Writtings of Tsangpa Gyare Founder of Drukpa Kagyu
Writtings of Tsangpa Gyare Founder of Drukpa Kagyu
Writtings of Tsangpa Gyare Founder of Drukpa Kagyu
I am really grateful to the Dharma King Jey Khenpo, Primary Religious Minister Dorji Lopon,
Religious Minister Tsugla Lopon, and Secretary General Gembo Dorji of the Bhutanese Monastic
Body, President Dasho Karma Ura and Mr. Dendup Chophel of the Centre for Bhutan Studies (CBS),
who have all generously supported our research. I am also grateful to Kyoto Women's University,
Kokoro Research Center of Kyoto University, Japan Science Promotion Society (JSPS), and especially
to Uehiro Foundation on Ethics and Education, which financially supported our research project
BBRP. I am also grateful to Ms. Molly Vallor (Stanford University), who improved an English draft of
this paper.
BBRP officially started on January 10th, 2012. On that day, the President Dasho Karma Ura (CBS)
and Dr. Seiji Kumagai (Kyoto University) held a press conference at Kyoto University, where they
signed documents establishing the BBRP, before Professor Yoshiro Imaeda (CNRS) and in the
presence of the Japanese media.
36
Introduction to the Collected Works of the Founder of the Drukpa Kagyu School
37
and tantra, from Abhidharma and Pram a to Dzogchen (rDzogs chen). At the age of
twenty two in 1182, he met Ling Repa in Ralung (Ra lung) near his birth place and
studied with him for five years. After Ling Repa's death, Tsangpa Gyare
inherited his teacher's disciples. He established Longdol (Klong rdol) monastery
in around 1193 and then Druk ('Brug) monastery4 in 1205.
When he died in 1211, Tsangpa Gyare left the two principal monasteries, Ralung
(Ra lung) and Druk ('Brug) to his nephew Dharma Sengge (Dharma Seng ge,
1177-1237). Dharma Sengge was the youngest of four children of Lanyen (Lha
gnyan), the elder brother of Tsangpa Gyare.
In the period of Dharma Sengge, Pajo Dugom Zhikpo (Pha jo 'Brug sgom zhig
po, 1184-1251) was sent to Bhutan. This was the first official mission to Bhutan by
the Drukpa Kagyu school. Pajo Dugom Zhikpo, from the Kham region, came to
Ralung monastery to study Drukpa Kagyu doctrine. He was sent to western
Bhutan by Dharma Sengge's order, in accordance with Tsangpa Gyare's
testament. He established several monasteries including Tango (rTa mgo), situated
above Thimphu valley. He had several children in western Bhutan, and they
established a good foundation for the Drukpa Kagyu school there.
Tsangpa Gyare himself established the Drukpa Kagyu school only in southern
Tibet and could not visit Bhutan, but apparently had an intention to missionize in
Bhutan. The Drukpa Kagyu school thus spread into Bhutan, not accidentally but
intentionally.
2. Collected Works of Tsangpa Gyare
Tsangpa Gyare has been venerated as the founder of the Drukpa Kagyu school
and his biography has been studied in Bhutan and elsewhere. However, no
exhaustive research into the whole of his works, inside or outside of Bhutan, has
been conducted because many of his texts were not accessible easily. That is why
it has been difficult to grasp his doctrine as a whole. But it became much easier to
access his works by grace of the publication of his collected works by the
Bhutanese Monastic Body in 2011.
4
38
Introduction to the Collected Works of the Founder of the Drukpa Kagyu School
Now we can access the following three collected works of Tsangpa Gyare:
1. The Collected Works (Gsu -Bum) of Gtsa -pa Rgya-ras Ye-es-rdo-rje:
Reproduced from Rare Manuscripts and Blockprints Belonging to Various Lamas
and Notables of Ladakh (Darjeeling: Kargyud Sungrab Nyamso Khang, 1972;
repr. TBRC, No. 0848)--- called the Ladakhi Collection here.
2. 'Gro-ba'i mgon-po chos-rjer gtsan-pa rgya-ras ye-shes rdo-rje mchog-gi gsun-'bum
rin-po-che (Kathmandu: Shri Gautama Buddha Vihara, 1998; repr. TBRC, No.
2761)--- called the Nepalese Collection here.
3. 'Brug lugs gsung rab phyogs bsdebs las chos rje gtsang pa rgya ras kyi bka' 'bum
glegs bam ka pa bzhugs so and 'Brug lugs gsung rab phyogs bsdebs las chos rje
gtsang pa rgya ras kyi bka' 'bum glegs bam kha pa bzhugs so (Thimphu: The
Bhutanese Monastic Body, 2011) --- called the Bhutanese Collection here.
2-1. Ladakhi Collection (repr. TBRC, No. 0848)
In 1972, a collection was published in Darjeeling called The Collected Works
(Gsu -Bum) of Gtsa -pa Rgya-ras Ye-es-rdo-rje: Reproduced from Rare Manuscripts
and Blockprints Belonging to Various Lamas and Notables of Ladakh (Darjeeling:
Kargyud Sungrab Nyamso Khang, 1972). As explained in its preface, the
manuscripts and blockprints were collected on loan from various masters and
notables of Ladakh.
This collection includes the following six works in dBu med script (and also two
related texts in dBu can script).
1. rJe rtsang (i.e. gtsang) pa rgya ras kyi rnam thar (The biography of the master
Tsangpa Gyare), pp. 1-242.
2. Chos rje rin po che rtsang (i.e. gtsang) pa rgya ras pa'i rnam thar mgur 'bum dang
bcas pa shin tu rgyas pa (Extensive biography with sacred songs of the dharma
master Tsangpa Gyare), pp. 243-293.
3. rJe 'gro ba'i mgon po rgya ras pa'i tshogs chos mno 'khor ma (The treatise for
understanding of the collected instructions of the dharma master and
protector of beings Tsangpa Gyare), pp. 295-399.
4. Rin po che rtsang (i.e. gtsang) pa rgya ras pa'i tshogs chos mno 'khor rin chen 'phreng
ba (The precious garland: the treatise for understanding of the collected
instructions of the master Tsangpa Gyare), pp. 401-431.
39
5. Chos rje gtsang pa rgya ras mdzad pa'i tshogs chos mno 'khor chung ba (The
summarized treatise for understanding of the collected instructions of the
dharma master Tsangpa Gyare), pp. 433-462.
6. Chos kyi rje gtsang pa rgya ras kyis mdzad pa'i 'tshang 'don dug gi tsher ma
(Removal of faults such as poisonous thorn, composed by the dharma master
Tsangpa Gyare), pp. 463-487.
2-2. Nepalese Collection (repr. TBRC, No. 0848)
In 1998, the next collected works by Tsangpa Gyare was published in
Kathmandu. It is called 'Gro-ba'i mgon-po chos-rjer tsa -pa rgya-ras ye-shes rdo-rje
mchog-gi gsu -'bum rin-po-che bzhugs-so. This collection includes the following
twenty four works. However, the first work is not a treatise, but only a catalogue
of this collection, so we can regard the total number of his works to be twenty
three.
1. 'Gro ba'i mgon po gtsang pa rgya ras pa'i gsung 'bum dkar chag mthong ba don ldan
(The catalogue of this collection, worthy to be read, composed by the protector
of beings Tsangpa Gyare), pp. 1-4.
2. 'Gro mgon rin po che'i gsung mgur gyi rim pa (A series of spiritual songs by the
protector of beings Tsangpa Gyare), pp. 5-185.
3. Chos rje 'gro mgon gyi zhal gdams springs yig gi skor rnams (Oral instructions on
[how to write] epistles by the dharma master and protector of beings Tsangpa
Gyare), pp. 187-236.
4-1. dPal ldan 'brug pa'i shog bsgril gyi zhal gdams (Oral instructions on [how
to treat] rolled paper of the glorious Drukpa Kagyu school), pp. 237-240.
4-2. sBubs ra'i bshad pa (Explanation of eye protector), pp. 240-242.
4-3. rTen 'brel zhwa'i zhal gdams (Oral instructions concerning the auspicious
sign of the crown of Tsangpa Gyare), pp. 242-243.
5-1. Kha thor rin po che phreng ba (The precious garland of fragmented texts),
pp. 245-251.
5-2. Mu tig phreng ba zhes bya ba Lo ro ba skal ldan la gdams pa (The pearl
garland: oral instructions given to Lo ro ba skal ldan), pp. 251-258.
40
Introduction to the Collected Works of the Founder of the Drukpa Kagyu School
6. 'Jig rten blos btang rnams kyi bstan bcos tshegs chung mig gi sgron me (The lamp of
eyes: a comprehensible treatise for renouncement of the [eight] worldsystems), pp. 259-269.
7. dGe sbyor bdun pa'i rtsa ba 'gro mgon rin po ches mdzad pa (Root texts on seven
virtuous practices, composed by the protector of beings Tsangpa Gyare), pp.
271-278.
8. 'Gag dril rin po che'i sgron me zhes bya ba chos rje 'gro mgon gyi bstan bcos (The
precious lamp: a summary of the main points of the dharma master and
protector of beings Tsangpa Gyare), pp. 279-307.
9-1. Tshig gi me tog gdams ngag gi dkar chag 'gro mgon rin po ches mdzad pa
(Flower of phrase: a catalogue of instructions, composed by the
dharma master Tsangpa Gyare), pp. 309-313.
9-2. Bla ma 'brug pai zhal gdams (Oral instruction of the Drukpa Kagyu
master), pp. 313-314.
10. Chos rje 'gro ba'i mgon po'i tshogs chos mno 'khor che ba (The great treatise for
understanding of the collected instructions of the dharma master and
protector of beings Tsangpa Gyare), pp. 315-463.
11. bKa' drin bcu gcig pa'i bshad 'bum 'phrul gyi me long (The mirror of magic: one
hundred thousand explanations about the eleven types of kindness), pp. 465532.
12. rNal 'byor bzhi yi zhal gdams chos rje 'gro mgon gyi mdzad pa (The oral
instructions concerning the four yogas, composed by the dharma master and
protector of beings Tsangpa Gyare), pp. 533-542.
13. rNal 'byor bzhi'i zhal gdams thugs kyi rdo rje la gnang ba (Oral instructions of the
four yogas, given to indivisible mind like a diamond), pp. 543-557.
14. Phyag rgya chen pognas lugs dri med ces bya ba chos rje ras pa'i gdam ngag (The
pure essential nature of Mahmudr: instruction by the dharma master
Tsangpa Gyare), pp. 559-576.
15. gSer sgom gyi zhu lan rnal 'byor bzhi'i gdams pa dang bcas pa (A response [to
disciples] concerning the meditation of gold with instruction of the four
yogas), pp. 577-589.
16. Jo mo'i mngon rtogs (The visualization practice of the yogini [Jo Mo]), pp. 591612.
17. rJe btsun ma'i tshogs mchod (The feast offered to the chief of yoginis [Jetsunma]),
pp. 613-625.
41
18. bDud rtsi ril bu'i sgrub thabs 'gro mgon rin po ches mdzad pa (The method to
realize the amrita pills, composed by the dharma master Tsangpa Gyare), pp.
627-636.
19. lHan skyes kyi lag len sgrub thabs gcig chog ma (The all-purpose method to
accomplish the practice of the Innate [Heruka]), pp. 637-648.
20. gTum po khyung lnga'i sgrub thabs (The method of practice of five fierce
garuda), pp. 649-661.
2-3. Bhutanese Collection
The Bhutanese Monastic Body collected the works of the master Tsangpa Gyare
scattered throughout Bhutan, edited them into dBu can script, and published
them in two volumes (ka and kha) in 2011. The publication brought about the
following three benefits: [1] Tsangpa Gyare's works, scattered in different places
in Bhutan, were collected into one publication. [2] By grace of the dBu can edition
made from dBu med manuscripts, we can more easily read his texts. [3] The
biggest benefit is that the collection provides works which are not included in
both the Ladakhi and Nepalese collections, so we can access much more of his
works.
However, it is not necessarily completely satisfactory.There occurred no small
amount of mistranscriptions even in the new edition. The edition moreover
follows the style of the monastic tradition, so it is not a critical edition which
identifies the source of each quotation. That is why we need to use it carefully in
the case of academic use. In such a situation, Bhutanese Buddhism Research
Project (BBRP) decided to collect all available manuscripts and editions, and
make a critical edition.
Now we will list the volumes, titles, and their pages in the Bhutanese Collection
as follows:
[Volume 1] 'Brug lugs gsung rab phyogs bsdebs las chos rje gtsang pa rgya ras
kyi bka' 'bum glegs bam ka pa bzhugs so
I. [KA] Chos rjes rin po che gtsang pa rgya ras pa'i rnam thar mgur 'bum dang
bcas pa (Biography with sacred songs of the dharma master
Tsangpa Gyare), pp. 1.1-53.6.
II. [KHA]
42
Introduction to the Collected Works of the Founder of the Drukpa Kagyu School
II-1. rTen 'brel gyi snying po rnam par bshad pa rtsa ba'i mdo (The root
sutra concerning the essence of interdependence: prattyasamutpda), pp. 55.1-57.4.
II-2. dPon grags pa ye shes la gnang ba'i si lu ma'i zhal gdams spring yig
(The epistle of the oral instruction of Si lu ma, given to the
minister Grags pa Ye shes), pp. 57.4-63.3.
II-3. Rlung jo ye shes la gdams pa'i rten 'brel ngo sprod gnyis kyi zhal gdams
(Oral instructions on two kinds of introductions to
interdependence (prattya-samutpda) given to the disciple Rlungjo
Yeshes), pp. 63.3-70.2.
II-4. dPon grags pa ye shes la spring pa'i sgom thabs gnyis kyi zhal gdams
(Oral instructions on two ways of meditation, given to the
minister Grags pa Ye shes), pp. 70.2-72.1.
III. [GA] Spyod pa chos kyi glu zhes bya ba 'byung ba ro snyoms kyi gdams ngag
(The instruction on the equal taste of the elements: dharma songs
of religious behavior), pp. 73.1-93.5.
IV. [NGA]
IV-1. Tshig gi me tog gdam ngag gi dkar chag 'gro mgon rin po ches mdzad
pa (Flower of phrase: a catalogue of instructions, composed by
the dharma master Tsangpa Gyare), pp. 94.1-98.4.
IV-2. Bla ma 'brug pai zhal gdams (Oral instruction of the Drukpa Kagyu
master), pp. 98.4-99.6.
V. [CA] Bla ma'i sgrub thabs thugs rje nyi rgyas pa (The compassion like the
spreading sunlight: methods of practice to meditate on one's
master), pp. 100.1-109.6.
VI. [CHA] Bla ma'i ngo sprod dmus long mig 'byed (Guru's introduction which
opens the eyes of a blind man), pp. 111.1-119.5.
VII. [JA] Bla ma sgrub pa'i zhal gdams kun gsal dri med ces bya ba chos rje 'gro
mgon gyi gsung dri ma med pa (The pure oral instruction, clarifying
everything, concerning the practice for one's Guru: faultless
speech of the dharma master and protector of beings), pp. 121.1130.2.
VIII. [NYA] Phyag rgya chen po gnas lugs dri med ces bya ba chos rje ras pai
gdam ngag (The pure essential nature of Mahmudr: instruction by
the dharma master Tsangpa Ggyare), pp. 131.1-147.2.
43
IX. [TA] rNal 'byor bzhi yi zhal gdams chos rje 'gro mgon gyis mdzad pa (The oral
instructions concerning the four yogas, composed by the dharma
master and protector of beingsTsangpa Gyare), pp. 149.1-158.1.
X. [THA] Phyag rgya chen po bka' drin bcu gcig ma'i (rtsa ba'i) gzhung (The
texts of the eleven types of kindness of Mahmudr, pp. 159.1167.3.
XI. [DA] bKa' drin bcu gcig pa'i bshad 'bum 'phrul gyi me long (The mirror of
magic: one hundred thousand explanations about the eleven types
of kindness), pp.169.1-236.5.
XII. [NA] gSer sgom gyi zhu lan rnal 'byor bzhi'i gdams pa (A response [to
disciples] concerning the meditation of gold with instruction of the
four yogas), pp. 237.1-250.1.
XIII. [PA] rNal 'byor bzhi'i zhal gdams thugs kyi rdo rje la gnang ba (Oral
instructions on the four yogas, given to indivisible mind like a
diamond), pp.251.1-264.4.
XIV. [PHA]'Gro mgon rin po che'i gsung mgur gyi rim pa (A series of spiritual
songs by the protector of beings Tsangpa Gyare), pp. 265.1-438.3.
XV. [BA] dGe sbyor bdun pa'i rtsa ba 'gro mgon rin po ches mdzad pa (Root texts
on seven virtuous practices, composed by the protector of beings
Tsangpa Gyare), pp.439.1-445.5.
XVI. [MA] Chos rje 'gro mgon gyi zhal gdams springs yig gi bskor rnams (Oral
instructions on [how to write] epistle by the dharma master and
protector of beings Tsangpa Gyare), pp. 449.1-495.4.
XVII. [TSA]
XVII-1. dPal ldan 'brug pa'i shog bsgril gyi zhal gdams (Oral instructions
on [how to treat] rolled paper of the glorious Drukpa Kagyu
school), pp. 497.1-500.3.
XVII-2. sBubs ra'i bshad pa (Explanation of eye protector), pp. 500.4502.3.
XVII-3. rTen 'brel zhwa'i zhal gdams (Oral instructions concerning the
auspicious sign of the crown of Tsangpa Gyare), pp. 502.3503.4.
XVIII. [TSHA]
44
Introduction to the Collected Works of the Founder of the Drukpa Kagyu School
45
XXVII. [JA] gTum mo khyung lnga'i sgrub thabs (The method of practice of
five fierce garuda), pp. 825.1-837.3.
XXVIII. [NYA] lHan skyes kyi lag len sgrub thabs gcig chog ma (The all-purpose
method to accomplish the practice of the Innate [Heruka]), pp.
839.1-850.2.
XXIX. [TA] Jo mo'i mngon rtogs (The visualization practice of the yogini [Jo
Mo]), pp. 851.1-871.6.
XXX. [THA] rJe btsun ma'i tshogs mchod (The feast offered to the chief of
yogini [Jetsunma]), pp. 873.1-886.3.
XXXI. [DA] bDud rtsi ril bu'i sgrub thabs 'gro mgon rin po ches mdzad pa (The
method to realize the amrita pills, composed by the dharma master
Tsangpa Gyare), pp. 887.1-896.5.
XXXII. [NA] Chos rje gtsang pa rgya ras kyis mdzad pa'i dge sbyor bdun pa'i
smon lam (The prayer of the seven virtuous activities, composed by
the dharma master Tsangpa Gyare), pp. 897.1-918.5.
XXXIII [Appendix] rJe gtsang pa rgya ras kyi rnam thar (The biography of the
master Tsangpa Gyare), pp. 1.1-244.6.
As seen in the above list of the Bhutanese Collection, there are thirty three titles.
However, II, IV, XVII, and XVIII are not unique works, but they include several
independent works. II has four, IV has two, XVII has three, and XVIII has two
works; there are forty works in total.
The Bhutanese Collection overlaps with both the Ladakhi collection and the
Nepalese collection (except for the third title of the Ladakhi Collection). The
following table shows the correspondence among the three collections.
Bhutanese Collection
Ladakhi Collection
Nepalese Collection
II-1
II-2
II-3
II-4
III
46
IV-1
9-1
IV-2
9-2
Introduction to the Collected Works of the Founder of the Drukpa Kagyu School
Bhutanese Collection
Ladakhi Collection
Nepalese Collection
V
VI
VII
VIII
14
IX
12
X
XI
11
XII
15
XIII
13
XIV
XV
XVI
XVII-1
4-1
XVII-2
4-2
XVII-3
4-3
XVIII-1
5-1
XVIII-2
5-2
XIX
XX
XXI
XXII
XXIII
10
XXIV
XXV
XXVI
XXVII
20
XXVIII
19
XXIX
16
XXX
17
XXXI
18
XXXII
XXXIII
non-accordance
As seen in the above table, the Bhutanese Collection includes five works of the
Ladakhi Collection, as well as thirty five more works. It also covers all twenty
47
three works of the Nepalese Collection (without the catalogue of the collection) in
addition to seventeen more works.
This means that the number of accessible works of Tsangpa Gyare has
remarkably increased by grace of the publication of the Bhutanese Collection.
The condition of study of the Drukpa Kagyu school has greatly progressed.
Hereafter, we need to compare the manuscripts of the three collections, and
analyze their characteristics.
3. Category of works of Tsangpa Gyare
We need to know which types of work he wrote in order to grasp Tsangpa
Gyare's scholastic characteristics. Here we classify his works into several
categories.
[Volume 1]
I. <<Biography: Tsangpa Gyare's biography with his instruction>>
II-1. <<Philosophy: philosophy on interdependence, especially about the
relationship between cyclic existence (samsara) and liberation (nirvana)>>
II-2. <<Philosophy: philosophical letter including the instruction concerning
interdependence, especially about the relationship between cyclic existence
(samsara) and liberation (nirvana) >>
II-3. <<Philosphy: epistle concerning philosophy of the two types of
interdependence>>
II-4. <<Meditation: epistle concerning the methods of two types of meditation
practice>>
III. <<Meditation: spiritual songs concerning meditation on the equal taste of the
elements>>
IV-1. <<Meditation: List of various instructions on the practice of meditation>>
IV-2. <<Meditation: instructions on the practice of meditation>>
V. <<Meditation: concerning the practice of visualizing one's own spiritual
master>>
VI. <<Instruction: general explanation of Lama>>
VII. <<Meditation: oral instruction of meditative practice to visualize Lama
(spiritual master)>>
48
Introduction to the Collected Works of the Founder of the Drukpa Kagyu School
Number
i) Biography
ii) Philosophy
iii) Mahmudr
iv) Meditation
v) Practice
vi) Instruction
vii) Ritual
Among all of the forty works, there are twelve works on meditation, three works
on Mahmudr, five works on practice, two works on ritual, that is to say more
than half of the works concern tantric practice. This fact seems to confirm that
Tsangpa Gyare was an accomplished practitioner. On the other hand, he also
seems to have achieved a mastery of philosophy because he wrote doxographical
treatises, philosophical texts concerning cyclic existence and liberation, and so
forth. He seems to have been committed to educating his disciples by his
composition of several works of instruction. We can surmise that he had literary
talents and sophisticated knowledge of the general culture from the fact that he
also wrote literary spiritual songs and practical works, such as how to write and
make letters.
Needless to say, Tsangpa Gyare was an advanced practitioner of meditation.
However, judging from the content of his works, we can see that he also had
abundant knowledge of philosophy, and was also familiar with literature,
50
Introduction to the Collected Works of the Founder of the Drukpa Kagyu School
5See
References
[Primary Sources]
<Collected Works of Tsangpa Gyare>
1. The Collected Works (Gsu -Bum) of Gtsa -pa Rgya-ras Ye-es-rdo-rje: Reproduced from Rare
Manuscripts and Blockprints Belonging to Various Lamas and Notables of Ladakh (Darjeeling:
Kargyud Sungrab Nyamso Khang, 1972)
2.'Gro-ba'i mgon-po chos-rjer tsa -pa rgya-ras ye-shes rdo-rje mchog-gi gsu -'bum rin-po-che
bzhugs-so (Kathmandu: Shri Gautama Buddha Vihara, 1998).
3.'Brug lugs gsung rab phyogs bsdebs las chos rje gtsang pa rgya ras kyi bka' 'bum glegs bam ka
pa bzhugs so and 'Brug lugs gsung rab phyogs bsdebs las chos rje gtsang pa rgya ras kyi bka'
'bum glegs bam kha pa bzhugs so (Thimphu: The Bhutanese Monastic Body, 2011)
Ra lung gser 'phreng: Bka' brgyud gser gyi 'phreng ba / Rwa lung gser 'phreng. 3 vols,
Thimphu: unknown publisher, 1982.
[Secondary Sources]
Ardussi, J.A. (2000). The House of 'Obs-mtsho - The History of a Bhutanese Gentry Family
from the 13th to the 20th Century. In Journal of Bhutan Studies, Vol. 2, pp. 1-30.
Ferrari, A. (1958). Mk'yen Brtse's Guide to the Holy Places of Central Tibet. Roma: Istituto
italiano peril Medio ed Estremo Oriente.
Imaeda, Y. (2011). Histoire mdivale du Bhoutan. Tokyo: Toyo Bunko.
Miller, W.B. (2005). The Vagrant Poet and the Reluctant Scholar: A Study of the Balance of
Iconoclasm and Civility in the Biographical Accounts of Two Founders of the 'Brug
Pa Bka' Brgyud Lineages. In Journal of the International Association of Buddhist Studies,
Vol 28-2, pp. 369-410, 2005.
Roerich, G. (1949). The Blue Annals. Calcutta: Royal Asiatic Society of Bengal.
Stein, R.A. (1972). Vie et chants de 'Brug-pa Kun-legs le Yogin. Paris: G.-P. Maisonneuve et
Larose.
Vitali, R. (2004). Glimpses of the History of the rGya Clan with reference to Nyang stod,
Lho Mon and Nearby Lands (7th-13th century). In The Spider and the Piglet: Proceedings
of the First International Seminar on Bhutan Studies, Edited by Karma Ura and Sonam
Kinga, pp. 6-20.
52