Crawford Readingexperience 4 2 2016
Crawford Readingexperience 4 2 2016
Crawford Readingexperience 4 2 2016
Brenna Crawford
Unit Working Title: Love and Loss and The Written Word
Unit Big Idea (Concept/Theme): Writing and Reading are ways to express and explore
love and loss in the human experience.
Unit Primary Skill focus:
Week 2 of 3; Plan # 5 of 9; [90 mins.]
Plan type: Full-Detail
Content Requirement Satisfied:
Reading Experience
Unit Learning Objectives (numbered) [from my Backwards Design Unit Document],
followed by Specific lesson objectives (lettered) being taught in this lesson:
SWBAT:
Cognitive (know/understand):
-1. Students will know that there are many ways to express love through written words
-2. Students will know that there are many different types/forms of love
Affective (feel/value) and/or Non-Cognitive:
-1. Students will know the importance of respecting others in discussion.
-2. Students will know non-pugnacious ways to reply and to respectfully challenge opinions that
they disagree with
Performance (do):
-1. Students will read and annotate a poem alone and then in large group.
-2. Students will be able to talk about controversial topics in a respectful manner.
-3. Students will compare and contrast love poems and love letters
-4. Students will question how a type of writing has categories (such as love poetry), and what
standards govern what texts are included in such categories.
SOLs: [List with numbers portrayed in the SOL document]
8.5 The student will read and analyze a variety of fictional texts, narrative nonfiction, and
poetry.
a) Explain the use of symbols and figurative language.
b) Make inferences and draw conclusions based on explicit and implied information
using evidence from text as support.
c) Explain how authors use characters, conflict, point of view, voice, and tone to
create meaning.
g) Identify and ask questions that clarify various viewpoints.
l) Use prior and background knowledge as a context for new learning.
m) Use reading strategies to monitor comprehension throughout the reading process.
CCSs: [List with numbers portrayed in the CCS document]
CCSS.ELA-LITERACY.SL.8.1.C
Pose questions that connect the ideas of several speakers and respond to others'
questions and comments with relevant evidence, observations, and ideas.
CCSS.ELA-LITERACY.SL.8.1.D
Determine the meaning of words and phrases as they are used in a text, including
figurative and connotative meanings; analyze the impact of specific word choices on
meaning and tone, including analogies or allusions to other texts.
Methods of Assessment:
[How will you know if the intended learning occurred?] List all methods of assessment used in
this lesson or which are related to this lesson and come in a future lesson. After each assessment,
indicate in brackets the number(s) and letter(s) of the unit objective and the related lesson
objectives that the assessment is evaluating.
Diagnostic
I will have a students do a Do
Now with the topic of Love
Poetry. It will ask What
makes a poem a Love
Poem? In your opinion,
what does a poem need to
have in it for you to
categorize it as a love
poem? It will also ask
students to give a few
examples of love poems that
you have heard and
remember.
[D4]
Formative
Students will annotate the
poems on their own,
demonstrating their ability to
draw ideas and conclusions
from the authors word choice
and allusions that are present
in the poem. The teacher will
be observing these
annotations, and she will
collect the annotated copies to
look over the marks and
comments that the students
made about the poem.
Students will also participate
in the class discussions
regarding the annotation of the
poem and the subject matter of
the poem.
[D1, D2, D3, C1, C2, A1, A2,
CCS 8.1 C and 8.1 D and CCS
8.4, SOL 8.5 a, b, c, g, l, m]
Summative
A week from when this lesson
is taught, students will be
creating a five-piece portfolio
as their performance
assessment for the unit. They
will be writing multi-genre
works that center around the
topic of Love and Loss.
Students will be writing
statements about each piece,
and they will be required to
discuss many of their authorial
choices.
[C1, D4, CCS 8.4, SOL 8.5 a,
c]
Procedures/Instructional Strategies
[Note: Any words that represent what I would say directly to students appear in italics.]
Beginning Room Arrangement:
Students will be sitting in desks arranged in 5 rows of 3 desks each.
Is this poem different from the Love Letters we looked at? If so, how?
What allusions can you find in the poem?
Which line is most striking to you, why?
Is this a poem of Loss? How so? Do you think the addressee is dead, or just gone?
What is the tone of this poem?
How does it make you feel?
We will talk though any words or sections that are confusing for any of the students [5 mins]
3. [ 35 mins.]
After the poem has been read and annotated by all of us together,
I will ask how do you feel about the poem? Do you like it? Why? What emotions does this poem
evoke within you?
Not all forms are universally accepted by all, and that there may be forms of expressing love that
are against your personal belief system, or the belief system into which you were raised. You may
also feel strongly that all forms of love are valid and deserve to be recognized. This poem is
written by Andrea Gibson and addresses a girlfriend whom she once loved and is no longer with.
I will show them the video of Gibson performing this poem as Spoken Word.
They will then have time to discuss in the class if they were surprised by the fact that the speaker
is a woman and that she wrote this poem about a woman whom she had loved.
I want you to be reminded that this class is a safe place to talk about our opinions, but that they
must be presented respectfully.
I want you to share your opinions, even if they do not match up with the opinions of your peers,
but the key is to question ideas in a respectful and non-condescending way. Give reasons for
your opinions and speak in a manner that is not aggressive or threatening.
How do you feel about the poem now?
Has your opinion about the poem changed?
Why do you think that is?
What aspects of this poem, if any would you want to work from in your own love poems.
Does it feel differently to read the poem than it does to watch Gibson perform it?
How does the background music change the poem? Do you like or dislike this addition?
Thank you for your thoughts and your respectful discussion. I think that you all did a marvelous
job.
4. [ 9 mins] Closure:
In your journals, I want you to take the last few minutes of class to write a short reflection about
the poem or the class discussion.
For Grace, I would take a few moments before the lesson (during Do Now time) to discuss with
her some of the allusions in the poem that might not make sense to her at first. I will talk to her
about ET and show her a picture of the bicycle with the basket and his glowing fingertips. I will
also explain batting cages and show her some pictures of baseball pitching machines. I will make
sure that she knows she can talk to me after class about anything that confused her if she doesnt
feel comfortable bringing them up in front of the other students.
Materials Needed (list):
Printed Copies of Maybe I Need You
Projector
Document Camera
Youtube Video of Maybe I Need You performance/spoken word
Materials Appendix: (e.g., supplementary texts, Ppts, overheads, graphic organizers,
handouts, etc.)