The Yellow Papers Series

Humor,
:)
Marketing,
and the Internet
How technological change has given humor
renewed purpose
Humor, Marketing and the Internet The Yellow Paper Series 2

What if, despite all

the changes, the
true measure of
great digital work
were its emotive
power?

I’m sure you’ll agree that it’s a very exciting The link between emotive power and
time be a part of the marketing industry. business growth is clear. Science tells us
It seems that each new day ushers in a that emotion, not rational thought, is the
groundbreaking new style of marketing, gatekeeper for consumer behavior.
a new approach or a new technology
that just wouldn’t have been possible a This paper is focused on humor alone,
few years ago. Not even the terms we the mainstay in our bag of emotive tricks.
use to describe, debate and judge the Most brands feature humor in their brand
work—“participatory,” “social,” “interlinked” attributes—perhaps as “a twinkle in the
and “connective”—were in existence a eye,” a “playful nature,” or something
few years ago. Everything about digital similar.
marketing is new.
More specifically, what follows is all about
But what if the most important attribute of humor in the digital age of marketing: its
truly great digital work weren’t something renewed benefits; a glimpse at a brand
new, but something retained from the past? that manages to be funny on the web; an
Something important that had been lost or investigation into how social technologies
forgotten in the midst of all these changes? are impacting the way that we joke; and
What if, despite all the change, the true finally, a few pointers on how to ensure
measure of great digital work were its that your brand is in a position to take
emotive power? advantage of humor.
Humor, Marketing and the Internet The Yellow Paper Series 3

Dennis Hurley is Creative Strategist at Tribal

DDB, Sydney. He is a digital strategist and
information architect with 10 years of industry
experience. He has a Masters Degree in
Design, having studied ubiquitous computing,
customization and semiotics.

The Benefits of Humor

Humor has been a vital part of marketing for a long time: The memorably witty “Think
Small” print ad that DDB created for Volkswagen was made some five decades ago.
However, with the changes in communication technology, humor carries a number of
new benefits that have made it even more vital.

Humor Helps Extend Your Reach. The first benefit of humor is the most well known.
As we’re all aware, everyone on the web has the ability to quickly and easily share content
with others. Humor puts your brand in the best position to benefit from that connectivity.
It has the ability to earn large audiences through the amplifying effect of social
connectivity. If you make your users laugh, your relationship with them will benefit and
they will probably pass your creative on to their friends to make them laugh too, causing
your message to spread virally.

Humor Reduces Dependence on Incentives. We’re always doing our best to

encourage our customers to engage with our brand. We fight tooth and nail to entice
them to click here, there, and everywhere. There are many ways to coax them along,
but humor is a great way to get a response without depending on giveaways or sacrificing
margin. It’s a nice alternative to out-and-out bribery. If you make sure they’re enjoying
what they’re doing and can keep them laughing, you’ll have enough of their attention to
keep the experience flowing beautifully.

Humor Can Be Used to Avert Potential Detractors. Humor’s ability to diffuse

annoyance is vital at a time when genuine customer service is scarce yet consumers are
able to broadcast their grievances to the planet. Brands are increasingly measuring their
worth by what people are saying about them. Fred Reichheld of the Harvard Business
Review has touted the Net Promoter Score (NPS), a simple customer satisfaction matrix,
as “the one number you need to grow” in business. Humor, when used with sensitivity,
has a redeeming quality that can help to lighten the mood and assuage grievances.

Humor Reduces Dependence on Production Values. Effective digital strategy is

more than just moving what you’ve done from one screen to another. We’re entering an
era when your brand experience will need to be adapted to suit many different devices—
and the experience across these devices will need to be coherently interlinked. Factors
like speed, personalization and relevance to the user will become increasingly important.
We’ll be looking for simpler, more direct ways to express brand identity—like with a quip
within a text message.
Humor, Marketing and the Internet The Yellow Paper Series 4

A Brand with a Sense of Humor

One brand that recognizes the importance of humor in the digital era is Google.

Without humor Google would be a completely different company. Its mission “to
organize the world’s information and make it universally accessible and useful” is arguably
conducive to quite dry work.

Google has built its empire on being very performance oriented, efficient, fast, tech
based, and reliable—and is facing a whole new set of challenges today. To quote
Interbrand’s Best Global Brands 2009: “As the brand grows it has to deal with the
inevitable mistrust and ugliness ascribed to being a very large, diversified, and very
profitable company.”

Google has injected fun and humor into its personality to help counter these perceptions.
But how does it do it?

Google has executed dozens of enormous pranks—like the April Fools’ Day 2009 prank,
during which YouTube was upside-down. But Google’s success isn’t about size. In fact,
Searching Google for “the loneliest number” will make
it’s quite the opposite: it’s about being granular. It’s the way that the Google personality is
the calculator answer “1.” Similarly, searching for so closely knitted into its products. A keen sense of humor lurks just beneath the surface.
“recursion” returns “Did you mean: recursion?”

Knowing that jokes are rarely as funny secondhand as they are firsthand, and that
taking one of many tiny jokes in isolation doesn’t give a full sense of their inexhaustible
sense of humor, let’s look at a fairly typical Google prank: a feature hidden in a rarely used
part of Google Chrome, a “Goats Teleported” column that appears only when a certain
combination of keys are held down.

Google treated this feature as if it were a software bug, announcing its existence by filing
a bug report in the official Google Code forum. Programmers flocked to the forum to play
along with the goat teleportation joke—flooding it with concerned comments about the
health and safety of the goats, customs fees and quarantine questions, one programmer
wondering if it is “possible to wear a goat suit and be teleported,” and another feigning
annoyance that his bedroom was filling with everyone else’s goats.

Google’s hidden feature triggered tributes from the public in various forms including, bootleg merchandise.

This example is emblematic of the three attributes that really set Google’s approach
apart: the humor is unexpectedly pervasive (it seems to be coming from the
engineers and designers); the humor is stripped down to its bare bones, so
the delivery feels effortless and spontaneous; and the tone of voice toggles
between neutral and playful, as needed. These should be the attributes that
define a brand with a sense of humor in the Internet age.
Humor, Marketing and the Internet The Yellow Paper Series 5

New Technologies, So, what does humor look like in the that “allows users to participate in the
New Forms of Humor Internet age? joke-telling process.”

As it happens, there is literature available Based on the understanding that these

Humor is a malleable concept that on this topic. Back in 2007, Limor Shifman new forms of humor are attributable to
has been changing form, content and of the University of Oxford published recent technological advancements (the
style in response to social, cultural and a study in the International Journal of ability to manipulate photographs, the
technological trends since media’s Communications. He analyzed a huge ability to interact electronically), it seems
very beginnings. New communication volume of Internet-based comics and reasonable to assume that starting with
technologies not only influence humor, categorized them by topic. With the help of technology- driven product breakthroughs
they make new styles of humor possible. earlier studies, Shifman compiled a list of and working backward to discover comical
Every major new communications joke topics* and measured the prevalence uses of each would be a way to find new
technology in modern history has ushered of each. The most relevant topics were, and notable forms of humor.
in a new genre of humor. Newspapers, for unfortunately, off limits in the world of
example, because they are published and marketing communications: sex (taboo), After observing the social bookmarking site
distributed rapidly and frequently, have gender (taboo), and animals (unusable). reddit.com over the past few months, we
made it possible to satirize current world Shifman’s study had a secondary purpose, drew up a table of what was discerned: the
events via cartoons. Television gave us the which is more useful for our interests: to find new capability (i.e., what we can now do
sitcom. The telephone provides the safe ‘new’ forms of humor. He found two that because of new technology); the resultant
distance from which to make prank calls. are now enjoying popularity on the web: behavior (i.e., how people take advantage of
manipulated photos and interactive humor that capability ); and a real-world example.

Technology-Driven Resultant Real-World

Capability Behavior Example

The announcement of fake “breaking”

Creating a new identity for news stories with the hope that they will
yourself be broadcast before fact-checkers pick
up on the hoax
A fake Twitter account was opened on
Assuming someone
behalf of Tupac Shakur, a long dead
Anonymity else’s identity
celebrity
Opens the door to new
forms of identity play Believe it or not, there are people that
Regression spend all day trawling forums pretending
to be a kitten

Some sites allow people to anonymously

Oversharing share outrageous confessions, personal
text messages, and so on

Infiltration of situations
Flash mobs
in real life

Connectivity Greenpeace’s competition to name their

Opens the door to styles of Infiltration of online whale was flooded with visitors from
humor only made possible destinations reddit.com who stuffed the poll with
by mass participation votes for "Mister Splashy Pants"

Obscure/absurd common Reddit’s competitive obsession with bacon

interests and narwhals

A photo that probably wasn’t intended

Manipulated photos
to be funny is given a harsh caption
Wider access to The 'Play'em Off, Keyboard Cat!' videos
Memes
creative tools on YouTube
Making the recipient the Customized videos that make the
butt of the joke recipient the butt of the joke

Linkjacking: a link inexplicably leads to

Interactivity Bait-and-switch pranks a Rick Astley song despite the link text
Requires the user to perform promising something else
an activity that is additional
to reading, watching or For a time, Googling “worst band in the
Hidden features (also
hearing world” would return the result "See results
known as Easter eggs)
for Creed"

*The topics were: sex, gender, animals, products and companies, mass media, children and teenagers, politics, computers and technology, sports,
specific people, ethnicity, transportation, habits, workplace and professions.
Humor, Marketing and the Internet The Yellow Paper Series 6

Conclusion and Action Points

Humor is an enormously important and beneficial aspect of brand marketing that has
been used quite successfully on the web by companies including Google. So, how do we
execute it well? In addition to the thought starters provided in the table above, here are a
handful of action points to serve as a guide.

Strategic Planning: Be Bold

By now you’ve grasped that technological change is changing the game, and fast.
You might even have seen large organizations, once-vital professions, or indeed, entire
industries permanently wiped out by the digital revolution. With all that going on around
us it’s only natural that we start taking digital seriously and implement fairly defensive
digital strategies. There may even be a whiff of fear. And it’s an easy progression from
fear or defensive strategies to “safe” but uncreative (and unfunny) work. Bear in mind that
progress is not possible without failure. Many digital strategists use analogies like “swinging
for a home run” or “drilling for oil”—the outcome is uncertain until the attempt has been
made. Be realistic about the likelihood of a project succeeding and take calculated risks,
as opposed to limiting creative.

Briefing and Production: Understand the Social Context

If they’re not doing so already, brands should undertake social media monitoring and trust
social media mavens. Ensure that efforts are made to understand the kinds of topics that
gain traction. It is much easier to steer an existing conversation into a fresh direction than
generate interest from nothing.

Test user friendliness. Humor requires you to keep your users sufficiently relaxed to enjoy
what they’re doing with you. Ensure that your products are tested thoroughly to eliminate
frustration in the user experience. Keep in mind also that people are most comfortable and
relaxed using digital tools that they are most familiar with.

After Launch: Know that Statistics are Only Half the Picture
Everything is measurable now, and it is very tempting to manage by statistics. Blinkered
adherence to optimization and best practices could eventually leave your business with a
cold and dry online presence. While I would agree that you should capture data wherever
possible, and that statistical measures make great KPIs, you need to be watching the right
statistics. Depending on your digital strategy you might want to consider something like the
aforementioned Net Promoter Score or the Three-factor Model of Enjoyment Experience, a
scale measuring the enjoyment of web experiences published in The Journal of Interactive
Marketing.

It’s a very exciting time to be in digital marketing. Those brands that embrace change will
enjoy new heights of creativity, inspiration, effectiveness and insight. Even our sense of

:)
humor, a part of our nature that we don’t really question, is moving with the times. We do
know that humor is here to stay and that we can expect plenty more of it. Humor, like the
Internet, connects us all.
 7

Sources:

Frederick F. Reichheld, The One Number You Need To Grow, Harvard

Business Review, 2003

Interbrand, Best Global Brands 2009, The Definitive Guide to the World‘s
Most Valuable Brands, www.interbrand.com, 2009

Lin, Aleck, Gregor, Shirley, and Ewing , Michael, Developing a Scale

to Measure the Enjoyment of Web Experiences, Journal of Interactive
Marketing, Autumn 2008

Palmer, Jerry, Taking Humor Seriously, Routledge,1994

Price, Paul, Unleashing Emotions for Business Growth,

DDB Yellow Paper, 2007

Shifman, Limor, Humor in the Age of Digital Reproduction: Continuity

and Change in Internet-Based Comic Texts, International Journal of
Communication, 2007

DDB Worldwide Communications Group Inc (www.ddb.com ) is one of the

world’s largest and most influential advertising and marketing services networks.
With more than 200 offices in over 90 countries, DDB provides creative business
solutions by its proprietary philosophy and process built upon the goal of
influence. DDB and its marketing partners create and deliver unique, enduring,
and powerful brand experiences for competitive advantage.

DDB is excited by ideas. We invite you to visit our website to share yours and
keep abreast of ours. We believe that creativity is the most powerful force in business
and that ideas get sharper with more minds rubbing against them.