NEW YORKER IN TONDO

(Marcelino Agana, Jr.)

SCENE: The parlor of the Mendoza house in Tondo. Front door is at right. Curtained
window is at left. Left side of stage is occupied by a rattan set -sofa and two
chairs flanking a table. On the right side of the stage, a cabinet radio stands
against a back wall. Open door-way in center, background, leads into the rest of
the house.
Bckgrd fx: Happy bckgrnd music
MRS. M: (As she walks toward the door) -Visitors, always visitors. Nothing but visitors all
day long. Naku, I'm beginning to feel like a society matron. Knock FX
(She opens door. Tony steps in, carrying a bouquet. Tony is 26, dressed to kill, and is the suave
type. Right now, however, he is feeling a trifle nervous. He starts slightly on seeing Mrs.
Mendoza.)
MRS. M : Tony! I thought you were in the provinces.
TONY : (Startling) -But is that you, Aling Atang?
MRS. M : ( Laughing) --- Of course. It's I, foolish boy. Who did you think it was
Carmen Rosales?
TONY : You you don't look like Aling Atang.
MRS. M : (shyly touching her boyish bob) - I had my hair cut. Do I look
so horrible?
TONY : Oh, no, no you look just wonderful, Aling Atang. For a moment I
thought you were your own daughter. I thought you were Kikay.
MRS. M : (Playfully slapping his cheek) --- Oh, you are as palikero as ever, Tony. But come
in, come in. (She moves toward the furniture and Tony follows.) Here, sit down,
Tony. How is your mother?
TONY : (As he sits down, still holding the bouquet) --- Oh, poor mother is terribly
homesick for Tondo, Aling Atang. She wants to come back here at once.
MRS. M : (Standing beside his chair, putting on an apron) - How long have you
been away?
TONY : Only three months
MR. M : Only three months! Three months is too long for a Tondo native to be
away from Tondo. Ay, my kumare, how bored she must be out there!
TONY : Well, Aling Atang, you know how it is with us engineers. We must go
where our jobs call us. But as soon as I have finished with that bridge in 2 | P a g e
Bulacan, mother and I are coming back here to Tondo.
MRS. M : Yes, you must bring her back as soon as possible. We miss her
whenever we play panguingue.
TONY : (Laughing) --- That is what she misses most of all.
MRS. M : Now I understand how she feels! Your mother could never, never become
a provinciana, Tony. Once a Tondo girl, always a Tondo girl, I always say. (She
pauses, struck by a thought). But I wonder if that's true after all. Look at my
Kikay; she was over there in America for a whole year, and she says that she

never, never felt homesick at all!

TONY : (Beginning to look nervous again) --- When when did she, Kikay,
arrive, Aling Atang?
MRS. M : Last Monday.
TONY : I didn't know she had come back from New York until I read about it
in the newspapers.
MRS. M : (Plaintively) --- That girl arrived only last Monday and look at what has happened
to me! When she first saw me, she was furious; she said that I need a complete
overhauling. She dragged me off to a beauty shop, and look, look what she had
done to me! My hair is cut, my eyebrows are shaved, my nails are manicured,
and whenever I go to market, I must use lipstick and rouge! All my kumares are
laughing at me. People must think I have become a loose woman! And at my
age, too! But what can I do. You know how impossible it is to argue with Kikay.
And she says that I must learn how to look and act like an Americana because I
have a daughter who has been to America. Dios mio, do I look like an American?
TONY : (Too worried to pay much attention) --- You look just wonderful,
Aling Atang. And and where is she now?
MRS. M : (who's rather engrossed in her own troubles too) --- Who?
TONY : Kikay? Is she at home?
MRS. M : (Snorting) --- Of course she is at home. She'd still sleeping!
TONY : (Glancing at his watch) ---Still sleeping!
MRS. M : She says that in New York people do not wake up before twelve o'clock noon.
TONY : (Glancing at his watch once more) --- It's only ten o'clock now.
MRS. M : Besides, she has been very, very busy. Uy, the life of that girl since she came
home! Welcome parties here and welcome parties there and visitors all day long.
That girl has been spinning around like a top!3 | P a g e
TONY : (Rising disconsolately) --- Well, will you just tell her I called to welcome her
home. Oh, and will you please give her these flowers?
MRS. M : (Taking the flowers) --- But surely, you're not going yet, Tony. Why, you and she
grew up together! Sit right down again, Tony. I will go and wake her up.
TONY : Oh, please don't bother, Aling Atang. I can come back some other time.
MRS. M : (Moving away) --- You wait right there, Tony. She'll be simply delighted to see
her old childhood friend. And she'll want to thank you in person for these flowers.
How beautiful they are, Tony. How expensive they must be!
TONY : (Sitting down again) --- Oh, they're nothing at all, Aling Atang.
MRS. M : (Pausing, already at center doorway) --- Oh, Tony
TONY : Yes, Aling Atang?
MRS. M : You mustn't call me "Aling Atang."
TONY : Why not?
MRS. M : Kikay doesn't like it. She says I must tell people to call me Mrs. Mendoza. She
says it's a more civilized form of address. So and especially in front of
Kikay. You must call me Mrs. Mendoza.
TONY : Yes, Aling I, mean yes, Mrs. Mendoza.

MRS. M : (Turning to go) --- Well, wait just a minute and I will call Kikay.
TONY : (To himself as he sits down) --- Hah!
MRS. M : (Turning around again) ---- Oh, and Tony
TONY : (Jumping up again) --- Yes, Aling I mean yes, Mrs. Mendoza.
MRS. M : You must not call Kikay, "Kikay."
TONY : (Blankly) --- and what shall I call her?
MRS. M : You must call her Francesca.
TONY : Francisca?
MRS. M : Not Francisca FranCESca.
TONY : But why Francesca?4 | P a g e
MRS. M : She says that in New York, every body calls her Fran-CES-ca.That is how all
those Americans in New York pronounce her name. And all she wants everybody
here to pronounce it in the same way. She says it sounds so "chi-chi", so Italian.
Do you know that many people in New York thought she was an Italianan
Italian from California? So be sure and remember; do not call her Kikay, she
hates that name call her Fran-CES-ca.
TONY : (Limply, sitting down again) --- yes, Mrs. Mendoza. ~Fading ~
MRS. M : (Turning to go again) - Now wait right here while I call Fran-CES-ca. KNOCK
FX(Somebody knocks at the front door. She turns around again.) Aie, Dios mio!
TONY : (Jumping up once again) - Never mind, Mrs. Mendoza, I'll answer it.
(He goes to open the door.)
MRS. M : (As she exists) --- Just tell them to wait, Tony.
Bckgrd fx: happy piano music!
(Tony opens door and Totoy steps in. Totoy is the same age as Tony and is more clearly a
Tondo sheik. The one word that could possibly describe his attire is "spooting". Both boys
extend their arms out wide on beholding each other.)
TOTOY : Tony!
TONY : Totoy! (They pound each other's bellies.)
TOTO : You old son of your father!
TONY : You big carabao, you!
TOTOY : Mayroon ba tayo diyan?
TONY : You ask me that and you look like a walking goldmine! How many depots
have you been looting, huh?
TOTOY : Hoy, hoy, more slowly there It's you the police are out looking for.
TONY : Impossible! I'm a reformed character!
TOTOY : (Arms around each other's shoulders, they march across the room) --Make way for the Tondo boys Bang! Bang!
TONY : (Pushing Totoy away and producing a package of cigarettes) Good to see you,
old pal here, have a smoke.
TOTOY : (Taking a cigarette) - I thought you were in Bulacan, partner.
TONY : I am. I just came to say hello to Kikay.
TOTOY : (As they light cigarette) --- Tony, I've been hearing the most frightful things about

that girl.5 | P a g e
TONY : (Sinking into a chair) --- So have I.
TOTOY : (Sitting down too) --- People are saying that she has gone crazy.
TONY : No, she has only gone New York.
TOTOY : What was she doing in New York?
TONY : Oh, studying. Hair culture and beauty science. She got a diploma.
TOTOY : Uy, imagine that! Our dear old Kikay!
TONY : Pardon me, but she's not Kikay anymore she is Fran-CES-ca.
TOTOY : Fran-CES-ca?
TONY : Miss Tondo has become Miss New York. Our dear old Kikay is now an American.
TOTOY : Kikay, an American? Don't make me laugh! Why, I knew that girl when she was
still selling rice cakes! bell fx (Stands up and imitates a girl puto vendor) --- Puto kayo
diyan bili na kayo ng puto.
TONY : (Laughing) - Remember when we pushed her into the canal?
TOTOY : She chased us all around the streets.
TONY : Naku, how that girl could fight!
TOTOY : (Fondly) --- Dear old Kikay! Knock sound fx
(Knocking at the door. Totoy goes to open it. Enter Nena. Nena is a very well possessed young
lady of 24. )
NENA : Why, it's Totoy!
TOTOY : (Opening his arms) --- Nena, my own!
NENA : (Brushing him aside as she walks into the room) - and Tony too! What's
all this? A Canto boy Reunion?
TOTOY : (Following behind her) - We have come to greet the lady from New York.
NENA : So have I. Is she at home?
TONY : Aling Atang is trying to wake her up.
NENA : To wake her up! Is she still dreaming? 6 | P a g e
MRS. M : (Appearing in the center doorway) - No, she's awake already. She's
changing. Good morning, Nena. Good morning, Totoy. Sexy fx
(Totoy and Nena are staring speechless. Mrs. Mendoza is carrying a vase in which she has
arranged Tony's flowers. She self-consciously walks into the room and sets the vase on the
table amidst the silence broken only by Totoy's helpless wolf whistle.)
MRS. M : (Having set the vase on the table) -Well, Totoy? Well, Nena? I said good
morning. Why are you staring at me like that?
NENA : Is is that you Aling Atang?
TOTOY : Good God, It is Aling Atang! (He collapses into a chair)
TONY : Totoy, Aling Atang now prefers to be called Mrs. Mendoza.
MRS. M : Oh, Tony you know it is not I but Kikay who prefers it. She was delighted with
these flowers, Tony. She thanks you very much. Nena, if you don't stop gaping
at me, I'll pinch you!
NENA : (Laughing) - How you used to pinch and pinch me, Aling Atang, when I was a
little girl.

MRS. M : You were a very naughty girl, always fighting with Kikay. You were all very
naughty children. (She points at Totoy) - This one, especially, always sneaking
into our backyard to steal mangoes from our mango tree.
TOTOY : Do you still have the mango tree?
MRS. M : Yes, it's still out there in our backyard.
TOTOY : (Jumping up) - Come on, Nenalet's steal their mangoes!
MRS.M : Ah-ah, you just try! I still run as fast as ever. See if I don't catch you again and
pull your pants off!
TOTOY : (Gripping his pants) - ah, but I wear suspenders now, Mrs. Mendoza.
MRS. M : Oh, you rascal! Come with me to the kitchen.
TOTOY : Why? To pull my pants off?
MRS. M : No, idiot! I want you to help me carry something.
NENA : Aling Atang, don't prepare anything for us. We're not visitors. And we're not
hungry.~Fading~
MRS. M : It's only orange juice, Nena. I was preparing some for Kikay. She takes nothing
else in the morning. She says that in New York nobody eats breakfast. Come
along, Totoy.7 | P a g e
Bckgrd msc:
(Exits Mrs. Mendoza and Totoy. Left alone, Nena and Tony are silent for a moment. Tony
seated; Nena stands behind the sofa.)
NENA : Well, Tony?
TONY : You shouldn't have come today, Nena.
NENA : Oh, why not?
TONY : I haven't talked to Kikay yet.
NENA : You haven't talked to Kikay yet..! I thought you were going to come here
and tell her everything last night.
TONY : I lost my nerve. I didn't come last night.
NENA : Oh, Tony, Tony!
TONY : (Irritated, imitating her tone) - Oh, Tony, Tony! Use your head, Nena. Whoever
heard of a man breaking off his engagement with a girl! It's not usual! And my
God it's not easy!
NENA : (Belligerently) - Are you in love with Kikay or with me?
TONY : Of course I'm in love with you. I'm engaged to you.
NENA : (Bitterly) -Yesand you were engaged to Kikay, too!
TONY : But that was a year ago!
NENA : (Flaring up) - Oh, you wolf! (She flounces away, furious)
TONY : (Jumping up and following her) - Nena, Nena, you know I love you, only you!
NENA : (Whirling around to face him) - How could you have the nerve to propose to me
when you were still engaged to Kikay?
TONY : I wish I had never told you. This is what I get for being honest!
NENA : Honest! You call yourself honest? Getting me to fall in love with you when
you still belonged to Kikay?

TONY : I I thought I didn't belong to Kikay anymore. It was only a secret engagement
anyway. I proposed to her just before she left for America and she said we must
keep our engagement a secret until she came back. But when she had been
there a couple of months, she stopped answering my letters. So I considered
myself a free man again.8 | P a g e
NENA : (Sarcastically) - And you proposed to me.
TONY : (Miserably) - Yes
NENA : And then asked me to keep our engagement a secret!
TONY : Because right afterwards, I found out that Kikay was coming back.
NENA : Well, I'm tired of being secretly engaged to you! What fun is it being engaged if you
can't tell everybody!
TONY : Just give me a chance to talk to Kikay and explain everything to her. Then you
and I will announce our engagement.
NENA : Well, you better hurry. I'm getting impatient.
TONY : The trouble is, how can I talk with Kikay now?
NENA : Why not? ~Fading~
TONY : Well you are here, and Totoy is here. You don't expect me to jilt Kikay in front of
everybody, do you?
NENA : You want me and Totoy to clear out?
TONY : Nojust give me a chance to be alone with Kikay for a moment.
NENA : I'll take care of Totoy.
TONY : That's good.
NENA : Just leave it to me.
Fx: simple Bell fx
(Totoy appears in the doorway with tray on his head; glasses and a pitcher are on a tray.)
TOTOY : (Sailing in) - Puto kayo diyan, bili na kayo ng puto!
Bckgrd Fx: happy piano msc
(Mrs. Mendoza appears in the doorway, carrying a plate of sandwiches.)
MRS. M : Listen everybodyhere comes Kikaybut she prefers to be called Fran-CES-ca.
(She moves away from the doorway and Kikay appears. Kikay is garbed in a trailing gown
trimmed with fur at the neck and hemline. From one hand she dangles a large silk
handkerchief
which she keeps waving about as she walks and talks. In the other hand, she carries a very
long cigarette holder with an unlighted cigarette affixed. Kikay's manner and appearance are
to use a Hollywood expression "chi-chi mad.")
KIKAY : (Having paused a long moment in the doorway, 1hands uplifted in surprise and
delight) - Oh, hello, hello you darling, darling people! (She glides into the 9 | P a g e
room. Everybody else is too astonished to move) Nena, my dearbut how cute
you've become! (She kisses Nena)And Tony, my little pal of the valleyhow are
you? (She gives her hand to Tony) and Totoymy, how ravishing you look. (She
walks all around the apprehensive Totoy) goodness, you look like a Tondo superproduction in

Technicolor! But sit down everybodydo sit down and let me look
at you. (Her three visitors sit down. She sees the tray with the glasses and
pitcher on the table and throws her hands up in amused horror.) Oh, mumsy,
mumsy!
MRS. M : What's the matter now?
KIKAY : How many times must I tell you, mumsy dearest, never, never serve fruit
juice in water glasses!
MRS. M : I couldn't find those tall glasses you brought home.
KIKAY : (Approaching and kissing her mother) - Oh, my poor li'l mumsyshe is
so clumsy, no? But never mind, dearest; don't break your heart about it.
Here sit down.
MRS. M : No, I must be going to the market.
KIKAY : Oh, mumsy, don't forget my celery. (to her visitors) - I can't live without
celery. I'm like a rabbitmunch, munch all day.
MRS. M : Well, if you people will excuse meTony, remember me to your mother.
(She moves away)
KIKAY : (Gesturing make up) - and remember, mumsya little bloom on the lips,
a little bloom on the cheeks.
MRS. M : Oh, Kikay, do I have to?
KIKAY : Again, mumsy?
MRS. M : (Already in the center doorway) - Do I have to paint this old face of mine,
Fran-CES-ca?
KIKAY : (Breaking into laughter and turning towards the others) - But how dreadfully she
puts it! Oh, mumsy, mumsywhat am I going to do with you?
MRS. M : (As she exits) - I give up!
KIKAY : (Still laughing) - Poor mumsy, she's quite a problem. (She waves her cigarette)
Oh, does anybody have a light?
(Totoy jumps up and gives her a light.)
KIKAY : Merci.
TOTOY : Huh?10 | P a g e
KIKAY : I said merci. That means thank you in French.
TOTOY : (As he sits down) - Merci!
(Kikay poses herself on the arm of the sofa where Nena is sitting and sipping orange juice.
The
two boys, also sipping juice and munching sandwiches, occupying the two chairs)
NENA : Tell us about New York.
KIKAY : (Fervently) - Ah, New York, New York!
TONY : How long did you stay there?
KIKAY : (In a trance) - 10 months, 4 days, 7 hours and 21 minutes!
TOTOY : (Aside to the others) - and she's still there in her dreams!
KIKAY : (With emotion choking her voice) - Yes, I feel as if I were still there, as though I
had never left it, as though I had lived there all my life. But I look around me (She
bitterly looks around her at the three gaping visitors) and I realize that no, no I'm

not there. I'm not in New York I'm here, here!

KIKAY : (She rises abruptly and goes to window where she stands looking out) I'm home,
they tell me. Home! But which is home for me? This cannot be home because my
heart aches with home sickness. I feel myself to be an exileyes, a spiritual
exile. My spirit aches for its true home across the sea. Ah, New York! My own
dear New York! (She is silent a moment, looking across the horizon, her arms
cross over her breast. Her visitors glanced uneasily at each other.)
NENA : (To others) - I don't think we ought to be here at all, boys.
TONY : Yes, we shouldn't disturb her.
NENA : (With a languishing gesture) - And leave her alone with her memories.
TONY : (Glancing at the entranced Kikay) - Is that the girl we used to go swimming with
in the mud paddies?
TOTOY : (Crossing his arms over his chest) - Ah, New York! My own dear New York!
KIKAY : (Whirling around, enraptured) Wind fx. - Listenoh listen! Now, in New York, it's
springtimeit's spring in New York! The daisies are just appearing in Central
Park and out in Staten Island the grass is green again. (With a little fond laugh)
Oh, we have a funny custom in New Yorkan old, old and very dear custom.
When spring comes around each year, we New Yorkers, we make a sort of
pilgrimage to an old tree growing down by the Battery. Oh, it's an old tree. It's
been growing there ever since New York was New York. And we New Yorkers,
we call it "Our Tree". Every spring we go down to say hello to it and to watch its
first green leaves coming out. In a way, that tree is our symbol for New
Yorkundying immortal, forever growing and forever green! (She laughs and 11 | P a g e
makes an apologetic gesture) But please, please forgive me! Here I am going
sentimental and just mooning away over things you have no idea about. No, you
can't understand this emotion I feel for our dear old tree over there in New York.
NENA : Oh, but I do, I understand perfectly! I feel that way too about "our" tree.
KIKAY : (Blankly) - About what tree?
NENA : Our mango tree, Kikay. Have you forgotten about it? Why you and I used to go
climbing up there every day and gorging ourselves on green mangoes. How our
stomachs ached afterwards! And then these bad boys would come and start
shaking the branches until we fell down!
TOTOY : Aling Atang once caught me climbing that tree and she grabbed my pants and
off they came!
NENA : And Kikay and me, we were rolling on the ground, simply hysterical with laughter.
And Totoy, you kept shouting,"Give me back my pants! Give me back my pants!"
(They were all shaking with laughter except Kikay who is staring blankly at this.)
KIKAY : But wait a minute, wait a minutewhat is this tree you're talking about?
NENA : Our mango tree, Kikay. The mango tree out there in your back yard.
KIKAY : (Flatly) - Oh that tree
TONY : What's the matter, Kikay? Don't you feel the same emotion for that tree as you
do for the one in New York?
KIKAY : (Tartly) - Of course not! Theythey're completely different! I don't feel any

emotion for this silly old mango tree. It doesn't awaken any memories for me at
all!
NENA : (Rising) - Well it doesfor me. And such happy, happy memories! I really must
run out to the backyard and say hello to it. (Imitating Kikay's tone and manner)
You know, Kikay, over here in Tondo, we have a funny customan old, old and
very dear custom. We make a sort of pilgrimage to a silly old mango tree
growing in a backyard. And for us here in Tondo, that tree is "our" tree. In a way,
it is a symbol
KIKAY : (Interrupting) - don't be silly, Nena.
TONY : Look who's talking.
KIKAY : (In amused despair) - Oh, you people can't understand at all!
TONY : Of course not. We've never been to New York.12 | P a g e
KIKAY : (Earnestly) -- That's it exactly! Until you've been to New York, you can't, can't
understand ever. Oh, believe menot to have lived in New York is not to have
lived at all! That tree of ours over there it doesn't stand for kid stuff and childish
foolishness. It stands for higher and finer things; for a more vivacious, a more
streamlined, and a more daring way of life!
KIKAY : It stands for Freedom and for the Manhattan skyline and for the Copacabana and
for Coney Island in summer and for Grant's Tomb on Riverside Drive and for
Tuesday nights at Eddie Condons with Wild Bill Davidson working on that
trumpet of his and for Saturday nights at Madison Square Garden with the
crowds spilling all over the side walk and for the nickel ferry ride to Staten Island
and for the St. Patrick's Day Parade down Fifth Avenue and for all (She stops,
overcome with her memories) Oh, it's impossible to make you see!
TONY : I still prefer a tree that grows in Tondo.
TOTOY : I second the motion
NENA : So do I.
KIKAY : (Tolerantly, very much the woman of the world) - Oh you funny, funny children!
NENA : I really must go and say hello to our tree. You don't mind, Kikay, do you?
KIKAY : (Laughing) - Of course not, child. Do go.
NENA : Totoy, will you come with me?
TOTOY : (Fervently, as he rises) - To the ends of the earth!
NENA : (In the Kikay manner) - No darlingjust out to our dear little backyard.
TOTOY : (Acting up too) - Oh , the backyard of Tondo, the barong-barongs of Maypaho,
the streets of Sibakong
NENA : (In the center doorway) - Listen, idiot, are you coming with me or not?
TOTOY : (Following her) - Anywhere, dream girl, anywhere at all!
(Exits Nena and Totoy)~Fading~
KIKAY : (Sitting down on the sofa) - Apparently, our Totoy still has a most terrific crush
on Nena. (Tony is silent) Do wake up, Tony what are you looking so miserable
about?
(Tony rises from his chair and sits down beside Kikay on the sofa. He is nervous and cannot

speak. Kikay smilingly gazes at him.)

TONY : (Finally gathering courage) - KikayI don't know just how to begin.13 | P a g e
KIKAY : Just call me Francesca... a good beginning.
TONY : There is something I must tell yousomething very important.
KIKAY : Oh, Tony, can't we just forget all about it?
TONY : Forget?
KIKAY : That's the New York way, Tony. Forget. Nothing must ever be so serious,
nothing must drag on too long. Tonight, give all your heart. Tomorrow forget. And
when you meet again, smile, shake handsjust good sports.
TONY : What are you talking about?
KIKAY : Tony, I was only a child at that time.
TONY : When?
KIKAY : When you and I got engaged. I've changed so much since then, Tony.
TONY : That was only a year ago.
KIKAY : To me, it seems a century. So much has happened to me. I've become a
completely different person in just one year. After all, what's a year, what's a
person? Just relative terms. More can happen to you in just one year in New
York than in all a lifetime spent anywhere else. Do you knowI feel as if I've
always lived in New York. In spirit, I am and have always been a native of
Manhattan. When I first arrived there, I felt I had come home at last. It's my real
home. Oh, listen, last summer it was really hotone of the hottest summers we
ever had. I'd go riding on one of those double-decker buses just to cool off, and
all those people from Kalamazoo and Peoria and other places like that would be
wandering around the streetssightseeing, you knowand there I would be on
top of this bus looking down at them and feeling very amused at the way they
gaped at the sky-scrapers and the way they gaped at the shop windows; but I'd
be feeling very proud too, because it was my city they were admiring, and I'd feel
rather sorry for them living out in the sticks
TONY : Listen, I don't want to talk about New YorkI want to talk about our engagement.
KIKAY : And that's what we cannot do. Tonynot anymore.
TONY : Why not?
KIKAY : Tony, you got engaged to a girl named Kikay. Well, that girl doesn't exist
anymoreshe's dead. The person you see before me is Francesca. Don't you
see, Tony, I'm a stranger to youwe don't speak the same languageand I feel
so much, much older than you. I'm a woman of the world, you are only a boy. I
hate to hurt you, Tonybut surely you see that there can between us would be
stark miscegenation! Imagine a New Yorker marrying a Tondo boy!
Bleach fx bckgrd
TONY : (Blazing) - Now look here14 | P a g e
KIKAY : (Very tolerantly) - I'm sorry if I've hurt you, Tony but I wanted you to realize how
ridiculous it would be to think that I could still be engaged to you.
TONY : (Leaping up) - I'm not going to sit here and be insulted.

KIKAY : Hush, Tony, hush! Don't shout, don't lose your temperit's so uncivilized.
People in New York don't lose their temper. Not people of the haute monde
anyway!
TONY : (Shouting) - What do you want me to dosmile and say thank you for slapping
my face?
KIKAY : Yes, Tony, be a sport. Let's smile and shake hands and be just friends, huh? Be
brave, Tonyforget: that's the New York way. Find another girl. There are other
"goils" in the "esters", as they say in Brooklyn. You'll find somebody
elsesomeone more proper for you.
TONY : (Waving his fist) - If you weren't a woman, I'dI'd
KIKAY : Hold it, Tonyyou must never, never hit a woman.
NENA : What's all this? Stop
KIKAY : Nothingnothing at all.
TOTOY : What were you two quarrelling about?
KIKAY : We were not quarrelling. Tony and I just decided to be good friends and nothing
more.
NENA : Tony, is this true?
TONY : (Shouting) -Yes!
NENA : Oh good! Now we can tell them!
KIKAY : Tell us what?
TOTOY : What's going on here, eh?
NENA : (Taking Tony's hand) -Tony and I are engaged. Fx OrchidHit
KIKAY : (Rising) - Engaged!
TOTOY : (At the same time) - Engaged!
NENA : Yes! We've been secretly engaged for a month.15 | P a g e
KIKAY : A month! (Fiercely, to Tony) - Why, youyou
TONY : (Backing off) - I did try to tell you, KikayI was trying to tell you
KIKAY : You unspeakable cad!
NENA : Hey, careful thereyou're speaking to my fianc.
KIKAY : He's not your fianc!
NENA : Oh no? And why not, ha?
KIKAY : Because he was still engaged to me when he got engaged to you!
NENA : Well, he's not engaged to you anymore, you just said so yourself.
KIKAY : Ah, but I didn't know about all this. This treacherous business! Oh, the shame of
it! Getting engaged to you when he was still engaged to me! Do I look like the
kind of girl who'd let a man jilt her? (Moving towards Tony) Oh, you horrible,
horrible monster!
TONY : (Backing off some more) - Now remember Kikayit's uncivilized to lose one's
temper. People in New York don't lose their temper. Not people of the haute
monde anyway!
KIKAY : I've never felt so humiliated in all my life! You beast! I'll teach you to humiliate

me!
NENA : (Blocking her way) - I told you to leave him alone. He's my fianc.
KIKAY : And I tell you he's not! He's engaged to me until I release him and I haven't
released him yet.
NENA : You ought to be ashamed of yourself! You're just being a dog in the manger!
KIKAY : You ought to be ashamed of yourselfstealing my man behind my back!
NENA : (Exploding) - WHAT! What did you say?
TONY : (Keeping a safe distance) - Totoy, pull them apart!
KIKAY : (To Totoy, as he approaches) - You keep out of this or I'll knock your head off!
TOTOY : Naku, lumabas din and pagka Tondo!
NENA : Shameless hussy!
KIKAY : Man-eater!
(They grapple and stagger. Tony and Totoy rush forward to separate them and finally
succeeded but not before Kikay has socked Nena. Nena, infuriated, breaks away from 16 | P
age
Tonywho's dragging her away. and pounces on Kikaywhom Totoy is holding. Tony came
running but is too late to prevent Nena from socking Kikay. Kikay sags down in Totoy's arms.
Tony pulls Nena away.)
TONY : (Furious) - How dare you sock her?
NENA : What? She hit me first!
TONY : Look what you've done to her!
( Totoy has dropped the knocked-out Kikay on a chair.)
NENA : Are you trying to defend her? You never defended me!
TONY : SHUT UP!
NENA : I hate you! I hate you!
TONY : Shut up or I'll bash your mouth off!
TOTOY : (Deserting the reviving Kikay) - Hey, don't you talk to Nena that way.
TONY : You keep out of this!
NENA : He's more of a gentleman than you are, he defends me!
TOTOY : (To Tony) - You take your hands off her!
TONY : I told you to keep out of this!
(Totoy socks Tony. Tony drops to the floor.)
NENA : (Running to Totoy) - Oh Totoy, you've saved my life.
(Meanwhile, Kikay has run to Tony's side.)
KIKAY : (Kneeling beside Tony) - Tony, Tony open your eyes!
TONY : (Sitting up and brushing her hands away) - Oh, get away from here.
(Kikay rises and haughtily moves away. Tony continues to sit on the floor, in the attitude of
Rodin's "Thinker".)
NENA : Totoy, take me away from here!
TOTOY : (Pointing to Tony) - Are you still engaged to him?
NENA : I hate him! I never want to see him again in my life!
TOTOY : Good! Come on, let's go.17 | P a g e
(He takes her arm and propels her to the door.)

TONY : (As they pass him) - Hey!

NENA : (Pausing) - Don't you speak to me, you brute!
TONY : (Still sitting on the floor) - I wasn't talking to you.
TOTOY : Don't you speak to me either! You have insulted the woman I love!
NENA : (Beaming up at him) - Oh Totoy, why have you never told me?
TOTOY : (Shyly) - Wellnow you know
TONY : (Still on the floor) - Congratulations!
NENA : (Coldly) - Let's go darlingI don't like the smell around here.
(Exit Nena and Totoy. Tony rises and dusts himself. Kikay is on the floor on the other side of
the
room, her haughty back to him.)
TONY : Now you've ruined my life. I hope you're satisfied.
KIKAY : (Whirling around) - I... have ruined your life? Youhave ruined mine!
TONY : (Advancing) - What you need is a good spanking.
KIKAY : (Retreating) - Don't you come near me, youyou Canto Boy!
TONY : (Stopping) - Don't worry; I wouldn't touch you with a ten foot pole.
KIKAY : And I wouldn't touch you with a 20-foot pole.
TONY : Just one year in New York and you forget your old friends!
KIKAY : Just one year that I'm in New York and what do you do! But when we got
engaged, you swore to be true, you promised to wait for me. And I believed you, I
believed you! (She begins to weep) Oh, you're fickle, fickle!
TONY : What are you crying about? Be braveforgetthat's the New York way. Nothing
must ever be too serious, nothing must ever drag on too long
KIKAY : Oh Tony, I've been such a fool! I'm so sorry, Tony!
TONY : Well, I'm not! I'm glad I found out what kind of a person you are!
KIKAY : (Alarmed, approaching him) - Oh, Tony, you're wrong, you're wrong! I'm not that
kind of a person at all!
TONY : Oh "person" is just a relative term, huh?18 | P a g e
KIKAY : Yes, Tonythat was Francesca saying all those silly things. But Francesca
exists no more, Tony. The girl standing before you is Kikay.
TONY : In that silly dress?
KIKAY : It's true, Tony. I'm Kikayremember me? We used to go swimming together,
when we were kids. I've come back, Tony.
TONY : If I were right, I was engaged to a girl named Kikay.
KIKAY : Yes, and you're still engaged to her, Tony.
TONY : Welcome home, Kikay! How was the trip?
KIKAY : Horrible! I couldn't wait to get back.
TONY : Liked it in New York?
KIKAY : Uh-uh. Give me Tondo anytime.
TONY : Why didn't you answer my letters?
KIKAY : (After just a wee pause) - Francesca wouldn't let me write, Tony.
TONY : That misty girl. I'm glad she's dead!
(Offstage Mrs. Mendoza is heard calling " Francesca, Francesca." Tony and Kikay listen,

then
burst into laughter.)
MRS. M : (Appearing in doorway) - FrancesOh, Tony, are you still here? Francesca,
don't be angry but I couldn't live without it!
TONY : (Moving towards the radio) - That was Francesca, Aling Atang, and Francesca is
dead. The girl standing before you is Kikay.
MRS. M : (Dazed) - But Kikay is Francesca
KIKAY : Oh no, Inay. I'm not FrancescaI'm Kikay.
MRS. M : (After gazing from on to the other, throwing her hands up.) - I GIVE UP!
(Exits)
(Tony and Kikay burst into laughter. They have turned on the radio. It's playing "Again" or
some
such silly song.)
KIKAY : (Subsiding) - Sorry, darling. (She approaches him.) May I have this "jaggingjagging"
with you, partner?
TONY : (Bowing) - Delighted, Madame. (They dance around the room as the CURTAIN
FALLS.)