Meditations On The Holy Name
Meditations On The Holy Name
Meditations On The Holy Name
Mercy Manifesto
Revelations and Meditations on the Holy Name by r Caitanya
Mahprabhu and some of His personal associates.
All excerpts from the books of His Divine Grace A.C Bhaktivedanta Swami
Prabhupda are copyrighted by Bhaktivedanta Book Trust International. All
rights reserved.
CONTENTS
1. Magalcaraa--------------------------------------------------------------- 4
2. Revelations and Meditations on the Meaning of the Holy Name by(a) rla Prabhupda ------------------------------------------------------------------------ 10
(b) rla Bhaktivinoda hkura ---------------------------------------------------------- 13
(c) rla Jva Gosvm ---------------------------------------------------------------------- 15
(d) rla Raghuntha dsa Gosvm ---------------------------------------------------- 17
(e) rla Gopla Guru Gosvm --------------------------------------------------------- 19
R GURU PRAMA
o ajna-timirndhasya jnjana-alkay
cakur unmlita yena tasmai r-gurave nama
I offer my respectful obeisances unto my spiritual master who, with the
torchlight of knowledge, has opened my eyes, which were blinded by the
darkness of ignorance.
R RPA PRAMA
r-caitanya-mano-bha sthpita yena bh-tale
svaya rpa kad mahya dadti sva-padntikam
When will rla Rpa Gosvm Prabhupda, who has established within this
material world the mission to fulfill the desire of Lord Caitanya, give me shelter
under his lotus feet?
MAGALCARAA
vande ha r-guro r-yuta-pada-kamala r-gurn vaiav ca
r-rpa sgrajta saha-gaa-raghunthnvita ta sa-jvam
sdvaita svadhta parijana-sahita ka-caitanya-deva
r-rdh-ka-pdn saha-gaa-lalit-r-vikhnvit ca
I offer my respectful obeisances unto the lotus feet of my spiritual master and
of all the other preceptors on the path of devotional service. I offer my
respectful obeisances unto all the Vaiavas and unto the six Gosvms,
including rla Rpa Gosvm, r Santana Gosvm, Raghuntha dsa
Gosvm, Jva Gosvm, and their associates. I offer my respectful obeisances
unto r Advaita crya Prabhu, r Nitynanda Prabhu, r Caitanya
Mahprabhu, and all His devotees, headed by rvsa hkura. I then offer my
respectful obeisances unto the lotus feet of Lord Ka, rmat Rdhr, and
all the gops, headed by Lalit and Vikh.
nama o viu-pdya ka-prehya bh-tale
rmate bhaktivednta-svmin iti namine
I offer my respectful obeisances unto His Divine Grace A.C. Bhaktivedanta
Swm Prabhupda, who is very dear to Lord Ka having taken shelter at His
lotus feet.
R GAURGA PRAMA
namo mah-vadnyya ka-prema-pradya te
kya ka-caitanya-nmne gaura-tvie nama
O most munificent incarnation! You are Ka Himself appearing as r Ka
Caitanya Mahprabhu. You have assumed the golden colour of rmat
Rdhr, and You are widely distributing pure love of Ka. We offer our
respectful obeisances unto You.
R PACA-TATTVA PRAMA
paca-tattvtmaka ka bhakta-rpa-svarpakam
bhaktvatra bhaktkhya nammi bhakta-aktikam
I offer my obeisances unto the Supreme Lord, Ka, who is nondifferent from
His features as a devotee, devotional incarnation, devotional manifestation,
pure devotee, and devotional energy.
R KA PRAMA
he ka karu-sindho dna-bandho jagat-pate
gopea gopik-knta rdh-knta namo stu te
O my dear Ka, ocean of mercy, You are the friend of the distressed and the
source of creation. You are the master of the cowherdmen and the lover of
gops, especially Rdhr. I offer my respectful obeisances unto You.
R RDH PRAMA
tapta-kcana-gaurgi rdhe vndvanevari
vabhnu-sute dev pranammi hari-priye
I offer my respects to Rdhr, whose bodily complexion is like molten gold
and who is the Queen of Vndvana. She is the daughter of King Vabhnu,
and very dear to Lord Ka.
SAMBANDHDHIDEVA PRAMA
jayat suratau pagor mama manda-mater gat
mat-sarvasva-padmbhojau rdh-madana-mohanau
Glory to the all-merciful Rdh and Madana-mohana! I am lame and ill
advised, yet They are my directors, and Their lotus feet are everything to me.
ABHIDHEYDHIDEVA PRAMA
dvyad-vndraya-kalpa-drumdha
rmad-ratngra-sihsana-sthau
rmad-rdh-rla-govinda-devau
prehlbhi sevyamnau smarmi
In a temple of jewels in Vndvana, underneath a desire tree, r r RdhGovinda, served by Their most confidential associates sit upon an effulgent
throne. I offer my humble obeisances unto Them.
PRAYOJANDHIDEVA PRAMA
rmn rsa-rasrambh va-vaa-taa-sthita
karan veu-svanair gopr gopntha riye stu na
rla Gopntha, who originated the transcendental mellow of the rsa dance,
stands on the shore at Vavaa and attracts the attention of the cowherd
damsels with the sound of His celebrated flute. May they all confer upon us
their benediction.
PACA-TATTVA MAH-MANTRA
(jaya) r-ka-caitanya prabhu nitynanda
r-advaita gaddhar rvsdi-gaura-bhakta-vnda
HARE KA MAH-MANTRA
Revelations on the
Meaning of the Holy Name
By fondly chanting harinma while contemplating His true meaning and
praying to Him with tears in the eyes, gradually by His mercy, ones chanting
will advance. If this method is not followed, it will take many lifetimes to reach
perfection.
rla Bhaktivinoda hkura
r Caitanya-ikmta, Sixth Rainfall, Fourth shower
rla Prabhupda
Caitanya Mahprabhu teaches us that we should only beg God for His service
life after life. This is the actual meaning of the Hare Ka mah-mantra. When
we are chanting Hare Ka, Hare Ka, Ka Ka, Hare Hare/ Hare
Rma, Hare Rma, Rma, Rma, Hare Hare, we are actually addressing God
and His energy, Har. Har is Kas internal potency, rmat Rdhr or
Lakm. Jaya rdhe! This is daiv prakti, and the devotees take shelter of the
daiv prakti, rmat Rdhr. Thus the Vaiavas worship Rdh-Ka,
Lakm-Nryaa and St-Rma. In the beginning of the Hare Ka mahmantra we first address the internal energy of Ka, Hare. Thus we say, O
Rdhr! O Hare! O energy of the Lord! When we address someone in this
way, he usually says, Yes, what do you want? The answer is, Please engage
me in Your service. This should be our prayer.
Teachings of Lord Kapila, the Son of Devahti
The word Har is the form of addressing the energy of the Lord, and the words
Ka and Rma are forms of addressing the Lord Himself. Both Ka and
Rma mean the supreme pleasure, and Har is the supreme pleasure energy
of the Lord, changed to Hare in the vocative. The supreme pleasure energy of
the Lord helps us to reach the Lord.
The material energy, called my, is also one of the multienergies of the Lord.
And we, the living entities, are also the energy, marginal energy, of the Lord.
The living entities are described as superior to material energy. When the
superior energy is in contact with the inferior energy, an incompatible situation
arises; but when the superior marginal energy is in contact with the superior
energy, Har, it is established in its happy, normal condition.
These three words, namely Hare, Ka, and Rma, are the transcendental
seeds of the mah-mantra. The chanting is a spiritual call for the Lord and His
energy to give protection to the conditioned soul. This chanting is exactly like
the genuine cry of a child for its mothers presence. Mother Har helps the
devotee achieve the Lord Fathers grace, and the Lord reveals Himself to the
devotee who chants this mantra sincerely.
The Science of Self-Realization
Hare refers to the energy of the Lord, and Ka and Rma refer to the Lord
Himself. Therefore, when we chant Hare Ka, we are praying, O Lord, O
energy of the Lord, please accept me. We have no other prayer than Please
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accept me. Lord Caitanya Mahprabhu taught us that we should simply cry
and pray that the Lord accept us. As Caitanya Mahprabhu Himself prayed,
ayi nanda-tanuja kikara
patita m viame bhavmbudhau
kpay tava pda-pakajasthita-dhl-sada vicintaya
O Ka, son of Nanda, somehow or other I have fallen into this ocean of
nescience and ignorance. Please pick me up and place me as one of the atoms at
Your lotus feet.
The Path of Perfection
Hare is the form of the word har when address, when She is addressed. And
Ka, when Hes addressed, the form does not change. This is grammatical
rule. So Hare Ka means, Oh, the energy of Ka, or energy of the Lord,
and Ka, the Lord. So Hare Ka. Hare Ka means I am praying not only
to the Lord, but to the energy also. This is naturalIt is to be understood that
the Absolute has energy. He has got different energies. By His energies He is
acting, and that is confirmed in the Vedic stra, parsya aktir vividhaiva ryate
(Cc. Madhya 13.65, purport). The Supreme Absolute Truth has multi-energies.
Parsya aktir vividhaiva ryate, multi-energies. And svbhvik jna-balakriy ca, and by His energies hes working in such a nice way that it appears
that it is being automatically done. Just like this tape recorder is working. How
it is working? The electric energy is there. By the electric energy the machine is
so nicely working that when it is replayed exactly I am speaking. So energy is
working. I am speaking, my speaking energy is acting, electric energy is helping.
This machine energy is accepting and a nice thing is coming. Similarly, the
whole cosmic manifestation is the manifestation of the energies. The rascals,
they do not understand. And when it is stated that everything is Brahman, that
is to be understood that everything is working under the energy of the Supreme
Brahman. That is real meaning. But this is simultaneously one and different.
When this tape recorder will play, it will play exactly I am speaking to you.
There will be no difference of voice. If somebody hears from other room, hell
understand that Swamijis speaking, but still, that speaking is different from me.
Because my energy is working there. Similarly, there are two kinds of energies.
Just like when I am speaking, this is my real energy, and when this tape
recorder will speak, that is also my energy, but that is separated energy.
Similarly, this material manifestation is separated energy, and there is direct
energy. The direct... This material energy, separated energy, is the reflection of
the direct energy. Just like when this tape recorder will be replayed it is the
reflection of my original speech. Similarly, this material manifestation is a
reflection of the original energy, internal energy So this Hare means we are
directly approaching the original energy of the Supreme Lord. Please accept
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me, under You. Now I am under reflection. I am trying to get substance from
the reflection. Suppose a tree is reflected by the bank of a river, the exact. So
if somebody dives into the river and tries to take fruit from that tree, it will not
be possible because that is reflection. One has to go to the real tree. So we are
hankering after life, we are hankering after pleasure, but we are seeking
pleasure in the reflection, my. Therefore we are frustrated, confused.
Therefore this prayer is to the original energy. Without energy, without energy
the Lord is not without energy. Rdh-Ka, Lakm-Nryaa, St-Rma. So
God is always with energy. Without energy, he is incomplete. Sun without
sunshine is incomplete. Is it possible? So we are praying to the original
energy, Hare Ka. Because energy and the energetic, Rdh-Ka. RdhKa, They are not separate, but it is pleasure. When They are separated,
Rdh and Ka, that is energetic, that is giving impetus. Just like the man and
the woman, they come from the same source, but one body is energetic to the
other. Man is energy to the woman. Woman is the energy to the man. Why the
creation is not one kind of? Why there is fair sex? Theyre coming from the
same womb of the mother. Why not one, boy only? Why girl? Why nature has
provided like that? Let simply boys come. No. It is required. But the whole
thing is perverted reflection. Here the man, woman, the energy... It is simply...
But by this, one can understand the reality. Just like the shadow, the five
fingers. One person who is not misled, he can understand that the original palm
has five fingers, although he cannot see it. From the shadow. Similarly, from
this energy, work of the energy in this material perverted reflection, one can
understand that there is a reality. In the reality, in the abode of Ka, the same
things are there, the same trees are there, the same things are there, but they
are original, personal energy.
So this Hare means we are directly approaching the original energy of the
Supreme Lord. Please accept me, under You..
Room Conversation, October 20, 1968, Seattle
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12.The minds of the devotees always find pleasure in r Ka, who is an ocean
of transcendental bliss. Therefore that beautiful dark form of Ka is called
Rma.
13.Rdh is called Rm because She enjoyed Acyuta through loving pastimes
in a forest pavilion made of flowering creepers. Because Ka is with that
Rm, He is called Rma.
14.When all of Gokula was filled with wailing because of a forest fire, r Ka
extinguished it, thus greatly pleasing the Vrajavss. Therefore He is called
Rma.
15.r Ka went to Mathur to kill the demons headed by Kasa. By Her
desire to enjoy confidential pastimes with Ka, r Rdh brought Ka
back to Vndvana. Therefore She is called Har.
16.When r Ka came back to Vndvana, He took away the suffering of the
Vrajavss and by His wonderful pastimes, captivated Rdhs mind.
Therefore the son of Nanda is called Hari.
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14.Rma! One who is actually a lover is called Rma. In this regard You are
directly the act of love dalliance and the presiding Deity of Love. You are
the transcendental Cupid, not only because of Your Love dalliances, not
only because You are the performer and purpose of it, but because You are
actually the embodiment of love itself.
15.Hari! You take away the doe of My mind. In other words, You make Me
swoon in ecstasy.
16.Hari! O lion! You indeed resemble a lion in the activities of love, because of
the boldness You show.
When I am separated from such a dear one as You, a moment seems like a
million kalpas. Now, trying to find some means to pass My time, I am simply
chanting these sixteen names.
By these names, which are nondifferent than the kissing lover Himself, Rdh
very quickly draws Ka into a meeting of supreme bliss. The minds of Her
sakhs, Her majars and those who are sincerely trying to develop that mood
are all completely fulfilled in this way.
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12.Lord iva said to Prvat: O Dev, by uttering the syllable r all the sins go
outside, and by uttering the syllable ma, when the sins try to enter again,
they are blocked.
13.The yogs take pleasure in the infinite, transcendental Soul who is a true
reservoir of bliss. Therefore they designate that Supreme Brahman by the
name Rma.
14.r Ka, who is the chief of those expert in loving affairs and the
worshipable Deity of amorous pastimes, always enjoys r Rdh. Therefore
He is called Rma.
15.Because He attracts r Rdhs mind and enjoys Himself by sporting with
Her, He is known as Rma. In the Krama-dpik, Ka says to
Candram: Rdhs name is far superior to hundreds of My names.
Therefore, even I do not know what will be the result for one who always
remembers Rdh.
1. Hare Because Rdh captures Kas mind, She is called Har. The
vocative form is Hare.
2. Ka Because He captures Rdhs mind, He is called Ka.
3. Hare Because Rdh takes away Kas reputation of being shy, sober
etc., She is called Har.
4. Ka Wherever Rdh is, or wherever She goes, there She sees Ka and
thinks, Now He is touching Me and forcefully pulling my bodice and other
garments. Therefore He is called Ka.
5. Ka Because He pleases Rdh with His flute playing, He draws Her
into the forest of Vndvana. Therefore He is called Ka.
6. Ka Because Kas activities are always drawing the heart of Rdh,
He is called Ka.
7. Hare Wherever Ka is, or wherever He goes, there He sees, Now She is
in front of Me, now Shes leaning against My side. In this way He is
constantly pleased. Therefore, she is called Har.
8. Hare Because Rdh takes Ka away by forcing Him to meet Her in a
secret place, She is called Har.
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9. Hare Because Rdh takes Ka away by making Him come to the forest
of Vndvana, She is called Har.
10.Rma By His humour, appearance etc. r Ka gives delight to Rdh.
Therefore, He is called Rma.
11.Hare Because Rdh instantly takes away Kas patience, support etc.,
She is called Har.
12.Rma By kissing Her, touching Her breasts, embracing Her etc., Ka
enjoys Rdh. Therefore, He is called Rma.
13.Rma Because Ka sometimes enjoys with Rdh by making Her play
the dominant role in love, He is called Rma.
14.Rma Because He enjoys such love playing, He is called Rma.
15.Hare When the Rsa dance is over and Rdh has captured Kas mind,
She goes away. Therefore, She is called Har.
16.Hare After the Rsa dance is finished, Ka has also captured Rdhs
mind and goes away. Therefore, He is called Hari.
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r Caitanya Mahprabhu
Praknanda Sarasvat then said, I understand that Your name is r Ka
Caitanya. You are a disciple of r Keava Bhrat, and therefore You are
glorious.
You belong to our akara-sampradya and live in our village, Vras. Why
then do You not associate with us? Why is it that You avoid even seeing us?
You are a sannys. Why then do You indulge in chanting and dancing,
engaging in Your sakrtana movement in the company of fanatics?
Meditation and the study of Vednta are the sole duties of a sannys. Why do
You abandon these to dance with fanatics?
You look as brilliant as if You were Nryaa Himself. Will You kindly explain
the reason that You have adopted the behavior of lower-class people?
r Caitanya Mahprabhu replied to Praknanda Sarasvat, My dear sir,
kindly hear the reason. My spiritual master considered Me a fool, and therefore
he chastised Me.
You are a fool, he said. You are not qualified to study Vednta philosophy,
and therefore You must always chant the holy name of Ka. This is the
essence of all mantras, or Vedic hymns.
Simply by chanting the holy name of Ka one can obtain freedom from
material existence. Indeed, simply by chanting the Hare Ka mantra one will
be able to see the lotus feet of the Lord.
In this Age of Kali there is no religious principle other than the chanting of the
holy name, which is the essence of all Vedic hymns. This is the purport of all
scriptures.
After describing the potency of the Hare Ka mah-mantra, My spiritual
master taught Me another verse, advising Me to always keep it within My
throat.
For spiritual progress in this Age of Kali, there is no alternative, there is no
alternative, there is no alternative to the holy name, the holy name, the holy
name of the Lord.
Since I received this order from My spiritual master, I always chant the holy
name, but I thought that by chanting and chanting the holy name I had been
bewildered.
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While chanting the holy name of the Lord in pure ecstasy, I lose Myself, and
thus I laugh, cry, dance and sing just like a madman.
Collecting My patience, therefore, I began to consider that chanting the holy
name of Ka had covered all My spiritual knowledge.
I saw that I had become mad by chanting the holy name, and I immediately
submitted this at the lotus feet of my spiritual master.
My dear lord, what kind of mantra have you given Me? I have become mad
simply by chanting this mah-mantra!
Chanting the holy name in ecstasy causes Me to dance, laugh and cry. When
My spiritual master heard all this, he smiled and then began to speak.
It is the nature of the Hare Ka mah-mantra that anyone who chants it
immediately develops his loving ecstasy for Ka.
Religiosity, economic development, sense gratification and liberation are
known as the four goals of life, but before love of Godhead, the fifth and
highest goal, these appear as insignificant as straw in the street.
For a devotee who has actually developed bhva, the pleasure derived from
dharma, artha, kma and moka appears like a drop in the presence of the sea.
The conclusion of all revealed scriptures is that one should awaken his dormant
love of Godhead. You are greatly fortunate to have already done so.
It is a characteristic of love of Godhead that by nature it induces transcendental
symptoms in ones body and makes one more and more greedy to achieve the
shelter of the lotus feet of the Lord.
When one actually develops love of Godhead, he naturally sometimes cries,
sometimes laughs, sometimes chants and sometimes runs here and there just
like a madman.
Perspiration, trembling, standing on end of ones bodily hairs, tears, faltering
voice, fading complexion, madness, melancholy, patience, pride, joy and
humilitythese are various natural symptoms of ecstatic love of Godhead,
which causes a devotee to dance and float in an ocean of transcendental bliss
while chanting the Hare Ka mantra.
It is very good, my dear child, that You have attained the supreme goal of life
by developing love of Godhead. Thus You have pleased me very much, and I
am very much obliged to You.
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r r ikaka
ceto-darpaa-mrjana bhava-mah-dvgni-nirvpaa
reya-kairava-candrik-vitaraa vidy-vadh-jvanam
nandmbudhi-vardhana prati-pada prmtsvdana
sarvtma-snapana para vijayate r-ka-sakrtanam
Glory to the r-ka-sakrtana, which cleanses the heart of all the dust
accumulated for years and extinguishes the fire of conditional life, of repeated
birth and death. This sakrtana movement is the prime benediction for
humanity at large because it spreads the rays of the benediction moon. It is the
life of all transcendental knowledge. It increases the ocean of transcendental
bliss, and it enables us to fully taste the nectar for which we are always
anxious.(1)
nmnm akri bahudh nija-sarva-aktis
tatrrpit niyamita smarae na kla
etd tava kp bhagavan mampi
durdaivam dam ihjani nnurga
O my Lord, Your holy name alone can render all benediction to living beings,
and thus You have hundreds and millions of names, like Ka and Govinda. In
these transcendental names You have invested all Your transcendental
energies. There are not even hard and fast rules for chanting these names. O
my Lord, out of kindness You enable us to easily approach You by Your holy
names, but I am so unfortunate that I have no attraction for them.(2)
td api suncena
taror api sahiun
amnin mnadena
krtanya sad hari
One should chant the holy name of the Lord in a humble state of mind,
thinking oneself lower than the straw in the street; one should be more tolerant
than a tree, devoid of all sense of false prestige, and should be ready to offer all
respect to others. In such a state of mind one can chant the holy name of the
Lord constantly.(3)
na dhana na jana na sundar
kavit v jagad-a kmaye
mama janmani janmanvare
bhavatd bhaktir ahaituk tvayi
O almighty Lord, I have no desire to accumulate wealth, nor do I desire
beautiful women, nor do I want any number of followers. I only want Your
causeless devotional service, birth after birth.(4)
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r Pacatattva
The characteristics of Ka are understood to be a storehouse of
transcendental love. Although that storehouse of love certainly came with
Ka when He was present, it was sealed. But when r Caitanya Mahprabhu
came with His associates of the Paca-tattva, they broke the seal and plundered
the storehouse to taste transcendental love of Ka. The more they tasted it,
the more their thirst for it grew.
r Paca-tattva themselves danced again and again and thus made it easier to
drink nectarean love of Godhead. They danced, cried, laughed and chanted like
madmen, and in this way they distributed love of Godhead.
In distributing love of Godhead, Caitanya Mahprabhu
not consider who was a fit candidate and who was
distribution should or should not take place. They
Wherever they got the opportunity, the members
distributed love of Godhead.
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Once Haridsa hkura was sitting in his cave, reciting the holy name of the
Lord very loudly.
The night was full of moonlight, which made the waves of the Ganges look
dazzling. All directions were clear and bright.
Thus everyone who saw the beauty of the cave, with the tulas plant on a clean
altar, was astonished and satisfied at heart.
At that time, in that beautiful scene, a woman appeared in the courtyard. The
beauty of her body was so bright that it tinged the entire place with a yellow
hue.
The scent of her body perfumed all directions, and the tinkling of her
ornaments startled the ear.
After coming there, the woman offered obeisances to the tulas plant, and after
circumambulating the tulas plant she came to the door of the cave where
Haridsa hkura was sitting.
With folded hands she offered obeisances at the lotus feet of Haridsa hkura.
Sitting at the door, she then spoke in a very sweet voice.
My dear friend, she said, you are the friend of the entire world. You are so
beautiful and qualified. I have come here only for union with you.
My dear sir, kindly accept me and be merciful toward me, for it is a
characteristic of all saintly persons to be kind toward the poor and fallen.
After saying this, she began to manifest various postures, which even the
greatest philosopher would lose his patience upon seeing.
Haridsa hkura was immovable, for he was deeply determined. He began to
speak to her, being very merciful toward her.
I have been initiated into a vow to perform a great sacrifice by chanting the
holy name a certain number of times every day.
As long as the vow to chant is unfulfilled, I do not desire anything else. When I
finish my chanting, then I have an opportunity to do anything.
Sit down at the door and hear the chanting of the Hare Ka mah-mantra. As
soon as the chanting is finished, I shall satisfy you as you desire.
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After saying this, Haridsa hkura continued to chant the holy name of the
Lord. Thus the woman sitting before him began to hear the chanting of the holy
name.
In this way, as he chanted and chanted, the morning approached, and when the
woman saw that it was morning, she got up and left.
For three days she approached Haridsa hkura in this way, exhibiting various
feminine postures that would bewilder the mind of even Lord Brahm.
Haridsa hkura was always absorbed in thoughts of Ka and the holy name
of Ka. Therefore the feminine poses the woman exhibited were just like
crying in the forest.
At the end of the night of the third day, the woman spoke to Haridsa hkura
as follows.
My dear sir, for three days you have cheated me by giving me false
assurances, for I see that throughout the entire day and night your chanting of
the holy name is never finished.
Haridsa hkura said, My dear friend, what can I do? I have made a vow.
How, then, can I give it up?
After offering obeisances to Haridsa hkura, the woman said, I am the
illusory energy of the Supreme Personality of Godhead. I came here to test you.
I have previously captivated the mind of even Brahm, what to speak of others.
Your mind alone have I failed to attract.
My dear sir, you are the foremost devotee. Simply seeing you and hearing you
chant the holy name of Ka has purified my consciousness. Now I want to
chant the holy name of the Lord. Please be kind to me by instructing me about
the ecstasy of chanting the Hare Ka mah-mantra.
There is now a flood of the eternal nectar of love of Godhead due to the
incarnation of Lord Caitanya. All living entities are floating in that flood. The
entire world is now thankful to the Lord.
Anyone who does not float in this inundation is most condemned. Such a
person cannot be delivered for millions of kalpas.
Formerly I received the holy name of Lord Rma from Lord iva, but now, due
to your association, I am greatly eager to chant the holy name of Lord Ka.
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The holy name of Lord Rma certainly gives liberation, but the holy name of
Ka transports one to the other side of the ocean of nescience and at last
gives one ecstatic love of Ka.
Please give me the holy name of Ka and thus make me fortunate, so that I
also may float in the flood of love of Godhead inaugurated by r Caitanya
Mahprabhu.
After speaking in this way, My worshiped the lotus feet of Haridsa hkura,
who initiated her by saying, Just perform chanting of the Hare Ka mahmantra.
After thus being instructed by Haridsa hkura, My left with great pleasure.
Unfortunately, some people have no faith in these narrations.
Therefore I shall explain the reasons why people should have faith. Everyone
who hears this will be faithful.
During the incarnation of Lord Caitanya to inaugurate the Ka consciousness
movement, even such personalities as Lord Brahm, Lord iva and the four
Kumras took birth upon this earth, being allured by ecstatic love of Lord
Ka.
All of them, including the great sage Nrada and devotees like Prahlda, came
here in the guise of human beings, chanting the holy names of Lord Ka
together and dancing and floating in the inundation of love of Godhead.
The goddess of fortune and others, allured by love of Ka, also came down in
the form of human beings and tasted the holy name of the Lord in love.
What to speak of others, even Ka, the son of Nanda Mahrja, personally
descends to taste the nectar of love of Godhead in the form of the chanting of
Hare Ka.
What is the wonder if the maidservant of Ka, His external energy, begs for
love of Godhead? Without the mercy of a devotee and without the chanting of
the holy name of the Lord, love of Godhead cannot be possible.
CC Antya 3.229-266
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36
aghadamana-yaod-nandanau nandasno
kamala-nayana-gop-candra-vndvanendr
praatakarua-kv ity aneka-svarpe
tvayi mama ratir uccair vardhat nmadheya
O Hari Nma, I pray that my love for You in Your many forms, such as
Aghadamana (Crusher of Aghsura), Yaodnandana (Son of Yaod),
Nandasnu (Son of Nanda), Kamalanayana (Lotus-eyed), Gopcandra (Moon
of the gops), Vndvanendra (King of Vndvana), Praatakarua (Merciful to
the surrendered souls) and Ka, may greatly increase. (5)
vcya vcakam ity udeti bhavato nma svarpa-dvaya
prvasmt param eva hanta karua tatrpi jnmahe
yas tasmin vihitpardha-nivaha prn samantd bhaved
syenedam upsya so pi hi sadnandmbudhau majjati
O Hari Nma, You are manifest in two forms, (1) the Supreme Person
described by the Holy Name, and (2) the sound vibration of the Holy Name.
We know that the second from is more merciful than the first. Even a person
who commits many offenses to the first form, is always become plunged into the
ocean of bliss simply by serving the second with his voice. (6)
suditrita-janrti-raye
ramya-cid-ghana-sukha-svarpie
nma gokula-mahotsavya te
ka pra-vapue namo nama
O Nma who destroys the heaps of sufferings of those who take shelter of You,
O Nma who is the form of delightful knowledge and intense spiritual bliss, O
Nma who is the festival of happiness for Gokula, O svaya bhagavn Ka, I
bow down and offer my respects to You again and again. (7)
nrada-vojjvana
sudhormi-nirysa-mdhuri-pra
tva ka-nma kma
sphura me rasane rasena sad
O giver of life to Nradas vn, O essence of the wave of nectar which is full of
sweetness, O Holy Name of r Ka, please happily and with mellow be
eternally present on my tongue. (8)
38
39
40
41
ITEM
COST
1. Nma. raddha
(Faith, ik. 1)
2. Nma which reveals Kas form Nih
(Steady faith
beyond
anarthanivtti, ik. 3)
3. Nma which reveals Kas form & qualities Ruci
(Taste, ik. 4)
4. Nma which reveals Kas form, qualities & pastimes.. Asakti
(Firm
attachment,
ik. 5)
5. Nma which reveals Kas form, qualities, pastimes &
which awakens transcendental emotion within the heart .. Bhva, Rati
(Prelim. stage
of love of God
ik. 6)
6. Nma which reveals Ka in full with all His
transcendental potencies and gives unrestricted
entrance into the ocean of devotion. Prema
(Pure love of
God, ik. 7&8)
42
Share Traders
Bengal
r Advaita crya
Vndvana
rla Rpa and
Santana Gosvms
Puri
Svarpa Dmodara
& Rmnanda Rya
Store Keepers
Bengal
r Gaddhara Paita
rmat Jhnav Dev
rmat Viupriy Dev
Vndvana
Puri
43
A Spiritual Request
(Vijapti)
kabe habe bolo se-dina mr
(mr) apardha ghuci, uddha nme ruci,
kp-bale habe hdoye sacr (1)
Please tell me, when oh when will that day be mine? My offenses will come to
an end, and a taste for the pure holy name will be infused within my heart by
the power of divine grace.(1)
tdhika hna, kabe nije mni,
sahiut-gua hdoyete ni
sakale mnada, pani amn,
hoye swdibo nma-rasa-sr (2)
Feeling myself lower than a blade of grass, welcoming the quality of
forbearance into my heart, giving honor to all living beings, and being freed
from false pride, when will I taste the essence of the rasa of the holy name.(2)
dhana jana ra, kavit-sundar,
bolibo n chi deho-sukha-kar
janme-janme do, ohe gaurahari!
ahaituk bhakti carae tomr (3)
Wealth, followers, beautiful women as described in worldly poetry I do not
want any such bodily pleasures. O Lord Gaurahari! Please give me unmotivated
devotion to Your lotus feet birth after birth.(3)
(kabe) korite r-ka- nma uccraa,
pulakita deho gadgada vacana
vaivarya-vepathu habe saghaana,
nirantara netre babe aru-dhr (4)
When, while articulating the divine name of r Ka, will my body be thrilled
in ecstatic rapture, my words choke with emotion, loss of color and ecstatic
trembling occur, and streams of tears flow constantly from my eyes?(4)
kabe navadwpe, suradhun-tae,
gaura-nitynanda boli nikapae
nciy giy, beibo chue,
btulera prya chiy vicr (5)
When, in the land of Navadvpa, on the banks of the celestial Gag, will I run
about innocently calling out, O Gaura! O Nitynanda!? Dancing and singing,
45
I will wander about like a madman, giving up all consideration of proper social
behavior.(5)
kabe nitynanda, more kori doy,
chibe mora viayera my
diy more nija- caraera chy,
nmera hete dibe adhikr (6)
When will Lord Nitynanda be merciful to me and release me from the illusion
of worldliness? When will He give me the shade of His own lotus feet and
bestow upon me the qualification necessary to enter the Marketplace of the
Holy Name?(6)
kinibo, luibo, hari-nma-rasa,
nma-rase mti hoibo vivaa
rasera rasika- caraa paraa,
koriy mojibo rase anibr (7)
Somehow or other I shall buy or steal the mellows of the name of Lord Hari.
Becoming thoroughly intoxicated by those liquid mellows, I will be stunned. By
touching the feet of those great souls who are expert in relishing those mellows,
I will be constantly immersed in the sweet nectar of the holy name.(7)
kabe jve doy, hoibe udoya,
nija-sukha bhuli sudna-hdoya
bhakativinoda, koriy vinoya,
r-ja-ahala koribe pracr (8)
When will there be an awakening in me of compassion for all fallen souls? Then
this Bhaktivinoda will forget his own happiness, and with a meek heart he will
set out to propagate by humble solicitation the sacred order of r Caitanya
Mahprabhu.(8)
46
47
48
The krtan of Hari is the constant and natural function of all the facilities of
the jva in its constitutional state free from the affinities with this changeable
world. That is because the Absolute Truth is identical with Hari. Hari has to be
served exclusively, constantly and by all the facilities of the soul. The only
function of the voice is to chant the krtan of Hari which is identical with and
inseparable from the simultaneous service of Hari by all the other senses. One
who does not employ his voice constantly and exclusively in chanting the krtan
of Hari has no access to the service of Hari by any other faculty.
r Caitanyas Teachings, pt.2, p83
Inclination to krtan effects ravaa and the opportunity for smaraa. At that
time there is the possibility of serving within Kas aa-klya-ll. In all
respects pray to r Nma for His mercy.
Amlya-vi 9
49
rla Prabhupda
The transcendental vibration established by the chanting of Hare Ka, Hare
Ka, Ka Ka, Hare Hare/ Hare Rma, Hare Rma, Rma Rma, Hare
Hare is the sublime method for reviving our transcendental consciousness. As
living spiritual souls, we are all originally Ka conscious entities, but due to
our association with matter from time immemorial, our consciousness is now
adulterated by the material atmosphere. The material atmosphere, in which we
are now living, is called my, or illusion. My means that which is not. And
what is this illusion? The illusion is that we are all trying to be lords of material
nature, while actually we are under the grip of her stringent laws. When a
servant artificially tries to imitate the all-powerful master, he is said to be in
illusion. We are trying to exploit the resources of material nature, but actually
we are becoming more and more entangled in her complexities. Therefore,
although we are engaged in a hard struggle to conquer nature, we are ever
more dependent on her. This illusory struggle against material nature can be
stopped at once by revival of our eternal Ka consciousness.
Hare Ka, Hare Ka, Ka Ka, Hare Hare is the transcendental process
for reviving this original, pure consciousness. By chanting this transcendental
vibration, we can cleanse away all misgivings within our hearts. The basic
principle of all such misgivings is the false consciousness that I am the lord of all
I survey.
Ka consciousness is not an artificial imposition on the mind. This
consciousness is the original, natural energy of the living entity. When we hear
this transcendental vibration, this consciousness is revived. This simplest
method of meditation is recommended for this age. By practical experience
also, one can perceive that by chanting this mah-mantra, or the Great
Chanting for Deliverance, one can at once feel a transcendental ecstasy coming
through from the spiritual stratum. In the material concept of life we are busy
in the matter of sense gratification, as if we were in the lower, animal stage. A
little elevated from this status of sense gratification, one is engaged in mental
speculation for the purpose of getting out of the material clutches. A little
elevated from this speculative status, when one is intelligent enough, one tries
to find out the supreme cause of all causeswithin and without. And when one
is factually on the plane of spiritual understanding, surpassing the stages of
sense, mind, and intelligence, he is then on the transcendental plane. This
chanting of the Hare Ka mantra is enacted from the spiritual platform, and
thus this sound vibration surpasses all lower strata of consciousnessnamely
sensual, mental, and intellectual. There is no need, therefore, to understand the
language of the mantra, nor is there any need for mental speculation nor any
intellectual adjustment for chanting this mah-mantra. It is automatic, from the
spiritual platform, and as such, anyone can take part in the chanting without
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51
Simply addressing the energy of the Supreme Lord as Hare and the Lord
Himself as Ka very soon situates the Lord within the heart of the devotee.
By thus addressing Rdh and Ka, one directly engages in His Lordships
service. The essence of all revealed scriptures and all knowledge is present
when one addresses the Lord and His energy by the Hare Ka mantra, for
this transcendental vibration can completely liberate a conditioned soul and
directly engage him in the service of the Lord.
CC di 7.73p
[The mah-mantra] is not a material sound like the sounds we hear on the
radio. It is a spiritual sound that comes from the spiritual world. Even in the
material world we can release a sound from one place, and it can be heard
thousands of miles away. A spiritual sound can be released from many trillions
of miles away, and it can be heard, provided that one has the machine to
capture it. That machine is bhagavata-prem. Those who have developed love
of Godhead can hear it.
Teachings of Lord Kapila, the Son of Devahti
Since Ka and His holy name are identical, the holy name is eternally pure
and beyond material contamination. It is the Supreme Personality of Godhead
as a transcendental vibration. The holy name is completely different from
material sound, as confirmed by Narottama dsa hkura: golokera premadhana, hari-nma-sakrtana. The transcendental vibration of hari-nmasakrtana is imported from the spiritual world.
CC di 7.74p
we shall not chant. Even there are offenses, we shall go on chanting. That
chanting will help me to get out of all offenses. Of course, we must take care
that we may not commit offenses. Therefore this list of ten kinds of offenses are
given. We should try to avoid. And as soon as it is offenseless chanting, then it
is liberated stage. That is liberated stage. And after liberated stage, the chanting
will be so pleasing because that is on the transcendental platform that actual
love of Ka and God will be relished. But the same thing... The chanting... In
the offensive stage, the chanting, and the liberated stage is chanting... But in the
mature stage... Just like Rpa Gosvm, he used to say that What shall I chant
with one tongue and what shall I hear with two ears? If millions of ears I had, if
millions of tongue I had, then I could chant and hear. Because they are in
liberated stage.
But we should not be dejected for that purpose. We should continue with
perseverance. Utshd dhairyt. Utsht means with enthusiasm, and dhairyt,
dhairyt means perseverance, patience. Utsht. Nicayt. Nicayt means with
firm determination: Yes, I have begun chanting. Maybe there are offenses, but
if I continue, Ka will be pleased to place me on the transcendental platform
when I shall relish what is this chanting Hare Ka. Just like Vivantha
Cakravart has given that the mango in the ripe stage and unripe stage. Unripe
stage, it is bitter, but the same mango, when it is fully ripe, it is sweet, the
sweetness. We shall have to wait for this stage, and we shall have to be careful
that we may not commit offenses. Then we, surely, we shall come. Just like a
diseased patient, if he follows the regulations given by the physician and takes
the medicine, then surely hell be cured.
Therefore Parkit Mahrja said that the chanting is for the persons who are
liberated. Nivtta-tarair upagyamnt. Actually, chanting can be perfectly
done by persons who are already liberated. But those who are not liberated?
Then he says, bhavauadhi. But it is the medicine of this material entanglement
for becoming liberated. That is also, it is also medicine. When we are liberated,
we'll chant and relish what is actually love of God..Actually, chanting is
possible in the liberated stage. But even if we are not liberated stage, it will act
as medicine to bring us to the liberated platform.
rmad-Bhgavatam 1.5.11, New Vndavana, June 10, 1969
It is not a permanent settlement that once we have got this human form of body
we cannot glide down. We can glide down. Bhagavad-gt says: ya ya vpi
smaran loke tyajaty ante kalevaram [Bg. 8.6]. At the time of death the mental
position will give you another body of the same type as you are mentally
absorbed at that time. So therefore we have to prepare, we have to prepare
ourselves so that at the time of death we may... Ante nryaa-smti [B 2.1.6].
At the time of death we can once think of Ka. Then our life is successful. It
53
is said in Bengali that bhajana kara sdhana kara matijanle haya.[?] What is
that? That whatever spiritual advancement you are doing, that's all right. The
test will be at the time of your death. Examination. That is the point of
examination. What is the mental state at that time. Difficult job.
Therefore we have to practice: Hare Ka, Hare Ka, Ka Ka, Hare
Hare/ Hare Rma, Hare Rma, Rma Rma, Hare Hare. In this way,
unconsciously or consciously, if we simply can remember Hare Ka, then our
life is successful. This is a most scientific method. Simply if we can remember...
It doesnt require how far we are educated, how far we are scholar, no. Ante
nryaa-smti.
rmad-Bhgavatam 1.5.11, New Vndavana, June 10, 1969
54
rla Gopla-guru Gosvm, drawing from the Brahma Pura (and adding
the second stanza), has presented the following meaning for the mah-mantra:
vijpya bhagavat-tattva cid-ghannanda-vigraham
haraty avidy tat kryam ato harir iti smta
harati r-ka-mana khlda-svarpi
ato harety anenaiva r-rdh parikrtit
nandaika-sukha-svm yma kamala-locana
gokulnandano nanda-nandana ka ryate
vaidagdh sra-sarvasva mrti-lldhidaivatam
rdhik ramya-nitya rma ity abhidhyate
The Lord is known as Hari because He takes away the ignorance of His
devotees by revealing to them the actual nature of the Supreme Lord and His
personal spiritual form.
Because She steals Kas mind, because She is the incarnation of Kas joy,
Rdh is also known by the name Har.
The dark, lotus-eyed Lord, the only master of the highest joy, who brings
pleasure to Gokula, the son of Nanda, is known as Ka.
Ka is also known as Rma because the joys of conjugal life are the essence
of His being, because He is the titulary Deity of loving sports incarnate, and
because He brings pleasure to rmati Rdhrn.
rla Rpa Gosvm praises the Hare Ka mah-mantra in his Laghubhgavatmta (1.4):
r-caitanya- mukhodgr hare keti- varak
majjayanto jagat premi vijayant tad-hvay
The syllables Hare Ka and so forth emanated from the mouth of r
Caitanya, drowning the universe in prema. Let these names be glorified!
He longs to again attain the darana of r Caitanyas calling out the Holy
Names, as presented in Stavaml, Prathama Caitanyakam (5):
hare kety uccai sphurita-rasano nma-gaankta-granthi-re-subhaga-kai-strojjvala-kara
vilko drghrgala-yugala-khelcita-bhuja
sa caitanya ki me punar api dor ysyati padam
When will r Caitanya Mahprabhu - whose tongue is always dancing by
loudly calling out Hare Ka!; who counts the names which He is calling out
on the splendorous strip of cloth from around His waist which has been tied
56
with knots for chanting; whose eyes are so large that they seem to reach His
ears; and whose arms extend down to His knees - again become visible to me?
Here the word uccai, loudly, is used for Mahprabhus chanting of Hare
Ka. rla Baladeva Vidybhaa confirms in his Stavaml-vibhaabhya that this indeed refers to the thirty-two syllable mah-mantra:
hare keti mantra-pratka-grahaa
oaa-nmtman dvtriad-akarea
mantreoccair-uccritena sphurita
kta-nty rasan jihv yasya sa
The Hare Ka mantra was resounding in His mouth. The mantra consisting of
sixteen names and thirty-two syllables was uttered and dancing on His tongue.
rla Raghuntha dsa Gosvm states in his ac-Snvakam (5):
nijatve gauyn jagati parighya prabhur-imn
hare kety eva gaana-vidhin krtayata bho
iti pry ik caraa-madhupebhya paridian
ac-snu ki me nayana-sara ysyati pada
When will that son of Mother ac who, taking the residents of Bengal as His
own, inspired them to chant Hare Ka a prescribed number of times daily and
who like a father gave them many cherished instructions again become visible
to me?
This verse uses the word kirtayata to describe Mahprabhus chanting, adding
that this chanting is gaana-vidhin, counted as prescribed.
Srvabhauma Bhacrya states in his Caitanya-Satakam (64):
viaa cittn kali-ppa bhtn
savkya gauro hari-nma mantra
svaya dadau bhakta-jann samdiet
kuruva sakrtana-ntya vdyn
Seeing the people of the world afraid of the sins of the age of Kali and dejected
at heart, r Caitanya Mahprabhu personally gave them the harinma mantra
and also ordered them to do loud sakrtana of this mah-mantra while dancing
and playing musical instruments.
rla Prabodhnanda Sarasvat states in his Vndvana-mahimmta (17.89):
hare ka keti keti mukhyn mahcarya-nmval-siddha-mantrn
kp-mrti-caitanyadevopagotn kadbhyasya vndvane sy krtrtha
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r Caitanya Deva, the very form of mercy, sung the perfected mantra, Hare
Ka, Ka and so forth. When will He give His favor to me, causing me to
attain r Vndvana?
rla Prabodhnanda Sarasvat also states in his Caitanya-candrmta (16):
badhnan prema-bhara-prakampita-karo granthn ka-dorakai
sakhytu nija-loka-magala-hare-keti nmn japan
asru-snata-mukhah svam eva hi jagannatham didrikshur gatayatair gaura-tanur vilocana-mudam tanvan harih patu vah
Engaged in japa of Hare Ka and so forth, His own Holy Names which bring
auspiciousness to the world, His hand trembling with love as He touches the
knotted string about His waist to count the number of names, His face bathed
in tears as He comes and goes, eager to see His own form of Lord Jaganntha,
and bringing great delight to the eyes of all may the golden form of Lord Hari
protect you all.
rla Kavi-karapra describes the shaving-ceremony of r Caitanya in his
Caitanya-carita-mahkvya (11.54):
tata r-gaurga samavadad atva pramudito
hare ketyuccair vada muhur iti rmaya-tanu
tato sau tat procya prativalita-romaca-lalito
rudas tat-tat-karmrabhata bahu-dukhair vidalita
When r Gaurga accepted sannysa, the barber took the blade in his hand
but was not able to shave any of the Lords curly locks out of grief. Resplendent
r Gaurga told him in great joy to repeatedly chant Hare Ka out loud.
Then the barber loudly chanted the same and, looking beautiful with goose
bumps all over his body, began his job of shaving while he wept in great
lamentation.
rla Vndvana dsa hkura describes the Lords instructions to Tapana
Mira in the Caitanya-bhgavata (1.14.143-147) as follows:
sdhya-sdhana-tattva ye kichu sakala
hari-nma-sakrtane milibe sakala
harer nma harer nma harer nmaiva kevalam
kalau nsty eva nsty eva nsty eva gatir anyath
hare ka hare ka ka ka hare hare
hare rma hare rma rma rma hare hare
ei loka nma bali laya mah-mantra
ola-nma batria-akara ei tantra
sdhite sdhite yabe premkura habe
sdhya-sdhana-tattva jnib se tabe
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59
The following statement on the congregational chanting of the harinma mahmantra is also found in the Padma Pura:
harer nma mah-mantrair nayet ppa-picakam
harer agre-svarair uccair nrtyas tan-nma-kn nara
punti bhuvana vipra gagdi-salila yath
hare pradakia kurvann uccais tannma kn nara
karatldi-sandhna susvara kala-abditam
Harinma mah-mantra can destroy the witches of sin. O brhmaa, one who
loudly chants the holy name while dancing in front of Lord Hari purifies the
universe just as the water of sacred rivers like the Gag. Those who
circumambulate Lord Hari and loudly perform nma-sakrtana of the sixteenword mah-mantra with sweet voices and while clapping the hands, also purify
the entire world.
The Kali-santaraa Upaniad, part of the Yajur Veda, states:
hare ka hare ka ka ka hare hare
hare rma hare rma rma rma hare hare
iti oaaka nmn kali-kalmaa-nanam
nta parataropya sarva-vedeu dyate
The sixteen names of the Hare Ka mah-mantra Hare Ka Hare Ka
Ka Ka Hare Hare Hare Rma Hare Rma Rma Rma Hare Hare
destroys the iniquities of the Kali age. This is the ultimate conclusion of all the
Vedas.
The context of the above quote is important: This Upaniadic text is a dialogue
between Brahma, the first created being, and Nrada, his disciple, who asks him
about the most effective means to attain liberation in the current age. Brahma
answers with the above verse. And in a prior verse he informs Nrada that the
mah-mantra is the real secret of the Vedic literature, thus underlining the
mantras confidential nature and its importance for the Vaiava tradition.
The Rma-tpan Upaniad (1.6) explains each of the names of the mahmantra in the following way:
harati tri-vidha tpa janma-koi-atodbhavam
ppa ca smarata yasmt tasmad dharir iti smta
The Lord is known as Hari because for those who remember Him he takes
away the sins accumulated over millions of births as well as the three types of
suffering that result from those sins.
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62
63
Without Hari, there is no other means to eradicate the sins of the age of Kali,
and therefore it is essential to reveal the name of Hari (harinma) in order to
deliver the world. By this chanting, people all over the world can be released
from the worst sins of the age of Kali. First one should twice chant Hare
Ka, then twice Ka, then twice Hare, then twice Hare Rma and
in the end, O Mahdev, one should chant Rma twice, and then Hare
Hare. In this way one should pronounce Lord Ka's mah-mantra, which
destroys all sins.
From the Rdh Tantra:
u mtar mahmye viva-bja-svarpii
hari-nmno mahmye krama vada surevari
Hear me, O mother Mahmy, the seed of the universe, mistress of the Gods!
I ask you to please explain the sequence of harinma.
hare ka hare ka ka ka hare hare
hare rma hare rma rma rma hare hare
dv-triad akary eva kalau nmni sarvadam
eta mantra suta-reha prathama uyn nara
Hare Ka Hare Ka Ka Ka Hare Hare Hare Rma Hare Rma
Rma Rma Hare Hare. O best of sons, this is how you should chant these
thirty-two syllables and sixteen names in the age of Kali. Every human being
should hear this mantra, which bestows all boons.
64
65
66
* These prayers may be used at the beginning and/or end of a japa session.
The Editor
67
68
69
70
The bird of the mind flies on two wings the past and the future. Oh
mind, cut those wings! Be here now! Just hear, chant and remember, and
let me learn to love, serve and surrender!
1. E.g r Caitanya Mahprabhus ikaka, rla Rpa Gosvms r Upademta,
Raghuntha Dsa Gosvms r Mana-ik, Bhaktivinoda hkuras Sva-niyamadvdaakam.
2. My austere vow is constant devotion to the lotus feet of r Hari. In order to execute
that vow, I have accepted the following qualities by my own endeavor.
I try to practice great humility in my dealings with everyone.
I try to keep simplicity and purity prominent in all my practical arrangements.
I maintain tolerance in all types of favorable and unfavourable circumstances.
I offer all respect to others, regardless of who they are.
I feel genuine compassion for all living beings and act accordingly.
Sva-niyama-dvdaakam 6.