User`s manual

I LYA E F I M O V M O D E R N B A S S

Features

3.5 Gb ncw compression format

3940 samples, 24 bit, 44.1 KHz

Up to 12 velocity layers, 21 frets on each string with round-robin algorithm

FINGERED, SLAP and PALM-MUTE in one patch

Different natural legato for FINGER, SLAP and PALM-MUTE articulations

THUMB and POP slap articulation, with Auto and Manual selection

Auto and Manual String and Position Selection

Attack control

Slide-up, Flageolets, X-notes (two modes for x-note performance)

Repetition keys for X-notes and last articulations

Realistic glissando note-to-note

Gliss-FX

AMP cabinet and Bass tone effects

Multiple FX and Noises (strokes, fret noises, releases)

You cannot use the Libraries tab to Add Library for this product. Only
encoded and locked Powered-By-Kontakt libraries are loaded through the
Libraries window.

In NI KONTAKT browser enter the folder in which you installed IEMB and
load patch Ilya Efimov Modern Bass.nki.

If you use a typical size of the buffer preloading in Kontakt, this library will
use 230 MB of RAM.

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Installation

1. Please go to the download links you received after purchase and download
all of the files.
2. Make sure you put all downloaded files into a single folder.
3. Unpack the downloaded files to any folder. Please note that the sample files
you downloaded are a multi-part archive, so you do not need to extract every
file; you only need to extract the first file that contains 'part1' in its name.
To extract your files we recommend using Winrar for PC users, or UnrarX or RarExpander for the Mac. Theyre all free and you can find them here:
http://www.rarlab.com/ (for PC users)
http://www.unrarx.com/ (for MAC users)
http://download.cnet.com/unRAR/3000-2072_4-26159.html (for PC users)
http://rar-expander.en.softonic.com/mac (for MAC users)
3. You need to have the full retail version of Kontakt 4.2.4 or later to use this
library. The free Kontakt Player does NOT support this library.
4. Open the Kontakt 4 browser (look on the left-hand side of the Kontakt user
interface) and click the Files tab. Find the library folder, which you extracted
earlier, and double click on the Ilya_Efimov_Modern_Bass.nki file which should
be in that folder. You can use the Quick-Build Database option to allow Kontakt to find and store the location for faster browsing and loading.

You cannot use the Libraries tab to Add Library for this product.
Only encoded & locked Powered-By-Kontakt libraries.

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Getting started

Graphic User Interface

The major part of the graphic interface depicts a guitar fret board. When you
use your MIDI-keyboard the markers display the positions of the guitarists left
hand fingers. The markers change colors and letterings, depending on the articulation being used. Current articulations are displayed below the fret board.
The Four frets of the natural left-hand playing position are highlighted in orange
on the fret board.
The Options button opens a multi-tab panel, allowing you to edit the librarys
settings .

Note:
Some key switches of the library are velocity-sensitive and have two ranges:
low (0-100)
high (101-127)

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String Selection

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String Selection
The bass guitar often allows identical notes to be played on different strings.
The different positioning required results in varied timbre. The string selection
and Playing Positions are normally selected automatically according to guitar
fingering. However, the user may wish to choose to manually select the strings
used or to determine the left hand playing position.
Select String Keys
You may select a string by using A-1, B0, C0, D0, E0 keys. On the NI Kontakt virtual
keyboard these keys are colored yellow.

B string
E string
A string
D string
G string

BE ADG

If the note you need is not available on the string you select, it will be played
automatically on another string in a natural playing position.
The low B string is not involved in the string selection algorithm automatically.
Notes will be played on the B-string only in two cases: when the notes are played
in the range lower then E3; when you select B-string via KS A-1.

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String Selection

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Position selection
Playing position may be adjusted by switching the fret setting at any time, with
the Set position to fret keys (E5 to A6). On the NI Kontakt virtual keyboard these
keys are colored green. The keys correspond to the notes on the E string.
You may also use the Shift Position keys located at C#5 and D#5 to shift from
the current position. Low velocities will shift -1/+1 fret, high velocities -3/+3 frets.

key
function
C#4 (low velo) shift playing position down + 1 fret
C#4 (high velo) shift playing position down + 3 frets
D#4 (low velo) shift playing position up - 1 fret
D#4 (high velo) shift playing position up - 3 frets
E5 - A6
select playing position
The main range of the playing position has 4 frets (4 semitones). We extended
this range by one fret so that the string will change correctly when playing chromatic scales. If a note cannot be found in the playing position range, the algorithm will look for this note on another string within the playing position range. If
the note still can not be found within this range, the algorithm will look for it on
adjacent frets and the playing position will be shifted. The playing position is crucial for the automatic string selection.
Example:
The playing position is at fret 4 and you play a B2 followed by a D3. Both notes are within
the playing position and both notes will be played on the G string. If you want the D3 to
be played on the B string you have to use the Select String feature, or set the playing
position to fret 3.

The shifting of the playing position is accompanied by the sound of fingers sliding
on the strings.
You can set the volume and frequency of this effect on the Options\Noise page,
using the Fret-Noise knob. In the regular mode (Guitar Mode) you cannot play
more than five notes simultaneously. Nor can you play more than one note on a
string at the same time.

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String Selection

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String Selection Chord Mode

If you play chords, Chord Mode will help to minimize the use of the Select String
or Set Playing Position functions. This mode is for identifying chords or a few
simultaneous notes in the four-fret playing position range. That is why, to correctly
find a playing position algorithm, the computer must know the whole chord. To
play a bass guitar chord with all notes stuck with exact simultaneous precision
is unlikely. It is this discrepancy among notes by a few milliseconds that makes it
necessary to set up a small delay to identify the chord. The fewer discrepancies
there are among the notes you play the lower the value of the delay that you
can set. Set the delay time in the Options\Performance\String Selection.
By default there is an optimal delay time: 10 ms.
Playing chords on a MIDI-keyboard within this
time span is easily accomplished.
To actived this mode go to the page Option/
Perfomance/String Selection section or use the
velocity sencitive C#0 key.

Open Strings mode

You can play on the open strings without changing the playing position, by
turning on Open Strings mode.
When this mode is activated the label is displayed in the Guitar view. In this
mode you can use white keys from A-1 to E0 as open strings. This mode operates
like Open Strings Chord mode but is not identical. In the Open String Mode
the strings will change, depending on the playing position. In the Chord Open
Strings mode, the algorithm tries to find each following note on the adjacent
string and this interferes with the logical determination on the playing position for
playing melody lines.
This Open Strings mode will not influence the playing position when you use
white keys as open strings. The Open Strings mode is switched on and off by
the keyswitch D#0

key
D#0 (high velo)
D#0 (low velo)

function
Turn on Open Strings
Turn off Open Strings

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I LYA E F I M O V M O D E R N B A S S

Performance modes
mdoes

Performance modes
Guitar mode
We recommend making Guitar your primary mode when
using
the
library. All articulations/FX etc. are available in this mode.
Keyboard mode
The algorithm Automatic String Selection is turned off in
this mode.
The first four guitar frets are used in this mode as is common in other libraries.
MIDI-mode
To use MIDI Guitar instead of MIDI Keyboard mode, you need to switch
the MIDI mode on the Options\Performances page\
Performance Option section.
Selecting Midi Mode enables a 5-dropdown menu allowing
you to set the midi channel for each string.

Velocity intensity
Go to the Options\Performance page. Adjust the Velo intensity knob. This
parameter changes the velocity sensitivity threshold of the whole Library.

Attack
To change the attack of a sound, use CC4 controller. By increasing the value of
CC4, you will decrease the length of the picks attack on the string. You can also
set a value of the CC4 (Attack) on the Option\Perfomance page.
The sound remains unchanged when the value of this parameter equals 0.

Pitch Bend range

To define the range of the pitch bend, use the Pitch bend knob on the Options\
Performance page. Maximum value - 2 semitones.
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Articulations

The library contains more than 16 different articulations. For ease of use,

many are selected automatically, thus reducing the need for extensive key-

I LYA E F I M O V M O D E R N B A S S

switches. The basic of performance techniques included are: Finger Playing,

Slap and Palm-Mute. For a smoother, more flexible playing experience, we have
combined these articulations in a single patch. Legato articulations (hammeron and pull-off) were recorded for each of these basic articulations. When the
Legato mode is on, it will be selected for each articulation automatically.
The name of the performed articulation will be displayed on the GUI.

The three basic performance technique keys are as follows:

Fingered
To select the Fingered technique, press the F#4 key.

Slap
In the Slap technique, the bassist replaces the usual plucking motion of the index and middle fingers with "slaps" and "pops". In the slap, the bassist uses the
thumb to strike the strings (usually the lower E and A strings) near the base of the
guitar's neck. In the pop, the bassist will use the index or middle finger of the
plucking hand to snap the strings (usually the higher D and G strings) away from
the body of the bass, causing them to bounce off the fretboard.
The thumb-slap and pop techniques are selected automatically. To switch
between the pop and thumb techniques manually, press the A0 key switch. To
select the slap technique, press the G#4 key switch.
To use the slap technique for just a few notes while using the Fingered articulation, hold down the A0 key switch.

Palm-mute
To select the Palm-mute technique,
press the A#4 key.

keyswitch
F#4
G#4 \ A0

articulation
fingered
slap \ pop

A#4

palm-mute

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Articulations
Legato

I LYA E F I M O V M O D E R N B A S S

Legato on the bass-guitar is a left-hand technique of playing notes (by a righthanded player). Up legato is called hammer-on, down legato is called pulloff. In the Legato mode, overlapped notes will trigger either hammer-on or
pull-off articulations, depending on the direction of note movement.
There are two ways to activate auto legato mode.
1. ontinuous. Press the Auto leg button on the GUI main page, or
use the G0 keyswitch. High velocity Auto Legato ON, low velocity OFF
2. You can also turn on a short-term Auto Legato by holding down the
G4 keyswitch.
The range for the legato detection can be set on the Options\Performance
page\Legato.
If you do not hear legato, then the algorithm has changed a string. To avoid this,
alter the playing position or select a string with the help of Select Strings keys or
use Easy legato mode.
key
G0 (high velo)
G0 (low velo)

function
Turn On Legato Mode
Turn Off Legato Mode

G4 (hold key)

Turn On Legato Mode

Easy legato
When the Easy Legato is ON the hammer-on \pull-off articulations will be played
when the string is changed. To activate this mode, go to: Option\Performance\
Legato Options or use the velocity sencitive F#0 key.

Slide up
To select the slide-up articulation, press and hold down the B4 key

Flageolet
To select the flageolet articulation, press and hold down the A4 key

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Articulations
Glissando

I LYA E F I M O V M O D E R N B A S S

Glissando articulation on a bass-guitar is used as both a melody embellishment,

and as an effect. We have recorded multiple versions in different tempos for every fret within an octave range of each string. Press and hold A#0 (Gliss key)
and the Gliss mode algorithm will automatically switch among glissando versions
for you!
A glissando can only be played on a single string. If you do not hear a glissando
while holding the GlissKey it means that the target (following) note of your glissando is impossible on that string, Glissando speed depends on the velocity of
the target note toward which the glissando is headed. The lower the velocity
value is, the slower the speed.
min 60 BPM, max 200 BMP

The target note can sound in two ways.

1. If you would like to hear a target note with an active attack (as if
the guitarist picked the string after glissando was over) release the
starting note of glissando before it is over.
2. If you would like to hear a target note without any attack (as if the
guitarist did not play with his right hand) hold the starting note of glissando until it is reaches the target note.
The volume of glissando depends on the volume of the staring note and depends
on how long the starting note lasts before glissando starts.

Repetition Keys
There are two repetition keys:
E4 key repeats the last played note or the interval.
F4 key repeats the last played or the interval with X-mute articulation.
If you hold an articulation keyswitch before pressing Repetition Key, it will repeat the corresponding articulation.

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Articulations
Vibrato
Is activated with the Modulation wheel (CC1)

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You can control intensity and speed (frequency) of the vibrato on the Options\
Performance\Vibrato Options or use MIDI controller to automate it.
CC1
CC8
CC9

vibrato level
vibrato intensity
vibrato speed

X-Note.
X-notes can be played in two ways:
1.

Use the repetition F4 key.

2.

Use X-note Velo Mute Mode.

Velo Mute Mode.

When this mode is on X-note articulation will be playable in lower velocity range.
It possible to change the split threshold of the velocity range on the page Options\Noise\Threshold.

Articulation volume
We have set, by default, what
we believe to be the most
optimal volume levels for each
articulation. But you can edit the
volume of each articulation if you
wish. Go to page Options\Art.Vol.
on the left-hand side of this page
you will see a drop-down articulation menu. Choose the articulation you would
like to change and set the volume using the control knob. On the right-hand side
of the Options\Art.Vol page you will see a table containing information about
the individual volumes of articulations.

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FX and Noises

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Noises and FX
To re-create a believable live guitar sound and simulate live performance, the
Library has a few FX sounds. Some of them are automated; other FX sounds
can be added as desired. They are as follows

Release
This sound plays every time you release the key or the sustain pedal (CC64).
You can set the length of time from the attack of the last played note during
which the Release volume is decreased.
To control these noises, go to: Options\Noise.
Volume. Release volume can be controlled on the main interface page.
Frequency. Frequency of random noises.
Time. This determines the length of time from the attack of the last produced
note during which the level of noise decreases.
Decrease. This determines the number of dBs by which the noise level
decreases during the time determined in the time parameter. This parameter
depends on Time linearly.

Fret Noise
This is the common slight scraping sound of the guitarists left hand fingers
moving along the strings. This FX is triggered when playing position is changed.
For added realism, these noises have been recorded from every string. The
volume and frequency of this noise can be controlled using the knobs on the
Option\Noise page as with the Release noise.

Gliss FX
To play the different Gliss-FX, press and hold the G#0 key, then play any note in
the instruments range.

Sound Options. AMP and Bass tone

To turn on AMP and control
Room Ambience, Bass amp
Treble and Bass frequencies
simply adjust with the
corresponding
knobs.
Control the bass guitars tone
using the Tone knob located
in the right side of the main
interface.
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Reassignments

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User presets
To save your user settings as a preset, Go to:
Option\Performance\Presets section, select one
of the drop-down menus 10 empty presets and
press the SAVE button. To load the presets choose
a Preset on the drop-down menu and press the
LOAD button.

Controllers reassignments
Your sequencer can control any function of the Library. The default list of keyswitches and controllers is contained in a table at the end of this Manual. It is also
replicated as a separate document.
All the key-switches can be reassigned according to taste. Any MIDI-controller
may be assigned to any parameter of the Library. To see the mapping of
controllers for each parameter or to reassign them
go to: Options\CC. On the left-hand side of the page are two drop-down
menus Function and CC. Once you have selected the function, determine the
controller number that you would like to control the given function. On the right
side of the page is a table with the list of pre-assigned controllers. Any changes
that you make will be displayed in this table.

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Reassignments

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KeySwitches reassignments
The reassignment of key-switches is similar to controller reassignment. To reassign
key-switches go to: Option\Keyswitch. In the Function menu select any available articulation/ function and reassign it a new key-switch from the Key menu.
On the right-hand side of the Options\Keyswitch page there is a table displaying
the pre-assigned keyswitches with all the changes that you have made. To save
and reuse your changes in the future you must resave Patch.
You can still return to the default controller settings, even after having resaved a
patch, by pressing the Reset button which is in: Options\CC.
A similar Reset button is provided in: Options\Keyswitch.

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I LYA E F I M O V M O D E R N B A S S

Keyswitches

open strings mode on

open strings mode off

FINGERED

FX gliss

SLAP

gliss key

PALM-MUTE

playing position
shift keys

strings
selection
keys

velo mute on
velo mute off
auto legato on
auto legato off

playing position

slap pop

stroke FX key \ slap

repetition key

stroke FX key \ fingered

repetition key x-note

slide-up

legato key

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flageolet

I LYA E F I M O V M O D E R N B A S S

keyswitches

key
A-1
B0

function
select string B
select string E

C0

select string A

C#0 (high velo)

velo mode ON

C#0 (low velo)

D0
D#0 (high velo)
D#0 (low velo)
E0
F0 (high velo)
F0 (low velo)

velo mode OFF

select string D
open strings mode ON
open strings mode OFF
select string G
X-note mode ON
X-note mode OFF

F#0 (high velo)

easy legato ON

F#0 (low velo)

easy legato OFF

G0 (high velo)

auto legato ON

G0 (low velo)

auto legato OFF

G#0
A0 (hold)
A#0

FX glissando
slap pop
gliss key (note-to-note gliss)

E4

repetition key

F4

repetition key X-note

F#4

fingered

G4

legato key (hammer-on \ pull-off)

G#4

slap

A4

flageolet

A#4

palm-mute

B4

slide-up

C5

hit 1

D5

hit 2

C#5 (velo)

down shift playing position

D#5 (velo)

up shift playing position

E5 - B6

playing position keys

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I LYA E F I M O V M O D E R N B A S S

Controller list

cc number
cc1
cc4

function
vibrato
pitch band range

cc5

attack

cc7

channel volume

cc8

vibrato intensity

cc9

vibrato frequency

cc10

pan

cc11
cc14
cc15

volume
open string mode on\off
auto legato on\off

cc16

easy legato on\off

cc21

chord mode on\off

cc22

chord mode time

cc29

legato range

cc30

strum time

cc31

velocity sensitivity

cc67

IR select

cc68

reverb send

cc69

reverb pre-delay

cc70

release on\off

cc71

release volume

cc72

release frequency

cc73

release time

cc74

release decrease

cc83

Volume

cc84
cc105
cc109
cc110

Tone
AMP on\off
AMP treble
AMP bass

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Credits

Credits
Produced by Ilya Efimov
Co-produced by Maxim Rybakov
Script by Gnter Hirscher
Design by Ryo Ishido and Ilya Efimov
Guitar by Maxim Rybakov
English Manual by Dale Skiba

Special thanks to:

Alexandr Rusanov
Dmitry Kalinin

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