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    Jujitsu

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    twisted-revelation
    This document provides terms and techniques related to Danzan Ryu jujitsu. It defines key Japanese terms like "ko," "den," and "kan" that relate to traditions and schools. It explains that Danzan Ryu was developed by Master Okazaki in Hawaii and can be referred to as both Danzan Ryu and Kodenkan style. The document then lists 20 techniques for grappling holds and throws called "shokyu yawara" and 20 throwing techniques called "nage." It concludes with a brief guide to pronouncing Japanese terms.

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    Jujitsu

    Uploaded by

    twisted-revelation
    392 views5 pages
    This document provides terms and techniques related to Danzan Ryu jujitsu. It defines key Japanese terms like "ko," "den," and "kan" that relate to traditions and schools. It explains that Danzan Ryu was developed by Master Okazaki in Hawaii and can be referred to as both Danzan Ryu and Kodenkan style. The document then lists 20 techniques for grappling holds and throws called "shokyu yawara" and 20 throwing techniques called "nage." It concludes with a brief guide to pronouncing Japanese terms.

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    This document provides terms and techniques related to Danzan Ryu jujitsu. It defines key Japanese terms like "ko," "den," and "kan" that relate to traditions and schools. It explains that Danzan Ryu was developed by Master Okazaki in Hawaii and can be referred to as both Danzan Ryu and Kodenkan style. The document then lists 20 techniques for grappling holds and throws called "shokyu yawara" and 20 throwing techniques called "nage." It concludes with a brief guide to pronouncing Japanese terms.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as DOC, PDF, TXT or read online from Scribd
    Download as doc, pdf, or txt
    392 views5 pages

    Jujitsu

    Uploaded by

    twisted-revelation
    This document provides terms and techniques related to Danzan Ryu jujitsu. It defines key Japanese terms like "ko," "den," and "kan" that relate to traditions and schools. It explains that Danzan Ryu was developed by Master Okazaki in Hawaii and can be referred to as both Danzan Ryu and Kodenkan style. The document then lists 20 techniques for grappling holds and throws called "shokyu yawara" and 20 throwing techniques called "nage." It concludes with a brief guide to pronouncing Japanese terms.

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    Attribution Non-Commercial (BY-NC)
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    Terms and such (Jujitsu)

    KO ­ "ancient," of olden times, or "senior"
    DEN ­ "transmission" or "tradition"
    KAN ­ "school"

    DAN ­ "sandalwood" a fragrant tree, similar to cedar
    ZAN ­ "mountain"
    RYU ­ "system", also a martial art tradition

     Danzan refers to Sanadalwood Mountains, another name for Hawaiian Islands. Thus, 
    Danzan Ryu was the name of the style of jujitsu, which Master Okazaki developed. 
    Kodenkan is translated either "the school of ancient tradition" or "the school in which the 
    seniors transmit the tradition." Kodenkan was the name of Okazaki's school but has come 
    to denote both Okazaki's school in Honolulu and his system of jujitsu. Therefore, the use 
    of either term is acceptable to describe the art.

     SHOKYU YAWARA

     1. KATATE HAZUSHI ICHI 
     (Kata ­ single, Te ­ hand, Hazushi ­ disconnect, Ichi ­ first)
     
    2. KATATE HAZUSHI NI 
     (Kata ­ single, Te ­ hand, Hazushi ­ disconnect, Ni ­ second)
     
    3. RYOTE HAZUSHI 
     (Ryo ­ two, Te ­ hand, Hazushi ­ disconnect)
     
    4. MOROTE HAZUSHI 
     (Moro ­ many, Te ­ hand, Hazushi ­ disconnect)

    5. MOMIJI HAZUSHI 
     (Momi ­ red, Ji ­ Maple Leaf, Hazushi ­ disconnect)

    6. RYOERI HAZUSHI 
     (Ryo ­ two, Eri ­ lapel, Hazushi ­ disconnect)
     
    7. YUBI TORI HAZUSHI 
     (Yubi ­ finger, Tori ­ hold, Hazushi ­ disconnect)
     
    8.YUBI TORI 
     (Yubi ­ finger, Tori ­ hold)
     
    9. MORO YUBI TORI 
     (Moro ­ many, Yubi ­ finger, Tori ­ hold)
     
    10. KATATE TORI ICHI 
     (Kata ­ single, Te ­ hand, Tori ­ hold, Ichi ­ First)
     
    11. RYOTE TORI 
     (Ryo ­ two, Te ­ hand, Tori ­ hold)
     
    12. AKUSHU KOTE TORI 
     (Akushu ­ handshake, Kote ­ forearm, Tori ­ hold)
     
    13. AKUSHU UDE TORI 
     (Akushu ­ handshake, Ude ­ arm, Tori ­ hold)
     
    14. AKUSHU KOTEMAKI TORI 
     (Akushu ­ handshake, Kote ­ forearm, Maki ­ winding, Tori ­ hold)
     
    15. E MON TORI 
     (E ­ garment, Mon ­ crest, Tori ­ hold)
     
    16. TE KUBI TORI ICHI 
     (Te ­ hand, Kubi ­ neck [=wrist], Tori ­ hold, Ichi ­ first)
     
    17. TE KUBI TORI NI 
     (Te ­ hand, Kubi ­ neck [=wrist], Tori ­ hold, Ni ­ second)
     
    18. RYO ERI TORI 
     (Ryo ­ two, Eri ­ lapel, Tori ­ hold)
     
    19. KUBI NUKI TORI 
     (Kubi ­ neck, Nuki ­ remove, Tori ­ hold)
     
    20. HA GAI SHIME 
     (Ha ­ wing, Gai ­ pinion, Shime ­ constriction)
     NAGE

    1. DEASHI HARAI 
     (De ­ advancing, Ashi ­ foot, Harai ­ sweep)
     
    2. SASAE ASHI 
     (Sasae ­ Prop/check, Ashi ­ foot)

    3. OKURI HARAI 
     (Okuri ­ sending, Harai ­ sweep)
     
    4. SOTO KAMA 
     (Soto ­ outside, Kama ­ sickle)
     5. UCHI KAMA 
     (Uchi ­ inner, Kama ­ sickle)
     
    6. SOTO MOMO HARAI 
     (Soto ­ outside, Momo ­ thigh, Harai ­ sweep)
     
    7. UCHI MOMO HARAI 
     (Uchi ­ inside, Momo ­ thigh, Harai ­ sweep)
     
    8. O KOSHI 
     (O ­ major, Koshi ­ hip)
     
    9. UTSURI KOSHI 
     (Utsuri ­ move, shift, Koshi ­ hip)
     
    10. SEOI NAGE 
     (Se ­ back, Oi ­ carry, Nage ­ throw)
     
    11. USHIRO KOSHI 
     (Ushiro ­ rear, Koshi ­ hip)
     
    12. SEOI KOSHI 
     (Se ­ back, Oi ­ carry, Koshi ­ hip)
     
    13. TSURI KOMI KOSHI 
     (Tsuri ­ ensnare, Komi ­ into, Koshi ­ hip)
     
    14. HARAI KOSHI 
     (Harai ­ sweep, Koshi ­ hip)
     
    15. HANE KOSHI 
     (Hane ­ springing, Koshi ­ hip)
     
    16. UKI OTOSHI 
     (Uki ­ floating, Otoshi ­ drop)
     
    17. MAKI KOMI 
     (Maki ­ wind up, Komi ­ slip into)
     
    18. KANI SUTE 
     (Kani ­ crab, Sute ­ throw away)
     
    19. TOMOE NAGE 
     (Tomoe ­ comma, circle, Nage ­ throw)
     

    20. YAMA ARASHI 
     (Yama ­ mountain, Arashi ­ storm)

    SELECTED GLOSSARY OF TERMS

    Pronunciation Key

     The pronunciation of Japanese words is very simple, in that any word in the language is 
    made up of one or more short syllabic sounds called "The Fifty Sounds" or Go Ju no On. 
    Vowels are pronounced as follows:

    A ­ "ah" as the a in father
    E ­ "eh" as the e in elephant
    I ­ "ee" as the i in machine
    O ­ "oh" as the o in oboe
    U ­ "oo" as the u in Lulu

     Consonants ­ hard sounds ­ are pronounced as would naturally be read.

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