Surfacing

Q- Ecofeminism in Surfacing.
Ans-Joyce Nelson says, Ecofeminism bridges the gap between ecology and
feminism: strands of analysis which have existed side by side over past decades
without necessarily interwining. By making explicit the connections between a
misogynist society and a society which has exploited mother earthto the point of
environmental crisis Ecofeminism has helped to highlight the deep splits in
patriarchal paradigm. .
Margret Atwood, a Canadian writer, deals with the theme of exploitation

of nature and women by the society in many of her novels. Surfacing (1972) is her
one of the most important works. The novel is a good example of what is called
ecofeminist criticism. It (1972) centers round this theme of exploitation and
gradually reveals surfacing of a new identity of the protagonist through the
establishment of her connection with the Canadian wilderness. The novel begins
with a trip of the unnamed female protagonist along with her boy friend Joe and
two other friends, Anna and David in search of her father. She is eager to know
what the cause of disappearance of her father is. Her past memories are evoked by
her journey and she somehow starts connecting her prays and woes of past to the
damages like dying while birches, killed heron and the damaged landscape of the
place in Quebec.
She recalls how her art teacher, a married man, exploited her by
concealing his marital status to the protagonist. The art teacher offers her a
wedding ring with the promise of marriage only to deceive her. The true character
of the art teacher was revealed when the protagonist became pregnant and she was
forced to abort her child. As from her very childhood, she was taught that killing
was a kind of cruelty and also a sin, she considers herself responsible for this
crime and takes the abortion as a part of sexual colonialism. Her guilty
conscience forces her to run away from her home and later on she sends a post
card informing about her fabricated story of marriage and her child.
The unnamed female protagonist of the novel embarks on a journey or a

quest not only to find out her father but also to rediscover her own emotions. After
the incident of her abortion, she begins to regard herself powerless and victimized
one. She confesses in surfacing about her victimization:he imposed it on me, all
the time it was growing in me I felt like an incubator.after it was born I was
no more use. That is why her journey through the Canadian wilderness is an
attempt to find out the truth about herself and emergence of a new woman free
from the bonds of society, colonialism and male domination.
Both nature and female body are victimized by industrialism,

commercialization and technological innovations. The protagonist cannot tolerate
the sight when Anna, her friend, becomes naked and runs to the lake for the
purpose of shooting a film Random Samples by David, Annas husband and Joe,
the boy friend of the protagonist. The protagonist destroys Davids camera and
lens, instruments of commercialization and modern technology to stop the violence
on the female body. She finds a connection between Annas naked body and the
burnt leeches in the island, as both of them are tortured or make victims by the
colonialism and technological exploitation. The protagonist decides to stay on the
island alone in order to establish affinity with the nature and bring back her power
for recreation: I have to recent, give up the old belief that I am powerless and
because of it nothing I can do will ever hurt anyone. A lie which was always more
disastrous than the truth would have been. The word games, the winning and
losing games are finished; at the moment these are no others but they will have to
be invented, withdrawing is no longer possible and the alternative is death,
(Surfacing, 191). She wants to get pregnant again, to fill her womb by her
relationship with Joe only to rediscover her power for new creation.
Margaret Atwood here offers a way of bridging the gap between ones true
self or identity and socially discursive or socially essentialised identity by
establishing a connection between the damaged landscapes and wilderness of
Canadian nature and the wounded self of the nameless protagonist in the novel.
During her journey to Quebec; the protagonist notices dead heron, killed by the
American Canadians, representing the brutality of the modern civilized men. She
compares her own condition with the situation of the heron.
But, the dead heron does not means that it is finished, rather it suggest
symbolically that it can take rebirth. In the same way, the aborted fetus does not
suggest that the protagonist has lost her power of procreation. But, it means that
she is still able to bring back another fetus or another new life. When she feels
presence of a new baby inside her womb, she gradually becomes aware of
rediscovery of her power.
This protagonist clearly reflects the tremendous revelation of an

unconscious feminist. She asserts that so long she exists only as a creature, but by
connecting with nature she becomes a nature-creature. She finds complete
harmony with the Canadian Wilderness. When she decides to stay on the island in
isolation, she gets closer to nature and her female body is transformed into plant,
animal, insect etc. In short, her identity is transpersonalised. It becomes multiple
plant, animal, mother goddess, heron and birch. Her journey from the city to
wilderness can be regarded as a journey of transpersonalisation of a new revelation
that allows the nature to become part of her female body. By taking off her clothes,
symbol of civilization, she becomes one with nature only to transform herself into a
matured and conscious human being.
The protagonist dives deep into the water of the lake and emerges or
surfaces with the power of becoming victorious and optimistic in life breaking the
assumptions of her powerlessness. The new transformed self of the protagonist can
be explained in a precise manner in the words of M.F. Salat: Hence when the
protagonist surfaces from the depths of the lake, she surfaces with a new
knowledge about herself that entails a re-assessment of herself in relation to the
world. The psychological/spiritual journey towards self-discovery finds its
culmination in a ritualistic re-alignment with the primitive world and a subsequent
re-alignment with the lived world with altered perspective and a new vision.
Since the novel introduces issue pertaining to feminism and

environmentalism, the novel constitutes a representative literary example of
ecological feminism. Even the language, events and characters in this novel reflect
a world that oppresses and dominates both femininity and nature. This actual
journey is the surface meaning while the deep meaning lies in the journey of self-
discovery and assertion of her individual identity. These two kinds of meanings
links ecology with feminism and make the novel an eco-feminist novel. However,
she does not want to overturn patriarchy and replace it with womens dominance.
She wants to transform nonviolently the structures of male dominance and restore
a kind of balance and harmony between women and men.

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Q- Ecofeminism in Surfacing.

Margret Atwood, a Canadian writer, deals with the theme of exploitation

The unnamed female protagonist of the novel embarks on a journey or a

Both nature and female body are victimized by industrialism,

This protagonist clearly reflects the tremendous revelation of an

Since the novel introduces issue pertaining to feminism and

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