Drawing Unit Plan and Rationale 1
Drawing Unit Plan and Rationale 1
Drawing Unit Plan and Rationale 1
Students will:
-view and draw what
they see
-understand the
process of creating
value by adding and
subtracting charcoal
(using the eraser as a
tool)
TRANSFER GOAL
Students will be able to understand, view, and depict value as a key part of the
drawing process.
Enduring Understandings:
Students will understand that
MEANING
Essential Questions:
Students will keep considering
U1 A repertoire of drawing
techniques is needed to express visual
ideas.
U2 Explorations of a technical or
creative nature may lead individuals
into highly personalized work sessions.
-collaborate on a large
scale piece by
individual contribution U3 Recording the development of
visual ideas in a consistent manner is a
-continue developing
part of developing personal style.
their personal style
through a series of
U4 Throughout history, a wide range
representations from a of media and techniques have been
historical drawing of
used to make art.
their choice
- further develop
understanding of value
by exploring 2 more
mediums
- will relate the
importance of art
history to their own
work
Evaluative Criteria
Performance is judged in terms of
Participation
Accuracy of rendering
Completion
Critique
Rubric for major
assignment
Q 1 What is value?
Q2 What are techniques to create
value?
Q3 Is collaboration a key component of
being an artist?
Q4 Is it important to look at historical
artworks when developing your own
style?
STAGE 2 Evidence
Assessment Evidence
Students will need to show their learning by:
Transfer Task: The students will show their learning by referencing historical
artworks, completing five works in total, and demonstrate an understanding of
value throughout the unit.
L
Subject:
Art 30
Grade: 12
Learning Objectives/Rationale:
Explore the theme of value and the properties of the eraser as a drawing tool
Curriculum Objectives:
General Outcome: DEVELOP AND REFINE DRAWING SKILLS AND STYLES.
Specific Outcome: A repertoire of drawing techniques is needed to express visual ideas.
Resources/Materials:
- Slide of The Winged Victory, 18x18 squares of larger paper, charcoal, both thick and thin eraser and drawing tools.
Drawing Boards/Donkeys, projector
For the Whiteboard:
Begin applying only value- not line- depicting what you see
BE CAUTIOUS of how much / how dark you apply it as the image will
continue to change
We will continue to work this drawing for the entire class so focus on what
you see
5min
Probing questions:
- What is value?
- What are some techniques to add or take away value?
Body
40 min
5 min
Closure
Before and during clean- up discuss students immediate response to
the activity and how they feel about the drawings. They should record
this in their sketchbooks, and we will discuss the drawings at the
beginning of next class (or in weekly critique)
For next class: Students should come prepared to discuss the drawing and
ready to start the next assignment.
25 min
Getting Organized:
Modifications
Observe application of value and
give hints or demo as required.
Keep with the pace; assure
students that they can continue
working it through each adjustment
Sponge Activities
Students should not finish early,
since they cannot see the image
clearly until the rest of the class
does.
Assessment
A grade out of 10 will be assigned, based on 5 for completion, and 5 for
accurately rendering the image.
L
Subject:
Art 30
Grade: 12
Learning Objectives/Rationale:
To introduce the students to a 19th Century artist, Daumier and his piece Rue Transnonain
Students will engage in a collaborative class piece by completing an individual image fragment
Curriculum Objectives:
General Outcome: DEVELOP AND REFINE DRAWING SKILLS AND STYLES.
Specific Outcome: A repertoire of drawing techniques is needed to express visual ideas.
Resources/Materials:
- Image fragments (the larger Rue Transnonain cut into the proper number of squares for the class), 18x18 squares of
larger paper, charcoal and drawing tools
For the Whiteboard:
Using any technique of rendering value of your choice, make a faithful copy of
the image fragment
Label your drawing with the number and letter on the back of the original
photo image
5min
Probing questions:
- Is collaboration a key component of being an artist?
- What is value?
- What are some techniques to add or take away value?
Body
45 min
25 min
Label your drawing with the number and letter on the back of the
original photo fragment
You have two periods in class to finish this, so it will be due the
beginning of Fridays class
You will receive a mark out of 15: 5 for participation, 5 for completion,
and 5 for accurately rendering the image
Check for Clarification
First, discuss with a classmate quietly if you need help. If you both
cannot answer the question, ask the teacher.
Time for the Assignment
Find a comfortable place to draw for the next 40 minutes
Tomorrow you will have the full class to work on this
When you finish, you may move onto Sponge Activity
Getting Organized:
Modifications
Students who need help with
proportion; have them divide their
square and larger paper into four
quadrants to help accurately
render the image
Sponge Activities
If students finish early, they are
encouraged to work in their
research work books, researching
the Daumier and his works, or
practicing addition value drawings
of their choice
50 min
Closure
In Fridays class, students will all bring their finished value drawing
According to their letter and number on the back, we will assemble
them on the wall to create the larger picture
A short lesson on Rue Transnonain and artist, Daumier will be given
for background information
For next class: Students are asked to think about a historical drawn image,
and ways they could represent it using value. They are to bring a copy off of
the internet of the image of their choice.
Assessment
A grade out of 15 will be assigned, based on 5 for participation
(collaboration), 5 for completion, and 5 for accurately rendering the image
L
Subject:
Art 30
Grade: 12
Learning Objectives/Rationale:
Students will learn the importance of drawing from historical art pieces in developing a personal style
Students will research a historical artwork that they will change/recreate in charcoal & 2 other mediums
Curriculum Objectives:
General Outcome: EXHIBIT A PERSONAL STYLE THROUGH IN-DEPTH STUDIES
Specific Outcome: A series of complete compositions for public display provides a visual statement about an artist
Resources/Materials:
- Art History textbooks, Artstor database, slideshow with images of artworks based on artworks
- Paper, charcoal, other drawing tools (pencil, pen, conte crayon, oil/chalk pastel, etc.)
For the Whiteboard:
Lichtenstein, Whaam!
Getting Organized:
Introduction
Probing questions:
- Is it important to look at historical artworks when working on your own
style? Why or why not? Does anyone disagree? Why?
- Can anyone think of any examples of artworks, plays, movies, books,
advertisements, or anything else that are based on historical artworks?
Modifications
If students have difficulty
choosing an artwork, assign them
one according to their interests
Body
Introducing the Assignment
45 min
You will research an image that you would like to use as a study. This
image might be one of significance to you, or one with interesting features, or
even one that you despise and would like to make better
Use sketchbooks to practice your drawing and figure out your ideas
What might be some ideas you could work within your series? Some
might include adding/removing value.
Check for Clarification
Is anyone confused on what to do?
Time for the Assignment
Youll have 4 classes to work on these including today
Today you should research your artwork and begin sketching or even
working on your first drawing
Our 5th class we will use if anyone needs finishing touches, then well
display our series and critique
Sponge Activities
If students finish, they may make
additional drawings for their
series, or begin a new series with
a different artwork. Other
activities include sketching or
finishing other projects.
Time
5min
25 min
50 min
Closure
In Fridays class, students will all bring their finished series for critique
What do you see? Do these images work together as a series? Why?
Why did you display them how you did? Why did you choose that
artwork as a study? Is there anything you would do differently? Why?
Assessment
Class critique
A grade out of 35 will be assigned for the series (works will be marked
separately and as a series)