your own gradient, or edit one of the stock gradients: a. Select the type of gradient applied to the object from the list. The following types are available: The following parameters of the gradient can be adjusted in this dialog.
Gradient Name
Linear Gradient Radial Gradient Conical Gradient Square Gradient
Name of the gradient. Gradient Type. The gradient angle. The gradient being edited.
b. Select the gradient color mode from the following modes are available:
RGB CMYK Single spot color Double spot colors The colors in the gradient will all be defined using the RGB color model. The colors in the gradient will all be defined using the CMYK color model.
list. The
The gradients color mode. Color selected in gradient edit bar. Position of the selected color in the gradient edit bar. The value can range from 0 to 100. Add to Swatch Table When this option is checked, the edited gradient will be added to the swatch table as a new gradient.
The gradient will blend between two or more shades of a single spot color. The gradient will use two spot colors. This type of gradient is defined solely by its end points: it has no intermediate points in the middle.
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Transform with Object RGB / HSV
When this option is checked, each gradient tile will be proportionally resized when the object is resized. The color mode used to create the gradient
Click and drag the color icon above the gradient bar to delete it. CTRL and dragging the color icon creates a copy of the dragged color. Click a blank space between color icons to create a new color in the gradient.
Adding a Gradient to a Swatch Table

To add a gradient you have created to a swatch table: 1. Select the object with the gradient. 2. Click on the Advanced button in the Fill/Stroke dialog. 3. Make any needed edits to the gradient. 4. Check Add to swatch table. 5. Type in a Gradient name. 6. Click OK.
Editing Gradients Using the Edit Line

When you click the Edit Gradient button in Fill/Stroke Editor Fill Tab, a Gradient Editing Line will be displayed in the object where the gradient is applied.
The Gradient Editing Line can be placed outside the object.

Start Color icon Intermediate Color icons End Color icon
Editing Gradients Using the Edit Bar

In the Fill/Stroke Editor Fill Tab and Advanced Settings dialog, you can adjust the gradient using the Edit Bar.
Start Color icon Intermediate Color icons End Color icon
Object where the gradient is applied
You can change or create a new color in the gradient, dragging the new color from the swatch table to an existing color or in a blank space between colors. Click and drag the intermediate color icon to the left / right to change its position in the gradient. Click and drag the start /end color icon to change the gradient size and the gradient angle. CTRL and dragging the color icon creates a copy of the dragged color.
Click any color icon in the Edit Bar to select it. In Advanced Settings dialog, you can change the color using the swatch on right side of the dialog. In the Fill/Stroke Editor Fill Tab, you can change or create a new color in the gradient, dragging the new color from the swatch table to an existing color or in a blank space between colors. Click and drag the color icon to the left / right to change its position in the gradient. In Advanced Settings dialog, you can change the position using the position field on right side of the dialog.
Editing Stroke Properties of an Object

Fill/Stroke Editor Stroke Tab displays the following vector objects stroke properties.
Style of the stroke applied to the object. The color applied to the stroke.

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The Start and End Color icons cannot be dragged.
Stroke width. Controls the sharpness of the corners. Select the appropriate Join Type option to specify how corners are outlined. Select the appropriate Line Cap style option to specify how open paths are outlined. Choose from Round, Square or Butt cap styles. Transform Clear When this option is checked, the strokes will be proportionally resized when the object is resized. Click this button to remove the stroke.
To turn off overprinting for an object, select the object and do one of the following: From the Arrange menu, select Overprint, then Release Overprint. On the Fill tab of the Fill/Stroke Editor, make sure that Overprint is not checked.
Applying Overprinting to an Object

The Overprint setting is used to identify areas of your design that are covered by multiple layers of ink or vinyl. These areas may require special treatment in order to be output successfully. For instance, in some output devices, a higher heat setting must be used when multiple layers are present. This may require that those objects be output using a separate printing pass. Overprinting is automatically assigned in some cases: The top color in a two-color gradient will automatically be printed using overprinting. When color trapping is used, the Overprint setting is automatically assigned to the topmost color trapped objects. The top color of a Duotone/Spectratone color is automatically set to use overprinting.
To set an object to be output using overprinting, select the object and do one of the following: From the Arrange menu, select Overprint, then Overprint. On the Fill tab of the Fill/Stroke Editor, check Overprint.
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10. Working with Shapes

Shapes are closed objects such as the rectangles, starbursts and polygons. You can create a shape freehand or by specifying the size. The following standard shapes are available in your software:
Rectangle tool Oval tool Polygon tool Starburst tool Fan tool Arrow tool Advanced Border tool Parametric Shape tool Registration Mark tool Circle tool
Dragging while holding the SHIFT key Dragging while holding the CTRL key
Holding SHIFT or CTRL While Creating Rectangles and Ovals

Hold the SHIFT key down while dragging to constrain the rectangle or oval to a square or circle. Hold the CTRL key down while dragging to draw a rectangle or oval from its center.
Creating Shapes
All of the shapes may be drawn freehand: 1. Select the desired shape tool. 2. Click and drag the cursor in the design area.
Click ...
Holding SHIFT or CTRL While Creating Polygons

Hold the SHIFT key down to create an irregular polygon within a rectangle determined by the dragging position. Hold the CTRL key down to create a regular polygon with a horizontal base.
and dra
The rectangle and the arrow are only for illustrative purposes and are not actually displayed while you create a shape.
For some shapes, holding the SHIFT and CTRL keys during dragging affects the shape creation. For more details see the description below about each shape.
Dragging while holding the SHIFT key
Dragging while holding the CTRL key
3. Release the mouse button. 4. Adjust the shapes properties from DesignCentral. 5. If you want to add another shape with the same size, click again in the design area.
Holding SHIFT or CTRL While Creating Starbursts

Hold the SHIFT key down to create an irregular starburst within a rectangle determined by the dragging position. Hold the CTRL key down to constrain the starburst to a vertical position.
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Regular with Inner Border Dragging while holding the SHIFT key
Rounded without Inner Border
Holding SHIFT or CTRL While Creating Fans and Arrows

Hold the SHIFT key down to constrain the fan or arrow angle to certain values. The constrain angles can be set using the Preferences. See Preferences - General Tab on page 14 for more information. Hold the CTRL key down to create a fan or arrow from its center.
DesignCentral for Rectangle
Inverted without Inner Border
Clipped with Inner Border
Circles
For Circles, you have the following modes, and for each of them you have different parameters that you can adjust:
Center Radius Two Point Three Point You can adjust the X, Y coordinates of the center and the radius that determine the circles shape. You can adjust X, Y coordinates of the two points that determine the circles shape. You can adjust X, Y coordinates of the three points that determine the circles shape.
Holding CTRL While Creating Advanced Borders and Parametric Shapes

Hold the CTRL key down while dragging to draw a shape from its center.
Editing Shapes Using DesignCentral

You can edit a shape using DesignCentral. The parameters in DesignCentral can be adjusted before, during or after the shape is created. For more details about how to resize, rotate, or mirror a shape, see Arranging Objects on page 39. For each shape you have different parameters that can be adjusted in DesignCentral.
Rectangle
For rectangles, you can adjust the Height, Width, Corner type (Regular, Rounded, Inverted or Clipped), Corner radius and Inner Border Width. The Corner radius is only available when the Rounded, Inverted or Clipped type is selected.
DesignCentral for Circle
Ovals
For Ovals, you can adjust the Height and Width.
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Polygons
For Polygons, you can adjust the Height, Width and the number of sides.
Starburst
For Starbursts, you can adjust the Inner and Outer radius, the number of spikes and spike twist angle.
DesignCentral for Fan DesignCentral for Arrow DesignCentral for Registration Mark
Advanced Borders
For Advanced Borders, you can adjust the Border Type, Height or Width, and Inner Border Width. Click the button on left hand side of the Add button to show a list with all available border types. Click the Proportional check box to keep the border width and height ratio constant.
DesignCentral for Ovals
DesignCentral for Polygons
DesignCentral for Starbursts
Fan
For Fan shape, you can adjust the Outer radius, Thickness, Rotation angle and the Sweep angle.
Arrow
For Arrows, you can adjust the Arrow Length, Angle, Tail Length and Width, Cap Length and Wing angle.
Registration Marks
For Registration Marks, you can adjust the Size, and the registration mark type (Diamond or Round).
DesignCentral for Advanced Border
Border Types
You can create your own borders and then add them to the border list: 1. Create the border and save the file. 2. Select Advanced Border tool. 3. Click Add button on DesignCentral. 4. Select the file saved in step (1) and click Open.
The border is added to the list. To delete a border from the list, delete the file
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from Border folder.
Editing Shapes Using Control Points

You can create visually complex objects by using Control Points and Bezier handles.
Rectangle
For rectangles, you can drag the following control points.
Border List with a new custom border
Height
Parametric Shapes
You can adjust the Height or Width, and several parameters for parametric shapes. Click the Edit button to show a dialog box where you can edit all parameters.
Width
Corner Radius
Hold the SHIFT key while dragging the Height or Width control points to resize proportionally.
Circle
Depending on which method you are using, you can drag the following control points while creating a circle:
DesignCentral for Parametric Shape Parameter editing dialog box
Center and the Radius First and second points First, second and third points
Radius Control Points Center
Creating a circle using the 3 point method
Creating a circle using Center and Radius method
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Oval
For ovals, you can drag the following control points.
Height
Starburst
You can drag the following points on a Starburst:
Spike Twist Bend Handles Bend
Width
Holding down the SHIFT key while dragging the Height or Width control points will make the resizing proportional.
Original Starburst
Size
Polygon
For polygons, you can drag the following control points and handles:
Starburst after dragging both Bend control points
The Size and the Bend control points behave the same way as explained for the polygon in previous item.
Fan
Bend Handle Bend Bend Handle
You can drag the following points on a Fan shape:

Outer Radius Rotate Sweep Angle Thickness
Original Polygon
Size
Polygon after dragging the Bend control point

Center
Hold the CTRL key while dragging the Size control point to keep the polygons position. Hold the CTRL key while dragging the Bend control point to restore the polygon to its original shape. Hold the SHIFT key while dragging the Bend handle to move the opposite handle in the same direction. Hold the CTRL key while dragging the Bend handle to keep the opposite handle stationary.
Hold the SHIFT key while dragging the Sweep Angle or Rotate control points to constrain the angle.
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Arrow
You can drag the following points on an Arrow shape:
Length
Converting Objects to Shapes

The Convert To Shape command is used to convert objects to shapes. You can quickly convert the traced artwork to the desired shape, then edit the shape.
Rotate Cap Length Wing Angle

Original artwork
Tail Width
Hold the SHIFT key while dragging the Rotate control point to constrain the angle.
Advanced Border
You can drag the following points on an Advanced Border:
Converting into Starbursts
Converting into Rectangles
Size
To convert an object into a shape: 1. Select the objects. 2. From the Arrange menu, point to Convert to Shape and then select the new shape.
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11. Working with Text

The software allows you to create text and change its appearance. The following defines each text type and displays and example:
Horizontal Text: The text follows a straight horizontal line. Arc Text: The text is placed over a circle.
Creating New Text

You create text by using the tools located on the Text toolbar.
Creating Horizontal/Vertical Text

1. Select Horizontal Text or Vertical Text tool. 2. Click anywhere in the design area. 3. Type the text.
Horizontal Path Text: The horizontal text is placed over a path.
4. If desired, hit ENTER to move to the next line.

Horizontal Block Text: The text is restricted to the width of a block. When the text is wider then the block, it will automatically move to the next line.
5. Hit ESC or select a different tool to finish entering text.
Creating Horizontal/Vertical Block Text

1. Select Horizontal Text or Vertical Text tool. 2. Click and drag to create a block where the text will be confined.
Vertical Text: The text follows a straight vertical line.
Vertical Path Text: The vertical text is placed over a path.
Vertical Block Text: The vertical text is the height of a block. When the text is higher then the block, it will automatically move to the next line.
3. Type the text. The text will automatically wrap when it reaches the opposite end of the text block. The text block will expand to accommodate additional lines of text.
4. If desired, hit ENTER to move to the next line. 5. Hit ESC or select a different tool to finish entering text.
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Creating Horizontal/Vertical Path Text

1. Select Horizontal Path Text or Vertical Path Text tool. 2. Click on any existing path or shape in your design.
Holding down the SHIFT key while dragging restricts the Starting Angle to increments determined in Preferences (see Preferences General Tab on page 14 for more details).
3. Type the text. 4. If desired, hit ENTER to move to the next line.
3. Type the text.
Creating Arc Text

1. Select Arc Text tool. 2. Do one of the following: Click and drag to define the radius and center of the circle the text will be positioned around. The cursor will be placed at the point on the circumference that you clicked on when creating the circle.
Click and drag
Hold down the CTRL key while dragging to draw the circle from the center point. The cursor will be placed at the point on the circumference that you clicked on when creating the circle.
Click and drag
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Changing Text Attributes Using DesignCentral

While or after creating text, you can adjust the text properties in DesignCentral. In DesignCentral you can have two or more Tabs for each type of text.
DesignCentral for Arc Text
Editing Attributes in DesignCentral

Some attributes in DesignCentral are common for all types of text, others are specific for one type.
DesignCentral for Horizontal Text DesignCentral for Vertical Text
The following attributes are available on the DesignCentral Character Tab.
Character Tab
DesignCentral for Horizontal Block Text
DesignCentral for Vertical Block Text
Font and style used in the selected text. Click the arrow to view a list of available font types and styles. The font style list will be disabled if the font has only one style available. If you select the font field, and begin typing the name of the font on the keyboard, the software will do an incremental search and take you to the fonts that start with the letters you have typed in. You could type TIM and get Times New Roman, for instance. To change the fonts currently in use, select Modify from the font list. See Modifying the Fonts in Use page 88 for details. Height of the selected text. The height is the height of a reference character (by default X). See Text Preferenceson page 87 about how to change the reference character.
DesignCentral for Horizontal Path Text
DesignCentral for Vertical Path Text
Width of the selected text. The width can be displayed in units (in, cm, mm) or as a percentage of the original character width. See Text Preferences on page 87 about how to
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change the display mode. Slant of the selected text. Orientation of the selected text. Click to rotate the characters 90 degrees. (Horizontal Text) (Vertical Text) Spacing between characters, also known as Tracking. The tracking can be displayed in units (in, cm, mm) or as a percentage. See Text Preferences on page 87 about how to change the display mode. 0.000 is the default value for the units mode. Wider spacing may be achieved by selecting positive values. The default value for percentage is 100%. Values above 100% will produce wider spacing. The vertical or horizontal offset applied to characters.
Click these buttons to arrange the horizontal text from left to right, as in standard writing, or from right to left. Click these buttons to arrange the vertical text from top to bottom or from bottom to top. Click these buttons to select the order the lines of selected horizontal text in the paragraph top to bottom or bottom to top. Click these buttons to select the order the lines of selected vertical text in the paragraph right to left or left to right.
(Horizontal Text) (Vertical Text)
Amount of spacing between words in the text. The word spacing can be displayed in units (in, cm, mm) or as a percentage. See Text Preferences on page 87 about how to change the display mode This field allows you to specify the tab indent.
Amount of spacing between lines of text Click the button on the right side of this field to select between Automatic and Specify. When Specify is selected, the Line Spacing field is enabled, and you can specify the amount of space between lines. This field is not available for Horizontal and Vertical Path Text.
(Horizontal Text) (Vertical text)
Click this button to display a dialog box where you can retype the selected text. The same dialog box will be displayed if the text is selected and you double click the text tool
The following attributes are available in DesignCentral Paragraph Tab:
The following attributes are available for horizontal and vertical block text only.
This field allows you to specify the width of the block where the horizontal text will be restricted. This field allows you to specify the height of the block where the vertical text will be restricted.
Paragraph Tab
Click these buttons to justify the selected horizontal text to the left, center or right.
This field allows you to specify the indent for the first line of the block text.
Click these buttons to fully justify the text by changing the character and word spacing, Word spacing only, Character width or Character size. You can also specify the paragraph width and if this setting will be applied to the last line of each paragraph. Click these buttons to justify the selected vertical text to the top, center or bottom.
The following attribute is available for horizontal and vertical path text only:
Click this button to move the text to the opposite side of the path.
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The following attributes are available on the DesignCentral - Arc Tab and are available for Arc text only:
Changing Text Attributes Using Control Points

Most of the set DesignCentral properties may also be set manually. You can click and drag directly the Control Points on the text. When you select text, and then display the Character or Paragraph tab of DesignCentral, the text displays with a number of Control Points around it. Each of these Control Points has a special meaning, and changes the text when moved.
Arc Tab
Defines the radius of the circle where the text will be placed. Starting position of the text in the arc. This starting angle is related to the Alignment position. For example, if you want the center of the text to be placed in the top of the circle, select Align Center and enter a value of 90 degrees in this field. Position of the first line of the text on the arc. Starting position of the first line of the arc text. The top and bottom are determined by the value in Starting Angle. If you created your circle by dragging, the top is the point where you began to draw the circle. Starting position of the second line of the arc text. After typing the first line of the text, press the ENTER key and the text will be placed in the next line (Multiple Line Style) or at the opposite side of the circle (Top / Bottom Style).
You can use the arrow keys on your keyboard to make incremental adjustments.
The following Control Points can be dragged in a text:

1 3 4
6 5 2 11
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( 5 ) Line Spacing
Drag this point to produce equal spacing between lines.
( 6 ) Block Size
1 1 2 4 2 4 7
Drag this point to restrict the text box width. This option is only available for Block text.
( 7 ) Center ( 1 ) Line Spacing

Click this point to select one line of text. When a line is selected you may change attributes such as color or font. Drag this point to adjust the spacing between lines. All lines below the selected line are also repositioned. Typing CTRL+up arrow and CTRL+down arrow while the text cursor is displayed in the text also adjusts line spacing. For text and block text, CTRL key while dragging moves only the selected line. For path and arc text, it will restore the text to its initial position. For arc text, SHIFT key while dragging adjusts the vertical offset of the select line. For all other types of text, SHIFT key while dragging moves the selected line left or right. Drag this point to adjust the position of the circle. SHIFT key while dragging limits the circles position to specific positions.
When the Arc Tab is selected, you will see an extra set of control points that can be dragged:
c d
( a ) Center
Drag this point to adjust the position of the center of the circle and also to change its radius.
b a
( 2 ) Move Character
Click this point to select one individual character. After selecting one character, you can change its attributes. Drag this point to adjust the spacing between the selected character and the previous one. All characters to the right of the selected character are also repositioned. CTRL key while dragging, moves only the selected character and leaves the remaining text in place. SHIFT key while dragging moves the selected character up or down.
( b ) Inner Radius
Drag this point to change the radius of the circle while keeping the center and top positions unchanged. This causes a distortion of the text. CTRL key while dragging will not distort the text.
( c ) Outer Radius
Drag this point to change the radius of the circle while keeping the center and bottom positions unchanged. This causes a distortion of the text. CTRL key while dragging will not distort the text.
( 3 ) Rotate Character
Drag this point, located in the upper right corner of each character, to rotate an individual character. SHIFT key while dragging rotates the character in increments. See Preferences - General Tab on page 14 about how to set the increment angle. CTRL key while dragging restores the character to its default position.
( d ) Rotate
Drag this point to change the position of the arc text on the circle. SHIFT key while dragging constrains the position. See Preferences General Tab on page 14 about how to set the constrain angles.
( 4 ) Tracking
Drag this point to adjust the tracking of the selected text. The tracking is adjusted equally for all characters and between all words. CTRL key while dragging, changes tracking between words.
( e ) Sweep Angle
Drag this point to change the sweep angle of the arc text on the circle. It changes each character width and the spacing between them.
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SHIFT key while dragging constrains the sweep angle. See Preferences General Tab on page 14 about how to set the constrain angle. CTRL key while dragging, both sides of the text moves at equal rate from the center point.
Selecting Text
You can select text as whole text, one line at a time or a group of characters.
Editing Text
When editing existing text, you can enter new text or replace existing words: 1. Select any of the text tools. 2. Click on the text you want to edit. 3. To insert characters into the text, place the cursor in the desired location and begin typing.
Selecting the Whole Text

Select the text with Select tool.
Selecting One or More Characters

Click and drag the text with Text tool to select a group of characters.
Selecting One Character

1. Select the text. 2. Select the Character or Paragraph Tab in DesignCentral. 3. Click the Move Character control point.
Use the arrow keys on your keyboard to move the cursor within the text. The HOME key returns the cursor to the beginning of the current line. The END key moves the cursor to the end of a line.
Selecting One Line

1. Select the text. 2. Select the Character or Paragraph Tab in DesignCentral. 3. Click the Line Spacing control point.
The baseline changes to the layer color (default is red).
4. To replace part of the text, select the text you want to replace and type or paste in the text you want to replace it with.
SHIFT and left arrow / right arrow keys selects a group of characters. SHIFT and up arrow / down arrow keys selects the character from the beginning of a line to the insertion point, or from the insertion point to the end of the line. Click and drag to select a group of characters. Double clicking selects one word.
All text selected
Second line selected

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Changing Text Alignment

To change the alignment of text: 1. Select the text. You do not have to select characters, just the entire text object. 2. From the Text menu, select Justification and then select one of the following text alignments:
One character selected Multiple characters selected
Left
Changing Text Attributes Changing the Font

All fonts in your system are available for selection. In addition, special fonts installed into your software folder are available. These fonts include URW, Casfonts and FSfonts. To change the font in existing text: 1. Select the text. 2. From the Text menu, point to Font and then select the desired font type from the menu. If the desired font is not visible in the menu, click More at the top of the menu. To change the font and other attributes using DesignCentral: 1. Select the text. 2. Click the Character Tab in DesignCentral. 3. Change the attribute.
While you scroll the font list, you will see a preview using the font that is highlighted. Before the font name, an icon indicates the font type:
The lines of text are aligned against the left margin, and have a ragged edge on the right margin.
Center
Each line of text is centered, leaving ragged edges on the left and right margins.
Right
The lines of text are aligned against the right margin, and have a ragged edge on the left margin.
Full
Extra space is added between words so that each line exactly fills the space between the left and right margins.
TrueType Fonts Adobe Type 1 Fonts FSfonts
Casfonts URW Fonts
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Changing Default Text Settings

All new text created uses the default font setting. To change the default font setting: 1. Make sure no text is selected. 2. Select the Text tool. 3. Choose the default DesignCentral. settings from Text menu or in
Spell Checking
The software allows you to check the spelling of the words in your design.
On-Screen Spell Checking

On-screen spell checking checks the spelling of words as you type them using the Text tool. Misspelled words are underlined with a red zigzag.
Finding and Replacing

Your software includes a standard dialog box for locating and replacing text. To find and replace text: 1. From the Text menu, select Find/Replace. 2. Enter the text that you want to find in the field.
Click Format button to specify a format to search. The Find Format
spelling error
On-screen spell checking is only in effect while you are editing text using the Text tool, and only displays spelling errors in the selected text object.
Setting On-Screen Spell Checking Options

To set the options for on screen spell checking: 1. From the Edit menu, select Preferences. 2. Select the Tools tab. 3. Select Check Spelling from the list on the left side of the dialog box. The following options are available:
Language Check spelling on screen Select the language to use when checking spelling. Check to enable on-screen spelling. If cleared, onscreen spelling will not be checked automatically.
Setting dialog box allows you to locate text by font, style, or size.
To find a set of characters that may be part of a longer word, turn off
Match whole word only.

To search within a specific part of the text, select the text and choose
Selection only option.

To distinguish between uppercase and lowercase characters, select the
Match case check box.
3. If necessary, enter the replacement text. You can specify the format of the replacement text by clicking the Format button. 4. Once the text is found you can:
Click Find Next to locate the next occurrence of the text. Click Replace to replace the text. Click Replace All to replaces all occurrences of the specified text.
Manual Spell Checking

The manual spell checking tool allows you to check your entire design for spelling errors. 1. From the Text menu, select Check Spelling. a. From the Language list, select the language. b. To spell check within a specific part of the text, select the text and then choose the Selection only option.
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c. Choose the Match Case option to distinguish between upper and lower case. 2. Select the misspelled word from the Misspelled words list. 3. To change a word to the correct spelling: a. Select the correct word from the Suggested corrections list or enter the correct word in the Change to field. b. Click Change to change this single instance of the misspelled word, or Change All to change all instances of the misspelled word in the design. 4. To ignore a word listed as being misspelled, click Ignore to ignore this instance of the word, or Ignore All to ignore all instances of the word in the design. 5. To add a new word to the custom dictionary list, click Add. 6. To edit the custom dictionary list: a. Click Edit List. b. To add a word to the custom dictionary list, type the word in the field below the list and click Add. c. To change a word listed in the custom dictionary list, select the word in the list, then type the new spelling in the field below the list, and click Change. d. To remove a word from the dictionary, select the word in the list and click Remove. e. When finished, click Done. 7. Click Done to end spell checking.
Sentence case Title Case tOGGLE cASE
The first character of each sentence is changed to capital and the rest lower case. The first character of each word is changed to capital and the rest lower case. Changes the lower case letters to capitals and vice versa.
Changing Kerning
Kerning is the space between characters of text. Kerning varies from font to font, and each font contains specific kerning information.
Using Automatic Kerning

Your software contains several kerning setting options: 1. Select the text. 2. From the Text menu, point to Kerning and then select the desired kerning setting.
Overlap Medium Touch Wide Narrow Default
Using Manual Kerning

Sometimes you only need to adjust the kerning between a single set of characters. To change the kerning of all text: 1. Select the text. 2. Change the value of the Tracking field on the DesignCentral Character Tab. To change the kerning between two characters: 1. Click the Text tool between two characters. 2. Adjust the kerning by changing the value of the Tracking field on DesignCentral - Character Tab.
Changing Case
To alter the case of text: 1. Select the text. 2. From the Text menu, point to Case then select the desired capitalization from the menu:
UPPER CASE lower case All text is changed to capital letters. All text is changed to lower case letters.

CTRL and right arrow / left arrow keys narrows or widens the kerning.
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Defining Kerning
Instead of setting the kerning each time you create a design, you can change the default kerning for a pair of characters for one font. By setting up a table of kerning pairs for your frequently used fonts, you can ensure that they will look right every time you use them.
Breaking and Joining Text

You can break text with multiple lines in individual lines of text, and also join several lines of text.
Break Apart
The kerning specified here is used only by this program and will not affect or be used by other applications.
To define kerning for a specific set of characters: 1. Select the text. 2. From the Text menu, select Define Kerning. 3. Select where the kerning will be stored.
Selection only In document As default Kerning is used only for selected text. Kerning is used for all text that is using this font and pair of characters for this file. Kerning is used in all files.
Text with multiple lines
Join Together
Text with individual lines
To break text: 1. Select the text. 2. From the Text menu, select Break Apart.
When a single line is selected, the text is separated into individual characters.
In the Define Kerning dialog box, you can type a new pair of characters.
To join several lines: 1. Select the text blocks you would like to join. 2. From the Text menu, select Join Together.
4. Drag the character in Define Kerning dialog box or enter a value in Kerning field.
The kerning is defined in Em units. An Em space is equal to the width of M in the selected font.
Changing Text Orientation

Changes vertical text to horizontal and vice-versa: 1. Select the text. 2. From the Text menu, point to Text Orientation and then select Horizontal or Vertical from the menu.
5. Click OK.
To Vertical Text To Horizontal Text
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Adjusting Text Block Size

To specify the text height and width: 1. Select the text. 2. From the Text menu, select Text Spacing. 3. Enter the desired text Width and Height. When Adjust word spacing only is checked, only the spaces between words are increased or decreased. If there are no spaces in the text, the width will remain unchanged. When Proportional is checked, changing a value automatically changes the other one, keeping the size proportional.
2. From the Text menu, point to Braille then select Braille to Text.
To Braille
To Normal Text
Braille Tab in DesignCentral

When Braille text is selected, DesignCentral displays the Braille Tab with the following attributes and commands:
Grade 1 / Grade 2 Lowercase Only Show Empty Dots CA Standard Changes the Braille coding. Check to remove caps indicators. Check to show all the empty dots in your text when it is selected. Empty dots are not output. Check to force the Braille coding to comply with the California Braille standard. The diameter of each dot. Edit Convert to Text Click this button to edit the original text. Click this button to convert Braille text back to normal text.
Text must have more than one line in order to change the text height.
Working With Braille Text

You can convert normal text into Braille Grade 1 or Braille Grade 2. Grade 1 is in full spelling and consists of the letters of the alphabet, punctuation, numbers, and a number of composition signs that are special to Braille. Duxbury Systems conversion is used for Grade 2 support that gives the highest quality Braille available. Braille can be spell checked, and even converted back to normal text to be edited. There is an option to omit the caps indicator and keep Braille in all lowercase that makes for more concise Braille. Dot Size can be specified to make Braille Photo-Polymer compatible.
Working With Barcodes

You can convert normal text into Barcodes using Code 39 or Extended Code 39. Code 39 is an alphanumeric bar code. It can encode numbers 0-9, the uppercase alphabet A-Z, Space, and the some symbols ( - . * $ / % + ). If you need lowercase letters, there is also an Extended Code 39 that encodes the 128 character ASCII character set by pairing existing Code 39 characters.
Converting Text to Braille

1. Select the text. 2. From the Text menu, point to Braille then select Grade 1 or Grade 2 from the menu.
Once converted to Braille, the text can not be resized. Arc and Path text can not be converted to Braille.
Converting Text to Barcode

1. Select the text. 2. From the Text menu, point to Barcode and then select Barcode39 or Barcode39 Extended from the menu.
Converting Braille to Text

1. Select the Braille text.
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Once converted to Barcode, the text can not be resized or edited. Arc and Path text can not be converted to Barcode.
Font and Style used in title. Edit Convert to Text Click this button to edit the original text. Convert the Barcode back to text.
Converting Barcode to Text

1. Select the Barcode. 2. From the Text menu, point to Barcode and then select Barcode to Text.
To Barcode
Working With Special Characters

Sometimes you may need to insert a special symbol into your text.
Using Existing Fonts

To Normal Text
If you have a font that contains a special character, you can use the following method to insert a special character: 1. Click the text with Text tool, placing the cursor where the special character will be inserted. 2. From the Text menu, select Insert Symbols. 3. Select the font and click the special character that will be inserted
Click Enter to change lines and Space to enter a space.
Barcode Tab in DesignCentral

When a Barcode is selected, DesignCentral displays the Barcode Tab and the Barcode Text Tab with the following attributes and commands:
Barcode Tab
Changes the encoding method - Barcode 39 or Extended Barcode 39. Width of a narrow bar. Barcode height. Width ratio between wide and narrow bars. Width ratio between space and narrow bars. Width of blank area before and after the barcode.
4. Click OK.
Creating New Characters

You can convert paths and shapes into a new special character:
Barcode Text Tab
Show Title Show Asterisks
Click this option to show the title under the barcode. Click this option to show the asterisks in the title.
1. Select the path. 2. From the Text menu, select Define Character. 3. Select the font type and style where the new character will be added in DesignCentral.
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4. Select the new character or character code in Character. 5. To size and position the character properly, specify a reference character in Reference Character. The baseline and the box of the new character will be placed relative to the bounding box in the same ratio as the reference character. When the reference character is not specified, the baseline is on the bottom of the object bounding box, and the character is scaled to fit the ascent. You can also click and drag the control points around the character to adjust the new characters position and size.
In this example, the new character will be defined as C in Arial Regular font
Working With Text Styles

You can copy text attributes and apply them to other text within your document. You may also store text styles within a list. The text style contains the following attributes: Font Style Direction Character Orientation Kerning Size Width Slant Word Spacing Tracking Vertical Offset Justification Line Orientation Line Spacing
Baseline
Bounding box and Control Points
Copying and Pasting Text Styles

1. Select the text with the desired attributes. 2. From the Text menu, point to Text Style and then select Copy Style. 3. Select the text where the style will be applied. 4. From the Text menu, point to Text Style and then select Paste Style.
Copy
6. Click Apply. In the example below, the character C in Arial font is replaced with a telephone symbol. Every time you type C using the Arial font, a telephone symbol will be used.
Using standard Arial font
The same text after the new character has been created
Paste
The special character specified here is used only by this program and will not affect or be used by other applications. Also the existing text in your document will not be affected.
Storing Styles in the Style List

1. Select the text. 2. From the Text menu, point to Text Style and then select Store Style. 3. Type the style name. 4. Click OK.
To delete a custom character: 1. Select the text. 2. From the Text menu, select Define Character. 3. Select the font type and style where the character was added. 4. Select the character or character code in Character. 5. Click Delete.
Applying Styles from the Style List

1. Select the text.
2. From the Text menu, point to Text Style and then select Apply Style. 3. Select the style from the list. 4. Click OK.
Text Preferences
To change the text preferences: 1. From the Edit menu, select Preferences. 2. Select Tools Tab. 3. Select Text tool from the list on left side of dialog box. In Text Preferences, the following options are available:
Font Size Select which option will be used to determine the font size used to fit a specified text height: Use font height The software sets the font size that so that the height of the bounding box of the font matches the specified height. The software sets the font size so that the height of the letter you specify, measured from the top of the letter to its baseline, exactly matches the specified height. By default, sizes are based on the height of the letter X. The benefit of using a reference letter is knowing the exact size of one particular letter.
Using a reference letter does not
make all characters the same size as that letter.
[A] The height of letter X was set as a reference in Based on height of. The height of letter X is exactly the size specified in DesignCentral because it is used as a reference. All other letters, like the a in the above example, will be proportionally resized. [B] The height of letter a was set as a reference in Based on height of. The height of letter a is exactly the size specified in DesignCentral and all other letters, like the X is proportionally resized. [C] Setting Use font height in Font size in Preferences.The height of the fonts original bounding box has the size specified in DesignCentral. Width/trackin g/word spacing Smooth edges of screen fonts You can choose to show this value in DesignCentral in actual size or as a percentage. If you want your text to appear with smoother edges on the screen, check this option. While the Smooth edges of screen fonts option does make the characters appear smoother, it creates a discrepancy between the displayed size and the actual size of the characters. Some characters show a red border when selected. This red border is the actual line that will be outputted. Use Chinese language kits Check to accept Chinese characters input from the Chinese language kit while running a Roman language version of Windows.
This option is not present on the Macintosh.
Based on height of __
In the example below text was selected and the same size was set in DesignCentral.
[A] [B] [C] Text Height in Design Central
Working with Fonts Installing Fonts

In your software you can use TrueType, Adobe Type 1, FSfont, Casfonts and URW fonts.
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Installing TrueType Fonts

To install TrueType fonts, copy the font files into the operating systems Fonts directory. Consult your operating system documentation for details.
If the filename of the font starts in ENG_, E_ or E (E followed by a space), the font is automatically loaded as an open path font. Fonts whose filenames begin with some other characters must be listed in a text file named casfopen.lst in the Casfonts folder. Once the filename is listed in the casfopen.lst file, the software will automatically load the font as an open path font.
Installing Adobe Type 1 Fonts

Adobe Type 1 fonts are supported under all Macintosh operating systems. Consult your operating system documentation for details. Under Windows 2000, XP and later operating systems, Adobe Type 1 support is built into the operating system. Consult your operating system documentation for details. Under previous versions of Windows, you must install Adobe Type Manager in order to use Adobe Type 1 fonts. Consult the Adobe documentation for details.
The format of the casfopen.lst file is as follows:

The first line consists of the section header [CAS Fonts]. All other lines are font entries. Each font entry is on its own line. A font entry consists of the name of the font, exactly as it appears in Inspire or CASmate, followed by an equal sign (=). Font entries are case-sensitive.
Installing FSfonts
To install FSfonts: 1. Copy the font files to FSFonts folder. 2. From the Edit menu, select Preferences. 3. Select Font Tab. 4. Enter the path or click Browse to select the folder where the fonts are stored. 5. If the fonts are protected, click Add and type the password. 6. Click OK. 7. Restart the software.
The following is an example of a casfopen.lst file:
Modifying the Fonts in Use

The software allows you to determine which of the fonts on your system will be loaded when the software starts up. To modify the selection of fonts the software will load, from the Text menu, select Font then Modify.
Installing URW and Casfonts

To install URW and Casfonts: 1. Copy the font files to URWFonts or Casfonts folder. 2. Restart the software.
Casmate Engraving Fonts

Casmate engraving fonts install in the same manner as other Casmate fonts, with the following additional conditions:
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A piece of sample text in the selected font is displayed at the bottom of the dialog.
To unload a font select it in the Selected Fonts list and click Remove. To load a font select it in the Removed Fonts list and click Add. To unload all fonts, click Remove All. To add all fonts, click Add All. To apply the selected font to the current text object, click Apply. The dialog will close and the font will be applied.
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12. Working with Paths

A path consists of one or more straight or curved segments and can be Open or Closed. When you have more than one segment in one path, the segments are separated by a Control Point. The position of the Control Point determines the shape of the adjacent segments. On curved segments, each anchor point displays Direction Lines, ending in Direction Handles. Their angle and the size determine the shape of the curve. A Control Point located between two segments can be:
Symmetric Smooth Cusp The direction handles point in opposite directions along the same line and they have the same size. The direction handles point in opposite directions along the same line but are not the same size. The direction handles are not in the same line.
Direction Handle 1 Direction Line 1
Control Point
Starting Point
Direction Line 2 Direction Handle 2
A curved segment is selected
Creating Paths
You can create paths using the Bezier Path tool or the Freehand Path tool.
To continue drawing an existing open path, select the Bezier Path or Freehand Path tool and click the cursor over either end of the path.
Drawing Straight Segments Using the Bezier Path Tool

1. Select the Bezier Path tool.
Symmetric Control Points Smooth Control Points Cusp Control Points
2. Click where the segment will begin in the drawing area. 3. Click where the segment will end.
A double circle or square indicates the Starting Point of the path. In an open path, the starting point can be at either end of the path. In a closed path, the starting point can be anywhere on the path.
Hold the SHIFT key to constrain the line angle.
4. Repeat step 3 to create additional straight lines. Press the BACKSPACE key to delete the last segment. Press the ESC key or click the New Path button in DesignCentral to create a new path. To close the path, place the cursor close to the starting point and click when the cursor shows a small circle underneath or press the Close Path button in DesignCentral.
A straight segment is selected
Control Points
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Drawing Arcs Using the Bezier Path Tool

1. Select the Bezier Path tool.
Close Path Cursor Closed Path
2. Click where the arc will begin in the drawing area. 3. Hold the CTRL key and click to mark the endpoint of the arc, then drag to describe the curvature of the arc. The curvature will increase or decrease so that the arc always intersects the cursor.
Press the DELETE key to delete the entire path.
Drawing Curved Segments Using the Bezier Path Tool

1. Select the Bezier Path tool. 2. Click where the segment will begin in the drawing area. 3. Click and drag where the segment will end in the drawing area.
By default the new Control Point is Symmetric. Hold the SHIFT key while dragging to make the new point Smooth, or ALT to make it a Cusp.
4. After releasing the mouse button, you can still adjust the Direction Lines, by dragging the Direction Handles. Hold the SHIFT key to change one Direction Line length and angle, while keeping the other Direction Line length unchanged. Hold the ALT key to change one Direction Line length and angle, while keeping the other Direction Line length and angle unchanged. 5. Repeat step 3 to create more segments. Press the BACKSPACE key to delete the last segment. Press the ESC key or click the New Path button in DesignCentral to create a new path. To close the path, place the cursor close to the starting point and click when the cursor shows a small circle underneath or press the Close Path button in DesignCentral. Press the DELETE key to delete the entire path.
4. After releasing the mouse button, you can still adjust the Direction Lines, by dragging the Direction Handles. Hold the SHIFT key to change one Direction Line length and angle, while keeping the other Direction Line length unchanged. Hold the CTRL key to change one Direction Line length and angle, while keeping the other Direction Line length and angle unchanged. 5. Repeat step 4 to create additional segments. Press the BACKSPACE key to delete the last segment. Press the ESC key or click the New Path button in DesignCentral to create a new path. To close the path, place the cursor close to the starting point and click when the cursor shows a small circle underneath or press the Close Path button in DesignCentral. Press the DELETE key to delete the entire path.
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Drawing Segments Using the Freehand Drawing Tool

1. Select Freehand Drawing tool. 2. Adjust the Tolerance in DesignCentral. The higher the tolerance value, the smoother the path becomes.
Converting Stroke to Paths

From the Arrange menu, select Convert Stroke to Outlines.
Selecting Points and Segments Selecting Segments

1. Choose the Select Point tool. 2. Click a control point or a segment.
When a straight segment is selected, a filled square is displayed. When a curved segment is selected, the Direction Handles and Lines for the segment is displayed along with a filled circle.
Tolerance = 0 pixels
Tolerance = 10 pixels
Tolerance = 20 pixels Straight segment selected Curved segment selected
3. Click and drag to create the path. Hold the SHIFT key to create a straight line. 4. While still creating the path, if you press CTRL key and drag back and erase the path that you just created.
When a control point is selected, it displays a square, when the previous segment is a straight segment and a circle when the previous segment is curved. Press the TAB key to move to the next point.
3. Hold the SHIFT key and click other segments to select multiple segments or points.
Selecting Control Points by Enclosing

Drawing a Freehand Path Erasing a Path
1. Choose Select Point tool. 2. Click and drag to create a rectangular bounding box.
5. To close the path, place the cursor close to the starting point and click.
Converting Objects into Paths

Converts objects such as shapes and text into paths. 1. Select the objects. 2. From the Arrange menu, select Convert to Outlines. If the objects have a stroke around it, the resulting path will keep the stroke.
Multiple points selected
When text is converted to paths, the resulting paths will be compounded. To edit those paths, you have to uncompound them first.
Another way to select multiple control points is by using an inclined bounding box. This method is useful when the points to be selected are placed in a way that a rectangular bounding box can not select them.
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To select points using an inclined bounding box: 1. Choose Select Point tool. 2. Hold the CTRL key and click and drag to define one edge of the bounding box. 3. Release the CTRL key and drag the cursor in a perpendicular direction to define the adjacent edge of the bounding box. 4. Release the mouse button.
segment, this value is the length of a straight line joining the two ends of the segment as shown on above illustration. Inclination of selected segment. In a curve segment, this value is the angle of a straight line joining the two ends of the segment as shown on above illustration. Attributes in Point Tab X, Y coordinates of the selection point (the point where the segment was clicked) . Length and angle of the Direction Handle marked with a square. Length and angle of the Direction Handle marked with a circle.
Using DesignCentral to Edit Points and Segments

When a segment or point is selected, DesignCentral displays two tabs: The Path Tab and the Point Tab. The information on each tab differs if a point or a segment is selected.
DesignCentral When a Control Point is Selected

When a Control Point is selected, DesignCentral shows all information about the selected point. Depending on the type of the point, some of the information below may not available.
Direction Handle Direction Handle
DesignCentral When a Segment is Selected

When a segment is selected, the following information is available in DesignCentral
Direction Handle Direction Handle
Selection Point
Selected Point
Path Tab
Point Tab
Attributes in Path Tab

Path Tab Point Tab
Attributes in Path Tab Type of selected segment (line or curve). You can convert one type to another by clicking these buttons. Length of selected segment. In a curve
Type of segment prior to the selected point. You can convert one type to another by clicking these buttons. Type of selected point. You can convert one type to another by clicking these buttons. But in order to convert a Cusp point to Symmetric or Smooth, the two adjacent segments to this point must be curved segments.
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Angle between two Direction Handles. Attributes in Point Tab X, Y coordinates of the selected point. Length and angle of the Direction Handle marked with a square. Length and angle of the Direction Handle marked with a circle.
2. Place the cursor over the path. 3. Click the point where the straight line will begin. 4. Click the point where the straight line will end. 5. Drag the start and end points to adjust the position of the straight line.
Path Direction
Every path has an direction associated with it. This direction is used when cutting. To see the paths direction, see Showing Path Direction on page 9. To change the direction of a path: 1. Select the path. 2. From Arrange menu, point to Path Direction and then select the new direction.
Automatic The direction of inside paths (holes) in an object are clockwise and the outside paths are counterclockwise. Inverts the current direction. All paths have the same clockwise direction. All paths have the same counter clockwise direction.
6. Click Apply
or double click anywhere inside the design area.
Aligning Points and Segments Horizontally or Vertically

Use the Align Horizontal or Align Vertical tools when you want to align several points along a horizontal or vertical line. 1. Select the points. 2. Select the Align Horizontal or Align Vertical tool.
Reverse Clockwise Counter Clockwise
Editing Paths
The Path Edit toolbar contains tools that allow you to edit paths.
Selected points
Points aligned horizontally
Aligning Points and Segments to an Angle

The Align Points tool aligns selected points along an alignment reference line. 1. Select the points. 2. Select Align Points tool.
The alignment reference line appears.
Straightening Lines
This Straighten Point tool is used to straighten a section of a path. In some cases, when you trace an image, extra points are added to the traced path. Use this tool to eliminate these points. 1. Select the Straighten Points tool.
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Reference Line
Move Entire Path Disabled Move Entire Path Enabled
4. Click Apply
Alignment Center
3. Click and drag the either end of reference line to change the angle of the alignment reference line. Click and drag the Alignment Center to change its position.
You can also adjust the alignment reference line using the numeric fields in DesignCentral. Aligning points using vertical move direction
Move Direction
When Closest is selected, the point moves to the alignment reference line using the shortest path. When Horizontal is selected, the point moves horizontally to the reference line and when Vertical is selected, the points moves vertically. X and Y Coordinates of the Alignment Center, the circle located in the alignment reference line. Angle of alignment reference line. This option is only enabled if the selected points are in different paths. When this option is enabled, the entire path moves to the reference line.
Spacing Points
You can space points evenly horizontally or vertically. 1. Select the points. 2. From the Arrange menu, select Spacing. 3. In DesignCentral, enter the distance between points and the direction that they will be spaced. 4. Click Apply.
Alignment Center Location Alignment Angle Move Entire Path
Points spaced horizontally
Repeating Paths
Selected Points
You can create several copies of an open path, creating a closed path. 1. Select the points with the Select Point Tool. 2. From the Arrange menu, select Step and Repeat. 3. Click Apply.
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1. Select the Round Corner tool. 2. When the cursor is over a sharp corner, click to select.
Original path After Step and Repeat
3. Click and drag the center of the circle to adjust the corner or enter the Diameter value in DesignCentral. 4. Click Apply or double click anywhere inside the design area. To round multiple corners in a path: 1. Use the Select tool to select a path and all its sharp corners, or the Select Point tool to select specific corners in a path. 2. Select the Round Corner tool. 3. Click and drag the center of a circle to adjust the corners or enter the Diameter value in DesignCentral. 4. Click Apply or double click anywhere inside the design area.
Acquiring and Applying Length and Angle

Use this tool to copy on segment angle and length and apply it to another segment. 1. Select Apply Length and Angle tool. 2. Enter the angle and length values in DesignCentral or press CTRL key and click over the segment from where the angle and length will be copied.
Apply Length Apply Angle Segment Length Segment Angle Check this field to apply the length. Check this field to apply the angle. The length that will be applied to the segment. Click the button on right side to select a set of predefined factors. The angle that will be applied to the segment. Click the button on the right side to select a set of predefined angles or apply the opposite angle.
Sharpening Corners
The Sharpen Corner tool converts a round corner into a sharp corner. 1. Select the Sharp Corner tool. 2. Click the point where the sharp corner will begin. 3. Click the point where the sharp corner will end.
3. Click the cursor over the segment where the angle and length will be applied.
Press the SHIFT key to change the point that is used as a reference.
Ctrl + Click
Click
Shift + Click
4. Drag the start and end points over the path to adjust the position of the corner. TAB key joins the start and end points using a straight line. 5. Click Apply or double click anywhere inside the design area.
Acquiring the length and angle
Click to apply the length and angle
Shift + click to apply the length and angle.
Rounding Corners
The Round Corner tool converts corners into rounded corners. To round one corner of a path:
Converting Segment into a Curve

The Optimize by Curve tool creates a curved segment between two points on a path. 1. Select the Optimize by Curve tool. 2. Click the point where the curve will begin. 3. Click the point where the curve will end. 4. Drag the start and end points over the path and the Direction Handles to adjust the shape of the curved segment. Hold the SHIFT key while dragging the direction handles to constrain the dragging to the original direction of the handles. Hold the TAB key to change which side of the path will be kept. 5. Click Apply or double click anywhere inside the design area.
1. Select Optimize by 3-Point Arc tool. 2. Click the point where the arc will begin. 3. Click the point where the arc will end. 4. Drag the start, end and the third control point in the arc to adjust the shape of the arc. Press the TAB key to change the arc position. 5. Click Apply or double click anywhere inside the design area.
Drag to adjust the arc
Converting Segment to Smooth Arc

The Optimize by Smooth Arc tool creates an arc segment between two points in a path. 1. Select the Optimize by Smooth Arc tool. 2. Click the point where the arc will begin. 3. Click the point where the arc will end. 4. Drag the start and end points over the path and the center of the arc to adjust the shape of the arc. You can also enter the Diameter value in DesignCentral.
Click the TAB key to change the arc position.
Converting Segment to Arc

The Make Arc tool converts one segment of the path into a semicircle. 1. Select the Make Arc tool. 2. Click and drag one segment of the path.
Hold the SHIFT key while dragging to constrain the arc into a half circle.
3. Release the mouse button.

Click and drag to create an
Eliminating Extra Points

Press TAB to select the direction of the arc Optimized path
Many paths that have been auto-traced have a number of extra points that should be removed. 1. Use Select tool to select a path and all its points, or the Select Point tool to select specific points in a path. 2. Select the Reduce Points tool.
5. Click Apply
Converting Segment to 3-Point Arc

The Optimize 3-Point Arc tool creates a semicircle between two points on a path.
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3. Adjust the Tolerance value in DesignCentral. Lower values of tolerance will follow the original path more closely; higher values will eliminate more points. 4. Click Apply or double click anywhere inside the design area.
This command converts every closed path to compounded outlines.
Changing Starting Point

Every path has a starting point. When this path is cut, the plotter will start cutting from the starting point. In an open path, the starting point must be at one end of the path. To change the starting point: 1. Use the Select tool to select a path or the Select Point tool to select one point or segment.
Path before reducing the extra points Path after reducing the unecessary points
2. Select the Change Start Point tool. 3. Click and drag the starting point into its new position.
Removing One Point

You can remove one specific point from the path using the Remove Point tool. 1. Select the Remove Point tool. 2. Click over the points to be removed.
SHIFT key while dragging moves the starting point to an existing point.
4. Click Apply
Separating to Closed Paths

The Cleaver tool separates closed paths, creating new closed paths. Open paths will be separated into open paths. 1. Select the Cleaver Point tool. 2. Click and drag the cursor to create a cut line.
You can also remove points by selecting them with Select Point tool and pressing DELETE key.
Adding One Point

You can add one specific point from the path using the Add Point tool. 1. Select the Add Point tool. 2. Click over the path to add new points.
SHIFT key while dragging constrains the angle of the cut line
Removing Self-Intersections
You can break a path that crosses forming a loop: 1. Select the path. 2. From the Arrange menu, point to Path Direction and then select Automatic.
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Separating to Open Paths

The Scissor tool will separate paths; always creating open paths, regardless of the original path was an open or closed path. 1. Select the Scissors tool. 2. Click and drag the cursor to create a cut line or just click to split a path in one specific point.
Joining Paths
Use this tool to join two points separated by a gap. 1. Select the points. 2. Select the Join Path tool. 3. Adjust the Tolerance value in DesignCentral. Points that are separated beyond this distance are not joined. 4. Click Apply or double click anywhere inside the design area.
Not joined, since the gap is too wide
SHIFT key while dragging constrains the angle of the cut line.
Breaking Paths
Use this tool to separate paths at existing points. 1. Select the points. 2. Select the Break Path tool.
Selected Points
Joined
Merging Paths with the Join Paths Tool

The Join Paths tool can also be used to merge two paths into one: 1. Using the Select Point tool, select the nearest end points of each of the paths. 2. Select the Join Paths tool.
Selected Points
You can also use the Break Path tool to cut one specific point in your path 1. Select the Break Path tool. 2. Click the cursor over the path.
Selected Point
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Converting Corners to Right Angle

Use this tool to make right angles. To make one sharp corner a right angle corner. 1. Select the corner or segments.
Creating Entry and Exit Cuts

Many cutting tools require a certain amount of time and travel to reach their full power. If the tool is cutting the design while it is not yet at full power, you can wind up with parts of the design that did not get cut properly. Another related problem is that some cutting tools damage the surface of the media at their points of entry and exit. The solution to this is to include entry and exit cuts in the design. These are short cuts that lead into the actual cut design at a tangential angle, so that the cutting tool can enter the media and get up to full power while doing the entry cut. It can then move into the design and cut it at full power. When finished, the cutting tool moves away from the design into the exit cut before powering down or withdrawing. Entry and exit cuts may only be used on objects that are composed of outlines. All other objects must be converted to outlines before applying entry and exit cuts. After the entry and exit cuts are applied, the objects will become open contours.
If you select a segment, all sharp corners in the path will be converted to right angle corners.
2. Select the Make Right Angle tool.

Selected Point
Removing Tiny Objects

This tool allows you to remove small objects. This tool is especially good to use after autotracing a bitmap. 1. Select the Remove Tiny Objects tool. 2. Adjust the Threshold value in DesignCentral. Paths with size below this value are deleted. 3. Click Apply or double click anywhere inside the design area.
To add entry and exit cuts to a design: 4. Select the objects you want to add entry and exit cuts to. 5. Convert the objects to outlines, if necessary. 6. Select the Add Entry/Exit point tool.
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7. Set the following options in DesignCentral:

Entry Set the following values for the entry cut: The type of cut: None Line Arc No cut will be made. The cut will be a straight line. The cut will be an arc.
If the cut is a line, the angle between the cut and the existing outline at the point the cut touches the outline. If the cut is an arc, the degree of arc that the arc will move through. If the cut is a line, the length of the line. If the cut is an arc, the radius of the arc. Exit Set the values for the exit cut (see entry cut, above). This setting applies automatic path direction to the open contours created by this function. The direction of inside paths (holes) in an object will be clockwise and the outside paths will be counterclockwise.
8. Click Apply.
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13. Working with Bitmaps

A bitmap represents an image as a mosaic of colored dots called pixels. The pixels are arranged in a fixed number of rows and columns. Bitmaps are also known as raster images, and the method used to create them is called rasterization. Resolution is the number of pixels displayed per unit of printed length in an image, usually measured in pixels per inch (PPI) or dots per inch (DPI).
Using DesignCentral
When a bitmap is selected, DesignCentral shows the Bitmap and Profile Tabs.
Bitmap Tab
The Bitmap Tab will show some attributes of selected bitmaps. On this tab you can change the resolution of the bitmap. Changing the resolution will automatically change the bitmaps size. Uncheck the Proportional option to set different resolutions for horizontal and vertical direction.
When a bitmap is edited, the color values of its pixels are changed to form the new image. The following color modes are supported:
Black and White Grayscale RGB
Profile Tab
On this screen you can specify the Input profile and the Rendering intent that will be used as a settings to print this particular bitmap. You can have independent settings for each bitmap. For more information about Input profile and Rendering intent, see Configuring the System for Color Printing on page 135.
Each pixel is either black or white, with no shades of gray. Pixels are colored in 256 shades of gray ranging from solid black to solid white. The color values for each pixel are expressed as a combination of red, green and blue values. Up to 16.7 million different colors can be reproduced under this color model. The color values for each pixel are expressed as a combination of cyan, magenta, yellow and black values. This is the color mode most commonly used in color printing. The color of each pixel is indicated by a reference to a separate swatch table containing 256 colors.
Image Size File Size Original Resolution
Color Mode Color Depth File Location
CMYK
Indexed
Resolution Setting
Bitmap Tab
Profile Tab
If a bitmap is magnified or printed at too low a resolution, the individual pixels become visible. This gives the image a jagged, pixilated appearance (see above).
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Embedded ICC Profiles

If the selected bitmap contains an embedded ICC profile, it will be listed on the Profile tab of DesignCentral. To use the embedded ICC profile as the input profile, select Use Embedded ICC Profile from the Input profile list. Embedded profiles are currently supported for TIFF and JPEG file formats.
Scanning Bitmaps
Scanning allows you to convert a printed image into an electronic image. To scan an image, you must have a scanner and a computer with your scanners TWAIN_32 driver installed. TWAIN_32 is a crossplatform interface for acquiring images captured by scanners and digital cameras. The manufacturer of the scanner device must provide a proper driver for your device. Instructions for setting up your scanner are included in your scanners user manual. 1. Make certain your scanner is on and connected to your computer. 2. Place your image on the scanner. 3. If you have more than one scanner, from the File menu, point to Acquire Image and then select TWAIN Select and select your scanner from the list. 4. From the File menu, point to Acquire Image and then select TWAIN Acquire. 5. Follow the scanners directions. 6. After your image is scanned, a bounding box showing the scanned image displays. 7. Move the bounding box to the desired location and click to place the image.
Click TAB key changes the cursor position in the bounding box. ESC key exits the scanning process. ENTER to place the scanned image.
Creating Bitmaps
There are several ways to include a bitmap into a document.
Importing Bitmaps
To open or import a bitmap file into your document: 1. From the File menu, select Open or Import. 2. Select the bitmap file from the list and click Open or Import. When importing a bitmap you can create a link between the original bitmap file and your document. This link is an electronic connection between the files and every time that the document is open, the linked bitmaps will be imported. To create a link, check the Link option in the import dialog box.
Exporting Bitmaps
Any bitmap from your document can be exported to a file: 1. If you want to export only one bitmap from your document, select it. 2. From the File menu, select Export. 3. Select the file format from the list and type the file name 4. If you are exporting only a selected object, be sure to check the Selection only option. Checking Suppress Option will export the bitmap using the default settings for the bitmap file format. 5. Click Export.
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On a Macintosh, you can use plug-ins to scan: 8. From the File menu, point to Acquire Image and then choose Select Plug-in Folder and select the folder where the scanner plug-in is installed. 9. On a Macintosh, from the File menu, point to Acquire Image and then select the plug-in from the list.
Creating New Bitmaps

You can create an empty white bitmap on your document and draw on it with the bitmap drawing tools. 1. From the Bitmap menu, select Create Bitmap. 2. Edit the Width, Height and the Resolution of the bitmap. 3. Select the Color mode in the list. 4. Click OK.
Changing Bitmap Properties

Once the bitmap is placed in the design area, you can edit some of its properties like resolution and color mode.
Changing Bitmap Resolution

DesignCentral - Bitmap tab allows you to change the resolution of a bitmap. To change the resolution of a bitmap: 1. Select the bitmap. 2. Select the Bitmap tab in DesignCentral. 3. Select the new resolution from the PPI fields at the bottom of the tab.
Converting Objects into Bitmaps

You can convert vector objects and text into bitmaps, and then use bitmap filters to apply effects. The process of converting vector objects into a bitmap is called Rasterization. 1. Select the objects. 2. From the Bitmap menu, select Rasterize.
You can edit the following attributes:
Check Proportional to keep the horizontal and vertical resolution the same.
Keep Original Create mask
Checking this option will preserve the original objects, a new rasterized image will be placed on top of original objects. When this option is checked, the shape of the new bitmap will be the same as the original objects. When this option is checked, the background color of the bitmap will be set to be transparent. The resolution of the new bitmap. The color mode of the new bitmap. The white space around the bitmap.
Changing the resolution does not change the number of pixels in the bitmap; it merely changes how many pixels fit into an inch. As the resolution of a bitmap is increased, the area covered by the bitmap will decrease, because more pixels will fit into each square inch. Decreasing the resolution will cause the bitmap to cover a larger area.
Resampling A Bitmap
Resampling changes the resolution of an image without changing the area it covers. It does this by increasing or decreasing the number of pixels used to represent the image. At the same time, the software changes the resolution to compensate for the change in pixel count, so that the bitmap remains the same size.
Transparent
Resolution Color Mode Margin
3. Click OK.
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Making a Bitmap Transparent

It is possible to set one of the colors in a bitmap to be transparent. This allows part of the bitmap image to appear to be floating in the design without the rectangular outline of the bitmap.
Black and white bitmap resampled to lower resolution.
Resampling an image will degrade it to some extent. Resampling to a lower resolution makes the image blocky and jagged. Resampling to a higher resolution may blur the image. If you resample an image and are not pleased with the results, use the Undo feature to return it to its previous state, rather than resampling it again.
To make a bitmap transparent: 1. Select the bitmap. 2. From the Bitmap menu, select Make Transparent. 3. Move the wand over the bitmap and click on the color that you want to make transparent. 4. To select all instances of the color that appear in the bitmap, click Select Similar. 5. Click Apply.
To resample a bitmap: 1. Select the bitmap. 2. From the Bitmap menu, select Resample. 3. Adjust the values in Resample dialog box.
Width and Height New size (in pixels) of the bitmap. The actual size (in inches or cm) of the bitmap will not be changed, only the resolution of the bitmap will be adjusted. The bitmap is resized proportionally. This option is the fastest, but least precise, interpolation method. Select this option for a quality interpolation method.
If you are getting unwanted outlines around your bitmap elements, increase the Tolerance setting in DesignCentral.
Proportional Nearest Neighbor Bilinear
Changing Bitmap Color Mode

To change the color mode used by a bitmap: 1. Select the bitmap. 2. From the Bitmap menu, point to Color Mode and then select the new color mode.
Removing Transparency
To remove the transparency from a bitmap and make it opaque again: 1. Select the bitmap. 2. Select the Bitmap tab of DesignCentral.
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2. Click and drag the cursor over the bitmap. 3. After creating one marquee you can add or subtract areas: a. Hold the SHIFT key while dragging to add additional sections of the bitmap to the selection marquee. b. Hold the CTRL key while dragging to subtract sections of the bitmap from the selection marquee. 3. Click Make Opaque. 4. Once drawn, click inside the marquee and drag it to move the marquee to the desired position.
The Make Opaque button is only visible when a transparent bitmap is selected.
Using the Bitmap Toolbar

All bitmap editing tools are located in the Bitmap Edit toolbar. To display this toolbar, from the Bitmap menu, select Bitmap Edit Toolbar. Select the menu command a second time to hide the toolbar.
Bitmap Edit toolbar Original bitmap with a marquee Dragging pressing SHIFT key Final marquee
Some tools will not be available for some color modes.
Original bitmap with a marquee
Dragging pressing CTRL key
Final marquee
Defining Marquees
Marquees select part of the image and allow only that part to be edited. The marquee can have any shape and its border is marked by a flashing dotted line. Bitmap with a marquee
Using the Lasso Tool

The Lasso tool allows you to select a marquee by tracing its outline on the bitmap. 1. Select the Lasso tool. 2. Click and drag the cursor over the bitmap to create a closed shape.
You can add or subtract areas from an existing marquee by pressing SHIFT and CTRL key.
Selecting the Entire Bitmap

To define the entire bitmap as a marquee: 1. Select the bitmap. 2. From the Bitmap menu, select Marquee Select All.
3. Click inside the marquee and drag it to move the marquee to the desired position.
Using the Marquee Tool

The Marquee tool selects rectangular portions of the bitmap. 1. Select the Marquee tool.
Using the Magic Wand Tool

The Magic Wand tool lets you select an area of a bitmap based on the color. You can specify the color range, or tolerance, for the magic wand tools selection.
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1. Select the Magic Wand tool. 2. Adjust the Tolerance in DesignCentral. If DesignCentral is not visible, double click the Magic Wand tool button.
2. From the Bitmap menu, select Convert Marquee to Shape.

Shape to Marquee Marquee to Shape
Enter a low value to select colors very similar to the pixel you click or a higher value to select a broader range of colors.
3. Click the cursor over the bitmap. 4. SHIFT and CTRL keys add or subtract areas from existing marquees.
Editing Bitmaps Using the Move Tool

The Move tool copies selected portions of bitmaps, marked by marquees. 1. Select the bitmap and create a marquee. 2. Select the Move tool. 3. Click and drag inside the marquee and drag to a new position.
Marquee created with Magic Wand tool
Clearing Marquee
1. Select the bitmap with a marquee. 2. From the Bitmap menu, select Clear Marquee.
The image selected by the marquee is moved to a new position, leaving an area filled with the background color. See Background / Foreground Color on page 60 about how to set the background color. Hold the CTRL key while dragging the marquee to move a copy of the image enclosed by the marquee while leaving the original in its place.
Inverting Marquee
1. Select the bitmap with a marquee. 2. From the Bitmap menu, select Invert Selection.
Converting Objects to Marquees

You can convert vector objects into marquees. 1. Place the vector object over the bitmap. 2. Select the bitmap and the vector object. 3. From the Bitmap menu, select Convert Shape to Marquee.
Original bitmap with a After dragging the marquee marquee with Move tool After dragging the marquee with Move tool and CTRL
Using the Eraser Tool

The Eraser tool is used to remove unwanted parts of a bitmap, to restore an edited bitmap to its original image or fill an area with the background color. The Eraser tool has the following options in DesignCentral:
Converting Marquees to Objects

You can convert marquees into vector objects. 1. Select the bitmap.
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In the Brush Tab, you can select the shape and the size of the brush. For more details, see Changing the Brush on page 110. In the Eraser Options Tab, you can adjust:
Opacity The percentage of the image that will be removed by each pass of the eraser. 100% 75% 50% 25% Erase to original If checked, the eraser will remove only the changes to the bitmap, returning it to its original state.
Eraser Tab
In the Paintbrush Options Tab, the Opacity determines the percentage of each stroke that will be added to the bitmap image. Lower numbers will create transparent strokes.
100% 75% 50% 25%
Paintbrush tab
To draw a stroke using the Paintbrush tool: 1. Select the bitmap. 2. Select the Paintbrush tool. 3. Select the foreground color you want to paint in. 4. Click and drag.
To erase a bitmap: 1. Select the bitmap. 2. Select the Eraser tool. 3. Click and drag inside the marquee.
Using the Pencil Tool

The Pencil tool will create freehand lines on a bitmap using the foreground color. Following options are available in DesignCentral. In the Brush Tab, you can select the shape and the size of the pencil point. For more details, see Changing the Brush on page 110. In the Pencil Options Tab, the Opacity determines the percentage of each stroke that will be added to the bitmap image. Lower numbers will create transparent strokes.
100% 75% 50% 25%
Paintbrush tab
Use the Undo feature to remove bitmap editing errors.
Using the Paintbrush Tool

The Paintbrush tool paints brush strokes on a bitmap. The following options are available in DesignCentral: In the Brush Tab, you can select the shape and the size of the brush. For more details, see Changing the Brush on page 110.
To draw a line using the Pencil tool: 1. Select the bitmap.

2. Select the Pencil tool. 3. Select the foreground color you want to draw in. 4. Click and drag inside the marquee.
Using the Fill Tool

The Fill tool fills areas of a bitmap with the foreground color. To use the Fill tool: 1. Select the Fill tool. 2. Adjust the values in DesignCentral.
Opacity The percent to which the fill will overwrite the bitmap. At 100%, the fill will be completely opaque. At lower numbers, the fill area will get less color, but will retain more detail. The fill expands until it encounters the edge of the bitmap, or a change in color. Tolerance determines how big a change in color the fill will tolerate before stopping. Tolerance ranges from 0 to 255. Enter a low value to fill colors very similar to the pixel you click or a higher value to fill a broader range of colors.
Using the Crop Tool

The Crop tool allows you to select part of a bitmap and delete the rest of it. To crop a bitmap: 1. Select the bitmap. 2. Select the Crop tool. 3. Click and drag the cursor over the bitmap to create a rectangular marquee. (Holding the SHIFT key while dragging creates a square marquee).
Tolerance
The marquee selection for the Crop tool must be a simple rectangle or square. You cannot use the CTRL or SHIFT keys to create a more complex marquee with the Crop tool.
Fill tab
4. Adjust the width and height values of the marquee in DesignCentral. You can also adjust the cropping size by dragging the marquees borders and corners. 5. Click and drag a point inside the marquee to move it to a new position. 6. Click Apply or double click inside the marquee to crop the bitmap to the selected size.
0 75
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3. Click the cursor on the bitmap.

Click
Original image with a cropping marquee
Cropped Image
DesignCentral for Crop Original Image Bitmap after Fill
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Using the Stamp Tool

The Stamp tool copies portions of a bitmap to another area on the same bitmap. The Stamp tool has the following options in DesignCentral: In the Brush Tab, you can select the shape and the size of the brush. For more details, see Changing the Brush on page 110. In the Stamp Options Tab, you can adjust:
Opacity The percent to which the output of the tool will overwrite the existing bitmap. At 100% the output will be opaque; at lower numbers it will be more transparent. If Aligned is selected, the origin and destination points always move together, whether the tool is drawing or not. This is best for copying a large area over to another area of the bitmap.
3. Adjust the parameters in DesignCentral. 4. Click the Stamp tool over the location from which you want to copy (the origin). 5. Move the cursor over the area of the bitmap that you want to overwrite and then click and drag. To change the stamp origin, hold down the CTRL key and click on the new point you want to copy from.
Changing the Brush

In the Brush Tab, you can select the shape and the size of the brush. Some brushes display a small number in the lower left corner. This number is the size of the brush in pixels.
Double click to change the shape of an existing brush
Style
Stamp tab
Click here to create a new brush If Nonaligned is selected, the origin and destination points are only synced while the tool is drawing. When the tool is not drawing, the destination point can be moved without moving the origin point. This setting is better for copying a smaller part of the bitmap to a number of different places.
Brush Tab
You can add a new brush or change the shape and size of an existing brush. Click the blank area in the Brush Tab to create a new brush or double click an existing brush button to change its properties. You can enter or change the following brush properties.
Size Hardness Width and Height of the brush. Adjusts how the brush will dissolve with the original image. Angle of rotation. The brush can have either a rectangular or ellipse shape.
To use the Stamp tool: 1. Select the bitmap you want to edit. 2. Select the Stamp tool.
Rotate Style
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Using Filters
Your software allows you to filter bitmaps. The following filters are available: Reduce Noise Blur Sharpen Level Color Balance Brightness / Contrast
Blur Filter
This filter creates a softening effect by averaging the pixels next to the edges.
Not all filters are available for all color modes.
While applying a filter, a on-screen preview will be displayed. You can resize or move the preview area. Also, the area where the filter will be applied can be limited using a marquee.
To apply the filter: 1. Select the bitmap. 2. From the Bitmap menu, point to Filters and then select Blur. 3. Adjust the filter settings in DesignCentral.
Amount and Radius Preview Higher values in these fields will produce more blurred images. When this option is checked, you will see a preview while adjusting the parameters.
Reduce Noise Filter

Use this filter to clean up scanned images with small imperfections, known as noise.
4. Click Apply.
Sharpen Filter
To reduce the noise in a bitmap: 1. Select the bitmap. 2. From the Bitmap menu, point to Filters and then select Reduce Noise. 3. Adjust the filter settings in DesignCentral.
Radius Preview The size of the noise that will be cleared. When this option is checked, you will see a preview while adjusting the Radius parameter.
This filter focuses blurry images by increasing the contrast of adjacent pixels. 1. Select the bitmap. 2. From the Bitmap menu, point to Filters and then select Sharpen. 3. Adjust the filter settings in DesignCentral.
Amount and Radius Preview Higher values in these fields will produce more sharp images. When this option is checked, you will see a preview while adjusting the parameters.
4. Click Apply.
4. Click Apply.
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Level Filter
This filter shows a histogram that graphically represents the colors present in the image. Peaks indicate color density. By moving the sliders inwards, it is possible to redefine the black and white points in the bitmap. 1. Select the bitmap. 2. From the Bitmap menu, point to Filters and then select Levels. 3. Adjust the filter settings in DesignCentral. Select RGB on the list to adjust all RGB channels at once. If you want to adjust one specific color channel, select Red, Green or Blue. Click and drag the sliders under the histogram, or enter the values in the numeric fields. Click the Auto button and the software will automatically define the black and white point in each channel and then redistribute the intermediate pixel values proportionately. Click the Reset button to restore the sliders to their original position. When the Preview option is checked, you will see a preview while adjusting the parameters.
Choose Shadows, Midtones, or Highlights in the list to select the tonal range on which you want to focus the changes. Click and drag the sliders, or enter the values in the numeric fields. When the Preview option is checked, you will see a preview while adjusting the parameters.
4. Click Apply.
Brightness / Contrast Filter

Using this filter, you can adjust the Brightness, Contrast and Saturation of your image. 1. Select the bitmap. 2. From the Bitmap menu, point to Filters and then select Brightness / Contrast. 3. Adjust the filter settings in DesignCentral by:
Click and drag the sliders, or enter the values in the numeric fields. When the Preview option is checked, you will see a preview while
adjusting the parameters.
4. Click Apply.
Adobe Filters
If you have Adobe filters installed, you can use its filter plug-ins in your software. Setup the folder where the plug-ins are installed: 1. From the Edit menu, select Preferences. 2. Go to File Path Tab and enter the folder location in Adobe Plug-ins.
Click Browse to find the folder. For more information about the Adobe plugin folder location, see your Adobe Photoshop user manual.
4. Click Apply.
Color Balance Filter

DesignCentral shows slider bars (Cyan-Red, Magenta-Green and Yellow-Blue) for adding or subtracting color from the image. Example, if you drag the Cyan / Red slider to the Cyan side, the amount of Cyan in your image is increased and the amount of Red is decreased. 1. Select the bitmap. 2. From the Bitmap menu, point to Filters and then select Color Balance. 3. Adjust the filter settings in DesignCentral by:
3. Click OK. Once the plug-in folder is properly defined in your computer, you can use the filters: 1. Select the bitmap.
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2. From the Bitmap menu, point to Adobe Filters and then select the filter. 3. Follow the instructions of each filter.
For more information about Adobe filters, see your Adobe user manual.
Tolerance
Controls how closely the tracing follows the bitmap being traced. You can enter values from 0 to 100%. In a high resolution image, lower values will cause the tracing to follow the bitmap more closely, resulting in jagged edges on the curves. Higher values will produce smoother and more even curves, but some details may be lost. Adjusts how recovered corners are drawn. Sharp recovers the maximum amount of sharp corners. The color of the resulting vector objects. Traces white areas.
Tracing Bitmaps
Tracing allows you to convert bitmap images into vector objects, this allows them to be cut or edited using path editing tools. The tracing area can be limited by a marquee. A bitmap that has been masked cannot be traced unless it is unmasked first.
Corner Style Color Reverse Image
To Autotrace a bitmap: 1. Select the Autotrace tool. 2. Adjust the tracing parameters in DesignCentral. 3. You can trace the whole bitmap or parts of it. Click and drag the cursor to create a rectangular bounding box. Surround the objects that you want to trace in the bitmap. Hold down the SHIFT key to create a square bounding box. Click the bitmap to trace one object. Click with the CTRL key pressed to trace all of the bitmap.
After tracing the bitmap, if you want to hide the bitmap to see just the traced paths, click Preview Bitmap tool on View toolbar or Select Preview Bitmap from View menu
Using AutoTrace
AutoTrace traces each shape in the bitmap. DesignCentral has the following options:
Noise Reduction Adjusts the amount of noise that is removed during the tracing process. When None is selected, noise will not be removed. The Most setting removes the maximum amount of noise.
The objects created by the autotracing will be all wireframes. To fill those objects, you have to select and compound them.
Original Image
Traced with noise reducion set to Less
Traced with noise reducion set to Most Tracing one object using Click Tracing part of the bitmap using Click and Drag
Corners
Adjusts how strong the corners are traced. When None is selected, corners are not recovered. The Most setting recovers the maximum amount of corners. You can trace using the Full resolution on an image or 1/2, 1/4 and 1/8 of its original resolution. When the resolution is lowered, the tracing process is quicker and produces fewer points, but the trace quality will not be as actuate at the reduced resolutions. The Optimal setting picks the resolution based on image size to optimize the traces.
Resolution
For best results, scan the image to be traced in grayscale (256 gray) at 300600 DPI. Tracing images scanned at high resolution will create extra points when traced and the paths will not be smooth.
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Using Centerline Tracing

The Centerline tool traces a single line down the middle of each part of a bitmap, and includes an option to outline any areas that are wider than a specified width. This tool is useful for producing neon patterns, routing and engraving paths. Only black and white bitmaps can be traced using Centerline trace.
Using PictureCut Tracing

The PictureCut tool applies a striping effect to a bitmap. The process slices the image with a series of horizontal or vertical stripes of varying widths. The stripes will be joined into several groups, each with their own tab, in order to aid the weeding process.
Paths created in Centerline tracing
DesignCentral has an Autotrace Tab with all the options described for the Autotrace tool and a Centerline Tab with the following options:
Steps Close Paths Outline large objects Color Minimum size to be outlined. Creates a separate closed shape in each fully enclosed area. When this option is checked, larger objects will be traced with an outline, instead of a centerline. The color of the resulting vector objects.
Original Image
Vertical stripes created using PictureCut
Horizontal stripes created using PictureCut
DesignCentral has a PictureCut Tab with the following options:

Enhance Image Brightness Number of Stripes Resolution Applies an image enhancement filter, before tracing the image. Changes how dark the finished image outputs. Number of stripes that will be created. You can trace using the Full resolution on an image or 1/2, 1/4 and 1/8 of its original resolution. When the resolution is lowered, the tracing process is quicker and produces fewer points, but the trace quality will not be as actuate at the reduced resolutions. The Optimal setting picks the resolution based on image size to optimize the traces. Defines if the stripes are horizontal or vertical. Reverses the dark and light portions. The color of the resulting vector objects.
To centerline trace a bitmap: 1. Select Centerline Trace tool. 2. Adjust the tracing parameters in DesignCentral. 3. You can trace the whole bitmap or parts of it: Click and drag the cursor to create a rectangular bounding box. Surround the objects that you want to trace on the bitmap. Hold down the SHIFT key to create a square bounding box. Click the bitmap to trace just one object. Click with the CTRL key pressed to trace all of the bitmap.
Cut Direction Reverse Image Color
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To create stripes using PictureCut: 1. Select PictureCut tool. 2. Adjust the tracing parameters in DesignCentral. 3. You can trace the bitmap or parts of it Click and drag the cursor to create a rectangular bounding box. Surround the area that you want to trace on the bitmap. SHIFT key creates a square bounding box. Click with the CTRL key pressed to trace all bitmap
Colors
several shades of a given color in the bitmap, specifying one or more colors than the actual number needed ensures that the correct colors are retained. Merges the selected color into the active color. Undoes the last merge operation.
Merge into Active Undo
To posterize and color trace a bitmap: 1. Select Color Trace tool. 2. Adjust the tracing parameters in DesignCentral. 3. Select the number of colors to trace. 4. You can trace the whole bitmap or parts of it by: Click and drag the cursor to create a rectangular bounding box. Surround the objects that you want to trace on the bitmap. Hold down the SHIFT key to create a square bounding box. Click the bitmap to trace just one object. Click with the CTRL key pressed to trace all of the bitmap.
4. To finish using the PictureCut tool, select another tool.
Using Color Tracing

The Color Tracing converts a color bitmap into colored paths. The color trace process involves two steps. The first is Posterizing, which reduces the number of colors. Then the posterized image is traced into objects with different colors.
5. Edit the color palette and the posterized image as described in the next item. 6. Click Accept.
Original bitmap Paths created in color tracing
Merge into Active
DesignCentral has an Autotrace Tab with all the option described in Autotrace tool and a Color Trace Tab with following options:
Posterize Bitmap Edge Filter When this option is checked, the posterized bitmap will be kept. Determines how aggressively the application removes noise from the bitmap when posterizing. None does not remove noise and the Most setting will remove the maximum amount of noise. Controls the number of colors the program will use to posterize the bitmap. If there are
Undo
Color Palette
Untraced Color Selected Colors Active Color Background Color
Number of Posterized
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While color tracing an image, you can specify the number of colors that will be in the Number of Posterized Colors list. If a Background color was found, it will be placed on the far left side of the color palette. The background color will not be traced, as indicated by the folded corner. Traced parts of the bitmap with an Untraced color will not be displayed in the preview and will not be traced. You can skip any color in the palette untraced, SHIFT clicking it. The color with a triangle underneath is the Active color. The active color is used when merging colors. To make one color active, click the space underneath the color. You can Select colors by clicking them. To deselect the color, click again. You can select multiple colors. Selecting an invisible color will make it visible. When you have two or more colors that you want to trace with the same color, you can merge them. 1. Make the destination color Active. 2. Select the colors that will be merged. 3. Click Merge into Active button. You can undo the operation by clicking the Undo button. Only the last merge can be undone. You can also merge two colors together by clicking and dragging the source color over the destination color button.
1. Click the area in the posterized image with the source color.

The cursor will change into a paint bucket cursor
2. Drag into the object where the color will be applied.

When the mouse button is released, the color will be applied. Click the object with the source color Drag where the color will be applied Release the button and the color will be applied.
Merge
Posterized Bitmap Posterized bitmap after merging colors
To change the order of the colors in the palette, click and drag the color to a new position. You can edit a posterized color in the color palette. To do so, click the color with the CTRL key pressed. After posterizing the image:
14. Working with Effects

Your software contains a number of tools that you can use to add special effects to the elements in your document.
Using Combine Effects

Combine effects are applied to overlapping objects, separating or merging the portions that are overlapping. Combine effects can only be applied on vector objects, they are not available for bitmaps.
Common Features
There are a number of basic functions that you can use on all effects.
Separating Effects
To separate an effect from the original object, from the Effect menu, select Separate []. After the command name, the effect name will be displayed.
Weld Effect
Welds selected objects into single objects, removing overlapping. Use this tool to eliminate extra lines in overlapping objects that will be cut. 1. Select the objects. 2. From the Effect menu, point to Combine and then select Weld.
Original Object with Effect
Text and Effect separated
Clearing Effects
To remove an effect, from the Effect menu, select Clear []. After the command name, the effect name will be displayed.
Original Objects Objects after Weld effect
Weld by Color Effect

The Weld by Color effect will automatically weld together any overlapping objects that have the same color. 1. Select the objects. 2. From the Effect menu, point to Combine and then select Weld by Color.
Original Objects
Objects after Weld by Color effect
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Cut Out Effect

The Cut Out effect is applied to overlapping objects. It deletes the topmost object, and also removes the overlapping areas from the objects underneath it.
Exclude Common Effect

The Exclude Common effect is applied to overlapping objects. It deletes the overlapping areas of the objects.
This effect will be always applied to the topmost object. If you want to apply the effect to other objects underneath, group the top objects first.
This effect will be always applied to the topmost objects. If you want to apply the effect to other objects underneath, group the top objects first.
1. Select the objects. 2. From the Effect menu, point to Combine and then select Exclude Common.
1. Select the objects. 2. From the Effect menu, point to Combine and then select Cut Out.
Original Objects Original Objects Objects after Cut Out effect
Objects after Exclude Common effect
Common Effect
The Common effect deletes all of the selected objects except for the overlapping area.
Fuse Effect
The Fuse effect is applied to overlapping objects. It removes the entire topmost object, except for the overlapping area. The overlapping area and the objects on the lower layers are combined into one object. The objects on the lower layers remain intact, and the fused portion retains its original color.
1. Select the objects. 2. From the Effect menu, point to Combine and then select Common.
1. Select the objects. 2. From the Effect menu, point to Combine and then select Fuse.
Original Objects
Objects after Common effect
Original Objects
Objects after Fuse effect
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Remove Overlap Effect

The Remove Overlap effect is applied to overlapping objects. It deletes the areas from the bottom-most objects that overlap the top-most object, but does not delete the top-most object.
Using the Outline Effect

Your software allows you to place inlines, outlines, or contour lines around any object.
Outline A closed path created around the outer edges of the selected object and inside holes such as the inside of closed letters (a, o, etc). An outline without holes. A closed path created around the inner edge of the selected object.
1. Select the objects. 2. From the Effect menu, point to Combine and then select Remove Overlap.
Contour Inline
Outline
Contour
Inline
The term outline in this chapter refers to Inlines, Outlines, and Contours.
Width Gap
Original Objects
Objects after Remove Overlap effect
In an outline, you can adjust the number of lines, their width and the spacing between them.
Separate Overlap Effect

The Separate Overlap effect is applied to overlapping objects. It removes the overlapping areas from the objects, and makes them into separate objects. 1. Select the objects. 2. From the Effect menu, point to Combine and then select Separate Overlap.
Outlines Effect
1. Select the objects that effects will be applied to. the
2. From the Effect menu, select Outline. the 3. Adjust DesignCentral control points. 4. Click Apply. values or drag in the
Adjusting Outlines Using DesignCentral

Original Objects Objects after Separate Overlap effect
When outlines are applied to objects, the following attributes can be adjusted in DesignCentral.
Select the effect type between Contour, Outline and Inline. Width of the outline. Distance between outlines. Number of outlines.
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This option allows you to choose between using the same color for each outline generated or to create a "gradient" of colors for each outline created.
Click and drag the Width point to change the Outline width. Click and drag the Offset point to change the gap between outlines. Click and drag the Reference Location point to change the position of the Reference line over the object where the outline is applied.
Reference Line
Width Offset
Reference Location
Outlines with same color
Gradient Outlines
Allows you to select to create a backing behind the original object. This option is only available when the distance between outlines is zero. The outline color. Select the appropriate Joint Type option to specify how corners are outlined.
Using the Shadow Effect

Your software allows you to place a shadow around any object. The following types of shadows are available:
Round Joint Type
Bevel Joint Type
Miter Joint Type
Controls the sharpness of the corners Select the appropriate Line Cap style option to specify how open paths are outlined. Choose from Round, Square or Butt cap styles.
Block Shadow Drop Shadow Perspective Shadow Cast Shadow
Applying Shadows to Objects

Round Cap Style Square Cap Style Butt Cap Style
To apply a shadow effect to one or more objects: 1. Select the objects. 2. From the Effect menu, select Shadow. 3. Adjust the values in DesignCentral or drag the control points. 4. Click Apply.
Keep Original If checked, the original object will remain along with the outline. If cleared, the original object will be deleted.
Adjusting Outlines Using Control Points

When you apply an outline, a reference line is displayed with control points. You can adjust some of the attributes by dragging the control points.
Adjusting Shadows Using DesignCentral

When shadows are applied to objects, the following attributes can be adjusted in DesignCentral.
Select the shadow type between Block, Cast, Perspective
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and Drop. The horizontal and vertical offset (distance) from original object. These fields are not available for perspective shadows. Height ratio and slant angle. These fields are available for Cast shadow only. The distance between the object and the shadow when overlap or offset shadow is selected. Perspective ratio. Only available for perspective shadows. Shadow color Relief mode, determines how the shadow is cut out by the original.
No backing With backing
Adjusting Shadows Using Control Points

Click and drag the shadow to adjust the height ratio and slant angle (cast shadow), horizontal and vertical offset (other shadows) or perspective ratio (perspective shadow).
Using the Stripes Effect

Use the Stripe effects to apply stripes to any vector objects. There are three types of stripes that can be applied.
The following relief modes are available for each shadow:

Block and Perspective shadows
Radiant Stripes Circular Stripes Gradient Stripes
None backing
With backing
Offset
Surround
Offset Surround
Applying Stripes to Objects

1. Select the objects. 2. From the Effect menu, select Stripe. 3. Adjust the values in DesignCentral.
Drop shadows
Adjusting Radiant Stripes Using DesignCentral

None backing With backing Overlap Offset relief Offset Surround
When radiant stripes are applied to objects, the following attributes can be adjusted in DesignCentral.
Number of stripes on the object. Determines the percentage of the image that is covered with stripes, from 0 to 100%. Changing this value changes the width of the stripes, but not the number.
Cast shadows
None backing
With backing
Overlap
Offset relief
You can see the difference when backing is applied if you separate the shadow from its original object
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Radiant Percentage: 20%
XY Coordinates of the point from which the stripes radiate.
Determines the percentage of the image that is covered with stripes, from 0 to 100%. Changing this value changes the width of the stripes, but not the number. This value is disabled when Vary stripes and gap is selected in the Gap mode field.
The point selected in this grid will be the point from which the stripes radiate.
Percentage: 20%
Percentage: 50%
Percentage: 80%
Angle of the stripes.

Bottom left corner Middle right point Center
Initial angle of the stripes.

Angle: 0 degrees Angle: 45 degrees Angle: 90 degrees
Angle: 0 degrees
Angle: 30 degrees
Angle: 45 degrees
Determines the degree of the gradient, expressed as a percentage from 0 to 100%. This value is disabled when Even Stripes and Gap is selected in Gap mode field. Gap Mode Even Stripes and Gap Vary Stripes and Gaps Vary Stripes The stripes and gap width is constant. The stripe and gap width has a gradient effect. The stripe width changes, producing a gradient effect, the gap width is constant.
Adjusting Radiant Stripes Using Control Points

You can also adjust some of the above fields by dragging the control points. Click and drag the right (bottom) edge of each stripe to change the stripe angle. SHIFT key constrains the angle. Click and drag the left (top) edge of each stripe to change the stripe gap. SHIFT key constrains the angle. Click and drag the center point to change where the stripe starts.
Vary Stripes mode
Even Stripes and Gap
Vary Stripes and Gaps
Adjusting Gradient Stripes Using DesignCentral

When gradient stripes are applied to objects, the following attributes can be adjusted in DesignCentral.
Number of stripes on the object.
Adjusting Gradiant Stripes Using Control Points

You can also adjust some of the above fields dragging the control points.
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The point selected in this grid will be the center of the circular stripes.
Adjusting Circular Stripes Using Control Points

1
You can also adjust some of the above fields dragging the control points. Click and drag the inside edge of each stripe to change the stripe gradient. Click and drag the outside edge of each stripe to change the stripe gap. Click and drag the center point to change where the stripe starts.
When Even Stripes and Gap mode is selected, click and drag point 1 or 2 to change the stripe gap. When Vary Stripes and Gaps mode is selected, click and drag point 1 or 2 to change the stripe gradient. When Vary Stripes mode is selected, click and drag point 1 to change the stripe gap. Click and drag point 2 to change the stripe gradient. Click and drag point 3 to change the stripe angle. Hold down the SHIFT key to constrain the angle.
Using The Distort Effect

Your software allows you to distort vector objects. The following distortions are available in your software. When a distortion effect is applied to a bitmap, it will mask the bitmap using the distortion shape.
Adjusting Circular Stripes Using DesignCentral

When circular stripes are applied to objects, the following attributes can be adjusted in DesignCentral.
Number of stripes on the object. Determines the percentage of the image that is covered with stripes, from 0 to 100%. Changing this value changes the width of the stripes, but not the number.
Fit
Slant
Notch
Corner
Perspective Percentage: 20% Percentage: 50% Percentage: 80%
Arc
Globe
Wave - Top
Determines the distance from the center to the first gap. The distance from the center of the rings to the outermost ring is specified in this entry box. If the object extends beyond the last ring, the remainder of the object is solid. Determines the degree of the gradient, expressed as a percentage from 0 to 100%.
Wave
Arch - Top
Arch
Squeeze
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Adjusting Distortions Using Control Points

For each distortion, you have a number of control points that can be dragged to adjust the distortion to your requirements. The number of points and the effect when the points are dragged will vary according to the distortion type.
Balloon
Pennant
Fish
Two Waves - Top
Two Waves
Patch
Cylinder
Control Points
For example, you can use the distortions to fit your design in a bitmap, to see how the final sign will look.
In some symmetric distortions like Wave-Top and Patch, CTRL key moves the handles independently from the other handle.
Vector object Bitmap object Distorted vector object over the bitmap
Using the Blending Effect

Your software allows you to blend two objects. The shape and color of one object will gradually change to another object. Both objects must be vector objects.
Applying Distortions to Objects

1. Select the objects. 2. From the Effect menu, select Distortion. 3. Adjust the values in DesignCentral or drag the control points. 4. Click Apply.
Adjusting Distortions Using DesignCentral

When distortions are applied to objects, the following attributes can be adjusted in DesignCentral.
Select the distortion type. Rotation angle of the distortion envelope. Rotates distortion envelope 90 degrees clockwise or counter clockwise. Mirrors distortion envelope horizontally or vertically.
Blending a circle into a starburst Blending AC into DE
1. Select two objects. 2. From the Effect menu, select Blend. 3. Adjust the number of steps in DesignCentral. 4. Click Apply.
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Using the Lens Effect

Use the Lens effects to control transparency and appearance of an objects color. The lens effects are applied to the topmost object and can only be applied on vector objects, except for the tranparent lens, which can be applied to bitmaps. The lens effects are only for color printing.
2. From the Effect menu, point to Lens and then select Brighten command. The following options can be adjusted in DesignCentral:
Brightness Hide Stroke Degree of brightness applied to object. This value can range from 0 to 100 %. Check this option to apply the effect to the objects stroke.
Transparent Effect
With this effect, the object where the effect was applied will have a transparency that allows you to see the objects underneath. 1. Select the objects. 2. From the Effect menu, point to Lens and then select Transparent command. The following options can be adjusted in DesignCentral:
Opacity Hide Stroke Degree of opacity applied to object. This value can range from 0 to 100 %. Check this option to apply the transparency to the objects stroke.
Wireframe Effect
The vector objects under the object where the effect is applied are displayed without any fills. 1. Select the objects. 2. From the Effect menu, point to Lens and then select Wireframe command. The following options can be adjusted in DesignCentral:
Hide Stroke Check this option to apply the effect to the objects stroke.
Magnify Effect
The objects under the object where the effect is applied are magnified. 1. Select the objects. 2. From the Effect menu, point to Lens and then select Magnify command. The following options can be adjusted in DesignCentral:
Zoom Scale Hide Stroke Degree of magnification applied to object. Values above 100% will magnify the objects; values below 100% will reduce the objects. Check this option to apply the effect to the objects stroke.
Invert Effect
The colors of all vector and bitmap objects under the object where the effect is applied will be inverted. 1. Select the objects. 2. From the Effect menu, point to Lens and then select Invert command. The following options can be adjusted in DesignCentral:
Hide Stroke Check this option to apply the effect to the objects stroke
Brighten Effect
The colors of all vector and bitmap objects under the object where the effect is applied will be brightened. 1. Select the objects.
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Using the Underbase Effect

The underbase feature is used to create a primer coat of base color that the actual image will be printed on top of. When printing a light image onto a dark media, for instance, it is useful to print a white underbase underneath the image to prevent the dark color from showing through.
7. Click Apply. After creating the underbase, the underbase and the objects are joined together into a compound object.
Creating a Variable Underbase

To create a variable underbase for one or more objects: 1. Select the objects. 2. From the Effect menu, select Underbase, then Variable Underbase. 3. Select the Resolution that the underbase will be applied at. This should match the resolution supported by your output device. 4. Select the color of the underbase from the list. 5. Click Apply. After creating the underbase, the underbase and the objects are joined together into a compound object.
Two types of underbases can be created. A solid underbase is generally used with vector objects and text. It consists of a solid coat of a single spot color, typically white, that follows the contour of the objects above. The ink is always at 100% coverage. A solid underbase can be the same size as the objects above, or it can be choked down to fit inside the margins of the objects, or bled out to extend outside the margins. A variable underbase is used with bitmaps and gradients. The density of the underbase varies to match that of the image above. This allows the color of the media to show through behind a transparent area of a picture, for instance. A variable underbase is always exactly the same size as the image above. An underbase can only be output on a thermal transfer device, or by using the Print as Separations feature.
Removing an Underbase
To remove an underbase: 1. Select the compound object containing the object and its underbase. 2. From the Effect menu, select Clear Underbase. The underbase is removed and the objects are normal objects again.
Creating a Solid Underbase

To create a solid underbase for one or more objects: 1. Select the objects. 2. From the Effect menu, select Underbase, then Solid Underbase. 3. In DesignCentral, select either choke 4. Set the size of the choke or bleed in the or bleed field. .
Separating an Underbase From the Objects It Was Based On

To separate an underbase from the objects it was based on: 1. Select the compound object containing the object and its underbase. 2. From the Effect menu, select Separate Underbase. The underbase becomes a separate object, and the objects it was based on become normal objects again.
5. Check With Holes to make holes in the underbase underneath holes in the selected objects above. 6. Select the color of the underbase from the list.
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Making a Vector Object into an Underbase

To make a vector object into an underbase: 1. Select the object. 2. From the Arrange menu, select Underbase, then Make Underbase.
2. From the Effect menu, select Finisher, then Rectangle Finisher. 3. Select the spot color for the finish from the list in Design Central. After a finish area is created, it and the objects it was created for become a single compound object.
Creating a Shape Finish

To create a finish that follows the outlines of one or more objects: 1. Select the objects. 3. Select the color of the underbase from the list and click OK. 2. From the Effect menu, select Finisher, then Shape Finisher. 3. Select the spot color for the finish from the list in Design Central. After a finish area is created, it and the objects it was created for become a single compound object.
Releasing an Underbase Back to a Vector Object

To change an underbase made from a vector object back into a vector object: 1. Select the object. 2. From the Arrange menu, select Underbase, then Release Underbase.
Removing a Finish
To remove a finish area: 1. Select the compound object containing the object and its finish area. 2. From the Effect menu, select Clear Rectangle Finisher or Clear Shape Finisher. The finish area is removed and the objects are normal objects again.
Using the Finisher Effect

The Finisher effect defines a coating that will cover an area of the design and protect it from scratches and UV. The finish can be applied as a rectangle covering an entire area of the design, or as a shape that follows the outlines of the design.
A finish area can only be output on a thermal transfer device, or by using the Print as Separations feature.
Creating a Rectangular Finish

To create a rectangular finish for one or more objects: 1. Select the objects.
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Using Color Trapping

The Color Trapping effect removes most of the overlapping material between objects. The effect leaves enough overlapping material to ensure that no gaps will exist between the objects, even if the registration is slightly off.
Using Styles
Styles allow you to capture and apply the fill, stroke and the effects from one object to another. Styles can be stored for future use.
Copying and Applying Styles

1. Select the object with the desired fill or effect. 2. From the Edit menu, point to Graphic Styles and then select Copy Style. 3. Select the object where the fill or effect will be applied.
Original objects (Show Fill is off)
Objects after Color Trapping
Applying Color Trapping to Objects

1. Select the objects. 2. From the Effect menu, select Color Trapping. 3. Adjust the values in DesignCentral. 4. Click Apply.
4. From the Edit menu, point to Graphic Styles and then select Paste Style.
The fill, stroke and the effects from the first object is applied to the second object.
Copy Style
Adjusting Color Trapping Using DesignCentral

When Color trapping is applied to overlapping objects, the following attributes can be adjusted in DesignCentral.
Overlapping distance. Light to Dark Dark to Light Select if the trapping will be performed from the light to dark color or vice versa.
Apply Style
Storing Style in Style List

You can select which properties from the original object will be stored in a style. For example if you have a green object with a shadow, you can choose to save only the shadow as a style, the shadow and the green fill or just the green fill. To store the properties from an object as a style: 1. Select the object.
Light to Dark
Dark to Light
Include Strokes
When this option is checked, the color trapping will be applied to the object strokes.
2. From the Edit menu, point to Graphic Styles and then select Store Style. 3. Enter the new style name and select the properties that will be stored in this style. 4. Click Save.
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Applying Style in Style List

To apply one style from the style list: 1. Select the object. 2. From the Edit menu, point to Graphic Styles and then select Paste Style. 3. Select the style from the style list. 4. Click Apply.
(printer with cutting capabilities), you can print and cut using the same machine. To allow the Contour Cut effect to trace the outline of an object in a bitmap, make the background of the image transparent using the Make Transparent function. Otherwise, the effect will only be able to trace around the outside of the bitmap. For more information about how to output a contour cut job see Contour Cutting on page 161.
Editing Style from Style List

Edit styles allows you to edit a stored style by renaming, copying or deleting. To rename or copy a style: 1. From the Edit menu, point to Graphic Style and then select Edit Style. 2. Select the style from the list then click Copy or Rename. 3. Enter the new style name. 4. Click OK. To delete a style: 1. From the Edit menu, point to Graphic Style and then select Edit Style. 2. Select the style from the list then click Delete. 3. Click OK.
Creating a Contour Cut Around an Object

To create a contour cut: 1. Select the objects. 2. From the Effect menu, select Contour Cut. 3. Adjust the values in DesignCentral or drag the Control Point on Contour Cut line. 4. Click Apply.
Adjusting Contour Cut Using DesignCentral

The following attributes from Contour Cut can be adjusted in DesignCentral.
Select the type between Contour, Rectangle and Ellipse.
Using Contour Cut

Contour Cut is a feature that creates a cutting line around objects, either vector or bitmaps. This allows you to output an image in a printer and then cut its contours using a cutting plotter. If you have a hybrid device
Contour Cut
Contour mode
Rectangle mode
Ellipse mode
Offset distance from object to cutting line. The value can be negative, allowing you to make a contour cut line inside the design, in order to prevent misalignments in printing and cutting process. This field is only available for Contour mode. Width of the contour shape (Ellipse or Rectangle). Height of the contour shape (Ellipse or Rectangle). Proportional Check this value to assure that the cutting line will be resized proportionally when you change its height or width. This option is not available for Contour mode. When this option is checked, all holes in the selected objects will have an inner contour cut line. This option is not available for Ellipse or Rectangle mode.
Tracing Bitmaps with the Contour Cut Effect

To allow the Contour Cut effect to trace the outline of an object in a bitmap, make the background of the image transparent using the Make Transparent function. Otherwise, the effect will only be able to trace around the outside of the bitmap.
Opaque Background
Transparent Background
With Holes
Transforming an Object into a Cutting Line

If you need a cutting line with a special shape, you can create a vector object and transform it into a cutting line.
Contour with Holes
Contour Without Holes
Joint Type, specify how the corners are contoured.
Adjusting Contour Cut Using Control Points

When you apply an outline, a reference line is displayed with control points. You can adjust some of the above fields dragging the control points.
Resize Offset Reference Location
A fan shape converted into a cutting line
To convert a vector object into a cutting line: 1. Select the objects. 2. From the Arrange menu, point to Contour Cut and then select Make Contour Cut. The objects outline color will change to a light gray, indicating that it has been converted to a cutting line. Even after being converted to a cutting line, the object will have its original attributes. To convert the cutting line back to a vector object: 1. Select the cutting line.
Contour mode
Rectangle mode
2. From the Arrange menu, point to Contour Cut and then select Release Contour Cut.
15. Working with Measurements and Labels

The software allows you to measure, label and dimension objects. By using the measuring tools, you can indicate the horizontal, vertical, or diagonal dimensions of the design or label an object. The lines and labels can be output to a printer or cutter. For more details, see RIP and Print Dialog - Advanced Tab on page 155 or Cut / Plot Dialog - Advanced Tab on page 147.
Creating Dimensioning Lines

The Dimension tool allows you to create dimensioning lines between two points in your design. The dimension lines can be horizontal, vertical or diagonal. When you are creating a dimension label, the Snap to Point feature is automatically enabled.
Sideline Arrow Trailing Zeros Arrow Sideline
Measuring Distances
Use the Measure tool when you need to know the distance between two points in your design. To measure the distance between two points: 1. Select Measure tool. 2. Click and drag the cursor.
Just click to show a position of one point in your design.

Suffix Unit Dimension Value Prefix X, Y coordinates of the first point.
Once you release the mouse button, Design Central displays the following information:
To create a dimension line:

Horizontal and vertical distances from the starting point to the end point.
1. Select the Dimension tool. 2. Click the point where the dimension line will start. 3. Either click the point where the dimension line will end, or drag from the start point to the ending point. As you move the cursor, a line displays the direction you are moving. 4. Click a third time to set the distance between the dimension line and the starting and ending points.
Actual distance between starting and end point. Angle of the line that joins the starting and end points will have with the horizontal.
DesignCentral for Measuring
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Automatically Dimensioning Objects

The Automatic Dimension tool allows you to automatically create horizontal and vertical dimension lines around an object. These dimensions lines are not linked to the object and will not be automatically updated if the object changes size. To automatically create a horizontal and vertical dimension line in an object: 1. Select the objects. 2. Select the Automatic Dimension tool.
When you are creating a diagonal dimension line: Hold SHIFT to constrain the line angle to increments of 45 degrees. Hold CTRL to constrain perpendicular to the object. the dimension lines to be
Changing the Text Position of a Dimension Line

The dimension text can appear either inside the dimension line, or to either side, depending on whether the third click was made below the dimension line or to one side.
Dimensioning to Page
The Dimension to Page tool allows you to automatically create horizontal and vertical dimension lines that measure the position of the object to the lower left corner of the design area. These dimensions lines are linked to the object and will be updated if the objects change position.
To change the position of the dimension text, double-click the dimension line, and select the circle next to the dimension text. You can then drag the text around.
Text objects are measured from the baseline of the text.
To create dimension to page lines: 3. Select the objects. 4. Select the Dimension to Page tool.
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Creating Labels
Use the label tools to draw an arrow with a text attached to it. There are two types of label:
Editing Dimension Lines

After creating the dimension line you can adjust the following attributes in DesignCentral:
Font and style. Size of the font.
One segment label
Two segment label
To create a label: 1. Select the label tool. 2. Click the point where the label line will start.
As you move the cursor, a line shows the direction in which you are moving.
When unlocked, you can edit the dimension text in the field just above the padlock. Arrow type used in both ends of the dimension line. Arrow position. The arrows can be inside or outside the sidelines. Linked When this option is checked, if you resize the object that this dimension line is measuring, the dimension value will automatically reflect the resizing. Once you unlink this option, you cannot revert it back to link again. Click this button to access the advanced options.
3. If you are creating a two segment label, click to define the point where the first segment ends and the second segment begins. 4. Click the point where the label will end. 5. Edit the label text in DesignCentral and press the ENTER key. After creating the label you can adjust the following attributes in DesignCentral:
Font and style used. Size of the font used. Arrow type used in the label line. Advanced Click this button to access the advanced options.
Advanced
You can adjust the following options using the Advanced Options dialog box.
Prefix Suffix Scale Unit Precision This text will be placed before the dimension value. This text will be placed after the dimension value. Scale used to show the dimension value. A scale of 50% will display half of the actual value in dimension value. Unit used to show the dimension value. Number of decimal places in dimension value. When this option is off, no decimals will be displayed. When this option is on, no unit will be displayed after the dimension value. When this option is on, a box will appear around the dimension text. The dimension text can be above, over or under the dimension line. It fixes the position of the dimension on the line.
You can adjust the following options using the Advanced Options dialog box.
Border Text When this option is on, a box displays around the label text Arrow size
Trailing Zeros Supress unit Border text
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When a diagonal dimension is created, the dimension text can aligned with diagonal line or be always is horizontal position. Using this buttons, you can show only the sideline, no sideline, no arrow or show all Arrow size.
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16. Configuring the System for Color Printing

You should configure your system before printing. Color Settings dialog provides the default settings that are applied to files that are imported into your software and to emulate the output color on the monitor. To open the Color Settings dialog box and to configure your software for color printing, from the Edit menu, select Color Settings.
Setting the Display Profiles

You can emulate the output color on your computer monitor, in a process called Soft Proofing. In order for this emulation to be as accurate as possible, you have to set the appropriated profiles in the Display Settings tab of Color Settings dialog.
Monitor Printer Select the profile that matches your computer monitor. Select the printer that will be used to print your design. Check Soft proof preserves white point option to emulate the white point of the paper.
Setting the Input Profiles

Most files are calibrated for specific output devices. Files in RGB format are usually color corrected for display on a certain monitor, and CMYK files are color corrected for output to a certain printer. Input profiles are used to convert these files to a neutral color space, so that your software can later color correct for your output device using the output profiles. The Input Profile tab in the Color Settings dialog allows you to set the input profiles that are used when importing files. The input profiles should match the output devices (either a monitor or a printer) used in the creation of the files. In this dialog box, select the following settings:
RGB CMYK Grayscale Select the RGB profile that matches the source of images. Select the CMYK profile that matches the source of images. Select the profile that matches the source of grayscale images.
Selecting Rendering Intents

Rendering intent specifies how a color space from the input file gets mapped to the color space of the output device. Rendering intents can be specified for four different types of objects that make up jobs:
You can add additional profiles by clicking the Add button.
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Bitmap Vector
The rendering intent to use with bitmap images (raster images) contained in your job file. The rendering intent to use with vector objects such as circles, polygons, lines, arcs and Bezier curves contained in vector-based files like PostScript, DXF or Adobe Illustrator. The rendering intent to use with text objects contained in PostScript and other vector-based files. The rendering intent to use with vector-based gradient objects contained in PostScript and other vector-based files. Gradients created in bitmap files will be rendered using the Bitmap rendering intent.
Absolute Colorimetric
This intent is similar to Relative Colorimetric, but has a different white point value. Absolute Colorimetric represents colors relative to a fixed white point value of D50. For example, the white of paper A will be simulated when printing on paper B. This intent is best for color proofing. This intent was created to supplement the Saturation intent. Spot Color maps colors similarly to the Saturation rendering intent, but Spot Color rendering intent produces the greatest saturation possible, and should not be used with photographic images. The object will be printed without any color correction.
Text Gradient
Spot Color
No color correction
Different rendering intents can be specified for CMYK objects versus all other objects (RGB, grayscale, LAB, etc.).
Using Pure Hue Settings

The Pure Hue buttons allow you to specify that certain color channels should not be mixed in with other colors when the job is rendered. These settings can be different for each of the 4 types of object. For instance, if a job contains yellow text, you could check the Pure Hue setting on the yellow color channel for text, so that no other colors appear in the yellow text. To adjust the Pure Hue settings for a type of object: 1. Click the Pure Hue button next to the objects rendering intent.
The options set here are only used as a default setting for your output. You can specify different rendering intents for each bitmap or color in your design. Please see Profile Tab on page 102 and Color Specs - Color Tab on page 57 for more details.
Choose from one of the following rendering intents:

Perceptual This intent is best for photographic images. Colors outside of the output devices gamut are either clipped or compressed to fit the output devices color space. This intent is best for graphic images, such as vector art, where vivid colors are more important than true color matching. Colors outside of the output devices gamut are mapped to colors at the extent of the gamuts saturation. Colors that fall within the gamut of the output device are shifted closer to the gamuts saturation extent. This intent is best for images, such as logos, where the output needs to match the original image. Colors that fall outside of the output devices gamut are clipped. This method may reduce the total number of colors available. The white point of Relative Colorimetric is always zero
Saturation
Relative Colorimetric
2. Check the boxes for each color channel that you want to preserve unmixed.
Click All On to check all color channels, or All Off to clear all channels.
3. Click OK.
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17. Printing to a Desktop Printer

Before the final output, you may want to print a sample to your desktop printer for proofing. To print your document in a desktop printer: 1. Make sure all the objects and colors you want to print are visible in your document. 2. From the File menu, select Print.
Copies PostScript data Select Binary or ASCII. When Binary is selected, the data is compressed using a binary encoding and then sent to the printer.
Set the Number of copies you want to print. Collate If checked, all the pages of a multi-page copy will be output in order before starting on the next copy. For example, three copies of a three page job would print out 1,2,3,1,2,3,1,2,3. If cleared, the specified number of copies of each page will be printed one after another before starting on the next page. Three copies of a three page job would print 1,1,1,2,2,2,3,3,3.
Scale
Select one of the following: Fit drawing to paper Resizes the output to fit the entire design into the paper.
Fit border to paper
Resizes the output to fit the entire drawing area into the paper.
3. Select your desktop printer and select the desired options.
Scale
Check Selection to print only the selected objects.
4. Click OK (Windows), or Print (Macintosh). The available options are:

Printer Select the following printer-related properties: Name Properties Select the name of the print queue you want to print to. Click to set printer-specific properties. See your printer documentation for details. Position
Enter the scale in percentage to resize the output. You can use the Tiling option to print images that are bigger than the paper size that your printer can handle.
If you want to print a scale of 1 inch = 1 feet, enter the value 1:12 in this field.
Select one of the following positions:
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Print tiled pages Overlap
Check to tile the output Sets the overlap between the tiles.
Top Left
Top Center
Top Right
Original Design Tiled output
Advanced Left Center Center Right Center
Check to enable the following advanced options: Use device margins Ignore overprint The margin information from the printer driver is used. Any overprinting that was set up in the design stage will be ignored. This can be useful if you want to save the time and output media needed to do overprinting.
If you check Ignore Overprint, your output will
automatically be changed so that it will not use features that depend on overprinting. For instance, output that had been set up to use color trapping will now output untrapped.
Bottom Left Custom
Bottom Center
Bottom Right
Position the design precisely by specifying the following offsets: Offset X The distance from the right edge of the design to the right edge of the printable area of the page. The distance from the bottom edge of the design to the bottom of the printable area of the page.
Offset Y
Print Options
Check to enable the following options: Selection only Border Wireframe Substrate Guides Grid Template Only the selected portions of the design will be output. The border of the design area is printed. The vector objects are printed without fill. Prints the substrate color, if any, along with the design. Prints the guides along with the design. Prints the grid along with the design. Applies a layout template to the output.
Tiling
The Tiling options allow you to divide the output into tiles and set the overlap between the tiles.
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18. Connecting to Production Manager or PhotoPRINT Server

The design software is capable of sending output to either Production Manager, or PhotoPRINT Server.
Connecting to Production Manager on the Same Computer

To connect to a copy of Production Manager running on the same computer as the design software: 5. Create your design in the design software. 6. Click on either the Cut/Plot or RIP and Print button in the toolbar. ( or )
You can only connect to copies of Production Manager that have the same version as the design software. Attempting to connect to an older version of Production Manager will yield an error.
Connecting to Production Manager

If you open either the Cut/Plot dialog or the RIP and Print dialog, and Production Manager is already running on your computer, the design software will automatically connect to the Production Manager on your computer. If Production Manager is not already running on your computer when you open the Cut/plot or RIP and Print dialog, the following dialog appears:
7. Select On this computer (Local). 8. Click OK. If your local copy of Production Manager is not running, it will automatically be started. This dialog allows you to: Connect to a copy of Production Manager running on your computer, starting up Production Manager if it is not already running. Connect to a copy of Production Manager running on another computer on your local area network. Connect to a copy of Production Manager running on a remote computer by specifying its TCP/IP address.
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Connecting to Production Manager on another Computer on your Local Area Network

To connect to a copy of Production Manager running on a different computer on your local area network: 1. Make sure that neither Production Manager nor PhotoPRINT Server are running on your computer. 2. Create your design in the design software. 3. Click on either the Cut/Plot or RIP and Print button in the toolbar. ( or ) 4. If the Select a Production Manager dialog does not appear, select Other from the Setup List in the top left corner of the dialog.
Connecting to Production Manager at an Internet Address

To connect to a copy of Production Manager running on a computer at a specified TCP/IP address: 9. Make sure that neither Production Manager nor PhotoPRINT Server are running on your computer. 10. Find out the TCP/IP address of the remote computer. a. To determine the TCP/IP address of a Windows computer, from the command line type IPCONFIG and hit Enter.
Windows IP Configuration Ethernet adapter Local Area Connection: Connection-specific IP Address. . . . . Subnet Mask . . . . Default Gateway . . DNS . . . . . . Suffix . . . . . . . . . . . . . . . . : : : : alias.com 10.1.1.134 255.255.255.0 10.1.1.2
11. Create your design in the design software. 12. Click on either the Cut/Plot or RIP and Print button in the toolbar. ( or ) 5. Select On another computer (Network). 6. Click OK. 13. If the Select a Production Manager dialog does not appear, select Other from the Setup List in the top left corner of the dialog.
14. Select On the internet address. 7. Select the program you want to connect to. 8. Click OK. Once the software connects to Production Manager, it will automatically populate the Setup List with the available setups. 15. Enter the TCP/IP address of the remote computer. 16. Click OK. Once the software connects to Production Manager, it will automatically populate the Setup List with the available setups.
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Connecting to PhotoPRINT Server

The software has the ability to output your design to PhotoPRINT Server. To make this work, you connect to PhotoPRINT Server instead of Production Manager. As with Production Manager, you can connect to a copy of PhotoPRINT Server running on the same computer, on another computer on your LAN, or on a remote computer accessed via TCP/IP.
Connecting to PhotoPRINT Server on another Computer on your Local Area Network

To connect to a copy of PhotoPRINT Server running on a different computer on your local area network: 1. Make sure that neither Production Manager nor PhotoPRINT Server are running on your computer. 2. Create your design in the design software. 3. Click on either the Cut/Plot or RIP and Print button in the toolbar. ( or ) 4. If the Select a Production Manager dialog does not appear, select Other from the Setup List in the top left corner of the dialog.
Connecting to PhotoPRINT Server on the Same Computer

If PhotoPRINT Server is running on your computer, and Production Manager is not running, the software will automatically connect to PhotoPRINT Server.
If both programs are running, the software will always connect to Production Manager first.
To connect to a copy of PhotoPRINT Server running on the same computer as the design software: 1. Create your design in the design software. 2. Make sure that Production Manager is not running. 3. Start PhotoPRINT Server. 4. Click on either the Cut/Plot or RIP and Print button in the toolbar. ( or ) 5. Select On another computer (Network). 6. Click OK.
5. Select On this computer (Local). 6. Click OK. Once the software connects to PhotoPRINT Server, it will automatically populate the Setup List with the available setups.
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7. Select the copy of PhotoPRINT Server you want to connect to. 8. Click OK. Once the software connects to PhotoPRINT Server, it will automatically populate the Setup List with the available setups.
Connecting to PhotoPRINT Server at an Internet Address

To connect to a copy of PhotoPRINT Server running on a computer at a specified TCP/IP address: 1. Make sure that neither Production Manager nor PhotoPRINT Server are running on your computer. 2. Make sure that Production Manager is not running on the remote computer.
9. Click OK. Once the software connects to PhotoPRINT Server, it will automatically populate the Setup List with the available setups.
Sharing a Hardware Key over a Local Area Network

It is possible to run the design software on one computer and Production Manager on a separate computer, using only one hardware key. The computer that has Production Manager and the computer that has the design software must be networked and TCP/IP must be installed and working properly.
If Production Manager is running on the computer, the software will connect to that copy of Production Manager instead of PhotoPRINT Server.
3. Find out the TCP/IP address of the remote computer. a. To determine the TCP/IP address of a Windows computer, from the command line type IPCONFIG and hit Enter.
Windows IP Configuration Ethernet adapter Local Area Connection: Connection-specific IP Address. . . . . Subnet Mask . . . . Default Gateway . . DNS . . . . . . Suffix . . . . . . . . . . . . . . . . : : : : alias.com 10.1.1.134 255.255.255.0 10.1.1.2
You cannot run more than one concurrent instance of the software using the same hardware key.
To run the software using a hardware key installed on a different computer: 1. Install the design software on the design station. 2. Install the production software on the production station. 3. Attach the hardware key to either the design station or the production station. 4. Launch either the design software or the production software. The software can run as long as the key is attached to one of the stations. 5. Connect to the instance of Production Manager running on the production station. See Connecting to Production Manager on another Computer on your Local Area Network page 140 for details.
4. Create your design in the design software. 5. Click on either the Cut/Plot or RIP and Print button in the toolbar. ( or ) 6. If the Select a Production Manager dialog does not appear, select Other from the Setup List in the top left corner of the dialog.
7. Select On the internet address. 8. Enter the TCP/IP address of the remote computer.
19. Cutting your Design

Before you can cut any design, make sure you have established a connection from your design software to the Production Manager and created a setup for your output device as instructed in the Production Manager User Manual. Follow the steps below to send the document to your cutting device: 1. From the File menu, select Cut / Plot.
Cut / Plot Dialog - General Tab

The General tab allows you to specify the size of media, size of the job and the location of your output on the media.
If you have any object selected, only these selected objects are cut. To cut all objects in the document, click the Selection Only button.
Material Group box
Preview Area Color Palette
2. Adjust the settings available in the dialog box as necessary and click Send.
Sending Mode
Cut/Plot Dialog Settings

The Cut/Plot dialog box gives you complete control over how the job is produced. This dialog box consists of four Tabs - General, Panel, Options and Advanced Tabs. The area on top of this dialog is common for all Tabs:
Current Cutter
Position Group box
Size Group box
Copies Group box Displays the Setup Properties Tabs Switches to Production Manager Active jobs for this device Zoom tools
Positioning tools
You can resize the Cut/Plot dialog, by clicking and dragging the lower right corner.
Material Settings
The Material group box allows you to specify the size of the media used in your output device and entering the Media Width and Height. The media size is used to panel your job if it is larger than the media.
Select your media size from the list or specify a custom size by selecting User Defined.
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Poll Size: polls the size of the media loaded in the cutter. This feature only works if the device and port support bi-directional communications. Material width. Material height.
Click
and drag
Size Settings
The Size group box allows you to change the size of your output.
Width of the output. Height of the output.
Sending Mode
The Send List allows you to select what to do with the job once it arrives in the Production Manager queue.
Send now Hold in list The job is automatically processed and sent to the output device. The job stays in the Production Manager queue until it is manually sent to the output device from the Production Manager window. The job is processed and saved as a native file.
Scale ratio. Fit to media Scales the job proportionally so that it is as large as possible while still fitting within the printable area of the output media.
Save to file
Copies Settings
The Copies group box allows you to set the number of copies and the spacing between them.
The number of copies. The amount of space between the copies.
Copy Spacing
The Send Now mode is not available if the output device is inactive or the Production Manager is on another computer on the network and the option Allow remote Send Now/Interactive is not enabled in the Production Manager Preferences. See the Production Manager User Manual for more details.
Position Settings
The Position group box allows you to specify where on the media the job is output.
Horizontal offset distance. Vertical offset distance. Interactive: moves the cutter as you change the position of the job on the preview area. Show me: draws a bounding box of the job without lowering the tool.
The copies are automatically positioned to optimize the media usage.
Positioning Tools
The Positioning tools allow you to rotate, mirror, or position the job.
The job is placed at specified distances from the right edge and the leading edge of the media.
You can also positioning the job by clicking and dragging: 1. Choose Select tool from the toolbar of Cut/Plot dialog. 2. Click and drag the preview to a new position.
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The job is centered on the leading edge of the media.
Setting the Visibility of Colors

Right-clicking on a color in the color palette allows you to toggle the Visible setting on and off for that color. A color that is set to invisible will not be output.
The job is centered in the length and width of the media.
If you want to output all colors except one, check Send All Colors on the Advanced tab and then turn off the Visible setting on the color you do not want to output.
The job is placed at specified distances from the left edge and the leading edge of the media. Rotate the job in 90-degree increments.
Cut / Plot Dialog - Panel Tab

Jobs that are bigger than the media size should be tiled before output.
Mirror the job vertically.
Viewing Tools
The viewing tools allow you to manipulate the job on the preview area.
Changes the position of the job on the media by clicking and dragging the job preview. Zooms in or out. Hold the CTRL key to Zoom out. Return the preview area to the default view. Zoom to fit all objects into the preview area. Display the current color selected in the preview area. If all colors are selected, the box will be crossed out. Click this button to toggle the preview to display the selected objects only or the entire design.
Panel Group Box
Tile Group Box
Overlap Group Box
Panel tools
Color Palette
Select the color to display in the preview area. Only the color displayed will be processed. You will not be able to select individual colors if the option Send all colors in the Advanced tab is checked. Click and drag the colors to change the output order.
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Zoom tools
The panel can be divided in several columns and rows. Each section or cell is called a Tile. The Panel tab provides several tools to tile the job.
Panel Tools
The tool bar provides tools to change the Panel mode and to automatically tile.
Locks the columns so that the tiles on a same column can be adjusted as a group. Locks the rows, so that the tiles on a same row will can be adjusted as a group. Locks both columns and rows, so that the entire columns or rows can be adjusted as a group.
Changing the panel size with the mouse: 1. Move the cursor on top of the small red squares along the panel border. 2. Click and drag to resize the panel. Entering the panel size numerically:
The width of the panel. The height of the panel. Margin around the panel.
Tiling the Job Using the Preview Area

You can add new tiles to the panel:
Auto-tile: A tile will automatically be created that includes all selected objects. If no objects are selected, all of the objects in the design will be included. If the design is too large to fit on the selected media, it will automatically be tiled so that each tile is the maximum possible size. Auto-tile does not attempt to tile the entire page, just the design or the selected objects. Tile to Border: The entire design page is automatically tiled. If the page is too large to fit on the selected media, it will be tiled so that each tile is the maximum possible size.
1. Move the mouse cursor on top of the panel border. 2. Click and drag towards the center of the panel to add a new panel.
Click and drag the panel border to add a new tile
Moving the Panel

The panel defines the area of design that will be processed for output. Elements of the design that are outside the bounds of the panel will not be cut.
To resize existing tiles: 1. Move the mouse cursor on top of the tile border. 2. Click and drag to resize the tile.
Resizing the Panel

You can resize the panel by dragging the panel border or using the Panel Size group to numerically enter the panel size.
Click and drag the tile border to resize the tile
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Tiling the Job Using the Tile Group Box

The Tile group allows you to specify the tiles numerically. To specifying the size of each tile numerically: 1. Select the tile you want to resize in the preview area. 2. Enter the new size.
The width of the selected tile. The height of the selected tile.
Specifying Overlap between Tiles

You can specify the amount of overlap between rows and columns. By overlapping, you can eliminate any gaps between the tiles when assembling the final output. Overlap is measured as the total amount two rows or columns overlap.
Check to create an overlap on the vertical edges of tiles. Check to create an overlap on the horizontal edges of tiles. The width of the overlap.
Horizontal Overlap Vertical Overlap
To tile the job evenly, check the tiling option you want to perform and enter the desired number or the size of rows and columns.
Divides the job into a specified number of evenly sized columns. Divides the job into a specified number of evenly sized rows.
Tiling All Copies Individually

Check to show all copies in the preview so that the tiles can be adjusted on each copy. When this option is on, job height and job width in the general tab will update as the number of copies is changed.

Even Columns Even Rows
Tile all copies defaults to on for flatbed cutters so that the output does not need to be assembled.
Preventing Tiles from Being Output

To disable a tile and prevent it from being output with the rest of the job, do one of the following: Double-click on the tile in the preview pane. Right-click on the tile in the preview pane.
Divides the job into a specified size of columns, starting from the left side. Divides the job into a specified size of rows, starting from the bottom.
Disabled tiles are marked with a hash pattern.
Specifying column width
Specifying row height
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Disabled tile
To make a disabled tile able to be output again, double-click or right-click the disabled tile a second time. One tile in each job must always be enabled. If you try to disable all of the tiles, one of the other tiles will become enabled again.
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Cut/Plot Dialog Options Tab

The Options tab allows you to set a number of commonly-used options for cutting jobs.
Separate Panels, Separate Jobs
A separate job file is created for each color and you can define the panel size for each color separately.
Pause between colors Weed border
Selects whether the Production Manager should pause after each color is processed, allowing you to change the pen or the media. This option can only be selected when Send all colors is checked. Cuts a border with the specified Panel margin around all objects in the selected color.
Horizontal weedlines
Adds weedlines between lines of text (or objects).
Horizontal split lines
Adds horizontal lines that run down the center of the rows of text, but do not cut the text. The split lines are interrupted where they cross the text.
The following options are available:

Send all colors Check Send All Colors option to process each color separately. When this option is checked you can select how each color will be processed: Single Panel, Single Job The job is sent as a single file and processed using the same panel size for all colors. Vertical weedlines Adds weedlines between characters (or objects).
Single Panel, Separate Jobs
A separate job file is created for each color but they are still processed using the same panel size for all colors.
Vertical split lines
Adds vertical lines that run through characters but do not cut the text. The split lines are interrupted where they cross the text.
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Cutter driver options
This set of controls allows you to set a number of cutter-related output options, such as cutting speed and pressure. Different cutter options can be specified for each color in the design. To edit the cutter driver options for a given color, select the color in the list and click Edit. See Setting Cutter Driver Options below for details. Check Use same driver options for all colors to force all of the colors to use the same cutter driver options. To disable a color from being output, click on the knife icon to the left of the color. A red X will appear over the knife icon, indicating that it will not be cut. To re-enable the color to be output, click on it again to clear the red X. Advances the media and resets the origin. Defines the number of times that the blade will cut the same path. Set this option if you are using thick or hard media that cant be cut in a single pass. Displays the total size of the job. This option cannot be edited.
Available options include:

Save Delete Saves the changes you made as a new command. Deletes the selected command from the list (you can only delete commands that were added using the save command). Reverts all settings to its default settings (any custom commands added by the user will be deleted). Defines commands that will be sent before the job is processed. Defines a series of settings for fast, medium and slow cutting speeds. Select None if you want to use all settings from the output device. Defines the pressure of the knife. Defines the traveling speed of the head. Defines the tool when several tools are available or switch between cut and plot. Defines commands that will be sent after the job is processed. Specify if the media will be cut after cutting or plotting. Allows you to execute common tasks that you are usually required to do from the cutters control panel. Initializes the output device. Advances or rolls back the media. Moves the head to the origin.
Reset Before Job Cut Fast / Medium / Slow / None Pressure / Force Speed Tool After Job Cut Media / Auto Cut Macro Initialize Roll Forward /Backward Go to origin
Advance after plot Passes
Total size
Setting Cutter Driver Options

The Cutter Driver Options allow you to control the parameters of operation of your output device such as cut speed, pressure and execute common tasks (roll forward, roll backward, go to origin) from your computer.

Before Job Tab After Job Tab Macro Tab
Make sure nobody is around the output device when sending the macros, since the cutter may move and injure the operator.
The settings available in the Cutter Driver Options vary according to your output device.
Each command has a checkbox to enable or disable it. When enabled, you can change the value, and the command will be sent to the output device overriding the settings in the output device. When the option is unchecked, the settings from the output device are used.
Cut / Plot Dialog - Advanced Tab

The Advanced tab allows you to set certain advanced options specific to cutting jobs.
Optimize cutting order
When this option is not selected, the objects are cut or plot in the order they were created. When selected, the software processes the objects within the specified section of length before moving to the next section. Selects whether the Production Manager should pause after each page is processed, allowing you to load the media after each page. Cuts the borderline of a page when the output is tiled into several pages. Separates pages, tiles, and panels using the amount of space specified for spacing out copies in the Copies group on the General tab. Adds small rectangles to the corners of each layer to aid in positioning each piece.
The automatic registration marks are simply placed at the
corners of each layer. If the layers are different sizes, the automatic registration marks will not line up with each other. If you want to use the automatic registration marks to align different colored objects to each other, either the panel size must be identical for all layers, or you must use Send All Colors with the single panel option enabled.
Pause between pages Cut page crossings Apply copy spacing between pages Automatic Registration Marks
Fill plot
Allow you to define the angle and pen width for fill plot.
The following options can be adjusted in this dialog box:

Convert stroke to outlines Plot dimensions and labels Auto-weld Auto-trap Overcut Selects whether the strokes will be cut separately as an object. Selects whether the labels and dimensions created with measure tool will be cut or plot. Removes intersections of overlapping objects of the same color. Specifies the amount of overlap between objects of different colors. If selected, when the software is cutting around closed curves, it will continue cutting around the curve a second time, for a specified distance. This ensures that the curve is cut out completely.
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20. Printing your Design

Before you can print any design, make sure you have established a connection from your design software to the Production Manager and created a setup for your output device as instructed in the section Setting up the Production Manager and Configuring Output Devices. Follow the steps below to send the document to your cutting device: 1. From the File menu, select RIP and Print.
Material Group box
RIP and Print Dialog - General Tab

The General tab allows you to specify the size of media, size of the job and the location of your output on the media.
2. Adjust the settings available in the dialog box as necessary and click Send.
Sending Mode
Setting the RIP and Print Dialog

The RIP and Print dialog box gives you complete control over how the job is produced. This dialog box consists of four Tabs General, Panel, Advanced and Adjustment Tabs. The area on top of this dialog is common for all Tabs:
Current Printer Position Group box
Preview Area
Size Group box
Copies Group box Automatic tile flip Tabs Active jobs for this device Positioning tools Zoom tools
Displays the Setup Properties
Switches to Production Manager
You can resize the RIP and Print dialog, by clicking and dragging the lower right corner.
Material Settings
The Material group box allows you to specify the size of media used in your output device by entering the Media Width and Height. The media size is used to panel your job if it is larger than the media.
Select your media size from the list or specify a custom size by selecting User Defined.
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Poll Size: polls the size of the media loaded in the cutter. This feature only works if the device and port support bi-directional communications. Material width. Material height.
Size Settings
The Size group box allows you to change the size of your output.
Width of the output. Height of the output. Scale ratio. Fit to media Scales the job proportionally so that it is as large as possible while still fitting within the printable area of the output media.
Sending Mode
The Send List allows you to select what to do with the job once it arrives in the Production Manager queue.
Send now Hold in list Save to file The job is automatically processed and sent to the output device. The job stays in the Production Manager queue until it is manually sent from Production Manager. The job is processed and saved as native file (prt files).
Copies Settings
The Copies group box allows you to set the number of copies and the spacing between them.
The number of copies. The amount of space between the copies.
Copy Spacing
Send Now mode is not available if the output device is inactive or the Production Manager is on another computer on the network and the option Allow remote Send Now/Interactive is not enabled in the Production Manager Preferences.
Position Settings
The Position group box allows you to specify where on the media the job is output.
Horizontal offset distance. Vertical offset distance.
The copies are automatically positioned to optimize the media usage.
Automatic Tile Flip

If Automatic tile flip is checked, every other tile that is printed will be rotated 180 so that adjacent vertical edges are always printed with the same side of the print head. This helps them match up cleanly.
You can also positioning the job by clicking and dragging: 1. Choose Select tool from the tool bar of RIP and Print dialog. 2. Click and drag the preview to a new position.
and drag
Click
RL
RR
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Positioning Tools
The Positioning tools allow you to rotate, mirror, or position the job.
The job is placed at specified distances from the right edge and the leading edge of the media. The job is centered on the leading edge of the media.
RIP and Print Dialog - Panel Tab

Jobs that are bigger than the media size should be tiled before output.
Panel Group Box
The job is centered in the length and width of themedia.

Tile Group Box
The job is placed at specified distances from the left edge and the leading edge of the media. Rotate the job in 90-degree increments. Mirror the job vertically.
Overlap Group Box Panel tools
Viewing Tools
Zoom tools
The viewing tools allow you to manipulate the job on the preview area.
Changes the position of the job on the media by clicking and dragging the job preview. Zooms in or out. Hold the CTRL key to Zoom out. Return the preview area to the default view. Zoom to fit all objects into the preview area. Click this button to toggle the preview to display the selected objects only or the entire design.
The panel can be divided in several columns and rows. Each section or cell is called a Tile. The Panel tab provides several tools to tile the job.
Panel Tools
The tool bar provides tools to change the Panel mode and automatically tile.
Locks the columns so that the tiles on a same column can be adjusted as a group. Locks the rows, so that the tiles on a same row will can be adjusted as a group. Locks both columns and rows, so that the entire columns or rows can be adjusted as a group.
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Tiling the Job Using the Preview Area

You can add new tiles to the panel:
Auto-tile: A tile will automatically be created that includes all selected objects. If no objects are selected, all of the objects in the design will be included. If the design is too large to fit on the selected media, it will automatically be tiled so that each tile is the maximum possible size. Auto-tile does not attempt to tile the entire page, just the design or the selected objects. Tile to Border: The entire design page is automatically tiled. If the page is too large to fit on the selected media, it will be tiled so that each tile is the maximum possible size.
1. Move the mouse cursor on top of the panel border. 2. Click and drag towards the center of the panel to add a new panel. To resize existing tiles: 1. Move the mouse cursor on top of the tile border. 2. Click and drag resize the tile. to
Click and drag the panel border to add a new tile
Resizing the Panel

The panel defines the area of design that will be processed for output. Elements of the design that are outside the bounds of the panel will not be printed. You can resize the panel by dragging the panel border or using the Panel Size group to numerically enter the panel size. Changing the panel size with the mouse: Move the cursor on top of the small red squares along the panel border. Click and drag to resize the panel.
Click and drag the tile border to resize the tile
Tiling the Job Using the Tile Group Box

The Tile group allows you to specify the tiles numerically. To specifying the size of each tile numerically: Select the tile you want to resize in the preview area. Enter the new size.
Entering the panel size numerically:

The width of the panel. The height of the panel. Margin around the panel.
The width of the selected tile. The height of the selected tile.
To tile the job evenly, check the tiling option you want to perform and enter the desired number or the size of rows and columns.
Divides the job into a specified number of evenly sized columns. Divides the job into a specified number of evenly sized rows.
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Preventing Tiles from Being Output

To disable a tile and prevent it from being output with the rest of the job, do one of the following:
Even Columns Even Rows
Double-click on the tile in the preview pane. Right-click on the tile in the preview pane.
Divides the job into a specified size of columns, starting from the left side. Divides the job into a specified size of rows, starting from the bottom.
Disabled tiles are marked with a hash pattern.

Disabled tile
Specifying column width Specifying row height
Specifying Overlap between Tiles

You can specify the amount of overlap between rows and columns. By overlapping, you can eliminate any gaps between the tiles when assembling the final output. Overlap is measured as the total amount two rows or columns overlap.
Check to create an overlap on the vertical edges of tiles. Check to create an overlap on the horizontal edges of tiles. The width of the overlap.
To make a disabled tile able to be output again, double-click or right-click the disabled tile a second time. One tile in each job must always be enabled. If you try to disable all of the tiles, one of the other tiles will become enabled again.
Horizontal Overlap
Vertical Overlap
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RIP and Print Dialog - Advanced Tab

The Advanced tab of RIP and Print, allows you to set several options specific to color printing jobs. The Advanced tab has two layouts depending on which printer you are using.
Preset
Select the preset to load the settings relevant to the Advanced tab from the preset. Only the settings relevant to the Advanced tab (media, color mode, dither type, etc.) will be loaded from the preset. When finished, click Done.
Loading settings from a preset only affects the Advanced tab; it
does not set the job to automatically use that preset in Production Manager.
Media Print mode Color mode Resolution
Select the media type your job will be printed on. Select the desired quality of your printout. If your output device supports multiple color modes, then you can select one of the supported color modes here. Choose an appropriate DPI for your job. A higher DPI produces higher quality output but increases the processing time. Selects the dither type, or the pattern in which the individual dots that make an image are applied to the media. Clicking the Screen button will launch a dialog box when the Angled Screen dither type is selected. You can adjust frequency, angle and shape for each output channel (CMYK). Select Normal, Enhanced or Super. The higher settings cause the software to render gradients using more elaborate algorithms that produce smoother dithering. Output profiles are created for the combination of ink, media, resolution and dither type of your output device. When selecting a profile, be sure to select the profile that matches these criteria. Select Add to add ICC output profiles from another source. Select the ICC profile and click Open. Clicking the Properties button will launch the Profile Properties dialog, which contains information pertaining to the ICC output profile that has been chosen under Output profile and also UCR/GCR settings.
Dither type Screen

Advanced Tab with automatic profile selection Advanced Tab (standard)
Setting the Print Quality

The Output Settings group and the Driver Options define all the settings related to the quality of the output.
Color correction Color settings Ignore Overprint If this setting is not checked, incoming jobs are assumed to already have color correction. Clicking this button will launch the Color Settings dialog. See Configuring the System for Color Printing on page 135 for more details. Check to ignore any overprinting that was set up in the design stage. This can be useful if you want to save the time and output media needed to do overprinting.
If you check Ignore Overprint, your output will automatically be
changed so that it will not use features that depend on overprinting. For instance, output that had been set up to use color trapping will now output untrapped.
Gradient smoothness Output profile
Properties
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Linearization
Click to launch the Linearization dialog. Labels and marks
page 159 for more details. Check Print Marks to print the selected type of mark. Set Color to the ink color that will be used to print the marks. The available types of print mark are: Crop Marks Adds crop marks to the output to aid in trimming the printout.
Density adjustment
Selecting a density file applies the ink density adjustments created in Color Profiler. If you do not wish to apply a density adjustment, set this field to None. Set the ink limit for each color of ink to the maximum percent coverage that the device can output without causing bleeding or drying issues, then click OK.
Standard marks
Standard marks intended for aligning color separations.
Ink Limits
Swatch
Color swatches for each color of ink will be printed around the job.
Print substrate Print dimensions and labels Print as separations
If checked, the color of the drawing area will be printed with the design. Selects if the labels and dimensions added with dimension/label tools will be printed with the design. Check to print each color plane separately.
You can select to print one color channel or all color channels as a separate job. Print separations in color Check to make each process color separation print in the appropriate color of ink. If this option is not selected, all process color separations will print in black.
Separations for spot colors will always print
in black.
Use printer spot colors
Allows you to map the spot color used in the design to specific ink in the printer. See Printing with Spot Colors on
158
Overlap Marks
Overlap marks will be printed, indicating how the tiles of a tiled job should overlap. Color swatches containing blended CMY colors and a gray scale will be printed around the job.
RIP and Print Dialog Adjustment Tab

The Color Adjustment tab provides some basic tools to manually adjust the output color. Each color channel is listed separately as a linearization curve that determines what percentage of coverage will be used (output) for a specified percentage in the original image (input).
Tonal Scale
Margin
Marks will be printed at the corners of the job indicating its outside margins. A border will be printed around the outside edge of the job.
Border
Preview Channel
Check to see the changes in your color settings reflected in the preview pane. Select the color channel that you want to edit. Select All to apply the changes to all color channels. The value for the point that is currently selected on the linearization curve. Click on the curve to select a different point to edit. You can also select a point by clicking on the input axis label. To change the value at given point on the curve, edit the value in the Output field, or click and drag the point up or down.
Print Color Bands
Prints a thin strip of each ink color along the selected edges of the print to show that all print heads are firing.
Output
Contour Driver Options
Clicking this button opens the Contour Options dialog. See Setting Contour Cut Options page 161. Clicking this button opens the Driver Options dialog. See Setting Driver Options page 160. Contrast Vividness
Adjusts the amount of contrast in the image.

This setting is only available when All color channels are selected.
Adjusts the vividness of the image. Higher settings boost color saturation and brightness at the expense of color fidelity and detail. Lower settings decrease color saturation and brightness, but increase contrast.
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Advanced
Click to edit the color settings in the image using a more advanced model.
Setting Driver Options

The Driver Options dialog displays settings related to the selected output device. The options displayed may vary depending on your output device.
Brightness
Higher values make all colors in the image lighter in shade. Lower values darken the colors in the image. This setting adjusts the overall hue of the picture. It can make the image bluish, or sepia-toned. For this setting, the range of values from -100% to +100% represents the spectrum of colors that can be applied to the image. Higher values increase the amount of color in the image, but can reduce the contrast and detail. Lower values reduce the amount of color. Click to reset all sliders to their defaults.
Enable driver options
Global Hue
Allows you to use the available driver options for your output device. When driver options are enabled, you can set special options from within the driver options dialog. When driver options are disabled, the printers own settings will be used. Number of times you would like the printer to print over the same area. This setting increases the number of ink layers placed on the media. The amount of space between each separate job. This is the amount of time the printer waits after it has completed printing, allowing the ink to dry. Direction the print heads move when printing. In Bidirectional mode the print cartridges print from left to right, then from right to left. In unidirectional mode, the cartridges print from right to left only. Bidirectional mode prints faster, but unidirectional mode usually produces a better quality print. If checked, the printer will use the value provided to compensate for variations in feed rates during the output process. This provides more accurate output. Cuts the media after the print is complete. If a drying time has been set, the media will be cut after the dry time is finished. If checked, the media will feed past the heads and remain there at the end of the job. Click to return all settings on the tab to their default values.
Overprint
Saturation
Page Spacing Dry Time Print Direction
Reset
Click OK to accept changes and return to the color adjustment tab. Delete Reset Reset All Click to delete the selected point from the linearization curve. Click to restore the values and settings for the current channel to its original states. Click to restore the values and settings for all channels to their original states.
Media feed calibration Cut sheet after printing Advance after print Restore Defaults
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Printing with Spot Colors

Some printers support spot color inks. Spot colors are used to reproduce colors that are difficult to produce using standard inks. If your printer supports spot colors, you can use the following steps to print them. 1. Use the spot color swatch tables for your printer to create your design.
Contour Cutting
Contour cutting allows you to print and then cut a contour line around your design. The output of a design with contour cut involves several steps as follow: 1. Create your design in your software and add a contour cut line. See Using Contour Cut on page 129 for more details. 2. From the File menu, select RIP and Print. 3. Select the Advanced tab in the RIP and Print dialog. 4. Click Contour. 5. Set the contour cut options. 6. Print your design. 7. Cut the contour cut.
The software already comes with spot color libraries specific for printers that support spot color printing. If a certain color is not listed in the color library you should create the color and define it as a spot color.
2. From the File menu, select RIP and Print. 3. Select the Advanced Tab. 4. In the Miscellaneous settings group, check Print spot colors. 5. Click the Spot color mapping button.
Setting Contour Cut Options

When a print job containing one or more contour cuts is opened in the RIP and Print dialog, you can set the cutting options for the contour cuts in the Contour Options dialog. To access the Contour Options dialog, click on the Contour button on the Advanced tab of the RIP and Print dialog.
If you have not yet set up your vinyl cutter, you will be prompted to add a setup before you can access the Contour Options dialog.
a. Select the drawing color you want to change the mapping and select the Printer color from the map to list. Select Print as process color if you want to print that color using process colors (CMYK). Select Skip to disable the color. b. Click OK. 6. Set the appropriate options in the RIP and Print dialog and then click Send to print the job.
The printer or the Production Manager will prompt whenever you have to change the spot color ink in the printer.
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The following options can be selected:

The cutter that will be used to cut the contour. Media size. Material width. Material height. Poll Size: polls the size of the media loaded in the cutter. This feature only works for devices that are capable of two-way communication, such as serial or USB devices. Registration mark Select the type of registration mark to help you align the printed media in the cutter for contour cutting. Some cutters are equipped with sensors that detect the registration marks automatically. The Print Marks Color setting in the Advanced tab of the RIP and Print dialog determines the color of the registration marks.
For best result with a automatically aligned cutter, use the
registration mark for that manufacturer and device.
output, then reset the origin. Cut page crossings Optimize cutting order Cuts the borderline of a page when the output is tiled into several pages. When this option is not selected, the objects are cut or plot in the order they were created. When selected, the software processes the objects within the specified section of length before moving to the next section. Removes intersections of overlapping objects of the same color. Cuts a border around all objects in the selected color. Specify how the job will be sent to the output device: As hybrid job As separate jobs Sends both printing and cutting data as a single job. This option is available for hybrid printer/cutter devices. Sends printing and cutting data as separate jobs. This option is available if you use different devices for cutting and printing. This is also known as virtual hybrid output. Sends only the printing job. Sends only the cutting job
Auto-weld Weed border Send
4 Points Horizontal
Places registration marks along the upper and lower horizontal edges of the job. Places registration marks on the right side of the image. The arrow in the registration mark indicates the media feed direction for cutting. Places registration marks on the bottom of the image. The arrow in the registration mark indicates the media feed direction for cutting.
Vertical
Print job only Contour job only Cutter Driver Options
Click to edit the cutter driver options. See Setting Cutter Driver Options page 150 for details.
Horizontal
When finished, click Done to return to the Advanced tab of the RIP and Print dialog.
Cutting the Contour on a Hybrid Device

If you are using a hybrid device, the contour will be cut automatically after printing.
One set for all copies Advance after plot
If checked, only one set of registration marks will be printed for the entire job. Check to lift the knife and advance the media after
Cutting the Contour As a Separate Job

If you send the print and cut data as separate jobs, the software will output the print job first. The cut job will be put in the queue of
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the selected cutting device, and it status will be set to Holding. You can then load the output media from the printer into the cutting device and send the cut job to the device. In order for the contour to line up properly on the print job, you must align the cut job to the printed output using either automatic alignment or manual alignment.
Interactive alignment Digitize alignment
You will position the cut head over the registration marks using software controls. You will position the cut head over the registration marks using the controls on the face of the cutter.
This option is only available when a bi-directional
communications protocol such as serial or USB is used.
Cutting the Contour on a Cutter with Automatic Alignment

1. RIP and print the job. 2. Remove the output media from the printer and load it into the cutter. 3. Output the cut job in the Hold Queue as you would a normal print job.
a. To indicate the position of the registration marks using Interactive alignment:
i. 4. Align the cutting head over the first automatic registration mark (lower right if not marked) using the controls on the front panel of the cutter. 5. Click OK to cut the contour.
Use the arrow buttons to position the head of the cutting device over registration mark 1 and click OK.
ii. Repeat for all additional registration marks. b. To indicate the position of the registration marks using Digital alignment:
Cutting the Contour on a Manually Aligned Cutter

1. RIP and print the job. 2. Remove the output media from the printer and load it into the cutter. Make sure the output media is straight, and align the registration marks to the origin for the cutter. 3. Output the cut job in the Hold Queue as you would a normal print job.
i.
Use the front panel controls on the cutter to position the head of the cutting device over registration mark 1. Press Enter on the cutting device, then click OK.
ii. Repeat for all additional registration marks.
4. Select the method to be used to position the cut head over the registration marks and click OK.
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5. Make sure the knife is loaded into the cutter, then click OK to cut the contour portion of the design.
Appendix A - ASCII CODE

Code 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 ! " # $ % & ' ( ) * + , . / 0 1 2 3 4 5 6 7 8 Char Code 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 Char 9 : ; < = > ? @ A B C D E F G H I J K L M N O P Q Code 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 Char R S T U V W X Y Z [ \ ] ^ _ ` a b c d e f g h i j Code 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 Char k l m n o p q r s t u v w x y z { | } ~ Code 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 ' Char Code 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 Char Code 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 Char Code 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 Char Code 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 Char
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Appendix B - Supported File Formats

File Format Adobe Illustrator Adobe PhotoShop Adobe Portable Document Format (PDF) AutoCAD Drawing CASmate Clip Art CorelDRAW Drawing CorelDRAW Exchange Metafile Desktop Color Separation (DCS) Digital Microprocessor Plotter Language (DMPL) Drawing Exchange file EnRoute FlexiSIGN 5.x FlexiSIGN 6.x Flexi 7 Flexi 7.5 Gerber Artwork Definition Gerber Clip Art Gerber Graphic Advantage Gerber Omega Hewlett Packard Graphics Language (HPGL) Hewlett Packard Graphics Language II (HPGL/2) Ikarus Inspire Extension ai, EPS psd pdf dwg scv ca cdr cmx dcs plt dxf enr fs, pd, fd, fc, fe fs fs fs gad gca plt plt hpg, hgl, plt hpg, hgl, plt ik sci Import 11 (CS) 6.0 1.3 2000 6.52 4/5 8.0 (B) 6.0 2.0 (A) (A) 2.3 5.9 6.0 7.0 7.5 -----------(A) 6.20 2.0 (A) (A) (A) 1.6 (B) Export 6.0 4.0 1.3 -----------6.52 4/5 --------------------------------------------(A) -----------4/5 6/7 7.0 7.5 1.0 ---------------------------------(A) (A) ---------------------Targa Text Tag Image File Format (TIFF) Windows bitmap Zsoft PC Paintbrush File Format Joint Photograph Experts Group (JPEG) Kodak Flashpix Kodak PhotoCD Macintosh Quickdraw PICT Microsoft Widows Metafile Portable Network Graphics (PNG) PostScript Extension jpg fpx pcd pct wmf png ps, EPS, 2ps, fjb, prn tga txt tif Bmp pcx Import (A) 1.0 (B) (A) (B) (A) (B) (A) (B) (A) (B) 2.0 2.0 (A) 6.0 (A) 5.0 (B) Export (A) --------------------------------------------(A) (B) 3.0 2.0 -----------6.0 (A) ------------
(A): Version number does not exist or is not available. (B): Not supported on Macintosh.
Layering information, including layer name, color and attributes (locked, visible) will be preserved in files exported to the following formats: Adobe Illustrator, DXF, and HPGL. Layering is ignored during import, so that multiple imports do not create many unnecessary layers. To preserve layer information, use the Open command instead.
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AutoCAD DXF Import

When DXF files are imported, the following dialog will appear:
Gerber File Format Supported Features

The following features of the Gerber file formats are supported:
Preview Paths Groups Bitmap Supported. Preview is shown in the Open and Import dialogs. Supported. All objects are automatically grouped after import. Supported. If the original bitmap is missing, you will be prompted to locate the file. Text is usually imported as outlines, but in some cases they will be detected as text and you will be prompted for font substitution if there are any missing fonts. Supported. Spot, Spectratone (Duotone), RGB and CMYK are all supported. Supported, but if the job contains both both vinyl and foil colors then the following message will appear:
1. Set Units to the desired units (imperial or metric). 2. Click OK.
Text
If a DXF file is opened instead of imported, layers that are marked as frozen (hidden and non-editable) in the DXF file will be preserved as separate layers, and marked as hidden.
Foil Color Vinyl Color
Adobe Acrobat PDF Export

When a design is exported to PDF format, the following dialog will appear:
1. Set Scale to the desired size for the PDF page. The software will shrink or enlarge the design to match the selected page size. a. Select Full Size to keep the PDF at the same size as the design. 2. Check Downsample bitmaps to force the software to reduce the number of pixels in bitmaps that are above the selected DPI setting. This may reduce the picture quality of bitmaps, but will also reduce the PDF file size. 3. Click OK. Objects that are not supported by the PDF format, such as Lens effects, will be rasterized and inserted into the PDF as bitmaps.
Check Import vinyl data as contour cut and click OK to import vinyl color objects as contour cut paths. If the Import vinyl data as contour cut box is cleared, vinyl objects will be imported as standard vector objects. Gradients Job print order Overlap/ Overprint Primer Substrate color Stroke Color Supported. Linear and radial gradient are supported for both spot and process. Supported. Choose "Apply print order" during import to use the job print order. Supported. Both import as overprint, but heat setting can be changed in driver options. Supported. Supported. In order to see the substrate color use Open. It is skipped when using Import. Supported. If the fill and stroke have different primer/overprint or if the stroke is behind the fill then they will be imported as two objects, one with fill only, the other with stroke only.
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Appendix C Features List

FlexiSIGN-PRO FlexiEXPERT FlexiPRINT & CUT FlexiSIGN FlexiLETTER FlexiDESIGNER FlexiSIGN-PRO FlexiEXPERT FlexiPRINT & CUT FlexiSIGN FlexiLETTER FlexiDESIGNER
Getting Started Navigator View Repeat Working with Files Job Info Job Estimation Templates Using DesignEditor DesignEditor Selecting Objects Select Similar Objects / Color Select by Attribute Arranging Objects Same Width / Same Height Auto Serialize Mask / Unmask Distribute True Shape Nesting Clear Transform Working with Color Eyedropper Modify Color Libraries Measure Color Create Duotone Swatch Create CMYK Swatch Create Current Palette Swatch Using Fill/Stroke Editor Patterns Gradients Working with Shapes Circle Fan Arrow Parametric Shape Convert to Shape Working with Text Text Block Size Braille Barcode Insert Symbol Define Character Text Styles URW Font Support
x x x x x x x x x x x x x x x x x x x x
x x x x x x x x x x x x x
x x x x x x x x x x x
x x x
x x x
x x x Optional
Optional
Optional Optional
x x x Optional x x x x x x
x x x x x
x x x x x x x x Optional x x x x Optional
x x x x x x x x Optional x x x Optional
x x x
x x
x x x x x x x x Optional x x x x Optional
Optional x x x Optional
Optional Optional
Working with Bitmaps Scanning x x Creating New Bitmaps x x Rasterize x x Resample x Colormode x x Filters x Marquee x x Lasso x Magic Wand x x Move x x Eraser x x Paintbrush x Pencil x x Fill x x Crop x Stamp x Autotrace x x ColorTrace x x Centerline Trace x x PictureCut x x Working with Effects Fuse x x Separate Overlap x x Stripe x x Blend x x Lens x Underbase x Finisher x Color Trapping x x Graphic Styles x x Contour x x Working with Measurements and Labels Dimensions / Labels x x Automatic Dimension x x Dimension to Page x x Configuring the System for Color Printing Color Settings x Soft Proof x RIP and Print x Cutting your Design Cut/Plot x x
x x x x x x x x x x x x x x x x x x x x x x x
x x x x x
x x BW BW
x x x x x
x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x
x x x x x x x x x x
x x x x x x
x x Optional Optional
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FlexiSIGN-PRO FlexiEXPERT
FlexiPRINT & CUT FlexiSIGN FlexiLETTER FlexiDESIGNER
CASmate Tracing Features* Bezier Tracing Enhanced Curves Tracing Enhanced Corners Tracing Centerline Vectorization Color Vectorization
x x x x x
x x x x x
x x x x x
x x x x x
x x x x x
x x x x x
* Not supported on Macintosh operating systems.
This chart lists only the major features that differentiate the versions of the software. Not every feature present in the software is listed.
168
Appendix D - CASmate Tracing Features

The following tracing features are not available on the Macintosh.
Tolerance
Using Bezier Tracing

Bezier Tracing traces the outline of the image and converts it to Bezier curves. Bezier curves are very convenient for graphic editing, and typically contain fewer points than lines/arcs. To trace a bitmap using Bezier tracing: 1. Select the bitmap. 2. From the Bitmap menu, point to Vectorize and then select Bezier.
Corner Detection Reset Noise Suppression
Controls how close the traced paths stays to the original scanned image. Smaller values will provide an accurate result that is very close to the scanned image, but larger values will create smoother lines and fewer control points. Used to filter out some of the small garbage that is created during the scanning process. If the image contains a lot of garbage, try using the Reduce Noise bitmap filter prior to vectorizing. Sets the threshold for detecting what is and what isnt a corner, and how sharply the corners will be defined. Resets the tracing parameters to their default value.
Using Enhanced Curves Tracing

This option traces the outline of the image and converts them to Lines and Arcs. This option is the preferred method when scanning small business cards or poor quality artwork. To trace a bitmap using Enhanced Curves tracing: 1. Select the bitmap. 2. From the Bitmap menu, point to Vectorize and then select Enhanced Curves.
4. Click OK.
Using Centerline Vectorization

This vectorization method is used for black and white or grayscale images, which contain mostly lines rather than filled shapes. It detects the center of the lines and creates a single line vector graphic. Centerline vectorization is typically used in routing and engraving where you may want a single line path for the machine. 1. Select the bitmap. 2. From the Bitmap menu, point to Vectorize and then select Centerline. 3. Adjust the tracing parameters.
Pure Centerline Outline Thick Areas Shortest segment length The program will find the center of each line and create a single line contour. The program will centerline contours that are smaller than the Line Width value and outline areas that are larger than this value. This option is the minimum distance between junctions. The larger the parameter value is, the more perfect the junctions will be. However, if you are working with an image that may have a lot of close lines, you will want to keep the value small.
Using Enhanced Corners Tracing

This vectorization option is great for larger, camera-ready artwork. It will produce fewer points and sharper corners than the Enhanced Curves option. To trace a bitmap using Enhanced Corners tracing: 1. Select the bitmap. 2. From the Bitmap menu, point to Vectorize and then select Enhanced Corners. 3. Adjust the tracing parameters. You can adjust by dragging the sliders or entering a numeric value.
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Shortest centerline section Joining Paths
This option only applies when using Outline Thick Areas. It controls the centerline leftovers at the ends of the outlines. When creating a centerline you can select how you want the contours created. The results of the centerline will look the same no matter which option is selected. None This option will create open contours that are made up of small segments. This option will create as many closed contours as possible. These contours can be filled later if necessary. This option will generate the longest possible contours. This is the most popular option because it minimizes the amount of up/down movements that a router or engraver will have to make.
Using Color Vectorization

Color vectorization is used to convert color raster images into vector graphics. Before vectorization, the image must be posterized in order to reduce the number of colors. The Color Vectorization process is divided Posterization, Merging colors and Vectorization. into 3 steps:
Posterize
Posterization is the process of reducing the number of colors to a manageable level so the image can be vectorized. To posterize an image: 1. Choose the posterization method you want. 2. Choose the number of colors. 3. Click Posterize.
The bitmap is posterized the image, and display the resulting colors in the color list in the dialog box. Your software provides three methods of posterization:
Loops
Long Paths
Automatic
This option will let your software determine what should be centerlined and what should be outlined. The Outline Thick Areas option defaults to the Automatic setting, When this option is selected, the Line Width value can be entered. This field tells the program to centerline anything smaller than this value and outline anything larger. When using Outline Thick Areas you can tell the program what vectorization method to use on the outlines. See Tracing Bitmaps on page 113 about Bezier, Corners or Curves tracings. This button is only available when Corners is selected in Enhancement field. See Using Enhanced Corners Tracing on page 169 about the tracing properties of Corner Enhancement tracing. Resets the tracing parameters to their default value.
Manual Line Width Enhancement
Fast Posterization
Options
Reset
This method works on each of the three color channels (Red, Green, Blue) separately. It divides the color range within each channel into equal bands, then fits each pixel in the image to the color band closest to it. In this method you specify how many colors you want in the posterized results. Your software offers you a choice from a list of numbers: 8, 27, etc. If, for example, you want to divide each color channel into two bands, the total number of possible colors in all three channels will be 8 (2x2x2). In the same way, 3 bands per channel will create 27 colors (3x3x3), etc. The Fast method is, indeed, the fastest posterization method. This method is useful for posterizing logos with very distinct colors. It is not recommended for photos because the colors in the posterized image are quite different than those in the original image. In this method the program finds the most dominant colors in the image. Any pixel is converted to one of these dominant colors, the one closest to it in color. In this method you specify how many colors you want in the posterized result. This method is slower, but the
4. Click OK.
Smart Posterization
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results are much better than the Fast method. This method is recommended both for scanned logos and for photos. The limitation of this method is that if you have a picture with many background colors, such as many shades of blue in the sky, the program may prefer those to objects in the foreground. Manual Posterization In this method you not only decide how many colors you want, but you actually pick these colors in the image. When you choose the Manual method, the cursor changes to a pipette tool. Click the colors in the image you want in the final results. Any color you click on is added to the color list in the dialog box. If you picked a color by mistake, you can select this color in the dialog and press the DELETE key to remove it from the list.
Merge Colors
After you posterize the image, you may want to get rid of some colors. For example, an area in the image which looked Orange may become a mixture (or pattern) of yellow and red after posterization. In this case you can merge these two colors in order to get one solid color for the whole area. To merge colors: 1. From the list of colors in the dialog, select the colors you want to merge together.
Use SHIFT and CTRL keys to select multiple colors. The color you want to be the result of the Merge must be selected last. The result of the merge will be displayed in the lower right corner of the dialog.
2. Click Merge.
All pixels in the image, which have the selected color will be converted to the desired color.
Vectorize
Once you are satisfied with the colors in the posterized image, click the Vectorize button to vectorize the image into multiple color vector objects.
171
Appendix E Keyboard Shortcuts

Alignment Align Both Centers Align Both Centers to Page Align Bottom Align Bottom to Page Align Horizontal Centers Align Horizontal Centers to Page Align Left Align Left to Page Align Right Align Right to Page Align Text Baselines Align Top Align Top to Page Align Vertical Centers Align Vertical Centers to Page Arranging Back One Compound Convert to Outlines Convert to Outlines Forward One Group Redraw Redraw Repeat Resize Reverse Path Direction Rotate Spacing To Back To Front UnCompound Ungroup Other Cancel Edit Close Close Exit Help Topics New Open Quit Save Save As CTRL+5 CTRL+SHIFT+5 CTRL+2 CTRL+SHIFT+2 CTRL+3 CTRL+SHIFT+3 CTRL+4 CTRL+SHIFT+4 CTRL+6 CTRL+SHIFT+6 CTRL+0 CTRL+8 CTRL+SHIFT+8 CTRL+7 CTRL+SHIFT+7 CTRL+PAGE DOWN CTRL+M CTRL+SHIFT+O V CTRL+PAGE UP CTRL+G CTRL+E F5 CTRL+D CTRL+K CTRL+SHIFT+D CTRL+R J SHIFT+NEXT SHIFT+PRIOR CTRL+J CTRL+U ESC CTRL+F4 CTRL+W ALT+F4 F1 CTRL+N CTRL+O Command+Q CTRL+S CTRL+SHIFT+S Palettes Color Mixer DesignCentral DesignEditor Fill/Stroke Editor Path Editing Select Point Tool Bezier Path Tool Add Point Remove Point Selecting Select Tool Clear Clear Copy Copy Copy Cut Cut Delete Now Delete Now Deselect Invert Selection Paste Paste Paste Redo Redo Multiple Select All Select by Attributes Undo Undo Undo Multiple Text Text Tool Find and Replace Justify Center Justify Full Justify Left Justify Right Spell Check M CTRL+I E I N P + A BACKSPACE DELETE CTRL+C F3 CTRL+INSERT F2 CTRL+X SHIFT+BACK SHIFT+DELETE CTRL+SHIFT+A CTRL+SHIFT+I SHIFT+INSERT CTRL+V F4 CTRL+Y CTRL+SHIFT+Y CTRL+A D F1 CTRL+Z CTRL+SHIFT+Z T F3 CTRL+SHIFT+C CTRL+SHIFT+F CTRL+SHIFT+L CTRL+SHIFT+R F7 Shapes Circle Tool Oval Tool Polygon Tool Rectangle Tool Starburst Tool View Next Window Pan View Show Fills View Filter Zoom Zoom In Zoom Out MIscellaneous Cut/Plot Document Setup Print Print Setup (Page Setup on Macintosh) RIP and Print Toolbars Measure Tool Paint Brush Tool C O G R S CTRL+TAB SPACE CTRL+F F Z CTRL+= CTRL+CTRL+L CTRL+B CTRL+P CTRL+SHIFT+P CTRL+H CTRL+T U B
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Index
absolute colorimetric rendering intent ......... 136 Acrobat PDF export ........ 166 adding point ...................... 98 Adobe Type 1 fonts........... 88 advance after printing ..... 160 advanced borders ............. 69 editing ........................... 72 Align Points ....................... 94 aligning objects ................. 47 apply length and angle...... 96 applying entered values .... 13 arc copy ............................ 43 arc text ........................ 73, 74 arcs ................................... 97 make arc ....................... 97 arrays of objects ............... 43 arrows ............................... 69 editing ........................... 72 attributes selecting by ................... 37 auto serialization ............... 44 automatic application of entered values ............ 13 automatic calculation ........ 13 automatic dimensioning .. 132 automatic kerning.............. 82 automatic percent calculation ................... 13 automatic ratio calculation 13 automatic unit conversion . 13 autotrace......................... 113 background color .............. 60 barcodes ........................... 84 Bezier handles .................. 70 Bezier paths ...................... 90 bitmap rendering intent ... 136 bitmap toolbar ................. 106
173
bitmaps Adobe filters ................ 112 blur .............................. 111 brightness / contrast.... 112 changing color mode... 105 changing resolution ..... 104 color balance............... 112 color modes................. 102 creating new bitmaps .. 104 crop ............................. 109 embedded ICC profiles103 erase ........................... 107 exporting ..................... 103 fill 109 filtering......................... 111 importing ..................... 103 lasso............................ 106 level............................. 112 magic wand ................. 106 marquee ...................... 106 move ........................... 107 paintbrush ................... 108 pencil........................... 108 previewing ....................... 9 rasterizing objects into bitmaps.................... 104 reduce noise................ 111 resampling................... 104 scanning...................... 103 sharpen ....................... 111 stamp .......................... 110 tracing ......................... 113 transparency ............... 105 using DesignCentral.... 102 blending effect................. 124 block text........................... 73 border, printing ................ 138 borders...................... 69, 159
braille text..........................84 break apart ........................83 breaking paths...................99 brighten effect .................125 brush shapes...................110 bull's-eye .........................123 calculating percentages ....13 calculating ratios ...............13 calculation in place............13 California Braille ................84 callouts ................. See labels cancel selection.................37 case...................................82 Casfonts fonts ...................88 Casmate tracing ..............169 cast shadow ....................121 centerline tracing.............114 change start point..............98 circles ................................68 editing............................70 circular stripes .................123 Clear Preferences ...............2 clearing effects ................117 cleaver point......................98 CMYK swatch tables .........61 color adjusting ......................159 color inversion .................125 color libraries creating by measurement ............60 modifying .......................60 color library........................58 color mixer.........................55 color mode ......................105 color models for bitmaps .102 color specs ........................57 color swatches ................158
color tracing.....................115 color trapping...................128 colors adding............................56 applying .........................54 changing........................58 changing order ..............54 color libraries modifying .........60 color models ..................52 creating..........................58 default............................59 deleting ....................54, 58 duotone .........................52 finding ............................59 merging from document.54 merging similar ..............54 preventing output.........145 reordering ......................58 searching.......................59 selecting by ...................37 showing all in palette .....61 spot................................52 common effect.................118 compounding objects ........45 constraining shapes ..........67 contour cut.......................129 Contour Cut .....................161 control points ...............39, 70 convert stroke to outlines ..92 convert to outlines .............92 converting marquee to shape.........................107 converting objects to shapes .........................72 converting shape to marquee ....................107 converting units .................13
copy .................................. 42 corner marks ................... 159 corner radius ..................... 68 corners make right angle ......... 100 rounding ........................ 96 sharpening .................... 96 cost estimation .................. 23 creating bitmaps ............. 104 creating new documents ... 17 creating swatch tables ...... 60 crop tool .......................... 109 current palette swatch table ............................ 61 cusp .................................. 90 cut after printing .............. 160 cut line .............................. 98 cut out effect ................... 118 Cut/Plot advanced options........ 151 paneling ...................... 145 default color ...................... 59 define character ................ 85 define kerning ................... 83 deleting colors................... 54 deleting objects ................. 51 deselect all........................ 37 design area ......................... 6 DesignCentral ............. 28, 39 bitmaps ....................... 102 DesignEditor ..................... 37 deskewing objects ............ 41 dimensioning lines .......... 131 editing ......................... 133 dimensioning to page...... 132 display profiles ................ 135 distort effect .................... 123 distributing objects ............ 48 document setup .................. 6 documents closing........................... 18
exporting ....................... 18 new................................ 17 saving............................ 18 sending as email ........... 18 sending to EnRoute....... 18 setup ............................. 28 drop shadow ................... 121 dry time ........................... 160 duplicating objects ............ 43 DXF files frozen layers................ 166 importing ..................... 166 edit bar .............................. 65 edit line.............................. 65 editing dimension lines.... 133 effects blend ........................... 124 brighten ....................... 125 clearing........................ 117 color trapping .............. 128 combine effects ........... 117 common ...................... 118 cut out ......................... 118 distort .......................... 123 exclude common ......... 118 finisher......................... 127 fuse ............................. 118 invert color................... 125 lens.............................. 125 magnify........................ 125 outline.......................... 119 separate overlap ......... 119 separating ................... 117 shadow........................ 120 stripes.......................... 121 transparency ............... 125 underbase ................... 126 weld............................. 117 wireframe .................... 125 emailing a job.................... 18 embedded files.................. 19
engraving fonts..................88 EnRoute ............................18 entering numerical values .12 eraser tool .......................107 exclude common effect ...118 exiting the software ...........16 exporting bitmaps............103 exporting to files ................18 eyedropper ........................56 fans ...................................69 editing............................71 feed calibration................160 files closing ...........................18 exporting........................18 finding............................22 importing........................17 linking and embedding ..19 opening..........................17 saving ............................18 fill tool ..............................109 fill types .............................62 fill, showing..........................9 filtering by color..........................10 filters................................111 find and replace.................81 finding colors .....................59 finding files ........................22 finisher effect...................127 fit to path ...........................73 fonts Casfonts ........................88 changing........................80 engraving fonts..............88 FSfonts ..........................88 installing ........................87 modifying fonts in use....88 URW..............................88 foreground color ................60 freehand drawing ..............92
FSfonts ..............................88 fuse effect........................118 gradient fill .........................64 gradient rendering intent .136 gradient stripes................122 gradients editing ............................65 graphic styles ..................128 grid ......................................6 grouping objects ................44 guidelines ............................7 hardware key over a local area network ....................142 hybrid devices .................162 ICC profiles embedded ...................103 importing bitmaps ............103 importing files ....................17 input profiles ....................135 Insert Symbol ....................85 Install Password utility .........3 installation Macintosh ........................2 installing fonts....................87 intersectionSee common effect intersection removal ..........98 invert selection ..........38, 107 job estimation ....................23 job info...............................21 job statistics.......................22 jobs fitting to media .....144, 153 join paths ...........................99 join together.......................83 kerning...............................82 labels ...............................133 lasso tool .........................106 layers.........................32, 165 lens effect ........................125 linked files..........................19
174
locking objects .................. 46 Macintosh installation.......... 2 Macintosh uninstall ............. 2 magic wand tool .............. 106 magnify effect ................. 125 make arc ........................... 97 make right angle ............. 100 manual kerning ................. 82 margins ..................... 28, 159 marquee tool ................... 106 clearing ....................... 107 converting to shape..... 107 inverting ...................... 107 masking objects ................ 46 mathematical operations... 13 measuring colors............... 60 measuring distances ....... 131 media feed calibration..... 160 menus ................................. 5 merging colors from a document into the palette ......................... 54 merging similar colors ....... 54 mirroring objects ... 30, 40, 41 modifying color libraries .... 60 moving objects .................. 39 Navigator View.................... 8 nesting objects .................. 49 new documents................. 17 no fill ................................. 62 numbering objects ............ 44 objects aligning.......................... 47 compounding ................ 45 convert to paths ............ 92 converting to underbase ............... 127 copying.......................... 42 deleting ......................... 51 deskewing ..................... 41 distributing..................... 48
175
duplicating ..................... 43 filtering by color............ 10 grouping ........................ 44 locking ........................... 46 masking......................... 46 mirroring .................. 30, 40 moving........................... 39 nesting........................... 49 numbering ..................... 44 ordering ......................... 47 overprinting ................... 66 pasting........................... 42 resizing.......................... 39 rotating .................... 29, 40 selecting .................. 34, 36 shearing .................. 29, 40 sizing ............................. 28 spacing.......................... 49 stroke properties ........... 65 OLE objects ...................... 20 online help......................... 16 opening files...................... 17 operator precedence......... 13 optimize by 3-point arc ...... 97 optimize by curve .............. 97 optimize by smooth arc ..... 97 ordering layers .................. 33 ordering objects ................ 47 orientation ......................... 83 outline effect.................... 119 ovals.................................. 68 editing............................ 71 overlap marks ................. 159 overprinting ............... 66, 160 page layout ....................... 28 page spacing................... 160 paintbrush shapes........... 110 paintbrush tool ................ 108 palette swatch table .................. 61
pan ......................................8 parametric shapes.............70 paste .................................42 paste over .........................42 paste special .....................42 path text ............................73 paths adding points .................98 aligning points ...............94 applying length and angle..........................96 breaking.........................99 change direction ............94 change start point..........98 creating..........................90 cutting............................98 direction...........................9 editing............................93 join paths .......................99 make arc........................97 make right angle..........100 optimize by 3-point arc ..97 optimize by curve ..........97 optimize by smooth arc .97 reduce points.................97 remove tiny objects .....100 removing points .............98 removing selfintersections ..............98 repeating .......................95 rounding corners ...........96 selecting ........................92 separating to open paths..........................99 sharpening corners........96 spacing points ...............95 straightening..................94 pattern fill...........................63 PDF export ......................166 pencil tool ........................108 percent calculation ............13
perceptual rendering intent..........................136 perspective shadow.........121 picturecut tracing .............114 point reduction...................97 points adding............................98 breaking.........................99 removing........................98 polygons ............................69 editing ............................71 preferences .......................13 clearing ............................2 previewing bitmaps..............9 price estimation .................23 print direction...................160 print options.....................160 pure hue settings.............136 radiant stripes..................121 rasterize...........................104 ratio calculation .................13 rectangles..........................68 editing ............................70 redo ...................................11 redo multiple......................11 redraw ...............................10 reduce points.....................97 refreshing the view ............10 registration marks..............69 relative colorimetric rendiering intent.........136 remove point......................98 remove tiny objects .........100 removing selfintersections ................98 rendering intents..............135 reordering objects..............47 repeating paths..................95 repeating the last step .......12 resample..........................104 resizing objects..................39
RIP and print advanced options........ 157 color ............................ 159 paneling ...................... 154 rotating objects ........... 29, 40 Rotating Objects ......... 29, 30 rounding corners ............... 96 rulers and grid ..................... 6 same size.......................... 39 saturation rendering intent136 save to file....................... 144 saving documents ............. 18 scanning bitmaps ............ 103 scissors ............................. 99 scroll bars ........................... 8 search and replace ........... 81 searching colors................ 59 select all............................ 37 select by attributes ............ 37 select similar color ............ 37 select tool.......................... 36 select within ...................... 36 selecting similar objects .... 37 selecting with DesignEditor ............... 34 selection modes ................ 36 sending to EnRoute .......... 18 separate overlap effect ... 119 separating effects ........... 117 shadow effect.................. 120
shapes creating ......................... 67 editing............................ 68 sharp corner...................... 96 shearing objects.......... 29, 40 show fill ............................... 9 show preview .................... 10 sizing objects .................... 28 snap .................................. 50 soft proof ........................... 10 solid fill .............................. 62 spacing between pages .. 160 spacing objects ................. 49 special characters ............. 85 spell checking ................... 81 spot color rendering intent ........... 136 spot colors....................... 161 stamp tool ....................... 110 starburst ............................ 69 editing............................ 71 starting point, changing..... 98 step and repeat ................. 43 stripes effect.................... 121 stroke properties ............... 65 styles graphic ........................ 128 text ................................ 86 swatch table ...................... 54 swatch tables
creating..........................60 reordering ......................54 system requirements ...........1 templates...........................25 text barcodes........................84 block block size.........84 Braille ............................84 breaking.........................83 changing attributes ........75 changing case ...............82 changing orientation ......83 creating..........................73 define character.............85 editing............................79 find & replace ................81 joining ............................83 kerning...........................82 labels ...........................133 preferences ...................87 selecting ........................79 special characters .........85 spell checking................81 styles .............................86 text block size....................84 text preferences ................87 text rendering intent ........136 text styles ..........................86
tiling .........................145, 154 tile overlap marks ........159 tonal scales .....................159 tool tips ................................6 toolbars................................4 transparency....................125 transparent bitmaps.........105 trapping ...........................128 TrueType fonts ..................88 TWAIN driver...................103 underbase effect..............126 undo ..................................11 undo multiple .....................11 uninstalling ..........................1 Macintosh ........................2 unit conversion ..................13 URW fonts .........................88 vector rendering intent.....136 view filter .....................10, 12 weld effect .......................117 windows refreshing ......................10 wireframe effect...............125 wireframe fill ......................62 wireframe printing............138 workspaces .......................12 zoom....................................8
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Flexi Design User Manual

Software License Agreement

1. Installing the Software

Recommended System Requirements

Sentinel Hardware Key

Installing the Software (Windows)

1024x768 resolution monitor with 16 bit color CD-ROM or DVD-ROM Drive

Uninstalling the Software (Windows)

Using Preference Manager

5. Click Next. 6. Follow the on-screen instructions to uninstall the application.

Installing the Software (Macintosh)

Saving a Set of Preferences

Uninstalling the Software (Macintosh)

Loading a Set of Preferences

Restoring the Software to Its Original State.

Exiting Preference Manager

Scroll Bars Swatch Table

Status Bar Cursor Position Default Colors

Double click the toolbar. (Do not double click buttons).

Basic Elements of your Software Toolbars

The shape of a floating toolbar can be adjusted by dragging its borders.

Standard toolbar in different shapes

Dragging the tear-off palette and selecting a new tool

The new tool is selected

Right clicking a shape Right clicking a blank area

Right clicking the swatch table

Rulers and Grid

Numeric field with a tool tip

Control Point with tool tip

Button with a tool tip

Click and drag the Origin icon

The new Origin

From the View menu, select Ruler and Grid.

You can adjust the following on the Grid tab:

Click and drag

Click and drag a point in the ruler

Changing the View

Using a Wheel Mouse

Using Scroll bars

Zooming and Panning

Using Navigator View

Showing Path Directions

Showing an Objects Fill

Preview Bitmaps Enabled

Preview Bitmaps Disabled

Soft Proof is Off

Filtering Objects by Color

Moving an object with Show Preview off

Moving an object with Show Preview on

Redrawing the Design Area

Previewing Objects in CMYK

The design area dynamically shows a preview of the undoing process.

3. Click OK to confirm and apply the undo.

The Redo list after Undo

Cursor over the Swatch Table

After selecting Hide This Color

Selecting steps to Undo

Tracking your Steps

Undoing and Redoing the Last Step

A list with undo steps is displayed.