The document discusses 40 different ways to play a C chord on guitar based on Jimi Hendrix's style. It explains how Hendrix would embellish basic chord shapes with hammer-ons, pull-offs, and slides to improvise within and around the chord. The article presents four examples of different techniques for playing two-note dyads on top of the C chord shape in order to demonstrate 40 ways to play the chord. It encourages practicing the different techniques and combining them to expand one's vocabulary for playing chords in Hendrix's signature style.
The document discusses 40 different ways to play a C chord on guitar based on Jimi Hendrix's style. It explains how Hendrix would embellish basic chord shapes with hammer-ons, pull-offs, and slides to improvise within and around the chord. The article presents four examples of different techniques for playing two-note dyads on top of the C chord shape in order to demonstrate 40 ways to play the chord. It encourages practicing the different techniques and combining them to expand one's vocabulary for playing chords in Hendrix's signature style.
Original Description:
Hammer on and Pull Offs - in the Style of Jimi Hendrix
The document discusses 40 different ways to play a C chord on guitar based on Jimi Hendrix's style. It explains how Hendrix would embellish basic chord shapes with hammer-ons, pull-offs, and slides to improvise within and around the chord. The article presents four examples of different techniques for playing two-note dyads on top of the C chord shape in order to demonstrate 40 ways to play the chord. It encourages practicing the different techniques and combining them to expand one's vocabulary for playing chords in Hendrix's signature style.
The document discusses 40 different ways to play a C chord on guitar based on Jimi Hendrix's style. It explains how Hendrix would embellish basic chord shapes with hammer-ons, pull-offs, and slides to improvise within and around the chord. The article presents four examples of different techniques for playing two-note dyads on top of the C chord shape in order to demonstrate 40 ways to play the chord. It encourages practicing the different techniques and combining them to expand one's vocabulary for playing chords in Hendrix's signature style.
BY JESSE GRESS February 11, 2014 share WHAT WOULD JIMI DO? ITS A QUESTION I'VE ASKED MYSELF countless times over the last four decades, particularly when faced with creating groovy rhythm guitar parts from basic chord charts. Hendrix didnt really use a lot of different types of chords, but the vocabulary he created with the ones he knew was astounding, especially on ballads like Hey Joe, The Wind Cries Mary, Little Wing, Castles Made of Sand, Axis: Bold As Love, and (Have You Ever Been to) Electric Ladyland. Drawing from the soulful guitar moves of Curtis Mayfield and the country piano style of Floyd Cramer, Hendrix developed a unique collection of embellishments and filigrees that allowed him to improvise using dyads, or two-note chordal fragments, decorated with hammer-ons, pull-offs, and slides to play within and around a basic parental chord shape. For the next few months, well demystify some of these magical sounds so you can incorporate them into your own musical vocabulary. Take the humble third-position C barre chord. Some might think of it as a finite entity, but in Hendrix hands, it became an entire universe. Fig. A puts this transposed A-shaped major triad (root on the fifth and third strings) on the grid and shows how it connects to the next highest G-shaped C chord (root on the sixth and third strings). Fig. B adds parenthetical diatonic passing tonesthe 2, the 4, and the 6to the same grid. These are the notes Hendrix used to pair with and weave in and out of the chord tones, and this is your world for the next month. We begin at the upper end of the chord, with the 5 (G) voiced on top of each dyad. Ex. 1 illustrates ten different ways to hammer- on, pull-off, or slide the 2 and 4 (D and F) in and out of chord tones on the top three strings during a single beat. Many feature the same notes and rhythms with subtle variations in phrasing. This is a key concept in Hendrixs style, and the idea is to mix and match these moves into one-bar phrases. For instance, try playing bars 7, 1, 10, and 2 back-to-back. See what I mean? The more moves you learn, the more options youll have. Now that weve established a kind of formula, dig into the ten similar 3-on-top moves shown in Ex. 2. Here, were mostly hammering and pulling the root and 2 by shifting into the G-shaped C chord and concentrating on the second, third, and fourth strings. Get comfy with the moves, and then mix and match them with the ones from Ex. 1. Follow suit in Examples 3 and 4, which feature the root and an octavelower 5 on top of each dyad, and youll have played 40 Ways to Play a 'C' Chord | GuitarPlayer http://www.guitarplayer.com/lessons/1014/40-ways-to-play-a-c-chor... 6 of 12 10/7/2014 1:40 AM circles around that humble C chord 40 different ways! Finally, pick a nice slow tempo and combine any of the previous 40 ideas while you cruise the four-bar chord progressions in Examples 5a and 5b. Play any C moves as written, transpose them to first position for Bb, sixth position for Eb, eighth position for F, tenth position for G, and eleventh position for Ab, and presto! Youve been Jimi-fied! Related Stories Rhythmic Displacement: You Are What You Hear Rhythmic Displacement Pt. 3 - Mo Hemiola Rhythm Workshop: Rhythmic Displacement Pt. 2 - Hemiola Rhythm Workshop: Rhythmic Displacement Rhythm Workshop: Bending in Rhythm Pt. 3 Rhythm Workshop: Release Yourself! You Might Also Like... Rhythm Ricocheting Octaves and Beyond Pt. 1 A Fast, Funky, Full-Contact Sixteenth-Note Smackdown Rhythm Ricocheting Octaves and Beyond Pt. 2 A Fast, Funky, Full-Contact Sixteenth-Note Smackdown Rhythm Blues Turnarounds Hide Comments COMMENTS 40 Ways to Play a 'C' Chord | GuitarPlayer http://www.guitarplayer.com/lessons/1014/40-ways-to-play-a-c-chor... 7 of 12 10/7/2014 1:40 AM