This document summarizes various types of metallophones, zithers, and aerophones from different parts of Asia. It describes the saron and vibraphone as metallophones from Java with bronze keys. It also mentions the gender metallophone from Indonesia with thin bronze slab keys. For zithers, it discusses the han koto from Japan with 13 silk strings, the qin from China and Hong Kong with a history dating back over 3,000 years, and the sanjo kayakum, a long zither from Korea with 12 movable wooden bridges. Finally, it provides details on various flutes from Asia, including the qudi and xiao from China, and the shakuhachi from
This document summarizes various types of metallophones, zithers, and aerophones from different parts of Asia. It describes the saron and vibraphone as metallophones from Java with bronze keys. It also mentions the gender metallophone from Indonesia with thin bronze slab keys. For zithers, it discusses the han koto from Japan with 13 silk strings, the qin from China and Hong Kong with a history dating back over 3,000 years, and the sanjo kayakum, a long zither from Korea with 12 movable wooden bridges. Finally, it provides details on various flutes from Asia, including the qudi and xiao from China, and the shakuhachi from
This document summarizes various types of metallophones, zithers, and aerophones from different parts of Asia. It describes the saron and vibraphone as metallophones from Java with bronze keys. It also mentions the gender metallophone from Indonesia with thin bronze slab keys. For zithers, it discusses the han koto from Japan with 13 silk strings, the qin from China and Hong Kong with a history dating back over 3,000 years, and the sanjo kayakum, a long zither from Korea with 12 movable wooden bridges. Finally, it provides details on various flutes from Asia, including the qudi and xiao from China, and the shakuhachi from
This document summarizes various types of metallophones, zithers, and aerophones from different parts of Asia. It describes the saron and vibraphone as metallophones from Java with bronze keys. It also mentions the gender metallophone from Indonesia with thin bronze slab keys. For zithers, it discusses the han koto from Japan with 13 silk strings, the qin from China and Hong Kong with a history dating back over 3,000 years, and the sanjo kayakum, a long zither from Korea with 12 movable wooden bridges. Finally, it provides details on various flutes from Asia, including the qudi and xiao from China, and the shakuhachi from