ANSYS SpaceClaim 2016 User Guide

Table of contents
Copyright information 16
Introduction 19
User's Guide 19
Welcome window 21
Tutorials 23
Text tutorials 23
Self-paced training tutorials 24
Bracket and knob assembly 25
Sheet metal tutorial 26
SpaceClaim Objects 27
Facet mesh objects 29
Locking and unlocking objects 34
The SpaceClaim interface 36
Structure tree 39
Selection panel 44
Layers 52
Groups 55
Views 60
Status bar 63
Options panel 65
Properties 66
Keyboard shortcuts 72
Using a multitouch screen 76
Mouse and touch gestures 86
Using the radial menu 87
Selecting 89
Clip with plane 99
Clip with volume 103
Box-selection 108
Free form selection 113
www.SpaceClaim.com 2
Select using polygon 116
Select by painting 118
Select using boundary 121
Component selection 123
Changing your display 125
Showing and hiding objects 126
Orienting designs 127
Spinning your design 129
Panning your design 134
Zooming in and out 135
Rotating your design 137
The home view 138
Viewing the sketch grid head-on 140
Selecting a view 141
Snapping to a view 143
Applying a graphics style 145
Displaying edges 147
Applying colors 149
Making objects transparent 153
Line styles 155
Style painter 156
Rendering style 158
Displaying in multiple windows 161
Splitting the design window 162
Switching between windows 163
Maximizing the design window 164
Displaying workspace tools 165
Sketch grid styles 167
Displaying lightweight components 169
Working with SpaceClaim documents 171
Creating, opening, and saving documents 171
Importing and exporting 176
Copy-paste from other applications 204
Printing 205
Journals and logs 209
SpaceClaim file format 211
Designing 215
Design modes 217
Editing in cross-section 219
Cut, copy, paste 223
Dimensions 225
Detaching 229
Undo and redo 230
Checking geometry 231
Sketching in 3D 232
Sketching 234
Editing a sketch 242
Copying a sketch 246
Sketch plane 247
Moving the sketch plane 249
Layout curves 251
Moving in 2D 253
Dimensional sketching 255
Points 256
Lines 259
Tangent lines 263
Construction lines 266
Rectangles 269
Three-point rectangles 272
Circles 275
Three-point circles 278
Ellipses 282
Tangent arcs 284
Three-point arcs 288
Swept arcs 291
Polygons 294
Creating a spline 298
Editing a spline 302
Splitting curves 307
Creating corners 308
Creating rounded corners 310
Bending lines 315
Trimming lines 317
Inserting a face curve 318
Offsetting curves 321
Projecting onto the sketch grid 323
Scaling a sketch 326
Scaling sketches using pull 330
Editing 331
Editing with annotation dimensions 333
Mathematical expressions 337
Pulling 339
Offsetting and extruding faces 353
Extending and extruding surface edges 357
Extruding edges and curves 360
Rounding edges 364
Rounding between faces and surfaces 371
Chamfering edges 374
Pivoting edges 379
Revolving faces 381
Revolving edges 383
Revolving a helix 387
Sweeping 389
Sweeping with multiple trajectories 394
Sweeping with an axis 398
Drafting faces 400
Creating slots 405
Scaling solids and surfaces 410
Copying edges and faces 413
Pulling with the select tool 416
Pivoting with the select tool 417
Using measure to drive pull 418
Moving 420
Move handle 430
Moving symmetrically 434
Creating a pattern 437
Exploding an assembly 448
Pivoting and pulling solids 449
Moving with the select tool 450
Moving with a fulcrum 458
Moving protrusions and depressions 460
Fill 469
Removing rounds 489
Replacing faces 496
Tweaking a face 500
Editing tweaked faces 503
Adding tweak control curves 505
Tweak face display options 506
Blending 508
Blending between faces 512
Blending between edges 517
Blending between points 522
Creating objects and relationships 525
Inserting planes 525
Inserting an axis 529
Inserting points 532
Inserting an origin 533
Pinned datums 536
Inserting temporary points, axes, and planes 539
Linear patterns 545
Circular patterns 552
Fill patterns 559
Creating offset relationships 563
Shelling a solid 565
Creating mirror relationships 567
Inserting 572
Inserting another design 572
Orient mesh 574
Extracting curves 579
Creating a cylinder 581
Creating a sphere 584
Fit spline 586
Skin Surface 586
Inserting a standard hole 605
Identifying holes 616
Move body 620
Create workpiece 624
Creating curves from edges 632
Deburring toolpath 633
Turn profile 634
Adding edge reliefs 637
Wrapping geometry 640
Unrolling surfaces 648
Downloading TraceParts 652
Downloading CADENAS models 654
Inserting an image 655
Inserting video 659
Combining 662
Intersecting 667
Merging solids and surfaces 669
Merging solids 670
Merging surface protrusions 672
Merging surfaces 673
Merging a surface and a plane 676
Splitting bodies and surfaces 677
Splitting a solid 679
Using the split body tool 681
Splitting faces and edges 685
Splitting a surface 692
Removing material from a solid 693
Projecting to a solid 694
Working with components 698
Internal and external components 702
Lightweight components 707
Assigning assembly conditions 708
Making objects tangent 717
Aligning objects 720
Orienting objects 724
Making components rigid 727
Gear conditions 728
Anchoring components 731
Moving parts in an assembly 732
Detailing 733
Annotation 734
Creating notes 736
Circular notes 744
Formatting note text 747
Creating note leaders 749
Creating dimension annotations 753
Dimensioning between virtual points 765
Center marks and lines 770
Geometric dimensioning and tolerancing 771
Adding GD&T annotations 772
Encoding geometric tolerances 774
Datum and surface finish symbols 789
Datum targets 790
Surface finish symbols 796
Barcodes 798
Welding symbols 800
Custom symbols 809
Creating custom symbols 810
Using custom symbols 813
Threads 819
Bills of materials 822
Tables 828
Hole tables 831
Curve tables 837
Balloons 844
Bolt circles 846
Adding hyperlinks to annotations 848
Drawing sheets 850
Drawing sheet setup 854
Formatting a drawing sheet 855
Editing a drawing sheet 857
Drawing sheet views 858
General views 861
Projected views 865
Cross section views 867
Offset cross section views 873
Aligned cross section views 877
Detail views 881
Displaying a modular grid 884
Broken views 887
Broken out section views 891
3D markup 893
Creating a 3D markup 896
Displaying changed dimensions 897
Coloring changed faces 898
Measuring and analyzing 899
Checking geometry 900
Measuring 901
Quick measurements 902
Mass properties 903
Displaying measurements 905
Measuring a projected area 911
Analyzing quality 913
Displaying normal directions 914
Displaying curvature 916
Displaying draft angles 919
Displaying the UV grid of a face 922
Displaying a dihedral graph 924
Displaying stripes 926
Displaying deviation 928
Repairing problems 930
Navigating through issues 932
Stitching adjacent faces 934
Repairing gaps 936
Missing faces 938
Split edges 941
Inexact edges 944
Extra edges 946
Duplicate faces 948
Merging faces 950
Removing small faces 952
Adjusting tangency 954
Simplifying a design 956
Relaxing surfaces 957
Straightening faces 959
Curve gaps 962
Small curves 964
Duplicate curves 965
Fitting curves 966
Preparing designs for analysis 968
Extracting volume 970
Creating midsurfaces 973
Weld points 978
Welds 981
Enclosures 986
Split by plane 989
Extend 991
Imprinting 994
Removing rounds 998
Displaying interference 1003
Removing interference 1005
Removing faces 1007
Finding short edges 1008
Bad faces 1009
Overlapping faces 1010
Checking clearance 1011
Show contact 1012
Beams 1015
Creating beams 1020
Extracting beams from solids 1021
Beam properties 1024
Creating beam profiles 1026
Beam profiles 1027
Orienting beams 1030
Moving beams 1032
Beam display 1033
Working with sheet metal 1034
Converting a design to sheet metal 1035
Identifying sheet metal 1038
Selecting sheet metal objects 1042
Squaring up sheet metal faces 1043
Sheet metal properties 1044
Correcting a sheet metal component 1047
Sketching sheet metal parts 1049
Sheet metal lines 1053
Sheet metal tangent lines 1057
Sheet metal tangent arcs 1060
Sheet metal rectangles 1063
Sheet metal Three-point rectangles 1066
Sheet metal ellipses 1069
Sheet metal sweep arcs 1072
Sheet metal three-point circles 1075
Sheet metal circles 1078
Sheet metal polygons 1081
Sheet metal splines 1084
Sheet metal three-point arcs 1087
Creating and editing sheet metal parts 1090
Pulling sheet metal 1092
Moving sheet metal 1103
Rotating sheet metal walls 1105
Bending sheet metal walls 1108
Forms 1116
Splitting sheet metal faces 1124
Beads 1127
Sheet metal markers 1129
Double walls 1130
Gussets 1132
Tabs 1134
Hinges 1139
Cross breaks 1142
Sheet metal text 1143
Lightweight patterns 1145
Flanges 1146
Modifying sheet metal parts 1148
Junctions 1149
Edge reliefs 1152
Corner reliefs 1154
Notches 1158
Hems 1160
Miters 1165
Watertight corners 1167
Partial flanges 1170
Unfolding sheet metal 1172
Calculating unfolded lengths 1178
Bend allowances 1180
Additive manufacturing 1183
Mesh cleanup 1184
Organizing meshes 1191
Mesh modification 1194
Adjusting meshes 1200
Analyzing meshes 1205
Creating a mesh 1207
Exporting a mesh 1211
Shrinkwrap 1211
Customizing SpaceClaim 1214
Popular options 1216
General detailing options 1220
Drawing sheet size and format options 1226
Modular grid options 1227
Appearance options 1229
Selection options 1231
Snap options 1233
Units options 1238
Sheet metal options 1241
Navigation options 1245
Advanced options 1248
Import and export options 1255
Support file options 1270
Quick access toolbar options 1272
License options 1274
Multitouch options 1276
Displaying workspace tools 1277
Configuring windows 1279
Customizing the welcome window 1280
Views 1284
Creating custom shortcuts 1287
Ribbon options 1287
Scripting 1289
SpaceClaim add-ins 1293
SpaceClaim API 1294
Mastercam 1295
ESPRIT 1299
GibbsCAM 1303
Driving dimensions with Excel 1305
MakerBot Thingiverse 1307
ANSYS add-in 1308
ANSYS demos and tutorials 1310
Spot welds tutorial 1311
Spot weld tutorial conclusion 1312
Midsurface tutorial 1313
thShared topology tutorial 1326
Using groups and dimensions in ANSYS tutorial 1335
SpaceClaim parts and properties in ANSYS 1345
Using groups to drive changes in ANSYS 1347
Using Named selections in ANSYS 1349
Shared topology in ANSYS 1350
ANSYS workbench settings 1354
Working in AIM 1357
A Guide to Using Geometry Modeling in AIM 1358
Working with ANSYS 13.0 1364
Configuring SpaceClaim and ANSYS 13 1364
Connecting to ANSYS 13 1365
Updating data with ANSYS 13 1366
Collaborating with LiveReview 1376
Hosting a LiveReview session 1378
LiveReview client sessions 1386
Viewer 1396
Index 1434
Copyright information
Protected by US Patents 7,639,267, 7,733,340, 7,830,377, 7,969,435, 8,207,990, 8,244,508, 8,253,726,

and 8,330,775
Copyright 2015 SpaceClaim Corporation. All Rights Reserved. SpaceClaim is a registered trade-
mark of SpaceClaim Corporation.
Portions of this software Copyright 2010 Acresso Software Inc. FlexLM and FLEXNET are trade-
marks of Acresso Software Inc.
Portions of this software Copyright 2008 Adobe Systems Incorporated. All Rights Reserved.
Adobe and Acrobat are either registered trademarks or trademarks of Adobe Systems Incorporated
in the United States and/or other countries
ANSYS Workbench and GAMBIT and all other ANSYS, Inc. product names are trademarks or
registered trademarks of ANSYS, Inc. or its subsidiaries in the United States or other countries.
Contains BCLS (Bound-Constrained Least Squares) Copyright (C) 2006 Michael P. Friedlander, Depart-
ment of Computer Science, University of British Columbia, Canada, provided under a LGPL 3 license
which is included in the SpaceClaim installation directory (lgpl-3.0.txt). Derivative BCLS source code
available upon request.
Contains SharpZipLib Copyright 2009 C#Code
Anti-Grain Geometry Version 2.4 Copyright 2002-2005 Maxim Shemanarev (McSeem).
Some SpaceClaim products may contain Autodesk RealDWG by Autodesk, Inc., Copyright 1998-
2010 Autodesk, Inc. All rights reserved. Autodesk, AutoCAD1, and Autodesk Inventor are registered
trademarks and RealDWG is a trademark of Autodesk, Inc.
CATIA2 is a registered trademark of Dassault Systmes.
Portions of this software Copyright 2010 Google. SketchUp is a trademark of Google.
Portions of this software Copyright 1999-2006 Intel Corporation. Licensed under the Apache
License, Version 2.0. You may obtain a copy of the License at http://www.a-
pache.org/licenses/LICENSE-2.0
Contains DotNetBar licensed from devcomponents.com.
KeyShot is a trademark of Luxion ApS.
MatWeb is a trademark of Automation Creations, Inc.
2008 Microsoft Office System User Interface is licensed from Microsoft Corporation. Direct3D, Dir-
ectX, Microsoft PowerPoint, Excel, Windows, Windows Vista and the Windows Vista Start button are
1Software application for 2D and 3D design and drafting by Autodesk, Inc. AutoCAD's native file
format is DWG, its interchange file format is DXF, and its format for publishing CAD data is DWF.
2Modeling engine by Dassault Systmes. You can import and export CATIA files.
trademarks or registered trademarks of Microsoft Corporation in the United States and/or other
countries.
Portions of this software Copyright 2005 Novell, Inc. (http://www.novell.com)
Pro/ENGINEER and PTC are registered trademarks of Parametric Technology Corporation.
Persistence of Vision Raytracer and POV-Ray are trademarks of Persistence of Vision Raytracer Pty.
Ltd.
Portions of this software Copyright 1993-2009 Robert McNeel & Associates. All Rights Reserved.
openNURBS is a trademark of Robert McNeel & Associates. Rhinoceros is a registered trademark of
Robert McNeel & Associates.
Portions of this software Copyright 2005-2007, Sergey Bochkanov (ALGLIB project). *
Portions of this software are owned by Siemens PLM 1986-2011. All Rights Reserved. Parasolid1
and Unigraphics are registered trademarks and JT is a trademark of Siemens Product Lifecycle Man-
agement Software, Inc.
SolidWorks is a registered trademark of SolidWorks Corporation.
Portions of this software are owned by Spatial Corp. 1986-2011. All Rights Reserved. ACIS2 and
SAT are registered trademarks of Spatial Corp.
Contains Teigha for .dwg files licensed from the Open Design3 Alliance. Teigha is a trademark of
the Open Design Alliance.
Development tools and related technology provided under license from 3Dconnexion. 1992
2008 3Dconnexion. All rights reserved.
TraceParts is owned by TraceParts S.A. TraceParts is a registered trademark of TraceParts S.A.
Contains a modified version of source available from Unicode, Inc., copyright 1991-2008 Unicode,
Inc. All rights reserved. Distributed under the Terms of Use in http://www.u-
nicode.org/copyright.html.
Portions of this software Copyright 1992-2008 The University of Tennessee. All rights reserved. [1]
Portions of this software Copyright XHEO INC. All Rights Reserved. DeployLX is a trademark of
XHEO INC.
This software incorporates information provided by American Institute of Steel Construction (AISC)
for shape data available at http://www.aisc.org/shapesdatabase.
This software incorporates information provided by ArcelorMittal for shape data available at
http://www.sections.arcelormittal.com/products-services/products-ranges.html.
1Parasolid geometric modeling kernel. You can open and insert parts and assemblies and export
parts and assemblies.

2Modeling engine by Spatial Corporation. You can import and export ACIS files (.sat and .sab).
32D or 3D model that contains at least one top-level component.
All other trademarks, trade names or company names referenced in SpaceClaim software, doc-
umentation and promotional materials are used for identification only and are the property of their
respective owners.
*Additional notice for LAPACK and ALGLIB Redistribution and use in source and binary forms, with
or withoutmodification, are permitted provided that the following conditions aremet:
-Redistributions of source code must retain the above copyright notice, this list of conditions and
the following disclaimer.
-Redistributions in binary form must reproduce the above copyright notice, this list of conditions
and the following disclaimer listed in this license in the documentation and/or other materials
provided with the distribution.
-Neither the name of the copyright holders nor the names of its contributors may be used to
endorse promote products derived from this software without specific prior written permission.
Introduction
SpaceClaim 2016is the leader in 3D Direct Modeling solutions for rapid concept design and geo-
metry manipulation.
SpaceClaim is intended for use by those who need to focus on core competencies while benefiting
from working in 3D. With SpaceClaim, engineers can collaborate in the design and manufacture of
mechanical products across a broad range of industries. The software provides a highly flexible
design environment coupled with a modern user experience, and meets manufacturers require-
ments for excellence in engineering-driven product development that is both fast and cost-effect-
ive.
The Online Help (F1), Video Help (F3), tutorials, and training materials are provided to help you
become productive withSpaceClaim as quickly as possible. Before beginning your own work,review
the Getting Started section and step through the tutorials provided in the online help.
Printable documentation
Links to additional printable documentation can be found in the Introduction page of the online
help.
Quick reference Mouse and touch gestures chart
User's Guide
This User's Guide begins with a focus on the basic tools and on simple concepts. SpaceClaim is all
about adding and manipulating the faces of a design model, primarily through pull and move oper-
ations. If there is a face, you can pull on it. If you need a new face, draw an edge or copy an existing
one. Design1 clutter is minimized wherever possible. This guide communicates these simple, but
powerful concepts so that you can extrapolate them to your real-world designs. This guide also
provides useful shortcuts to use as you progress, as well as animations of tools in action to help you
understand their function.
SpaceClaim is different, and we encourage you to open your mind and enter into a world where you
can focus on the design, not the software. SpaceClaim appreciates your feedback, so let us know
where we have succeeded and what we can do better. Thanks for your purchase and we look forward
to working with you!
Get started using SpaceClaim

1. Sketch and pull to create a part, or open an existing model from any modeling software.
2. Edit the part using SpaceClaim's 2D and 3D editing tools.
3. (Optional) Customize SpaceClaim and your workspace to your working style.
4. Detail the part with notes, measurements, and geometric tolerances.
5. Submit the part for review using 3D Markup.
Other learning resources

SpaceClaim.comfor video demonstrations and recorded webinars
MySpaceClaim.comfor video tutorials and sample models
Welcome window
When you start SpaceClaim, a Welcome to SpaceClaim windowdisplays. From this window, you can
view SpaceClaim Release Notes, Online Help and other Help documents, view videos and tutorials,
and open sample designs. SpaceClaim updates the welcome content each time the window is dis-
played.
The Welcome windowcontains links to more information aboutSpaceClaim .
When you finish with the Welcome window, click Close or press the Esc key.
You can hide the Welcome window by unchecking the Show at startup checkbox. To redisplay the
Welcome window, check the Show welcome screen box on the SpaceClaim Popular options page.
The layout and contents of the Welcome window can be customized by editing a single XML file.
You can add or remove buttons, edit the icon for a button, control the layout of buttons, and determ-
ine the action executed when a button is pressed. For more information, see Customizing the Wel-
come window.
Tutorials
Tutorials and demos are available on the SpaceClaim web site. Step-by-step tutorials are also avail-
able in this Help file. Working through each of the tutorials will allow you to quickly grasp the basics
of using SpaceClaim. We strongly recommend that newcomers to 3D design run through the tutori-
als. You will gain competency with the functionality featured and the experience will help you mas-
ter the remaining features more easily.
Text tutorials
The following tutorials are available in the Online Help:
In this tutorial, you

will
Create a
bracket
using
Bracket and knob SpaceClaim's
sketching
and 3D edit-
ing tools.
Create an
assembly by
importing
and modi-
fying a knob
to fit into
your bracket.
Create a
drawing
sheet to
detail your
design.
In this tutorial, you
will
Create and
shell a
simple solid.
Use the
selection fil-
ter and
power selec-
Sheet Metal tion.
Add corner
reliefs to a
sheet metal
part.
Convert
edges to
sheet metal
bends and
junctions.
Create rips
in the part
so it can be
unfolded.
Unfold a
sheet metal
part.
Self-paced training tutorials

Self-paced, animated training tutorials are available on MySpaceClaim .com, a personalized web
portal for easy access to everything SpaceClaim. On MySpaceClaim.com, you can:
Gain access through a unique user name and password
Directly download SpaceClaim software, including purchased new products, updates, and
upgrades
Learn from self-paced training tutorials
Submit a new idea
To access MySpaceClaim, select the Login link at the top of the SpaceClaim.comhome page.
Bracket and knob assembly
In this tutorial, you will:

Create a bracket using SpaceClaim's sketching and 3D editing tools
Create an assembly by importing and modifying a knob to fit into your bracket
Create a drawing sheet to detail your design
This tutorial illustrates many of the tools and their capabilities by showing just one method of cre-
ating geometry. In SpaceClaim, there are several other ways to create identical geometry.
Please note that as you move back and forth between windows, you may need to click in the
SpaceClaim window to activate it.
The tutorial should take about an hour to complete.
Start the tutorial
Sheet metal tutorial
Sometimes it is easier to start with a solid and convert it to create a sheet metal part. This tutorial
will guide you through the process and teach you how to use some of SpaceClaim's powerful tools
to make your work easier, whether you're working with sheet metal parts or solids.
In this tutorial, you will

Create and shell a simple solid.
Use the selection filter and power selection.
Add corner reliefs to a sheet metal part.
Convert edges to sheet metal bends and junctions.
Create rips in the part so it can be unfolded.
Unfold a sheet metal part.
Start the tutorial
SpaceClaim Objects
The SpaceClaim interface describes objects slightly differently than other modeling software you
might be familiar with.
Document
A SpaceClaim .scdoc file may contain any combination of design versions, associated drawing sheets,
and 3D markup1 slides.
Design
A design is a 2D or 3D model, which contains at least one top-level component.
Component
A component consists of any number of objects, such as solids and surfaces. You can think of a com-
ponent as a "part." A component can also contain any number of sub-components. You can think of a
hierarchy of components and subcomponents as an "assembly."
Object
An object is anything recognizable by SpaceClaim tools. For example, 3D objects include vertices,
edges, faces, surfaces, solids, layouts, planes, axes, and origins. 2D objects include points and lines.
Examples of some object types are shown below:
Vertex2 Edge3 Face4
1A document type that enables you to annotate and compare different versions of a design.
2Point that terminates a line; point at which two or more lines or edges intersect. Vertices can be
selected for sketching, dimensioning, and other operations.

33D object composed of a single outside boundary of a feature. A line sketched in 2D becomes an
edge when you pull your sketch into 3D.

4Side or other surface of a solid. Some examples are the inside surface of a hole or the six sides of a
rectangular solid. See Surface.
Surface1 Solid2
Plane3 Axis4 Origin5
Body
In SpaceClaim, a body is a solid or surface.
Assembly constraints
Components are aligned using assembly constraints. See Assigning assembly conditions
Curve
An imported Curve6 file.
1Two dimensional object that has no thickness (as opposed to a face, which is part of a three-dimen-
sional object). A surface has area but no volume. See Face.

2Object that encloses volume. A surface becomes a solid if it encloses volume.
3Construction geometry consisting of a flat surface. Planes can be used for a 2D sketch, section view
of a model, a neutral plane in a draft feature.

4Straight line that an object rotates around or that objects are regularly arranged around. See Align-
ment axis.
5Zero point in coordinate system. You can insert an origin at any location in your design where you
can anchor the Move tool, enabling you to dimension from the origin or quickly move the sketch
grid to the origin. You can also insert an origin at a solid's center of mass or volume.
6In 3D, any line in space.
Facet mesh objects
An STL file1 can be imported aslightweight (facets:facet only) with the ability to snap to the facets.
You can placemesh objectson a layer.
Mesh nodes in the Structure Tree are labeled Facet2 Mesh.

If the Design3 Mesh is Over-connected (i.e. non-manifold), the icon has a small yellow warning tri-
angle.
Sketching on a mesh object

You cansketch on a mesh object,as shown in the figure below, and your sketch tools will snap to the
facets.
You can:
Sketch lines, spines, and pointsin 3D mode. Click thesketch tool, switch to 3D mode,
thensketch on the STL model. The cursorsnaps to the facet vertices, edges, and faces on the
model.
Use the line, rectangle, circle, spline, ellipse, 3 point arc, polygon, sweep arc, and pointsketch
tools to create curves that snap to geometry intersecting with the plane. Other sketch tools do
not snap to the geometry intersecting the plane but you can use them to create geometry off
of newly drawn curves.
Sketch on a cross section plane of a mesh object, which allows snapping to facets that inter-
sect the plane.
1File format native to the stereo lithography CAD software created by 3D Systems. You can export
parts and assemblies (.stl).See Stereo lithography.

2 Simple triangular face used to describe surface geometry in STL (stereolithography) file format.
Selecting on a mesh object
When you select placement points on a mesh object, a circle around the point of the cursorhelps
you to identify facet faces, edges, and points.Thefollowing images show the types of selections you
can make:
A double circle (normal to the screen) is displayed when the

cursor point is snapped to a facets vertex.
A single circle is displayed and the facets edge is high-

lighted when the cursor point is snapped to a facets edge.
The circle lies in the plane at the average of the two neigh-
boring facet faces.
A single large circle is displayed and the facet is high-

lighted when the cursor point is on a facet. The circle lies in
the plane of the facet face.
Changing mesh edge display

TheEdges menuin the Display tab has options forchanging the display of Mesh edges.
Internal Edges Displayed
Open Edges Displayed
Open and Internal Edges Displayed
In SpaceClaim Options, the Appearance section has options for changing mesh colors and high-
lighting.
The Highlighting scheme for meshes matches that for solid bodies (Classic, Default, Custom). You
can use the Ctrl+Alt+Shift+H shortcut to toggle through the different schemes.
Also in the Appearance Options, you can enable the mesh back face color to make it different than
front faces. If enabled, you can change the color of mesh back faces.
You can toggle the Front and Back faces (i.e. switch the normals) using the context menu for a selec-
ted Design Mesh. You know the switch has taken place because the Front and Back colors will switch.
If Back face color is NOT enabled, there will be no visible change.
Copying and pasting mesh edges

Mesh edges can be copied and pasted as a polyline. An example is shown below.
Material properties
You can assign Material1 Properties to Design Meshes.
1Property that you can assign to an object, consisting of material name and attributes such as density
and tensile strength.
Material Properties are preserved after operations such as:
Copy/Transform
Move1 to component
Mesh boolean operations
Facets>Reduce
The Material ID is preserved for operations such as:

Facets>Export
Conversion between mesh and solid
Converting from simple mesh to connected mesh
1A tool used to translate or rotate geometry.
Locking and unlocking objects
You can lock solids and surfaces so they cannot be changed. When an object is locked, you can only
change that object's visibility by clicking its check mark in the Structure tree1. You cannot change
the object's geometry, location, name, color, or properties. Locked objects display a lock icon in the
Structure tree, as shown in the image below.
You can't modify locked bodies directly or by group modification, and the API cannot modify
them via group values.
Locked bodies cannot be pulled or moved, so the Pull2 arrow or Move3 handle appears gray.
They can be copied by holding Ctrl with the Pull or Move tool. The Pull arrow or Move handle
changes to color when you hold Ctrl.
You can use a locked body as a cutter with the Combine4 tool, but you cannot use it as target.
You can use a locked body as a location or selection reference, but it cannot be changed as a
result. For example, you can sketch on a locked body but the sketch lines will not imprint on
the body.
To lock a solid or surface

1. Right-click the solid or surface in the Structure tree.
You can lock all solids and surface parts in a component by right-clicking the component.
2. Select Lock.
The object's icon changes to a locked icon.
1Display in the Structure panel that shows you each of the objects in your design. You can expand or
collapse the nodes of the tree to view the objects. You can rename objects, create, modify, replace,
and delete objects, as well as work with components.
2Tool used to distort or deform geometry. Use the Pull tool to offset, extrude, revolve, sweep, draft,
and blend faces; or to round, chamfer, or extrude edges. When converting a sketch to 3D, pulling a
line creates a surface and pulling a surface creates a solid.
4A tool used to cut or glue geometry together.
To unlock a solid or surface
1. Right-click the solid or surface in the Structure tree.
2. Select Unlock.
The SpaceClaim interface
SpaceClaim s graphical user interface (GUI) was designed to conform (within reason) to Microsoft
Vista standards and contains the toolbars, buttons, and windows associated with a Vista-compliant
graphical application. As a result, only those features of the GUI that relate to performing
SpaceClaim -specific tasks are explained in this guide. We assume, for example, that you are familiar
with standard Windows conventions, such as dragging a windows title bar to move the window, or
clicking the close button to close the window.
To take advantage of the full range of SpaceClaim features, we recommend using SpaceClaim with a
scroll wheel mouse or with a 3D Connexion SpaceBall or SpaceNavigator. However, SpaceClaim is
also fully operational with a laptop's touchpad and integrated mouse buttons. You can use the nub
as a scroll wheel, and configure the laptop so that pressing both buttons simultaneously behaves the
same as pressing a middle mouse button.
This image shows the major interface elements in the SpaceClaim application:
File menu:Contains file-related commands and options to customize SpaceClaim.

Quick Access toolbar: Can be customized so that it contains the file-related shortcuts you use
most often.
Ribbon: Contains all the tools and modes you need to design, detail, and display models,
drawing sheets, and 3D markups.
Active tool: The active tool is highlighted in orange.
Design window1:Displays your model. If you are in sketch or section modes, it also contains
the sketch grid to show the 2D plane on which you are working. The tool guides for the selec-
ted tool appear on the right side of the Design window. The cursor also changes to indicate
the selected tool guide. The mini-toolbar places commonly used options and actions close to
the cursor.
Mini-toolbar2: Contains frequently used options for the current tool.
Tool guides3: Help step you through using the tool and change the way the tool behaves.
Status bar: The status bar displays messages and progress information about your actions on
the current design.
Panels
The panels initially appear along the left side of the application window. You can dock and detach
these panels.
Structure panel: Contains the Structure tree, which shows you each of the objects in your
design. You can quickly show or hide any object using the checkbox next to the object's name.
You can expand or collapse the nodes of the tree, rename objects, create, modify, replace, and
delete objects, as well as work with components.
Layers panel: The Layers panel allows you to group objects and set their visual characteristics,
such as visibility and color.
Selection panel: The Selection panel lets you select other objects related to the one currently
selected.
Groups4 panel: The Groups panel stores groups of selected objects. Selection, Alt+selection,
and move anchoring, axis, and ruler dimension information is all stored with the group.
Views panel: The Views panel stores standard and custom views, and lets you assign shortcut
keys to custom views.
1 Area in the user interface that displays your model or assembly. Also known as Workspace.
2 Set of tool-specific options that appears when you right-click in the Design window. You can also
access the options in the Options panel.

3 Functions that are specific to the selected tool.
4 Sets of objects that appear in the Groups tab. You create a group from any set of selected objects.
Information such as Selection, Alt+selection, move anchoring, axis, and ruler dimension is all stored
with the group.
Options panel1: The Options panel allows you to modify the functions of the SpaceClaim
tools. For example, when you use the Pull2 tool, selecting an edge and then selecting the
Chamfer3 Edge4 option creates a chamfer instead of a round when you pull the edge.
Properties panel5: The Properties panel displays details about the selected object. You can
change the property values to change the object.
Customizing the ribbon background image

You can override the ribbon background image with the following command line options:
/RibbonImage=<filename>
/RibbonImageLocation=(Left|Center|Right)
For example:
SpaceClaim.exe/RibbonImage=c:\temp\img.png /RibbonImageLocation=Left
The image needs to be 52 pixels in height. The width can vary and you may have to experiment.
1 Area of the user interface that enables you to modify functions specific to tools.
3Sloping corner between two edges created using the Pull tool; angle with equal setback; bevel.

5 Area of the user interface that displays editable details about the selected object(s). This panel is ini-
tially displayed on the lower left side of the screen, but can be moved.
Structure tree
The Structure panel contains the Structure tree1, which shows you each of the objects in your
design. Objects are displayed in the order in which they were created, or in the orderin whichthey
were imported. The figure below showsall the object types that can be displayed in the Structure
tree.
You can use the Structure tree to find objects, select objects, set object visibility, expand or collapse
the nodes of the tree, rename objects, create, modify, move, replace, and delete objects, as well as
work with components using the Structure tree.
You can uncheck the box next to an object to hide it in the Design window1.
Some objects, such as sketch curves and 3D curves, are automatically placed in
1Area in the user interface that displays your model or assembly. Also known as Workspace.
Curves groups in the Structure tree. You can rename a curve, but not the curve
group. You can move the Curves group, but you cannot move a curve out of the
group. Deleting the group deletes all the curves in the group.
You can set the visibility of a Curves group or an individual curve in the group,even
if the Curve1 group is within a dependent copy of a component.
To find objects
To find an object in the Design window, hover over an object in the Structure tree to highlight it in
the Design window. Hovering over a hidden object displays it temporarily in the Design window.
To find an object in the Structure tree:
Hover your mouse over an object in the Design window to highlight it in the Structure tree. (Its
component is highlighted if it is not expanded.)
Right-click an object in the Design window and select Locate in Structure Tree to highlight
the object in the Structure tree.
Press Ctrl+F to open the Find dialog.
When Pattern is selected in the Structure tree, the selection list updates to display the number of pat-
terns included in the design.
To move objects
Drag an object or component to change its position in the Structure tree.
Right-click an object and select Move2 to New Component3 to create a component within the act-
ive component and move the object into it. If the object has a custom name, the new component
will have the same name.
Ctrl+right-click multiple objects, then right-click and select Move Each to New Components to cre-
ate a new component for each object within the active component and move the objects into the
components. If the object has a custom name, the new component will have the same name.
You can move the view of a component from one drawing sheet to another by dragging the view in
the Structure panel.

2 A tool used to translate or rotate geometry.
3 Object in a design, including the top-level design component. Each component consists of any
number of objects, such as solids and surfaces, and can contain sub-components. You can think of a
component as a "part." Components can be saved as a separate file. An external component is
another design inserted as a component of your design. Making the component internal prevents
changes from being made to the external component file. You can also create an external com-
ponent by saving a component as a separate file. See Lightweight components, Assembly
An annotation plane cannot be moved to a sub-component after you add dimen-
sions because the references would be lost.
Offset1, mirror, and shell relationships stay with a solid when it is moved to
another component, unless the relationship would link two components when it is
moved.
To set the visibility of objects using the Structure tree

Check the box next to the object in the Structure tree to set the visibility of the object to the
layer visibility.
Uncheck the box next to the object to hide it in the Design window and display its icon in gray
in the Structure tree, like Component2 in the figure above. You cannot work with hidden
objects in the Design window.
Right-click an object in the Structure tree and select Always Visible from the context menu.
To expand or collapse components

The top-level object displayed in the Structure tree (called Design1 in the image above) is a com-
ponent.
To expand components:
Click or press ' + ' on the number pad to expand a component. You can also right-click the
component and select Expand.
Right-click any component (including the top-level component) and select Expand All or
press' * 'on the number pad to expand the component and all its subcomponents.
To see hidden objects in a Curves group, click More curves. This is only visible when the
group contains many curves.
To collapse a component, click or press ' - 'on the number pad.
To rename objects
Right-click an object in the Structure tree and select Rename or press F2 to rename the selected
object. You can also click the object, pause, then click again to rename it.
The top level component is automatically named when you first save your design, but you can
rename it.
1Distance an edge, segment, or curve is moved or copied.
Multiple bodies selected in the Structure Tree can be renamed at once. The new name applies to the
body for which it was entered. The remaining bodies are numerically incremented with a number
appended to the name. This also applies to components.
To convert a solid to surfaces

1. Right-click the solid in the Structure tree.
2. Select Detach1 all.
All faces on the solid will be detached from each other and will become surfaces.
To lock and unlock objects

Locking a solid or surface prevents any changes from being made to it.
Right-click the object and select Lock from the context menu to lock the object. If you right-clicked
a component, all the objects in the component that can be locked are locked.
Select Lock again to unlock the object.
1 Create separate surfaces from individual pieces of a sketch, or objects or faces in 3D. You can
detach protrusions to move them with the Move tool's Detach First option.
Selection panel
Use the Selection panel to select objects in the same part that are similar or related to the object cur-
rently selected. The results list is based on the geometry you select for the search. For example, we
searched based on the round face highlighted in the image below. See the examples below to see
what happens when you click on each of the search results.
To select objects similar to the currently selected object

1. Select any 3D object.
2. Click the Selection tab1 to display the Selection panel.
The Selection tab is initially located at the bottom of the Structure panel.
3. (Optional) Select the All bodies option to search all bodies in the active component.
The following selection categories can be selected on more than one body:
Edges: Same length, Same length with same orientation, Equal or smaller radius hole.
Faces: Equal rounds, Equal or smaller rounds, Equal or smaller chamfer, Equal or smaller
hole, Same area, Same place, Equal radius cylinder.
4. (Optional) Select a category from the drop-down list to show only those objects with the
selected relationship.
Select All Types to display all the geometry related to your selection.
1Area of the user interface where you can locate objects similar to the ones selected. See Power
selection.
Selection categories
Category Description Example Selection types

Beams Beams based This category is useful Beams
on the profile when the display is set to
of the currently Wire Beams, or when you
selected beam. have several profiles that
are only slightly different.
Bodies Bodies based This power selection cat- All bodies with volume <=, =, or
on volume com- egory is especially useful >= the volume of the currently
pared with the when you need to find selected body
currently selec- and delete multiple, small
ted body. items in a design, such as
fasteners.
Coaxial1 Objects with Coaxial hole
faces the same axis Coaxial protrusion
Coaxial cylinder
Coaxial surfaces
Components All instances of Components
the selected
component.
Edges Edges that are Edges with same length
like the cur- Edges with same length and same
rently selected orientation
edge
Edges with same length in same
face
Surface2 edge loop
Hard sheet metal edges
1Relationship between faces that share the same center of rotation. If you check the Coaxial Face
Groups box in the Display tab, faces that share an axis are indicated with blue shading.
Features Groups1 of Protrusion
faces that form Depression
protrusions,
Inner faces
depressions,
inner faces, or Enclosed by
that enclose
other faces
Midsurface Midsurface Finding zero thickness Faces and Bodies
Face2 Thick- faces with the faces and surface bodies
ness same thickness allows you to verify that
(including zero) thickness has been
assigned to all faces and
surface bodies in the
model.
Offset3 Faces that have All offset baseline faces
faces an offset rela- All offset faces
tionship
Faces with same offset
defined
All coincident faces
Patterns Pattern mem- Pattern member
bers, entire pat- Recognized pattern
terns, or
All pattern members
recognized pat-
terns Note4:
If the pattern does not have a pat-
tern relationship in [%=Ge-
eneral.ProductName%, you must
hold Alt and select the face that
contains the pattern members in
1Sets of objects that appear in the Groups tab. You create a group from any set of selected objects.
with the group.

4 Annotation placed on a design, drawing sheet, or 3D markup. Notes contain text or symbols that
you insert and can be connected to geometry by a note leader.
order to select a recognized pat-
tern.
Rounds Rounds and Equal radius rounds
chamfers Equal or smaller radius rounds
Equal or smaller-sized chamfers
Variable radius round1 faces and
chains of faces even if they are
composed of a mix of constant
and variable faces
Same Color Faces of the Faces
same color
Same Curves of the Faces with the same color as the
2
Curve Type same color, originally selected face
type, and
length
Same Hole Standard Holes Standard Holes
Dimensions with the same
3
Hole Dimen-
sions
Same size Faces that have Equal radius cylinder
the same radius Equal radius hole
or area
Equal radius protrusion
Faces with the same area
Holes equal to or smaller than
Surface holes equal to or smaller
than
Sheet Metal Sheet Metal Miter Corners
objects Same Junction type and para-
1Fillet created from a constant-radius round by selecting one edge of the round and pulling it to a
new radius. See Fillet, Constant-radius round.

3Values or expressions you enter for precise control during the creation or modification of a design.
You can dimension every element, from lines in sketches to faces of solids. See Ordinate dimensions,
Progressive dimensions, Ruler dimension.
meters
Beads and Forms with the same
parameters
5. (Optional) If you turn off Automatically calculate power selection results in the Selection
options, then you must click to search for related objects in your design. Otherwise, the
search results are automatically displayed.
Related objects are displayed in the main area of the panel. Mouse over the objects in the list
to highlight those objects in the Design window1.
6. (Optional) Set the Power Selection Relative Tolerance in the Selection options to find items
within a tolerance of the target size.
7. (Optional) Click on a blue link to change that parameter in the search.
8. Click any number of the related objects in the list to add them to the current selection.
You can Ctrl+click to select multiple objects.
To find all the edge loops of a surface

1. Select a surface that contains one edge loop.
2. Select Surface Edge2 Loop in the category list.
This option is useful when edge loops appear on top of each other in the Design window.
To select and create recognized patterns

1. Select a protrusion or depression that is a member of the pattern.
2. Hold Alt and select the planar face that contains the potential pattern.
You must select this face in order to recognize a pattern.
3. Select Recognized Pattern from the Related list.
4. Right-click the potential pattern and select Create Pattern from the context menu to convert
the selected protrusions or depressions into a pattern.
5. (Optional) Select a face of a pattern member to display the count and dimensions for editing.
2 3D object composed of a single outside boundary of a feature. A line sketched in 2D becomes an
To select faces that surround an internal void
1. Click a face of the solid with internal faces.
2. Select Inner Faces from the category list.
To find all faces within the range ofareas between two faces
1. Select two faces.
2. Click in the Selection panel.
The search results display all faces in your designwith an area between the two faces you selec-
ted.
To select all same color faces

1. Open a model with different colors on multiple faces of the model.
2. Select a face of a particular color
3. Click on the Selection panel tab in the Structure Tree
4. Click on the Faces with same color option under the Same color folder in the Selection panel
5. All the faces with the same color as the originally selected face will be selected.
Examples
We selected the round face highlighted above.
The faces highlighted above are selected when you click All rounds are equal to or smaller than
4.34mm.
The faces highlighted above are selected when you click Depression.
The faces highlighted above are selected when you click Surface edge loop.
Layers
Layers can be thought of as a grouping mechanism based on visual characteristics. Visual char-
acteristics include visibility, color and line style. Layers are managed in the Layers panel and accessed
and modified with the Layer1 tool in the Display tab Style group.
The default layer color for new documents can be set in the Appearance section of SpaceClaim
Options.
Layers are especially useful when you want to hide annotation planes.
Sheet metal parts have a set of default layers when the part is in an unfolded state. They are:
Dimension2
Bend Lines Up
Bend Lines Down
Bend Dimensions3
Forms
To create a layer
Right-click in the Layers panel and select New.
This layer becomes the activate layer. Any objects created are automatically placed on this layer.
1Grouping mechanism for visual characteristics such as visibility and color. You can group objects on
layers to organize your drawing. Layers are especially useful when you want to show or hide annota-
tion planes.
2Annotation on a drawing showing measurement of an edge or face. Use the Dimension tool to add
measurements to your design, drawing sheet, or 3D markup.

To place an object on a layer>
1. Select one or more objects to assign to the layer.
2. Right click on a layer to open the context sensitive menu.
3. Choose Assign to layer.
To rename a layer
Right-click the layer in the Layers panel and select Rename or click the layer name and slowly drag
to the right.
Layer0 cannot be renamed.
To delete a layer
Right-click the layer in the Layers panel and select Delete.
Layer0 cannot be deleted.
To delete empty layers

Right-click in the Layers panel and select Remove Empty Layers.
To activate a layer
1. Right click on a layer to open the context sensitive menu.
2. Choose Make Active.
3. New objects created are assigned to the active layer.
To set layer visibility

1. Select a layer in the Layers panel.
2. Click to show the objects on the layer. Click to hide them.
If an object is located on a layer with the visibility turned off, and the object in the Structure
tree1 is set to show visibility by layer, the object is not visible in the Design window2, and can-
not be acted on by the design tools. Layer visibility can be overridden in the Structure tree.
You cannot hide the active layer.
Use Hide Others on an inactive layer to make it active and hide the other layers.
You can make a hidden layer active which automatically makes it visible.
To set the visibility of layout lines and imported, DWG and DXF lines
Select Solid1 or Hidden from the layer's line drop-down in the Layers panel.
To modify the layer color

1. Select a layer in the Layers panel.
2. Select a color from the drop-down.

You can also specify a custom color by selecting Custom Color and using the Color window.
You can override the layer color for solids, surfaces, faces, or curves. See Applying colors to design
elements.
1 Object that encloses volume. A surface becomes a solid if it encloses volume.
Groups
You can create a group from any set of selected objects. When storing Ruler Dimensions1 for Pull2
or Move3 in a group, keep in mind that how the tool is initially placed and what is stored for later
playback.
The Move tool initially places itself ( for ease of quick moving) with respect to the oriented
bounding box of the selected items
The Group functionality stores the following:
Selected objects
Active tool
Any sub-selections that affect the behavior of the tool
Any active ruler dimension
Any anchor reference to that ruler dimension
For example, insofar as Group creation goes, a Move tool can be anchored to an edge of a face and
oriented in a direction. This stores the selection, the edge, and the orientation direction. Sub-
sequently, a selected axis of the Move handle can have a ruler dimension to a dimension reference.
This stores the Move handle axis and the ruler dimension. Any re-invocation of this group will
attempt to re-setup the tool, the selection, any options, and ruler dimensions, according to how the
group was saved.
When using groups to store Move and Pull operations as described above, choose
references appropriate to your design intent and the likelihood of any of the
required references being present on re-invocation.
You can use groups in combination with the %%Product%% API to change these parameters, or use
them as a way to indicate to others your design intentions about which sort of changes you expect
them to make to your design.
Scope
Groups1 can be saved for the root part or for its children. To change the scope at which groups are
displayed, select Root Part or Active Part in the drop-down list near the top of the Groups panel. This
allows you to see groups that are in children components without opening the component in
another window.
If an external part has groups defined in it, you can right-click the component and select Import
Component2 Groups to copy the groups to the current root part. This means you can open the com-
ponent in its own window to change the groups there as well. Because the groups reflect geometry,
they will change the geometry in original model where they were defined; but you're not changing
the definition of the groups. If you redefine the copied group, the original group will not get
redefined.
with the group.
Driving dimensions
When you select an object with a dimension property and create a group, a driving dimension is usu-
ally created. These groups are added to the Driving Dimensions folder. Driving dimensions include
offset distance (faces with an offset relationship), round radius, and ruler dimensions. You can change
the dimension in the groups panel, and the geometry will change. These saved groups can be used
for API-driven modification and can be sent to ANSYS.
Creating a driving dimension with Pull (offset)
Creating a driving dimension with Move (translation or rotation)
Creating a driving dimension with the Select tool (round radius and distance between offset
faces)
Named selections
If no driving dimension is available, a named selection is created. This allows you to save selection
sets to easily recall them.
A round group is also created each time you fill a round and is saved in the Filled Rounds folder. You
can reattach a group of rounds as long as some portion of the original edges (or faces that bordered
the edges) still exists in your design.
Drag a group in the Groups panel to change its position in the list. Group order is important because
they are changed from top to bottom when the change is initiated in an external application.
To create a group
1. Select any set of 3D objects.
2. Click Create Group in the Groups panel or press Ctrl+G.
The group appears in the list. Mouse over the group to highlight the objects in the group and
click the group to select them. Properties and other information, such as the selected axis for
the last Move rotation, are saved with the group.
To create a coaxial group

1. Select two coaxial cylindrical faces on a solid.
The cylindrical faces must be on the same solid.
2. Right-click and select Create Coaxial1 Group.
1 Relationship between faces that share the same center of rotation. If you check the Coaxial Face
The group is added in the Face1 Groups folder in the Groups panel. A relationship is created
between the cylindrical faces, so the faces remain coaxial when you change the faces. If you
move one of the faces, the other will move with it.
To edit a driving dimension

1. Select the driving dimension from the Groups Panel2. The current value should appear next to
the Type.
2. Click the value. A dimension box should appear.
3. Type the new value for the dimension and press Enter.
The driving dimension is updated in the Design window3. You can follow these steps to
change round radii, offset distance, and ruler dimensions.
To reattach a round
1. Right-click one or more round group in the Groups panel.
2. Select Reattach Round4 from the context menu.
To rename a named group

1. Right-click the group in the Groups panel.
2. Select Rename from the context menu.
3. Enter the new name for the group and press Enter.
To replace a named group

1. Select any set of 3D objects.
2. Right-click a group and select Replace Group.
You can only replace groups in Named Selections.
To delete a named group

1. Select the group in the Groups panel.

2Sections of the user interface that initially appear along the left side of the application window and
include: Structure panel, Layers panel, Selection panel, Groups panel, Options panel, and Properties
panel. You can dock and detach these panels.
4 Rounded corner at the intersection of two lines or edges. Round refers to an exterior corner; an
interior corner is known as a fillet. Rounds and fillets are both called rounds. See Fillet, Constant-
radius round, Variable-radius round.
2. Click Delete Group.
You can also right-click the group and select Delete Group from the context menu.
If all of the objects that comprise a group are removed from the design, the group is auto-
matically deleted.
To explode a group
1. Select the group in the Groups panel.
2. Right-click and select Explode from the context menu.
Each group will be placed in its own group. The new group names are based on the parent group.
For example, a group named "Group" will explode into "Group 1", "Group 2", etc.
Views
You can change the shortcut keys for standard views and create your own custom views to save set-
tings for object orientation and visibility.
User-created views will not auto-scale when they are moved.
To change view shortcut keys

1. Select the View1 tab in the Structure panel.
2. Select a shortcut key combination in the Shortcut drop-down list for the view you want to
change.
To add a custom view

1. Position the view in the design window as you want it saved.
2. Select the View tab in the Structure panel.
1 Orientation settings that you can apply to your design, including spin, pan, and zoom. You can
adjust these settings individually or you can apply one of the following preconfigured views: Tri-
metric, Isometric, Top, Bottom, Front, Back, Right, Left. You can also select Snap View and click a face
to view it head-on.
3. Click Create View at the top of the panel.
4. Select from the following options:
Name: Enter a unique name for the view. The name will appear in the Structure tree1>.
Shortcut: Select a key combination from the drop-down list.
Orientation: Select if you want the current orientation to be saved in the view.
Object2 visibility: Select if you want the visibility of objects in the current view to be
saved in the view. Objects that are hidden when you create the view will be hidden
when you apply the view. Visibility is applicable to all types of geometry, planes, and
curves.
Visibility behavior for new objects: Select the visibility behavior you want to apply to
objects you create after you create the view.
Leave Unchanged: New objects will retain their visibility when you apply the
view.
Visible: New objects will be visible when you apply the view.
Hidden: New objects will be hidden when you apply the view.
5. Click OK.
Your custom view is added to the View tool menu.
To apply a custom view

You can change the current view to a custom view in the following ways:
Select the View tab in the Structure panel, right-click the view, and select Apply view from the
context menu.
Use the shortcut key (if assigned).
Select the view from the View tool menu in the Orient ribbon group.
To replace a custom view

3. Right-click the custom view you want to replace and select Replace from the context menu.
2 Anything recognizable by the tools. 3D objects include vertices, edges, faces, surfaces, solids, lay-
outs, planes, axes, and origins. 2D objects include points and lines.
The custom view is replaced with the current view.
To rename a custom view

2. Right-click the custom view you want to rename and select Rename from the context menu.
3. Enter a new name for the view.
To edit custom view properties

2. Right-click the custom view you want to edit and select Properties from the context menu.
3. Edit the view properties.
To delete a custom view

2. Select the view you want to delete.
3. Click Delete View at the top of the panel.
You cannot delete standard views.
Status bar
From left to right in the image above, the Status Bar shows the following:
Status message: Displays messages and progress information about your actions in the current
tool. You can view these messages in the top left of the Design window1 by selecting Show
status messages in window in the Popular options.
You can hover over status icons in the message window to see tool tips.
The number of objects affected is included in status messages.
Check the Zoom option ON to zoom into the affected objects in the graphics window when
you double-click the message.
Quick measurement: Displays simple measurements of the selected object(s), such as the dis-
tance between two objects or the X, Y, Z coordinate of a point. See Quick measurements. Use
the Measure tool for other types of measurements, such as volume and mass.
Error and warning messages: Displays error messages as they occur. Click the icon to display
all the messages currently relevant to your design. Click a message to highlight the object ref-
erenced by the message. Double-click a message to select the object(s) referenced by the mes-
sage.
Selection list: Shows you a list of objects you currently have selected. Hover over the list area
on the status bar to see a complete list. When Pattern is selected in the Structure tree2, the
selection list updates to display the number of patterns included in the design.
Select Parents or Select Children : Depending on the selection, you can select the parents
(up arrow)of the currently selected objects or the children (down arrow)of the currently selec-
ted objects.
Revert selection : Reverts your selection to your previous selection.
Selection filter1 : Allows you to choose what can be selected in the Design window. A
label in the status bar, located to the left of the selected object status, displays the currently
pre-selected object.
Selection mode : ChooseBox, Lasso, orPaint.
View2 controls: Use these controls to spin, pan, zoom, and switch to previous or next views.
You can also change your view using the tools found in the Orient group, which is found on
most tabs.
1 Drop-down control in the status bar that can be used to limit the selection of objects. Only object
types you check will be selected; for example, only faces and edges.
to view it head-on.
Options panel
The Options panel1 allows you to modify the functions of the SpaceClaim tools. For example, when
you use the Pull2 tool, selecting an edge and then selecting the Chamfer3 Edge4 option creates a
chamfer instead of a round when you pull the edge.
Options are enabled when the relevant geometry is selected.
This is the Options panel for the Pull tool when an edge is selected:
Some options are also displayed in the mini-toolbar:
1Area of the user interface that enables you to modify functions specific to tools.
Properties
The Properties panel1 is on the left side of the SpaceClaim interface, below the Structure tree2 and
Options panel3. When you select a complete component, surface, or solid by triple-clicking it in the
Design window4 or selecting it in the Structure tree, you will see its properties in the Properties
panel. You can use the Properties panel to modify various properties values, such as Color to set the
color of a selected face or body, or to change other properties values.
In addition to components, surfaces, and solids, you can modify property values for sketched
objects, inserted images, patterns, and sheet metal. The property settings for these objects are
described in detail in their specific topics.
It may be helpful to configure the Properties panel so that you can see object properties and the
Structure panel simultaneously.
To modify an object's properties

1. Select an object in the Structure tree or right-click the object in the Design window and select
Properties.
2. Edit the property values.
To modify analysis properties

1. Click on the top level assembly component in the Structure Tree
2. In the Properties panel, expand the Analysis properties to display the Share Topology property
3. Click in the property input panel
4. Open the dropdown menu and choose
None (default)
Merge
Share
See Shared topology in ANSYS for more information.
1Area of the user interface that displays editable details about the selected object(s). This panel is ini-
To modify document properties
1. Select the top-level design or a component in the Structure tree.
You can hold Ctrl and select more than one component.
2. In the Properties panel, expand Document1 properties to display the followinginformation
Display Name: If you want the name to be different than the file name.
Document Path: Path to the file on disk.
Locked: Set this to true if you want to prevent the model from being modified.
Use File Name: Set this to True if you want to display the file name for the top level
design component in the Structure tree. Set this to False if you want to use the Display
Name.
3. Enter additional information such as Creator, Description, Title, and Version in the File section
of the Properties panel.
These properties can be included in BOM tables.
To create a custom document property

1. Select the top-level design or a component in the Structure tree. You can select more than
one component.
2. Right-click in the Properties panel and select Add Document Property to create a custom
property.
3. Expand the property to display its value.
4. Enter a name for the property, select its type (date, Boolean, number, or string), and enter its
value.
Delete a custom property by right-clicking the property in the Properties panel and selecting
Delete Document Property.
1A model file (.scdoc) that may contain any combination of design versions, associated drawing
sheets, and 3D markup slides.
To create a custom component property
1. Select a component in the Structure tree.
2. Right-click in the Properties panel and select Add Component1 Property to create a custom
property.
3. Expand the property to display its value.
4. Enter a name for the property, select its type (date, Boolean, number, or string), and enter its
value.
Custom component properties can be used in BOM's and note fields. Delete a custom prop-
erty by right-clicking the property in the Properties panel and selecting Delete Component
Property.
Material properties
You can set the gage for a material used in a sheet metal part. Assigning a gage enables you to con-
trol the thickness of a sheet metal part at a more granular level. Gage, or, gauge, is the thickness of
the metal organized by numbers: the smaller the number the thinner the metal. A sheet metal design
or component of a design must be assigned a material in order for the gage drop down to display.
You cannot select a gage for designs or components that are assigned the Unknown Material2
option.
To assign a material, from the Structure tree select the design at the top level, or select the com-
ponent for which you want to assign a material, and then click the Material Name dropdown from
the Material group in the Properties panel. From the Thickness group in the Properties panel, click
the gage drop down, and select a gage.
You can specify material properties for a component in several ways:
Select a material from the Materials Library

2. In the Properties pane, expand Material properties.
3. Click in the Material Name field to display the Materials Library1.
4. Select the Library tab.
5. Select a material and click OK.
The material and its properties are displayed and can be edited in the Properties panel. The
material also appears in the Local Materials tab and saves with the SCDOC file2. You can down-
load materials from Resources in SpaceClaim options.
Select a Material from the local library

1You can select from the Materials Library in the Properties panel and add them to your Local Mater-
ials.
2File format for SpaceClaim files (.scdoc). Files comply with the Microsoft Open Packaging Con-
vention, which is also used by Microsoft Office 2007. These files are actually zip archives with a spe-
cial structure, the contents of which are primarily XML data.
3. Click in the Material Name field to display the Materials Library.
4. Select the Local Materials tab.
5. Select a material and click OK.
The material and its properties are displayed and can be edited in the Properties panel. The
material also saves with the SCDOC file.
You can rename, copy, and delete Materials from the Local Library. You can also create new
Materials.
Create a material
3. Click in the Material Name field to display the Materials Library.
4. Click the New button to create a new material.
5. Enter the name of the material.
6. Click OK.
7. Enter the density of the material in the Density property.
If you specified the density for the material elsewhere in the design, or specified it in the same
SpaceClaim session, SpaceClaim displays that value in the Density property for you.
8. (Optional) Expand other material properties and enter their value and units.
The material and its properties appear in the Local Materials tab and save with the SCDOC file.
To remove a material from a component, select Unknown Material from the Local Library.
You can only change the Density value for material properties. All other values are determined by the
material you select.
In the Local Materials tab, you can also do the following:
Select a material and click the Copy button. A new material is created with the original name
and "Copy 1" appended
Delete selected materials
Rename selected materials
Select a material and click the Add to Library button to add that material to the Library.
Recognizing rounds and chamfers

Rounds and chamfers created in SpaceClaim are automatically recognized, but they may not be
recognized on imported models.
1. Select a round or chamfer face.
2. Change the Round1 or Chamfer2 property to True.
Drawing sheet properties

You can modify properties of the drawing sheet views and other aspects of drawing sheets such as
annotations, BOM, tables, and threads in the Properties panel.
1Rounded corner at the intersection of two lines or edges. Round refers to an exterior corner; an
Keyboard shortcuts
You can use the following shortcuts to quickly access tools, tool guides, and other SpaceClaim com-
mands.
Open the Radial Menu O

Blend1 B
Circle C
Combine2 I
Escape Esc
Measure3 E
Fill4 F
Home H
Line5 L
Pull6 P
Rectangle R
Select S
3D mode D
Plan view7 V
Section mode8 X
1Smooth and tangent transition between faces or edges; created using the Pull tool.
3Tools for displaying measurement properties of the edges, faces, and solids in your design.
4Use the Fill tool to simplify or clean up geometry by extending surrounding faces to eliminate a
selection. The selected region is filled in or healed with the surrounding surface or solid.
5A straight line, arc, or spline drawn in Sketch mode or on a layout plane. Lines have length but no
area. When you pull a sketch into 3D with the Pull tool, lines become edges.
7Head-on view.
8See Section
Sketch mode1 K
Up To tool guide U
Move2 M
Trim Away T
Spin3 Drag with middle mouse button
Pan4 Shift+drag with middle mouse button
Ctrl+drag up and down with middle mouse
Zoom
button
Zoom Extents5 Alt+Z
Snap view6 Shift+double-click middle mouse button
Previous view Left arrow
Next view Right arrow
File menu Alt+F
Close document Ctrl+F4
Complete Enter
Copy Ctrl+C
Copy Faces Ctrl+Shift+C
Create Group Ctrl+G
Cut Ctrl+X
Cut Faces Ctrl+Shift+X
Delete Del
Detach7 face Ctrl+D
Exit Alt+F4
Invert selection Ctrl+Shift+I
1Mode for drawing in two dimensions using the sketching tools on the sketch grid. A sketch is a col-
lection of lines and other 2D objects on a sketch grid. Sketching creates regions that can be pulled
into 3D. When you pull your sketch into 3D with the Pull tool, regions formed by intersecting lines
will become solids and lines will become edges.
3Tool used to re-orient your design in any direction, allowing you to view it from any angle.
4Move a drawing around by dragging the drawing area around your screen; move the viewpoint lat-
erally relative to the drawing.

5The outer boundaries of the objects you have drawn.
6Tool used to display the head-on view of a face. You can also use the tool to "throw" the high-
lighted face to the top, bottom, right, or left.

7Create separate surfaces from individual pieces of a sketch, or objects or faces in 3D. You can
Display next Design window1 Ctrl+Tab
Display previous Design window Ctrl+Shift+Tab
Move sketch grid in Ctrl+right arrow
Move sketch grid out Ctrl+left arrow
Nudge primary (active) dimension Up by normal
Shift+up arrow
amount
Nudge primary (active) dimension Down by normal
Shift+down arrow
amount
Nudge primary (active) dimension Up by small amount Alt+Shift+up arrow
Nudge primary (active) dimension Down by small
Alt+Shift+down arrow
amount
Nudge primary (active) dimension Up bylarge amount Ctrl+Shift+up arrow
Nudge primary (active) dimension Down by large
Ctrl+Shift+down arrow
amount
Nudge secondary (inactive)dimensionDown by nor-
Shift+left arrow
mal amount
Nudge secondary (inactive) dimensionUp by normal
Shift+right arrow
amount
Nudge secondary (inactive) dimensionDown by small
Shift+Alt+left arrow
amount
Nudge secondary (inactive) dimensionUp by small
Shift+Alt+right arrow
amount
Nudge secondary (inactive) dimensionDown by large
Ctrl+Shift+left arrow
amount
Nudge secondary (inactive)dimensionUp by large
Ctrl+Shift+right arrow
amount
New Ctrl+N
Open Ctrl+O
Paste Ctrl+V
Print Ctrl+P
Print Preview Ctrl+F2
Redo Ctrl+Y
Save Ctrl+S
Save As Ctrl+Shift+S
Save As New Alt+Shift+S
Share As File Alt+S
Save As New Version Ctrl+Alt+S
Select all of same type as selected Ctrl+A
Bold text Ctrl+B
Italicize text Ctrl+I
Underline text Ctrl+U
Hide object Ctrl+H
Undo Ctrl+Z
Zoom In Ctrl+ +
Zoom Out Ctrl+ -
Set spin center Ctrl+T
Locate spin center Ctrl+L
Clear spin center Ctrl+Q
Expand entire node in Structure tree1 ' * ' on number pad
Expand selected node in Structure tree ' + ' on number pad
Collapse selected node in Structure tree ' - ' on number pad
Activate object in Structure tree Ctrl+Shift+A
Change Highlighting scheme Ctrl+Shift+H
Toggle quick rendering mode Ctrl+Shift+R
Using a multitouch screen
SpaceClaim supports Microsoft Touch technology for Windows VistaTM, Windows 7, Windows 8. It
allows you interact with your designs using a stylus or multiple fingers on a touch screen. Touch
screens with multitouch capabilities improve your work experience by providing:
User interface controls that are always close to a finger, so you use your mouse less often.
3D interaction, such as panning and rotating views, that offers a different navigation mech-
anism than with modifier keys or separate tools.
More intuitive selection, because you put your fingers directly on the geometry you want to
manipulate.
Modeling in a more hands-on environment, so it feels more like working on a real part than a
virtual part.
Real-time, interactive design reviews using large format multitouch displays.
See it in action on YouTube
When using SpaceClaim s multi touch feature, you can widen the SpaceClaim application window to
span across two multi-touch monitors at the same time, or, you can move SpaceClaim between mon-
itors to display the entire SpaceClaim window on either monitor.
While a significant effort was made to optimize the multi touch functionality to fit (and enhance) the
SpaceClaim user model, the intention was never to replace the mouse entirely. Touchshould be
used when it feels easier to do so, and the mouseshould be used alongside the touch screen. The
same philosophy applies to keyboard shortcuts and even to precise selection techniques: the user is
encouraged to try out touch to see where it improves the user experience - and feedback is very wel-
come.
Touch is incorporated into SpaceClaim in many ways:
Navigation (Spin1/Pan2/Zoom/Rotate3) uses emerging Microsoft standard gestures (those
having been extended from 2D to 3D).
Precise selection of toolbar buttons is made easier by heads-up bubble notes, that appear
over the icon that a finger may obscure.
Radial menus have been introduced to ease the choice of selection types, as a shortcut to get
to major tools, and as a method to select edge loops.
A flick gesture takes the place of the missing mouse wheel to select objects that lie behind
other objects.
Where possible, difficult selections have been made easier by automatic selection, such as the
one axis that is free to move in the Move4 tool (on assembled components).
For HID-supported devices, SpaceClaim will use the faster HID signal.
For non-supported hardware, SpaceClaim will use the Windows 7 and 8 built-in Multitouch API.
Timing-based mode and Gizmo-based mode

Two modes have been added for interacting with the SpaceClaim touch interface:
Timing-based: This mode automatically chooses touch functions based on the amount of time
a touch signal is maintained. For example, using two fingers moving together to immediately
drag invokes panning, while holding two fingers down for a while, then moving them, invokes
what are normally right-mouse-button drag mouse gestures.
Gizmo-based: This mode is intended to transition existing SpaceClaim users to the touch inter-
face. Existing mouse buttons and popular keyboard buttons are placed in an on-screen gizmo,
to clearly map existing functions onto the touch interface. The benefits in terms of usability
are not as apparent with the Gizmo style, but users are encouraged to experiment with it.
Because the gizmo buttons act exactly like the mouse and keyboard buttons, use of the gizmo
will not be explicitly described here.
An exception is that using the gizmo does not allow for flicks, so to select objects that are
under other objects, you must place the gizmo over the object, then drag the Select gizmo
button around the gizmo circle, and it acts like rotating a wheel (and thus more directly maps
to the mouse wheel function.)

3Design: Using the Rotate tool to spin a design 90 degrees in the plane of the screen. You can rotate
your design clockwise or counterclockwise. Object: Using the Move handle to spin an object around
an axis.
The mouse experience is characterized by a cursor that is always visible, whose default mode
is to innocuously move the cursor around the screen. Nothing happens with a mouse until a
button is pressed, or a movement is made with a button pressed. Conversely, with touch, there
is a lack of an always-visible cursor (and it would be obscured by a finger anyway.) And so in
SpaceClaim, the default mode is innocuous pre-selection, until a selection is made (in various
ways described below.) In the timing-based paradigm, once a selection is made, then fol-
lowing touch movements act as mouse-button drag actions. Here the important difference in
the Gizmo is the most apparent to the user - as ALL touch movements are interpreted as pre-
selection actions - and only touching the screen using the gizmo button labeled Left acts as a
drag (same as the left mouse button.)
Additionally, precise sketching is made possible by the gizmo, since it is difficult to draw lines
when the endpoint of the line is under the fingertip (in the timing-based scheme.)
Basic touch gestures
Description Action
Tap Touch screen briefly
Double-tap Touch screen briefly twice
Triple-tap Touch screen briefly three times
Touch screen and hold. This multitouch icon

pops up to show the difference between a
Touch
tap and a touch.
Touch screen, move finger or pen across

Drag
screen
Touch screen, wait briefly, then move finger
or pen across screen. This multitouch icon
Delayed comes up to show that the input for the next
drag selection will be an Alt reference (normally
highlighted in blue.)
Touch screen, move finger or pen a few

Flick inches, then remove finger or pen from
screen
Move pen over screen without touching --
Hover
only works with a pen
Description Action
Touch the screen with one finger and tap
with two others to invoke the radial menu.
Switch between radial menus with suc-
Radial
cessive two-finger taps or a following tap in
menu
the center of the menu.
Radial menus are disabled when using the
gizmo.
An animation is displayed when you use a
multitouch gesture with a pause, such as
touching with two fingers, waiting, and then
dragging to invoke gesture mode. The anim-
ation shows the wait time as the circle is
drawn. When the circle is complete, then the
wait time has been reached and the alternate
Hold
behavior is invoked. If you lift or move your
finger before the circle is complete, then the
alternate behavior or mode is not invoked.
So in this example of two fingers touching,
it would revert to panning the view.
Holdone, two, three or four fingers
toinvoke different functions.
Navigation
Action Description
Pan Move two fingers together across the screen.
Zoom Move two fingers away from each other to zoom in or toward each other to zoom out.
Hold one finger on the axis you want to rotate around and move the other finger in an arc
Rotate
that is centered on your first finger.
Spin Move three fingers together across the screen.
Spin
on an Hold one finger on the axis you want to spin around and drag two fingers on the screen.
axis
Action Description
Hold three fingersto activate the Snap View tool. While the Snap View tool is active, tap
Snap1
for a left mouse click and flick for a left mouse flick. Hold three fingers again to inactivate
View2
the tool. You can also press the Escape key toexit the tool.
If you use multiple screens, then the screen that is designated as the touch screen
at the operating system level is the one for which SpaceClaim detects touch input.
If a SpaceClaim session has windows on multiple multitouch displays, you can
sequentially use one or the other display for multitouch interaction.
Touch gestures in Select, Pull, and Move

Action Touch or pen gesture Mouse
Finger: Tap
Select geometry Click
Pen: Hover to preview the selection, tap to select
Add or remove
geometry from
Ctrl +
selection, remove Ctrl + tap
click
query-selected
edge loops
Shift + tap
Add geometry to Shift +
In Pull3 and Select: Drag to prehighlight the object(s), then lift your fin-
selection click
ger.
1Constrain to objects, angular and linear increments, or grid points while you are sketching or edit-
ing solids. You can customize the snapping behavior in File>Options. Pressing Shift while dragging
snaps the tool based on your snap settings. You can use the Snap to grid tool to constrain or lock all
drawing to grid points only.
2Orientation settings that you can apply to your design, including spin, pan, and zoom. You can
to view it head-on.
Add geometry to
Alt +
alternate ref-
click
erence selection
Alt + tap
If you are already dragging geometry, then a long touch with a
second finger changes to an alternate selection tool (shown on-
screen with a blue touch circle)
Select a tangent Double-tap or touch and double-tap

chain of edges, 1 Radial menu
If you are preselecting an edge, invoke the Edge
tangentially con- Double-
to preview and select one of the loops with the menu.
nected faces, suc- click(s)
If you are using the Gizmo, use the Select gizmo button to scroll
cessive edge
loops, etc. to the other loops.
Triple-
Select a solid Triple-tap or touch and triple-tap
click
Select the next Scroll

face or edge (that the
is behind a face mouse
or edge) wheel
Finger: Drag to preselect, then flick one finger up
You can change the direction of the flick in Multitouch options
If you are using the Gizmo, use the Select gizmo button to scroll
to the other objects.
Click,
hold,
and
Box-select Finger or pen: Touch, pause, and drag to the right or left then
drag to
the right
or left
Box-select with
n/a
four fingers There are two modes:
Quick select: Touch with four fingers and lift to select everything
inside the box.
Preview select: Touch with four fingers and pause to preview the
selection. Move your fingers to change the selection and you
will see a new preview when you pause. The selection is con-
firmed when you lift your fingers.
This allows you to preview and change your selection before it

becomes final, rather than getting one chance to select the objects
you want. Slight finger movements will not interrupt the previewing.
Click
Select,
Lasso-select faces then
Invoke lasso selection with the radial menu
or edges click
Using
Lasso
Click
Select,
then
Paint-select Invoke paint selection with the radial menu
click
Using
Paint
Finger or pen: Touch long enough to show the multitouch circle, then
Invoke a context-
lift finger or pen
sensitive menu (a Right-
right-mouse-but- Pen: Tap with pen button pressed click
ton menu)
If using the gizmo, just click the button labeled Right on the gizmo.
Finger: Touch with two fingers, pause, then drag in the gesture pattern.
You will know when the gesture can start when two multitouch circles
like this pop up under your fingers:
Gesture
Use gesture
with the
recognition (see
right
Mouse and touch
mouse
gestures)
button
Pen: Touch and drag in the gesture pattern with the pen button
pressed
If using the gizmo, just drag the button labeled Right on the gizmo.
Reset all pen and
Ctrl + Shift + F2 n/a
touch input
Invoke mag- Ctrl + Shift + F3
nifying loupe win- (This slows down drag by 10% for precise selection with tap, double- n/a
dow tap, or up-select.)
Invoke keypad for
Ctrl + Shift + K
Ctrl, Alt, Shift,
(This is useful for tablet PCs on which the keyboard is obscured by the n/a
Tab, Esc, Enter,
rotated screen.)
and Space
Select more while

n/a
pulling
While something is selected and being pulled with one drag action,
pause the drag action (keep the finger down), and use a finger of the
other hand to select more geometry with the standard MT selection
methods. Continued dragging of the first finger will now pull the new
(augmented) selection.
If the second selection is started with a Touch-Hold, until the mul-
titouch icon turns blue, and then continued through to the selection,
then that second selection is treated as an Alt-reference - and the Pull
tool reacts accordingly.
While something is selected and being pulled with one drag action,
pause the drag action (keep the finger down), and use two or three fin-
Navigate while
gers of the other hand to perform Spin/Pan/Rotate/Zoom actions. n/a
pulling
Continued dragging of the first finger will now pull the existing selec-
tion - at the same time as the model is being navigated visually.
Multi-touch with the Pull tool

Select and drag geometry to change it.
Immediately drag to pre-highlight geometry. You can also touch in white space and drag to
pre-highlight. This shows you what will be selected before you select it.
After you pre-highlight geometry, tap with a second finger or raise the first finger to select the
geometry.
Press the spacebar to enter dimensions for an offset face, just like you can when you use a
mouse instead of multitouch.
Starting on whitespace, drag with one finger, then hover over an edge and double-tap with
another finger to query select through the available edge loops. This behavior is the same as a
simple double-tap.
Starting on whitespace, drag with one finger, then hover over a face and triple-tap with
another finger to select all the faces of the body. This behavior is the same as a simple triple-
tap
Multi-touch with the Move tool

Select faces, bodies, or components to move or rotate.
Select secondary objects to set the direction.
Re-anchor the move handle by dragging the yellow ball at its center.
Tap to activate a rotation or linear axis. This is easiest to do using a pen, or if just fingers, by
dragging along then up-to-select.
Drag to move or rotate geometry.
Multitouch with Windows Vista

Multitouch devices are automatically detected on computers running Windows Vista, and
SpaceClaim can be run using these devices on Vista. You may need to configure one display at a
time to avoid common problems with multiple displays and multitouch on Vista (a symptom of
this is dragging a finger across the multitouch screen's desktop, only to see a box made on the other
screen).
You should set up the multitouch screen as the only display device first (make it the primary display),
then configure your second display device. After this, the setting is remembered and you can drag
the SpaceClaim session from one screen to the other, using multitouch as it is available.
Mouse and touch gestures
Use gestures in the Design window1 as shortcuts to common actions and tools. Gesture information
is displayed in the status bar as you use gestures.
To gesture with a mouse, hold down the right mouse button and drag in the gesture pattern.
To gesture with a touchscreen or touchpad, touch with two fingers, pause, then drag in the
gesture pattern. With a pen, touch and drag in the gesture pattern with the pen button
pressed.
To cancel a gesture, pause for one second.
If you have upgraded SpaceClaim from a previous version and some of these ges-
tures don't work for you, then you may need to remove your user settings file. On
Windows 7 and Windows Vista, remove the files and folders in C:\User-
s\<YourUserName>\AppData\Local\SpaceClaim.
Using the radial menu
This menu gives you quick access to the most commonly used tools and makes it easy to choose a
select mode while another tool, such as the Pull1 tool, is active. The radial menu supports secondary
selection. For example, you can select one of the Pull tool guides, then select loops of edges with
the radial menu, whether or not a primary reference was selected.
When the radial menu is displayed on a multi-touch screen, touch input is processed only within the
menu to avoid accidental dismissal of the menu.
You can changeradial menu optionsin Popular options.
To use the radial menu

1. Press and hold the left mouse button, thenright-click to displaythe radial menu.
You can also press O to open the radial menu.
If your mouse is over an edge when you open the radial menu, the radial menu for edges is
shown.
2. Click in the center of the radial menu to toggle between select modes and tools.
The active tool is highlighted in orange.
3. Mouse overor click one of theselect modes or toolsto activate it.
The radial menu disappears and the cursor changes to indicate the active select mode or tool.
You canclick outside of the menuor press Esc to close the menu without making a selection.
Examples
Opening the radial menu for an edge
Selecting
You can select vertices, edges, planes, axes, faces, surfaces, rounds, solids, and components in 3D. In
2D, you can select points and lines. You can also select circle and ellipse centers, the midpoints of
lines and edges, and the internal points and end points of splines.
You can select components and other objects in the Structure treeand use the Selection panel to
select objects in the same part that are similar or related to the object currently selected.
Objects that cant be selected are dimmed in the Design window1.
Your selection list is shown in the status bar at the bottom of the SpaceClaim window. Status bar
labels display both pre-selected and selected objects. Hover over the status message for a detailed
list of what you have pre-selected or selected, including primary and secondary (Alt+selected)
objects.
Select modes
You can click the arrow on the Select tool to use the following optional modes:
Using Box: Click and hold the mouse button while drawing a box in the Design window. If you
draw the box from left to right, all objects fully enclosed within the box will be selected. If
you draw the box from right to left, all objects touching the box will be selected.
Using Lasso: Click and hold the mouse button while drawing a freeform shape. All objects fully
enclosed by the shape will be selected.
Using Polygon: Click and move the mouse to draw a line, then click again to draw the next con-
necting line, so that you create a polygon shape around the area you want to select.
Using Paint: Click and hold the mouse button while highlighting adjacent faces and edges. All
edges and faces that you move the mouse over will be selected. Release the mouse button to
finalize your selection.
Using Boundary: Select faces or edges that define a boundary, click the Select Seed tool
guide, and click any object within the boundary. All objects from that seed object to the
boundary are selected.
Select Components: In this selection mode, as you mouse over geometry, when you are over
an object that is ina component, that component will be pre-highlighted. This mode is set on
a per window basis. It can be On in one window and Off in another.
No matter which mode you use, the objects that will be selected are highlighted to preview your
selection. You can use the Selection filter1 to control what gets selected. To select or deselect all
available filters, select the All checkbox.
If you entered the Design2 tab with sheet metal features selected, the Select tool
will work as it does in Sheet metal. Right click on the sheet metal part in the Struc-
ture tree3 and choose Suspend Sheet Metal in the context menu.
To select
The most commonly used selection methods are:
Click to select an object.
Double-click to select an edge loop. (Double-click again to cycle through alternate loops.)
Triple-click to select a solid.
Drag (or select Using Box from the Select tool menu) to create a selection box.
Press Ctrl+A to select all similar objects, such as faces, edges, or points on the same solid or
surface part. For example, if you have a sketch curve selected when you press Ctrl+A, then only
sketch curves will be selected.
Hold Ctrl and select to add or remove items from the selection. Ctrl with box-selection
toggles the selection; Shift with box-selection adds to the selection.
Hold Alt and select to create a secondary selection set.
1Drop-down control in the status bar that can be used to limit the selection of objects. Only object
Examples
Click once to select a face:
Double-click to select and cycle through chains of similar,

connected faces (face loops):
Triple-click to select a solid:
Click once to select an edge:
Double-click to select and cycle through chains of con-

nected edges (edge loops):
Detailed instructions
1. Select the Select tool from the Edit ribbon group.

2. Mouse over the vertices, edges, faces in the workspace to preview the selectable items in your
design.
If multiple objects occur at your cursor location, use the scroll wheel or arrow keys to preview
each one.
Click to select a vertex, edge, or face in 3D; click to select a line or point in 2D.
To select: Do this:
Double-click an edge or line. Double-click again to select the next
loop of edges. Repeat as necessary. You can also right-click the edge
All the edges around or line and choose one of the loop options in the Select menu.
a face or closed loop When you repeatedly double-click outside surface edges, the selec-
tion cycles through open loop, tangent chain, and face loop, then
repeats through that list.
Double-click a face. (Tangent faces1 are created by rounds or when
All tangent faces
edges are drawn on a face.)
Contiguous edges or Click one face or edge, then Shift+click another face or edge to select
faces all the faces or edges between the two.
The sides (but not the
Triple-click the solid and Ctrl+click the top and bottom to remove
top and bottom) of a
them from the selection.
solid
A solid or surface Triple-click the solid, or right-click on the solid and select Select >
body Body2.
An entire sketch Triple-click the sketch.
Right-click on the component and select Select > Component3. This
A component option is available only when you right-click an object within the act-
ive component.
All objects of same
type as selected Select an object and press Ctrl+A.
object
All the objects in the
Click Select All in the Select tool menu, or right-click and select Select
active component
> Select All from the context menu. The types of objects selected
(except layout sur-
depend on whether you are in Sketch, Section4, or 3D mode.
faces)
1Faces created by rounds or when edges are drawn on a face.

2 A solid or surface.
4Design mode in which you edit solids by working with their edges and vertices in cross-section.
View is cut away to show interior detail.
To select: Do this:
Layout1 surfaces Click the object in the Structure tree.
Anything within a
See Box-selecting.
selection box
A lightweight com- Check the Lightweight Components box in the Options panel2. Then
ponent right-click and select Select > Component.
The inverse of the cur-
rent selection (in the Right-click a selected object and select Select > Inverse Selection.
active component)
A protrusion Right-click on a protrusion and select Select > Protrusion.
A depression Right-click inside a depression and select Select > Depression.
One member of a pat-
Right-click a pattern member and select Select > Pattern Member.
tern
All members of a pat- Right-click a pattern member and select Select > All Pattern Mem-
tern bers.
Anything partially in a Click and drag from the lower right to upper left when drawing a selec-
selection box tion box.
The inverse of the cur- Press and hold Ctrl while box-selecting to toggle the selected state of
rent box selection the objects within the selection.
Objects that are
behind other objects Hold the Ctrl key and turn the mouse wheel.
("query selection")
If any object was part of a group selection used to perform an action, the other parts of the
group are highlighted when that object is selected. Click again to select the entire highlighted
group.
When selecting within a view on a drawing sheet, you can only select those objects that are on
the cross-section plane, or that are within the boundary of a detail view. Box selecting in
12D drawing mode that is most useful when you have no immediate need to generate 3D objects
from the lines in the layout. If you try to pull layout lines to 3D, they do not behave the same way
that sketched lines do. Think of a layout as a pencil drawing made on your design. When you are
ready to use your layout to create geometry, you must project the layout lines to a sketch. Projecting
a layout line to a sketch is like inking the line. You can import a 2D AutoCAD DXF or DWG file as a lay-
out.
Sketch mode1 selects only sketch lines. Box-selecting in Section mode2 selects only section
lines.
(Optional) Ctrl+click and Shift+click to add or remove items from the selection set.
Ctrl+click to add or remove one item from the selection set. Shift+click to add everything
between your first click and the Shift+click to the selection. You can add or remove items both
in the workspace and on the Structure tree. You can also press Ctrl and drag to add the items
within the selection box to the selection.
(Optional) Alt+click to create a secondary selection set.
Hold down the Alt key while performing any of the other selection techniques (double-click,
triple-click, Ctrl, Shift) to create the second selection set. Alternate selections are shown in
blue, and are used to guide the actions of the Pull3 and Move4 tools.
Mesh selection
Use Shift+Double-click on sharp (>60) internal edges that form an isoline (i.e. edges that are nearly
continuously tangent to each other as the line propagates).
The selection will be the best polyline found and not necessarily a complete loop. As you can see in
the image below, the selection stops at the cylinder because adjacent edges are not within the tol-
erance (<10) to be considered tangent.
2See Section
Use Ctrl+Shift+Double-click on sharp edges to select multiple mesh edge isolines.
Use Double-click on Boundary mesh edges to highlight and select the boundary edges
To clear a selection
Click any empty space in the Design window or select Clear Selection from the Select tool menu.
To revert your selection

Click Revert Selection in the status bar to go back to your previous selection.
This tool is especially useful when you accidentally clear your selection or add the wrong object and
want to go back to your previous selection. You can find this tool next to the Selection filter in the
status bar, as shown below.
To select by turning the mouse wheel

Coincident objects: Objects often appear at the same location in 2D, such as a vertex and end
point of a line that are located at the same point in space. When selecting, check that you have
selected the correct object by turning the mouse wheel without moving the mouse.
Edge1 shared by two surfaces or solids: Mousing over the edge shades the face that will be
affected by an action to the edge if you select it. Turn the mouse wheel to switch between the
two faces.
Vertex2 shared between two edges: Mousing over a vertex shades the edge that will be
affected by an action to the vertex if you select it. Turn the mouse wheel to switch between
the edges.
Face3 of a solid when only the edge is displayed (such as in a drawing sheet view): You can
select the face by turning the mouse wheel. The edge becomes a slightly thicker line when the
face is highlighted.
Edge loops: If Select edge loops using the mouse scroll wheel is selected in the Advanced
SpaceClaim options, scrolling through edge loop choices pre-highlights the selection. Click

2 Point that terminates a line; point at which two or more lines or edges intersect. Vertices can be

3 Side or other surface of a solid. Some examples are the inside surface of a hole or the six sides of a
on the pre-highlighted edge loop to select it.
The up and down arrow keys work the same as the mouse wheel. Mouse over the element you want
to select, and press the up or down arrow keys to "scroll" through the possible selections. This is use-
ful if you are on a laptop or when you use a mouse that doesn't have a scroll wheel.
Tool guides
Within the Select tool, the following tool guide is available:
The Select tool guide is active by default. This tool lets you click, double-click, triple-click,
Ctrl+click, Shift+click, and Alt+click to select items.
Options
The following options are available for sketches:
Maintain Keep the connection between a sketch curve and other curves that share its end
sketch con- points. If you deselect this option and move a sketch curve, the curve will move inde-
nectivity pendent of other curves.
Select a point in a sketch and then click this option to see Cartesian dimensions from
Cartesian the point. Cartesian dimensions show you the X and Y distances from the point you
dimensions select. If you don't have a point selected, it shows you the X and Y distances from the
origin. When you select a point, the X, Y, and Z locations display in the status bar.
Select a point in a sketch and then click this option to see Polar dimensions from the
Polar dimen- point. Polar dimensions show you an angle and a distance from the point you select.
sions If you don't have a point selected, it shows you the angle and distance from the ori-
gin.
Snap1 to Select this option turn snapping on or off while sketching. The cursor will snap to the
grid minor grid spacing increment while you sketch. The defaults are 1mm for Metric and
1 Constrain to objects, angular and linear increments, or grid points while you are sketching or edit-
0.125in for Imperial units. See Units options to change the minor grid spacing.
Select this option to turn angle snapping on or off while sketching. The cursor will
Snap to
snap to the angular snap increment while you sketch. The default is 15 degrees. See
angle
Snap options to change the angular increment used for snapping.
Clip with plane
You can use multiple planes to quickly clip your design to show only the geometry on one side of a
plane or the other.
Clip1 with Plane2 options includes Clip, Reverse Direction, and Union. Planes, axes, and annotations
are not clipped. The image below shows how planes in different clip states display in the Structure
tree:
By default, when you create a plane, the Structure tree3 displays a black-outlined visible plane icon.
You can select a visible plane you want to clip from either the Structure tree or in the Design win-
dow4, then right-click anywhere in the Structure tree or Design window to display the Clip with
Plane context menu.
You can select up to 10 planes to set a clipped volume. Planes selected for clipping display with red
boundaries in the design window.
As you develop a model, you can also work with Clip with Volume to create a spherical clip volume
around an object so that you can selectively isolate a specific region, element, or section of a design.
To clip your design with a plane or multiple planes

1. Select a plane, or, use Ctrl+Selectto select multiple planes.
2. Right-click and hover over Clip with Plane to display the entire context menu.
3. Select Clip.
1Hide all geometry in a design above or below the grid or selected plane.

The plane orplanesyou clipped display with a red outline. Icons update in the Structure tree. With
the plane(s) selected, you can modify values in the Properties panel1.
Torestore the view of your design, right-click the plane and select Clip again.
By default, when clipping is initially set, additional selected planes automatically combine using an
and operation. This way you can isolate the inside of two parallel planes or the inside of 3 pairs of
parallel planes (one of themost common usages for this feature).
To reverse the direction of the clipped view with a plane or multiple planes
1. Right-click a plane and hover over Clip with Plane to display the entire menu.
2. Select Reverse Direction.
Thegeometry of your designflips to what is on the other side of the plane. To return to the original
clipped view of your design, right-click the plane and select Reverse Direction again.
To view the plane's direction, click the Move2 tool. The blue arrow on the Move tool indicates the
positive direction of the plane. The reversed direction is the opposite direction of the blue Move
tool arrow, as shown below:
Selecting multiple planes for clipping adds them to an or set. With a group (2 or more) of planes,
you can also right mouse click, then select Union from the Clip with Plane context menu. This option
is essentially an or operation that defines a plane group that you intend to combine with the rest
of the planes. Once you define and unite a group of planes, the Union set is put at the beginning of
the logical set, and the rest of the planes follow with their default and states. Union is ON by
default when more than one clipping plane is selected.
For example, you can select 3 planes and get these logical sets, as shown in the table of images
below:
A and B and C, which is the default (showing 1/8 of the model)
(A or B) and C, where A and B are united (showing 3/8 of the model)
(A or C) and B, where A and C are united (showing a different 3/8 of the model)
(B or C) and A, where B and C are united (showing a different 3/8 of the model)
A or B or C, where A and B and C are united (showing 7/8 of the model)
To create a union betweenplanes

1. Ctrl+Select more than one plane.
2. Right-click one plane and hover over Clip with Plane to display the entire menu.
3. Select Union.
The image below shows the results of uniting two planes. Sets of parallel planes default to keeping
the material inside:
When you save a model with clipped planes, and you are working with the model in various clipped
plane states in two or more design window panes, the clip state of each plane in the model is saved
per window with the model. As you move between window panes, the Structure tree updates to
reflect the clip state of each plane in the active window context.
Clip with volume
As you develop a model, theClip1 with Volume tool enables you to create a spherical clip volume
around an object so that you can selectively isolate a specific region, element, or section of a design.
Using Clip with Volumecan be particularly helpful when you need to closely view and work on a spe-
cific feature of interest within a complex model. For example, after isolating a design area, you can
use the Repair > Missing Faces tool to help detect and fix missing faces on a body.
To clip with volume

1. Rotate2 and zoom in to your model to locate the model element or area you want to view.
2. With nothing selected, right mouse click and select Clip with Volume > Set.
This action clips the viewable and selectable geometry by the radius of a virtual sphere.
3. Hover over the center of the element you want to view andthen Click+drag to create your
spherical clip volume.
4. Release the mouse.
The area you selected to preview magnifies and displays in a sphere as clipped, or isolated,
from the rest of the model.
5. Right mouse click and select Clip with Volume > Select.
This selects the virtual spherical surface of the area.
In the Properties panel3, you can change the following:
Center: Enter new coordinates (based on the World Origin4) for the sphere's center.
Clip selection: Choose Yes to clip the current selection by the sphere. The default is No.
Radius: Enter a new sphere radius.
1 Hide all geometry in a design above or below the grid or selected plane.
an axis.
6. Right mouse click and select Clip with Volume > Set Using Selection.
This sets the virtual sphere's extents based on the current selection.
7. Hover over the area to identify all ofthe various design elements.
8. To re-display your design with no clipping, right mouse click and select Clip with Volume >
Clear.
Move
Use the Move1 option in the Clipped Volume menu to move the clipped volume frame to a dif-
ferent area of the model, or the Resize option to adjust the size of the Clipped volume frame. See
images below.
Extract Geometry
Use the Extract Geometry option to cap off clipped boundaries according to Clip Type (Spherical
volume or by Planes). The result is shown in the Structure Tree as a Geometry Snapshot.
For intersections with Solids, Extract Geometry creates a Geometry Snapshot that is a solid.
For intersections with Surface1 models, Extract Geometry also creates a Geometry Snapshot, but dis-
plays the surfaces with a more opaque, solid look.
For intersections with Mid-surface models, or any surface with an assigned thickness, Extract Geo-
metry creates a Geometry Snapshot with the assigned thickness.
For Beams, Extract Geometry creates a Geometry Snapshot showing their actual geometry.
Extract Geometry also creates a Named Selections group that shows the faces created at the bound-
ary.
Box-selection
The Using Box mode is found in the menu under the Select tool in the Edit ribbon group on the
Design1 tab, and also in the radial menu. You can access this menu while almost any tool is active.
For example, if you want to change selection modes while the Pull2 tool is active, just click the arrow
under Select. The Pull tool will remain active.
From the context menu, you can alsochoose Select > Using Box
The mode enables you todraw a box in the Design window3 to select objects for most tools. As
you draw a selection box, objects are highlighted (after a slight delay) tohelp you see exactly what
will be selected.
Draw the box from left to right to select only the objects that are fully contained within the box. The
box appears as a solid line.
Draw the box from right to left to select everything the box crosses, even if it isn't fully enclosed by
the box. The box appears as a dashed line.
In the animation below, box mode is used twice with the selection filter set to Smart (the default) to
select the entire part. You can see vertices, edges, and faces highlighted for selection as the box is
drawn. First the part is selected by fully enclosing the part with a box drawn from left to right. Then
the part is selected by drawing a box from right to left that crosses over but does not enclose all
faces on the part. You can release the mouse button at any time to select the highlighted objects.

To select objects by drawing a box
1. Click the arrow beneath the Select tool and click Using Box, or click and hold in the
Design window to activate the radial menu and then select Lasso.
2. (Optional) Use the Selection Filter1 in the status bar to change the type of objects that will be
selected.
The Smart option is enabled by default and whenever you switch to another tool. Select
Smart to select the highest checked item in the list that is found in the boxed, lassoed, or
painted area. Drawing a box or freeform shape selects objects in the following order:
In a Design Window: Face2, Edge3, Sketch, Annotation4, Plane5, Axis6, Point7
In a Drawing Window: Annotation, Sketch, Face, Edge, Plane, Axis, Point
Deselect Smart to select all the selected object types. Click to select or clear the types of
objects you want to select.
3. Start drawing a rectangle in the Design window. Click and hold the left mouse button at one
corner of the area you want to box-select.
4. Hold the mouse button and draw a rectangle in the Design window.
Draw the box from left to right to select only the objects that are fully contained within
the box. The box appears as a solid line.
Draw the box from right to left to select everything in the box, even if it isn't fully
enclosed by the box. The box appears as a dashed line.
The objects that will be selected are highlighted as you draw the box.
1 See Selection filter



4Information you can add to a drawing, such as notes, dimensions, geometric tolerances, center
marks, and Bills of Materials.


ment axis.
7Single location in the sketch grid. 2-D object that has no height, width, or length. The origin, an axis,
and a vertex are examples of points. Use the Point tool to sketch a point on the sketch grid. Points
are useful as a dimensional reference, for splitting, and for creating a point on a line or curve
through which you want to draw a three-point circle.
5. Release the mouse button to complete the box.
The objects are selected when you release the mouse button.
Filtering your selection

Filter the selection using the Selection Filter control in the status bar, as shown in the image below.
The Smart option controls how objects are selected when you use the Box, Lasso, or Paint selection
modes to select objects in the design area:
Smart checked on will only select the highest checked item in the list that is currently in the
selection area.
Smart checked off will select all of the checked items in the list that are currently in the selec-
tion area.
When you switch to another tool, the filter selections are remembered but the Smart option is
enabled. If you disable the Smart option, the previously checked options will be selected.
Changing your selection

Holding Shift while box-selecting adds to the selection. In the first image, the blue box is selected.
After holding Shift and box selecting, all of the boxes are selected:
Holding Ctrl while box-selecting toggles the selection. In the first image, the blue box is selected.
After holding Ctrl and box selecting, the blue box is deselected and the green boxes are selected:
Examples
Box-selecting from left to right
Box-selecting from right to left
Box-selecting with Smart enabled in the Selection Filter
Box-selecting with Smart disabled in the Selection Filter
Selecting points by turning off Smart, Faces, and Edges in the Selection filter1, then drawing a box
around the object in the Design window
1Drop-down control in the status bar that can be used to limit the selection of objects. Only object
Free form selection
The Using Lasso mode is found in the menu under the Select tool in the Edit ribbon group on the
Design1 tab, and also in the radial menu. You can access this menu while almost any tool is active.
For example, if you want to change selection modes while the Pull2 tool is active, just click the arrow
This select mode enables you todraw a free form shape in the Design window3 to select objects
for most tools. As you draw, objects are highlighted (after a slight delay) tohelp you see exactly
what will be selected.
In the animation below, lasso mode is used with the selection filter set to Smart (the default) to
select the entire part. You can see vertices, edges, and faces highlighted for selection as the shape is
drawn. You can release the mouse button at any time and a straight line is drawn from the beginning
point to the current point to complete the shape, and everything within the shape will be selected.
To select by drawing a freeform shape
1. Click the arrow beneath the Select tool and click Using Lasso, or click and hold in the
Design window to activate the radial menu and then select Lasso.

selected.
3. Start drawing a shape in the Design window. Click and hold the left mouse button at the spot
where you want to start drawing the shape.
4. Hold the mouse button and draw a shape in the Design window.
You can make multiple loops, like drawing a figure 8.
5. Release the mouse button to complete the shape.
The shape will be closed by a straight line between your starting and ending points when you
release the mouse button.
Everything except inserted images is selected when you release the mouse button.
You can activate Lasso mode by holding the Alt key while the Select tool is active.
This hotkey only works when you are using the Select tool, and not when another
tool is active.





ment axis.
selectionarea.
tion area.
Example
Selecting three surfaces by drawing multiple loops
Select using polygon
The Using Polygon1 mode is found in the menu under the Select tool in the Edit ribbon group on
the Design2 tab, and under the Select tool in the Edit Group on the Sheet Metal tab. You can also
right-click in the design window and choose Select>Using Polygon. This selection mode enables
you toselect all objects within a polygon you create.Each time you click, a new starting point for the
next line is created.You control the length and angle of each polygon line you create.
Use this mode to draw around a specific geometry or model feature you want to select, for
example,a protrusion of other geometry you maywant to clearly identify.Using a polygon shapefor
selectioncan apply when you are,for example, trying to select an irregular or angularshaped part, or
assembly of parts.
To select objects using a polygon

1. Select theUsing Polygon tool.
selected.
3. Click points to draw a polygon around the model feature that you want to select.
As you draw the polygon lines, selected objects highlight as they are pre-selected.
4. Double-click or cross the polygon lines to finalize the selection.

selectionarea.
Smart checked off will select all of the checked items in the list that are currently in
theselection area.
1 Complex object composed of three or more straight lines in a closed figure. Use the Polygon tool
to sketch a polygon with up to 32 sides.

Example
Creating a polygon to selectaround a specific geometry.
Select by painting
The Using Paintmode is found in the menu under the Select tool in the Edit ribbon group on the
Design1 tab, and in the radial menu. You can access this menu while almost any tool is active. For
example, if you want to change selection modes while the Pull2 tool is active, just click the arrow
This select mode enables you toselect faces, edges, and sketch curves in the Design window3 by
"painting" faces and edges that are adjacent to each other.As you paint, objects are highlighted
tohelp you see exactly what will be selected.
In the animation below, paint mode is used with the selection filter to select only the edges of the
lower box. Edges are selected as the mouse moves over them. You can release the mouse button at
any time to select the highlighted faces or edges.
To select by painting
1. Click the arrow beneath the Select tool and click Using Paint, or click and hold in the
Design window to activate the radial menu and then select Paint.

selected.
3. Click on the first object you want to select and hold the mouse button.
4. Drag the mouse onto adjacent faces or edges that you want to add to the selection.
The objects that will be selected are highlighted as you move over them with the mouse.
If you hold Ctrl you can move the mouse over an object without selecting it, or move the
mouse over a selected object to deselect it.
5. Release the mouse button to complete the selection.
The objects are selected when you release the mouse button.





ment axis.
selection area.
tion area.
Select using boundary
The Using Boundary mode is found in the menu under the Select tool in the Design1 tab Edit
group. This mode enables you toselect all objects within a boundary.
To select objects using a boundary

1. Select theUsing Boundary tool from the Select drop-down menu in the Edit ribbon group on
the Design tab.
The Select Bounds tool guide is enabled by default.
selected.
3. Select the faces or edges you want to use to define a boundary.
You cannot select a combination of faces and edges.
The Select Bounds tool guide is sticky, so you do not have to hold the Ctrl key to add to your
selection. You can click in white space to clear your selections.
The objects remain selected as secondary references in case you need to add or subtract from
the boundary.
You can select bounds (Ctrl+alt+selection) and seeds (Ctrl+selections), then

click the boundary tool under the Selection drop down menu to perform the
boundary selection operation without actually entering the Select tool. The
Select Bounds tool guides does not display..
4. Click the Select Seed tool guide.

5. Click any object within the boundary to use as the seed object.
You can select multiple seeds. All objects from the seed object to the boundary are pre-high-
lighted for selection.
6. Click the Select tool to finalize the selection.

On a subsequent invocation of the tool, the primary and secondary references do not de-select, and
are not displayed. Click the appropriate tool guide to re-display your boundary or seeds.

selectionarea.
Smart checked off will select all of the checked items in the list that are currently in
theselection area.
Example
Selecting faces todefine a boundary and then selecting the seed object. All objects from the seed
object to the boundary are selected.
Component selection
TheSelect Componentsmode is found in the menu under the Select tool in the Edit ribbon group
on the Design1 tab. You can access this menu while almost any tool is active. For example, if you
want to change selection modes while the Pull2 tool is active, just click the arrow under Select. The
Pull tool will remain active.
In this selection mode, as you mouse over geometry, when you are over an object that is ina com-
ponent, that component will be pre-highlighted.
Pre-highlighting while box-selecting shows just the compopnent bounding boxes. No faces, edges,
etc. are pre-highlighted

Changing your display
The tools you use to customize the appearance of your design within the design window are found
on SpaceClaim's Display tab.
Customize your design by modifying which objects are displayed, the style in which solids and
edges are displayed, and the color in which solids appear in your design.
Paint display properties from one object to another.
Create layers to save different customizations and display characteristics.
Customize the workspace by creating windows or splitting the window to display multiple
views of your design.
Show or hide workspace tools.
Configure the docking/detached location of all your workspace windows.
Create views to save the camera perspective and assign the view to a hotkey.
Display tools are grouped into the following ribbon groups:
Orient Quickly display a particular view of your design.

Style Determine how the solids in your design will be displayed.
Create new design windows, split windows, and quickly switch between win-
Window
dows.
Determine how the sketch grid and the geometry above or below the grid is dis-
Grid
played
Display Display or hide tools in the Design window1.
Showing and hiding objects
You can use any of these methods for setting the visibility of objects in the Design window1:
Right-click an object in the Design window and selectHide Othersto view only that solid, sur-
face, or curve.
Right-click anywhere in the Design window and select Show All to make all objects visible.
Right-click an object in the Structure tree2 and select Always Visible from the context menu.
The object will remain visible if you hide its layer, but this setting has no effect on other vis-
ibility commands such as Isolate or hiding its parent component by deselecting its check box
it in the Structure tree.
Deselect the check box in the Structure tree to hide the object in the Design window. The
object icon is displayed in gray. You can also right-click an object in the Design window and
select Hide (or select it in the Design window and press Ctrl+H) to turn the visibility of the
object off.
Select the check box next to the object in the Structure tree to set the visibility of the object
to the layer visibility. If the layer is hidden, then the object will be hidden. If the layer is visible,
then the object will be visible.
If the layer visibility is on, the icon appears normally. If the layer visibility is off, the icon appears like
the Solid3_LayerHidden icon in the figure above. You cannot work with hidden objects in the Design
window.
Shift+click and Ctrl+click multiple objects to work with them as a group.
Orienting designs
Select a tool from the Orient ribbon group to orient your design in the workspace. You can use
these tools at any time, even when you are designing with other 2D or 3D tools.
Drag the middle mouse button to spin, Shift+drag it to pan, and Ctrl+drag it to
zoom. You can switch between spinning, panning, and zooming by pressing and
holding Ctrl (to zoom) or Shift (to pan). When you release the key, you will return to
spinning.
Orient ribbon group

The Orient ribbon group contains the following tools:
Use the Home tool to return the orientation of your design to the default, trimetric view.
You can customize the Home view1 to show your design with any orientation, location, and
zoom level.
Click the Plan View tool to display a head-on view of the sketch grid or the select plane or
planar face. Alt+select an edge to orient the plan view horizontally or vertically.
You can use the Spin tool to re-orient your design in any direction. Spinning your design
allows you to view it from any angle.
Use the Pan tool to move your design within the Design window2.
Use the Zoom tool to display your design closer or farther away in the Design window. You
can zoom the design to fill the Design window, zoom into an area, or zoom in or out a pre-
set amount.
Use the View tool to display a trimetric or isometric view of your design. You can also dis-
play a head-on view of the top, bottom, front, back, right, or left side.
Use the Snap View tool to display a head-on view of a face. You can also use the tool to
"throw" the highlighted face to the top, bottom, right, or left by dragging it toward the
edge of the Design window.
Use the Rotate tool to rotate your design 90 degrees in the plane of the screen. You can
rotate your design clockwise or counterclockwise.
Use the Next and Previous arrows (or left/right arrows on your keyboard, or browser nex-
t/previous buttons) to change your view to the previous or next orientations.
1Tool used to return the view to the Home settings. You can customize the Home view tool so that it
displays your design with a specific orientation, location, and zoom level.
Orient modes
When you click the Spin1, Pan2, and Zoom tools, they stay enabled until you click them again, press
Esc, or click another tool.
Undoing and redoing views
You can undo and redo views using the Previous View3 and Next View tools on the status
bar. You can also use the left and right arrow keys, or any system-defined browser forward or back
method such as special keyboard buttons.

to view it head-on.
Spinning your design
You can use the Spin1 tool in the Orient group on the Design2 tab to re-orient your design in any
direction. Spinning your design allows you to view it from any angle. SpaceClaim uses standard arc-
ball rotation; your design spins as if you could grab it with the cursor and adjust it like a real object.
You can also rotate your design either clockwise or counterclockwise.
When you click the Spin tool, it stays enabled until you click it again, press Esc, or click another tool.
To spin your design

1. Click Spin in the Orient group on the Design tab or in the status bar.
You can also select one of the following from the Spin drop-down:
On Center to spin around the center of your design.
On Cursor to spin around the cursor location.
Rotate3 90 Clockwise to rotate your design 90 in a clockwise direction.
Rotate 90 Counterclockwise to rotate your design 90 in a counterclockwise direction.
2. Click and drag to spin your design.
If you start dragging on a highlighted line, edge, or axis, you can rotate your design around it.
You can remove this feature by setting the advanced SpaceClaim optionRotate about pre-
selected object in spin. (Press Alt and drag to rotate around a highlighted object whether or
not this option is selected.)
Set the Rotate about pre-selected object in spin option. Then, when work-
1 Tool used to re-orient your design in any direction, allowing you to view it from any angle.
3 Design: Using the Rotate tool to spin a design 90 degrees in the plane of the screen. You can rotate
an axis.
ing in any tool, position the middle mouse button on the face, edge, plane, or
axis about which you want to spin your design, and drag to spin.
You may find it easier to reach a desired orientation if you use short mouse drags to spin the
design a little bit at a time.
If you double-click a face while using the Spin tool, the face is zoomed so that it fills the
design window. You can also switch to the Zoom tool temporarily by holding down the Ctrl
key while turning the mouse wheel.
To switch between spin, pan, and zoom commands

While one of the Spin, Pan1, and Zoom commands in the status bar is active, you can switch to any
of the others using the Ctrl and Shift keys.
Active Command Press and Hold

Spin Ctrl to Zoom
Spin Ctrl+Shift to Pan
Pan Ctrl to Zoom
Zoom Ctrl+Shift to Pan
While holding Ctrl to Zoom, you can use the LMB or the mouse wheel for zooming in and out.
To set the spin center

Right-click anywhere in the Design window2, select Spin Center, and select one of the following:
Set: Sets the spin center to the center of the object you have selected. If you don't have an
object selected, the spin center is set to the spot where you right-click. If you previously set
the spin center, setting it again will change it to your current selection. You dont need to clear
the spin center to set it again.
Clear: Clears the spin center. When you rotate your view in 3D, the spin will be centered based
on the option you select in the Spin tool.
Locate: Centers the view on the spin center, if one is set.

To display the spin center indicator
Select Spin Center in the Show group on the Display tab to see an indicator of your spin center in
the Design window when you spin your view. The indicator only appears while you spin, and it
changes when you have a spin center set. The default indicator is shown below on the left. The indic-
ator below is shown when you have the spin center set.
To rotate your design

From the Spin tool in the Orient group on the Design tab, select Rotate 90 Clockwise or Rotate
90 Counterclockwise. These controls can be used whether your Spin is set to On Center or On
Cursor. Click either rotational control once or multiple times to orient your design as needed for
optimal viewing.
Orientation Shortcuts
An orientation indicator is located in the lower left corner of the Graphics window. You can use it to
snap to views and rotate the view.
Click on an axis or one of the colored balls to snap the view to snap that axis normal to the screen.
The balls are the intersection of an axis on the opposite side of the block from it's label. The image
below shows the result of clicking on the Z-axis.
As the mouse gets near the indicator, arrow arcs appear.
Click on an arrow to rotate it 90 in that direction.
You can also drag on the arrow to rotate the view. As you drag, the view rotates in 5 increments. To
rotate smoothly, press and hold the Shift key while dragging.
Turntable spin mode

Turntable spin mode is enabled in the Navigation pane of SpaceClaim Options. It rotates the view
using the top of your design as the up direction and the location of your mouse as the rotation axis.
This is the spin method commonly used in architectural CAD packages.
The cursor changes to indicate when you are in Turntable Spin mode.
To understand Turntable spinning, picture the World Origin1 as a turntable

The model sits on the XY-plane.
The Z-axis is the axis of rotation.
Spinning is based on cursor movement as follows:
Left-to-Right movement spins about the Z-axis
Up-and-Down movement spins the XY-plane.
You can see the difference by orienting the World Origin with the Z-axis horizontal.
Cursor movement Left-to-Right spins the model only about the Z-axis
Cursor movement Up-and-Down Also spins the model only about the Z-axis
A combination of both movements Also spins the model only about the Z-axis
Panning your design
Use the Pan1 tool to move your design within the Design window2.
When you click the Pan tool, it stays enabled until you click it again, press Esc, or click another tool.
To pan
1. Select the Pan tool from the Orient ribbon group or status bar.
2. Drag to move your design around the Design window.
If you double-click a face while using the Pan tool, the face is zoomed so that it fills the
design window. You can also switch to the Zoom tool temporarily by holding down the Ctrl
key while turning the mouse wheel.
When working in any tool, Shift+click the middle mouse button and drag to move
your design.
In SpaceClaim Options, you can add panning scroll bars to the Design window. Go to Popular
Options and check the Show scroll bars in the design window option ON.

Zooming in and out
Use the Zoom tool to display your design closer or farther away in the Design window1. You can
zoom the design to fill the Design window, zoom into an area, or zoom in or out a preset amount.
When you click the Zoom tool, it stays enabled until you click it again, press Esc, or click another
tool.
To zoom in and out

1. Select the Zoom tool from the Orient ribbon group or status bar.
2. Click where you want to center the zoom.
3. Drag down to zoom into your design; drag up to zoom out.
You can also use the scroll wheel to zoom in and out.
When working in any tool, Ctrl+click the middle mouse button, then drag up and
down to zoom. You can also press Ctrl+ or Ctrl- to zoom in or out a preset
amount.
To switch between spin, pan, and zoom commands

While one of the Spin2, Pan3, and Zoom commands in the status bar is active, you can switch to any
of the others using the Ctrl and Shift keys.
Active Command Press and Hold

Spin Ctrl to Zoom
Spin Ctrl+Shift to Pan
Pan Ctrl to Zoom
Zoom Ctrl+Shift to Pan
While holding Ctrl to Zoom, you can use the LMB or the mouse wheel for zooming in and out.
To zoom the design or a selected face or edge to fit the Design window
Select Zoom > Extents1 or press Z.
The design or selected face or edge is zoomed so that it fills the Design window. When working
with a drawing sheet, it will fit the drawing sheet to the Design window. If you resize the Design win-
dow, the design will also be resized until it again fills the Design window.
To zoom into a selected area

1. Select Zoom > Zoom Box In.
You can also right-click in the Design window and select View2 >Zoom Box In from the
menu.
2. Click and drag to select the area.
Two rectangles appear as you draw. The dotted rectangle shows your selection; the solid rect-
angle shows what will be displayed in the Design window. When you mouse-up, the design
pans and zooms until it fits within the area.
To zoom in and out a preset amount

Select Zoom > Zoom In to bring your design closer. Select Zoom > Zoom Out to move your
design further away.
When working in any tool, press Ctrl and + or Ctrl and - to zoom in and out a preset amount.
1 The outer boundaries of the objects you have drawn.

to view it head-on.
Rotating your design
Use the Rotate1 tool to rotate your design 90 degrees in the plane of the screen. You can rotate
your design clockwise or counterclockwise.
To rotate your design 90 degrees

Click the Rotate tool .
To change the rotation direction

Select Rotate > Rotate 90 Counterclockwise.
Your design rotates 90 degrees counterclockwise and the Rotate tool icon changes to . Clicking
the Rotate tool will continue to rotate in the counterclockwise direction.
Select Rotate > Rotate 90 Clockwise to rotate your design in the clockwise direction and set the
Rotate tool to rotate clockwise.
an axis.
The home view
Use the Home tool to return the orientation of your design to the default, trimetric view. You can
customize the Home view1 tool so that it displays your design with a specific orientation, location,
and zoom level.
Compared to the isometric view, the trimetric view orients your design so that the front face is
angled slightly towards you and less of the top is shown. The isometric view is on the left and the tri-
metric view is on the right.
To display the Home view

Click the Home tool in the Orient ribbon panel or press H.
1Tool used to return the view to the Home settings. You can customize the Home view tool so that it
displays your design with a specific orientation, location, and zoom level.
To customize the Home view
1. Use the other Orient tools to set up a view of your design in the workspace.
2. Select Home > Set As Home View1 to make the view in the active Design window2 the
Home view.
Now, when you click the Home tool, your custom view is displayed. Your home view is saved
with your design.
Click Home > Reset Home View to return the Home view to the default, trimetric view.
to view it head-on.
Viewing the sketch grid head-on
Click the Plan View1 tool in the Orient ribbon group or in the Sketching mini-toolbar to display a
head-on view of the sketch grid or the selected plane or planar face.
If this tool is disabled, select a plane or planar surface or display the sketch grid.
to view it head-on.
Selecting a view
Use the View1 tool to display a trimetric or isometric view of your design. You can also display a
head-on view of the top, bottom, front, back, right, or left side. Your design's orientation in the
head-on views is determined by SpaceClaim's default coordinate system.
Compared to the isometric view, the trimetric view orients your design so that the front face is
angled slightly towards you and less of the top is shown. Compare the two views in the image
below. The isometric view is on the left and the trimetric view is on the right.
To select a view
Select the view you want from the View tool menu in the Orient ribbon group.
When you hover over a view name in the list, a preview of the view is displayed.
If you have Animate changes to view projection selected in the Advanced SpaceClaim options, the
change in view state is animated.
to view it head-on.
To display a trimetric or isometric view of your design
Select Trimetric or Isometric from the View tool menu.
To display a head-on view of your design

Select Top, Bottom, Front, Back, Right, or Left from the View tool menu.
Snapping to a view
Use the Snap1 View2 tool to display a head-on view of a selected face or plane. You can also use the
tool to throw the highlighted face or plane to the top, bottom, right, or left. On a drawing sheet, flip-
ping one view also flips all related views.
Snap View works on objects with a direction: planes, datums, cones, torii, curves and edges. For non-
linear curves, the direction is determined by the direction between the endpoints.
You can only use this tool in 3D mode; it is disabled in Sketch and Section modes.
To snap the view
1. Click Select or press S.

2. Click Snap View in the Orient group.
3. Use objects in the Design window3 to orient your view:
Click and release on a plane, point, cone, torus, curve, or edge.
If the object is not oriented head-on, then it will rotate so the face you click is viewed
head-on, like this:
to view it head-on.
If the object is already oriented head-on, then it will rotate 90 counter-clockwise or it
will rotate so it is square with the Design window, like this:
Click, drag, and release a plane, point, cone, torus, curve, or edge to throw it up, down,
left, or right.
If the object is not oriented head-on, then it will rotate so the face you click is viewed
head-on and square with the Design window, like this:
If the object is oriented head-on, it will rotate 90 in the direction you drag, like this:
Click anywhere in empty space to rotate the view 90 counter-clockwise, like this:
4. Repeat until you see the view you want.
Applying a graphics style
SpaceClaim offers several different styles to view your design. You can apply styles to your entire
design or drawing sheet, to individual layers, or to individual views in your drawing sheet.
To apply a graphics style to your design
1. Click Graphics in the Style group on the Display tab.

2. Select a graphics option:
Shaded: The default and recommended view; displays solids and surfaces as three-
dimensional, shaded objects.
Perspective Shaded: Like the Shaded style, except the objects are also displayed in per-
spective.
Wireframe1: Only the edges of objects are displayed. The wireframes are the same
color as the edges.
Hidden Line2: Objects are displayed as wireframes with hidden lines displayed in a light
gray.
1 View mode in which all edges of the part or assembly are displayed.
2 A straight line, arc, or spline drawn in Sketch mode or on a layout plane. Lines have length but no
Hidden Line Removed: Objects are displayed as wireframes and hidden lines are not
shown.
All objects in the Design window1 will be displayed in the style you select.
Displaying edges
Use the Edges option tool in the Style group on the Display tab to customize which edges are dis-
played. These settings are saved with the document, but are only used for 3D display. The edge dis-
play options apply to the design in the current Design window1 tab, and not other designs you may
have open in other tabs in the Design window.
See Applying colors to change the color of edges.
To change edge display options

1. Click Edges in the Style group on the Display tab.
2. Select any combination of the following options:
The examples below show each option disabled and then enabled.
Tangent2: Display lines indicating tangent edges and edges that do not span a face.
Surface3: Display all edges on surfaces.
Solid4: Display all non-tangent edges on a solid.
2 Line that touches a curve (arc or circle) at only one point, without crossing over, and is per-
pendicular to the radius at the point of tangency. You can sketch a line tangent to a curve or you can
sketch an arc tangent to a line or curve.
3 Two dimensional object that has no thickness (as opposed to a face, which is part of a three-dimen-

Silhouette: Display the lines that indicate the silhouetted edges of all curved surfaces.
This option affects only Wireframe1, Hidden Line2, and Hidden Line Removed graphics
styles.
Mesh: Display facet edges on an STL model. You can toggle the display of internal mesh
edges and open meshes edges on boundaries. You can sketch on themesh objectand
your sketch tools will snap to the facets.
Soft: Display the soft edges of imported SketchUpmodels. This option is ON by default.
1View mode in which all edges of the part or assembly are displayed.
Applying colors
The color of solids, surfaces, and components are normally determined by the layer color; however,
you can override the layer colors for objects. By default, all objects are placed on Layer0, which is
green. You can modify the color of edges, faces and bodies when selecting an object.
See Working with Layers to change the layer color or move an object to a different layer.
See Changing object transparency to change the transparency of an object.
Use the Color tool in the Style ribbon group of the Display tab to override the layer color for solids,
surfaces, faces, and curves, or the color of individual faces on a 3D markup slide. When you add a Cus-
tom Color in the color palette, it is added to the bottom of the menu and it is saved between
SpaceClaim sessions.
If you change the color when nothing is selected, the color will become the default for new objects.
This allows you to set the color for things you haven't created yet, without using layers and default
layer colors.
To override the layer color of a solid, surface, face, or curve
1. Select one or more solids, surfaces, faces, curves, or components in the Design window1 or
Structure tree2.
You can select a body by selecting one of its faces or edges, then selecting Body3 as the Tar-
get4.
4 The object you want to cut, when using the Combine tool to split a solid or surface.
If you select a component, then the color of all of the component's children will be changed.
2. Click Color in the Style group on the Display tab.
3. Select a color.
If the color you want is not in the list, click More Colors and select a color or create a new cus-
tom color.
4. Choose Randomize Colors to let the system assign colors to the selected objects
5. (Optional) Set the transparency of the object. See Changing object transparency.
To override edge color

1. Select any edge on a solid or surface.
3. Select a color.
This color will be used for all edges of the solid.
To remove color overrides and return the object to the layer color and transparency
1. Select one or more solids, surfaces, faces, curves, or components in the Design window or
Structure tree.
You can select a body by selecting one of its faces or edges, then selecting Body as the Tar-
get.
If you select a component, the color of all of the component's children will be changed.
2. Click Color in the Style group and select Remove Color Override.
To view an object's color properties

1. Select the object in the Design window or Structure tree.
2. Look for the Style attribute in the Appearance section of the Properties panel1.
This property shows how the appearance of an object is overridden in the Style group:
By Layer2 indicates that the object is assigned to a layer other than Layer 0, which
affects its default appearance.
By Color indicates that the object's color has been set via the Color tool.
2 Grouping mechanism for visual characteristics such as visibility and color. You can group objects on
tion planes.
By Style indicates that the Transparent or Opaque buttons in Style Override have been
toggled for the object.
Making objects transparent
By default, the transparency of an object is determined by its layer color and whether or not the
object is a surface. Surfaces are displayed as semi-transparent to visually distinguish them from
solids. You can override the transparency of objects using the Color tool.
In a graphics editing application, color is assigned to an Alpha channel (ARGB, for example).
SpaceClaim follows this standard convention and also treats transparency as a property of the
object's color.
The hierarchy of rendering overrides is as follows:
The opacity setting for the layer is used if no other transparency is set for the object.
The transparency setting from the Color tool or Style Painter overrides the transparency of the
layer.
Style Override makes the object opaque or transparent, regardless of face or layer settings.
These overrides are automatically deselected when you change the transparency of an object
using the Color tool or Style Painter.
To change the transparency of an object

1. Select one or more solids, surfaces, faces, curves, or components in the Design window1 or
Structure tree2.
Hold the Ctrl key to select more than one object.
3. Move3 the Opacity slider.
To override an object's transparency

1. Select one or more solids, surfaces, faces, curves, or components in the Design window or
Structure tree.
2. Click Style Override in the Style group on the Display tab.
3. Select one of the options:
Transparent to make the object 35% transparent.
Opaque to make the object completely opaque.
Deselect so neither override is selected if you want to use the object's transparency setting.
To reapply the layer color and transparency

1. Select one or more solids, surfaces, faces, or curves in the Design window or Structure tree.
2. Select Remove Color Override from the Color tool on the Display tab's Style ribbon group.
You can see this option in the image of the Color tool above.
Line styles
You can apply a custom line style and line weight to the lines in your designs and drawing sheets.
The line styles you choose apply to annotations, center marks, center lines, and drawing sheet cross-
section view arrows, hatching, hatched area borders, and detail view boundaries. You can apply line
styles to individual objects or to all the objects on a layer. The width that you set is exactly the width
that will be printed when you print an unscaled drawing sheet.
You can set the default line styles for various objects in the SpaceClaim options. Setting the line
styles individually overrides the default setting.
Line1 styles can be assigned to layers so that you can have different line styles for sketch and layout
lines.
To apply a line style

1. Select the objects or layer to which you want to apply the line style.
2. Select the line style from the Line Style tool menu.
3. Select the line weight from the Lineweight menu in the Style group on the Display tab.
Style painter
Use the Style Painter tool to apply the display properties of one object to another object. The tool
applies color and transparency intelligently from one object type to a different object type.
You can select a component in the Structure tree1 as the target for the Style Painter tool. The color
and transparency are applied to all solids in a component. You cannot select a component as the
source object, and only the solids in the target component are changed.
In the example below, the red part is semi-transparent and has blue edges. The style from the red
block was painted to the green block and to the note. The color, transparency, and edge color of the
red block was copied to the green block. Only the color of the red block was copied to the note,
because a note doesn't have transparency or edge color.
To paint display properties from one object to another

1. Click Style Painter in the Clipboard group on the Design2 tab.
2. Select the source object that you want to copy the display properties from.
3. Select the target object that you want to copy the display properties to.
The Select Target3 tool guide automatically becomes active so you can paint the properties
of the source to as many targets as you like by simply clicking on them.
If you can't select the object you want, such as an edge, try scrolling the mouse wheel over the
object.
4. If you want to paint properties from a different source object, click the Select Source tool
guide or hold Ctrl and select a different source object.
The Select Target tool guide automatically becomes active again so you can click on as many
targets as you want.
Rendering style
The Rendering1 Style tool, in the Style group of the Display tab, allows you to change how solid
faces are rendered. You can choose between a shiny, light reflectivefinish (Metallic), a matte finish
(Plastic), a sketched finish (Brushed), ora hatch line finish (Hatched). Assigning different rendering
styles to a model helps you to better visualize parts, assemblies, or components as you develop your
design.
In the images below, all four rendering styles are used: the top of the pitcherisset to plastic. The
handle and pitcher are brushed.The blade base is hatched, and the base of the pitcher is set to
metallic:
1 Mode available from the Properties panel for a view on a drawing sheet. Use Rendering mode to
change the Graphics style for the view. Select Inherit if you want to link the graphics style to the par-
ent view. See Graphics styles.
In the image set below, Regular display mode is shown on the left and Quick Rendering mode is
shown on the right. Regular modeuses a single light source, while quick rendering mode uses mul-
tiple lights and reflects a background of sky and clouds on surfaces to give them depth and interest:
To change the rendering style of a solid or surface

1. Select the solid or surface.
2. Click Rendering Style in the Style group on the Display tab.
This icon changes to reflect the current setting, but always appears as a shaded sphere.
3. Select Hatched, Brushed,Metallic or Plastic to apply that surface style to the selected solid or
surface.
To view objects in quick rendering mode

Press Ctrl + Shift + R to toggle quick rendering mode on or off.
Working with Keyshot rendering

After installing Keyshot v2.2 v3.0, each SpaceClaim startup automatically retrieves installed Keyshot
materials and preview images to provide you with the most recent rendering materials available.
Rendering with Keyshot can now be performed on lightweight assembly components. Lightweight
components are a graphics-only representation of a design; only the components graphical inform-
ation is loaded. Rendering designs with lightweight components reduces CPU memory and file size,
which enhances SpaceClaim speed and performance.
Rendering with Keyshot can now be performed on mesh objects. Some very large objects can only
be loaded as mesh objects when there is insufficient RAM. Renderingmesh objectsreduces CPU
memory and file size, which enhances SpaceClaim speed and performance.
Displaying in multiple windows
Use the New Window tool to create new workspace windows. Creating multiple windows allows you
to set up several views of your design. Each window has a numbered tab at the bottom of the work-
space.
To create a new workspace window

Select the New Window tool on the Display tab's Window ribbon group.
A new tab appears at the bottom of your workspace and a number is appended to the design, draw-
ing sheet, or 3D markup1 name. You can click the middle mouse button on the tab of any design,
drawing sheet, or 3D markup window to close that window
Splitting the design window
Use the Split1 Windowtool in the Window ribbon group on the Display tab to divide the work-
space window into multiple windows. Splitting the window allows you to see multiple views of your
design simultaneously.
Select how you want to split the workspace window from the Split Window toolmenu. The window
is split based on your selection. The active window is indicated with a yellow border.
1 Using the Combine tool to split solids or surfaces. You select a solid or surface to use as a Cutting
tool to cut the target. See Cutter object.
Switching between windows
If you have more than one window open, you can select the window you want to display from the
tabs at the bottom of the workspace.
If you have many windows open and the tabs do not fit in the workspace, you can use the Next Win-
dow and Previous Window arrows at the bottom of the workspace to switch between windows.
You can also use the Switch Window tool to select the window you want to display. Select the win-
dow you want to display from the Switch Window tool menu on the Display tab's Window rib-
bon group.
Maximizing the design window
Press F11 to maximize the design window to full screen. You can still switch between windows and
use the tool guides when the window is maximized.
Press F11 to return to the standard user interface.
Displaying workspace tools
You can adjust the display of workspace tools and the display of your design in the Design window1
using the Show drop-down list of tools in theDisplay ribbon group on the Display tab, and by modi-
fying SpaceClaim options.
To customize the tools displayed while you are working with your design
SpaceClaim offers the following tools on the Display ribbon group on the Display tab to assist you
while creating, editing, and detailing your designs:
Check the World Origin2 box to display the axes that set the default orientation of the design
in the Design window.
Check the Spin3 Center box to mark the center of the spin when using the Spin tool. (This is
the same as the Show Spin CenterSpaceClaim option.)
Check the Lineweight box to switch the line style of lines (such as those displayed in Hidden
Line4, Hidden Line Removed, and Wireframe5 graphics styles) from thin to the thickness set
by the Lineweight tool in the Style ribbon group.
Check the Face6 Highlight box to enable pre-highlighting of faces.
Check the Face Spotlight box to show a spotlight attached to the cursor when passing over
faces.
Check the Adjacent Entities box to display faint highlighting on adjacent faces when you
hover over an edge and on adjacent edges when you hover over a vertex. Scrolling the mouse
wheel switches between adjacent entities. This feature is useful in selecting the correct edge
or face to extrude.
2 Zero point in coordinate system. You can insert an origin at any location in your design where you
Check the Layout1 Lines box to display sketch curves on layout planes.
Check the Offset2 Baseline Faces box to display offset relationships with blue shading.
Check the Standard Holes box display Standard Holes in blue. When unchecked, Standard
Hole faces display in the normal face color.
Check the Lightweight Components box to display Lightweight components. This also has a
flyout for setting Lightweight component3 transparency.
Check the Environment box to display according to the settings in the Appearance panel.
To display other workspace tools, modify the settings in the Popular SpaceClaim options.
You can also display journal-related tools by checking the Show Journal Tab option in the Popular
SpaceClaim options.
Examples
Hovering over an edge with Adjacent Entities highlights the faces shared by the edge
1 2D drawing mode that is most useful when you have no immediate need to generate 3D objects
out.
2 Distance an edge, segment, or curve is moved or copied.
3See Lightweight assembly
Sketch grid styles
You can modify whether the sketch grid is displayed, and how the geometry above or below the
grid is displayed in each Design window1. You may want to use one style when you are examining a
component, and another when you are creating new geometry within a component. You can further
customize the sketch grid by hiding section lines and faces using SpaceClaim options.
To show or hide the sketch grid

Check the Show Sketch Grid2 box in the Grid ribbon group on the Display tab to display the sketch
grid. The sketch grid appears in all the sketching tools. Displaying the sketch grid allows you to snap
to grid lines and provides a visual cue to the orientation of your sketch within your design
To determine how geometry above or below the grid is displayed

Check the Fade Scene Under Grid box to make the geometry under the sketch grid more
transparent.
Sketch curves outside the current sketch plane appear faded, while layout curves are unaf-
fected.
Check the Clip3 Scene Above Grid box to hide the geometry above the sketch grid.
To clip your design with a plane

Right-click a plane and select Clip with Plane. To restore the view of your design, right-click the
plane and select Clip with Plane4 again.
Planes, axes, and annotations are not clipped.
2 See Sketch grid
4 Construction geometry consisting of a flat surface. Planes can be used for a 2D sketch, section view
Examples
Fading the scene below the grid makes it easier to see when you sketch in section mode.
Examining a section with the scene clipped above the grid
Displaying lightweight components
Lightweight components are a graphics-only representation of a design. You can adjust the trans-
parency of the lightweight components in your design. If you do not see lightweight components
when you open or insert a design, make sure your settings are configured to display them.
See also Lightweight components.
To adjust the transparency of lightweight components

1. Click the Transparency icon on the status bar.
2. Adjust the slider to set the opacity of the lightweight components in the Design window1. All
lightweight components are displayed with this opacity.
To make a lightweight component appear solid

Select a lightweight component and press Ctrl+Shift+F8 to make the component appear solid. All
other lightweight components still appear dim.
Before dimming, the lightweight components appear slightly transparent and their edges aren't dis-
played.
After dimming, all components regardless of lightweight status, become dim except the selected
lightweight component.
Working with SpaceClaim documents
Creating, opening, and saving documents
When you create a new design, it appears on a tab in the workspace. Designs can contain drawing
sheets, multiple windows, and 3D markups. Each drawing sheet and 3D markup1 appears on its own
tab in the workspace. You can edit your design directly using the drawing sheet.
You can create a drawing sheet for an existing design, or you can begin with an empty drawing sheet
Click a tab at the bottom of the SpaceClaim application window to display that design, drawing
sheet, or 3D markup document, or click the arrow icons to cycle between them. Click the x button to
close the tab.
You can also backup your files, and archive them.
To create a new design

Select New > Design2 from the File menu.
To create a new drawing sheet for the active design

Select New > Drawing Sheet from the File menu to create a drawing sheet with three stand-
ard views of the design.
Select New > Empty Drawing Sheet to create a drawing sheet without a format or views.
If these menu options are disabled, create a new design.
To create a new design and associated drawing sheet

Select New > Design and Drawing Sheet from the File menu to create a new design and an asso-
ciated drawing sheet.
To open an existing design, drawing sheet, or 3D markup document

Select Open from the File menu. You can open the Preview pane in the Open dialog to pre-
view the files. Select the file to open.
The design and its windows, drawing sheets, and 3D markups open.
2 2D or 3D model that contains at least one top-level component.
You can Ctrl+click or Shift+click to open multiple files at once. Mouse over a recent file to see
an image of the design and the full path to the file.
To open an existing design by dragging and dropping

Drag the .scdoc file icon to anywhere in the title bar and ribbon area.
You can also drag the icon into the design window if no design tab is open.
This will open the design in 3D mode along with all of its drawing sheets, annotations, etc.
You can drag-and-drop .scdoc files and any other importable files attached to emails in
Microsoft Outlook.
To insert a design by dragging and dropping

Drag the .scdoc file icon into the design window.
This will insert the design into the active window in 3D mode. Drawing sheets, annotations,
etc. are not inserted.
To save a design
Select Save from the File menu.
If you imported or opened non-SpaceClaim designs as multiple external documents, click
References to specify where the documents are saved.
Otherwise, opened design documents are stored in their original locations as .scdoc files, and
inserted documents are saved in the same directory as your design.
To save a design and use it as a template

1. Create some geometry (or set some parameters) you wish to use as a template for new
designs
2. Save the document as a SpaceClaim Template File (*.scdot)
3. Go to the Support Files section of the SC options
4. Check ON the Use template for new designs box
5. Click the Browse button and choose an .scdot file, then click the Open button
6. Click the OK button
7. Begin a New design; a new design opens with the geometry which was created in the Tem-
plate document
To copy a design
Save any changes made to external components.
Select Save As from the File menu and enter a new name for the design.
Click Save to save your active design with a new name and/or format.
To make a copy of a design and all its references for sharing or archiving, click Send.
To archive a design
Select Share from the File menu.
SelectAs file.The Archive dialog box opens.
When you archive a model, it stores the .scdoc file and the .zip file in a file folder named with
the file naming convention <model name>_archive.
This feature allows for improved file organization and use of file storage space.
Tosend a design
Select Share from the File menu.
SelectAs Outlook attachment.
The Send In Outlook dialog box opens.
Specify recipients and add any message text.
Click OK.
To save a version of your design

Select Save as > New version from the File menu.
Saving a version allows you to create 3D markups.
To save a design as another file type

Please see Importing and exporting.
To close a design
Make sure its window is active in the workspace, then do one of the following:
Select Close from the File menu.
Right-click the Design window1 tab and select Close.
Click the x (Close) button on the Design window tab bar (at the bottom of the application win-
dow).
Click the x at the upper right of the Design window if you have undocked it.
Click the x at the upper right of a document tab. The x displays after the design or drawing
sheet name. A thumbnail of your design displays when you hover over the name of your
design, as shown below. A Save prompt displays if you have made changes to your design;
select Yes to save your changes and close the design, No to discard your changes and close
the design, or Cancel to stop the close process and return to your design.
To modify design properties

Document2 properties are displayed when you select the top-level design in the Structure
tree3.
Click in any property value to change it
There is a Locked property that, when set to True, prevents the file from being modified.

Toadd customproperties
Right-click in the Properties panel1 and select Add Property to create a custom property.
Expand the property to display its value.
Enter a name for the property, select its type (date, Boolean, number, or string), and enter its
value.
Importing and exporting
Use the Open command to open files createdin any supported format. Use the Save As command to
export parts, assemblies, drawing sheets, and 3D markups to formats read by other applications. Your
license type determines which of these actions are supported.
If you work frequently with non- files, we recommend that you set your file options to optimize the
importing and exporting process for your needs.
Object1 IDs for edges, faces, and bodies are now stored within the.scdocfile. Object IDs are pre-
served when other files are opened or inserted into, and the IDs can also be exported. For example,
if you export a design to an analysis company, and they tag geometry with load positions, boundary
conditions, and so on, then when you re-import that design, make changes, and re-export to the ana-
lysis company, they will not need to recreate their tags on the new design.
If you import a file and it fails, the reason for the failure is reported in the Status Log on the lower
right edge of the window.
To import a design
1. Select Open from the File menu or click in the Quick Access toolbar, or click the Insert tool
in the Insert ribbon group on the Design2 tab.
Depending on the selected file type, additional elements appear in the Open window. For
descriptions of these options or to set their default values, click Options.
2. Select Check geometry to run the geometry check after the file is opened or imported. See
Checking geometry.
3. Navigate to and select the file you want to open or insert.
If you are opening a file, it is displayed in a new Design window3. If you are inserting a file, it
appears as an external component within the active design.
If there is an invalid character in the path of a file you are trying to open or insert, that char-
acter is replaced with a valid character to avoid errors.
If you open an Inventor, Pro/ENGINEER, or Unigraphics file that has missing components, you
will be prompted to locate the missing files.
Click Stop in the status bar to cancel an import while it is in progress.
1Anything recognizable by the tools. 3D objects include vertices, edges, faces, surfaces, solids, lay-
The name of the imported file is displayed in the Status Log when it is successful.
Expand thesections belowfor information about a specific file format.
To export a design or 3D markup

1. Select Save as from the File menu.
You can also press F12 or Ctrl+Shift+S.
Your design must be saved as a document before you can export it in another format.
2. Select a file type from the Save as type drop-down.
3. Depending on the selected file type, additional options appear in the Save As window:
Save as copy if you want to save copies of external components referenced by the
design with new names or replace external components with other external com-
ponents. You must click Resources to do this.
References to display all the external components referenced by the file. Select one or
more external components and click Browse to rename or replace the components.
Override Units is available when you export some file types. Select the units from the
list.
Options to also set your default export options for the selected file type.
Improve data on exportto clean up imprinted edges and split curves when you export
data.
Units Depends on file type
View1 Choose a standard view
Version Depends on file type
Export part manufacturing information (JT)
Use Perspective Camera for KeyShot
Store 3D data as: For PDF, choose either Geometry (PRC B-Rep) or Facets only (Univer-
sal 3D)
Convert components to Rhino layers
to view it head-on.
Protocol: For STEP1 files can be 203 or 214.
Image size (pixels): For Bitmap, GIF, JPEG, PNG, TIFFfiles opens Image Size dialog
Hidden lines are exported with the default line weight. Components maintain their mirror rela-
tionships when they are exported.
For CATIA2, Parasolid3, STL, and STEP files, you can select which version or protocol to save
as. You can also set your default export options by clicking Options.
You can save documents that only contain sketch curves to ACIS4 binary (.sab), ACIS text (.sat),
Parasolid, CATIA, IGES, STEP, and VDA formats. You can import and export free points for
Rhino, PDF, ACIS, IGES, JT Open, Parasolid, STEP and VDA formats.
Imported designs with identical file names are given unique file names when you save your
design. For example, if you imported name.prt and name.asm, these files are saved as
name.scdoc and name2.scdoc.
Expand the sections belowfor information about a specific file format.
4. Browse to a folder and type a file name in the dialog.
5. Click Save.
Import: Supported File Types
ACIS
3D - parts, assemblies (versions up to 26)
.sat, .sab
When you save an SAT file to an X_T file, bad edges are cleaned up in the design.
When you import ACIS files, the instance name "part n (body m)" is now imported, but only if
the body name is different from the part name. The component and body names are sep-
arated by a character which you can define in the options for ACIS files. For example, the
default character is a period, so the imported name would be component.body. This way, if
there were one body named wheel in one component, the name of the imported component
in SC would be wheel. An instance is a copy of a body (a copied or pattered solid).
1Standard for the Exchange of Product model data (ISO 10303). Defines a methodology for describ-
ing product data. You can select the STEP protocol when you export designs.

ACIS bodies can be imported using the RealDWG option, Sketch curves and text can be impor-
ted into Designs, 2D.
Part and Assembly1 level PMI2 can be imported from ACIS.
Acrobat 3D, 2D PDF

Facets, 3D - parts, assemblies, Geometry (PRC B-Rep)
.pdf
32-bitand 64-bitplatforms are supported.
Color information is imported for 3D PDFs.
Supports B-REP import and export
Defaults to B-Rep when exporting
Importing PMI as graphical objects - not semantic - is supported.
Notes
Dimensions3
Geometric Tolerances
Surface4 Finishes
Datum5 Symbols
Datum Targets
No Adobe Acrobat required for B-REP import and export, 32bit and 64bit platforms sup-
ported, Adobe Acrobat X Pro is not supported
3D PDF via a PRC neutral file along with Semantic PMI (if PMI data is present)
Curves are imported from faceted data.
1Hierarchy of components and subcomponents showing relationship within a design, as shown in
the Structure tree. In manufacturing, a unit fitted together from manufactured parts. See Assembly
tool, Component
2Product Manufacturing Information. You can import PMI if you check the Import Part Manufacturing
Information box when importing CATIA files.


5Object that is assumed to be an exact size and shape, and be in an exact location, that is used to loc-
ate or establish geometric relationship of other objects.
AMF
V10
3D - parts, assemblies
.amf
Import also supports compressed AMF.
You can stop AMF import using the Stop button when image processing takes too long.
Body1 names and colors are supported.
AutoCAD
R12 to 14, 2000, 2004, 2007, 2010, 2013, 2016
modelspace and layout space entities including solids (ACIS V7 format)
Includes Polyface Meshes
.dwg, .dxf
AutoCAD2 drawings can be inserted as layouts.
If you import an AutoCAD file and you don't see the geometry you expect, try changing the
import options. See File import and export options.
When you save a design with a shaded graphics style as a DWG3 file, it is converted to the hid-
den line style.
When you save a sheet metal design as a DXF4 file, notes and bend lines are saved on the
same layer, and the overall unfold dimensions are removed.
Line5 weights can be exported to AutoCAD (DXF or DWG). Hatch lines on drawing sheets are
1A solid or surface.
3AutoCAD native drawing format. You can open and insert drawings, parts, and assemblies. Drawings
can be inserted as layouts. You can export parts, assemblies, drawing sheets, and 3D markup slides.
4Drawing Interchange Format or Drawing Exchange Format. CAD data file format developed by
Autodesk for enabling data interoperability between AutoCAD and other programs. You can open
and insert drawings, parts, and assemblies.Drawings can be inserted as layouts. You can export parts,
assemblies, drawing sheets, and 3D markup slides.
exported as stand-alone lines.
You can import polyface meshes from AutoCAD files as 3D solids. See File import and export
options for a list of polyface mesh import options.
imports "Proxy entities" in AutoCAD DXF and DWG files when you select the TeighaDWG
option.
If an AutoCAD file won't open, try changing the DWG option to RealDWG. Some AutoCAD files
contain embedded ACIS models; however, these may not be standard ACIS models. The
RealDWG libraries contain an API to save back these variant ACIS models in the last common
format, ACIS v7. The TeighaDWG libraries do not.
ACIS bodies can be imported using the RealDWG option, Polyface meshes import as light-
weight (read-only), Sketch.
Export as 2D snapshot
Layout1 Spaces are imported into separate windows.
Empty Layout Spaces are ignored on import.
Layout Spaces are only supported for Teigha, NOT RealDWG.
CATIA
parts, assemblies (versions V4 4.1.9 to 4.2.4)
assemblies (versions V5 R8 to R24, V6R2014, V6R2015)
.model, .CATPart, .CATProduct, .cgr, .exp
(ANSYS SCDM only) CATIA V6 .3DXML R2010x - R2013x
CATIA faceted (.cgr) files can be opened, but appear as lightweight components that cannot
be loaded. You can save imported .cgr files as documents that can be opened later; however,
this documents content remains lightweight. It is visible in the Design window but you can't
change the model.
CATIA files with product manufacturing information (PMI) can be opened or inserted. Visibility
is turned off. If a layer doesn't exist, it is created automatically.
out.
When exporting CATIA V5 files, you can deselect the Simplify Spline1 Surface Data option.
When importing or exporting CATIA files, the XYZ locations of point objects scale correctly.
Includes Product Manufacturing Information (PMI) placed on the Imported Annotation2
Planes.
CATIA V6 precise part and product data must be exported as V5CATPart and CATProduct to be
read into SpaceClaim.
Import and export of free points is supported
CGR imports Facets as mesh objects. SpaceClaim recommends editing meshes on a 64bit OS.
Named selections of faces are created when importing geometrical sets.
Publication Sets are imported as named selections.
Creo Elements/Direct Modeling (CoCreate)

(ANSYS SCDM only) V18.1 and V19
Design Modeler
parts (assemblies are flattened)
.agdb
(ANSYS SCDM only) Up to 16
ECAD
IDF and PADS files (versions IDF 3.0 and IDF 4.0)
.idf, emn, .idb
Most content within IDF 4.0 files is supported.
Assembly of panels and boards, cutouts, filled areas, keep-ins, materials, panels and everything
related, sublayouts, and thermal models are not supported.
Open IDF and PADfiles
1A continuously curved line, without sharp boundaries (that is, without vertices). Create a spline by
defining a set of points using the Spline tool. A spline becomes an edge when you pull it with the
Pull tool.
IDF files can be synchronized with the imported model.
Select any geometry in the model and use RMB > Update IDF to update the IDF file
based on component operations performed in the model (e.g. moved components).
The current SpaceClaim document must have been created by importing an IDF file.
The source IDF file must be present on disk at its original location.
A new IDF file is written that contains the updated information.
The new file can be read back into the originating ECAD system to update the com-
ponents.
Cadence SPB
.brd, .mcm, .sip
ODB++
.tgz
EDB
.def in a .aedb folder
IPC2581
.xml, .cvg
GDSII
.gds, .sf, .stm
Autocad
.dxf, .dwg
Fluent Mesh Files

parts, assemblies
.msh
IGES
parts, assemblies (versions up to 5.3)
.igs, .iges
Curves and Curve1 Colors are supported on import.
Image Files
files (insert only)
.bmp,.pcx, .gif, .jpg, .png, .tif
See Inserting an image
Inventor
parts (versions 6 10)
.ipt
parts, assemblies (versions 11 to 2016)
.ipt, .iam
You can read the limitations here: http://-
doc.spatial.com/index.php/InterOp:Connect/Inventor/Inventor_Reader#Limitations.
Limited support for Inventor assembly
Assembly attributes such as colors and layers are not supported.
Inventor parts and Inventor sub-assemblies should be present in the main (root) of the
Inventor Assembly directory.
Assembly level features are not supported. For example, an instance can be marked as
suppressed (that is, not visible) in an Inventor assembly. Because the translator does not
support reading suppressed information, suppressed instances are translated.
Inventor surfaces not supported
The translator currently does not handle "helical" surfaces in Inventor 6 files and "cylspl" sur-
faces in Inventor 7 files. If the Inventor file contains any of these surfaces, a partial translation
takes place skipping the data for these surfaces and converting the remaining entities.
Limited entity support for Inventor 11, 2008, 2009, and 2010
The translator currently does not support some specific entities resulting from advanced fea-
ture Inventor operations such as Lofting.
No support for attributes
The translator does not support translating attributes such as colors and layers.
No support for hidden flag
The translator does not support filtering hidden bodies. Thus, all hidden bodies are translated
as well.
Limited support for units
The translator supports only millimeter and inch for Inventor 6 11 and 2008. For versions
2009 and 2010, the translator supports only millimeter as unit. All unsupported units are
assumed to be millimeter.
JT Open
parts, assemblies (versions 6.4, 7.0, 8.0, 8.1, 8.2, 9.0 to 10.0)
.jt
JT Open 5.3 libraries are available for reading and writing JT files that were created with ver-
sion 5.3.
JT files with product manufacturing information (PMI) are supported for:
datum labels
text notes
dimension measurements
GD&T
Surface finish symbols1
Weld symbols
Flagnotes
PMI option is ON by default
Semantic and Polyline PMI are supported. Semantic imported dimensions will update with
geometry changes. Polyline are simply curves in space that do not update.
Semantic PMI is placed on Layer0 after import. Polyline is placed on a layer called Imported
Polyline Annotations.
For GD&T symbols, you can click any tolerance annotation or datum symbol to view its values
in the Properties panel2.
Click on an arrow or line to view or modify arrow or styles in the Properties panel.
Unicode file names are supported.
1Annotation you can add to a drawing that provides instructions for material removal during man-
ufacturing.
Import and export of free points is supported
JT Open V6.4 and V7.0 imported and exported as faceted data
Keyshot
Not supported
NX
parts, assemblies (versions NX1 through NX10 and UG v11 through 18)
.prt
Parasolid
parts, assemblies (V10.0 through V27)
.x_t, .x_b, .xmt_txt, .xmt_bin
Point curve text

curves (insert only)
.txt
A spline curve is created by default or if the option Polyline=False is used. If the option
Polyline=True is used, then the points are connected by straight line segments.
By default, 2D curves are created. When specifying 2D curves, the first column of the data
points must be an integer and gives the height of the plane of one of the curves. The begin-
ning of a new curve is specified by changing this height from one line to the next. If option
3D=True is used, the curves can be 3D
Use the Fit keyword to specify whether Curve Fitting or Interpolation is used.
Fit=True uses Curve Fitting. Curve Fitting creates a curve that "Fits" the data points using a spe-
cified tolerance. The curve may not pass exactly through all points and the distance from the
curve to the point will be within the tolerance.
Use the Fittol keyword when Fit=Trueto specify the Curve Fitting tolerance in model units. For
example Fittol=1.0e-2
The curve below uses Curve Fitting (i.e. Fit=true). A large tolerance (fittol=2.0) is used to exag-
gerate the fact that the curve does not pass through the points but only gets within the spe-
cified tolerance.
Fit=False uses Interpolation. Interpolation requires that the curve pass exactly through all of
the points. An interpolation method is used to build a continuous curve through all of the
points.
The curve below is interpolated (i.e. Fit=False). There are seven points in the file and the curve
passes exactly through each one.
Multiple curves are separated by blank lines.

You can import point curve text files that contain single-point curves, which will be created as
points.
Point1-curve text files opened or inserted in display a closed curve when the file has a
repeated value.
Curves can be imported to coordinate systems or other geometry like other imported objects.
Point-curve text files with columns separated by commas can be opened or inserted in . This
feature allows you to import any comma-separated value file into .
If there is an error reading the input text file, a message will appear with the line number of
the error in parentheses followed by the text appearing on that line.
The following example shows the contents of a point curve text file on the left and the 3D
curves it creates on the right:
Note2 that the point coordinates are (Z, X, Y).
For example (1, 2, 3) is (Z=1, X=2, Y=3).
3d=true
polyline=false
100
101
110
111
201
210
300
301
310
Keywords:
polyline=false - spline curves are created.
polyline=true - straight lines are created.
2Annotation placed on a design, drawing sheet, or 3D markup. Notes contain text or symbols that
3d=true - 3D curves are created.
3d=false - curves are two-dimensional. This is also the case if the option is not set.
fit=true - use Curve Fitting.
Curve Fitting finds the "Best Fit" through the points.
Does not require the curve to pass through all of the points
fit=false - use Interpolation.
Interpolation forces the curve to pass through all the points in the file.
fittol=1.0e-2 - Curve Fitting tolerance in the units used in the file.
The blank line after the first set of coordinates indicates that the next set of coordinates is a new
curve.
You can copy the file contents above and paste them into a text file, then use Insert File to try it
yourself.
Microsoft PowerPoint
Not supported
Polygon File Format (PLY)

parts
.ply
POV-Ray
Not supported
Pro/ENGINEER
parts, assemblies versions 16 through Wildfire 5.0(Creo 1.0 to Creo3.0)
.prt, .asm, .xpr, .xas
When you import Pro/ENGINEER assemblies and parts are missing, you will be prompted to
search for the missing files.
Wildfire 5 (Creo 1.0, 2.0) PMI is not supported.
Instance and assembly accelerator files (*.xpr and *.xas) can now be opened directly into .
Mesh is automatically imported when there are no B-Rep contents in the Rhino file.
Rhino
parts, assemblies (version 4.0, V5.0)
.3dm
When importing a Rhino file, multi-segmented curves are consolidated.
You can export layer names, color information, sketch lines, and material information.
Neighboring topology is taken into consideration by default. This means that if problems are
found with a face, then its neighboring faces can provide information used to fix the face.
The SpaceClaim plugin for Rhino is only supported for Rhino V5.0.
Supported Rhino Object Rhino object entity

Closed polysurfaces
Solids Solid1 body
Closed surfaces: sphere, torus, ellipsoid dots;
Polysurfaces (open) Sheet body
Trimmed surfaces
Surfaces Sheet body
Untrimmed surfaces with boundary edges
Curves (curve, polycurve) Named sketch curve
Point objects (point, point cloud) Not supported
Polygon2 mesh objects Not supported
Object name Entity3 name
Object color Entity color
Layer4 name Layer name
Layer color Layer color
Layers On/off layer Show/hide layer
Locked/unlocked layer Locked/unlocked layer
Layer structure Component5 structure

2Complex object composed of three or more straight lines in a closed figure. Use the Polygon tool

3Term used to refer to any object in a 2D sketch or 3D drawing.
4Grouping mechanism for visual characteristics such as visibility and color. You can group objects on
tion planes.
5Object in a design, including the top-level design component. Each component consists of any
Material1 name Material name
Materials
Other material attributes Not supported
Groups2 Not supported
RS Components
parts, assemblies V2015.0 SP0
.rsdoc
rsdocs can only be imported for the first 30 days after SpaceClaim activation. After 30 days, a
limit of 100 individual file imports is enforced.
SketchUp
Up to SketchUp 8, V2013, V2014
parts, assemblies
.skp
SolidEdge
parts, assemblies (V18 - ST8)
.par, psm, .asm
SolidWorks
parts, assemblies (version 98 through 2015)
.sldprt, .sldasm
If you open a SolidWorks file, searches for required assembly and external part files in the fol-
lowing locations:
Root folder of the assembly
Equivalent subfolder in new root folder
Absolute path to the component saved in the assembly file

with the group.
When you import a design from SolidWorks, the units are changed to match the part.
Import supports User Defined Attributes for Parts, Assemblies, and Sub-assemblies.
STEP
parts, assemblies (version AP203, AP214 [geometry])
.stp, .step
When you import STEP assemblies from one file, select the Create multiple documents when
importing assemblies file option if you want the assemblies to remain in one file instead of being
split into multiple files, one for each internal component.
STL
parts, assemblies Facets or Solids
.stl
When exporting STL files, the output is set to Binary by default.
STL files can include polyface meshes, and they can be imported as lightweight objects. Poly-
face meshes are imported as solids.
When saving as an .STL file1, the quality is based your graphics quality setting. We recommend
setting the option to enable the highest possible graphics quality if you want your design to
be useful as an SLA2 rapid prototype for form, fit, and function purposes.
You can import an STL file as a solid, if it has multiple planar areas that can be merged into
one planar face.
You can import an STL file as a Mesh object3 and export it as another STL file. This makes it
possible to import multiple STL files into a document and then export everything as a single
STL file.
VDA-FS
parts, assemblies (version 1.0 and 2.0)
.vda
Video files

2See Stereo lithography
3Object created by importing an STL file lightweight (facets only). Mesh objects have the ability to
snap to the facets.
files (insert only) with proper codec(s) required for all but WMV and AVI
.wmv, .avi, .flv, .mkv, .mov, .mp4, .mpg, mpeg, .ogm, .vob
See Inserting a video
VRML
parts, assemblies
.wrl
Wavefront
parts, assemblies (Facets)
.obj
XAML
Not supported
XPS
Not supported
Export: Supported File Formats
ACIS
Versions 6, 7 15-26 (V26 default)
parts and assemblies (assemblies are flattened)
.sat, .sab
When you save an SAT file to an X_T file, bad edges are cleaned up in the design.
When you import ACIS files, the instance name "part n (body m)" is now imported, but only if
the body name is different from the part name. The component and body names are sep-
arated by a character which you can define in the options for ACIS files. For example, the
default character is a period, so the imported name would be component.body. This way, if
there were one body named wheel in one component, the name of the imported component
in SC would be wheel. An instance is a copy of a body (a copied or pattered solid).
ACIS bodies can be imported using the RealDWG option, Sketch curves and text can be impor-
ted into Designs, 2D.
Part and Assembly level PMI can be written to SAT and SAB files.
Acrobat PDF 3D
Facets, Geometry (PRC B-Rep), curves
parts and assemblies
.pdf
32-bit and 64-bitplatforms are supported.
Color information is exported for 3D PDFs.
SupportsB-Rep import and export
Mesh-only .scdoc's can be exported to PDF.
No Adobe Acrobat required for B-Rep import and export, 32bit and 64bit platforms sup-
ported, Adobe Acrobat X Pro is not supported
Acrobat PDF 2D
2D Print to or save drawings only
.pdf
32-bit and 64-bitplatforms are supported.
AMF
V1.0
3D - parts, assemblies
.amf
Exportalso supports compressed AMF
The following are supported for export:
Geometry
Body and face colors
Body material
Textures
Lightweight components
Assembly structure tree
Export is supported by the Converter.
AutoCAD
R12 to 14, 2000, 2004, 2007, 2010, 2013, 2016
solids (ACIS V7 format)
.dwg, .dxf
AutoCAD drawings can be inserted as layouts.
If you import an AutoCAD file and you don't see the geometry you expect, try changing the
import options. See File import and export options.
When you save a design with a shaded graphics style as a DWG file, it is converted to the hid-
den line style.
When you save a sheet metal design as a DXF file, notes and bend lines are saved on the same
layer, and the overall unfold dimensions are removed.
Line weights can be exported to AutoCAD (DXF or DWG). Hatch lines on drawing sheets are
exported as stand-alone lines.
You can import polyface meshes from AutoCAD files as 3D solids. See File import and export
options for a list of polyface mesh import options.
imports "Proxy entities" in AutoCAD DXF and DWG files when you select the TeighaDWG
option.
If an AutoCAD file won't open, try changing the DWG option to RealDWG. Some AutoCAD files
contain embedded ACIS models; however, these may not be standard ACIS models. The
RealDWG libraries contain an API to save back these variant ACIS models in the last common
format, ACIS v7. The TeighaDWG libraries do not.
ACIS bodies can be imported using the RealDWG option, Polyface meshes import as light-
weight (read-only), Sketch
Export as 2D snapshot
CATIA
V5/V6 R6 to R25 (R25 default)
parts, assemblies
.CATPart, .CATProduct,
CATIA faceted (.cgr) files can be opened, but appear as lightweight components that cannot
be loaded. You can save imported .cgr files as documents that can be opened later; however,
this documents content remains lightweight. It is visible in the Design window but you can't
change the model.
CATIA files with product manufacturing information (PMI) can be opened or inserted. Visibility
is turned off. If a layer doesn't exist, it is created automatically.
When exporting CATIA V5 files, you can deselect the Simplify Spline Surface Data option.
When importing or exporting CATIA files, the XYZ locations of point objects scale correctly.
Includes Product Manufacturing Information (PMI) placed on the Imported Annotation Planes
CATIA V6 precise part and product data must be exported ass V5CATPart and CATProduct to
be read into SpaceClaim
Export as Hybrid Design is supported
Excel
MS Office 2003, 2007, 2013
.xls, .xlsx
If MS Office is installed
ECAD IDF
Not supported
Fluent Mesh Files

parts, assemblies
.msh
IGES
parts, assemblies (version 5.3, JAMA-IS, Types: 186, 144, 143)
.igs, .iges
Image files
parts, assemblies, drawing sheets, 3D markup1 slides (export as 2D snapshot)
.bmp, .gif, .jpg, .png, .tif
On export, you can specify the image size in pixels or percent of full size.
When saving a drawing as an image you can specify Use Scene extents or Use Sheet extents. Scene
extents includes gray borders around the drawing to fill the size of the entire scene. Sheet extents
only includes what is within the sheet boundary.
See Inserting an image
Inventor
Not supported
JT Open
parts, assemblies V6.4, 7.0, 8.0, 8.1, 8.2, 9.0 to 10.0
.jt
JT Open 5.3 libraries are available for reading and writing JT files that were created with ver-
sion 5.3.
JT files with product manufacturing information (PMI) are supported for:
datum labels
text notes
dimension measurements
GD&T
Surface finish symbols
Weld symbols
Flagnotes
PMI option is ON by default
Semantic and Polyline PMI are supported. Semantic imported dimensions will update with
geometry changes. Polyline are simply curves in space that do not update.
Semantic PMI is placed on Layer0 after import. Polyline is placed on a layer called Imported
Polyline Annotations.
For GD&T symbols, you can click any tolerance annotation or datum symbol to view its values
in the Properties panel.
Click on an arrow or line to view or modify arrow or styles in the Properties panel.
Unicode file names are supported.
Semantic GD&T created in is exported to JT.
Export and import of free points is supported
JT Open V6.4 and V7.0 imported and exported as faceted data
Keyshot
parts, assemblies
.bip
NX
Not supported
Parasolid
parts, assemblies V12 through 27 (V26 default)
.x_t, .x_b
Point curve text

Not supported
POV-Ray
3.6
parts, assemblies
Mesh-only .scdoc's can be exported to POV file format
Microsoft PowerPoint
MS Office 2003, 2007, 2013
3D markup slides .ppt
Pro/ENGINEER
Not supported
Quality Information Framework

parts
.qif
Rhino
V4.0, V5.0
parts, assemblies
.3dm
When importing a Rhino file, multi-segmented curves are consolidated.
You can export layer names, color information, sketch lines, and material information.
Neighboring topology is taken into consideration by default. This means that if problems are
found with a face, then its neighboring faces can provide information used to fix the face.
The SpaceClaim plugin for Rhino is only supported for Rhino V5.0.
Supported Rhino Object Rhino object entity

Closed polysurfaces
Solids Solid body
Closed surfaces: sphere, torus, ellipsoid dots;
Polysurfaces (open) Sheet body
Trimmed surfaces
Surfaces Sheet body
Untrimmed surfaces with boundary edges
Curves (curve, polycurve) Named sketch curve
Point objects (point, point cloud) Not supported
Polygon mesh objects Not supported
Object name Entity name
Object color Entity color
Layer name Layer name
Layer color Layer color
Layers On/off layer Show/hide layer
Locked/unlocked layer Locked/unlocked layer
Layer structure Component structure
Material name Material name
Materials
Other material attributes Not supported
Groups Not supported
SketchUp
parts, assemblies SketchUp V3.0 to V8.0, V2013, V2014
.skp
SolidWorks
Not supported
STEP
AP203, AP214 (geometry)
parts, assemblies
.stp, .step
When you import STEP assemblies from one file, select the Create multiple documents when
importing assemblies file option if you want the assemblies to remain in one file instead of being
split into multiple files, one for each internal component.
STL
parts, assemblies
.stl
When exporting STL files, the output is set to Binary by default.
STL files can include polyface meshes, and they can be imported as lightweight objects. Poly-
face meshes are imported as solids.
When saving as an .STL file, the quality is based your graphics quality setting. We recommend
setting the option to enable the highest possible graphics quality if you want your design to
be useful as an SLA rapid prototype for form, fit, and function purposes.
You can import an STL file as a solid, if it has multiple planar areas that can be merged into
one planar face.
You can import an STL file as a Mesh object and export it as another STL file. This makes it pos-
sible to import multiple STL files into a document and then export everything as a single STL
file.
STL export can be performed directly from lightweight (visualization only) .scdoc
VDA-FS
V2.0
parts
.vda
VRML
parts, assemblies
.wrl
Video files
Not supported
Wavefront
parts, assemblies
.obj
Structure is not maintained when you save as an OBJ file.
When you save your design as an OBJ file, the current graphics tessellation is used for accuracy.
You can modify the tessellation by setting the Image quality vs. graphics speed option.
UV's are transformed according to a body or face and texture information is exported with the
file.
XAML
part and assembly solids only
.xaml
The orientation and translation of the current view is saved in an XAML file.
XPS
3D markup slides
.xaml
To import a design by dragging and dropping

Drag the file icon to anywhere in the title bar and ribbon area. You can also drag the icon into the
design window if no design tab is open.
This will open the design and all of its drawing sheets, annotations, etc.
You can also cut and paste data from certain applications. See Copying and pasting from other
applications.
To export a design as an image

1. Select Save as from the File menu.
You can also press F12 or Ctrl+Shift+S.
Your design must be saved as a document before you can export it in another format.
2. Select an image file type (GIF, JPG, PNG, or TIFF) from the Save as type list.
3. (Optional) Click Image size to change the size of the image.
4. Browse to a folder and type a file name in the dialog.
5. Click Save.
To copy the contents of the Design window to Windows clipboard
Right-click in the Design window and select Copy Scene to copy an image of the contents of the
Design window to the Windows clipboard. You can then paste the image into a document.
To open a the parent document of a design

Right-click the top level component in the Structure tree1 and select Open root part to open the
parent document of a design that was saved after its parent was closed. This problem may exist in
files that were created with previous versions of .
Examples
PMI information from a CATIA file
Consolidated multi-segmented curves from a Rhino file
Copy-paste from other applications
You can copy from another application and paste into SpaceClaim. This is currently supported for
Rhino and Moment of Inspiration (MoI). Simply copy an object in Rhino or MoI, then open
SpaceClaim and click Paste.
Objects are placed in their original position and will not be placed relative to selected objects in
SpaceClaim.
Objects pasted from MoI do not have their units defined by default and could be scaled very dif-
ferently when you paste them into SpaceClaim. To change the units in MoI, click Options, then set
the Unit System field.
Printing
Your zoom settings determine how a drawing sheet or design will print. For best results, select a
paper size from the Print window that is the same as the drawing sheet format. If you changed the
orientation of the drawing sheet, then the view that appears in the Design window1 is the one that
will be scaled to fit the selected paper size. This can result in a clipped drawing.
Shaded designs are converted to hidden-line removed graphics style when you select Print from the
File menu. Select Shaded from the Graphics Style drop-down after printing to return your design to
the shaded style.
When a curve is clipped (or hidden) behind a solid or surface in the Design window, it will not be
clipped when it is printed. The curve will appear to be in front of the solid or surface on the printed
page. The example below shows a curve that is clipped in the Design window on the left, and the
same view in print preview on the right.
To print a drawing sheet

1. Position your design in the Design window as you would like it to appear on the printed page.
Tip: Select Zoom > Zoom Extents2 from the Orient ribbon group in the Design3 tab.
You can also print the design at different zoom levels by zooming in or out, but for the best
results we recommend you use Zoom Extents.
2. Select SpaceClaim Options from the File menu and click Detailing.
3. Select All New Documents from the Detailing options for drop-down list.
4. Click No format and select the paper size and orientation.
5. Click OK.
6. Select Print > Print Preview from the File menu to preview the print.
You can zoom, set the page orientation, set print properties, and print the sheet from this win-
dow.
7. Select Print from the File menu.
You can also use Save As to save the sheet as a 2D PDF (*.pdf). The PDF will reflect the current format
and size properties of the sheet.
To print all open drawing sheets

1. Click Print in the File menu.
2. Select All Open Sheets for the Sheet Range.
3. Set the paper size, margins, and other options as desired.
4. Click Print.
To print a design
1. Position your design in the Design window as you would like it to appear on the printed page.
Tip: Select Zoom > Zoom Extents from the Orient ribbon group in the Design tab.
You can also print the design at different zoom levels by zooming in or out, but for the best
results we recommend you use Zoom Extents.
2. Select Print from the File menu.
3. Set the following options:
Number of copies
Paper margins: Set the margins in millimeters (mm) or inches (in).
Paper orientation: Choose between landscape or portrait mode.
Paper size: Select from the list of standard paper sizes.
Print content: Select Scene to print the design based on the size shown in the Design
window. This setting is used by default for designs. Select Extents to expand the design
until it fills the printable area of the page. This setting is used by default for drawing
sheets.
Print scale: If you select Extents for the Print content, you can set the scale of the prin-
ted image. Enter a value for the scale, or select Scale1 to fit.
Shaded quality: You can set the resolution for 3D objects in dpi (dots per inch). Select
System-defined to use the printer's default dpi setting.
1Solid or surface: Change the size of the selected object using the Pull tool. You can scale dynam-
ically or by entering a scale value. Drawing sheet or cross-section views: Magnify or shrink the view
by selecting a View in the Structure tree and editing the Properties panel.
Print as image: Set this to Yes to print the drawing as a snapshot of the screen. Default is
No.
Print to PDF: The design window and its contents scale to fit the paper size of the selec-
ted printer. The Shaded Quality1 is automatically set to 110 dpi, which is best for on-
screen viewing. For printing, change the value to 300dpi.
4. (Optional) Click Preview to see how your printed design will look.
5. Click Print.
The Design window contents will be zoomed so that it fits the page size.
To adjust the design's size on the page

1. Select Print from the File menu and click Print Preview.
2. Select one of the following from the Content ribbon group:
Scene to display the design based on the size shown in the Design window. This setting
is used by default for designs.
Extents to expand the design until it fills the printable area of the page. This setting is
used by default for drawing sheets.
3. If you selected Extents, select or enter one of the following from the Scale ribbon group:
Scale to fit to scale the design to fit the page. This setting is used by default.
Enter a value in the scale drop-down to scale your design by that amount.
To correct a clipped print preview

1. Close the print preview.
2. Select the Home tool from the Orient ribbon group.
3. Select Print from the File menu and click Preferences to display your printer's Printing Prefer-
ences window.
4. Set your printer settings in the Layout2 area to match the format and orientation of the draw-
ing sheet.
1Tools for detecting anomalies or discontinuities in surfaces.

out.
5. Set the paper size in the Advanced area to match the format paper size.
If your printer only handles 8.5 x 11" paper, select the option that scales the image to fit the
paper.
6. Click OK on the Advanced Options and Printing Preferences windows, and click Apply on the
Print window.
To set page margins

1. Select Print from the File menu and click Print Preview.
2. Click the Display tab and check Margins in the Show group.
3. Click the Print Preview tab and enter the margins in the Margins ribbon group.
Journals and logs
Journals record the actions you performed while creating your design, including file actions, such as
closing a design. You must play a journal from a newly opened SpaceClaim application to avoid
errors.
SpaceClaim also logs information automatically into the SpaceClaim .log file, which can be found in
one of the following directories:
C:\Users\<User>\AppData\Roaming\SpaceClaim on Vista systems
C:\Documents and Settings\<User>\Application Data\SpaceClaim on XP systems
You can replay journal files in Cosmetic Replay mode, which skips extraneous cursor movements and
shows only a minimum of spin, pan, zoom, and other navigation movements. This allows you to
make a journal file and record it as a video without doing as much editing after the video is recor-
ded. Animations are shown for pulls and geometry moves and changes when appropriate.
To display the journal tools

1. Select SpaceClaim Options from the File menu and click Popular.
2. Check the Show Journal tab in the Ribbon box and click OK.
The Journal Tools tab is displayed. It contains the Journal ribbon group.
To save all your actions in the current SpaceClaim session to a journal

1. Click Save Current.
2. Navigate to the directory where you want to save the journal, enter a name and click Save.
3. Save the design files used in the session.
To play the journal from your last session

1. Exit and restart SpaceClaim.
2. Click Replay Previous.
To play a saved journal

1. Exit and restart SpaceClaim.
2. Click Play or Cosmetic Replay.
Play plays back every movement you made in the session, while Cosmetic Replay skips
extraneous cursor movements and shows only a minimum of spin, pan, zoom, and other nav-
igation movements.
3. Navigate to and select the journal file you want to play and click Open.
4. Review the actions from the session.
To create a video
1. Click Create Video in the Journal tab. The Create Video dialog box opens.
2. Specify an output video file (.avi) by browsing to a location and entering a name for the file.
3. Select a video codec.
4. (Optional) Adjust the video settings
1. Pixel Depth: (16, 24, or 32) The default is 16. Pixel Depth represents the video quality
and thus the size of the file. The higher the pixel depth, the more colors are maintained
in the video.
2. Frame Rate: The default is 10.
3. Compression: On or Off
5. Click the Start button to begin recording video.
6. Perform the operations you want to record.
7. Click the Stop button to end recording. Once recording stops, the video file is created in the
specified location.
You can also play an existing journal file by checking the Journal checkbox and browsing to a file.
The journal can be played with delay.
SpaceClaim file format
Our files comply with the Microsoft Open Packaging Convention, which is also used by Microsoft
Office 2007. These files are actually zip archives with a special structure, the contents of which are
primarily XML data.
This open format makes it possible for third parties to get the information they need from
SpaceClaim without talking directly to the SpaceClaim API. For example, a PDM system could check
in a SpaceClaim document with all external dependencies and show a 3D preview of the model. One
could also create a batch translator that runs on a UNIX operating system.
Third parties planning on working with SpaceClaim data should contact SpaceClaim for advice on
how to best integrate their solutions. In general, the benefit of working with SpaceClaim files is that
there is no need for a license of SpaceClaim to be present to read SpaceClaim data. When creating
SpaceClaim data or extending the SpaceClaim user interface, the API is a better choice. SpaceClaim
provides sample code for extracting solids from SCDOC files.
Files contained within the SpaceClaim file

This figure shows the files contained within a sample Flashlight.scdoc file.
Files contained within the SpaceClaim file
The document.xml.rels file contains pointers to all the files required to load the design into
SpaceClaim. The figure below shows this content for the Flashlight example.
For example, you can use the information in this file to determine all the parts required for a BOM by
looking at the assemblyComponent relationship. In this case, it points to another file called Standard
Parts.scdoc. By opening this file and reviewing its components and subcomponents, you can gen-
erate a BOM report.
There are three types of external file pointers:
assemblyComponent points to a file that contains subcomponents used in the assembly
drawingFormat points to the file used to format the drawing sheet
redlineComponent points to a 3D markup1 slide
There are also multiple internal file pointers to the geometry files, thumbnail, tessellated data, and
window settings. The bodyGeometry Id provides the key to identifying the bodies described in the
other XML and XAML files.
To view the data contained within SCDOC files
1. Copy the .scdoc file you want to view.
2. Replace the .scdoc file extension with the .zip file extension.
3. Extract the files within the zip file.
4. Open the folders and view the contents of the xml and xaml files with an XML viewer like
XMLNotepad.
To edit the data contained within SCDOC files

You can safely modify some of the data contained within the .scdoc file; however, when creating
SpaceClaim data or extending the SpaceClaim user interface, the API is a better choice. The fol-
lowing steps explain how to edit an annotation within the Flashlight\SpaceClaim \document.xml.
1. Once you extract the files, open the document.xml with an XML viewer like XMLNotepad.
2. Search for the text of the annotation you want to change.
3. Edit the text.
4. Save the file.
5. Create a new zip file containing all the previously-extracted files. Make sure that you do not
include the top-level folder.
6. Replace the .zip extension with a .scdoc extension.
7. Open the file in SpaceClaim to check your edits.
To view a tessellated model

Open the facets.xaml file with Internet Explorer, or any other xaml viewer.
To view a thumbnail of the file

Open the thumbnail.png file with any graphics program. The thumbnail is displayed in Windows
Explorer.
Designing
The tools you use for 2D and 3D sketching and editing are found in SpaceClaim's Design1 tab. With
the design tools, you can sketch in 2D, generate and edit solids in 3D, and work with assemblies of
solids.
In SpaceClaim, there are three modes you can use to design: Sketch, Section2, and 3D mode. You
can switch between these modes at any time.
When creating designs, you will use the following tools most often:
Use the Select tool to select 2D or 3D objects in your design for editing. You can select ver-
tices, edges, axes, faces, surfaces, solids, and components in 3D. In 2D, you can select points
and lines. You can also use this tool to change the properties of recognized or inferred
objects.
Use the Pull tool to offset, extrude, revolve, sweep, draft, and blend faces; and to round or
chamfer corner edges.
Use the Move tool to move any single face, surface, solid, or component. The behavior of the
Move3 tool changes based on what you have selected. If you select a face, you can pull or
draft it. If you select a solid or surface, you can rotate or translate it.
Use the Combine tool to merge and split solids and surfaces.
Use Section mode to create and edit designs by sketching on and editing any cross-section
through the design.
Design tools are grouped into the following ribbon groups:
Clipboard Cut, copy, and paste 3D objects.

Orient Spin4, pan, and zoom your design. You can also select or create a view.
Sketch Create and edit lines, arcs, splines, rectangles, circles, and points in 2D.
Switch between sketching in 2D, editing a cross-section, and creating and editing
Mode
objects directly in 3D


Edit Edit 2D and 3D geometry.
Intersect Merge or split solids and faces.
Insert Import other components and orient them within your design.
Assembly Create relationships between the components in your design.
If an operation runs more than three seconds, the Stop icon is activated in the status bar. Click to
cancel the current operation. You can also press and hold Esc to cancel out of any design action that
is taking too long.
When using any tool guide, you can click an empty point in the Design window1 to clear the tool
guide selection and return to the previous action within the tool.
Design modes
In SpaceClaim, there are three modes you can use to design: Sketch, Section1, and 3D. These modes
make it clear when you are working in 2D vs. 3D, and clarify the difference between working in cross-
section (where you can alter 3D objects) and sketching (where you cannot alter 3D objects).
To switch modes
1. Click a tool in the Mode2 ribbon group.
You can also right-click an empty area of the Design window3 and select Sketch Mode, Sec-
tion Mode, or 3D Mode from the context menu, or press K (for Sketch mode4), X (for Section
mode5), or D (for 3D mode).
If you are sketching, you can also click Return to 3D mode in the Sketch plane mini-tool-
bar.
2. If you are switching from 3D mode to one of the other modes, select a plane to sketch on or
create the cross-section.
When you select an origin object or its center and click Sketch mode, the sketch plane is
aligned to the origin object's XY axis.
To flip the view while in section mode

Right-click and select Flip Viewing Direction while section mode is active.
Mode ribbon group

The Mode ribbon group contains the following tools:
Sketch mode displays the sketch grid, so you can use any of the sketch tools to sketch in 2D.
Section mode lets you edit solids and surfaces by working with their edges and vertices in

2Three ways of designing: Sketch, Cross-section, or 3D. You can switch between modes at any time.
5See Section
cross-section. You can also use all the sketch tools in Section mode to create and edit solids
and surfaces in cross-section.
3D mode lets you work directly with objects in 3D space.
Examples
A design in section mode; the active component is displayed in the part color (magenta in this
example) and the inactive components are displayed in gray.
Switching from Sketch mode to 3D mode automatically converts closed sketched curves into surface
objects and the sketch curves become edges. Only the sketch curves that contribute to the closed
surface are converted to edges; leftover curves remain in the design as free curves.
Editing in cross-section
Use Section1 mode to edit solids by working with their edges and vertices in cross-section. You can
modify faces, edges, planes, cylinders, rounds, and chamfers in section mode. You can edit solids
and surface bodies.
In Section mode2, lines represent faces and points (or vertices) represent edges.
For example, to rotate a face around an edge, select the line that represents the face, Alt+click the
vertex that represents the edge, and pull. Moving a sketched line in Section mode does not move
the solid it is sketched on. You must move a section line (a line that represents a face) to modify a
solid in Section mode.
Hatching is used to show the intersection of the cross-section plane and a solid. Arc3 centers are
shown as small cross marks. Hatching appears bolder inside faces to indicate what is shown in a
cross-section view. (See Examples, below).
You can use the following tools: Select, Pull4, Move5, Combine6, Split7 Body8, Shell9, Offset10,
Fill11, and all sketch tools. Use the Select tool to edit spline faces (represented by a spline in cross-
section). You can also cut, copy, and paste. We recommend that you clip the scene above the grid to
enhance the visibility of the cross-section.
1 Design mode in which you edit solids by working with their edges and vertices in cross-section.

2See Section
3Curved line of constant radius; part of a circle. See Sweep arc, Three point arc, Tangent arc.
7Using the Combine tool to split solids or surfaces. You select a solid or surface to use as a Cutting

9Solid or part that is hollowed out from a selected face, leaving a shell of designated thickness.
To edit in cross-section
1. Select or de-select options based on whether you want to maintain and view relationships
while you edit in cross-section.
2. Select the face you want to use to create the cross-section plane, or select any faces, edges, or
vertices that define a plane.
If you are in a drawing sheet with cross-section views, you do not have to choose a face, as the
plane of the drawing sheet is automatically used as the section plane.
3. (Optional) Move or rotate the cross-section grid and click the Section tool when you are fin-
ished.
4. Click and drag the edges and vertices of the cross-section to edit them.
You can also bend edges with the Bend tool, and pull section points (edges) and section lines
(faces) with the Pull tool. If you set the Auto-extrude/revolve sketches in Section
modeAdvanced SpaceClaim option, sketch made with the sketch tools are automatically
extruded or revolved to form surfaces and solids when you begin the sketch on the edge of an
existing surface or solid. To automatically revolve, the sketch must be attached to a revolved
face. If you do not begin the sketch on an existing edge, you are switched to Sketch mode1.
We recommend zooming into your design so that it is easier to select the correct entity. For
example, if you are trying to select an edge, but your design appears very small in the Design
window2, it is possible to accidentally select a midpoint or end point of the edge instead.
Moving the midpoint or end point of an edge will not be reflected by a mirrored entity.
Options
The following options are available in the Section tool:
Maintain
Select this option to maintain the influence of mirrors in your design while editing.
Mirror1
Maintain Select this option to maintain the influence of baselines in your design while edit-
Offset ing. Baseline faces2 are shown as blue edges when viewed in cross-section.
Curve3 If the section plane passes through a Mesh object4, the system will fit curves
Fitter through the facet points. Lines are displayed green and arcs are displayed blue. The
Options following options apply to the system-generated curves.
Fit curves - Uncheck this option if you do not want the system to fit curves
through the points.
Tolerance - Determines how many points will be found, which also determ-
ines how many curves will be created. The smaller the tolerance, the more
points will be found and the curves will be generated.
Auto-merge - When checked On, the system will merge lines and arcs to
form splines. Splines are displayed pink.
1 Associative relationship between two faces or planes mirrored about a centerline plane or planar
face. The second object is a copy of the original; if the geometry of the original is changed, the
mirrored copy is also updated. Use the Mirror tool to designate a face or plane as a mirror, or to cre-
ate a mirror plane between two faces.
2See Offset baseline faces
3 In 3D, any line in space.
snap to the facets.
Examples
Moving a spline point in section mode
Bold hatching indicates the hatching that would be shown on a drawing sheet cross-section view
Extruding while sketching in Section mode
Cut, copy, paste
Select a tool from the Clipboard ribbon group to cut, copy, or paste any 2D or 3D object. You can
use these tools any time, even when you are designing with other 2D or 3D tools.
Objects are pasted into the active component. Objects that can be named (components, bodies,
axes, or planes) will retain their names when pasted.
When you cut and paste a solid or surface, the object retains its color and face style.
To cut an object
1. Select the object.
2. Select the Cut tool from the Clipboard ribbon group.
You can also press Ctrl+X or right-click in the Design window1 and select Cut from the con-
text menu. If you cut the face of a solid, it is converted to a surface.
To copy an object
1. Select the object.
2. Select the Copy tool from the Clipboard ribbon group.
You can also press Ctrl+C or right-click in the Design window and select Copy from the con-
text menu.
To paste an object into the Design window

1. Cut or copy the object.
2. Select the Paste tool from the Clipboard ribbon group.

You can also press Ctrl+V or right-click in the Design window and select Paste from the con-
text menu.
If you do not specify a location to paste, the copy is placed in its original location relative to
the world origin.
When you paste an object and it is located outside of the visible area in the Design window,
the zoom is adjusted to make the object visible.
To paste an object onto a face
1. Select all the faces of the object.
2. (Optional) Alt+click the face of the object you want to attach to the face.
The face is highlighted in blue.
3. Cut or copy the selection.
4. Click the face onto which you want to paste the object.
5. Paste the object.
The object is pasted on the face at the location you clicked. The blue face is attached to the
clicked face.
To paste a round onto another edge

1. Select the face of the round.
2. Cut or copy the face.
3. Click the edge onto which you want to paste the round.
4. Paste the round.
To delete an object
1. Right-click the selected object (or set of objects).
2. Press Delete.
If you want to delete something and fill the gap with neighboring geometry, or create faces in
the gap, you should use the Fill tool.
If you delete the face of a solid, it is converted to a surface.
Dimensions
You can dimension every element in your design, from lines in sketches to faces of solids. In
SpaceClaim, dimensions are not constraints. Rather, they are tools for precise control during the cre-
ation or modification of a design. In SpaceClaim, if you do want to save a dimension with your
design, use the Ruler Dimension1 option when pulling or moving. You can save the ruler dimensions
as Groups2 for later edits.
Whenever dimension fields appear, you can press the spacebar or click on them to enter a value, and
press Tab to switch between fields.
You can use mathematical expressions in a dimension.
To dimension a sketch line during creation
1. Press the spacebar (or just type) to enter a value in the highlighted field.
2. Press Tab to switch between dimension fields.

with the group.
3. Repeat step 2 until you have entered all the dimensions.
4. Press Enter to accept the values and return to sketching.
The dimensions persist until you select another tool or begin drawing another sketch object.
To dimension the start, end, or middle point of a sketch line from another point in your sketch
1. Hover the mouse over the point from which you want to dimension.
2. Press Shift.
As you move your mouse around the sketch grid, a dimension will appear from the point you
indicated to the mouse location.
6. Press Enter to accept the values and place the point that begins or ends your line.
To dimension existing sketch lines
1. Click the Select tool.

2. Select the sketch object you want to change.
3. Dimension the item's size or location by doing one of the following:
Press the spacebar (or just type) to enter a value in the highlighted field.
Drag the selected item to change its size or location.
Hover over a point in your design and press Shift to dimension between the selected
object and that point.
Press Shift while dragging to dimension from the current mouse location.
To dimension while moving or pulling
1. Select a direction for the move or pull.

5. Press Enter to accept the values and move or pull the selected object the distance you
entered.
To create a ruler dimension
1. Click Pull1 in the Edit group on the Design2 tab or press P.

2. Select the faces or edges whose location you wish to specify.
3. Select a direction for the dimension.
4. Select Create Ruler Dimension from the Options panel3 or right-click and select it from the
mini-toolbar.
The start point of the dimension is set as the location of the Pull arrow or Move4 handle.
5. Click an object to set the end point of the dimension.
1 Tool used to distort or deform geometry. Use the Pull tool to offset, extrude, revolve, sweep, draft,
Use the scroll wheel if multiple objects appear at the same point in the Design window1.
6. Enter a value.
7. Press Enter to accept the value and complete the move or pull.
Press Esc to hide the ruler dimension.
You can make more than one change per ruler dimension.
To create an angular ruler dimension
1. Select the Move tool and switch to Section mode2.

2. Select the section line (that represents a face) that you want to rotate.
3. (Optional) Anchor the Move handle to the object around which you want to rotate by dragging
the center sphere or using the Anchor tool guide.
4. Select the rotational axis of the Move handle.
5. Select Create Ruler Dimension from the Options panel or right-click and select it from the
mini-toolbar.
An angular dimension indicator appears from the red linear axis of the Move handle.
6. Select the end reference for the angular dimension.
7. Enter a value for the dimension.
2See Section
Detaching
You can detach individual pieces of a sketch, or detach objects or faces in 3D. You can detach pro-
trusions to move them with the Move tool's Detach1 First option.
To detach in 2D
Alt+drag with the Select tool to detach the selected item when sketching. Use the 2D Move tool to
detach items and move them.
To detach in 3D
1. Click the Select tool in the Edit ribbon group.
2. If you want to detach an object, Ctrl+click all its faces to select them.
3. Right-click the object and select Detach from the context menu.
To detach a cylinder
2. If you want to detach a cylinder, Ctrl + click the cylinder surfaces to select them.
3. Right-click the object and select Detach from the context menu.
Undo and redo
SpaceClaim stores all your actions from the moment you open the SpaceClaim application until you
close it. This includes the use of all tools in all tabs, opening and closing files, loading and activating
components, and changing settings. Every action is recorded and can be undone and redone.
The undo list is set to 50 steps by default. You can modify this number, but we recommend that you
keep the default setting.
To undo or redo a tool action
Click the Undo and Redo tools in the Quick Access toolbar or press Ctrl+Z to undo and
Ctrl+Y to redo.
You can undo and redo actions until you have undone or redone every action in your session, or you
can jump to a particular action by selecting that action from the Undo and Redo menus. If undoing
an action will open or close a document or switch to a new Design window1, a confirmation win-
dow is displayed.
When you undo a tool action, the view is also changed to the view you used to perform that action.
To purge all actions

Select Purge from from the Undo menu.
This clears the memory of all previous actions for the SpaceClaim session.
To undo or redo a view
Click the Previous View2 and Next View tools on the status bar to undo and redo your
design view changes.
to view it head-on.
Checking geometry
You can check the geometry for solids and surfaces. The geometry is checked for all possible ACIS1
errors. Select errors and warnings in the dialog to highlight the associated geometry in the Design
window2, as shown below.
To check an object's geometry

1. Right-click a solid or surface in the Structure tree3.
2. Select Check Geometry.
You can click Stop in the status bar or press Esc to cancel the operation if necessary.
A dialog will open that lists any errors or warnings found.
3. Select errors and warnings in the dialog to highlight the associated geometry in the Design
window.
4. Select Zoom to fit selection to automatically zoom in to the problem area in the Design win-
dow.
5. Click Close when you are finished.
Sketching in 3D
You can use the following sketch tools in 3D mode:
Line Tangent Line

Spline Tangent Arc
Point
You can use the following tools from the Sketch group to change curves in 3D mode:
Create Rounded Corner can be used on curves when they are coplanar.
Create Corner can also be used on coplanar curves.
Trim Away can be used to trim curves in 3D mode.
Split Line can be used to split curves in 3D mode.
Using other tools to create and edit sketch curves in 3D mode

There are several methods that can create or edit sketch curves in 3D mode:
Use the Pull tool to pull a point into a line or sweep a point along an edge.
Use the Move tool to translate or rotate curves in 3D mode.
Use the Face Curve tool to sketch on a face or surface.
You can use the Extend tool on the Prepare tab with sketch curves in 3D mode.
You can change the radius of a circle or an arc directly in 3D by selecting it with the Select
tool.
Examples
Sketching a path and sweeping to create a pipe
Sketching
Sketching is useful if you want to create a region that can be pulled into 3D. If you want to create a
2D layout, and have no immediate need to generate 3D objects from the lines in the layout, then you
should create a layout.
Use the sketch tools to sketch shapes in 2D. When you exit the sketch, regions are formed by inter-
secting lines. These regions will become solids and lines become edges when you pull your sketch
into 3D with the Pull1 tool. Even when pulled into 3D, a region can be decomposed back into its
sketched lines for further editing as long as any remnant of the lines is still unused in 3D.
To use any of the sketch tools to sketch in 2D, you must first display the sketch grid. If you have a
planar surface highlighted, and press a sketch tool shortcut (such as L for the Line2 tool), you can
mouse over planar surfaces in the design to highlight surfaces for the sketch grid. (Press Esc while in
this state to return to the Select tool in 3D mode.) You can adjust the units and spacing of the grid,
and we recommend that you fade the scene under the grid to enhance the visibility of your sketch.
You can lock the base dimension base point when sketching multiple objects. Locking a base point
enables you to secure the dimensions of an object relative to that point, or, the dimensions of an
object relative to any object you previously sketched. As you sketch, you can enter coordinates for
each successive point relative to the previous point.
While you are sketching, you may need to orient your design. If you use the Spin1, Pan2, or Zoom
tools to reorient the sketch, click the navigation tool again or press Esc to continue sketching where
you left off.
If you select Auto-extrude/revolve sketches in Section mode3 in the Advanced options, sketching
in Section mode will automatically extrude your sketch to 3D. The extrusion depth is set to 10 times
the spacing of your sketch grid. You can dimension this depth for any extruded sketch by entering a
value in that dimension field. If your are sketching on an already revolved face, the sketch is auto-
matically revolved.
When you copy and paste sketch objects, they are placed in their original location relative to the cen-
ter of the grid. The objects will be highlighted when you paste, so you can easily move them to a dif-
ferent position.
Sketched objects are added to the Curves folder in the Structure tree4 as you create them. If the list
of sketch curves is long, then you will see More Curves in the list. Click More Curves to display the
entire list.
Detailed instructions
1. Click Sketch Mode5 in the Mode group on the Design6 tab.
2. Choose where you want to sketch.
Mouse over the planes and planar faces in your design to preview the location and orientation
of the sketch grid.
The sketch grid is placed automatically if you pre-select an object in the active component
before you click Sketch Mode. If you pre-select an origin object, the sketch grid will be
aligned with its X and Y axes and the sketch origin will be centered on the origin object. If you
pre-select axes objects, the grid will run through the axes.
If you previously selected a set of references that define a plane, the sketch grid is placed on
the defined plane. The sketch grid mini-toolbar allows you to switch from sketching on one
plane to sketching on another without leaving the sketch tools.

3 See Section
5 Three ways of designing: Sketch, Cross-section, or 3D. You can switch between modes at any time.
1. If the sketch grid is currently displayed, click Select New Sketch Plane1 in the mini-
toolbar, or right-click and select Select New Sketch Plane from the context menu.
2. Mouse over any existing geometry to display existing planes.
3. Click to select the highlighted plane and display the sketch grid. Any vertices or edges
on the plane are drawn in the current layer color and bolded.
4. (Optional) Click Plan View2 in the mini-toolbar or in the Orient ribbon group to view
the sketch grid head-on.
3. (Optional) Move3 or rotate the sketch grid.
1. (Optional) Select any points, lines, or curves that you want to move with the sketch grid.
2. Click Move Grid4 in the mini-toolbar.
3. Use the Move handle to move or rotate the sketch grid. Highlighted curves will be
moved with the grid.
4. (Optional) Use the Orient ToObject5tool guide to orient the sketch grid to an object
in the Design window6. The object does not have to lie in the sketch plane.
4. Select any sketch tool from the Sketch ribbon group.
You can draw points, lines, tangent lines, construction lines, rectangles, three-point rectangles,
circles, three-point circles, ellipses, splines, tangent arcs, three-point arcs, sweep arcs, and
polygons using the sketch tools. You can also create sketch lines by projecting the edges of
3D solids onto the sketch grid.
SpaceClaim's sketch tools also let you split, trim, and offset lines, as well as create corners and
rounded corners.
5. Draw with the tool.
Mousing over the sketch grid snaps to points based on your snapping options. Press Shift to
turn snapping on and off.

to view it head-on.
4 See Sketch grid
While mousing, SpaceClaim also provides extension lines when you are parallel to an edge or
perpendicular to an end point. For certain drawing tools, it displays indicators of tangency, line
midpoint, line end point, squares, and golden rectangles.
All tools let you enter dimensions while sketching. In some tools, you can press Shift at a ref-
erence point to see dimensions from that point to the cursor.
When you are done sketching with the tool, you can:
Click another sketching tool.
Click Return to 3D Mode in the mini-toolbar or 3D Mode in the Mode group in the
ribbon bar to pull your sketch to 3D.
Press Esc or click the Select tool in the Edit ribbon group to edit the sketch.
To lock a base point

1. Enter Sketch mode.
2. Select the Cartesian dimensions option in the Sketch Options panel1.
3. Select the Lock base point checkbox in the Sketch Options panel.
4. Placethe sketch on the sketch grid relative to your chosen dimensions from the locked base
dimension base point.
To change the location of a base point

1. While in Sketch mode, while hovering over the base dimension point from which you want to
take a dimension, press Shift to dimension between the selected object and that point.
2. Click and drag the line or point you want to edit.
The Cartesian dimensions are now taken from this new base dimension base point.
To edit a sketch
1. Click the Select tool. (You can also press Esc if you are in a sketching tool.)
Alt+click and drag if you want to detach the line or point before moving it.
Ctrl+click and drag to create a copy.
Enter a value to dimension the move.
You can also use the Move tool to edit a sketch.
To toggle between a curve and a construction curve
Right-click the curve and select Construction On/Off.
To mirror in Sketch mode

1. Draw a line or construction line.
2. Right-click the line and select Set as Mirror1 Line from the context menu.
3. Sketch on one side of the line to mirror the sketch on the other side.
You can only mirror geometry drawn after you set the mirror line. If you want to mirror exist-
ing geometry, use the Mirror tool.
Sketch ribbon group

The tools on the left side of the ribbon group are used to create sketch and construction curves. The
tools framed by the lighter area on the right are used to edit sketches.
The Sketch ribbon group contains the following sketch creation tools:
Use the Line tool to sketch lines in 2D.

Use the Tangent Line tool to sketch lines tangent to any curves in your design.
Use the Construction Line tool to draw lines that help you create an accurate sketch. These lines
become axes in 3D mode.
Use the Rectangle tool to draw a rectangle along the axes of the sketch grid.
Use the Three-Point Rectangle tool to quickly sketch a rectangle at any angle in 2D.
Use the Ellipse tool to sketch an ellipse in 2D.
Use the Circle tool to sketch a circle in 2D when you know the location of the circle's center and
radius, diameter, or a point on the circle's edge.
Use the Three-Point Circle tool when you dont know the center of the circle, but you know
where the edge of the circle must be. This tool works with any combination of free points,
known points, or tangent attachments.
Use the Polygon tool to sketch a polygon with up to 32 sides.
Use the Tangent Arc tool to sketch an arc tangent to any single curve or line in your design.
Use the Three-Point Arc tool to create an arc by specifying its start and end points, and the
radius or chord angle.
Use the Sweep Arc tool to create an arc with a known center and end points.
Use the Spline tool to sketch splines in 2D. A spline is a continuously curved line, without sharp
boundaries (that is, without vertices).
Use the Point tool to sketch points in 2D.
Use theFace Curvetool tosketch a curve on a face of a solid.
The Sketch ribbon group contains the following sketch editing tools:
Use the Create Rounded Corner tool to trim back or connect two intersecting lines or arcs so
that they meet with an arc tangent at both ends.
Use the OffsetCurve tool to create an offset of any line in the grid plane.
Use the Project to Sketch tool to project edges from a 3D object onto the sketch grid.
Use the Create Corner tool to trim back or extend two lines so that they meet at a corner.
Use the Trim Away tool to delete any line portion bounded by an intersection with a line or
edge.
Use the SplitCurve tool to split one line with another line or point.
Use the Bend tool to bend straight lines and edges to form an arc. You can also use the Bend
tool to adjust the radius of arcs and arced edges. Bend works on straight lines when you are
sketching and when you are editing in cross-section.
Use the Scaletool to display control handles you can use to manipulate a 2D object.
Sketching tool guides

The sketching tools have several tool guides that allow you to change the behavior of the tool.
These guides are active when appropriate:
Use Select Reference Curve1 to dimension a sketch based on an existing curve.
Use Move Dimension1 Base Point2 to move the base point from your starting point
to a different location. This is useful when you want to control the distance between
your new sketch and existing object.
Use Change Dimension Reference Angle to dimension a sketch based on a reference
angle from a point on an existing object.
Sketching mini-toolbar
While you are sketching, the mini-toolbar provides quick access to the following actions:
Click Return to 3D Mode to switch to the Pull tool and pull your sketch into 3D. Any closed
loops will form surfaces or faces. Intersecting lines will split faces.
Click SelectNew Sketch Plane to select a new face to sketch on.
Click Move Grid to move or rotate the current sketch grid with the Move handle.
Click Plan View for a head-on view of the sketch grid.
Options
The following options are available for every sketch tool:
Cartesian dimensions: Select a point in a sketch and then click this option to see Cartesian
dimensions from the point. Cartesian dimensions show you the X and Y distances from the
point you select. If you don't have a point selected, it shows you the X and Y distances from
the origin.
Polar dimensions: Select a point in a sketch and then click this option to see Polar dimensions
from the point. Polar dimensions show you an angle and a distance from the point you select.
If you don't have a point selected, it shows you the angle and distance from the origin.
Snap3 to grid: Select this option turn snapping on or off while sketching. The cursor will snap
to the minor grid spacing increment while you sketch. The defaults are 1mm for Metric and
1 Annotation on a drawing showing measurement of an edge or face. Use the Dimension tool to add

2 Single location in the sketch grid. 2-D object that has no height, width, or length. The origin, an
axis, and a vertex are examples of points. Use the Point tool to sketch a point on the sketch grid.
Points are useful as a dimensional reference, for splitting, and for creating a point on a line or curve
Snap to angle: Select this option to turn angle snapping on or off while sketching. The cursor
will snap to the angular snap increment while you sketch. The default is 15 degrees. See Snap
options to change the angular increment used for snapping.
Create layout curves: The sketch curves are created as layout curves. If you move the design
to a drawing sheet, with Sketch mode1 selected you must select the Create layout curves
checkbox again in the Sketch Options group of the Options panel in order to create layout
curves on the drawing sheet. See Layout Curves.
Curve Fitter Options: If the Sketch plane passes through a Mesh object2, the system will fit
curves through the facet points. Lines are displayed green and arcs are displayed blue. The fol-
lowing options apply to the system-generated curves.
Fit curves - Uncheck this option if you do not want the system to fit curves through the
points.
Tolerance - Determines how many points will be found, which also determines how
many curves will be created. The smaller the tolerance, the more points will be found
and the curves will be generated.
Auto-merge - When checked On, the system will merge lines and arcs to form splines.
Splines are displayed pink.
snap to the facets.
Editing a sketch
You can edit the dimensions of sketched lines, arcs, and points using the Select tool. Tangency is
maintained when you edit a sketch.
To edit a sketch
Select the Select Reference Curve1 tool guide to dimension from another object, similar to
the Shift+hover functionality in other tools.
Alt+click and drag if you want to detach the line or point before moving it.
Ctrl+click and drag to create a copy.
Enter a value to dimension the move.
To edit the length and angle dimensions of a line

1. Click the end point of a line or arc to edit the length or diameter and angle or chord angle
dimensions of the line or arc.
2. Mouse over the opposite end point of the line or arc to display a blue circle.
3. Drag to move the reference point for the dimension's length.
4. Enter the dimension for the length from the end point of the line to the new reference point.
5. Mouse over the line showing the end of the angle reference to highlight it in blue.
6. Drag the blue line to move the reference for the angle dimension.
If you move the angular reference 360, the angle measurement is changed from clockwise to
counterclockwise.
7. Enter the dimension to adjust the angle of the line from the new reference line.
To edit the distance from another point

1. Click the midpoint of a line, the center of an arc, or any sketched point to display a dimension
to a reference point.
2. Mouse over the reference point, then drag the blue circles to the location you want to dimen-
sion from.
3. Click to set the new reference location.
To skew the X-Y lines, click the outer blue circle and enter the skew angle.
To change the properties of a sketch object

2. Select the sketch object to display its properties in the Properties panel1.
You may need to adjust the width of the Properties panel or the columns within the properties
panel. Place your mouse over the vertical column line and drag to widen the column. Place
your mouse over the border of the panel and drag to widen the panel.
3. You can:
Select a new color from the Color property to color the object.
Switch between lines and construction lines by selecting a value from the Construction
property.
Switch between straight lines and mirror lines by selecting a value from the Mirror2
property.
Enter the number of sides for a polygon in the Number of Sides property.
Tool guides
The following tool guides help step you through the process. Use the Tab key to cycle through
them. As soon as the tool guide switches, the cursor may change to reflect the active guide.
2Associative relationship between two faces or planes mirrored about a centerline plane or planar
Select the Select Reference Curve tool guide and click another sketch line to edit the dimen-
sions from the selected point to that sketch line.
Use the Move1 Dimension2 Base Point3 tool guide and click any point to edit the dimensions
from the selected point to that point.
Use the Change Dimension Reference Angle tool guide and click to set the angle reference
for the selected point.
Examples


Editing a racetrack by dragging internal lines. You can drag to resize, rotate, lengthen, or make one
side larger than the other by dragging different lines or points in the sketch.
Copying a sketch
You can copy a sketch line in Sketch mode1 with the Select tool.
To copy a sketch line

Ctrl+drag (with the Select tool) while sketching to copy a sketch line.
Press the spacebar while Ctrl+dragging a sketch line to dimension the distance between the first line
and the second, copied line.
You can also select a sketch line, copy it, and then select a point to paste the line onto the point.
Sketch plane
The sketch grid indicates that you are performing actions in a 2D plane. Selection, sketching, creating
layouts, adjusting blend planes, cross-section editing, and annotation all use the sketch grid. You can
adjust the units and spacing of the grid, as well as how solids are displayed when the grid appears.
To display a sketch plane

1. Select Sketch Mode1 or any sketching tool.
2. Click a face, plane, axis, or drawing sheet.
You can also select the combinations used to insert a plane to display a sketch grid at that loc-
ation.
If you do not see the grid, make sure that the Show Sketch Grid2 box is checked in the Dis-
play tab's Grid ribbon group.
To select a new location for the sketch plane

1. Click Select New Sketch Plane3 in the mini-toolbar, or right-click and select Select New
Sketch Plane from the context menu.
2. Mouse over any existing geometry to display existing planes.
3. Click to select the highlighted plane and display the sketch grid.
To move the sketch plane

1. (Optional) Select any points, lines, or curves that you want to move with the sketch grid.
2. Click Move4 Grid in the mini-toolbar.
The Move handle is now placed on the end point of the last line or curve you drew. This
makes drawing a trajectory in 3D space easier.
3. Use the Move handle to move or rotate the sketch grid.
2 See Sketch grid

To view the sketch plane head-on
Click Plan View1 in the mini-toolbar or in the Orient ribbon group to view the sketch grid head-
on.
To switch to the last sketch plane

Right-click the plane and select Use Last Sketch Plane.
This command is in the context menu for all tools that can be used in both sketch and section
modes, such as Pull2.
All closed sketch curves in the current planeare converted to surfaces.
The last plane used for sketching on is set as active, and dynamic plane mode is ended when you use
the Use Last Sketch Plane command.
To use Alt+Select in Sketch mode

While working in Sketch mode, you can align a sketch plane to any linear reference that you
Alt+Select. For example, on a block with angled planar faces,you can select a face and then
Alt+Select an edge. The Sketch grid3 aligns to the Alt reference.
to view it head-on.
3Pattern of regularly spaced lines that guides you when sketching. The sketch grid makes aligning
and drawing objects easier.You can adjust the units and spacing of the grid, as well as how solids are
displayed when the grid appears.
Moving the sketch plane
Use the Move1 Grid2 tool to move the sketch grid. Make successive sketches by moving the grid
after sketching closed line regions. These closed lines turn into regions when you move the grid.
The icon at the center of the sketch grid indicates the origin of the grid and moves with the grid
as you move the grid.
To move the sketch grid

1. Click the Move Grid tool on the mini-toolbar or click the Move tool and check the Move
Grid option.
2. (Optional) Select any sketch entities that you want to move along with the sketch grid.
3. Select a Move handle axis.
4. Drag along the axis of the Move handle to move or rotate the sketch grid.
Press Shift while dragging to snap the move to angular and linear increments based on your
snap settings as well as to snap the move parallel to planes, edges, and axes. You can also
right-click and select Use Ruler Dimension3, and enter a value or press Enter to drag the grid.
You can also use the standard Move tool guides when moving the grid.
The Move handle can be moved around by dragging the center ball onto appropriate entities
on the sketch grid.
To move the center of the sketch grid

2See Sketch grid
1. Insert an origin.
2. Select an axis of the origin.
3. Switch to Sketch mode1.
You can also move the center of the sketch grid while sketching by using the Move Grid or
Select New Sketch Plane2 tools in the Sketch mini-toolbar.
Layout curves
You can sketch on a plane when you want to draw curves but have no immediate need to generate
3D objects. If you want to create a region that can be pulled into 3D right away, create a sketch
instead.
You can think of a layout as a pencil drawing made on your design. If you try to pull layout lines to
3D, they do not behave the same way that sketched lines do. Closed lines1 are not converted to
regions, so if you pull a layout line, it creates a surface, not a solid. When you are ready to use your
layout to create geometry, project the layout lines to a sketch. Projecting a layout line to a sketch is
like inking the line.
Layouts always appear on planes in the Structure tree2.
We strongly encourage you to use layers when working with layouts to help you organize your
design. For example, you can color individual lines on each layout, show or hide the lines, or put the
bounding planes on a separate layer and turn that layer's visibility off to declutter your design.
(When you import files, they will initially appear in one color.)
To create a layout
1. Insert a plane.
2. Right-click the plane in the Structure tree or graphics window and select Activate Curve3 Con-
tainer.
The icon on the Structure tree changes to reflect that the plane is a layout.
3. Sketch on the plane.
To convert a sketch to a layout

1. Select the sketch entities that you want to appear on the layout.
Select in the graphics window
Select in the Structure Tree under the 'Curves' folder
1Intersecting lines that enclose an area to form a region when you sketch shapes in 2D. The regions
will become solids and the lines become edges when you pull your sketch into 3D.
2. Click the Plane1 tool in the Insert ribbon group
A layout plane is drawn around the selected sketch entities
The curves are removed from the Curves folder in the Structure Tree
If all of model curves were converted, the Curves folder is removed from the Structure
Tree
3. Right-click the plane in the Structure tree or graphics windowand select Activate Curve Con-
tainer.
To import a 2D AutoCAD DXF or DWG file as a layout

You can import a 2D AutoCAD2 file into your design in the following ways:
Drag and drop the DXF3 or DWG4 file into the Design window5 to create a layout in the act-
ive component.
Drag the file onto a plane in the Structure tree to place the drawing on that plane and convert
it to a layout.
Edit a layout
Right-click the plane in the Structure tree or graphics windowand select Activate Curve Container.
A layout plane is drawn around the selected sketch entities.

Moving in 2D
Use the Move1 tool to move lines or points with the Move handle. When you move points or lines
with this tool, they do not maintain their connections to other lines or points. If you want to maintain
the connections in your sketch, use the Select tool to edit the sketch.
To move sketch entities
1. Click Move in the Edit group on the Design2 tab.

2. Select the curve or curves that you want to move.
3. Select the following options:
Move grid: Select this option to move the sketch grid.
Ruler: Can be used to dimension the move. See the instructions below.
Create patterns: Create a pattern of the selected objects. Pattern relationships of sketch
curves and points are lost when you go into Section3 or 3D mode.
Maintain sketch connectivity: Keeps the connections between a sketch curve and other
curves that share its end points. If you deselect this option and move a sketch curve, the
curve will move independent of other curves.
Other options in the Options panel4 are not relevant when you move sketch entities.
4. (Optional) To change the anchor location of the Move handle


Drag the yellow center sphere on the Move handle.
Click the Anchor tool guide and select the face, edge, or vertex on which to place the
Move handle.
The yellow center sphere turns into a blue cube when the Move handle is anchored.
5. (Optional) To change the direction or trajectory for the move,
Drag one of the small balls on the rotational axis to reorient the Move handle, or dimen-
sion the orientation by typing the rotation angle while you are dragging, then pressing
Enter.
You can also Alt+click a point or line, or click the Move Direction tool guide, then click
a point or line, to orient one of the Move handle's axes toward that point or along that
line.
If you Alt+click a trajectory, you can move along the trajectory. Ctrl+Alt+click to add con-
tiguous lines or edges to the trajectory.
If you Alt+click a plane, the direction of movement is set perpendicular to the plane.
6. Click an axis and drag in that direction to move the selected object.
A line extends from the Move handle axis to indicate the direction you selected for move-
ment.
7. To dimension the move,
1. Click Ruler in the Options panel.
2. Click an edge or face to anchor the ruler.
The ruler is oriented along the selected Move handle axis.
3. Type a distance and press Enter.
Dimensional sketching
SpaceClaim allows you to do precise, dimensional sketching internal to the current line and relative
to other lines and points. If a dimension cannot be edited, it does not highlight on mouse over.
To dimension the current line

1. Press the space bar to enter a value.
2. Press Tab to highlight and edit a secondary dimension.
3. Press Enter to accept the values.
SpaceClaim allows you to enter mathematical expressions as dimension values.
To dimension relative to other lines and points

Hover the mouse over a line or point and press Shift to create a dimension relative to that line or
point. If you click a spline, the dimension is always created from the start point of that spline.
The dimension is displayed as Cartesian or Polar coordinates1 based on which coordinate system
you select in the Options panel2.
To create an offset angular dimension

If the angular reference does not touch the arc center, parallel reference lines are created.
1See coordinates
Points
Use the Point1 tool to sketch points in 2D and 3D. Points are useful as a dimensional reference, for
splitting, and for creating a point on a line or curve through which you want to draw a three-point
circle. You can also project vertices in 3D to create points in the sketch.
The sketch grid must be visible in the workspace before you can draw.
To draw a point
1. Click Point in the Sketch group on the Design2 tab.
2. Choose a mode:
If a sketch plane is not active, press Esc to sketch in 3D or click on an object or objects in
the Design window3 to make a sketch plane.
If a sketch plane is active, click 3D Mode4 in the Mode group or press D to sketch in 3D.
3. (Optional) Dimension the point relative to another object.
4. Click to place a point:
On a face or surface: click on a location on a face or surface.
On an edge or curve: click on a location on the edge or curve.
On the midpoint of a straight line between two points in 2D: hold Alt and Shift and
select two points, then click on the temporary point at the midpoint.
On the midpoint of a straight line between two points in 3D: select two points.
Projected onto a face: select a point and then a face to project onto.
Projected onto an edge: select a point and then an edge to project onto.
In a UV direction within a face/surface: select an existing point on a face and then a
location on the face to specify the direction.
Along an edge from an existing point on the edge: select a point on an edge and a
location along the edge.
You can also use temporary points, axes, and planes to help you create points. When hovering
over, or selecting on a point with the Select tool, the X, Y, Z locations of the pointdisplay in
the status bar.
Tool guides
Use the Select tool guide to select a location for the point.
Use the Select Direction tool guide to change the direction of the dimension for the point.
Options
the origin.
checkbox again in the Sketch Options group of the Options panel2 in order to create layout
Curve3 Fitter Options: If the Sketch plane passes through a Mesh object4, the system will fit
points.
snap to the facets.
Lines
Use the Line1 tool to sketch lines in 2D or to draw lines between points on objects in 3D. These lines
will become edges when you pull your sketch into a solid with the Pull2 tool.
To draw lines on a sketch plane

1. Click Line in the Sketch group or press L.
2. If a sketch plane is not active, click on an object or objects in the Design window3 to make a
sketch plane.
3. Click to set the first point of the line.
You can dimension the points relative to other objects.
4. Continue selecting points to draw line segments.
If you want any section of the line to be an arc, right-click and select Switch to Arc4, then click
to set the radius. Right-click and select Switch to Line to return to drawing straight lines
between points. You must create at least one line segment before using this option.
5. End the line:
Double-click to set the end point of the line.
Right-click and select Finish Line.
Press Esc.
4 Curved line of constant radius; part of a circle. See Sweep arc, Three point arc, Tangent arc.
Connect the end point to the start point.
Click any tool (except the Clipboard and Orient tools).
Click and drag to draw one straight line.
To draw lines between points in 3D

2. (Optional) Select Define line from center in the Options panel1 to start drawing the linefrom
its center instead of an end.
3. Switch to 3D mode:
If a sketch plane is not active, press Esc.
If a sketch plane is active, click 3D Mode2 in the Mode group or press D.
This can be any point on an object in your design.
5. Continue selecting points to draw line segments.
6. End the line:
Press Esc.
To use a line as a mirror

Right-click the line and select Set as Mirror3 Line.
To toggle between a line and a construction line

Right-click the line and select Construction On/Off.
Options
The following options are available in the Options panel:
Define line Select this option to sketch a line from the center. Click to define the center of the
from center line, then click again to set the length. You can also drag to draw the line.

the origin.
points.
Examples
Sketching a line between two solids in 3D

snap to the facets.
Tangent lines
Use the Tangent1 Line2 tool to sketch lines tangent to any curves in your design.
To draw a tangent line on a sketch plane

1. Click Tangent Line in the Sketch group.
The tool is disabled if there are no curves or lines in the sketch plane.
2. Click the curve you want to draw tangent to.
3. As you move the mouse, the start point moves so that the line remains tangent to the curve.
The tangency indicator shows you how the new line will be tangent with existing geometry if
you click on the current cursor location.
4. (Optional) Dimension the line with a length.
You cannot dimension from another sketch object when creating a tangent line.
5. Click to set the end point of the line.
If you move your mouse over another curve, the line snaps so that it is tangent to the second
curve. Hold Alt to stop your cursor from snapping to curves.
1Line that touches a curve (arc or circle) at only one point, without crossing over, and is per-
To draw tangent lines between points in 3D
The tangency indicator shows you how the new line will be tangent with existing geometry if
To use a tangent line as a mirror

To toggle between a tangent line and a construction line

Options
the origin.
points.
snap to the facets.
Construction lines
Use the Construction Line1 tool to draw lines that help you create an accurate sketch. Construction
lines become axes in 3D. They are also useful for creating mirrors.
To draw a construction line

1. Select the Construction Line tool from the Sketch ribbon group.
2. (Optional) Dimension the first point relative to another sketch object.
4. (Optional) Dimension the line.
5. Click or press Enter to end the line.
By default, the line is dimensioned to its start point, but you can dimension to another sketch
object.
To use a construction line as a mirror

To toggle between a line and a construction line

Options
the origin.
snap to the facets.
points.
Rectangles
Use the Rectangle tool in the Design1 tab or press R to draw a rectangle along the axes of the
sketch grid. When you exit the sketch, any rectangles become surfaces, and the lines become edges
of a rectangular solid when you pull your sketch into 3D with the Pull2 tool.
To draw a rectangle
1. Click Rectangle in the Sketch group or press R.
2. (Optional) Select Define rectangle from center in the Options panel3 to start drawing the
rectangle by clicking the point for its center instead of a corner.
3. Click to set the first corner.
Move4 your mouse over the sketch grid to preview the rectangle. Dashed lines appear when
you create a square or golden rectangle.
You can dimension the points relative to other sketch objects.
4. Click to set the opposite corner of the rectangle.
Options

Define Select this option to sketch rectangles from their centers. Click to define the center of
rectangle the rectangle, then click again to set the length of the sides. You can also drag to draw
from cen- the rectangle. Hold the Alt key while drawing a rectangle to toggle this option on-the-
ter fly.

the origin.
snap to the facets.
points.
Examples
Sketching a square
Sketching a rectangle from its center
Three-point rectangles
Use the Three-Point1 Rectangle tool to quickly sketch a rectangle at any angle on the sketch plane.
These lines will become the edges of a rectangular solid when you pull your sketch into 3D with the
Pull2 tool.
To draw a three-point rectangle

1. Click Three-Point Rectangle in the Sketch group.
3. Click to set the first corner of the rectangle.
4. Click to set the length of the second side.
Click and drag to draw the first side, then click to set the length of the second side.
Options
Define Select this option to sketch rectangles from their centers. Click to define the center of
Rectangle the rectangle, then click again to set the length of the sides. You can also drag to draw
from the rectangle. Alt+drag or Alt+click to return to the standard behavior when the option
Center is selected.

the origin.
points.

snap to the facets.
Circles
Use the Circle tool to sketch a circle in 2D when you know the location of the circle's center and a
point on the circles edge, or the radius or diameter. The circle can become a cylinder or hole when
you pull it into 3D with the Pull1 tool, or a sphere or torus if you rotate or sweep it.
To draw a circle
1. Click Circle in the Sketch group or press C.
2. Click to set the circles center.
3. Click to set the circle's diameter.
4. The circle will snap to existing sketches or determined circles and arcs in the plane of the
sketch.
If you sketch two circles that are tangent to each other, and then change the diameter of one
circle by editing its dimension, tangency with the other circle is maintained.
If you drag the center of a circle that is tangent to another circle, the radius of the other circle
changes to maintain tangency.
Options
the origin.
points.
snap to the facets.
Examples
Editing a tangent circle by dragging the circle's center with tangency is maintained
Three-point circles
Use the Three-Point1 Circle tool when you dont know the center of the circle, but you know where
the edge of the circle must be. This tool works with any combination of free points, known points, or
tangent attachments. The circle will become a cylinder or hole when you pull it into 3D with the
Pull2 tool. You can also rotate the circle about a line to make a sphere or torus.
To draw a three-point circle

1. Click Three-Point Circle in the Sketch group.
2. (Optional) Select Three-point circle segment in the Options panel3 to create an arc that is a
segment of a three-point circle.
3. Click to set the first point on the circles edge.
If you click a curve or line, the circle will be drawn tangent to the curve or line, unless you click
the midpoint or vertex.
4. Click to set the second point on the circles edge.
If the circle disappears as you move your mouse over the sketch grid, then the cursor location
cannot be included in any circle drawn through the first two points and the current point. If
you click a curve or line, the circle will be drawn tangent to the curve or line unless you click
5. Click to set the last point on the circles edge.
Options
Three-
Check this option to create an arc that is a segment of a three-point circle. To create an
point
arc with this option, click to set the first point, click to set the second point, then enter
circle seg-
the diameter or click to set the final point.
ment

the origin.
points.
Examples
Editing a tangent circle by dragging the circle's center; tangency is maintained
snap to the facets.
Dragging (with the Select tool) a three-point circle drawn through a rectangles vertex maintains the
connection.
Ellipses
Use the Ellipse1 tool to sketch an ellipse in 2D. The ellipse can become an elliptical solid or hole
when you pull your sketch into 3D with the Pull2 tool. You can also sweep the ellipse in 3D, or rotate
it.
To draw an ellipse
1. Click Ellipse in the Sketch group.
2. Click to set the center of the ellipse.
3. Click to set the overall length and angular orientation of the first axis.
4. Click to set the length of the second axis.
Options
1Geometric shape described as a circle viewed at an angle; oval with two centers of equal radius.
the origin.
points.
snap to the facets.
Tangent arcs
Use the Tangent1 Arc2 tool to sketch an arc that is tangent to a curve or line in your design. This arc
will become an edge when you pull your sketch into 3D with the Pull3 tool.
To draw a tangent arc

1. Click Tangent Arc in the Sketch group.
2. Click the line or curve you want to draw tangent to.
This is usually done at the end point of a line, arc, or spline, but it can be on the line. If two
lines share an end point, use the scroll wheel to set tangency to the other line.
3. (Optional) Dimension the radius and chord angle.
4. Click to set the end point of the arc.
The arc cannot end on its start point to make a circle or end on the same line as its start point.
To draw a tangent arc between points in 3D
3. Click to set the first point of the arc.
The tangency indicator shows you how the new arc will be tangent with existing geometry if
To edit a tangent arc

Drag the arc to edit it. When you drag a tangent arc, it increases its radius while maintaining its chord
angle.
Options
the origin.
points.
Examples
Arc sketched tangent to two circles
snap to the facets.
Editing a tangent arc maintains its connections
Three-point arcs
Use the Three-Point1 Arc2 tool to create an arc by specifying its start and end points, and the radius
or chord angle. This arc can be created tangent to another arc, line, or spline at its start. The arc will
become an edge when you pull your sketch into 3D with the Pull tool. As an option, you can also cre-
ate a Three-Point Arc in 3D mode.
To draw a three-point arc

1. Click Three-Point Arc in the Sketch group.
2. Click to set the start point of the arc.
If the start point is on another line, arc, or spline, then the arc will initially be drawn tangent to
that line, arc, or spline.
You can dimension the point relative to other sketch objects.
4. Click to set the arc's radius.
You can dimension the chord angle or radius.
The arc will snap to tangent objects.
Options
the origin.
points.
snap to the facets.
Swept arcs
Use the Sweep1 Arc2 tool to create an arc with a known center and end points. Tangency is not a
factor in the creation of this arc. The arc will become an edge when you pull your sketch into 3D with
the Pull3 tool.
To draw a swept arc

1. Click Sweep Arc in the Sketch group.
2. Click to set the center of the arc.
3. Click to set the start point and radius of the sweep circle.
You can dimension the chord angle or offset the angular dimension.
Options
1Pull a surface or face along a line or edge using the Pull tool. You can sweep faces and edges, and
select straight or curved lines or edges along which to sweep. Sweeping along a spline is a pulling
technique for creating a smooth, swoopy shape. See Trajectory.
the origin.
points.
snap to the facets.
Polygons
Use the Polygon1 tool to draw a polygon with between 3 and 64 sides. You can dimension the loc-
ation of the axis, the length of the radius, the orientation angle, and set the number of sides as you
sketch the polygon.
The sides of a sketched polygon maintain their relationship to each other. When you pull a polygon
into 3D, faces with a polygon relationship are displayed with a pattern when you select the solid.
Changing one face or edge affects all the faces in the relationship.
To draw a polygon
1. Click Polygon in the Sketch group.
2. (Optional) Select Use internal radius in the Options panel2 to dimension the polygon based
on the diameter of a circle inscribed within the polygon. Uncheck the option to dimension the
polygon based on a circumscribed circle.
3. Click to set the center of the polygon.
4. Drag the mouse to draw the polygon and change its orientation.

The orientation is the polygon's angle relative to the X and Y axis.
You can press Tab and type a number to change the diameter, orientation, or number of sides.
5. Click to complete the polygon.
The sides of the polygon are all related, and act as one object. When pulled in 3D, the edges
and faces of the polygonal solid will also maintain this relationship.
Tip If you trim a polygon sketch with the Trim Away tool, you can drag the original sides of
the polygon with the Select tool to recreate the polygon.
To set the number of sides

Press Tab and type a number while you draw a polygon.
or
1. In Sketch mode1, select the polygon with the Select tool.
2. Right-click the polygon and select Properties.
3. Enter a value for the Number Of Sides property.
Polygons can have a minimum of 3 sides, and a maximum of 64 sides.
To remove the polygon relationship from the faces of a polygon solid

Right-click a face of the polygon and select Remove Association2.
Any changes you make to the face of the polygon will affect only that face.
Options
2 Relationship between objects that enables you to edit them together. For example, when you pull a
polygon into 3D, the faces acquire a polygon relationship. If you act on one face or edge, it affects
all the faces in the polygon. Another example of an association is a mirror plane between two faces.
See Mirror, Remove associations
Select this option to dimension the polygon based on the diameter of a
Use circle inscribed within the polygon. Uncheck the option to dimension the
internal polygon based on a circumscribed circle. In the image below, the blue
radius circle is inscribed within the polygon and the orange circle is cir-
cumscribed around it.
the origin.
to a drawing sheet, with Sketch mode selected you must select the Create layout curves check-
box again in the Sketch Options group of the Options panel in order to create layout curves
on the drawing sheet. See Layout Curves.
points.
snap to the facets.
Examples
Hexagonal head nut
A polygon pulled into a solid maintains the relationships between its sides. In this example, pulling
one side pulls all sides of the polygon.
Creating a spline
Use the Spline1 tool to sketch splines in 2D or to draw splines between points on objects in 3D. A
spline is a continuously curved line, without sharp boundaries (that is, without vertices). Splines can
become edges when you pull your sketch into 3D with the Pull2 tool. Sweeping along a spline in 3D
lets you create smooth, curvy shapes.
To draw a spline on a sketch plane

1. Click Spline in the Sketch group.
2. If a sketch plane is not active, click on an object or objects in the Design window3 to make a
sketch plane.
3. Click to set the first point of the spline.
Hold Alt and click to set the point if you want it to be tangent with an adjacent sketch or edge.
When highlighting the vertex (which is actually an end point of one of the intersecting edges
which has influence at the time) scroll the mouse wheel to select other adjacent edges with
which to set the tangent vector direction,as previewed by the green tangency symbol.
4. Click to set the next points of the spline.
You can Dimension spline points by entering the coordinate distance from the start point to
each point, or dimension each point relative to another sketch object.
Pull tool.
5. End the spline:
Double-click to set the end point of the spline.
Hold Alt and click to make the end point tangent with an adjacent sketch or edge.
Right-click and select Finish Spline.
Press Esc.
Click any other tool (except the Clipboard and Orient tools).
To draw a continuous spline

2. Select Draw continuous spline from the Spline section of the Sketch options panel.
3. Click and drag to draw thespline.
4. Release to finish drawing.
To draw a spline between points in 3D

Hold Alt and click to set the point if you want it to be tangent with an adjacent sketch or edge.
When highlighting the vertex (which is actually an end point of one of the intersecting edges
which has influence at the time) scroll the mouse wheel to select other adjacent edges with
which to set the tangent vector direction,as previewed by the green tangency symbol.
4. Continue selecting points to draw spline points.
5. End the spline:
Hold Alt and click to make the end point tangent with an adjacent sketch or edge.
Right-click and select Finish Line2.
Press Esc.
To create a closed spine

You can create a closed spline in the following ways:
When drawing a spline, end it on the start point.
When editing the spline, drag one end point on top of the other point.
Once you have created a closed spline, you cannot edit it into an open spline.
Options
the origin.
points.
Examples
Sketching a spline between points in 3D
snap to the facets.
Editing a spline
You can drag a spline, its spline points, or its control points while the Select tools is active. You can
be in 2D or 3D mode.
Spline1 points are the points along the spine that define the position of its curves. Spline points are
displayed as circles when you hover over a spline.
Control points are displayed outside of the spline, and define the curvature of the spline between
points. Control points are displayed as diamonds connected by a dotted line when you select a
spline.
To move a spline
1. Click the Select tool in the Edit group on the Design2 tab while in 2D mode.
2. Mouse over the spline to highlight the spline and display its defining points.
3. Click anywhere on the spline except for the defining points, and drag it to move it.
To edit a spline
1. Click the Select tool in the Edit ribbon group while in 2D mode.
3. Click and drag on any spline or control point to move it, leaving the other spline and control
points fixed in space.
You can box-select spline points.
4. (Optional) Edit the dimensions associated with that point.
Pull tool.
To change spline end points
1. Select the spline to display its end point control handle.
The end point control handle is a light blue point at the end of a dotted line extending out-
wards from the end of the spline. In some cases, these end points may be located some dis-
tance away from your sketch. Zoom out from the sketch until you can see the end point
control handle.
If another line, arc, or spline shares that end point, the end point influence may snap into tan-
gency with that sketch entity. To adjust the end point influence in this case, move the mouse a
short distance away from the end point to display the end point control handle.
After it is moved, the end point will snap to its original tangency.
2. (Optional) In 3D, hold Alt and select a planar or linear object that you want the spline to be tan-
gent with. You can hold Alt and select a curve, edge or face if the curve, edge or face passes
through the point. If you select a face, the tangency at the point where the point intersects the
curve or surface is used. The default is the tangency direction with the least amount of
curvature.
3. Drag the end point control handles to change the influence of that end point on the shape of
the spline.
The control handle will snap back to its initial tangent direction, which is indicated by a dotted
line.
The amount of the end point's influence can be controlled by dragging the end point control
handle closer to or further away from the end point.
To add spline points

1. Click the Select tool in the Edit group on the Design tab while in 2D mode.
3. Right-click anywhere on the spline except on the defining points, and select Add Knot to cre-
ate another spline point at that location.
To remove spline points

2. Click the spline to highlight it and display its defining points.
3. Right-click the point you want to remove and select Remove Spline Point1.
The spline adjusts to accommodate the removal of the point.
To change the end point tangency of a spline

2. Select the spline in the Design window2.
3. Set the value for Periodic in the Properties panel3:
True: If you change this property to True, the tangencies of the beginning and end of
the spline curve will match to create a closed curve. If a spline curve is open and you set
the property to True, the spline will be closed, as shown here:
False: If you change this property to False, the end tangencies of a closed curve dont
match. If a spline curve is closed and you set the property to False, the curve will
become teardrop-shaped because the end points will no longer be tangent, as shown
here:
To extend a spline by pulling
1. Click the Pull tool in the Edit group on the Design tab while in 3D mode.
2. Click an end point of the splineand drag in the direction of the Pull1 arrow.
You can also click the end point, click theUp To tool guide, then click the objectup to which
you want to pull.
Examples
Dragging a spline point
Dragging a control point
Dragging end point control handles in 3D
Splitting curves
Use the Split1 Curve2 tool to split one curve with another curve or point. You can also use a 3D
object that intersects the curve, such as a plane or face. The segments of the split curve can then be
selected and edited independently.
The sketch grid must be visible in the workspace before you can split curves.
To split a curve
1. Click Split Curve in the Sketch group.
2. Click the curve you want to split.
3. Click a curve or point that intersects the curve you want to split. The curve will be split at the
intersection.

Creating corners
Use the Create Corner1 tool to trim back or extend two lines so that they meet at a corner.
The sketch grid must be visible in the workspace before you can create corners.
To connect two lines with a corner

1. Click Create Corner in the Sketch group.
2. Click a line, arc, or spline.
3. Mouse over another line to preview the corner that will be created.
If you mouse over a line that is the cross-section edge of a solid or a silhouette edge, it will
not change. Only a sketched line will change.
4. Click an intersecting line to trim the lines, or a non-intersecting line to extend the lines.
5. If the lines intersect, click the part of the intersecting line you want to keep. If the lines do not
intersect, you can click anywhere on the line to extend the lines to form a corner.
Options
The following options are available in the Create Corner tool:
If you select this option and click the first line, then click a second, non-intersecting
Trim/Extend
line, you extend the first line, but not the second. If the two lines intersect, the first
curve
line is trimmed by the second line.
1See Fillet (interior corner) or Round (exterior corner)
Examples
Creating a corner between arcs.
Extending a spline to the intersection with another sketch curve.
Creating rounded corners
Use the Create Rounded Corner1 tool to trim back or connect two intersecting lines or arcs so that
they meet with an arc tangent at both ends. You can also use this tool with coplanar 3D lines, such as
lines you created by blending.
The sketch grid must be visible in the workspace before you can create roundedcorners, which are
also known as fillets.
To connect two lines with a rounded corner

1. Click Create Rounded Corner from the Sketch group on the Design2 tab.
2. Select a line or arc.
The first line or arc you select will be extended, if necessary.
3. Mouse over another line to preview the round that will be created.
If you mouse over a line that is the edge of a solid, that edge will not change. Only a sketched
line will change. The radius of the arc is previewed as you move the mouse. Enter a radius to
dimension it.
4. Select an intersecting line to trim the lines, or a non-intersecting line to connect the lines.
Where you click on the intersecting line defines the radius of the tangent arc, or you can
dimension the round (or chamfer) by entering its diameter.
If the lines intersect, click the part of the intersecting line you want to keep. If the lines do not
intersect, you can click anywhere on the line to extend the first line to form a rounded corner.
Circles are never trimmed.
For lines that meet at a corner, you can select and drag the vertex.
You can also enter the tool first and then make your selection.

To create multiple rounded corners using Ctrl
1. Sketch some curves with several vertices (e.g. a rectangle).
2. Enter the Create Rounded Corner tool.
3. Click a corner vertex and drag to preview the round.
4. Press and hold the Ctrl key

The preview disappears
5. While holding Ctrl, click and drag another corner vertex to preview BOTH rounds.
6. Press and hold the Ctrl key

The preview disappears
7. Repeat for the remaining corners.
8. On the last corner (meaning no more Ctrl key selection), you will see all rounds previewing sim-
ultaneously.
9. Click to place the rounds or enter a radius value
To edit a rounded corner

Drag the rounded corner with the Select tool to change its radius. Tangency is maintained.
Options
The following options are available with the Create Rounded Corner tool.
Chamfer1 Mode2 Create an equal-sided chamfer instead of an arc.

Disable Trimming Leave the underlying lines instead of removing them.
Examples
Rounding a corner with the Chamfer Mode option
Rounding a corner with the Disable Trimming option
Rounding a corner where the first line selected is extended
1 Sloping corner between two edges created using the Pull tool; angle with equal setback; bevel.
Rounding corners of 3D lines, then sweeping to create a pipe
Bending lines
Use the Bend tool to bend straight lines and edges to form an arc. You can also use the Bend tool to
adjust the radius of arcs and arced edges. Bend works on straight lines when you are sketching and
when you are editing in cross-section.
You can insert a point curve text file to make a complicated bend.
To bend a line or edge

1. Click Bend in the Sketch group or press B.
2. If you are working in Section mode1, select the face that contains the edge.
3. Click and drag a line or arc to bend it or change its radius.
Enter a value to dimension the radius.
Options
the origin.
1See Section
points.
snap to the facets.
Trimming lines
Use the Trim Away tool to delete any line portion bounded by an intersection with a line or edge.
The sketch grid must be visible in the workspace before you can trim lines.
To delete a bounded line

1. Click Trim Away in the Sketch group or press T.
2. Mouse over a line to preview the section that will be deleted.
3. Click to delete the highlighted line section.
The portion of the line you clicked is deleted up to any intersection with another 2D line or
edge of a solid.
Inserting a face curve
You can draw spline curves on a 3D face using the Face1 Curve2 tool. These curves follow the con-
tour of a face. The face curve can be used like any other edge to modify the object.
To insert a face curve

1. Click Face Curve in the Insert group on the Design3 tab.
2. Click spots on the faces or edges of a part to draw the spline curve. Your spline can be drawn
on one or more faces, but can only be drawn on one object.
Face curves can also be sketched on mesh bodies by selecting facet points as spline points.
3. Double-click to end the curve or close the curve by clicking on your beginning point.
Now you are in editing mode and can change the curve as desired. The curve will not be
applied to your design until you complete the operation.

4. (Optional) Right-click a spot on the curve and select Add Face Curve Point1 to add a spline
point.
5. (Optional) Right-click a spline point and select Remove Face Curve Point to delete the point.
6. (Optional) Drag points to change the curve.
7. (Optional) Set the value for Periodic in the Properties panel2:
True: If you change this property to True, the tangencies of the beginning and end of
the curve will match to create a closed curve. If a curve is open and you set the property
to True, the spline will be closed.
False: If you change this property to False, the end tangencies of a closed curve dont
match. If a curve is closed and you set the property to False, the curve will become
teardrop-shaped because the end points will no longer be tangent.
8. Click the Complete tool guide or press Enter to apply the curve to your design.
Tip: You will get much more predictable results if the face to face boundaries you are drawing over
are tangent. Click on the edges (tangent or not) to place a point for more control over the inter-
section point at that boundary.
Tool guides
The Complete tool guide creates the face curve.
Examples
Sketching a face curve that is closed over tangentially-connected solid faces
The result of offsetting the edges that were created as a result of the face curve above
Offsetting curves
Use the Offset1 Curve2 tool to create an offset of any curve in the grid plane. If you are creating an
offset spline, you will get the best results with an offset distance appropriate to the curvature of your
spline.
The sketch grid must be visible in the workspace before you can create offset curves.
To offset a curve
1. Click Offset Curve in the Sketch group on the Design3 tab.
2. Select the curves you want to offset.
Standard curve selection techniques apply, so you can double-click to select connected loops
of curves. Ctrl and Shift can also be used to extend or replace the selected items prior to off-
setting.
You can also use box, lasso, and paint select modes to select multiple sketch curves. See Using
the radial menu to learn how to access these select modes.
If you select more than one curve, then they will be merged when they are offset.
To clear the current selection, click an empty spot in the Design window4.
3. Hover the mouse over a line or point and press Shift to create an offset from that curve or
point.
As you move the cursor away from the selected curve, you can see a preview of the offset res-
ult. The offset defaults to one grid square.

4. (Optional) Select an option to specify how intersecting offset curves should meet.
5. Enter a dimension or click to set the width of the offset.
Options
The following options are available in the Offset Line1 tool:
Close with corner Close intersecting offset lines with a corner.

Close with arc Close intersecting offset edges with an arc.
Close naturally Close intersecting offset edges with a curve.
Offset both ways Create two offset lines on either side of the selected line.
Example
Highlighted line offset using each option. Shown from top to bottom: Close naturally, Close with
corner, and Close with arc.
Projecting onto the sketch grid
Use the Project to Sketch tool to copy an edge or vertex of a solid to a 2D line or point that you can
manipulate with the sketch tools. You can also project a note onto the sketch grid. Projecting an axis
onto the sketch grid creates a construction line.
Except when explicitly selecting a new sketch plane, this is the only sketch tool that can select items
that are not on the sketch grid. You can also select note text and project the text onto your sketch.
The sketch grid must be visible in the workspace before you can project edges onto it.
You can project a body onto a layout sketch plane on a drawing sheet.
To project an edge, vertex, or note onto the sketch grid

1. Click Project to Sketch in the Sketch group on the Design1 tab.
Mouse over your design to highlight the objects available for projection.
2. Click the edge, edge chain, vertex, or note text you want to project into the sketch plane.
Standard edge selection methods apply, so you can double-click, Ctrl+click, and Shift+click to
create or modify your selection.
You can also click and drag to draw a selection box enclosing the objects you want to project,
including silhouette edges.
The edge, vertex, or text appears as a sketched line to show that it is now a line or point in the
sketch plane.
Duplicate edges (that appear on top of each other) in the sketch are consolidated when you
return to 3D mode.
Tip If you have difficulty seeing a projected line, check that Fade Scene Under Grid1 is selec-
ted on the Display tab.
To project a solid onto the sketch grid

1. Click Project to Sketch in the Sketch group on the Design tab.
2. Click on the Select Bodies tool guide if you want to select bodies in the design window.
You do not need the tool guideto select bodies in the Structure tree2.
3. Select one of the following options:
All body edges if you want all edges projected onto the sketch grid.
Visible body edges if you want only the visible, or silhouette, edges projected onto the
sketch grid.
Body3outline if you want to just project the body outline. Select a body in the Design
window4 or Structure tree.
Examples
Projecting all body edges to the sketch grid
1 See Sketch grid

Projecting the body outline to the sketch grid
It may be necessary to use the tools in the Fix Curves group on the Repair tab if the sketch does not
automatically close into a surface.
Scaling a sketch
Use the Scale1 tool to display control handles that you can use to manipulate a 2D object. The Scale
tool also works in Section mode2 on solids with only planar faces.
The Scale tool works for sketches that lie on a plane. If you need to scale sketches that lie on mul-
tiple planes, see Scaling sketches with Pull.
To scale, rotate, or pan an object

1. Click Scale in the Sketch group on the Design3 tab.
2. Select a drawing or clipping plane.
3. Select any 2D object (including arcs and splines) or 3D edge.
You can hold Ctrl or draw a box in the Design window4 to select multiple objects.
You can select individual spline points to change part of a spline curve.
4. Scale, rotate, or pan the object by doing the following:
Scale: Drag the white control handle. You can press Shift while dragging to lock the
aspect ratio. You can also enter a dimension, including a percentage (such as 50%).
1 Solid or surface: Change the size of the selected object using the Pull tool. You can scale dynam-
2See Section
Rotate1: Drag the green control handle.
Change the center of rotation and scaling: Drag the pink circle.
Pan2: Move3 the mouse over the dashed border so it changes to a solid line then drag
the boxed object(s).
Options
The following option is available in the Scale tool:
Select this option to keep the ratio between the sides the same when you drag or
Fix aspect
enter a dimension. You can also Shift+drag to keep the aspect ratio without selecting
ratio
this option.
Reorient the
Move and rotate the scale bounding box without affecting the selected geometry.
box
Maintain Keep the connection between a sketch curve and other curves that share its end
sketch con- points. If you deselect this option and scale a sketch curve, the curve will scale inde-
nectivity pendent of other curves.

the origin.
an axis.
2 Move a drawing around by dragging the drawing area around your screen; move the viewpoint lat-

points.
snap to the facets.
Examples
The Scale tools dimensions refer to the extents of the selected sketch object
Scaling in Section mode
Scaling sketches using pull
You can scale sketch curves with the Scale tool, or you can use the Pull1 tool.
You should use the Scale2 tool when you want to scale sketch curves that lie on a plane. Use the Pull
tool when you want to scale curves that lie on multiple planes, as in the example below.
To scale sketch curves with the Pull tool
1. Click Pull in the Edit group on the Design3 tab.

2. Select the curves.
3. Click the Scale tool guide.
4. Select an anchor point.
5. If Blend4 is highlighted in orange, click to turn this option off in the Options panel5.
Scaling won't work if the Blend option is enabled.
6. Drag in the direction of the yellow guide arrow.
4 Smooth and tangent transition between faces or edges; created using the Pull tool.
Editing
Use the editing tools to create and edit 2D and 3D solids. You can select, pull, move (in 2D and 3D),
edit in cross-section, fill (heal), bend lines and edges, and tweak faces.
In SpaceClaim, there is little need for a distinction between creating and editing. There is no hier-
archical feature tree, so you have considerable freedom when designing. Create a box by pulling on
a rectangular region. Edit the size of the box by pulling on one of its faces. Draw a rectangle to cre-
ate a pull-able region. Draw a rectangle on a face to create a new face.
In general, you are either editing or creating with one of the main tools (Select, Pull1, Move2, Com-
bine3, or sketching and editing in Section mode4), the many secondary tools, or inserting rela-
tionships between faces in the design (Shell5, Offset6, Mirror7). Combining objects (intersecting,
merging, cutting, etc.) is handled by the tools in the Intersect8 ribbon group.
Selection is integral to face and edge manipulation. You can extend selections with standard con-
trols (double-click, Ctrl, Shift), by right-clicking and selecting from the Select menu, or using
SpaceClaim's power selection functions.
A quick note about solids and surfaces: SpaceClaim always converts a closed set of surface faces into
a solid. Similarly, sketched lines that clearly create regions on faces are replaced with real edges. The
change in face transparency and edge lines reflects this transformation.
You can cut, copy, paste, and detach objects in most tools.
You can also nudge objects in most tools. Hold Ctrl+Alt and the up or down arrow to nudge an
object. The up arrow increases the dimension and the down arrow decreases the dimension. If you
nudge multiple times then click Undo, all the nudges will be reverted. You can view and change the
nudge distance in the Snap options.
4See Section
8A tool used to split solids and faces.
In SpaceClaim, there are three modes you can use to edit your designs:
Sketch mode1 displays the sketch grid, so you can use any of the sketch tools to sketch in 2D.
Section mode lets you edit solids by working with their edges and vertices in cross-section.
3D mode lets you work directly with objects in 3D space.
Edit ribbon group

The Edit ribbon group contains the following tools:
Use the Select tool to select 2D or 3D objects in your design for editing. You can select ver-
tices, edges, curves, planes, axes, faces, surfaces, rounds, solids, and components in 3D. In 2D,
you can select points and lines. You can also select circle and ellipse centers, the midpoints of
lines and edges, and the internal points and end points of splines. The Select tool can also be
used to edit a sketch.
Use the Pull tool to offset, extrude, revolve, sweep, draft, scale, drape, and blend faces; use it
to round, chamfer, or extrude edges.
Use the Move tool to move one or more faces, surfaces, solids, or components. The behavior
of the Move tool changes based on what you have selected.
Use the Fill tool to fill in the selected faces with the surrounding surface or solid. The region
must be completely surrounded to be filled. You can also use the Fill2 tool to patch new sur-
faces through loops of edges.
Use the Replace tool to replace one face (or multiple faces) with another face (or faces). You
can also use it to simplify a spline face that is very similar to a cylinder or plane, or to align a
set of planar faces that are almost aligned.
You can edit any face or surface with Tweak Face to change its surface geometry. This tool is
available in 3D mode and in drawings.
Editing with annotation dimensions
You can use 3D annotation dimensions to change your design using the Pull1 and Move2 tools.
Annotation3 dimensions can be used in combination with ruler dimensions.
To view a video tutorial on this topic, see Tutorial: Annotation Dimensions on the SpaceClaim web
site.
To use 3D annotation dimensions with the Pull or Move tool
1. Click Pull or Move in the Edit group on the Design4 tab.

2. Select the objects you want to pull or move. You can select an edge, face, point, or surface.
3. If you are using the Move tool, select a direction on the Move handle.
4. Click the spark icon next to the dimension you want to use to drive the change. The icon
turns yellow when you hover over it with your mouse, as shown in the image above.
The dimension field can be edited when you click on the spark icon.
These icons appear when you use a tool that can be used with annotation dimensions to drive
changes. The annotation dimension must be associated with the face, edge, or point you want
to change.

If you are using the Move tool and you don't see the spark icons, you need to select a dir-
ection on the Move handle or you must create a ruler dimension. You get more predictable
results if you re-anchor the Move handle to the appropriate face, edge, or point.
5. Type a new dimension and press Enter.
The objects you selected will change based on the dimension.
If the dimension you change isn't associated with the objects you selected, nothing will
change and you will see an error message in the Status area on the lower right side of the
SpaceClaim window.
If the tool can't make the change in the direction that the Pull or Move handle points toward,
then it will try to make the change in the opposite direction to achieve the dimension you
enter.
Examples
Selecting a dimension with the Pull tool active
Selecting a dimension with the Move tool active. You must select a direction on the Move handle
before you can select a dimension.
Changing the value of the dimension field
Using an angular dimension to Pull a face with a revolve axis set
Using a linear dimension to offset a face with Pull
Using a linear dimension to change the angle of a face with Move
Note1: We re-anchored the Move tool to the lower, horizontal edge of the face
Pulling with a radial dimension on a face that is offset with another cylindrical face; also works when
you select both radial faces without an offset relation
Mathematical expressions
The following expression elements are available:

Infix (dyadic) operators: + - * / ^
Prefix (monadic) operators: + -
Functions: sin, cos, tan, asin, acos, atan, sqrt, log, log10, exp
Constants: pi, e, root2, root3
Units: m, cm, mm, yd, ft, ', in, ", deg, rad
Normal1 precedence rules apply:

1 + 2 * 3 ^ 4 = 1 + (2 * (3 ^ 4)) = 163
Parentheses are required for expression arguments and optional for simple arguments:
sqrt 2 = sqrt(2) = 1.4142...
sqrt 2*2 = (sqrt 2) * 2 = 2.8284...
sqrt(2*2) = 2
Missing operators are inferred:

1 1/2 = 1 + 1/2
16 = 1 + 6
1ft 6in - 17in = 1ft + 6in - 17in
1 2 3 4 5 = 1 + 2 + 3 + 4 + 5 = 15
(1)(2)(3)(4)(5) = (1) * (2) * (3) * (4) * (5) = 120
2(1 + 2) = 2 * (1 + 2) = 6
sqrt 2 sqrt 2 = sqrt 2 * sqrt 2 = 2
4(4atan(1/5) - atan(1/239)) = 4 * (4 * atan(1/5) - atan(1/239)) = pi
Units are applied to previous terms if units were not specified and are applied to subsequent terms
unless you override them:
1 + 1cm = 1cm + 1cm
1cm + 1 = 1cm + 1cm
1The vector that is perpendicular to a flat plane at the selected point. In the case of a non-flat plane,
the vector that is perpendicular to the plane tangent to the surface at the selected point.
1cm + 1 + 1mm = 1cm + 1mm + 1mm
1cm + 1 1/2 mm = 1cm + 1mm + 1mm / 2
Trigonometry functions work in radians by default, but you can enter degrees:
sin(45 deg)
Numbers support standard form, but e is a built-in constant:
2e2 = 200
2e 2 = 2 * e * 2 = 10.873...
2e-2 = 0.02
2e 2 = 2 * e 2 = 3.436...
2e1 = 20
2e = 2 * e
Pulling
Use the Pull1 tool to offset, extrude, revolve, sweep, anddraft faces; use it to round, chamfer,
extrude, copy, or pivot edges. You can also drag a point with the Pull tool to draw a line on a sketch
plane.
The Pull tool can also be used on selections of Mesh facets.
Pulling the apex of a cone changes its height. Pulling through the base plane will invert the cone.
Pulling a loop of edges attached to a vertex will create conical faces at the corners when appro-
priate.
You can select a face, then pull, dragging anywhere to act, or you can click, drag, and release a high-
lighted face. In general, the result of a pull stays selected or highlighted after the pull operation.
The action of the Pull tool depends on which faces and edges you select to work with, and which
faces, planes, or edges you select to drive the change. For example, if you choose to work with a
face, then select an edge to "drive" the pull, the Pull tool infers that you want to pivot the face
around that edge. When multiple actions can be inferred, you can use the Tool guides2 to correct
the Pull tool's inference. The Pull tool maintains any offset, mirror, pattern, or coaxial relationships.
When you pull a face, there are two main decisions you need to make. The first is to determine the
direction you want to pull in. A default direction is offered to you, but it can be overridden using the
Direction tool guide. The second is to determine what is going to happen at the edges of the face.
By default, the edges of the face are determined by its neighbors, but you can override this behavior
by including the edges in your Pull selection to create an extrusion. When you pull, connected cham-
fers are automatically removed and replaced.
2 Functions that are specific to the selected tool.
If you entered the Design1 tab with sheet metal features selected, the Pull tool will
work as it does in Sheet metal. To work as usual, right click on the sheet metal part
in the Structure tree2 and choose Suspend Sheet Metal in the context menu.
To create and edit a solid
1. Click Pull in the Edit group on the Design tab or press P.

Mouse over faces and edges in your design to preview the natural Pull direction. If your mouse
is over multiple faces or edges, use the scroll wheel to preview the Pull direction for each one.
2. Select the faces, edges, and points you want to pull to create 3D solids or surfaces.
You can right-click in the Design window3 and select Anchor Pull Handle, then click to
anchor the Pull handle on another object. This command is useful when you want to dimen-
sion a Pull from a different location than the center of a face.
If the Pull arrow appears gray instead of yellow, then the object is locked and can't be pulled
unless you unlock it. To unlock an object, right-click the object in the Structure tree and select
Unlock.
3. (Optional) Alt+click to select the face or edge that will drive the change.
You can also select the appropriate tool guide, then click the face, point, or edge. The driving
edge or face is shown in blue. If you select the Show cursor arrowsSpaceClaim option, arrows
appear to indicate the directions you can move your mouse to edit the selected object.
If you want to use an annotation dimension, see Driving modification with annotation dimen-
sions.
Measurements can also be used to drive modifications.
To drive modifications with measurements.

1. Enter the Pull tool
2. Select a face, edge or vertex
3. Enter the Measure4 tool (shortcut is e)and measure any single object or measure
between two objects

4. Click in the Measurement results (hover over measurements to display purple box). Once
selected, that single measurement will display on screen with arrows pointing to either
object chosen for measurement.
5. Click in the highlighted dimension box and modify the value for a one-time adjustment
of the model or create a Measurement Group which can be modified at any time.
6. Measurement groups can also be created from Area results. Modifying the group then
adjusts the model to produce a desired area. For example, create a Measurement group
for the area of a side of a box. While pulling the front of the box, you can enter a new
area value for the side to complete the Pull.
4. (Optional) Select options from the Options panel1, or right-click and select them from the
mini-toolbar.
5. Click and drag in the direction of the Pull arrow to create or edit a solid.
6. If the correct pull arrow is not highlighted, press Tab or click the Pull arrow you want to use.
Press Shift to snap while pulling.
Press the spacebar or click on a dimension to enter a value.
To dimension the pull, type the distance you want to pull and press Enter. You can also type a
dimension in the dimension box in the mini-toolbar.
You do not have to click and drag on (or even near) the Pull arrow. In fact, we recommend that
you move your cursor away from the arrow for more precise control of the pull. The only
important input to the Pull tool is the direction in which you are moving the cursor. When you
pull, contiguous solids are automatically combined.
If you want to pull in a head-on view, use the ruler at the bottom right corner of the Design
window to pull instead of the Pull arrow. Slide the gray bar to the left to subtract material, and
to the right to add material.
If you pull through another object in the same component, the smaller object is merged into
the larger one, and receives the larger object's properties. If you pull multiple, touching sur-
faces, the smaller surfaces are merged into the largest one. Select the No Merge option if you
don't want objects merged.
Hold the Ctrl key while pulling to create a copy of the object that is offset by the distance you
pull. You can also hold Ctrl while revolving to create a copy of a surface. The influence of
neighboring faces is taken into account to trim or extend the edges of the copied face, when
appropriate. You can use the Up To tool guide with Ctrl to make a copy, and you can use the
Both Sides option to make two copies that are offset in opposite directions from the original.
You can also use the Up To tool guide to pull surfaces up to a reference edge.
Press Esc to cancel the Pull.
See the topics in the Table of Contents under Designing > Editing > Pulling for the list of
actions you can perform with the Pull tool.
Do it faster
1. Select the faces, edges, and points you want to work with.
In general, pulling a face increases the size of the solid, pulling an edge creates a surface, and
pulling a point creates a line or curve.
2. (Optional) Alt+click the face or edge that will drive the pull.
3. Drag in the direction of the Pull arrow.
Pulling a curve
When you select a curve with the Pull tool, the direction of the extrusion is determined by the plane
of the curve.
The default direction to pull a curve is along the Z axis.
If a curve lies on the Z axis, the pull arrow points in the Y direction.
If you select two curves on the same plane, the pull arrow points in the dir-
ection that is perpendicular to the plane of the curves.
If you select a curve that touches another curve, the pull arrow points in the
direction perpendicular to the plane of the two curves.
Pulling curve ends

You can toggle between Tangent1 and Natural (curvature continuous) extension when dragging the
end of a curve. To drag the extension Tangent to the curve, press and hold Ctrl prior to dragging.
You can release the Ctrl key once you start dragging. If you do not press Ctrl, the extension is created
Curvature2 Continuous.
Works for Splines (extended or trimmed-back)
Works for Arcs
Press Ctrl and drag to Pull the curve end tangent to the curve.
2Analysis tool that displays a fringe graph or color shading to represent the curvature along curves or
edges. Values indicate how curvy or "swoopy" the curve or surface is at each point.
Without pressing Ctrl, Pulling the curve end extends it with its natural curvature.
Pulling surface edges
Surface1 edges can be Pulled normal to their neighboring face. Press the Ctrl key when you begin
the Pull.
Press Ctrl and drag to Pull the edge tangent to the surface.
Without pressing Ctrl, Pulling the edge extends it with its natural curvature.
Tool guides
The Select tool guide is active by default. When this tool guide is active, you can perform
standard selection tasks, and create natural offsets and rounds. Select a face, parallel faces, or
surface edges to offset them. Select a solid edge to round it. Alt+click to select the driving
face or edge for revolves, directed extrusion, sweeps, and drafts. Alt+double-click an edge to
select an edge loop. Alt+double-click again to cycle through alternate edge loops. You can
select objects across multiple components to pull.
Use the Direction tool guide to select a straight line, edge, axis, origin axis, plane, or planar
face to set the pull direction.
Select a face to pivot or select a face and edge to revolve. Then use the Revolve1 tool guide
to select the straight line, edge, or axis around which you want to pivot or revolve.
Select any number of contiguous faces on the same body, then use the Draft2 tool guide to
select the plane, planar face, or edge around which you want to pivot. None of the contiguous
faces can be parallel to the neutral plane, face or edge around which you want to pivot.
Use the Sweep tool guide to select the straight or curved lines or edges along which you want
to sweep. Faces and edges can be swept, and the sweep trajectory cannot be in the same plane
as the face.
1 Move in a path around an axis. Use the Pull tool to revolve faces, edges, or a helix around an axis.
The axis may be a straight line, axis, or edge. See Subtractive revolve.
2 Angle or taper on an object that facilitates removal from a mold or die. You draft by pulling one or
more faces around about another face that you selected as the pivot. You can add or cut material as
you pull.
Use the Scale1 Body2 tool guide to scale objects in 3D. See Scaling solids and surfaces.
Use the Up To tool guide to select the object that you want to pull to. The pulled object's face
or edge will mate with the surface of the selected body or be pulled up to a plane through the
selection. You can also use this tool guide to pull surfaces up to a reference edge or facet.
When pulling Up To a Facet3 reference, a dimension is displayed for further editing. The
object will be copied if you hold Ctrl.
The selection used for Up To can come from the Structure Tree, if it can be determined. A
single face surface is an example of an Up To selection in the Structure Tree.
Extends an edge or face to the nearest face. This option works similar to the Up To tool guide,
except you don't select the face to extend to.
You can useFull Pull to automatically pull edges up to the closest faces that intersect with the
object. The edges you select are extended in the direction of the Pull handle up to the next set
of faces or edges that fully bound the extension. The original surfaces that the edges belong to
are extended and new edges may be created; however, new faces are not created.
Pull Options
The following options are available in the Pull tool. Once you select the edge or face to pull, select
these options from the Options panel or the mini-toolbar:
Only add material when you pull. If you pull in a subtractive direction, no change will
Add
occur. You can combine this option with other Pull options.
Only remove material when you pull. If you pull in an additive direction, no change will
Cut
No Pulls without merging into other objects even when the object pulled intersects with
Merge an existing object.
When this check box is selected and you pull a surface, the surface is extruded into a
solid. This is the default behavior. When the option is deselected and you pull a surface,
Thicken the surface is offset to a new location, changing the original surface. When you hold
surfaces Ctrl and drag a surface with the option selected or deselected, the surface is copied
and then offset.
Main- Select this check box to maintain the offset relationship when pulling.
3Simple triangular face used to describe surface geometry in STL (stereolithography) file format.
tain Off-
set1
Pull
Select a single, detached edge, imprinted edge, surface, or helix then click this option
Both
to pull both sides of the edge or surface at once.
Sides
Opens the Measure tool. Selecting a measurement result returns you to the Pull tool
Meas- and displays the measurement valuein a dimension box with an arrow pointing to the
ure measured object. Modify the value for a one-time adjustment of the model or create a
Measurement Group which can be modified at any time.
Opens the Mass Properties tool. Selecting a mass property result returns you to the
Mass2 Pull tool and displays the measurement valuein a dimension box with an arrow point-
Properties ing to the measured object. Modify the value for a one-time adjustment of the model
or create a Measurement Group which can be modified at any time.
Select this option, then click to connect a ruler, oriented along the pull axis, to an
anchor edge or face. You can use the ruler to dimension the pull. The direction must be
Ruler
specified to successfully create a ruler dimension. Press Esc to cancel the ruler dimen-
sion.
When you are pulling an edge, select this option to create a rounded corner, which
Round3 isalso known as a fillet.
Cham-
When you are pulling an edge, select this option to create a chamfer.
fer4
Extrude5 When you are pulling an edge, select this option to extrude the edge into a surface.
Edge6
When you are pulling an edge, select this option to create a copy of the edge.
Copy
The type of offset is determined by whether or not Offset edges by geodesic cal-
Edge
culation is selected in Advanced options. This option is selected by default. When this

2 Analysis tool used to display mass properties, or volume information for the solids and surfaces in
your design.
5 To pull a face along with its edges. The edges extend to bound the extruded face, creating a new
section defined by the edges.

option is selected, all the points on the offset edge are the same distance from the ini-
tial edge. In the examples below, the original edge is highlighted in green, the regular
offset is shown in orange, and the geodesic offset is shown in blue.
Pivot When you are pulling an edge, select this option to pivot the edge along the selected
Edge Pull arrow.
Examples
Pulling the edge of a surface first simplifies the edge, then its neighboring edges are extended (or
trimmed)
Pulling the edge of a surface while holding Ctrl makes a new surface that is tangent to the edge.
Pulling edges up to other edges with the Up To tool guide
Pulling a point on a surface towards an Alt+clicked vertex
Pulling edges with the Full Pull option. If you select the lower edge of the green surface shown
above, you will receive an error because the neighboring surface does not extend past the end of
the selected edge. The edge on the right side of the face can be pulled with the option, because the
neighboring face extends beyond its length. A new edge is created, which is marked in red in the
illustration on the right.
Pulling edges to their nearest neighbor with the Full Pull option
Pulling a sketched line on a planar face creates a surface in the same plane as the face
Pulling the edge of a toroidal surface. Three directions are available for pulling.
Holding Ctrl while pulling a surface with the Both Sides option creates copies of a surface.
Pulling two edges with the Extrude (2a), Copy Edge (2b), and Pivot (2c) options.
Pulling a face offsets it, and its edges are influenced by neighboring faces.
Pulling a face with its edges selected extrudes the face without influence from neighboring faces.
Pulling a conical face Up To a parallel cylindrical face replaces the cone with the cylinder if the axes
are close together. Otherwise, the conical face is replaced with a cylindrical face that is coaxial to the
cone and has the same radius as the cylinder.
Pulling a pocket with rounded edges down through the bottom of a solid transfers the rounds to the
resulting hole.
Pulling a surface up to a reference edge.
Pivot two separate edges together when pulling in one direction.
Offsetting and extruding faces
You can extend or extrude the edges of any surface with the Pull1 tool. When you extend an edge,
the pull extends the neighboring faces without creating a new edge. Extruding an edge creates
edges.
To extend or extrude the edge of a surface
1. Click Pull in the Edit group on the Design2 tab. The Select tool guide on the right side of
the Design window3 should be active.
2. Select the outside edge of a surface.
Ctrl+click to select multiple edges.
3. Click the Pull arrow oriented along the surface to extend the edge. Press Tab or click the other
Pull arrow to extrude the edge in another direction.
4. (Optional) Ctrl+click the vertex of one or both neighboring edges to ignore their influence.
5. Drag in the direction of the Pull arrow to extend the edge or create a new surface per-
pendicular to the old one.
If the correct pull arrow is not highlighted, press Tab or click the Pull arrow you want to use.
The natural direction of a surface edge is in the plane of the surface.
You can use the Up To tool guide to pull a linear edge up to a face, surface, edge, or point. If
the face or surface does not intersect the edge you are pulling, the edge will be pulled par-
allel to the selected object.
To dimension the extension, type the distance you want to extend the surface while you are
pulling and press Enter.
Options
these options from the Options panel1, or right-click and select them from the mini-toolbar:
Select the Add option to only add material. If you pull in a subtractive direction, no
Add
change will occur. You can combine this option with other Pull options.
Select the Cut option to only remove material. If you pull in an additive direction, no
Cut
No Pulls without merging into other objects even when the object pulled intersects with an
Merge existing object.
Extends an edge or face to the nearest face. This option works similar to the Up To tool
Full guide, except you don't select the face to extend to. If used to revolve or sweep, click this
Pull option to revolve 360 degrees or to the next face, sweep through the full trajectory, or
blend through selected faces.
Pull
Select a single, detached edge, imprinted edge, or surface, then click this option to pull
Both
both sides of the edge or surface at once.
Sides
Select this option, then click to connect a ruler, oriented along the pull axis, to an anchor
edge or face. You can use the ruler to dimension the pull. The direction must be specified
Ruler
to successfully create a ruler dimension. Press Esc to cancel the ruler dimension.
Pulls the element so it mates with the surface of the selected body or be pulled up to a
Up
plane through the selection. You can find this option in the mini-toolbar and it is the same
to
as the Up To tool guide.
Extrude When you are pulling an edge, select this option to extrude the edge into a surface.
2 Edge3
Copy When you are pulling an edge, select this option to create a copy of the edge.
Edge

When you are pulling an edge, select this option to pivot the edge along the selected Pull
Pivot
arrow.
Edge
Examples
Pulling the edge of a surface up to another edge forms a solid if it closes the body
Pulling the edge of a cylindrical surface extends the surface along a cylindrical path (A) unless you
hold Ctrl (B).
Pulling the edge of a cylindrical surface with the No Merge option selected creates a new edge.
Pulling the edge of a cylindrical surface with the Both Sides option and holding Ctrl creates a new
surface tangent to the cylinder and extends in both directions from the edge.
Pulling an edge with the Pivot Edge option
Pulling an edge with the Copy Edge option
Extending and extruding surface edges
To offset or extrude a face
1. Select the Pull1 tool in the Edit group on the Design2 tab. The Select tool guide on the
right side of the Design window3 should be active.
2. Select the face or surface you want to offset or extrude.
You can select multiple surfaces and faces of solids to offset or extrude them simultaneously.
3. (Optional) Add edges to your selection.
Select the edges of the face that you want to extrude when you pull. (Any unselected edges
are defined by the neighboring geometry during the pull, creating an offset instead of an
extrusion.)
4. (Optional) Select the Direction tool guide , then click the straight line, axis, or edge if you
want to offset or extrude in a different direction.
You can also Alt+click a straight line, axis, plane, origin axis, or edge. Sometimes SpaceClaim
guesses your intent incorrectly when you Alt+click the direction line. If this happens, just use
the Direction tool guide to correct it.
The pull direction is shown in blue and the pull arrow is reoriented.
5. Click and drag the face in the direction of the Pull arrow.
Dragging a: Does this:

Solid4 face Offsets the face in its natural offset direction
Solid face and all its
Creates an extrusion
edges
Surface5 face Thickens or thins the face
Dragging a: Does this:
Creates a round, chamfer, or extrusion, depending on the selected
Corner1 edge of a solid
option
Round2 or chamfer Offsets the round or chamfer
Variable round Uniformly offsets the variable round
Cylinder, torus, or cone Offsets the cylinder, torus, or cone
To dimension the offset, type the distance you want to pull and press Enter.
Press and hold Ctrl to offset a copy of the face as a surface.
Neighboring faces automatically extend to bound the offset face.
You can also use the Up To tool guide to pull up to any edge, plane, surface, or face in your
design. If you pull a round, chamfer, or cylinder with the Up To tool guide, and pull up to sim-
ilar geometry, the radius or offset is changed to the dimension of the Up To face you select.
Options
Select the Add option to only add material. If you pull in a subtractive direction, no change
Add will occur. You can combine this option with other Pull options.
Cut
Pull Select a single, detached edge, imprinted edge, or surface, then click this option to pull
Both both sides of the edge or surface at once.
Sides
Select this option, then click to connect a ruler, oriented along the pull axis, to an anchor
edge or face. You can use the ruler to dimension the pull. The direction must be specified
Ruler
to successfully create a ruler dimension. Press Esc to cancel the ruler dimension.

Up
to
Examples
Selecting a face to offset
Selecting a face and edges to extrude
Selecting a face and edges, and setting a direction to extrude in a direction
Pulling an inner cylindrical surface up to an outer surface to create a solid ring
Extruding edges and curves
You can extrude the edge of any solid by selecting the Pull1 tool's Extrude2 Edge3 option. You can
also extend and extrude surface edges.
To extrude an edge
2. Select the edge or edges you want to extrude.
Ctrl+click to select multiple edges. Double-click to select a tangent chain.
3. Select the Extrude Edge option in the Options window, or from the mini-toolbar.
The Pull arrow changes to show the two directions in which you can extrude the edge. One
arrow is highlighted to show the primary direction.
4. If the arrow pointing the direction you want to pull is not highlighted, click the arrow or press
Tab to change the direction.
Click and drag the edge in the direction of the Pull arrow.
To dimension the extrusion, right-click and enter a distance in the mini-toolbar, or type the distance
while you are pulling and press Enter.
2To pull a face along with its edges. The edges extend to bound the extruded face, creating a new


Press Ctrl to copy the edges.
Press Ctrl+C, then Ctrl+V to quickly copy and paste a selected set of edges in place.
You can click the Up To tool guide and click a face, edge, or point to pull up to. If the face does not
intersect the edge you are pulling, the edge will be pulled parallel to the face. If you pull the edge
of a surface up to another object, the result is automatically solidified if it creates a closed volume.
To extrude a curve
1. Click Pull in the Edit group on the Design tab. The Select tool guide on the right side of
the Design window should be active.
2. Select the curve or curves you want to extrude.
Ctrl+click to select multiple curves. Double-click to select a tangent chain.
3. Select the Extrude Edge option in the Options window, or from the mini-toolbar.
The Pull arrow changes to show the two directions in which you can extrude the curve. One
arrow is highlighted to show the primary direction.
4. If the arrow pointing the direction you want to pull is not highlighted, click the arrow or press
Tab to change the direction.
Click and drag the curve in the direction of the Pull arrow.
To dimension the extrusion, right-click and enter a distance in the mini-toolbar, or type the distance
while you are pulling and press Enter.
Press Ctrl to copy the curves.
Press Ctrl+C, then Ctrl+V to quickly copy and paste a selected set of curves in place.
You can click the Up To tool guide and click a face, edge, or point to pull up to. If the face does not
intersect the curve you are pulling, the curve will be pulled parallel to the face. If you pull the curve
of a surface up to another object, the result is automatically solidified if it creates a closed volume.
When extruding sketch curves into surfaces, the following rules apply to the resulting surface color.
If all curves being pulled are the same color AND the
curve colors override their layer color, the surface is the
same color as the curves.
If all curves being pulled are the same color AND the
curves take their color from a layer that is not the Active
layer, the surface is the color of the Active layer and not
the color of the curves.
If all curves are not the same color, the surface uses the
Active layer color.
If all curves are not the same color AND take their colors
from different layers, the surface uses the Active layer
color.
Options
Add
Cut
Pull Select a single, detached edge, imprinted edge, or surface, then click this option to
Both Sides pull both sides of the edge or surface at once.
Select this option, then click to connect a ruler, oriented along the pull axis, to an
anchor edge or face. You can use the ruler to dimension the pull. The direction must
Ruler
be specified to successfully create a ruler dimension. Press Esc to cancel the ruler
dimension.
Pulls the element so it mates with the surface of the selected body or be pulled up to
Up to a plane through the selection. You can find this option in the mini-toolbar and it is the
same as the Up To tool guide.
Extrude
Edge or When you are pulling an edge or curve, select this option to extrude the edge into a
Extrude surface.
Curve 1
Copy
When you are pulling an edge, select this option to create a copy of the edge.
Edge
Pivot When you are pulling an edge, select this option to pivot the edge along the selected
Edge Pull arrow.
Rounding edges
Use the Pull1 tool's Round2 option to round the edges of any solid. You can also round an inside
or outside corner of a surface. To create a rounded face between two faces, see Rounding between
faces and surfaces.
Rounds are recognized as a face type, with their own options in the Properties panel. You can
change the Round value (true or false) and the Radius value. The Round value for a variable radius
round is Varies.
You can change a constant- or variable-radius round with the Pull tool in section mode.
To round an edge
1. Click the Pull tool in the Edit group on the Design3 tab.
2. Select the edge or edges you want to round. Double-click to select a tangent chain.
You can also select the vertex of an inside or an outside corner of a surface.
3. Select the Round option in the Options panel4 or from the mini-toolbar. This option is
automatically selected for edges that can be rounded.
4. Click and drag the edge in the direction of the Pull arrow.
To dimension the round, press the Spacebar, type the radius, and press Enter.
When you pull an edge to create a round, the Pull tool determines whether it should be a con-
stant radius or a variable radius round based on the geometry.
Once you create a round, pulling an adjacent face also pulls the round.
When you round more than one edge at the same time, and one or more of the rounds cannot
be created, only the successful rounds are created.
The face hidden by the round is remembered, so that if you fill the round it can be
displayed. If you move a round, the face hidden by it is also moved.
Examples
Rounding the inside and outside corner of two surfaces.
Pulling edges on geometry that automatically determines rounds will be variable radius.
When creating surface-to-surface rounds, the expansion direction depends on the order in which
you select the edges. In the example above, the rounds expand toward the left because the upper
edge was selected first.
Rounding the edge created by two rounds with one edge not tangent.
Pullingrounds in a tangent chain. Pulling the selected tangent chain does not change the round
shown in blue.
Adding and changing a rounded edge on a shelled or offset part changes the inside faces.
Rounding elliptical edges.
To create a full round by selecting edges

1. Click the Pull tool.
2. Select the two edges on opposite sides of the face you want to become a full round, or select
the circular edge on the end of a cylinder.
You can select more than one pair of edges, and create full rounds between the pairs.
3. Pull the edges down so they are just rounded.
4. Slowly pull the mouse in the opposite direction, until the faces are no longer round, and con-
tinue pulling until the full round appears.
To create a full round by selecting faces

2. Select the face where you want the full round.
3. Hold Ctrl and select the two side faces that will be tangent to the full round.
4. Right-click and select Full Round.
Example
Creatinga full round by selecting three faces

To convert a constant-radius round to a variable-radius round
2. Check the Edit as Variable Radius Round option.
To edit a variable radius round

Click the Pull arrow on an end of the round face and drag toward or away from the face to
adjust the radius at the edge of the round.
Click the Pull arrow pointing toward the center of the face and drag it along the face (or enter
a length or percent) to set another point where you can adjust the round's radius.
Hold Ctrl and drag to copy a control point.
Press Tab to switch among and edit the dimensions by typing a number.
Two rounds that intersect at a shared edge can be made variable together by selecting the
shared sharp edge for modification. Both rounds become variable at that point. They can be
made variable independently by selecting the sharp end edge that is not shared by the rounds.
In the Pull tool, when you select an edge of a constant radius round, the Smooth option becomes
enabled if the geometry allows it. When checked, the transition between radius at each end of the
round will vary smoothly instead of linearly. Once set, the Smooth option remains set for subsequent
rounds until you change it.
The image below shows a Smooth variable radius round. Other editing examples follow.
Examples
Editing a variable radius round
The variable radius round handles have a drag (ball) handle. The center Radius Handle cannot be
dragged; all radii values are adjusted at once.
Click the ball and drag to add and place a new radius handle.
Setting another point for adjusting a variable round's radius
Selecting multiple edges to create a variable round across those edges

To remove a rounded edge
To remove a rounded edge with the Pull tool

This method completely removes the rounded edge.
1. Clickthe Pull tool.
2. Select the rounded edge.
3. Select the Round option in the Options panel or from the mini-toolbar.
The round is removed.
To remove a rounded edge with the Fill tool

This method removes the rounded edge and creates a round group in the Groups1 panel. You can
right-click the group and select Reattach Round to restore the rounded edge.
1. Click the Fill2 tool in the Edit group on the Design tab.
2. Select the rounded edge.
3. Click the Complete tool guide.
The round is removed and a round group is created.
with the group.
2 Use the Fill tool to simplify or clean up geometry by extending surrounding faces to eliminate a
Rounding between faces and surfaces
You can create a rounded edge acrossthe gap between two faces or surfaces that would meet at a
corner. To create a rounded face on an edge, see Rounding edges.
When you round between faces of two solids, the solids must extend into the area where the roun-
ded face is created.
To round between faces or surfaces
1. Click Pull1 in the Edit group on the Design2 tab.

2. Select the faces you want to create a round between.
3. Select the Round3 option in the Options panel4.
The pull arrow changes to indicate that a round will be created between the faces and a curve
is displayed to show you the direction of the round. Yellow cursor arrows show you the dir-
ections you can pull to create the round if you have cursor arrows enabled.
4. Press Tab to cycle through all of the possible rounds that can be created between two faces or
surfaces.
If the two faces you are rounding between are rounds, then Tab lets you choose either round-
ing between or changing the radius of both existing rounds.
5. Click and drag in the direction of the Pull arrow.
To dimension the round, press the Spacebar, type the radius, and press Enter.
When you pull an edge to create a round, the Pull tool determines whether it should be a con-
stant radius or a variable radius round based on the geometry.
Once you create a round, pulling an adjacent face also pulls the round.
When you round more than one edge at the same time, and one or more of the rounds cannot
be created, only the successful rounds are created.
When pulling Face1-to-Face round,s you can match their radius to an existing round using the
Up To tool guide.
Unlike rounds made on edges, the faces hidden by the round are not remembered.
If you fill the round it will be replaced by an edge.
Examples
Rounding between faces on two parts. Material2 exists in the area where the rounded face is cre-
ated, so this operation will succeed.

A rounded face cannot be created between these faces because material doesn't exist in the area
between the parts where the round will be created.
This sequence shows creating a round between faces, then using the Fill1 tool to remove the round.
The Fill replaces the round with an edge and not with the original geometry.
Rounding between two surfaces creates a rounded surface.
Chamfering edges
You can chamfer the edges of any solid by selecting the Pull1 tool's Chamfer2 option. Sketched
chamfers that you make using the CreateRounded Cornertool with the Chamfer option are recog-
nized as chamfers when they are extruded into a solid.
Chamfers are recognized as a face type, with their own options in the Properties panel. You can
change the Chamfer (true or false) and Distance values.
After you create the chamfer, you can adjust the setback distance of both sides and you can change
its offset. Drag the arrows above or below the chamfer to change the distance, or drag the arrow that
is perpendicular to the chamfer to change its offset. You can also pivot the edges and the chamfer's
distance properties will be updated with the new values.
When you make a hole in a chamfered face, the face is no longer a chamfer. You
can still pull the face, or the hole, but you cannot change the chamfer to a round or
dimension the chamfer.
To chamfer an edge

2. Select the edge or edges you want to chamfer. Double-click to select a tangent chain.
3. Select the Chamfer option in the Options panel2 or from the mini-toolbar.
4. Click and drag the edge in the direction of the Pull arrows.
Pulling the arrow that is normal to the chamfer face changes the offset distance for the whole
chamfer. Pulling either of the side arrows changes the setback distance of that side. You can
press Tab to move among the arrows.
To dimension the chamfer, right-click and enter a setback distance in the mini-toolbar, or
press the space bar, type the setback distance, and press Enter.
To create a chamfer with the same setback distance and size as an existing chamfer, use the Up
to tool guide and select an existing chamfer face. You can also select an edge with Up To to
set the setback distance.
To modify a chamfered edge

1. Select a chamfered edge or a chain of chamfered edges.
To change the setback distance of one side of the chamfer, pull the arrow above or
below the chamfer, as shown below. Press the space bar while pulling to type a distance
value. You can also change both setback distances in the Properties panel3 and in the
mini-toolbar. The Up To tool guide can be used to pull the setback up to an object.
To change the offset distance of the chamfer, pull the arrow that is perpendicular to the
chamfer, as shown below. Press the spacebar while pulling to type a distance value.

To modify by Distance and Angle, select one of the side handlesto displaythe mini-
toolbar and click the Angle dimension option. The selected side becomes the dis-
tance side and the other switches to angle.
To convert the chamfer to a normal face, select False in the Chamfer field of the Prop-
erties panel. You can select True to convert a face to a chamfer; however, faces with
holes cannot be modified as chamfers. Changing this property does not change the geo-
metry. See the instructions below to remove a chamfer from an edge.
Hold the Shift key while pulling a chamfer setback or offset to snap to existing
edges.
To convert between rounded edges and chamfered edges
1. Click Pull in the Edit group on the Design tab.

2. Select the edge or edges you want to convert to chamfers or rounded edges.
Double-click to select a tangent chain.
You can't convert a chamfered edge if you have changed the setback distance(s).
3. Select the Chamfer option or the Round1 option in the Options panel or from the
mini-toolbar.
The rounded edge is converted to a chamfered edge.
You cannot convert a chamfer to a round if you have changed its setback distance
(s).
To make a chamfer with the same setback and offset as another chamfer

2. Select an edge or an existing chamfer that you want to change.
3. Click the Up To tool guide.
4. Select the chamfer whose values you want to copy.
The first chamfer will be changed so its offset and setback distances are the same as the
second chamfer.
To remove a chamfer with the Pull tool

This method completely removes the chamfered edge.

2. Select the chamfered edge.
3. Select the Chamfer option in the Options panel or from the mini-toolbar.
The chamfer is removed.
To remove a chamfer with the Fill tool

This method removes the chamfered edge and creates a chamfer group in the Groups2 panel. You
can right-click the group and select Reattach Chamfer to restore the chamfered edge.
with the group.
1. Click Fill1 in the Edit group on the Design tab.
2. Select the chamfered edge.
The chamfer is removed and a chamfer group is created.
Examples
Pulling to enlarge an existing chamfer while holding Shift to snap to an edge. You can only snap to
an edge in this case when you pull an existing chamfer.
Using the Up to tool guide to change the offset and setback distances of a chamfer to match an
existing chamfer.
Creating a chamfer on multiple edges at the same time.
Pivoting edges
You can pivot the edge of any solid with the Pull1 tool's Pivot Edge2 option. You can alsopivot two
separate edges together when pulling in one direction.
To turn a cylinder into a cone, select the Pull tool and the Pivot Edge option. Then click the edge of
the cylinder and pull it until it forms a point. To turn a truncated cone into a cylinder, click the small
edge and pull it out.
To pivot an edge
1. Select the Pull tool in the Edit group on the Design3 tab.
TheSelect tool guide is enabled by default.
2. Select the edge or edges you want to pivot. Double-click to select a tangent chain or edge
loop.
3. Select the Pivot Edge option in the Options panel4, or from the mini-toolbar.
The Pull arrow changes to show the two directions in which you can move the edge to pivot
the connected faces. One arrow is highlighted to show the primary direction.
4. If the arrow pointing in the direction you want to pull is not highlighted, click the arrow or
press Tab.
5. Drag the edge in the direction of the Pull arrow.

During the pull, the distance you have moved the edge is displayed. You can dimension the
distance in Section1 and 3D mode, and dimension the angle in Section mode2.
You can hold Shift to snap to existing geometry.
Examples
Simultaneously pivoting multiple edges.
Pivoting two separate edges together when pulling in one direction.
Dimensioning the pivot angle.

2See Section
Revolving faces
You can revolve any face or surface with the Pull1 tool. The face or surface can lie on both sides of
the revolve axis.
To revolve a face
1. Select the Pull tool in the Edit group on the Design2 tab. The Select tool guide on the
2. Select the surfaces, faces, or solids you want to revolve.
3. Alt+click the straight line, axis, or edge to set the revolve axis.
You can also select the Revolve4 tool guide, then click to set the revolve axis. The revolve axis
is shown in blue.
4. Click and drag in the direction of the Pull arrow to revolve the selected object, select the Up
To tool guide and click an edge, face, or plane, or select Full Pull from the Options panel5 or
mini-toolbar.
Neighboring faces automatically extend to define the boundaries of the revolved faces of
solids. Revolving from a flat surface face has no neighboring faces, so it makes new face
boundaries.
To dimension the rotation, type the rotation angle and press Enter. The positive direction is
shown by the Revolve handle.
Alt+click an axis, then mouse over a face and pull to revolve the face around the
axis.
Options
these options from the Options panel, or right-click and select them from the mini-toolbar:
Cut
Once you select the edge about which to revolve or sweep, click this option to revolve 360
Full
degrees or to the next face, sweep through the full trajectory, or blend through selected
Pull
faces.
Up
to
Examples
Revolve using cut, 180 degree revolve, and a full revolve of an ellipse around an asymmetrical axis
Revolving a surfacing using Cut, when the surface lies on both side of the axis and is enclosed within
a solid
Revolving edges
You can revolve an edge to form a surface with the Pull1 tool. You can revolve the edge of a solid or
surface.
To revolve an edge of a solid or surface
2. Select the edges you want to revolve.
3. Alt+click a straight line, axis, or edge to set the rotation axis.
You can also select the Revolve4 tool guide, then click the revolve axis. The revolve axis is
shown in blue.
4. Click and drag in the direction of the Pull arrow to revolve the selected edge or select the Up
To tool guide and click an edge or face to revolve up to.
Ctrl+click to select edges of faces along with the face to force the pull tool to create new
neighboring faces to contain these edges (essentially changing from a draft to a revolve).
Unlike other CAD products, SpaceClaim allows revolving planar and non-planar edges and
faces about lines that do not lie in those planes. This allows skewed rotational solids and sur-
faces.
You can use the Up To tool guide when you revolve edges.
To dimension the rotation, type the rotation angle while the Revolve handle is displayed and
press Enter.
To revolve an edge of a surface
1. Select the Pull tool in the Edit group on the Design tab. The Select tool guide on the
right side of the Design window should be active.
2. Select the outside edge of a surface.
3. (Optional) Hold Ctrl and select an end point to maintain constant radius as the edge is
revolved.
If you don't select an end point, the edge will follow influencing sides of surfaces or solids, if
they exist. A side influence can be another edge of the surface if it lies in the same plane, or a
solid or surface that touches the end of the edge. See the examples below.
4. Alt+click a straight line, axis, or edge to set the rotation axis.
You can also select the Revolve tool guide, then click the revolve axis. The revolve axis is
shown in blue.
5. Click and drag in the direction of the Pull arrow to revolve the selected edge.
To dimension the rotation, type the rotation angle while the Revolve handle is displayed and
press Enter.
Options
Cut
Once you select the edge about which to revolve or sweep, click this option to revolve 360
Full
degrees or to the next face, sweep through the full trajectory, or blend through selected
Pull
faces.
Up Pulls the element so it mates with the surface of the selected body or be pulled up to a
To
Examples
Revolving the edge of a solid to create a surface.
Revolving an edge of a surface that is not in the plane of the surface makes an edge with a constant
radius because the edge has no side influence in this direction.
Revolving an edge of a surface with side influence makes an edge that is influenced by adjacent
edges.
Revolving an edge of a surface with side influence with its end-point selected makes an edge with a
constant radius.
Revolving an edge that crosses the axis will create more than one surface or solid if the edge is not
symmetrical across the axis.
Revolving a helix
You can revolve a helix with the Pull1 tool. Path and geometry are previewed as you pull along the
axis or enter dimensions, as shown in the image below.
To revolve a helix
2. Select the face or edge you want to revolve.
3. Select the Revolve4 tool guide.

4. Click the axis you want to revolve around.
5. Select the Revolve Helix5 option in the Options panel6.
6. Set the handedness of the helix by checking or unchecking the Right-Handed Helix option in
the Options panel. To create a Left-Handed Helix, uncheck the Right-Handed Helix option.
7. Pull along the axis to create the helix dynamically.
As you pull, you can enter dimensions in the helix dimension fields:
5 Pull tool option that revolves the selected shape around an axis to create a screw or drill shape. You
control the height, direction, pitch, and taper.

Pitch1 is the amount that the helix face shifts per 360 degrees of rotation.
Taper2 is the helix angle.
Press Tab to switch between dimension fields and Enter to accept the dimensions and create
the helix.
To create a helix dimensionally

You can also create a helix by entering the height (the total length of the helix). Press Tab to switch
between dimension fields and preview the helix. Click the Full Pull option to create the entire helix
based on the dimensions.
Options
Add
Cut
Pull Select a single, detached edge, imprinted edge, or surface, then click this option to
Both Sides pull both sides of the edge or surface at once.
Right-Han- Select this option to determine the direction in which the helix is revolved around its
ded Helix axis.
1Unit of length that a helix face shifts per 360 rotation; distance from one point on a thread to the
corresponding point on the next thread.

2Angle of a helix or threads made on a conical surface. See Helix, Thread.
Sweeping
You can sweep a face, edge, surface, 3D curve, or other object along a trajectory with the Pull1 tool.
Sweeping a face around a closed path creates a torus.
To sweep a face

2. Select the profile you want to sweep.
3. Select the Sweep3 tool guide, then click the sweep trajectory. The sweep trajectory is shown
in blue. Alt+double-click to select a tangent chain. Ctrl+click to add contiguous paths.
You can also select the profile to sweep and then Alt+click the sweep trajectory or
Alt+Ctrl+click multiple trajectories. The sweep tool is selected automatically.
If the trajectory along which you want to sweep is a non-linear curve, you can also Alt+click the
curve, which selects the Sweep tool guide automatically.
If you select the Normal4 to Trajectory5 option, the sweep is aligned along the origin tra-
jectory
To quickly sketch a face perpendicular to a desired trajectory, select the end of the trajectory
and select a sketching tool to place the sketch grid at that point. Then draw the face.
mini-toolbar.
Select:
Select Normal to Trajectory to keep the swept surface normal to the sweep trajectory.
If your sweep trajectory is perpendicular to the face you want to sweep, this option is
3 Pull a surface or face along a line or edge using the Pull tool. You can sweep faces and edges, and
4 The vector that is perpendicular to a flat plane at the selected point. In the case of a non-flat plane,
5 Straight or curved line or edge along which you sweep a face or an edge.
enabled for you.
Select Scale1 Sections to control the effect of the vector from the 0-to-X trajectory so
that it controls both orientation and scale of the sweep sections. Uncheck the box if you
want the vector to control only the orientation of the sweep sections.
You can also select from the standard Pull options listed below.
5. Click and drag in the direction of the Pull arrow to sweep the selected objects, or select
Full Pull from the Options panel or mini-toolbar to sweep the entire length of the trajectory.
If you select Full Pull and the profile being swept is in the middle of the trajectory, it will be
swept in both directions.
You can also use the Up To tool guide to select a face or surface on which you want to end the
sweep.
Options
Add
Cut
Pull
Select a single, detached edge, imprinted edge, or surface, then click this option to pull
Both
both sides of the edge or surface at once.
Sides
Once you select the edge about which to revolve or sweep, click this option to revolve
Full
360 degrees or to the next face, sweep through the full trajectory, or blend through selec-
Pull
ted faces.
Up
to
Examples
Hexagons swept around circular and hexagonal sweep paths
Sweeping along a primary trajectory with Normal to Trajectory selected. Every section plane that is
normal to the origin trajectory is the exact same profile as the initial section, limited by the extents
of the trajectory.
Sweeping along a primary trajectory with Normal to Trajectory not selected. Every section plane
that is parallel to the initial section profile is the exact same profile as that initial section, limited by
the extents of the trajectory.
Sweeping a rectangle along a trajectory with Normal to Trajectory selected.
Sweeping a rectangle along a trajectory with Normal to Trajectory not selected.
Sweeping a hole along a trajectory by selecting the axis of the hole, then the trajectory.
If you sweep a non-continuous profile, separate swept surfaces are created.
Sweeping with multiple trajectories
You can Alt+Ctrl+click to select multiple trajectories to sweep along. The trajectory you click first is
the origin trajectory (labeled O) and the second trajectory is labeled X. If you select the Normal1 to
Trajectory2 option, the sweep is aligned along the origin trajectory. If the object being swept is in
the middle of the sweep, you can pull in either direction to sweep only in that direction.
Sweeps can vary the sketch entities (or edges) along the sweep trajectory. The trajectories can be
thought of as guides that make continual changes to the profiles as if they had been dragged while
in Sketch mode3. Tangency and other constraints are maintained.
When you sweep using more than two trajectories and Scale4 Sections is turned off, the profile lines
and curves will follow the trajectories individually and constraints are preserved. You can see an
example in the image below.
You can use a chain of tangent edges as a guide for Sweep5.
2Straight or curved line or edge along which you sweep a face or an edge.
The extent (or length) of a sweep is limited by the shortest trajectory. If the profile being swept inter-
sects at any point along the trajectory, you can pull in either direction to sweep only in that dir-
ection. You can also select Full Pull1 to create a bidirectional sweep that extends throughout the
trajectory.
The sweep preview includes the following visual elements:
The blue square indicates the direction of the origin trajectory at its start, and is localized
around the origin trajectorys intersection with the profile to be swept.
A right-angle symbol is displayed on the origin trajectory when you select the Normal to ori-
gin trajectory option.
The preview rectangles are green and scale with the sweep if you select the Scale sections
option.
Sweep with two guides

In a sweep with two guides, every section plane that is normal to the origin trajectory has a profile
section that is aligned to the vector defined by the O-X vector in that plane, scaled by the length of
the O-X vector, and limited by the extents of the shortest trajectory. If there are two or more tra-
jectories and the spline that connects them (as a profile) is tangent to the surfaces that contain the
trajectory edges, then the spline not only scales and aligns to the O-X vector, but also deforms to
keep that profile tangent, at all points along the trajectories, to the neighboring surfaces. The profile
does not have to touch the trajectories, but the profile plane has to intersect with the trajectories.
You can also sweep with two closed trajectories:
Sweep along more than two trajectories
If the profile is composed of lines and circles, then guide curves will control the shape of the profile
much the same way a sketch is controlled by dragging the mouse. More specifically, there are three
constraints: a line or circle that touches a guide curve will maintain the connection throughout the
sweep, a circle with a guide curve at its center will stay centered on that guide curve through the
sweep, and any members of the profile that are tangent will remain tangent. If the profile contains
splines, then any lines or splines attached to a guide curve will deform so they remain attached
throughout the sweep. In this case, neighboring faces that are tangent to the profile can be Alt+se-
lected to specify that the profile should remain tangent to the neighboring face throughout the
sweep.
When sweeping, cross-sections can be displayed as a preview for their sweep along the trajectories,
also shown in the figure above. You can control the display of the cross-sections with the Animate
Full Pull Advanced SpaceClaim option.
Sweep tangent to a surface

If you select a sweep trajectory that is the edge of a surface, and the object being swept is tangent
to that surface, then the initial tangency is maintained along the entire sweep, as shown in the figure
below.
Sweep with a trajectory and an axis
If you sweep a profile along a trajectory with an axis as the secondary trajectory, then the profile nor-
mal is maintained while the profile orientation changes as it is rotated around the axis.
Sweeping with an axis
To set the orientation while sweeping

2. Select the object you want to sweep.
3. Alt+click the primary trajectory.
4. Ctrl+Alt+click the secondary trajectory.
5. Click the Rotate3 tool guide and click the axis or line that will set the orientation during the
sweep.
6. Drag to create the sweep.
The object being swept must be in the plane that contains the axis and an intersection with the
baseline trajectory.
Examples
Setting the orientation of the selected object as it is swept along the trajectory.
an axis.
Variable sweep with axis.Every section plane that is cut through a point on the origin trajectory and
through the selected axis has a profile section that is aligned to the vector defined by the O-X vector
in that plane, scaled by the length of the O-X vector, and limited by the extents of the shortest tra-
jectory. This makes every section appear to radiate around that selected axis.
Drafting faces
You can draft faces around a plane or another face, edge, or surface with the Pull1 tool. Drafting
changes the angle of the selected contiguous faces. For example, a mold designer drafts faces to
facilitate removal of parts from the mold.
To draft a face
1. (Optional) Insert a plane around which you want to draft faces.
You need to do this when you want to draft around a plane that doesn't already exist as geo-
metry in the design.
3. Select the face or contiguous faces you want to draft.
4. Alt+click the plane, face (including rounds), or surface about which you want to draft. When
using a surface as a neutral plane, you can select the surface in the Structure Tree.
You can also select the Draft4 tool guide , then click the face or surface. The draft plane,
face, or surface is shown in blue.
4Angle or taper on an object that facilitates removal from a mold or die. You draft by pulling one or
you pull.
Tip: When you need to select more than one face or surface for the Alt-reference (or after
selecting the Draft tool guide) then you have to hold the Ctrl and the Alt keys while selecting
the additional references.
If you select one edge loop, you can create an edge-driven draft. If you select two edge loops,
you can create a split draft.
5. Click and drag in the direction of the Pull arrow to draft the selected faces.
To dimension the draft, type the rotation angle while you are pulling and press Enter.
Options
Add: Select the Add option to only add material. If you pull in a subtractive direction, no
Cut: Select the Cut option to only remove material. If you pull in an additive direction, no
No merge: Pulls without merging into other objects even when the object pulled intersects
with an existing object.
Up to: Pulls the element so it mates with the surface of the selected body or be pulled up
to a plane through the selection. You can find this option in the mini-toolbar and it is the same
Draft both sides: Select this option to pivot the face on the opposite side of the reference
face as well as the selected face.
Examples
Drafting a face about a round.
Drafting non-contiguous faces.
Drafting around a plane that does not touch the faces being drafted.
Drafting faces around a plane. The drafted faces pivot around the face or plane you select as the
draft plane.
Drafting both sides around the plane.
Drafting a face where a plane must be selected as the draft plane. See Inserting a plane for instruc-
tions to create a plane.
Drafting the offset faces (inside and the outside) of a shelled solid.
Drafting around a spline surface with the Draft both sides option selected
Drafting a set of surfaces about a planar surface not attached to the solid
Creating slots
You can create slots from holes using the Pull1 tool. You can also edit slots. Slots maintain the rela-
tionship between their faces.
If you pull a hole with a rounded or chamfered edge into a slot, the slot will have a rounded or
chamfered edge.
You must select the axis of the hole, rather than the axis of a round or chamfer on
the hole. You will not be able to pull the slot if you select the axis of the round or
chamfer.
To create a slot

2. Select the axis of a hole.
If you have trouble selecting the axis, hover first over the inside face of the hole and the axis
will appear.
3. (Optional) Hold Alt and click on a face, edge, or vertex to set the direction or trajectory of the
Pull.
4. (Optional) Select the Pull Both Sides option to create the slot in both directions.
5. (Optional) Select Full Pull to pull the slot along the full length of the trajectory, if you selected
one.
6. Pull the axis or face of a hole to create a slot.
If you want to pull in a new direction,press the Tab key to change the direction of the Pull
handles.
To create a curved slot

1. Select the axis or face of a hole.
2. Select the Rotate1 tool guide and click the axis of the driving cylinder.
You can also Alt+click the axis of the driving cylinder.
3. Pull the hole to create a curved slot.
You can pull a curved slot 360 degrees to make a round cut.
To create a radial slot

1. Select the axis or face of a hole.
2. Do one of the following:
Alt+click the face of the driving cylinder to set the direction of the Pull towards the axis
of the driving cylinder. Click the Pull Direction tool guide and pull the hole to create a
radial slot.
Ctrl+click the face of the driving cylinder to set the direction of the Pull towards the axis
of the driving cylinder. Click the Pull Direction tool guide and pull the hole to offset the
cylinder and create a radial slot simultaneously.
Select the Pull arrow that points toward the axis and pull.
If you want to lengthen a radial slot while keeping it the same distance from a radial face,
Ctrl+click the radial slot's axis and the face, then pull.
If you want to move a slot along with a radial face Ctrl+select the holes axis and the face, then
Ctrl+pull.
To create an offset of a radial slot

1. Select an axis of a slot.
2. Hold the Alt key and select the cylinder face or face to set the offset direction.
3. Hold the Ctrl key and pull or enter a radius value.
an axis.
To create a swept slot
1. Select the axis of a hole.
2. Select the Sweep1 tool guide.
3. Click the sweep trajectory.
A sweep mode arrow indicatesthe beginning of the sweep.
4. Click and drag in the direction of the Pull arrow to sweep the selected objects.
You can alsoselect Full Pull from the Options panel2 or the mini-toolbar to sweep the
entire length of the trajectory. If you select Full Pull and the face or surface being swept is in
the middle of the trajectory, it will be swept in both directions.
To edit a slot
You can modify a hole that was dragged to form a slot by pulling on any of the slot axes.
If the slot has a rounded or chamfered edge, double-click the round or chamfer to change its dimen-
sions.
If you select Detach3 first in the Options panel, then the slot will become a solid if you use the
Move4 tool to move it off the body, as shown below.
To move a slot radially
1. Select the Pull tool.
2. Select both axes of the slot.
Alt+click the face of the driving cylinder to set the direction of the Pull towards the axis
of the driving cylinder. Click the Pull Direction tool guide and Ctrl-drag to move the slot
radially.
Ctrl+click the face of the driving cylinder to set the direction of the Pull towards the axis
of the driving cylinder. Click the Pull Direction tool guide and Ctrl+drag to offset the cyl-
inder and move the slot.
You can also move a hole radially by pressing Shift while dragging it with the Pull tool.
To remove the slot relationship

Right-click a face of the slot and select Remove Association1.
Any changes you make to the slot's face will affect only that face.
Examples
1 Relationship between objects that enables you to edit them together. For example, when you pull a
polygon into 3D, the faces acquire a polygon relationship. If you act on one face or edge, it affects
all the faces in the polygon. Another example of an association is a mirror plane between two faces.
See Mirror, Remove associations
Pulling mirrored holes to create slots
Creating a circular slot by entering an angle dimension with the Pull Both Sides option
Creating a radial slot by selecting an axis or edge parallel to the holes axis as the Pull direction
Creating a slot using a vertex as the Pull direction
Scaling solids and surfaces
You can scale solids and surfaces with the Pull1 tool. You can scale multiple objects in different com-
ponents.
To scale a solid, surface, or mesh

2. Select a solid, surface, or mesh (meshes also have a Scale3 tool in the Facets tab).
3. Click the Scale Body4 tool guide.
4. Click a point, vertex, or origin to set the origin for scaling.
5. Pull to scale dynamically (a field appears to show the scale as you pull) or press the spacebar
and enter the scale.
You can enter mathematical expressions to calculate a scale factor.
To scale using an annotation dimension, click the spark icon next to the dimension and type
a new value.
Select the solid or surface, Alt+click a vertex to anchor the scale, and pull.
To scale a solid asymmetrically

2. Select a solid body (Meshes can be scaled asymmetrically using the Scale tool in the Facets
tab).
3. Click the Scale Body tool guide.
4. Click a point, vertex, or origin to set the origin for scaling.
5. Hold Alt and select an origin axis, or hold Alt and Ctrl and select a point and a line.
6. Drag in either direction of the line to scale the part in that direction.
You can press the Spacebar and enter a scale value while you are dragging.
To convert an existing solid or surface from millimeters to inches

1. Change the units to inches as described above.
2. Select the Pull tool in the Edit ribbon group on the Design tab.
3. Select the object you want to convert.
4. Scale the object by 25.4.
To scale a datum plane or axis

2. Select the datum plane and/or axis and select a curve, surface, or solid.
You must hold Ctrl and select the plane. Box-select will not select it.
3. Click the Scale Body tool guide.
4. Select an anchor point.
5. Drag in the direction of the Pull arrow.
Examples
Scaling a solid asymmetrically
Scaling a plane and an axis with a solid
You can use annotation dimensions to scale an object. See Editing with annotation dimensions.
Copying edges and faces
You can copy edges and faces by selecting the Pull1 tool's Extrude2 Edge3 option. You can also
copy edges and faces with the Move tool.
When copying and pasting the edge of a surface as a curve or line, the lines are placed on the active
layer and remain selected until you clear the selection. This feature is useful if you need references
to rebuild a surface.
To copy an edge or edges

2. Select the edge or edges you want to copy. Double-click to select a chain of edges.
3. Select the Copy Edge option in the Options panel5 or from the mini-toolbar.
You can also Ctrl+drag with the Pivot Edge or Extrude edge options selected to copy the
edge.
The Pull arrow changes to show the two directions in which you can create copies of the edge.
One arrow is highlighted to show the primary direction.
4. If the arrow pointing the direction in which you want to copy the edge is not highlighted, click
the arrow or press Tab to change the direction.
5. Drag the edge in the direction of the highlighted Pull arrow.
2To pull a face along with its edges. The edges extend to bound the extruded face, creating a new


During the pull, the distance between the copied edge and the new edge is displayed. When
you create an external edge, a surface is created between the copied edge and the new one.
Press Ctrl and drag to copy the selected face.
Copying mesh edges

When you Copy and Paste mesh edges, the result is a polyline.
Examples
Copying edges to create new edges on a face
When copying an edge, the edge adjusts based on the solid's geometry
Copying a round face
Pulling with the select tool
You can pull with the Select tool or the Pull tool.
To pull with the Select tool

Drag the vertex of a selected face to another vertex to pull the selected face, as shown in the figures
below.
Dragging a copy of a solid back into the solid
Pivoting with the select tool
You can pivot an edge with the Select tool or the Pull tool.
To pivot an edge
Drag the vertex of a selected edge to another vertex to pivot the selected face, as shown in the fig-
ure below.
Using measure to drive pull
Measurements can be made, and the results used, while in thePull1 tool.
To use measurements from within the Pull tool:

2. Select an object to pull
3. Enter the Measure2 tool (shortcut is e) and measure any single object or measure between
two objects
4. Click on the measurement result that will drive the Pull (hover over measurements to display a
purple box). Once selected, that single measurement will display on screen with arrows point-
ing to either object chosen for measurement.
5. Click in the highlighted dimension box and modify the value for a one-time adjustment of the
model.
6. (Optional) Create a Measurement Group which can be modified at any time.
1. Select a single measurement
2. Open the Groups1 panel
3. Click on Create Group
4. The measurement group is created
5. At any time, clicking on the group in the Group tree will open the Pull tool and put the
measurement value in edit mode. Simply enter a new value and complete the Pull.
Measurement groups can also be created from Area and Perimeterresults. Modifying the group
then adjusts the model to produce a desired area. For example, create a Measurement group for the
area of a side of a box. Whilepulling the front of the box, you can enter a new area value for the side
to complete the Pull.
with the group.
Moving
Use the Move1 tool to move any object in 2D or 3D, including drawing sheet views. The beha-
vior of the Move tool changes based on what you have selected.
If you select an entire object, such as a solid, surface, or sketch, you can translate or rotate the
object.
You can move one side of a solid, surface, or sketch to enlarge or reduce the size of the
object.
If you move an object into another object in the same component, the smaller object is
merged into the larger one and receives the larger object's properties.
Moving a component moves everything contained within the component.
You can move a circular edge of a flat surface the same way you move a circular sketch curve.
Mesh bodies, selected mesh facets, and mesh boundary loops can also be moved.
Moving the apex of a cone changes the height. Anchor the Move tool to the outer face to
scale the cone.
When you move a component that has been assembled using assembly constraints, the Move handle
is positioned at the constraint and the axes that are constrained are disabled. If the assembly
constraints only allow movement in one direction, then that direction will be automatically selected.
For example, if you move a component with a Center Axes assembly constraint, the Move handle is
positioned on the axis and you can only move the component in directions that will keep the axes
aligned.
If the Move handle appears disabled, check the Structure tree1 to determine if an
assembly condition exists for the component you are trying to move.
Offset2, mirror, and coaxial inferred relationships also affect Move.
If you entered the Design3 tab with sheet metal features selected, the Move tool
will work as it does in Sheet metal. To work as usual, right click on the sheet metal
part in the Structure tree and choose Suspend Sheet Metal in the context menu.
To Move objects
1. Click Move in the Edit group on the Design tab.

2. Select the object(s) that you want to move.
Ruler: Once you select an axis on the Move handle, select this option and click an edge
or face to anchor the ruler. The ruler is oriented along the selected Move handle axis.
Enter a value to use the ruler to dimension the move.
Create patterns: Select this option if you want to create a pattern by dragging selected
objects with the Move tool. Dragging creates a copy of the selected object, moves it to
a new location, and creates a pattern relationship. Select the Maintain orientation
option to keep the initial orientation of the original object when you rotate or translate
the pattern. See Creating a pattern.
Detach1 first: Detach the selected protrusions and depressions, move them, and reat-
tach them at the new location.
Maintain sketch connectivity: Keeps the connections between a sketch curve and other
curves that share its end points. If you deselect this option and move a sketch curve, the
curve will move independent of other curves.
Remember orientation: Sets the orientation of the Move tool for the object. The ori-
entation is only remembered for the current session. You can change the Move handle
orientation by using the Direction tool guide, holding Alt and selecting a reference
object, or by dragging a ball on the Move handle's axes. You can select the following
options in the drop-down list to the right of the option:
Default: The Move handle orientation is determined by the object(s) you select.
Global: Saves the current Move handle orientation, and this orientation is used for
all objects.
Per Object2: Saves the current Move handle orientation for the selected object.
When you select the object again with the Move tool active, the Move handle will
be oriented at its saved orientation.
4. Click an axis and drag in that direction to move the selected object.
A line extends from the Move handle axis to indicate the direction you selected for move-
ment.
If the move fails, the Move handle is repositioned to the last valid location and orientation. If
you are trying to move a protrusion surrounded by round faces, you may need to fill the
rounds.
5. You can also Alt + select a plane between Move handles to invoke free drag movement within
that plane. Place the Movetool on any movable object and then hold the Alt key. Quarter
circle planes appear between the Move handles. Selecting one changes the cursor to a free
drag cursor and allows free movement within the plane. Select any Move handle to disable the
free drag.
The cursor does not need to be on the axis to move the selected object. In fact,
you may find it easier to control the move if you drag some distance from the
entity and the Move handle.
Examples
Moving a protrusion with rounds that intersects with a stepped solid with the Detach first option
Moving a circular edge along a surface
Moving an imprinted face off of a solid face creates a surface.
Moving imprinted edges on a face, and other intersecting imprinted edges are adjusted as needed.
The examples above show how the edges are adjusted when the imprinted areas are moved.
Moving the end point of a line segment that has a tangent arc on its other end changes the arc so
that it remains tangent to the line segment as you move its end point.
To move relative to other objects
Snap1 to a co-planar face: Hold Shift while dragging to snap to co-planar faces when you
have the Move handle anchored to a planar face.
Move an object up to another object: Click the Up To tool guide to move objects so the
center of the Move handle is adjacent to the object.
Orient an object to another object: Select the object to move and a Move handle axis, then
click the Orient to Object tool guide and select a second object. The selected object will be
rotated so the selected Move handle axis is aligned with the second object.
To change the anchor location of the Move handle

Drag the yellow center sphere on the Move handle
Click the Anchor tool guide and select the face, edge, or vertex on which to place the Move
handle.
You can also click the Origin2 tool in the Insert tab to insert an origin anywhere in your
design that you want to anchor the Move tool.
The yellow center sphere turns into a blue cube when the Move handle is anchored.
To change the direction or trajectory for the move
Drag one of the small balls on the rotational axis to reorient the Move handle, or dimension
the orientation by typing the rotation angle while you are dragging, then pressing Enter.
You can also Alt+click a point or line, or click the Move Direction tool guide, then click a
point or line, to orient one of the Move handle's axes toward that point or along that line.
If you Alt+click a trajectory, you can move along the trajectory. Ctrl+Alt+click to add con-
tiguous lines or edges to the trajectory.
If you Alt+click a plane, the direction of movement is set perpendicular to the plane.
Example
Normal1 to Surface2 - While moving the diamond along the selected trajectory, Ctrl+Alt+click the
face of the cylinder to set the orientation of the diamond normal to the cylinder.
To dimension a move
1. Follow the steps to move an object.
2. After you click an axis on the Move handle, click Ruler in the Options panel3.
3. Click an edge or face to anchor the ruler.
The ruler is oriented along the selected Move handle axis.

4. Type a distance and press Enter.
To copy an object using the Move tool

Press Ctrl to copy the object selected for movement and place it at the location at which you
drag or dimension the move.
You can press the spacebar to dimension the move.
Double-click the Up To tool guide to make multiple copies of the selected object. To exit this
mode, click on another tool or in empty space in the Design window1.
Examples
Copying the red face multiple times by double-clicking the Up To tool guide to keep it active for
more than one move
Making copies by double-clicking the Up To tool guide also works with sketches
Tool guides
The Select tool guide is active by default. When this tool guide is active, you can select faces,
surfaces, solids, or components within the Move tool.
Click any object with the Select Component1 tool guide to select the solid to which the
object belongs. If the solid is the only object in its component, the component will be selec-
ted.
Select a point, vertex, line, axis, plane, or planar face with the Move Direction tool guide to ori-
ent the Move handle and set the initial direction of the move. (The object will not move until
you drag.)
Select a set of lines or edges with the Move Along Trajectory2 tool guide to move the selec-
ted objects along that trajectory. For best results, perform Moves along trajectories in small
increments. If the object to be moved is a protrusion, it will be detached, then reattached in
the new location. When you move a protrusion along a trajectory, rounds are automatically
removed. Ctrl+Alt+click a face to control the orientation of the object being moved or pat-
terned along.
Select an object, then use the Anchor tool guide to select the face, edge, or vertex that will
anchor the move. You can anchor the Move handle to a temporary object, such as the inter-
section between two axes by Alt+Shift+clicking the two objects.
Select an object, then use the Fulcrum3 tool guide to move other objects around it. Select a
pattern member to anchor it, or select a component to explode an assembly. See Moving with
the Fulcrum tool guide.
The Move radially about axis tool guide allows you to select an axis to move the selected
objects radially about. Once you select an axis, the Move handle will reorient to have one axis
parallel to the move axis and one axis in the radial direction.
Once you select the object to move and a Move handle axis, use the Up To tool guide to
select the object you want to move up to.
If a Move handle axis is selected, the Move is limited to that direction. If no handles are selec-
ted, the object is translated until the center of the Move handle lies on the selected reference.
(A move handle must be selected to move up to the axis of an origin.)
3 Hinge; pivot point. When using the Move tool, you can select an object and use the Fulcrum tool
guide to move other objects around it.
In a linear move to an intersecting object, the center of the Move handle is moved to the selec-
ted object. If the two objects do not intersect, the first object is moved along the desired dir-
ection up to the closest point to the second object. You can use this tool guide to:
Select a point along a trajectory or the axis of an origin to move up to.
Move the sketch grid in Sketch and Section modes.
Move an axis so it is coincident with another axis in a body. If you move the axis of a pat-
tern, all pattern members will move together to the new location.
You can double-click the Up To tool guide to keep it active. While the tool guide is active, it
will copy faces and surfaces instead of moving them. To deactivate the tool guide, click it
again, select another tool guide, or exit the Move tool.
Once you select the object to move and a Move handle axis, use the Orient to Object tool
guide to click an object. The selected object will be rotated until the selected Move handle
axis is aligned with the clicked object. You can also use this tool guide to rotate the sketch grid
in Sketch and Section modes.
Options
The following options are available in the Move tool:
Symmetric Move: Select this option to move symmetrically.
Measure1: Opens the Measure tool. Selecting a measurement result returns you to the Move
tool. When you select move direction, the measurement value is displayed in a dimension box
with an arrow pointing to the measured object. Modify the value for a one-time adjustment of
the model or create a Measurement Group which can be modified at any time.
Ruler: Once you select an axis on the Move handle, select this option and click an edge or face
to anchor the ruler. The ruler is oriented along the selected Move handle axis. Enter a value to
use the ruler to dimension the move.
Maintain orientation: Select this option to maintain the orientation of the object when rotat-
ing or moving along a trajectory.
Create patterns: Select this option if you want to create a pattern by dragging selected
objects with the Move tool. Dragging creates a copy of the selected object, moves it to a new
location, and creates a pattern relationship.
Select the Maintain orientation option to keep the initial orientation of the original object
when you rotate or translate the pattern. See Creating a pattern.
1 Tools for displaying measurement properties of the edges, faces, and solids in your design.
Detach first: Select this option to detach selected protrusions and depressions, move them,
and reattach them at the new location.
Maintain sketch connectivity: Keep the connection between a sketch curve and other curves
that share its end points. If you deselect this option and move a sketch curve, the curve will
move independent of other curves.
Keep beam fixed: This option is for beams and causes the beam to remain fixed while the pro-
file becomes offset from the beam. See Moving beams.
Remember orientation: Sets the orientation of the Move tool for the object. The orientation
is only remembered for the current session. You can change the Move handle orientation by
using the Direction tool guide, holding Alt and selecting a reference object, or by dragging a
ball on the Move handle's axes. You can select the following options in the drop-down list to
the right of the option:
Default: The Move handle orientation is determined by the object(s) you select.
Global: Saves the current Move handle orientation, and this orientation is used for all
objects.
Per Object: Saves the current Move handle orientation for the selected object. When
you select the object again with the Move tool active, the Move handle will be oriented
at its saved orientation.
Enter XYZ coordinates: This option allows you to enter X, Y, and Z distances to move relative
to the World Origin. When you select the option, the Move handle re-orients to be parallel to
the World Origin and displays X, Y, and Z input panels.
Move handle
You will use the Move1 handle to move objects in 2D and 3D. The Move handle allows you to trans-
late and rotate objects. You use the Move handle by clicking the axes of the Move handle and drag-
ging to move the selected object.
When you select the object you want to move, and click one of the Move tools, SpaceClaim guesses
at the anchor point and orientation of the Move handle. If either of these is incorrect, you can
change them.
You can adjust the size of the Move handle in Popular options.
To translate objects using the Move handle

1. Click the axis that is aligned with the direction you want to move the selected object.
2. Drag in the direction of the axis to move the object.
You can Ctrl+drag to create a copy of the object while moving.
To rotate objects using the Move handle

Use the curved rotational axis that is aligned with the direction you want to rotate:
Drag the axisto rotate the selected object.
You can hold the Ctrl key to create a copy of the object whilemoving.
Double-click the axis to rotate the object 90. You can hold the Ctrl key whiledouble-
clickingto create a copy of the object at90.
Tomove freely within a plane using theMove handle

Use the planes between Move handles to move within a plane.
Hold the Alt key
Quarter circle planes display between the Move handles
Select the plane to move within
Release the Alt key and start dragging
While dragging, the cursor changes to the free drag cursor.
Clicking on any Move handle cancels free drag movement.
To realign the axes of the Move handle

You can realign the Move handle in the following ways:
Drag the small balls on each rotation axis of the Move handle to reorient it. While dragging,
you can also press the spacebar to enter the angle directly.
Drag the center ball of the Move handle (or use the Anchor tool guide) to place it on another
solid, face, edge, or vertex. If you use this method, keep in mind that the selected object is still
the one that is going to move.
Alt+click a point or line (or use the Move Direction tool guide) to orient the closest linear axis
toward that point or along the line.
Sizing the Move handle
See Popular options to adjust the size of the Move handle.
To have all endpoints meet at a single point, use the Up To tool guide.
To move multiple beam endpoints to a single point

1. Click the Move tool and select the endpoints (you can also use box select).
2. Anchor the Move Handle by using the Anchor tool guide or by dragging the yellow ball.
3. Click the Up To tool guide and select the Up To reference.
4. The endpoints will all snap to the single point.
Moving symmetrically
Use the SymmetricMove1 option in the Move tool to move objects relative to each other about
a plane as if they are mirrored objects but without the need to create a mirror association between
the objects. Unlike the Mirror tool, the Symmetric move option can be used to move dissimilar geo-
metry as well as similar.
You can use this option with an automatically determined virtual mirror plane based on the Move
handle location or you can use the fulcrum tool guide to establish a fixed mirror plane.
With a fulcrum-selected mirror plane, geometry which is the same on both sides of the plane is
found and moved automatically when moving geometry on one side of the plane. The center of
each selected object determines which side of the plane the geometry lies on.
Faces, edges, vertices, section curves, and sketch curves can be moved symmetrically. Curves that par-
tially overlap the symmetry plane can be moved. The symmetric move option is not available for
moving objects which have an established mirror association
To move objects symmetrically about a virtual mirror plane

1. Select two or more objects.
2. Click the Move tool.
3. Click SymmetricMove in the Move Options panel2.
4. Click one of the translation arrows and drag. As you drag, a ghost mirror plane appears at the
center of the Move handle, perpendicular to the direction you are dragging.Movements are
mirrored about this plane. A ghost move handle is displayed on the other side of the virtual
mirror plane to indicate the mirrored translation or rotation. Selected objectsare moved sym-
metrically about the indicated plane.
To reset the virtual mirror plane, change selection or toggle the Symmetric Move option.
Examples

Moving two solids symmetrically about a virtual mirror.
Moving two curves.
To move objects symmetrically with a fulcrum-selected mirrorplane

1. Create a plane or planar face.
2. Selectone or more objects.
4. Click SymmetricMove in the Move Options panel.
5. Click the Fulcrum1 tool guide.

6. Click the plane or planar face to specify the symmetry plane.
Objects on the other side of the fulcrum plane with matching geometry are automatically
detected and moved symmetrically about the plane.
7. Drag a rotation or translation arrow on the move handle to modify the geometry sym-
metrically about the fulcrum-selected mirror plane.
Examples
Pivoting an edge modifies the matching geometry on the other side of the fulcrum-selected mirror
plane.
1 Hinge; pivot point. When using the Move tool, you can select an object and use the Fulcrum tool
Moving faces that are symmetric to each other but lie partially on either side of the mirror plane. The
center of each of the objects bounding boxes is on either side of the plane, so the symmetric move
toolcan detect the symmetric geometry and the angled faces can be moved
Creating a pattern
You can create a pattern of protrusions or depressions (including slots), points, components, planes,
origins, or axes. You can also create patterns of sketch curves. You cannot create a pattern of threads.
You can use the Undo button Ctrl+Z or Redo button Ctrl+Y when creating a pattern.
You can also create a pattern from a mix of object types, such as a pattern of holes (faces) and bolts
(imported components). In SpaceClaim, any pattern member can be used to modify the pattern after
you create it. If the change cannot be made to all pattern members, the member that cannot change
is still part of the pattern. Once you select a Pattern Type, the fill displays to show a pattern preview.
When you select a member of a pattern, you will see fields for the pattern count and distances rel-
ative to the member you have selected. Press Tab to move among the dimension and count fields.
Icons next to the patterns dimensions and counts show which will be changed if you change
the value of the highlighted field. The closed lock indicates that a dimension wont change
and the open lock shows you it will change. You can override a lock on a dimension by click-
ing its icon to toggle it between locked and unlocked.
Dimension1 or count line placement, arrows, and value fields show you how the pattern will
change if you change the value of a field.
Your selection determines how changes to the distance and count affect the patterns position.
If you select one member of the pattern, the change is centered on that member. If you select
all pattern members, the change is centered on the entire pattern, with the distance between
members locked by default. You can control which direction the pattern will grow based on
which member you select and which count or distance you change.
Changing a pattern count in one direction does not change the distance between pattern
members. Instead, the overall distance of the pattern will change. This is indicated by the
closed lock icon.
Circular patterns are anchored at the opposite end by default when you move one end.
With a pattern node selected in the Structure tree2, you can:

Change fill pattern parameters in the Layout1 section of the Properties panel2. Changes that
you make automatically update the pattern in the design window.
Right-click and select Lightweight Pattern to toggle a pattern component between a light-
weight pattern and regular pattern. When selected, a check mark displays next to the Light-
weight Pattern command. This also works with sheet metal components: with a Pattern node
selected in the Structure tree, right-click and select Make Lightweight.
To update lightweight fill patterns to fit the existing geometry of your design, select the light-
weight pattern node, then right-click and select Update Pattern.
Patterns of sketch entities and 3D curves are no longer patterns when they change
into another form, such as a surface or solid. For example, if you pattern a C-shaped
curve, then it will remain a pattern when you switch from sketch mode to 3D mode.
But if you close off the curve to make a box before you switch to 3D mode, then
the boxes will become surfaces and will no longer be a pattern.
To create a one- or two-dimension linear pattern

1. Click the Linear tool in the Insert group on the Design3 tab.
2. Select a protrusion, depression, body, sketch, points, axes, planes, origins, or 3D curves to be
the first member (leader) of the pattern. The Direction tool guide activates.
3. Select a line, edge, axis, or a set of points to set the direction of the pattern.
4. (Optional) Modify the Pattern options in the Options panel4.
Pattern Type: One-dimensional or Two-dimensional.
Change X Count, or X Pitch5 values for One-dimensional
Change X, Y Count, or X, Y Pitch values for Two-dimensional
out.
5 Unit of length that a helix face shifts per 360 rotation; distance from one point on a thread to the
As you switch between pattern types, or change pattern values, the pattern preview displays
your changes in blue.
5. Select the Create Pattern tool guide, or press Enter, to complete the pattern.
The image below shows the preview for a two-dimensional pattern. For one-dimensional, only the
X-direction is displayed. Clicking the arrows flips their direction 180-degrees.
For through-all cuts, the preview is on the plane closest to the direction reference. For blind cuts, the
preview is on the face of the selected pattern leader.
You can also create one-dimensional linear patterns on cylindrical faces as long as the pattern dir-
ection is either the cylinders axis or parallel to the axis.
To create a pattern of a pattern
Follow the steps for the linear pattern, but select a member of a linear pattern as the first member of
the pattern.
To create a circular pattern
1. Click the Circular tool in the Insert group on the Design tab.
4. (Optional) Modify the Pattern options in the Options panel.
Change Circular Count, or Angle values for One-dimensional.
Change CircularCount, Angle, Linear Count, or Linear Pitch values for Two-dimensional.
Note1 that a Circular Count of one will create a single radial pattern.
The image below shows the preview for a two-dimensional pattern. For one-dimensional, only the
Angular direction is displayed. Clicking the arrows flips their direction 180-degrees.
You can create circular patterns on cylindrical faces, both around the face and along the axis.
To create a fill pattern
1. Click the Fill2 tool in the Insert group on the Design tab.
2. Select a protrusion, depression, sketch, points, axes, planes, origins, or 3D curves to be the first
member (leader) of the pattern. The Direction tool guide activates.

4. Modify the options in the Options panel
Pattern Type: Grid1 or Offset2
Modify the X Spacing or Y Spacing
Modify the Margin values. A dashed orange boundary line displays the pattern's marginal
boundary.
To create a radial circular pattern

1. Select all radial pattern members.
2. Click the Move3 tool.

3. Re-anchor the Move tool on the circular axis.
4. Select the Create patterns check box in the Options panel.
5. Drag the radial pattern to form a circular pattern.
To create a pattern of points along an edge

1. Select a point to be the first member of the pattern.

3. Select the Create patterns check box in the Options panel.
4. Click the Move Along Trajectory4 tool guide.
5. Click one of the edges that connects to the vertex.
1See Sketch grid

6. Click the Move handle axis.
7. Drag to create the end pattern member and create the pattern.
8. Press Tab to change the count, length, and percent fields to edit the pattern of points.
All points are associated with the edge, so that when the edge changes, the points also change
as shown in the example below.
To edit a pattern's properties

1. Select one pattern member to display the pattern count and dimensions.
2. Edit the pattern's properties.
Press Tab to switch between the fields.
Click the lock icon to lock or unlock a value.
3. Press Enter.
The result of editing the count and spacing is relative to the member of the pattern you select.
To quickly increase or decrease the number of pattern members, press Tab until
the count field is highlighted, then hold the Alt key while you press the up or down
arrow.
To move a pattern

2. Select a pattern member to move a linear pattern or the pattern axis to move a circular or arc
pattern.
3. Move the pattern member with the Move handle.
If you move an interior member of a pattern and it is not anchored, all the pattern members
move:
If you move a member at one end of a pattern, the member at the opposite end is anchored
and the pattern is skewed:
If you anchor a different member than the member opposite the direction you are moving,
Move skews the pattern.
If you have a linear pattern in a radial direction and you move an interior member without set-
ting an anchor, then the entire pattern shifts in the selected direction
Use the Up To tool guide to move a pattern member up to another face or edge. Pattern
dimensions (such as Count and Length) display as expected.
You can also use the Up To tool guide in the Move tool to create a circular pattern by rotating
up to a linear entity passing through the Move Handle origin.
To create a circular pattern using the Up To tool

1. Relocate the Move Handle to the axis of the cylinder.
2. Choose the rotation handle about the cylinder's axis.
3. Click Up To and select the horizontal axis to create the pattern.
To move a radial pattern in a linear direction

1. Click the
Move tool.
2. Right-click a pattern member and click Select > All Pattern Members.
3. Select the Direction tool guide.
4. Click an object to set the direction of the move.
5. Drag the pattern.
To adjust pattern distance or spacing
1. Click Select or Move in the Edit group on the Design tab.

2. Select a pattern member.
This member will serve as the anchor, and other pattern members will move relative to this
member.
3. Press Tab until the field you want to change is highlighted:
Distance: This field is the overall distance of the pattern. The pattern member you select
is anchored, and the length will change relative to this member. The arrows indicate the
direction of change. You can see this field at the top of the image below.
Spacing: This field is the spacing between pattern members. This field has arrows in
both directions and is located between two pattern members. The field is highlighted in
blue in the image below.
Radial patterns: If you select a member of a radial pattern, you can change the angle
between pattern members and the distance from the pattern members to the center of
the pattern.
4. Type a new distance or angle and press Enter.
The spacing between all pattern members will change.
To remove a pattern member from the pattern

Right-click the face of the pattern member and select Unpattern Member. Doing this makes the
member independent, so changes to the feature won't propagate to the pattern.
To create a pattern group
1. Select a pattern or pattern member in the Design window1.
2. Click the Groups1 tab in the Structure panel.
3. Click Create Group.
A group is created that displays the number of members in the pattern. You can click on this
group to select the pattern and change its parameters in the Design window.
To assemble components on a pattern

You can assemble a component with a pattern member, then propagate the component to all of the
pattern members. The component will be copied and assembled to each pattern member.
1. Assemble a component to some geometry that is a pattern member using the Align, Tangent,
or Orient tools.
2. Right-click theAssembly2 Condition in the Structure Tree and select Update Components on
Pattern.
The components will be propagated to the pattern, as shown below.
To create a pattern along a trajectory
1. Click Move tool.

2. Select the object you want to pattern.
3. Click the Move Along Trajectory tool guide and select the curve to use as a trajectory.
You can also hold Alt and double-click the curve.
4. Check Create Patterns in the Move options.
with the group.
tool, Component
5. Pull1 the trajectory arrow.
6. Release the mouse button to display pattern dimensioning options, then enter values by tab-
bing through the options.
7. (Optional) Check Maintain Orientation in the Move options to keep the patterned objects in
the same orientation as the original object.
Pattern along a trajectory without maintaining orientation.
Pattern along a trajectory with orientation maintained.
Examples
Rectangular pattern
Changing spacing between pattern members changes the pattern's overall length when the length
field isn't locked.
A pattern of sketch objects is no longer a pattern when you switch to 3D mode and the sketched
objects are converted to surfaces.
Sketch curve patterns can propagate in two dimensions. The pattern abovecontains three squares in
the X direction and two squares in the Y direction.
Exploding an assembly
1.
Select all the components in the Structure tree1 that are part of the assembly you want to
explode.
2. Anchor the Move2 handle on one component.
3. Select the Fulcrum3 tool guide and click another component.
4. Select an axis on the Move handle and drag to explode the assembly in that direction.
3Hinge; pivot point. When using the Move tool, you can select an object and use the Fulcrum tool
Pivoting and pulling solids
You can use the Move1 tool to pivot or pull a solid.
To pull a solid
2. Select the face you want to move.
3. Use the Move handle to move the face.
The solid is extended in the direction of the move
To pivot a solid
1. Select an edge loop on the solid that you want to pivot.
2. Click a linear axis of the Move handle.
3. (Optional) Click the Fulcrum2 tool guide and click an alternate plane to pivot around.
4. Drag to pivot the solid around a plane drawn through a point opposite the selected edge
loop or to pivot the solid around the plane you selected with the Fulcrum tool guide.
If the Move tool cannot maintain a planar or cylindrical face while pivoting, it will create a blen-
ded face.

Moving with the select tool
You can move solids and surfaces with the Select tool.
To move a solid or surface

You can do any of the following:
Select a vertex of a solid or surface, then drag it to move the solid or surface. (Surfaces on the
same plane are treated as a single surface and move together.)
Alt+click a point, then drag the vertex to rotate in the plane of the screen.
Alt+click an edge or two points, then drag the vertex to rotate the object around the axis
defined by the line or points.
You can place the dragged vertex on a plane or edge by dragging until the plane or edge is
highlighted.
You cannot drag unfolded sheet metal parts in the Unfolded window by dragging their vertices with
the Select tool.
Examples
The blue edge was selected using the Alt key, then the green vertex was dragged in the direction of
the arrow. The part pivots around the blue edge.
The vertex highlighted in green was dragged down until the face shown on the right was high-
lighted. The triangular part moves down so the vertex is in the same plane as the face.
When you hover and pre-highlight a vertex, the curve to which it belongs is highlighted. Using the
mouse wheel, you can scroll through other curves attached to the vertex.
The cursor changes to the Move1 cursor when the mouse is over a vertex.
When the curve you want is highlighted, you can Alt-drag to move only the vertex of that curve.
Pressing the Alt key changes the Move cursor to the Detach2-and-Move cursor.
You do not need to hold the Alt key throughout dragging. You can release it once you start drag-
ging.

Drag a copy of the curve using Ctrl+Alt+drag.
In the images above, notice the "source-generated dotted lines" extending from the other curve.
This is similar to the behavior in Sketch Mode1 for aligning and snapping the vertex. By default, the
system generates them extending from all curves that intersect at the selected-and-moving vertex.
Drag the vertex vertically. The extension line for the affected curve is shown as well as the extension
for the vertical curve.
Drag the vertex away from the vertical curve. The vertical extension line disappears, the affected
curve extension stays and the extension for the third curve appears.
Sketch only allows snapping in the plane, but with Curve1 Dragging, you can snap in 3D.
When you hover over any straight line or edge while dragging a vertex, a dotted vector will be gen-
erated. This allows you to snap to the extension of any existing line or edge.
Since you can drag a vertex without holding down the Alt or Ctrl keys, you can Shift-hover over other
objects. This displays extension lines for other lines or edges. The default, source-generated dotted
lines are erased when you Shift-hover over an object.
Sequentially Shift-hovering on converging lines or edges lets you snap to their virtual intersection.
In the example below, the top horizontal line is a single curve, but with two "sub-curves" because
the vertical curve's endpoint lies somewhere along its length. Although there is only one horizontal
curve, it can be treated as split, for the purposes of dragging other vertices to these sub-curve end-
points or midpoints.
Sub-curve midpoints are available for snapping if you Shift-hover over the parent curve.
Green points display at the endpoints of the sub-curve and a triangle displays at the midpoint. This
helps to determine what portion of the curve is being snapped to, in cases where it may be ambigu-
ous.
The virtual intersection of the horizontal and slanted lines is available for snapping if you Shift-hover
over both.
Curve intersections (for both straight and arc-shaped curves) are available for snapping and dis-
played with a "+" sign.
Face1 selection does not override edge extension snapping. In this example, the extension line is
above the face. If the face had a higher priority, you could not snap to the extension line without
reorienting the view.
You can snap a vertex to a 3D point.
You can also snap a vertex to the virtual intersections of extended solid edges.
Moving with a fulcrum
The Fulcrum1 tool guide moves objects around a point, edge, or face. You can use this tool guide to
pivot patterns or faces, and to create a simple exploded assembly.
To move objects with the Fulcrum tool guide
1. Click Move2 in the Edit group on the Design3 tab.

2. Select the point(s), edge(s), or face(s) you want to move. You can select surfaces, solids, or com-
ponents in the Structure tree4.
This object will be highlighted a shade darker than its normal color. Selected components will
be highlighted with a red bounding box.
3. Click the Fulcrum tool guide on the right side of the Design window5.
4. Select the point, edge, or face you want to use as the fulcrum. You can select surfaces, solids,
or components in the Structure tree.
This object will be highlighted in blue.
5. Drag an arrow or radius on the Move handle to move the object(s).
Examples
In the examples below, the object was dragged in the direction indicated by the red arrow.

Moving an edge using another edge as the fulcrum point.
Moving a pattern with one pattern member as the fulcrum point. You must select all the faces on the
pattern member that you move.
Moving components with a face of one component as the fulcrum point. Select the components in
the Structure tree.
Moving protrusions and depressions
You can move protrusions and depressions with the Select tool or the Move tool.
To move a protrusion or depression

1. Select a protrusion or depression.
2. Drag the protrusion or depression.
If two faces connect at an angle greater than 90 degrees, you can drag the protrusion across
the two faces, as shown in the image below.
Using measure to drive pull
Measurements can be made, and the results used, while in the Move1 tool.
To use measurements from within the Move tool:

1. Enter the Move tool.
2. Place the Move tool on a face, edge or vertex.
3. Click one of the Move tool handles to establish a direction.
4. Enter the Measure2 tool (shortcut is e) and measure any single object or measure between
two objects.
5. Click on the measurement result that will drive the Move (hover over measurements to display
a purple box). Once selected, that single measurement will display on screen with arrows point-
ing to either object chosen for measurement.
model.

2. Open the Groups1 panel
5. At any time, clicking on the group in the Group tree will open the Move tool and put the
measurement value in edit mode. Simply enter a new value and complete the move.
Measurement groups can also be created from Area and Perimeterresults. Modifying the group
then adjusts the model to produce a desired area. For example, create a Measurement group for the
area of a side of a box. While moving the front of the box, you can enter a new area value for the
side to complete the move.
Alternative work flow:

1. Enter the Move tool
2. Place the Move tool on a face, edge or vertex
3. Enter the Measure tool (shortcut is e) and measure any single object or measure between
two objects
4. Click on the measurement result that will drive the Move (hover over measurements to display
a purple box).
5. Select on a direction arrow to display the single measurement. Once selected, that single
measurement will display on screen with arrows pointing to either object chosen for
with the group.
measurement.
model.
2. Open the Groups panel
5. At any time, clicking on the group in the Group tree will open the Move tool and put the
measurement value in edit mode. Simply enter a new value and complete the move.
Measurement groups can also be created from Area results. Modifying the group then adjusts the
model to produce a desired area. For example, create a Measurement group for the area of a side of
a box. While moving the front of the box, you can enter a new area value for the side to complete
the move.
Flag groups
Flag groups ensure that unwanted changes are NOT made to the model.
To create a Flag group:

1. Measure the geometry that you do not want to change
2. Hover over the measurement.
3. Click the Flag Group icon next to the measurement.
4. Open the Groups panel and see that a Flag Group has been created.
In the Groups panel, the group is shown with a Locked icon to indicate that it will prevent modi-
fications. The measurement value is also listed.
Flag group example:
The right face area is

added to a Flag Group.
Modifications to the
model that do NOT
change the right face
area can be made as
usual.
Here a Pull1 operation

is performed that
changes the right face
area.
Because of the Flag
Group, the model snaps
back and the right face
blinks red with a warn-
ing message.
You can Unlock a Flag

Group by right-clicking
on it in the Groups
panel and choosing
Unlock. After it is
unlocked, the icon
changes to indicate that
it is unlocked and can
be modified.
At this point, the Meas-

urement value is also
the Current value, as
indicated by the listings
in the Groups panel.
With the group
unlocked, you can make
changes to the right
face. The face still blinks
red and a warning is
issued to inform you of
the new measurement.
The icon changes to
indicate that the meas-
urement has changed
from it's original value.
To make this new value

the Measurement value,
right click on the group
in the Groups panel and
choose Reset. This
makes the Meas-
urement value and the
Current value the same
and it changes the
group's icon to indicate
that it is still unlocked.
To Lock the group at

this new value, right
click on the group and
choose Lock.
If modifications result in the disappearance of the Flag Group's measured object, the flag group is
deleted. Use Undo to get it back.
Other group examples:
Fill
Use the Fill1 tool to fill in the selected region with the surrounding surface or solid. Fill can "heal"
many cuts made into geometry, such as chamfers and rounds, subtractive revolves, protrusions,
depressions, and regions removed by removing regions in the Combine2 tool. When using Fill to fill
a gusset, the bend geometry on which the gusset is defined remains intact.
The Fill tool can also be used to simplify surface edges and cap surfaces to form solids. You can
select a combination of faces and edges to replace them with a single new face.
You can use the Fill tool in Sketch mode3 to fill a loop of sketch curves that is almost closed, but
that has multiple small gaps. If the gaps are too large, multiple error messages appear to show you
where the gaps are. You can also use it to concatenate multiple sketched curves.
You can also use the Fill tool when editing a layout. Fill functionality is useful when you sketch faces
across section lines, but do not want the section lines to split the surfaces when you switch to 3D.
When you change the geometry of a model, for example, the models length, height, or width, the
models fill pattern will automatically update to correctly re-fill to the models new geometry.
Using the Fill tool

Click on one of the links below for detailed information about working with the Fill tool:
Sketch and layout curves
If you select one or more end points of sketch curves, the curves are concatenated into a single
spline. Neighboring sketch curves are merged into one selectable item with an underlying spline.
The spline is not displayed until the concatenated curve is modified:
Let's look at the following sketch curves:
One of the rectangles isn't closed. If we fill this rectangle, the loop is automatically closed and it
becomes a surface:
The gap in this loop is small enough for the Fill tool to automatically close. Larger gaps will not be
closed. If a gap is less than 1.5 times the length of the minor grid spacing on the sketch grid, the
edges are extended to close the gap. If the gap is larger, a message appears in the status bar and the
gap's endpoints flash.
The Fill tool also created surfaces from the other closed loops of sketch curves. The darker shaded
areas in the image above show where the surface parts overlap. If we move the rectangle, we can see
the surface that was created automatically:
The result only has edges for the sketch curves that we did not select, because the selected curves
were used to create a separate surface.
Now let's go back and close the open rectangle, and let the Fill tool automatically create surfaces
without selecting any edges:
This surface has edges for every closed sketch curve. The same thing automatically happens if we go
from sketch mode to 3D mode.
If we select all the sketch curves, then click Fill, we get a surface without any interior edges:
You can also fill layout and sketch loops:
And a loop of non-tangent 3D curves:
Vertices
You can select any number of edge points in any order. Each edge point is removed and a spline is
created to make a smooth curvature change between the neighboring edges to the point:
If you Fill a vertex on a solid, the system attempts to merge coincident edges into a single edge:
Edges on surfaces
If you select one surface edge in the shape of a spline or arc, the edge is simplified into a straight
line:
If you select two or more edges of a surface, the edges are simplified with a straight edge between
the end points:
If you select an edge that is completely within a surface, the edge is removed:
If you select all the edges that enclose a surface, the surface is simplified into a rectangle based on
its extents:
If you select a single edge that lies on an analytic surface, Fill will simplify it with the neighboring
edges:
You can fill irregular gaps on a circular surface, and the gap is simplified into a straight edge. Use Fill
again on the straight edge, and the edge becomes round:
Chamfers on surfaces
Select achamfer on a surface and then use the Fill tool to fill the chamfer.
Edges on more than one face
If you select a chain of open, planar surface edges, Fill creates faces based on the edges you select:
or
If you select an open edge loop that belongs to multiple faces, Fill attempts to cap it with an ana-
lytic surface (cylinder, cone, etc.):
If you select a series of planar edges, you will get a planar face:
If you select a series of surface edges that are not planar, Fill extends neighboring faces if the Patch
Blend1 option is off:
If the Patch Blend option is turned on,
If you select an edge loop and Alt+click to select neighboring faces, the new face will be tangent to
any faces you used Alt+click to select:
You can also extend neighboring faces to fill sliver gaps (double click to get loop):
If you select open edges of a self-intersecting surface, Fill tries to form a solid and remove excess
(also works in combine):
If you select an edge loop and use the Patch blend1 and Tangent extension2 options:
When you fill a loop of edges, you can use Alt and select curves and the new face(s) will pass
through the curves:
1Fill tool option that uses the initial tangency of the neighboring faces to fill the selected edges.
Faces are blended into a smooth, single-face patch, instead of extending the faces attached to the
edge until they intersect. Deselecting the Tangent extension option ignores the tangency of the
neighboring faces.
2See Patch blend
If you select an edge loop and guide curves, with or without the Tangent extension option (which
applies to areas not influenced by guide curves):
If you select an imprinted edge on the face of a surface or solid, the imprinted edge is removed.
This works the same as delete:
If you select laminar edge(s) of a solid or surface, Fill simplifies the edges by replacing them with a
single edge with the same geometry:
Solids
If you select faces, Fill deletes them and extends neighboring faces:
If you select a chamfer or round, Fill removes them and adds them to a named group:
If you select rounds with neighboring rounds, Fill creates planar caps (because rounds should not be
extended by definition):
If you select rounds on shelled parts, both faces of the shell are filled:
If you select joint edges created in Sheet Metal, the joints are removed:
If you select two imprinted edges, as shown below, they are combined into one edge:
Faces and edges or sketch curves
With at least one face selected and at least one edge or sketch curve selected, Fill will remove the
selected faces and create a single new face using the removed faces and the selected edges as
inputs:
If you select two faces or surfaces that don't touch, you can replace them with a single face. You
must double-click to select the gap between the faces:
Any combination of sketch curves, layout curves, surface edges, and solid edges
When you select any combination of sketch curves, layout curves, surface edges, and solid edges that
lie in the same plane and form a closed loop, Fill creates a planar surface:
Meshes
Mesh internal loops and boundary loops can be filled with the Fill tool. The loops are filled with
facets that consider the curvature of the neighboring facets. This produces a very smooth and uni-
form fill. The newly created facets are added to the selection set after the fill.
Multiple mesh loops can be filled at once in three cases.
Separate loops on the Same mesh object that are NOT intended to be joined.
Separate loops on the Same mesh object that ARE intended to be joined
Separate loops on Different mesh objects that ARE intended to be joined
Loops on exterior and interior shells, when filled simultaneously, will create a wall thickness. Fill the
interior and exterior loops separately to continue the shell.
You can also use the Delete key to fill faces on a solid or surface.
To fill a region
1. Select the edges that define a surface region, or the faces that define a region within or on a
solid.
You can select an object in the Structure tree1 to simplify it.
You can select faces and the Fill tool will automatically create a patch if you also select at least
one edge.
2. Click the Fill tool or press F.
To fill sketch or layout lines

1. Select a closed or almost closed loop of sketch lines.

If a gap is 1.5 times the length of the minor grid spacing on the sketch grid or less, the edges
are extended to close the gap. If the gap is larger, a message appears in the status bar and the
gap's endpoints flash.
The mode is switched to 3D mode, and the filled loop becomes a surface.
You can select the face of a solid when only the edge is displayed (such as in a drawing sheet
view) using the scroll wheel. The edge becomes a slightly thicker line when the face is high-
lighted. If you fill lines in a layout, you can then pull the surface into 3D from the layout, but
remain in edit layout mode after this action.
You can fill lines and edges whether or not the sketched lines you want to fill were sketched in
the same plane as the edges. (If the lines are imprinted on a face and become edges, filling
those edges deletes them.)
Click the Fill tool in Sketch mode to fill any closed or almost closed loops and
switch to 3D mode.
Tool guides
The Select tool guide is active by default. When this tool guide is active, you can select edges
and faces to be filled. You can click an edge loop or use box-select to select multiple objects.
The Select Guide Curves tool guide allows you to select a guide curve.
The Complete tool guide generates the filled face.
Options
The following options are available in the Options panel1:
Patch Fill: Fills the selected edges using the initial tangency of neighboring faces to create a
smooth patch.
Extend Fill: Fills selected edges by extending the neighboring faces.
In the Fill tool, using the Patch option, fill multiple areas at once using Alt-selected tangency
influences and preview the changes. In the example, the two loops are being filled sim-
ultaneously and previewed. Notice the preview change when a different Point1 is Alt-selected.
Examples
Simplifying edges
Simplifying edges across multiple faces
Filling with straight and curved edges
Filling with curved edges as guides
Capping a surface
Capping a surface that crosses multiple edges
Selecting internal edges to keep them Selecting lines to simplify a surface by filling. Internal
after filling. edges are removed.
Filling edges to form a solid
Patch blend with and without tangent extension. The Tangent extension option is selected on the
left, and not selected on the right.
When selecting Guide Curves in the Fill tool, preview allows continued selection of multiple Guide
Curves. This enables you to understand how the Guide Curves influence the geometry.
Fill works on multiple-selected, disconnected edge loops in surfaces. Use this as a shortcut instead
of filling edge loops individually.
Removing rounds
You can use the Fill1 tool from the Edit group on the Design2 tab to remove and cap round
faces. You might want to do this if you are trying to move a protrusion surrounded by round faces
and it cannot be moved because the rounds create complex or difficult geometry. The Fill tool
attempts to remove the rounds of the faces you select, and extend the faces that are not selected.
With the Fill too, you can double-click a rounds chain to remove a long continuous chain of rounds.
Before you begin

You will have a greater chance of success if you remove only a few rounds at a time. If you
spend a lot of time removing rounds, you may want to review SpaceClaim's tutorials or tech-
nical support information, online at SpaceClaim.comfor advanced techniques you can use
when removing rounds.
Closely inspect your model from various angles and zoom levels, so you can best determine
the areas of rounds you want to remove. Each area of a model is unique, and different areas
may require different approaches to round removal.
To ensure accurate and complete round removal, remove the rounds in the reverse order in
which they were created, as shown in the example below of a model with colored rounds:
To fill a round or chamfer
1. Click the Select tool guide.
2. Select the round or chamfer.
3. Click the Fill tool or press F to fill the round and create caps if necessary.
A Round Group1 is created in the Groups2 panel each time you fill a round.
You can fill any round created in SpaceClaim, even a round that removes the underlying face,
until the round is changed by some other action.
To remove a round face

1. Select the round face.

If removing a face makes an invalid solid, the solid is converted to a surface.
If a round face is difficult to remove, try Alt+clicking it with the Fill tool, or using the Replace
tool.
Capping multiple round faces

When multiple selected round faces are removed by the Fill tool, they are removed in a specific
order so that they can be restored by right-clicking and selecting Reattach Rounds for each group,
in reverse order.
Usually you can select all the round faces and click the Fill tool to remove and cap them all. However,
sometimes this is not possible. In that case, select one round and fill it. If that works, undo and select
that round and the next. Undo. Continue adding rounds to your selection and trying to fill them until
the fill fails. Now you have identified one of the rounds that is causing the problem. Next, fill all the
rounds that filled successfully. Finally, repeat this process in the other direction of the round tangent
chain. Once you have filled all the rounds except for the one or two causing the problem, select the
one causing the problem and its two neighbors. Then click Fill. This process allows more options for
the extension of neighboring edges to intersect and cap the round.
1Grouping that is created each time you fill a round. You can reattach a group of rounds as long as
some portion of the original edges (or faces that bordered the edges) still exists in your design. See
Group.
with the group.
If you are experiencing difficulty filling a chain of round faces, first split the round faces, then fill the
newly created faces, then fill the remaining round faces.
Examples
A difficult-to-remove round replaced before removing
Filling a corner round that was created as a surface - surface round in an imported design
About to fill imported geometry bounded by surface rounds
Filling a rounded edge chain - the original chain to be filled, chain after splitting round faces, and
filled chain
If a round cannot be removed, a "stop face" is added and round removal is discontinued (A stop face
is a cap or vent face).
You can fill a chain of round faces when only one end of the round chain has a stop face.
Using other tools to remove rounds
Replace tool
As an option, when removing rounds, you can also use the Replace tool from the Edit group on the
Design tab, to replace one face with another. You can replace multiple faces with a single face,
replace a single face with multiple faces, or replace multiple faces with multiple other faces.
Full round replaced with a face
Progression using a face to remove a round
Sphere tool
Try using the Sphere tool from the Insert group on the Design tab. Using this tool, you can cre-
ate a round sphere and place it at difficult geometry junctions. Once in place you can use the
sphere to split the junction in order to remove the round. In some cases, you may want to cre-
ate a chain of two or more spheres to help with removing larger or more complex rounds
areas.
To avoid trouble with removing spheres, it's good practice to fill the sphere immediately after
you remove the rounds on either side of a sphere or sphere chain.
Using the Sphere tool to split and partially remove a round
Replacing faces
Use the Replace tool in the Edit ribbon group on the Design1 tab to replace one face with
another. You can replace multiple faces with a single face, replace a single face with multiple faces,
or replace multiple faces with multiple other faces.
The Replace tool also lets you manually simplify or align complex faces and curves into planes,
cones, and cylinders. (If you want to automate this process, use the Simplify tool in the Adjust group
on the Repair tab to automatically find problem areas.)
To replace a face
1. Click the Replace tool in the Edit ribbon group on the Design tab.
2. Select the face you want to replace (that is, the target).
3. Select the face, surface, or plane you want to use to replace the target face (that is, the source).
You can select sources in the Design window2 or in the Structure tree3.
Do it faster
1. Click the target face and Alt+click the source face, surface, or plane with the Select tool.
2. Click the Replace tool to replace the target face with the source face.
To replace multiple targets

1. Click the Replace tool.
2. Click the Target4 tool guide to make it sticky, then click each target face.
You can also use any multiple-face selection method.

3. Select the source face, surface, or plane.
You can select a source in the Design window or in the Structure tree.
To replace a target with multiple sources

2. Select the target face.
3. Click the Source tool guide to make it sticky, then click each source face, surface, or plane.
You can select sources in the Design window or in the Structure tree and can also use any mul-
tiple-face selection method.
4. Click the Complete tool guide or press Enter to replace the target.
To replace multiple targets with multiple sources

2. Click the Target tool guide, then click each target face.
Youcan also use any multiple-face selection method.
3. Click the Source tool guide twice to make it sticky, then click each source face, surface, or
plane.
You can select sources in the Design window or in the Structure tree and can also use any mul-
tiple-face selection method.
4. Click the Complete tool guide or press Enter to replace the targets.
Examples
Replacing a target split face with a source surface
Replacing multiple target faces (the protrusion) with a single source face (the surface)
Replacing multiple target faces (in the depression) with multiple source faces (on the surface)
To align or simplify faces

2. Click the Target tool guide, then click each face that you want to align or simplify.
You can also use any multiple-face selection method.
If the selected faces are candidates for alignment or simplification, they are highlighted in red.
Faces can be aligned or simplified by the Replace tool if they are within SpaceClaim s align-
ment or simplification tolerance of 0.0001m.
3. Click the Complete tool guide or press the Enter key to align or simplify the highlighted
faces.
To simplify curves
2. Ctrl+click each curve that you want to simplify.
If the selected curves are candidates for alignment or simplification, they are highlighted in
red.
3. Click the Complete tool guide or press the Enter key to align or simplify the highlighted
curves.
Example
Almost-planar faces highlighted for alignment
Faces highlighted for simplification
Tool guides
Select target faces using the sticky Targettool guide.
Select source faces, surfaces, or planes using the sticky Source tool guide.
Click the Complete tool guide to replace the target face with the source face, or to simplify or
align the target face.
Tweaking a face
You can edit any face or surface with Tweak Face1 to change its surface geometry. This tool is avail-
able in 3D mode and in drawings.
The degree (or complexity) of a primitive face is automatically increased when you edit it with the
Tweak Faces tool. This makes the editing process smooth and seamless, so curves are smooth when
you add them.
Surfaces are checked for self-intersection when you modify the surface using its control points. You
will receive an error message if a change would create a self-intersecting surface.
If you save a selection in the Selection panel and it includes control points, the Face Edit tab will
automatically open when you load that selection.
To tweak a face
1. Click Tweak Face in the Edit group on the Design2 tab.

The Face Edit tab appears in the ribbon bar.
2. Select an editing method:
Control Points to expose the control points for the face or surface so you can move
them.
Control Curves to expose the control curves for the face or surface so you can move
them.

Blend1 Curves to edit faces or surfaces that can be recreated as a blend.
Sweep2 Curves to edit faces or surfaces created with sweep.
3. Select a control point or curve on the face.
Hold Ctrl or draw a box to select multiple points or curves.
4. (Optional) Use the controls in the Select group to expand or contract your selection:
The U direction is indicated by blue lines in the Design window3, and the V direction is indic-
ated by red lines.
Click or to expand the selection so it includes all points in the U (blue) or V (red)
direction.
Click or to expand the selection so it includes the next point in the U (blue) or V
(red) direction.
Click or to reduce the selection by one point in the U (blue) or V (red) direction.
5. Select a tool to edit the face or surface:
Add Control Curve
Move
Scale
Or any other tool on the Design tab.
6. (Optional) Select Tweak face display options.
7. Click Close Surface4 Tools to close the tab and end your editing session.
To modify a control curve by creating a group

You can modify a control curve by creating a group. The group you create will display a ruler dimen-
sion that you can edit to modify your curve.
Editing tweaked faces
You can think of the editing methods as modes. Different controls are displayed for each method,
and these controls allow you to adjust the face or surface differently.
You can choose from the following methods:
Control points
Use this method when you want to change a face by moving its control points.
Control curves
Use this method when you want to change a face by changing its control curves.
Blend1 curves
Use this method when you want to change a face by changing its blend curves.
Sweep2 curves
Use this method when you are editing a face or surface created by sweeping and you want to
change a face by changing its sweep curves. The sweep curves are shown in blue and the surface that
was swept is shown in red. You can use these curves to make new sweep faces, and then manually
swap out the new faces for the old, but they can't be used to change the original swept solid.
Adding tweak control curves
You can add control curves to a face or surface when any editing method is active.
To add a control curve
1. Click Add Control Curve1 in the Edit group on the Face2 Edit tab.
The Tweak Face tool must be active for this tab to be visible.
2. Click the point on the face or surface where you want to add the control curve.
You can use temporary geometry to help you find the point where you want to add a control
curve.

Tweak face display options
These display modes can help you see the contours of a face or surface.
Grid1 displays a grid on your face or surface. This is similar to the Grid tool on the Measure2
tab.
Curvature3 displays a gradient on your face or surface. The curvature with the largest radius is
shown in the maximum color. The curvature with the smallest radius, or no radius, is shown in
the minimum color. This is similar to the Curvature tool on the Measure tab.
Porcupine displays a fringe graph on your face or surface. This display shows you the tangency
of your surface at multiple points.
Show Off-Face4 Control Points displays all control points. If this option is not selected, you
won't see control points that don't affect the surface.
Show Periodic Seams displays the beginning seam of the surface when you are editing peri-
odic faces (cylinders, cones, and other revolved surfaces). This may help you see of the char-
acteristics or behavior of some periodic faces as you edit.
To show a grid on your face or surface

1. Select Grid in the Show section on the Face Edit tab.
2. (Optional) Change the Color and Scale5 of the grid.
To show curvature on your face or surface

1. Select Curvature in the Show section on the Face Edit tab.
2. (Optional) Change the shading colors under Curvature in the ribbon group.
The maximum color is on the left and the minimum color is on the right.
1 See Sketch grid

3 Analysis tool that displays a fringe graph or color shading to represent the curvature along curves
or edges. Values indicate how curvy or "swoopy" the curve or surface is at each point.

To show a fringe graph on your face or surface
1. Select Porcupine in the Show section on the Face Edit tab.
2. (Optional) Adjust the Density to change the number of fringes displayed along the curve.
3. (Optional) Adjust the Scale to change the length of the fringes relative to the amount of
curvature.
Blending
You can create blends between points, edges, or faces.
To create a blend
Enter theBlend1 tool
Select a point, edge, or face
Ctrl+Select a corresponding point, edge, or face
You can select more than two objects
The blend is previewed as you select
Complete the blend
You can blend both closed and open sections to a single point as shown below.
Options
The following options are available in the Blend tool Options panel1 when you select the appro-
priate geometry for a blend.
Rotational blend2: Create cylinders and cones whenever possible during the creation of a
blend. You must have selected faces, points, or edges that can be rotated around a common
axis.
Periodic blend3: Go all the way around when blending. The blend will begin and end at the
first selected object. You must have selected three or more faces, points, or edges that can be
rotated around a common axis, and that also span an arc greater than 180 degrees. (Blending
between 3 equal-radius circle faces creates a torus.)
Ruled sections: Create straight edges when you blend. When you blend between faces, this
option has the same affect as selecting the face and its edges.
Local guides: Selected guide curves only influence areas near to them.
Clockedguides: Guide curves are oriented relative to the face edges instead being simply
translated from vertex to vertex.
2 Pull tool option used when blending faces to create cylinders and cones whenever possible.
3 Pull tool option used to go all the way around when blending faces.
Clocked guides uncheckedClocked guides Checked
Sheet metal blend: Forces the tool to create developable surfaces. A developable surface is
defined in mathematics as a surface with zero Gaussian Curvature1 (i.e. a surface that can be
flattened into a plane). The tool attempts to create planes, cylinders, and cones, in that order
to maximize the planar areas. It is restricted to blending between two parallel planes.
Sheet metal blenduncheckedSheet metal blend
Checked
Example
When blending between colored objects, the blended geometry takes on the color of the object
that was selected first.
Blending between faces
You can blend between two or morefaces with the Blend1 tool. Blended faces automatically sim-
plify to analytic geometry when possible.
Once you have created a blend, you can use the Tweak Face tool to edit the blended surfaces or
faces.
To blend between two faces
1. Click Blend in the Design2 tab Edit group.

The Select tool guide is enabled by default.
2. Select the first surface or face.
3. Ctrl+Select the second surface or face.
A blendpreview displays between the first two faces. Blend surfaces begin tangent to the
edges of the initial face and end tangent to the edges of the last face. You can Alt+Click on
these faces to reverse the tangent direction.
4. (Optional) Alt+click the edges or lines you want to use as guides for the blend. There is also a
tool guide for selecting guide curves.Guide curves must touch all blend profiles.
5. Continue selecting surfaces orfaces.
6. (Optional) Modify the blend by selecting from the following options:
Rotational blend1: Create cylinders and cones whenever possible during the creation of
a blend. You must have selected faces rotated around a common axis.
Periodic blend2: Go all the way around when blending. You must have selected three or
more faces rotated around a common axis, that also span an arc greater than 180
degrees. (Blending between 3 equal-radius circle faces creates a torus.)
Ruled segments: Create straight edges when you pull between three or more surfaces
or faces.
Local Guides3: Selected guide curves only influence areas near to them.
3 See Tool guides
Checked Un-Checked
Clocked guides: Guide curves are oriented relative to the face edges instead being
simply translated from vertex to vertex.
Clocked guides unchecked Clocked guides Checked
Sheet metal blend: Forces the tool to create developable surfaces. A developable sur-
face is defined in mathematics as a surface with zero Gaussian Curvature1 (i.e. a surface
that can be flattened into a plane). The tool attempts to create planes, cylinders, and
cones, in that order to maximize the planar areas. It is restricted to blending between
two parallel planes.
Checked
7. Click to create the blend.
To blend a surface tangent to a face along a given direction

Select two curved faces and Alt+click a linear object, such as an axis, datum axis, sketch curve, or
edge to indicate the direction for finding two tangent locations.
Where you click when selecting the surface determines the approximate location of the edge of the
surface.
The Pull1 tool previews the edges and the resulting sweep.
To blend a surface tangent to one face and through one curve/edge along a direction
Select a face and a curve and Alt+click a linear object to set the direction.
Blending between edges
Usethe Pull1 tool in the Design2 tabEditgroup toblend between two or more edges.You can
selectguide curves for the edges to follow when creating the blend.
To blend between edges
1. Click Blend3 in the Design tab Edit group.

The Select tool guide is enabled by default.
2. Select the first curve or edge.
3. Ctrl+Select the second curve or edge.
A blendpreview displays between the first two edges.
4. (Optional) Alt+click the edges or curves you want to use as guides for the blend. Guide curves
must touch all blend profiles.
5. Continue selecting curves or edges.
Rotational blend1: Create cylinders and cones whenever possible during the creation of
a blend. You must have selectededges rotated around a common axis.
moreedges rotated around a common axis, that also span an arc greater than 180
degrees.
Ruled sections: Create straight edges when youblend between three or more curves or
edges.
Local Guides3: Selected guide curves only influence areas near to them.
Clocked guides: Blend edgespassing through orending at edges (not vertices) will be
equally spaced along the edge.
Clocked guides unchecked Clocked guides checked
Sheet metal blend: Forces the tool to create developable surfaces. A developable sur-
face is defined in mathematics as a surface with zero Gaussian Curvature4 (i.e. a surface
3 See Tool guides
that can be flattened into a plane). The tool attempts to create planes, cylinders, and
cones, in that order to maximize the planar areas. It is restricted to blending between
two parallel planes.

Checked
When a blend between splines will self-intersect, the splines are modified slightly to prevent this
from happening.
Adding Tangency
Make the blend tangent toadjacent facesby Alt+Selecting them.
In the Blend tool, the system of Tangency and guide constraints sets up a system of equations that
SpaceClaim solves to produce the Blend result. Certain cases create a system of equations which is
Inconsistent, meaning the equations produce a contradiction and have no solution.
The example below is one example of this.
In some cases, when Blending with a combination of Tangency and Guide constraints, conflicts
between the constraints can occur. In these cases, the conflicted geometry will highlight and an error
message will be displayed.
Swept blends
A Swept Blend is a blend between two or more edgeswithoutlocal guide influence. The entire
blend is swept along the guide curve, as shown below.
If you check the Local guide option, the guide curve has a local effect on the blend.
Swept blends are different from sweeps. Swept blends need at least two profiles, while sweepsuse
a single profile.Sweeps giveyou limited control over the orientation and angle of the section along
the trajectory, or at the end cap, because it is always determined by sweeping the profile along the
trajectory.
With swept blends, you specify thesection shape and orientation explicitly at the ends and at spe-
cific points along the trajectory (guide curve).
When you select more than one guide curve, the additionalguide curvesgive you more control over
the final shape of the blend. Each guide curveaffects entities in the profile that are closest to the
curve. Vertices between guide curvesare controlled by curves blended between the neighboring
guide curves.
Example
Selecting three edges to fill in a missing triangular round on a corner.
Blending between points
You can create a curve byblending between any combination of sketched Points, vertices, or end-
points. Blend1 between any two points to create a line, or select multiple points to create a spline.
To blend between points
1. Enter the Blend tool.

2. Select the first point or vertex.
3. Ctrl+click to select multiple points or vertices.
A blend preview displays between the first two points.
4. Ctrl+Select more points or vertices.
5. To make the curve tangent:
Ctrl+click neighboring edges of the vertices if you want the blend curve to begin tan-
gent to one or more edges.
Alt+click one or more neighboring faces if you want the blend curve to be tangent to
the face(s).
Rotational blend1: Createarcs whenever possible during the creation of a blend. You
must have selectedpoints rotated around a common axis.
morepoints rotated around a common axis, that also span an arc greater than 180
degrees.
Ruled sections: Create straightline segmentswhen you blend between three or more
points.
Creating objects and relationships
Inserting planes
You can define a plane by selecting various faces, edges, axes, or lines in your design. You can select
any combination of coplanar axes, curves, edges, and coordinate axes.
The plane will extend a small amount beyond the edges of the face to make it easier to work with.
The plane will maintain this margin around all the objects in your design, extending and trimming
itself as you add, remove, or move solids within your design.
Planes are useful for creating layouts and annotations. Planes are not linked to the geometry used to
create them; they must be explicitly selected to move along with other items. You can also use a
plane to quickly clip your design to show only the geometry behind the plane.
To insert a plane
1. Click Plane1 in the Create Insert group on the Design2 tab.
2. Select one of the following:
Select a: To insert a plane:
Planar face3 That contains the face
Planar face and point Through the point and parallel to the face
Through the edge and perpendicular to the face (useful when

Planar face and edge
creating a sweep path)
Two parallel planar faces At the midpoint between the two faces
Axial or cylindrical face Tangent4 to the face at the selection point
Two axial faces with par- Tangent to both faces as close as possible to the selection
allel axes points

3Face that lies within a plane.
Select a: To insert a plane:
Planar edges1 That contains the edges
Axis2 That contains the axis
Two axes That contains the axes
Two origin axes That contains the axes
An origin Three orthogonal planes
Axis (or line) and one point That contains the axis (or line) and the point
End point of any line Through the end point and normal to the line at the end point
Through the selected point and perpendicular to the plane

Control point of a spline
that contains the spline
Three points That contains those three points
Line3 sketched on a plane Through the line and normal to the plane
Line and point on the line Through the line and the point
Two planar lines That contains those two lines
Two points Through the two points
Two points and a Plane or Through the two points and perpendicular to selected plane
planar face or planar face
3. (Optional) Click the Build Plane tool guide to select reference objects, then select a temporary
(dotted) plane to create the one that you want from the possible planes. See Inserting tem-
porary points, axes, and planes for detailed information about creating temporary planes.
1Two or more edges that lie in the same plane. You can select planar edges and select the Plane tool
from the Insert ribbon group to insert the plane defined by the edges.
ment axis.
4. An error message is displayed in the status bar if your selection does not define a plane.
To insert a plane tangent to a cylinder and parallel to a plane

Select a plane, Ctrl+click a cylinder, then click the Plane tool.
To insert a plane tangent to a cylinder and perpendicular to a plane

Select a cylinder, Ctrl+click a plane, then click the Plane tool.
To insert a plane through the mid-point between two points

1. Select the Plane tool.
2. In 3D mode or Section mode1, Alt+Shift+click two points to create a temporary plane that
includes the midpoint.
3. Click the temporary plane.
To insert a plane parallel to the screen

1. Select the Plane tool.
2. Activate the Align to Screen tool guide

3. Hover over geometry to preview the plane through the selected geometry and parallel to the
screen.
4. Select the geometry to create the plane.
1See Section
To clip your design with a plane
Right-click a plane and select Clip1 with Plane. To restore the view of your design, right-click the
plane and select Clip with Plane again.
Planes, axes, and annotations are not clipped.
Examples
An edge and the axis of a coordinate object selected to create a plane.
To change the appearance of a plane

You can use the Fill2,Outline, and Clipface options to change the appearance of a plane.
Fill: Set to Automatic by default. Automatic causes geometry behind the plane to look lighter
than geometry outside the plane boundaries. If you change to No Fill, all geometry will have
the same opacity.
Outline: Set to Automatic by default. Automatic you see the outline of the plane. If you
change to No Outline, the plane is invisible unless selected.
Setting planes to No Fill and No Outline is useful when dimensioning parts. It is easier to see
annotations when planes are less visible.
Clipface: Sets the Clipface color override for each clipping plane in the design window. It
does not change the color of the plane itself, just the color of the face the plane is touching.
Inserting an axis
You can extend any axis in your design to make it available for revolves or rotations. The axis will
extend a small amount beyond the edge of the space containing your design. It will maintain this
margin extending and trimming it as you add, remove, or move objects in your design. Axes are not
linked to the geometry used to create them (unless they are an extension of existing axes); they must
be explicitly selected to move along with other items.
To insert an axis
1. Click Axis1 in the Create Insert group on the Design2 tab.
Select: To insert an axis:
Axial face3 That contains the face's axis
Two, non-parallel planar At the intersection of the theoretical planes containing the two
faces faces
Linear edge That contains the edge
Cylinder and tangent

At the intersection of the cylinder and plane
plane
Line4 That contains the line
Origin5 axis Along the origin's axis
Circle or arc That contains the center point and is normal to the line
1 Straight line that an object rotates around or that objects are regularly arranged around. See Align-
ment axis.
3Face of a 3D object through which an axis extends. The axis displays when you move the cursor over
the axial face.

Select: To insert an axis:
Point1 and a plane Through the point and normal (perpendicular) to the plane
Two points Through both points
At the point where a cylinder's axis would be positioned between

Three axes
the three axes
3. (Optional) Click the Build Line tool guide to select reference objects, then select a temporary
(dotted) line to create the one that you want from the possible axes. See Inserting temporary
points, axes, and planes for detailed information about creating temporary lines.
To insert an axis through the mid-point between two points
1. Click in the Edit group on the Design tab.

2. Hold Alt+Shift and select two points to create two temporary axes that cross at the midpoint.
3. Click the temporary axis.
4. Click Axis in the Insert group on the Design tab.
Examples
Creating an axis by selecting the axes of three cylinders
Inserting points
You can create 3D points anywhere on the 3D geometry.
To insert a point
1. Click Point1 in the Create group on the Design2 tab.

2. Select a point, vertex, or location on a face, surface, curve, or edge.
World Origin3 coordinates are shown for selected Datum4 Points in the Status Bar.
Points can be Patterned in the Move5 tool and Linear and Circular Pattern tools.
Points can be dragged and dropped in the Structure Tree.
Move to New Component6 and Move Each to New Component work for selected Points.

Inserting an origin
You can insert an origin at any location in your design where you can anchor the Move1 tool. You
can anchor a ruler to an origin, and snap to origins while in Sketch mode2. This allows you to dimen-
sion from an origin and quickly move the sketch grid to an origin. You can also insert an origin at a
solid's center of mass or volume.
To insert an origin
1. Click Origin3 in the Create Insert group on the Design4 tab.

2. An origin is previewed attached to the cursor.
3. Move the cursor to position the origin. The origin will adjust its orientation based on the type
geometry it is on.
4. Click to place the origin.
To insert an origin based on selected faces

1. Select one, two, or three faces.
2. Click Origin in the Create group on the Design tab.

3. The origin is created based on the following:
1. If one planar face is selected, the origin is created at the center of the face.
2. If two intersecting faces are selected, the origin is created with XY in the first plane, Y
aligned in the intersection of the two planes.
3. If three intersecting faces are selected, the origin is created with XY in the first plane, Y
aligned in the second, and Z placed at the intersection of the third plane with Y.
To insert an origin usingthe Move tool
1. Click Move in the Edit group on the Design tab.

2. Position the Move handle where you want the origin to appear.
3. Select the Origin tool in the Insert ribbon group to insert an origin.
The origin appears in the Design window1 and in the Structure tree2.
To insert an origin at the mid-point between two points

1. Select the Move tool.
2. Alt+Shift+click two points to create a temporary point at the mid-point.
3. Click the temporary point to place the Move handle there.
4. Select the Origin tool in the Insert ribbon group.
The origin appears at the midpoint.
To insert an origin at the center of mass or volume
1. ClickMass3 tool from the Analysis group on the Measure4 tab.

2. Select the solid at whose center you want to place the origin.
Axes appear at the center of mass or volume.
3. Select the Origin tool in the Insert ribbon group..
The origin appears at the center of mass or volume.
To place the sketch grid on an origin
your design.
1. Select the vertex of an origin.
2. Enter sketch mode.
The sketch grid is now located on the x and y axis of the selected origin.
To define the origin for a newly created component

1. Insert an origin.
2. Alt+click the origin.
3. Right-click a solid and select Move to New Component1 from the context menu.
You can also create a new component and then drag and drop the solid into that component
while the origin is Alt-selected.
4. Right-click the component in the Structure tree and select Open Component.
The component opens in a new design window.
5. Display the world origin.
The world origin in the new design window ispositioned at the same location as the alt-selec-
ted origin.
Example
Alt+selecting an origin when creating a new component. The image on the left shows the World Ori-
gin and an origin created on the solid. The image on the right is the component opened in a new
design window with the world origin in the location it was placed on the object.
Pinned datums
Datums can be Pinned to the location at which they were created using RMB>Pinned.
Pinned Datums will move if their creation references are moved.
If a Datum1 is created and subsequently moved from its original (created) position (with respect to
its creation references) RMB>Pinned will be grayed out.
The following apply to all pinned datums

Pinned datum icons in the tree are highlighted to distinguish them from normal
Ctrl+drag to copy in the Move2 tool works for all pinned datums. The original datum remains
pinned but the new copy is unpinnable.
Datum Planes and Axes are now automatically unpinned when they can no longer be con-
structed from the reference objects. For example, when a reference face is changed from a
plane to a cylinder.
The Datum Plane3, Line4, and Point5 tools are sticky (they stay on until you enter another tool)
like normal tools.
If any of a Pinned Datums references are deleted,the systemforces the datum to be
unpinned. The datum will not be placed with respect to the remaining references. This applies
to Planes, Lines, and Points.
Datum Planes, Lines, and Points that are constructed exclusively from other pinned datums
become pinned by default. For example, a datum axis will be pinned by default if it is con-
structed from a point pinned to a face.
The Move handle is disabled when all selected objects are pinned datums (axes, planes). Since
they are pinned, these objects cannot be Moved. If unpinned datums, or other objects, are


included in the selection, the Move handle is enabled, but the pinned datums will not Move.
To allow copying, the Move handle becomes enabled when the Ctrl key is pressed.
The following apply to pinned datums in components
You can Cut/Copy/Paste by parent component.

You can set the Visibility by parent component.
Note1 that when pinned datums are moved to a new component, they become unpinned and
subsequently unpinnable
Datums can only be pinned if All of the references are in the same component. Allowing ref-
erences from multiple components can result in unintentional Assembly2-like constraints.
Pinned Planes
In the graphics area, Pinned Datums are also given a green color and they have their corners
rounded. The image here shows the plane selected to emphasize the color.
The pinned datum Reference is also highlighted when the plane is selected.
If any of the pin references are deleted, the plane is automatically unpinned.
You can NOT pin datum planes created from temporary references (using ALT+SHIFT.)
Only Datum Planes that are NOT moved from their original position can be pinned. Planes
moved away, and then back to their creation references, CANNOT be pinned.
Planes created using the Build Plane tool guide cannot be pinned. The references used in cre-
ating these planes are temporary and are not remembered outside of the tool.
Pinned Axes
Un-pin a Datum Line if any of the references are deleted.
Pinned axes are given a green color to distinguish them from normal axes.

tool, Component
PinnedAxes attached to pinned datum points on faces will adjust when the faces are edited
with Tweak Face1, Pull2>Offset3, Move, Bend, etc.
Axes created using the Build Line tool guide cannot be pinned. The references used in cre-
ating these planes are temporary and are not remembered outside of the tool.
Pinned Points
Currently pin to an existing point/vertex, or to the midpoint between two other points.
Face and Edge4 point connections have been added.
You can now box-select Points
Pinned Datum Points now store their latest location to ensure proper placement if the pin ref-
erence becomes invalid by deletion or geometry change.
3D Datum Points can now be moved with the Move tool if they are not pinned.
When you Bend a face that has pinned datum points, the points follow the face at a well-
chosen location.

Inserting temporary points, axes, and planes
You can create temporary points, axes, and planes while working with other tools. Temporary objects
can be used to dimension to and create other objects. For example, you can use them to create a
ruler dimension, or anchor the Move1 handle on them.
To clear a temporary object, select the object and press Delete. A temporary object also disappears
when you click in an empty space with the Selection tool or create another temporary object.
Alt+Shift+click: 2D example: 3D example:
For curves: A tangent line and a For solids: A plane that is normal to the view dir-
A point
perpendicular plane. ection (or parallel to the plane of the screen)
Two points 2D and 3D: A midpoint between two points and a bisecting line
Three points (not applicable in 2D) A plane
Two parallel A line midway between two A line midway between two edges and planes
lines or edges lines (2D) that intersect the edges and the line (3D)
Two parallel
(not applicable in 2D) A plane midway between two planes
planes
An axis between the two points at the closest

Two non-par-
Two bisector lines and the approach between each other, and a point and a
allel lines,
intersection point (2D) midplane at the middle distance along that axis
edges, or axes
(3D)
Two non-par- Two bisecting planes and the edge where the
(not applicable in 2D)
allel planes planes intersect
Three planes (not applicable in 2D) The point where the three planes intersect
An arc 2D and 3D: A circle that completes the arc
A conical face The point where the conical face would come to
and its axis a point
Ellipse1 2D and 3D: The major and minor foci
1Geometric shape described as a circle viewed at an angle; oval with two centers of equal radius.
A line or edge
and a point that
2D and 3D: Axis1 from the point normal to the edge and a second axis parallel to
is not in line
the edge through the point
with the line or
edge
An axis and an
The point at the intersection of the axis and the
intersecting (not applicable in 2D)
plane of the face
face or surface
The points where the face would intersect the

curve, and the axes that pass through the points,
A curve and an
are tangent to the curve, and are on the same
intersecting (not applicable in 2D)
plane as the curve. One point and axis are created
face or surface
if the face would only intersect the curve at one
point.
ment axis.
A point and a Plane1 that is tangent to the face and a point that
face or surface is normal to the axis from the face to the point
2D and 3D: A plane through the line or edge, or a plane that is normal to the
A point and a
plane that goes through the point. If a line is chosen at a particular point, then that
line or edge
location on the line can also be used as a point reference.
(2D and 3D produce the same

result, shown on the right)
A line or edge
2D and 3D: Planes that are perpendicular to the face and go through the line or
and a planar
edge.
face
Linear patterns
You can create patterns of:

Protrusions or depressions (including slots)
Points, planes, origins, or axes
Sketch curves
Notes
Lightweight text
Components
Patterns can be made from a mix of object types, such as a pattern of holes (faces) and bolts (impor-
ted components). You cannot create a pattern of threads. You can use the Undo button, Ctrl+Z or
Redo button, Ctrl+Y when creating a pattern.
To create a one- or two -dimensional linear pattern

1. Click the Linear tool in the Create group on the Design1 tab.

Change X Count, or X Pitch1 values for One-dimensional
Change X, Y Count, or X, Y Pitch values for Two-dimensional
5. Select the Define Pattern tool guide.
When the pattern is previewed, any members which cannot be created are shown in red.
Members that can be created are shown in blue.
The image below shows the preview for a two-dimensional pattern. For one-dimen-
sional, only the X-direction is displayed. Clicking the arrows flips their direction 180-
degrees.
For through-all cuts, the preview is on the plane closest to the direction reference. For
blind cuts, the preview is on the face of the selected pattern leader.
You can also create one-dimensional linear patterns on cylindrical faces as long as the pattern dir-
ection is either the cylinders axis or parallel to the axis.
In SpaceClaim, any pattern member can be used to modify the pattern after you create it. If the
change cannot be made to all pattern members, the member that cannot change is still part of the
pattern.
closed lock icon.
To create a pattern of a pattern

Follow the steps for the linear pattern, but select a member of a linear pattern as the first member of
the pattern.
3. Press Enter.
arrow.
To move a pattern

pattern.
move:
Use the Up To tool to move a pattern member up to another face or edge. Pattern dimen-
sions (such as Count and Length) display as expected.

member.
the pattern.


or Orient tools.
2. Right-click the Assembly2 Condition in the Structure Tree and select Update Components on
Pattern.
The components will be propagated to the pattern.
Examples
Rectangular pattern
with the group.
tool, Component
Changing spacing between pattern members changes the pattern's overall length when the length
field isn't locked.
A pattern of sketch objects is no longer a pattern when you switch to 3D mode and the sketched
objects are converted to surfaces.
Sketch curve patterns can propagate in two dimensions. The pattern above contains three squares in
the X direction and two squares in the Y direction.
Circular patterns

Protrusions or depressions (including slots)
Points, planes, origins, or axes
Sketch curves
Notes
Lightweight text
Components
To create a one- or two - dimensional circular pattern

1. Click the Circular tool in the Create group on the Design1 tab.
3. Select a line, edge, axis, sheet metal marker, or a set of points to set the direction of the pat-
tern.
Change Circular Count, or Angle values for One-dimensional.

Change CircularCount, Angle, Linear Count, or Linear Pitch1 values for Two-dimensional.
Note2 that a Circular Count of one, in a two dimensional pattern,will create a single radial pat-
tern.
5. Select the Define Pattern tool guide.
When the pattern is previewed, any members which cannot be created are shown in red. Mem-
bers that can be created are shown in blue.
The image below shows the preview for a two-dimensional pattern. For one-dimensional, only
the Angular direction is displayed. Clicking the arrows flips their direction 180-degrees.
You can create circular patterns on cylindrical faces, both around the face and along the axis.
pattern.

closed lock icon.
Circular patterns are anchored at the opposite end by default when you move one end.
In patterns of patterns, associations of children of the first pattern are maintained. An example
is shown below. The height of all the bosses is changed by changing one. You can do this by
using the Move2 tool to pull up, adjusting the height.
Patterned curves can now be moved. Previously, you could move one of the members and
the rest would not follow. The example on the right shows the previous behavior. The line on
the left was used to create a six member pattern. When the line is later moved, the other mem-
bers do not follow.

Pattern dimension display now remains when you enter the Move tool. Previously, the pat-
tern dimensions disappeared and only the faces were displayed. This led to confusion about
what was selected for the Move. The images below show the new, correct behavior.
To create a radial circular pattern

1. Select all radial pattern members.
2. Click the Circular pattern tool.
3. Set the Pattern type to One-dimensional.
4. Enter the Circular count and Angle.
5. Click on the circular axis.
To create a single radial pattern, set the Pattern type to Two-dimensional and enter a Circular
Count of 1.

3. Press Enter.
arrow.
To move a pattern

pattern.
Use the Up To tool to move a pattern member up to another face or edge. Pattern
dimensions (such as Count and Length) display as expected.
To move a radial pattern in a linear direction

2. Right-click a pattern member and click Select > All Pattern Members.
3. Select the Direction tool guide.
4. Click an object to set the direction of the move.
5. Drag the pattern.

member.
the pattern.


or Orient tools.
Pattern.
The components will be propagated to the pattern, as shown below.
with the group.
tool, Component
Fill patterns

Protrusions (including sheet metal form)
Depressions (including slots and standard holes)
To create afill pattern

1. Click the Fill1 tool in the Create group on the Design2 tab.
2. Select a protrusion ordepression to be the first member (leader) of the pattern. The Direction
tool guide activates.
4. Modify the options in the Options panel3
Pattern Type: Grid4 or Offset5
Modify the X Spacing or Y Spacing
Modify the Margin values. A dashed orange boundary line displays the pattern's marginal
boundary.
4See Sketch grid
When the pattern is previewed, any members which cannot be created are shown in red. Members
that can be created are shown in blue.
pattern.
To edit a fill pattern's properties

With a fill pattern node selected in the Structure tree1, you can:
Change fill pattern parameters in the Layout2 section of the Properties panel3. Changes that
you make automatically update the pattern in the design window.
Right-click and select Lightweight Pattern to toggle a pattern component between a light-
weight pattern and regular pattern. When selected, a check mark displays next to the Light-
weight Pattern command. Thisonly works with sheet metal components: with a Pattern node
selected in the Structure tree, right-click and select Make Lightweight.
To update lightweight fill patterns to fit the existing geometry of your design, select the light-
weight pattern node, then right-click and select Update Pattern
To move a pattern

out.
pattern.
move:
Use the Up To tool to move a pattern member up to another face or edge. Pattern dimen-
sions (such as Count and Length) display as expected.

with the group.
or Orient tools.
Pattern.
tool, Component
Creating offset relationships
Use the Offset1 tool to create an offset relationship between two faces. This relationship will be
maintained in the other 2D and 3D editing tools. For example, when you select an offset face with
the Pull2 tool, the offset dimension is displayed. Baseline faces3 do not display a dimension.
To create an offset relationship

1. Click the Offset tool in the Create ribbon group.
Mouse over your design to see the faces eligible for offset relationships.
2. (Optional) Select options.
Select the Find All Same Offset option if you want to select all contiguous face pairs that have
the same offset distance as the pair you selected. If this option is not selected, the offset rela-
tionship is only created for the selected pair of faces.
3. Click the first face.
4. Click the second face.
You have now established an offset relationship between the face pair and other contiguous
face pairs with the same offset distance (if the All the Same option is selected). The Toggle
Baseline tool guide activates.
5. (Optional) Click to select the baseline face(s).
When you move one of the faces with a design tool, the other face in the offset pair moves to
maintain the offset relationship. When you fill one face of an offset pair, the other face is also
filled.
Tool guides

3See Offset baseline faces
The Face1 Pair tool guide is active by default.
When the Toggle Baseline tool guide is active, click the faces that you want to be the baseline
of the offset.
Example
An offset relationship between two cylindrical faces causes both to change when you change the dia-
meter of either cylinder
Shelling a solid
Use the Shell1 tool in the Insert ribbon group on the Design2 tab to remove one of the faces of a
solid and create a shell of a specified thickness. You can then use the Shell tool to remove other
sides of the shell. SpaceClaim automatically creates an offset relationship between the sides of the
solid for you.
You can also create a closedshell without removing a face.
Shelled solids can have chamfers and rounds, and the faces can be drafted. The chamfer or rounded
edge will be created and maintained on both offset faces. A shelled solid with a chamfer is shown in
cross-section below.
To create a shell
1. Click the Shell toolin the Create Insert ribbon group on the Design tab.
Mouse over the solids in your design to highlight the faces that could be removed.
2. (Optional) Enter a value into the dimension field to change the thickness of the shell.
Enter a negative number to create the shell thickness from the outside of the solid.
3. Selectthe face you want to remove.
The face is removed and a shell is created. The baseline of the offset is shown in blue. If you
did not change the thickness, the default thickness is set by the minor grid spacing.
4. (Optional) Continue clicking to remove additional faces.
To create a closed shell

1. Select the solid.
2. Click the Shell tool.
An internal shell is created.
To edit a shell
Right-click the shell to change its thickness.
Tool guides
The Remove Facestool guide is active by default. Select a face of the solid to remove it and
create a shell. Ctrl+click to remove multiple faces.
If you create a shell, then add a protrusion onto it, you can extend the shell through the pro-
trusion by clicking the More Shell tool guide, then clicking the newly added protrusion.
The Complete tool guide creates the shell and reactivates the Remove Faces tool guide so
youcancreate another shell.
Examples
An open shell and a closed shell
Adding and changing a rounded edge on a shelled or offset part changes the inside faces.
Creating mirror relationships
Use the Mirror1 tool in the Insert ribbon group on the Design2 tab to mirror any geometry that
can be moved with the Move3 tool. You can insert a mirror plane between two faces, associating the
faces so you can edit them together. You can copy a solid, surface, face, or curve from one side of a
mirror plane to the other.
You can mirror curves, points, and axes without leaving sketch mode or cross section mode. When
you mirror a curve, changing its geometry does not propagate to the other side.
You can mirror solids that contain patterns of features on a face, and the pattern will be updated on
both sides. The pattern must be created before the solid is mirrored.
The plane becomes a persistent mirror once you create geometry using the mirror. The mirror rela-
tionship is maintained when you use other 2D and 3D tools to edit your design.
Mirrored components have a mirrored icon in the Structure Tree and maintain their mirror rela-
tionships when they are exported.
Mirrored objects are created on the same layer as the original object. Mirrored points do not main-
tain their mirror relationship.
To mirror an object
1. (Optional) Create the plane you want to use as a mirror using the Insert Plane tool and position
it with the Move tool.
2. Click Mirror in the Create group.
The Select Mirror Plane4 tool guide is enabled.
3. Click the plane to use as a mirror.
4. Click the Mirror Body5 or Mirror Face6 tool guide.

5. Mouse over the solids or faces in your design to preview the solid, surface, or face that will be
created on the other side of the selected mirror plane.
6. Click the object you want to mirror.
7. The mirror plane is created and will persist in other tools.
You can click objects in your design or click a component in the Structure tree1.
If you enclose a volume by mirroring faces, a solid is created.
To remove a mirror face or plane

1. Click Mirror in the Create group.
The Select Mirror Plane tool guide is enabled.
2. Click the Remove Mirror tool guide.

3. Click the face from which you want to remove the mirror relationship. You can also Box-select
any number of faces.
You can temporarily disable a plane in any tool. Select a mirrored face to display the mirror
plane, then click the mirror icon to disable the mirror. Click the mirror icon again to enable the
mirror.
Options
Merge mirrored objects: When you use a face as the mirror plane, or when the mirror plane
lies on a face of the source object, the two mirrored objects will be merged. Deselect this
option to make a new object, as shown below.
Create mirror relationships: If you deselect this option, only the geometry is created and not
the mirror relationship. Changes to either object will not be reflected in the other, as shown
below.
You can create a mirror plane between two symmetrical faces in your design.
To set up a mirror relationship

1. Click the Mirror tool in the Create ribbon group.
2. Click the Setup Mirror tool guide.

As you mouse over the faces in your design, the eligible faces are highlighted. A face is eli-
gible if it is symmetrical to another face in your design.
3. Click a face.
4. Click a parallel face.
The second face is highlighted in blue and the mirror plane appears halfway between the two
faces. Edits to one face will now be mirrored on the other face. Geometry in between the two
faces will be updated accordingly.
You can create mirror relationships by finding similar faces on the other side of an existing mirror.
To find similar faces on the other side of a mirror
1. Click the Setup Mirror tool guide.

2. Click a face.
Ctrl+click to select multiple faces.
3. Alt+click a mirror plane.
Identical faces equidistant from the mirror plane are highlighted in blue, and a mirror rela-
tionship is created.
Tool guides
The Mirror Plane tool guide is active by default. Select a face or plane to use it as a mirror.
(You can also use this tool guide to select another mirror plane to use if one is already selec-
ted.
The Mirror Body tool guide activates automatically once you select a mirror face or plane.
Mouse over the solids in your design to preview the solid that will be created by the mirror.
Click a solid to mirror it.
Once you select a face or plane to use as a mirror, use the Mirror Face tool guide to select the
faces you want to mirror. Mousing over the faces before you click them previews the face that
will be created by the mirror. Click a face to mirror it.
The Setup Mirror tool guide can be used any time to create a mirror plane between two faces.
Only those two faces will be affected by the mirror. To create a relationship among many faces,
Ctrl+select faces and then select a mirror plane to auto-detect identical faces equidistant from
the mirror plane.
Use the Remove Mirror tool to remove the mirror relationship between faces. You can select
to faces with a mirror relationship, or use box-selection to select any number of mirrored pairs.
Examples
A mirrored solid with a pattern of features is updated when the count is changed from 7 to 5 on one
side.
Mirroring a sketched circle. Modifying the circle does not change the geometry of the mirrored
circle.
Mirror associations are maintained in the Pull1 tool using the Copy Edge2 and Extrude3 Edge
options. The behavior for Copy Edge is on the left and Extrude Edge is on the right.

Inserting
Inserting another design
You can insert another design created in SpaceClaim or another application as a component of your
design. The design is inserted as an external component, linked to the external file. You can make
this component internal to your own design. Lightweight components are displayed with solid
edges and transparent faces until you right-click the component and select Load component from
the context menu.
You can also insert an image file or a video file.
To insert another design as a component

Drag and drop a file from outside SpaceClaim into the Design window1, or follow the steps below.
1. Click File in the Part group of the Insert tab Insert group on the Design2 tab.
2. Navigate to and select the design you want to include as a component, then click Open on the
Open Design window. You can select more than one SpaceClaim document, and they will be
inserted as components.
You can select from the Files of type drop-down menu to filter the files list.
Progress is displayed on the status bar until the design is inserted as an external component.
You can insert multiple copies of the same component. Modifying one of these components
will modify every copy unless you make them internal to your design.
If the design consists of multiple files and some files can't be found, you will get the Missing
Files dialog which allows you to browse to locate these files.
To replace one component with another
1. Right-click the component in the Structure tree1.
2. Hover over the Source option then select Replace Component2 from the context menu.
3. Navigate to and selectthe design you want to use as a replacement.
4. The component is replaced.
Make an external component internal to your design

1. Right-click the external component in the Structure tree.
2. Hover over the Source option then select Use Internal Copy from the context menu.
If your design includes multiple copies of an external component, making one of them
internal does not affect the other copies. Making another copy of the same external com-
ponent internal creates a second instance of the same internal component.
Orient mesh
The Orient Mesh tool in the Reverse Engineering group of the Insert tab allows you to select
roughly planar areas of triangles or cylindrical areas of triangles to align to the World Origin1 axes.
To Orient a mesh
1. Open the Prepare tab
2. Click on the Orient Mesh tool
3. Hover over triangles to see a preview of the axis it would align to
4. Select the highlighted triangle
5. The mesh aligns as previewed. The selected triangle is shown in blue. Its normal is aligned to
the Z-axis.
6. With each selection, the align-to axisalternates between Z and Y. In the next example, the nor-
mal of the selected triangle (shown in green) aligns to the Y-axis
As you hover over triangles, cylindrical areas are detected. The following examples show cylindrical
areas being aligned to the Z-axis.
Extracting curves
The Extract Curves tool creates curves through design mesh cross sections.
Curves are created on multiple design mesh sections.
To create edges
1. Open the Insert tab.
2. Click Extract Curves in the Manufacturing group of the Insert tab.
3. The Select Section1 Planes tool guide is active by default.
4. Select one or more planes that intersect the mesh.
5. Click Complete to create the curves.
You can also extract curves by placing a section plane in the mesh.
2. Click Extract Curves in the Manufacturing group of the Insert tab.
3. Click the Select Curve2 tool guide.
4. Select one or more planes that intersect the mesh.
5. Click in the model to place a section plane.

6. The model is displayed in Sketch Mode1.
7. Click Complete to extract All curves from the entire section.
8. Or you can select parts of the section and then click Complete.
Curves are created on a section plane placed in the model.
Creating a cylinder
Use the Cylinder tool to sketch the cylinder's axis in 2D and create its diameter in 3D.
If you select a 3D curve or edge before you click the Cylinder tool, the cylinder is created as a swept
pipe.
To draw a cylinder
1. Click Cylinder in the Reverse Engineering Insert group of the Insert tab.
2. (Optional) If you want to dimension the first end point of the axis, press Shift and hover the
mouse over a line or point to create a dimension relative to that line or point.
3. Click or press Enter to set the first end point of the axis.
4. (Optional) Dimension the axis.
5. Click or press Enter to set the other end point of the axis.
By default, the axis is dimensioned to its first end point. You can also press Shift and hover the
mouse over another line or point to create a dimension relative to that line or point.
6. (Optional) Dimension the cylinder's diameter.
mini-toolbar.
8. Click or press Enter to set the diameter of the cylinder.
To create a swept pipe

1. Select a 3D curve or edge.
If the curves or edges include angles, a spherical surface is added at the angle. If you use the
Fill1 tool on the spherical joints, the corners are converted to sharp corners. See the examples
below.
2. Click Cylinder in the Create group on the Design2 tab or in the Shapes menu of the Insert
tab.
3. Click in the Design window3 to set the diameter of the cylinder.
Options
The following options are available in the Cylinder tool.
Add Add material to create a solid cylinder.

Cut Remove material when the cylinder intersects another object.
Creates a cylinder without merging into other objects even when the cylinder inter-
No Merge
sects with an existing object.
Near-side
Add material only on the near side when the cylinder intersects another object.
body only
Examples
Tube with nubs
Using the Near-side body only option to add cylinder material only on the near side of a thin place-
ment wall
Creating a swept pipe with the Cylinder tool
Creating a swept pipe with the Cylinder tool, then using Fill on the spherical joint to create a sharp
corner
Creating a sphere
You can quickly create a sphere using the Sphere tool.
To create a sphere
1. Select the Sphere tool from the Reverse Engineering Insert group of the Insert tab.
2. (Optional) Click No Merge in the Properties panel1 if you don't want the sphere merged with
existing bodies.
3. (Optional) Click Cut in the Properties panel to remove material from existing bodies where
they overlap the sphere.
4. Click to set the center of the sphere and the plane in which the sphere's radius is dimensioned.
As you move the mouse, you can see a preview of the sphere. Sphere creation works best
when you move the cursor in the x-y direction of the plane indicated by the first click.
5. Click to set the radius of the sphere.
To create a sphere over a face or edge

1. Select one or more faces or edges.
2. Select the Sphere tool from the Create ribbon group or in the Shapes menuof the Insert
tab.
A sphere is created that minimally covers the selected faces and/or edges.
Options
The following options are available in the Sphere tool.
Add Add material to create a solid sphere.

Cut Remove material when the sphere intersects another object.
Creates a sphere without merging into other objects even when the sphere inter-
No Merge
sects with an existing object.
Near-side
Add material only on the near side when the sphere intersects another object.
body only
Examples
Using the Near-side body only option to add sphere material only on the near side of a thin place-
ment wall
Creating a sphere over a face or edge
Selecting faces and clicking the Sphere tool to create a sphere, then clicking the Sphere tool mul-
tiple times to enlarge the selected sphere
Fit spline
The Fit Spline1 tool allows you to create a "best fit" spline surface through selected mesh
facets.
To fit a spline surface on a mesh

1. Select mesh facets individually, or use box-selection.
2. Choose Fit Spline from the Reverse Engineering group of the Insert tab.
3. The surface is created (see example above).
Skin Surface
The Skin Surface2 tool helps you reverse-engineer a surface model from faceted data. For example,
the starting point of your design may be a clay model which is scanned and output to one of the
Pull tool.
supported faceted data types. After you import the faceted data as a Facet1 Mesh, use the Skin Sur-
face tool to sketch and create surface patches on the facets, and stitch them together into a surface
body.
To sketch a surface patch:

1. Import or create a facet mesh
2. Select the Skin Surface tool in the Reverse Engineering group of the Insert tab
3. Single-click on the mesh where you want to start the sketch
4. Sketch the desired shape as follows:

Single-click to create internal edge points, which can later be moved to adjust the shape
of the edge
Double-click to end the edge and create a corner
5. Continue creating edges and corners

6. Close the shape by single-clicking on the start point
7. The surface is shown in preview and you can drag any of the sketched points to adjust the
shape of the sketch
8. If you need to start over, simply hit the Escape key and the current sketch will be removed
9. Click Complete to create the surface
Options
The following options are available in the Skin Surface tool.
The value entered determines the number of Control Points on the Control Curves for the
surface. By default, the number of sample points is fixed and cannot be changed. If you
Samples
check the Full Preview option, you can enter a new number of sample points. In Full Pre-
view mode you can enter a new number of points directly, or use the dropdown slider.
The quality and density of the mesh can affect the quality of the surface you create. The
Smooth option uses an algorithm (similar to blurring algorithms in image processing) to
Smooth
smooth out the 'noise' in the surface. The noise comes from the underlying facets and
leads to a 'bumpy' surface.
When you check Full Preview ON, you can control the number of sample points used in
Full Pre- the surface. In Full Preview mode, when you change the number of sample points, the pre-
view view dynamically updates. The speed of the dynamic updates is affected by the number
of sample points. Fewer points leads to faster updates.
Notes on the Smooth tool guide:
The following example model is used to illustrate the effects of the Smooth tool guide. Two surface
were created in the same location, as indicated by the highlighted rectangular surface.
This surface was created with Smooth set at 100%. This surface was created with the Smooth option
Notice that it has less detail and smoother fea- checked OFF. Notice that it has more detail and
tures than the surface on the right. sharper features than the surface on the left.
Use the Smooth tool the Facets tab to smooth the facets if you cannot get a
smooth enough surface using the Smooth option in the Skin Surface tool.
Tool guides
The Select Boundary tool guide is active by default. When this tool guide is active, you
sketch surface patch boundaries on the facets.
The Select Geometry tool guide lets you choose planes or existing patch edges to create
boundary loops for surface patches.
Using box-select
If you want to work with rectangular patches, use box-select instead of sketching them freehand.
With the Select Boundary tool guide active, simply box-select the area where you want the sketch.
Box-select facets Sketch is made from the box-selection
Notice that control points are automatically added in areas with curvature. This can be seen more dra-
matically in the images below.
Box-select across a curved area Control points are auto-created Change view to see the curvature
Editing a sketch
While in Preview, you can modify the shape of a sketch by dragging the corners and control points.
Control Points are the internal points on edges that allow you to adjust the edge's curvature. You can
also add control points to give you more curvature control on edges.
The images below show a sketch being adjusted to better fit to the contours of the model and show
a control point being added for further adjustments.
Dragging a corner Dragging a control point Adding a control point
Periodic surfaces
Surfaces that wrap around cylindrical, and roughly cylindrical, volumes are called Periodic surfaces.
They look like a rectangular patch wrapped around the volume.
Sketching these by hand can be tedious because you need to rotate the model to expose more
facets on which to sketch.
The Select Geometry tool guide streamlines the process by letting you select planes that create sec-
tions through the volume. The sections are then used to automatically generate sketch curves. Select-
ing two planes some distance apart automatically, creates the periodic surface.
In the following example, there are multiple periodic surfaces possible. Skin Surface previews one
by default. If it is not the one you want, you simply select the edges of the one you do want.
Two planes inter-
sect the four legs.
Selecting the first
plane displays sec-
tions on all four
legs.
Selecting the
second plane dis-
plays the other four
sections and the
default surface.
To create a dif-
ferent surface,
select the first sec-
tion of the surface
you want.
Select the second
section to display
the surface preview.
Click Complete to
create the surface.
Conical Patches:
Periodic surfaces can also be conical. The following example shows how to create a conical surface
patch.
You can either sketch a
periodic edge manually,
or use the Select Geo-
metry tool guide and a
plane to create a peri-
odic edge on the sec-
tion.
Click on the apex of the

cone to preview the sur-
face.
Click Complete to cre-

ate the surface.
'Stitching' surfaces
Existing skin surfaces can be 'stitched' into a single surface patch. Examples are shown below.
Use the Select Geometry tool guide to select rectangular edges:
You can bridge the gap

between rectangular
patches using the
Select Geometry tool
guide. pre-highlight
and select one edge.
Pre-highlight and
select the second edge
to preview the surface.
Click Complete to cre-

ate the surface.
Use the Select Geometry tool guide to select triangular edges:
The same procedure
works for triangular
patches. Pre-high-
light and select the
first edge.
Pre-highlight and
select the second
edge to preview the
surface.
Click Complete to
create the surface.
Snap1 to existing patch edges and points:
Withe the Select Boundary
tool guide active, you can
snap to existing surfaces.
Here, the sketch started by
snapping to the bottom
corner. The color and size
of the start point indicate
that it is snapped to the
lower right corner of the
existing surface.
The sketch then proceeds in

a counterclockwise dir-
ection.
The end of the third edge

snaps to the existing edge,
which is highlighted to
indicate it will be used.
The fourth edge is auto-

completed by the tool and
is shown on top of the
snapped edge.
A single click completes the
third and fourth edges and
the surface previews.
Click Complete to create

the surface.
The next sketch begins at

the upper right corner of
the first surface. Like the pre-
vious sketch, the color and
size of the start point indic-
ate that it is snapped.
The sketch proceeds in a

clockwise direction.
When the second edge

reaches the upper right
corner of the previous sur-
face, the corner and edge of
that surface highlight to
indicate they will be used.
Two edges can auto-com-

plete to complete the loop.
They are highlighted on top
of the existing edges that
will be used.
A single click completes the

second, third, and fourth
edges and the surface pre-
views.
Click Complete to create

the surface.
Inserting a standard hole
The Standard Hole tool createsindustry standard drilled and tapped holes. Selectone ofthe avail-
able standards (ISO1, UNC, etc.) and then choose from available sizes andspecify other hole
characteristics(Blind, Tapped, Countersink, Counterbore, Drill point details).
The currenthole profile is displayed in thePreview group.It dynamically updates as you define the
hole. There is also a gallery of common hole profiles to choose from.
Hovering over the Preview showsthe hole's definition, as it would appear in a Hole Table.
While choosing a placement location, a preview of the hole opening, including countersink and/or
counterbore, is attached to the cursor.This allows you to view the footprint of the hole as you locate
it.
Standard hole creation overview
1. Click Standard Hole in the Manufacturing group of the Insert tab.

The Hole Toolbar opens. Groups2 in the toolbar contain the options and inputs for hole defin-
ition.
1International Organization for Standardization standards for architectural and engineering drawing,
including guidelines for dimensioning and tolerancing. You can customize the style of your annota-
tions to conform to ISO standards. See ASME, JIS.
with the group.
2. Set options and enter values to define the hole.
Choose a Series, Size, and Fit
The Series you choose determines the available sizes and Fit options
Choose treatments:
Blind depth
Tapped thread depth
When Tapped is checked, diameter displays tap drill size
When Tapped is checked, Fit is disabled
May be determined by Series and Size. If so, you can still enter a different value.
The value you enter will be displayed in bold font to indicate it is non-standard
Default thread depth is twice the basic hole diameter
Note1 that only the most common Standard Hole sizes have cosmetic display
Cosmetic threads appear in the Structure tree2 and can be toggled on/off
Cosmetic thread depth
Cosmetic threads are only available for the UNC series
Cosmetic threads show a thread helix without actual thread geometry
Cosmetic Threads are created blind, regardless of whether the option is checked
or not.

Thread1 depth is controlled with the Depth option in the Treatment group. To
make threads go through all of the material, enter a Depth that is greater than the
material depth.
Choose a Style: Countersink, Counterbore, or both

CountersinkCounterbore Both
Diameter and Angle

Determine countersink depth
Some Series specify both dimensions, some specify one, and others specify
none
If they are specified, you can still enter a different value but itwill be dis-
played in bold font to indicate it is non-standard
Diameter and Depth
Some Series specify both dimensions, some specify one, and others specify
none
If they are specified, you can still enter a different value but it will be dis-
played in bold font to indicate it is non-standard
For Blind holes, you can specify a Drill point
Enter a Drill point angle
Choose Drill point depth measurement type
Depth to Shoulder
Depth to Tip
Preview shows the hole profile based on current selections and values. Shown below is a Blind,
Tapped, Countersunk, and Counterbored hole with Drill point details.
1Texture created on the surface of a cylinder, cone, or hole using the Annotation tools.
As you work with different inputs, Preview gives visual feedback. Below are examples of what
you would see when entering values for Diameter, Hole Depth, Countersink Angle, and Drill
point Angle.
Preview also has a gallery of profiles to choose from. Click on the Preview image to open the
gallery.
The gallery is a graphical way to define the hole. Selecting a hole from the gallery auto-
matically fills in the details in the ribbon.
3. Chooseatool guide for hole placement.
Snap1 to Grid2
Select a face on which to display the sketch grid. As you move the cursor, the hole cen-
ter will snap to the grid points.
Free Placement
Pick anywhere on any face to locate the hole center.
4. Place the hole byclicking in the desired location.

You can continue to place this type of hole at more locations, or you can change values
and options to place different types of holes.
All holes show in preview until you decide to complete them.
You can place holes using a plane that is some distance away from the face. This is useful
if the hole needs to be on a curved face.
5. While the holes are previewed, you can:

Ctrl+click a hole preview to remove it from the set of holes to be created.
Press the Escape key to clear all previews without exiting the tool.
6. Complete the hole(s) by clicking Complete. All previewed holes will be completed. You
2 See Sketch grid
can also double-click when you place a hole to complete it.
7. Continue to make more holes or leave the Hole toolbar.
8. Click in the Close group to close the toolbar.
Hole Series
Hole Size and Fitoptions are determined by which Series you choose.
The examples below show the difference between ISO and UNC. Notice the change in Size nomen-
clature and Fit options. ISO has Fit options of Nominal, Close, Medium, and Free.
Fit is disabled in UNC.
Within each Series, the Size you choose determines the hole diameter
You can enter a different diameter and it will be shown in Bold to indicate that it is non-
standard
As of SpaceClaim 2014 SP1, the NPS series is replaced by NPSM. Standard Holes
created using NPS in existing models will not be recognized.
Customizing Hole Series

Series and Size determine the values in the rest of the Hole ribbon inputs.
All of the information to update the inputs is contained in XML files located in the
<SpaceClaim loadpoint>\Libraries\Holes directory.
Each series has a corresponding XML file.
The image below shows the ISO M18 x 2.5 ribbon.
The XML for this ISO hole size is inthe ISO.xml file. The relevant XML is shown below.
Notice the correspondance between the XML tags and the ribbon inputs.
All dimensions are in millimeters and angles are in degrees.
The image below shows the result of switching to the UNC Series and the 3/4 - 10 Size.
The XML for thisUNC hole size is in theUNC.xml file. The relevant XML is shown below.
Notice the correspondance between the XML tags and the ribbon inputs.
All dimensions are ininches and angles are in degrees.
The image below shows the values in the XML file show up in a Hole Table created in a drawing.
You can editany of the series XMLfiles to customize the series.

Note that edited files will be overwritten the next time you upgrade to a newer version of
SpaceClaim
Any changes made to theXML files,do not go into effect until you restart SpaceClaim
It is recommended that you customize the series by adding files to the directory.
New files add items to the Series drop-down menu
Deleting filesor moving them out of the directory removes items from the Series drop-down
menu
The image below shows a "DCZ" series added.
The DCZ series is based on UNC by copyingUNC.xml to DCZ.xml and editing the sizes.
Note the new TapDrill value reflected in the Diameter input and the new Countersink and
Counterbore values.
Drill Chart
Drill chart is a Series based only on Diameter values. It refers to a set ofXML files that contain hole
definition tables. Edit the files to customize the Standard Hole tool.
In the <SpaceClaim loadpoint>\Libraries\Holes\Drills directory, you will find the following files:
Fraction.xml
Letter.xml
Metric.xml
Number.xml
File names refer to how the hole name is specified. Below is an example from Letter.xml.
<Name>A</Name>
<Diameter>0.234</Diameter>
<ImperialDisplay>0.234</ImperialDisplay>
<MetricDisplay>5.94</MetricDisplay>
Modify the files according to this format to define custom holes.
To create a hole using Drill chart

1. Select Drill chart as the Series.
2. Enter a Diameter.
Enter a letter, decimal value, fraction (1/64, 3/32, etc.), or number (#1, #2, etc.)
Units are assumed but can be overridden. For example, if Units are metric,5.94 is
assumed to be 5.94mm. Override the default by entering 0.234".
3. Diameteras entered ismatched to the correspondinghole in the appropriate chart. Hover
over the Preview to see the callout information.
4. Place the hole on a face.
5. Click Complete, or double-click.
Hole Selection
SpaceClaim recognizes Standard Holes. Hovering over ahole face will pre-highlight thehole object.
Select individual hole faces using query select.
Deletingany Standard Hole face, or the face it wascreated on,breaks theStandard Hole association.
Individual faces are still selectable, but are not recognized as a Standard Hole.
To edit a Hole
1. Select the hole to modify.
You can also CTRL select, or box-select, several holes that share any of the same parameters.
2. Open the Standard Hole Edit tab. You can also double-click a Standard Hole to open the Edit
tab.
The Edit tab is not available for multiple holes that shareno parameters.
3. Edit the Hole definition.
4. You can continue to select and Edit more holes.
5. To close the Edit tab:
Select a non-hole object
Click white space in the Design window1
Enter selection for another tool
With a Standard Hole selected, you can use the Reverse Hole option in the context menu to flip the
hole to the opposite side of the part.
Identifying holes
Use the Identify Holes tool to identify hole geometryin models imported from other modelers. You
can also use it on models made in SpaceClaim that do not have Standard Hole associations.
To identify holes
1. Click Identify Holesin the Manufacturing group of the Insert tab.
2. In the Find Options panel, choose the types of holes to find
3. Select a body to look for holes.
Holes matching the Find Options are highlighted in red.
4. Click on highlighted holes to create associations. Selected holes change to cyan color.
Box selection is allowed.
You can change the Find Options if no holes are found or to find different holes.
To create associations for all highlighted holes, click the Complete button.
Finding Standard Holes
1. Check theMatch standard size option on
2. Choose a Series from the drop-down menu
Any customization to existing series apply
The list of available series reflects any added and removed series
3. Entera Tolerance
Any Standard Holes in the selected Series that are within the tolerance will be identified.
4. Select a body to find holes
5. Click on highlighted holes to create associations. Selected holes change to cyan color.
Box selection is allowed.
You can change the Find Options if no holes are found or to find different holes.
To create associations for all highlighted holes, click the Complete button.
Example:
The block shown below has three holes that matchDCZ Standard holes, but they do not have asso-
ciations.
In a drawing section with a Hole Table they appear as shown below.
Using Identify Holes, associations are added and the Hole Table updates.
Tool guides
Use the Select Bodies tool guide to select the body in which to find holes.
Use theFind tool guide to select holes to create an association.
The Complete tool guide creates hole associations for all holes found.
Options
Match standard size: Choose the hole series and set a tolerance for comparing the hole geo-
metry to standard hole dimensions. Simple holes within the tolerance of a standard hole in the
series will update to match that hole. See Inserting a standard hole for more detail on standard
sizes.
Series: Choose one of the available Hole Standards from the Series drop-down menu
Tolerance: Enter a tolerance value. Any Standard Holes in the selected Series that are
within the tolerance will be identified.
Allholes: With Match standard size checked Off, this option will find all holes.
Through-holes: Only finds through holes.
Blindholes: Only finds blind holes.
Countersunk: Finds holes with countersink geometry.
Counterbore: Finds holes with counterbore geometry.
Move body
The Move1 Body2 tool allows you to selectvertices, edges, or planar faces to snap to the
World Origin3.
Snapping means the body is translated to the World Origin such that a point on the selected object
coincides with the origin. The body is not oriented or aligned to the World Origin axes.
To use the Move Body tool

1. Open theInsert tab
2. Click theMove Bodybutton in the Manufacturing group
3. If the World Origin display is OFF, it will be toggled ON automatically
4. Select the geometry on the body that you want to be coincident with the World Origin

5. The body is translated to the World Origin depending on what is selected
Vertex1 - The vertex is made coincident with the World Origin
Edge2 - The endpoint nearest to the World Origin is made coincident with the Origin

Planar Face1 - Of all the face's edge vertices, the one nearest to the World Origin is
made coincident with the origin
6. When you exit the tool, the World Origin display is toggled OFF, if it was OFF when you
entered the tool
Create workpiece
The Create Workpiece tool creates a component containing a solid Box or Cylinder that
encloses a selected body or selected faces.
Like other components, with a Workpiece you can:
Create sub-components underneath itusing RMB > New Component1
Activate it for editing
Rounding edges
Adding Draft2
Adding protrusions and cuts
Etc.
Open it in a separate window
Replace it with another component using RMB> Source >Replace
Make it an external component using RMB> Source >Convert to External
Make anExternal workpiece Internal usingRMB> Source >Use Internal Copy
2Angle or taper on an object that facilitates removal from a mold or die. You draft by pulling one or
you pull.
Body1 Selected Two Faces Selected One cylindrical face Selected
To create a Workpiece
2. Click Create Workpiece in the Manufacturing group
3. Use the Select tool guide to select a body or use the Select Face2 tool guide to select faces
You can select more than one body
The Workpiece will enclose all selected bodies
4. Make your selection
5. The Workpiece previews
6. (Optional) Choose a Workpiece type
Box (the default)
Cylinder
7. (Optional) Change the Workpiece dimensions
Set the Default cushion - Enter a percentage based on the size of the selection. This
will be the amount of clearance around the selection.
Choose Symmetric dimensions - Applies symmetry to center the selection in the work-
piece. When checked OFF, you can have uneven clearance around the selection.
8. (Optional) Orient the Workpiece
1. Click the Set Orientation tool guide
2. Select an edge to align the nearest face of the box or the axis of the cylinder
9. Click Complete to create the Workpiece
A finished Workpiece
Notes on Workpiece Orientation
The default orientation is based on the World Origin1
A Box type has walls parallel to the planes of the world origin
A Cylinder type has its axis aligned to the Z-axis of the World Origin.
Selecting a line, edge, or axis to orient a box will rotate the box to align one of the workpiece
edges to the selected object
Selecting an origin to orient the box will transform the box to align its walls with the new ori-
gin
You can only select a linear object (line, axis, edge, or origin axis) to orient a cylinder
Orienting a cylinder means aligning its axis with the selected linear object
Orientation example is shown below. Selecting the slanted edge will orient the side of the workpiec
with that edge.
The images below show the effects of the Symmetric dimensions option.
On the left the option is ON and on the right it is OFF. When it is on, dimension changes apply to
both side of a plane of symmetry.
When it is off, dimensions can be changed independently on either side of a plane of symmetry.
For a cylinder, symmetric dimensions apply to the ends of the cylinder.
Once a workpiece is completed, you can incorporate subsequent design changes using RMB >
Update Workpiece.
Select workpiece in Structure Tree then RMB > Update Workpiece
Tool Guides
The Select tool guide is active by default. When active, selecting any face will select the entire
body.
Use theSelect Facetool guide to select faces to surround with the Workpiece.
The Set Orientation tool guide asks you to select an edge. A box workpiece will align the
nearest side to yhe edge. A cylinder workpiece will align its axis to the edge.
Create the workpiece
Creating curves from edges
The Edges tool creates curves on All edges of a selected body.
Curves are created on all edges of a selected body using the Edges tool.
To create edges
2. Click Edges in the Manufacturing group.
3. Curves are created on all edges of the body.
Deburring toolpath
The Deburring Toolpath tool creates an offset curve profile representing the center of a tool tra-
versing a set of edges.
A burr is a raised edge, or small pieces of material, that remain along the edges of a part after some
type of creation or modification process. Burrs are often undesirable and are removed by a
deburring process.
An offset curve profile created with the Deburring Toolpath tool.
The following options let you control the tool path.

Tool Radius: Enter the radius of the deburring tool in current model units.
Width: The width of the flat which is left along the edge after the deburring process.
To create a deburring toolpath

2. Click Deburring Toolpath in the Manufacturing group.
3. Enter a Tool Radius and Width in the options panel.
4. Select edges for deburring.
5. Click Complete to create the tool path.
Turn profile
The Turn Profile1 tool creates curves that trace the path of a tool bit during a turning operation.
Turning is a machining operation in which the workpiece rotates while the tool bit moves linearly.
The Turn Profile tool is available for parts that are:
Cylindrical
Conical
Spherical
Toroidal
The bodies can have non-cylindrical surfaces, protrusions, depressions, and cutouts.
Curves are generated that represent the path of the machining tool will traverse during a turning
operation to produce the part. For non-cylindrical surfaces, protrusions and depressions, the turning
operation needs to leave material that can be removed with additional machining operations.
Curves are created representing the path of a turning tool.
To create a Turn Profile

2. Click Turn Profile in the Manufacturing group.
1Line in space; outline of an object; used to describe objects when sweeping or blending.
3. (Optional) Check the Include protrusions option. This creates curves like in the image on the
left above. Imagine the protrusion sweeping around 360 and passing through the protruding
curves in the profile.
4. (Optional) Alt-select an origin, if one exists along the part axis.
This will orient the plane on which the curves will lie, depending on which origin axis
aligns to the part axis as follows.
Origin1 X aligned to part - Curves created in origin XY-plane
Origin Y aligned to part - Curves created in origin YZ-plane
Origin Z aligned to part - Curves created in origin XZ-plane
5. Select a cylindrical surface to preview the curves.
Curves are created on a plane passing through the pick point on the surface and the axis
of the part.
6. Click Complete to create the curves.
The curves are displayed in the Structure Tree under the Curves folder.
The cylinder with a hex end in the image on the right above, you need to check the Include pro-
trusions option to offset the curve so that the turning operation leaves enough material for the hex
to be machined later. This can be seen in the image below. The curve that offsets from the face was
created with the option checked.
Adding edge reliefs
The Relief tool identifies thickness edges at concave corners. Edges found can then have a cylindrical
cutout made to provide relief at the corner.
Multiple pairs of thickness faces in the same body are included.
An example is shown below.
Internal thickness edges at concave corners.
By default, the tool identifies edges that are Interior to the part. The tool Options allow you to look
for External edges as well. An example is shown below.
External thickness edge at a concave corner.
Edges that Do Not go all the way through the thickness of the part are filtered out of the tool. The
example above shows this with the small pocket on the left side of the part.
The size and position of the reliefs placed on the edges can be controlled with the following
options.
Cut Radius: Controls the size of the relief.
Clearance: Controls the position of the reliefs by specifying how far the edge of the relief is
from the original edge.
An example is shown below with a solid block inserted into the cutout. The corners of the block rep-
resent the locations of the original edges.
Beginning at the upper left corner and moving clockwise through the four corners the settings are:
1. Radius = 1 mm; Clearance = Default
2. Radius = 1 mm; Clearance = 0 mm
3. Radius = 1 mm; Clearance = 1.5 mm
4. Radius = 1 mm; Clearance = 1 mm
To create reliefs
2. Click Relief in the Manufacturing group.
3. If you want to find external edge,s make sure that the Include external corners option is
checked.
4. All thickness edges in concave corners are found and highlighted.
5. click the Exclude Problem tool guide and click on any edges that you do not want to have
relief.
6. In Fix Options, set a Cut Radius and Clearance for the reliefs.
7. Click Complete to create the reliefs.
Wrapping geometry
The Wrap tool lets you wrap geometry around a target model. The example below shows both a
solid and a surface wrapped onto a cylinder.
A solid block and a circular surface are wrapped around a cylindrical target body using the Wrap
tool.
Sketched Curves and Notes can also be wrapped around a target body.
Sketched Curves and a Note1 are wrapped around a target body using the Wrap tool.
Layers of solid geometry can be wrapped. Consider a circuit board that is not flat, for example. Com-
ponents layered onto the board need to follow the contours of the board. An example of the final
circuit board is shown below with transparency in the board to show a component underneath.
A contoured circuit board with layers of components wrapped onto it.
The starting model for the circuit board is shown below. Notice that the components are at two dif-
ferent heights and they extend beyond the board. The spacing of the solids is based on their prox-
imity to the first selected solid to be wrapped.
Components are about to be wrapped onto the contoured board.
The board is selected as the target and the first set of components is selected for wrapping. it
includes a base layer of components and a second layer that rest on top of the first. Notice the start-
ing point indicated by the yellow handles on the right. By default, the handle locations are set to the
shortest distance between the Source and the Target1. They can be moved to different locations if
desired. In the image below, the default location is used for the first set of components. The
wrapped locations are previewed in purple.
1The object you want to cut, when using the Combine tool to split a solid or surface.
The wrapped component locations are highlighted in purple.
The image below shows the completed wrap for the first set of components.
The first set of wrapped components is completed.
The last component gets wrapped underneath the board. Notice how the start point is initially at the
shortest distance. This would distort its spacing relative to the first set of components.
The default spacing of the last component.
In order for the component to map too the correct location, an origin is selected as the start point.
This will maintain the original spacing of the component relative to the other components.
Using an origin as the start point ensures the proper spacing.
There are two options for the Wrap tool.

Imprint as edges: This is a checkbox. When Checked, no solid or surface geometry is wrapped.
Solid1 and surface boundaries, and curves, are imprinted on the target.
Delete source geometry: The source geometry is deleted after it is wrapped.
To wrap geometry and text

2. Click Wrap in the Manufacturing group.
3. The Select Target tool guide is active by default.
4. Select the Target body.
5. The Select Geometry tool guide becomes active.
6. Select the geometry, curves, points, point patterns, or notes to wrap around the target.
7. (Optional) Click the Select Start tool guide and select a Datum1 Point2 or Origin3 to use as a
start point for the wrap.
You can drag the source and target start points to reposition the wrap
8. (Optional) Set the Wrap Options.
Imprint as edges
Delete source geometry
9. Click Complete to wrap the selection.

Unrolling surfaces
The Unroll tool works on surface bodies with planar, conical, and cylindrical surfaces.
Like Unfold in Sheet Metal, Unroll flattens all the surfaces based on a single selected surface.
The result of Unroll is another surface shown in the Structure Tree as "Unrolled".
You can have multiple unrolled surfaces in the model
To create a Workpiece
2. Select a face.
3. Click Unroll in the Manufacturing group .
The selected face is considered the anchor face for unrolling the remaining faces.
Any planar, cylindrical, or conical face can be selected as the anchor.
Here the cylindrical face was selected and all the other surfaces flatten out from there.
Faces do not have to be tangent to Unroll.
Below is an example with two unrolled surfaces built from one surface.
If the Unroll tool fails, faces that cannot be unrolled are highlighted in red.
In this example the red surface was made by blending between two edges rotated from each other.
Recall that Unroll works on planar, conical, and cylindrical faces.
Downloading TraceParts
SpaceClaim connects youdirectly to the TraceParts Web,where you can choose from millions of
modeled parts. This service is free of charge with a valid SpaceClaim license.
To downloada part from the TraceParts Web

1. Select TraceParts Web from the Catalog Parts group of the Insert tab.Select Download 3D
Models in the Insert group of the Design1 tab.
2. Select a part from the categories on the left side of the web page.
A technical drawingis displayed along with a description, PDF documentation, and available
part sizes.
3. Selectthe part you want to download, then choose a CAD format (2D AutoCAD2, 3D Acis 6.3,
or 3D SpaceClaim ) and click Add to Caddy.
TraceParts directs youto a page with your caddy displayed at the top of the page.

4. (Optional) Select"version for CAD direct export" or 2009+.
5. When the partbecomes available in the caddy,click Download.
6. Choose an option foropening or saving thezip file and click OK.
The zip filedownloads to your machine.Unzip the file to extract an scdoc and a text file of the
part. You can then open the part in SpaceClaim.
Downloading CADENAS models
You can access and download models from the CADENAS website. Unlike TraceParts, you cannot
insert CADENAS models directly into SpaceClaim.
Using the CADENAS 3D Models button in the Catalog Parts group of the Insert tab, you to access
their website, where you can select and download files onto your computer. You can download mod-
els in any of their supported formats.
Inserting an image
You can insert an image into your design or onto a drawing sheet. Inserted images and their trans-
parency colors, aspect ratio, and placement information are saved with the design.
After you insert an image, you can select the image to display control handles for image editing. The
control handles highlight when moused over and selected. If Show cursor arrows is selected in
SpaceClaim Popular Options, arrows also appear next to your cursor that indicate the directions in
which you can move your mouse to manipulate the image.
When placing the image, all the normal orientation shortcuts work, as well as Ctrl+Alt dragging the
middle mouse button to scale/zoom the image itself. This keyboard shortcut provides an way to
quickly scale the image to the size of the face.
When you insert an image with the File tool and wrap it onto a face with the Place Wrapped Image
tool guide:
You can select Location, Size or Location and Size from the Lock property to prevent changes
to the size and location of an image wrapped to a face.
You can select both inserted and wrapped images.
Once you select a wrapped image, you can drag it around the face it is wrapped onto, resize it,
and rotate it with the image control handles.
Multiple images can be wrapped onto the same face or surface.
Images wrapped onto a face or surface move with the face or surface.
To insert an image
1. Select Picture from the Illustrations group of the Insert tabClick File in the Insert group on
the Design1 tab.
2. Select the BMP, GIF, JPG, PCX, PNG, or TIF image file you want to insert and click Open.
You can select Image files from the Files of type drop-down menu to filter the files list.
3. (Optional) Zoom the image in or out by Ctrl+Alt+dragging with the middle mouse button.
4. Mouse over the design to align the image with the highlighted object.
To place an image on a curved face, select the Place Wrapped Image tool guide if you want
the image to flow over the curved face. Otherwise, the image will be placed tangent to the
curved face. You may also use this tool guide to place a wrapped image on a planar face. The
edges of the image are clipped to accommodate the size and shape of the planar face.
5. Click on the face that defines the plane on which you want to insert the image. You can place
an image on a datum plane.
The image appears in the Structure tree2. The images name is based on the file name from
which the image was created. Removing or altering the image in SpaceClaim does not affect
the original file.
To re-size an image
Select the image and drag the blue control handles.
Hold the Shift key to maintain the aspect ratio while resizing. Hold the Alt key to scale the image
around the center handle.
You can right-click the image and select Properties to lock the aspect ratio in the Keep aspect ratio
property in the Properties panel3.
To rotate an image
Drag the green control handle at the top of the image to rotate the image.
You can also drag the red control handle which is not connected to the image edge to change the
center of rotation.

To rotate a wrapped image
With a planar image, there is a green rotation control handle located outside the top of the image.
This does not exist with a wrapped image.
Hover over one of the blue control handles at the edges of the image and query select to change it
to a green control handle. You can then select the green control handle and rotate the image about
the red control handle.
To flip an image
Drag handle across the other side of the image to flip the image.
To move a planar image with the Move tool

2. Select the image.
You can Ctrl+click to select the image along with other objects.
3. Use the Move handle to move the line or point.
To move a planar or wrapped image with the Select tool

1. Click the Select tool.
You can Ctrl+click to select the image along with other objects or to select multiple images.
3. Use the mouse to drag to move the image(s).
To replace an image
1. Right-click the image.
2. Select Replace image.
To copy an image
2. Press Ctrl and drag the image to create a copy of the image.
To copy and paste an image, see Cutting, copying, and pasting.
To set the transparency of the image
Enter a value or move the slider in the Transparency property.
To set a color in the image to be transparent

1. Click in the Advanced property to display the Image Preview window.
2. Mouse over the pixels in the image to display their RGB values.
3. Click the eyedropper and select a pixel in the image that is the color you want to become
transparent.
You can use the zoom slider to resize the image and you can drag to pan the image within the
window.
The color you selected appears in the drop-down next to the eyedropper icon. You can add
multiple transparent colors by repeating this process, and remove colors by clicking Delete
Selected Color or Delete All Colors icons. The image window previews the image with the
transparency you selected.
To lock an image
Set the Lock property to Location, Size, or Location and Size.
The image cannot be edited while it is locked depending on the option set. Set Lock property to No
to unlock.
Tool guides
Place Planar Image positions the image on a plane or planar face.
Place Wrapped Image wraps an image onto a non-planar surface or face. Images are clipped to
accommodate the size and shape of the face the image is being placed on.
Inserting video
You can insert video files in your design. Videos can be inserted on curved or planar faces, and can
be played from within SpaceClaim.
Supported formats are:
.wmv, .avi, .flv, .mkv, .mov, .mp4, .mpg, mpeg, .ogm, .vob
Proper codec(s) are required for all but WMV and AVI
Videos are added to the Structure tree1. If you place a video on a face or surface, you will still see
the video if you hide the face or surface.
To insert a video
1. Select Picture from the Illustrations group of the Insert tabClick File in the Insert group on
the Design2 tab.
2. Select Video files for the file type.
3. Select the video file and click Open.
4. Position the video:
Select the Place Planar Image tool guide to put the video on a planar face or a plane.
Select the Place Wrapped Image tool guide to put the video on a curved face.
To resize or reposition a video
1. Click the Select tool or press the S key.

2. Select the video in the Design window1 or Structure tree.
3. Resize or reposition the video:
Use the blue knobs to resize the video.
Use the green knob to rotate the video.
Drag the video to move it.
To copy and paste a video, see Cutting, copying, and pasting.
To play a video

2. Right-click the video in the Design window and select the playback options:
Play to play the video once.
Loop to play the video indefinitely.
3. When the video is playing, right-click and select Pause or Stop.
To change the transparency of a video

2. Select the video in the Design window or Structure tree.
3. Click Transparency in the Properties panel2 and move the slider or press - or + to decrease
or increase the transparency.
Tool guides
Place Planar Image positions the video on a plane.
Place Wrapped Image wraps an video onto a curved surface.
Combining
The Combine1 tool is used to make combinations of objects. You can add (or merge) objects
together and you can subtract (or split) objects from each other. These actions are also known as
Boolean operations.
Tool guides2 for the Combine tool are sticky, and appear with a double outline when you click
them. The tool guide remains selected so you can perform the same action repeatedly without hold-
ing the Ctrl key. To unstick a tool guide, click it again, click another tool guide, or click an empty
place in the Design window3.
When you use a pattern with the Combine tool, the entire pattern is merged or used to cut the tar-
get.
To split solids and surfaces
1. Click Combine in the Intersect4 group on the Design5 tab.

2. Select the target solid or surface that you want to split.
You can select objects for Combine in the structure tree. If you select a component, all objects
belonging to that component will be selected.
You can use temporary geometry to split an object.
You can use a locked body as a cutter with the Combine tool, but you cannot use it as target.
See Locking and unlocking objects.
3. (Optional) Select the following options:
Merge when done: Merge all newly-created, touching solids or surfaces when you exit
the Combine tool.

2Functions that are specific to the selected tool.
Imprint curves: Create edges at intersections instead of selecting regions.
Keep cutter: Keep the cutting surface in your design. If this option is not selected, then
the cutting surface is automatically deleted as soon as you select it.
Make all regions: Cut the target object with the cutter object and the cutter object with
the target object. The target and cutter must be the same type of object.
4. Select one or more object to use as the cutter.
Depending on the option you chose, the cutting surface will be kept or deleted. You can see
the solids or surfaces created by the cut in the Structure panel.
Move1 your mouse over the target solid to see the regions created by the cut.
5. (Optional) Select the split region(s) that you want to delete.
To merge solids and surfaces
1. Click Combine.
2. Select the target solid or surface.
You can select objects for Combine in the structure tree. If you select a component, all objects
belonging to that component will be selected. You can also box select multiple solids or sur-
faces to merge them in one operation.
Solids can be merged with solids, and surfaces with surfaces. Solids and surfaces can only be
merged if the surfaces make a region that can be added to or cut out of the solid.
3. Click the Select Bodies to Merge tool guide or hold the Ctrl key.
4. Select the solid(s) or surface(s) that you want merged with the target.
Do it faster
Hold Ctrl and select the solids or surfaces you want to combine, and then click the Combine tool to
merge them.
To make 3D curves at the intersections between faces
1. Click Combine.
2. Select the target solid or surface.
Tool guides
Tool guides for the Combine tool are sticky, and appear with a double outline when you click them.
The tool guides remain selected so you can perform the same action repeatedly without holding the
Ctrl key. To unstick the tool guide, you can click it again, click another tool guide, or click an empty
place in the Design window.
The Select Target1 tool guide is active by default. If you did not pre-select the target solid or
surface, you can select it from within the Combine tool using the Select tool guide.
Click the Select Bodies to Merge tool guide to select multiple solids or surfaces to merge
together.
The Select Cutter tool guide activates once you select a target. When this tool guide is active,
click to select the solid or surface you want to use to cut the target. You can Ctrl+click when
this tool guide is active if you need to add other bodies to your cutter selection.
The Select Regions tool guide activates once the target is cut. When this tool guide is active,
mouse over the target to preview the regions created by the cut. Click a red region to delete it.
Options
The following options are available for the Combine tool. Select one or more of these options from
the Options docking panel, or right-click and select them from the mini-toolbar:
Make solids: Solids are made when possible where the target and cutter objects intersect.
When you select this option, you can choose any of the following:
Merge when done: Select this option to merge all newly-created, touching solids or sur-
faces when you exit the Combine tool. You can also clickon white space anywhere in
theDesign window to complete the merge.Hidden objects are not merged. This saves
you the extra step of selecting all the cut-up regions after you are done with a com-
plicated slice-and-dice session, and manually merging them all back together.
Keep cutter: SpaceClaim assumes that you created a cutter object to be used only for
cutting. If you want to keep the cutting surface in your design, select this option. If this
option is not selected, then the cutting surface is automatically deleted as soon as you
select it. In other words, cutter objects are normally "used up" unless you select this
option. A kept cutter can be a surface or solid, but either way only the regions of the tar-
get can be removed.
If you are splitting surfaces, check this option to prevent the cutter object from being
split by the target object.
This option is automatically selected if the cutter object is locked.
Make all regions: Select this option to cut the target object with the cutter object and
the cutter object with the target object. Target and cutter must be the same type of
object, either both solids or both surfaces. Because this option can create a large num-
ber of regions, it can be helpful to use this option along with the Merge When Done
option to quickly merge all remaining regions when you click another tool or press
Enter to finish using Combine.
Make curves: Select this option to make 3D curves where the target and cutter object inter-
sect. The curves are created in the active part, rather than the part that the first body belongs
to.
Imprint curves: Select this option to create edges at intersections instead of creating
3D curves. You will not be able to preview regions for deletion. As soon as a region is
selected for deletion, this option is disabled. The edges are created on the first body
you select.
Extend intersections: Select this option to extend the intersection of partially intersecting sur-
faces so the underlying surface is completely split.
Examples
You can use Combine to cut or merge coincident surfaces. (The delete region step is not shown in
the first illustration.)
Intersecting
You can use the intersect tools to merge and split a solid or surface in your design with another solid
or surface. You can merge and split solids or surfaces with other solids or surfaces, split a solid with a
face, and split a face with another face. You can also project the edges of a face onto other solids
and surfaces in your design.
SpaceClaim's intersection capabilities include the full suite of geometry combination, all done with
one major tool (Combine1) and two minor ones (Split2 Solid3 and Split). Combine always takes two
or more objects. The split tools always act on one object and that object is automatically selected
from the cutter or projection face.
To understand what the Combine tool can do, the first step is to know which objects can be handled.
Solid objects have faces that meet at corner edges. Edges that lie on faces can be deleted, but
corners cannot. Surface4 objects have faces that come together at internal edges, and are sur-
rounded by outside edges. Outside edges can be extended. Internal edges can be deleted if they
are bounded by planar faces. For the purposes of combine, planes can be thought of as surface faces
that extend across the design.
When surfaces enclose a volume, they automatically change into solid objects. When edges of the
same surface become coincident, they will automatically merge. Planes cannot be split by any com-
bine operation, but they can be used to split with. In general, layer, color, and visibility in the struc-
ture tree propagates from the first selected item (the target) to the result. What happens as a result
of the combination can be overridden with the options (both in the panel and the mini-toolbar).
When you use the Combine or Split tools, the newly created objects have the layer properties of the
previous objects.
You have complete control over the pieces that solids and surfaces get cut into. When appropriate,
SpaceClaim prompts you to remove regions, but you can choose to keep or remove those regions.
When using the intersect tools, the original, individual layers and colors of the objects are main-
tained.


Intersect ribbon group
The Intersect1 ribbon group contains the following tools:
Use the Combine tool to merge and split solids and surfaces.
Use the Split Solid tool to split a solid by one or more of its faces or edges. Then select one
or more regions for deletion.
Use the Split tool to create an edge on a face by splitting it with another face or surface.
Use the Project to Solid tool to create edges on a solid's face by extending the edges of
another solid or surface.
Merging solids and surfaces
Use the Combine1 tool to merge solids and surfaces.
To merge solids and surfaces
1. Select the Combine tool from the Intersect2 ribbon group or press I.
2. Click the first solid or surface.
3. Ctrl+click additional solids or surfaces to merge them.
The Structure tree3 shows the merge.
Ctrl+click the solids or surfaces you want to combine in the Structure tree, then
click the Combine tool to merge them.
Solids can be merged with solids, and surfaces with surfaces. Solids and surfaces can only be merged
if the surfaces make a region that can be added to or cut out of the solid. For example, if you select
the face of a cylinder, copy and paste it, then you can merge it with the solid used to create it.

Merging solids
You can merge two or more solids with the Combine1 tool.
To merge two solids
1. Select the Combine tool from the Intersect2 ribbon group.

2. Click the first solid.
3. Ctrl+click the second solid to merge it with the first solid.
The second solid takes on the color and visibility properties of the first solid. The Structure
tree3 shows the merge.
To merge multiple solids
1. Select the solids you want to combine using box selection.
2. Select the Combine tool from the Intersect ribbon group.

The solids take on the color and visibility properties of the merged solid that appeared top-
most in the Structure tree. The Structure tree shows the merge.

You can also select the Combine tool, select the first solid, then Ctrl+click each individual
solid you want to merge.
Notes on merging multiple solids:

When there are two bodies selected, and the second body selected (the tool) has multiple
instances, the tool is made independent before being merged with the target.
When more than two bodies are selected, all instances that are consumed by the Merge are
made independent. Those that are not merged are left as instances. The merge result is in the
first non-instanced body of the selection.
When all the bodies in an instance of a component are merged, the merged body is made in
that component. The component is Not made independent.
If all bodies of a component are consumed by the Merge, the empty components are now
removed.
Merging surface protrusions
You can merge a surface that forms a protrusion to a solid.
To merge a surface protrusion
1. Select the Combine1 tool from the Intersect2 ribbon group.

2. Click the first solid.
3. Ctrl+click a surface that could create a protrusion on the solid to merge it with the solid.
The surface becomes a protrusion on the solid and takes on the color and visibility properties
of the first solid. The Structure tree3 shows the merge.

Merging surfaces
You can merge surfaces with the Combine1 tool. Surface2 must share edges to be merged. If sur-
faces enclose a volume, you can use the Combine tool to quickly convert the enclosed volume into a
solid and trim the extra.
Sometimes, if you manipulate a surface so that it becomes self-intersecting, you may need to create
a solid from the surface that remains.
To merge surfaces that share edges

2. Click the first surface.
3. Ctrl+click the second surface to merge it with the first surface.
The second surface takes on the color and visibility properties of the first surface. The Struc-
ture tree4 shows the merge.
To merge surfaces that enclose a volume

1. Select the surfaces that intersect to form an enclosed region using box selection.

The enclosed region becomes a solid and takes on the color and visibility properties of the
merged surface that appeared top-most in the Structure tree. The Structure tree shows the
merge.


To create a solid from a self-intersecting single surface
2. Select the "open" edge of the set of surfaces, shown in black.
3. Click the Combine tool.
To repair a self-intersecting surface

2. Double-click the edge loops.
3. Click the Combine tool.
Examples
Six surfaces enclosing a volume, box-selected and combined with the Combine tool
Repairing a self-intersecting surface with the Combine tool
Ctrl+click to select an open edge loop of a surface, then close the surfaces with the Combine tool
Merging a surface and a plane
Ctrl+click a surface and a plane to cap the surface.
Splitting bodies and surfaces
Use the Combine1 tool to splitbodies and surfaces.
To splitbodies and surfaces
1. Click the Combine tool from the Intersect2 ribbon group or press I.
2. Select thebody or surface you want to cut.
The Select Cutter tool guide is activated.
3. (Optional) Control the behavior of the cut by selecting options.
4. Click the surface you want to use to cut the body.
Depending on the option you chose, the cutting surface will be kept or deleted. Review the
information in the Structure panel to see thebodies or surfaces created by the cut.
Mouse over the targetbody to see the regions created by the cut.
5. Click each region you want to delete.
When you are finished selecting the areas to be deleted, click the Select Target3 tool guide to
combine some more, or select another tool.
If you want to split a body by a face of the body, select the Split4 Body5 tool.
If you want to create an edge on a face, select the Split tool.
To split the target object with the cutter object and the cutter object with the target object
2. Select the Make all regions option.
3. Click the objects you want to cut.
Target and cutter must be the same type of object, either bothbodies or both surfaces.
4. Mouse over the surface to see the regions created by the cut.


Because this option can create a large number of regions, we recommend using this option
along with the Merge When Done option to quickly merge all remaining regions when you
click another tool or press Esc to finish using Combine.
5. Click the region you want to delete.
Example
Using two surfaces as the cutter, when the surfaces can't be merged outside of the region where
they intersect the target. The two surfaces are merged to create a cut in the target.
Splitting a solid
Use the Combine1 tool to split solids. Solids can be split by surfaces, planes, and other solids.
Split a solid with a solid

2. Click the solid you want to cut.
3. Click the solid you want to cut with.
4. Mouse over the solid to see the regions created by the cut.
The regions you can delete are highlighted in red.
Split a solid with a surface or a plane

3. Click the surface you want to cut the solid with.

You can Ctrl+click multiple surfaces that together completely intersect a solid.
Using the split body tool
The Split1 Body2 tool works in two modes:

"Slow mode" is activated by clicking a Split Body tool guide. In this mode, once a tool guide
is clicked, it remains selected until another tool guide is clicked. This mode works just like any
other tool.
"Fast mode" automatically activates tool guides and moves you through the workflow. This
predictive mode allows you to box-select multiple cutters to add even more efficiency.
You can use the Split Body tool to:

Split a body by its edges
Split a body by its faces
Split a body by a plane
You can select a body or surface from the Structure tree3 as the target and a plane from the Struc-
ture tree as the cutter.
To split a body by one of its faces

1. Click the Split Body tool from the Intersect4 ribbon group.
2. Select the faces or edges you want to use to cut the body.
Hold Ctrl and click or draw a box to select multiple faces or edges.
You can create temporary geometry and select it to cut the body.
3. Mouse over the body to see the regions created by the cut.
4. (Optional) Click a region to delete it.
When you are finished deleting regions, select another tool.
If the selected edges do not completely encircle a portion of a body or surface, no region

selection can occur.
Select a face with the Select tool, then select the Split Body tool to cut the body
with the face.
To selectively split a body:

1. Click the Split Body tool in the Intersect group on the Design1 tab
2. Select the body
3. Check ON the Local Slicing option
4. Click the cutter plane; you will see a blue outline which previews local slicing locations for
splitting the body
5. Click on a blue outline preview to cut the body; the Select Regions tool guide is then activ-
ated however, holding the Ctrl key or clicking the Select Cuts tool guide allows you to create
additional cuts
6. Click a region to delete it
If you need to make multiple cuts on the same target body, manually click the Select Cuts tool
guide to make it sticky before step 5.
A cylindrical surface can also be used for Local Slicing.
Use the Create Split Surfaces option to create surfaces at the intersection of the target and cutter.
Tool guides
The Select Target1 tool guide is active by default. When this tool guide is active, click to
select the body to split.
The Select Cutter tool guide is active by default. When this tool guide is active, click to select
the face you want to use to cut the body.
The Select Cuts tool guide activates when the Local Slicing option is selected. Possible cuts
are highlighted where the plane intersects the body. Mouse over the cuts to highlight them for
selection.
The Select Regions tool guide activates once you once the body is cut by the face. When this
tool guide is active, mouse over the target to see the regions created by the cut. The regions
you can delete are highlighted in red.
Options
The following options are available in the Split Body tool. Once you select the edge or face to pull,
select these options from the Options docking panel, or right-click and select them from the mini-
toolbar:
Merge
Select this option to merge all touching bodies or surfaces when you exit the Split Body
when
tool. Hidden objects are not merged.
done
Extend
Extends the selected cutter face to cut through the target body.
faces
Select this option with the Select Cuts tool guide to choose specific cuts made by a
Local Sli-
plane passing through the entire body, including those with a cylindrical surface. To
cing
Create split surfaces
Example
Body split by a spline face
Splitting faces and edges
To create an edge on a face

1. Click Split1 in the Intersect2 group on the Design3 tab.
The Select Target4 tool guide is enabled.
2. Select the face you want to split.
3. (Optional) Select a tool guide.
Mouse over faces or edges in your design to preview the edge that will be created on the tar-
get. Dimensions5 are displayed along the U and V edge of the face.
4. Click to select the face, plane, or edge you want to use to split the selected face. You can
select multiple faces.
You can hold Shift and hover over an edge while selecting the cutter points. The midpoint on
the edge will be marked with a yellow ball in parentheses. The x and y dimensions will eman-
ate from that point.
5. The Select Results tool guide remains active until there is only one split line remaining, so you
can remove all but one split line without reactivating the tool guide
Example
Dimensioning from the midpoint of an edge to split a face.

Splitting with curves outside of the face
You can Split faces using Curves, whether they are touching the face or not. Connected curves can be
used as the cutter by holding the Shift key. An example is shown below.
To split a face with another face or plane

1. Click Split in the Intersect group on the Design tab.
2. Click the Select Cutter Face1 tool guide.
3. Mouse over the faces and planes in your design to preview the edge that will be created on
the target.
4. Click the face or plane to split the selected face with an edge.
To split a face using a point on an edge or surface

Surfaces are parameterized using two variables labeled U and V. The location of each point on a sur-
face can be described with coordinates (u, v). With the Select UV Cutter Point2 tool guide, you
select a UV point on the surface or one of it's edges.

2. Click the Select UV Cutter Point tool guide.
3. Mouse over a surface or it's edges to preview the split edges that will be created.
4. Click a point on the surface or edge to split the selected face.
Clicking a UV point on
a surface splits it into
four pieces.
Clicking a UV point on
an edge splits it into
two pieces, along a
constant U or V
coordinate.
For a chain of tangent

faces, the split propag-
ates across all tangent
faces at the constant U
or V coordinate.
To split a face using two points

2. Click the Select Two Cutter Points tool guide.
3. Click a point on an edge.
4. Mouse over the face or edges to preview the edges that will be created.
5. Click a point on another edge or on the face to split the selected face.
Examples
Previewing edges that can be created using the Select Cutter Point and Select Two Cutter Points tool
guides
Splitting a face in section mode by selecting points on a section line
Splitting multiple faces with the Select Two Cutter Points tool guide
To split a face using a perpendicular line from a point on an edge
2. Click the Select Perpendicular Cutter Point tool guide.
4. Mouse over edges of the face to preview the edges that will be created.
5. The distance and percentage along the edge is displayed. You can Press the Space bar and Tab
key to change these values.
To split a periodic face

2. Click the Select Target tool guide.
3. Select the periodic face you want to split.
4. Click on the point of the face where you want it split, as shown below.
5. The Select Results tool guide is now active, so you can click edges that you don't want to
keep, as shown on the left of the image below. The result after the two straight edges have
been removed is shown on the right.
To split an edge, curve, or beam

2. Click the Split Edge1 tool guide.
3. Select the edge, curve, or beam you want to split.
4. The edge highlights and the split is previewed with dimensions (length and percent) and a
count. The count is the number of pieces the edge will be split into. The default count is two.
5. Click on the point where you want it split, as shown below.
6. The Select Results tool guide is now active, so you can click edges that you don't want to
keep, as shown on the left of the image below. The result after the two straight edges have
been removed is shown on the right.
Tool guides
The Select Target tool guide is active by default. If you did not pre-select the target face or
surface, you can select it from within the Split tool using the Select tool guide. Ctrl+click mul-
tiple surfaces or solid faces in the same plane to split them all.
Use the Split Edge tool guide to split edges, curves, or beams.
The Select Cutter Face tool guide activates once you select a target. When this tool guide is
active, click to select the face or surface you want to use to create an edge on the target.
The Select UV Cutter Point tool guide activates once you select a target. Mouse over an edge
to preview the new edges that will be created. Click to create the edge on the selected face.
You can mouse over an edge with this tool guide to display and edit the length along the
edge, and the percentage of the edge that is between the first point and the end point.
The Select Perpendicular Cutter Point tool guide activates once you select a target. Select an
edge to preview where the perpendicular split will be made. Click to create the edge on the
selected face. The face is split perpendicular to the edge you select.
The Select Two Cutter Points tool guide activates once you select a target. Click to select the
first point on an edge, then mouse over another edge to preview the new edge that will be cre-
ated. Click to create the edge on the selected face. The shortest line is drawn between the two
points. You can mouse over an edge with this tool guide to display and edit the length along
the edge, and the percentage of the edge that is between the first point and the end point.
Select the Select Results tool guide, then click newly created edges to remove any edges you
don't want to keep.
Options
The following option is available in the Split tool:
Make Curves Select this option to create sketch lines instead of splitting the face.
Splitting a surface
Use the Combine1 tool to split solids. Surfaces can be split by solids, planes, and other surfaces.
To split a surface by a solid or plane

2. Click the surface you want to cut.
3. Click the solid or plane you want to cut the surface with.
To split a surface by another surface

2. Click the surface you want to cut.
3. Click the surface you want to cut the surface with.
You can Ctrl+click multiple surfaces that together completely intersect the target surface to
fully cut the surface. You can box-select surfaces that only partially intersect the target surface
to partially cut the surface.

Removing material from a solid
Use the Combine1 tool to remove material from a solid based on the intersection of a solid or sur-
face. You can remove the material defined by a surface that forms a depression, or remove a solid
completely enclosed within another solid.
Remove material from a solid with a surface that forms a depression

3. Click the surface you want to use to create a depression.
Remove an enclosed volume from a solid

1. Create the exterior solid and interior solid in two different components.

3. Click the exterior solid.
4. Click the interior solid to use it as the cutter.
5. Click the interior solid to delete it.

Projecting to a solid
Use the Projecttool to create edges on a solid's face by extending the edges of another solid, sur-
face, sketch, or note text.
When you project onto a face, the tool makes a new surface to hold the projected edges, if possible.
To project the edges of a face, surface, sketch, or note text to a solid

1. Click Project in the Intersect1 group on the Design2 tab.
2. Select the edges, face, surface, sketch, or note text whose edges you want to project.
Select an object in the Structure tree3 to project all the edges of the object.
The projection occurs perpendicular to the selected object onto the nearest solid faces. The
nearest solid faces are determined automatically.
3. (Optional) Click the Select Direction tool guide and select a face or edge to change the dir-
ection of the projection.
4. (Optional) Click the Select Target4 Faces tool guide and select the face(s) on which you want
the edge projected.
5. Select from the following options in the Options panel5:
Project through solids: Project the edges on all faces through the entire solid instead
of just the faces closest to the object you project.
Project silhouette edge: Projects the outline, or silhouette, of a part. You must set the
direction using the Select Direction tool guide.
Extend projected edges: Extend the projected curves to the edge of the face(s) they are

projected on.
Extend target faces: Extend the target face when the projected face is larger than the
target. See the example below.
The projection preview is shown in purple, and will be updated based on the options and tool
guides you use.
6. Click the Complete tool guide or press Enter to project the edges.
Projecting points
Sketched 3D Points can also be projected onto surfaces using the Project tool. The projected points
are created as Datum1 Points so that they can be pinned.
In the example below, points were sketched to trace out the shape of a mouse button and then pro-
jected down onto the top surface of the mouse. The workflow is the same as projecting Faces, Sur-
faces, Curves, Edges, or Note2 Text.
Tool guides
The Select Curves tool guide allows you to select the curves you want to project.
The Select Direction tool guide allows you to select the direction in which the curves will be
projected. If you don't use this tool guide, the curves will be projected in both directions.
The Select Target Faces tool guide allows you to select the face(s) that the curves will be pro-
jected upon.

The Complete tool guide projects the edges.
Options
Project
Project the edges on all faces through the entire solid instead of just the faces closest
through
to the object you project.
solids
Project sil-
Projects the outline, or silhouette, of a part. You must set the direction using the Select
houette
Direction tool guide.
edge
Extend
projected Extend the projected curves to the edge of the face(s) they are projected on.
edges
Extend
Extend the target face when the projected face is larger than the target. See the
target
example below.
faces
Wrap Projects a planar object, text, or note onto cylindrical or multiple planar faces and
around wraps it around the faces. This option also works for conical surfaces and over target
target tangent face boundaries.
Examples
Projecting a sphere onto a planar face. Because a sphere has no edge to project, you must choose
Project silhouette edge in the Options panel.
Projecting an edge with the Extend target faces option enabled. The rectangular face was chosen
with the Select Target Faces tool guide.
Wrappinga planar object and text onto cylindrical faces with the Wrap around target option.
Working with components
Components are shown in the Structure tree on the Structure panel. All the objects in the Structure
tree1 are contained within a top-level design component (Design1 in the figure below.) This top-
level component is created automatically when you first save your design.
You must create any other components yourself. Once you have created a component, the icon
changes to show that the top-level design is now an assembly.
To create a component
You can do any of the following in the Structure tree to create a component:
Right-click any component and select New Component2 from the context menu to create a
new component within that component.
Right-click an object and select Move1 to New Component to create a component within the
active component and move the object into it. If the object has a custom name, the new com-
ponent will have the same name.
Ctrl+click multiple objects, then right-click and select Move Each to New Components from
the context menu to create a new component for each object within the active component
and move the objects into those components. If the object has a custom name, the new com-
ponent will have the same name.
An annotation plane with dimensions cannot be moved to a component because

the references would be lost.
To activate a component
Activating a component allows you to work with the objects within that component.
Right-click the component the Structure tree and select Activate Component from the context
menu.
If the component is lightweight, it is also loaded. As you design, any new objects you create are cre-
ated within this component.
You can right-click on an object in the design window and select Load Component.
To cut, copy, and paste a component

Cut:
1. Selectthe component.
2. Click the Cut tool in the Clipboard group on the Design2 tab or press Ctrl+X.
Copy:
1. Select the component.
2. Click the Copy tool in the Clipboard group on the Design tab or press Ctrl+C.
Paste:
1. Copy or Cut a component.
2. Activatethe component into which you want to Paste the component.
Activating the top-level design will create a first-level component.
Activating a component with no sub-components creates a sub-assembly of the active

component and the pasted component.
Activating a component with sub-components adds the pasted component to the first
level of the sub-assembly.
3. Click the Paste tool in the Clipboard group on the Design tab or press Ctrl+V.
You can also use Ctrl+drag to Copy and Paste:

1. Select a component in the Structure Tree.
2. Ctrl+drag the component over other components in the tree.
3. When the destination component highlights, release the mouse and Ctrl key.
Copied components are Dependent by default. There are two ways to make copied components
Independent.
To paste the component, use RMB > Paste > Independent.
After pasting, select the component and use RMB>Source>Make Independent.
To mirror a component
1. Click on the Mirror1 tool in the Design tab Insert group.
2. Select a mirror plane.
3. Select the component to mirror.
To sort objects within a component

Right-click the component and select Sort > SortA to Z or Sort >Z to A from the context menu.
To rename a component
Components have a part name and a component name. The part name is displayed in the Structure
tree next to the component icon. The component name is shown in parentheses next to the part
name.
To change a component's part name, right-click the component in the Structure tree and select
Rename from the context menu.
To change a component's component name, select the component in the Structure tree and modify
the Component Name value in the Name section of the Properties panel1.
To change the top-level component's display name, select the top-level component in the Structure
tree andmodify theDisplay Name in the Name section of the Properties panel.
To delete a component
Right-click a component and select Delete Empty Components from the context menu to delete
any empty subcomponents within the component. If the component itself is empty, or contains only
empty sub components, it is also deleted.
Internal and external components
Internal components
Objects that are inside of the SpaceClaim document file are internal components. Components you
create in the Structure tree1 are internal by default.
You can convert an internal component into an external component. This creates a separate file for
the component and makes it external. See the instructions below.
You can create an internal copy of an external component. This integrates the component into your
design, and removes the association to the external component.
External components
Objects that are outside of the SpaceClaim document file are external components. Designs that
you load using the File tool on the Design2 tab are external. See Inserting another design.
You can make a copy of an external component internal. The copy will be included in the .scdoc file
so it can be viewed and modified in your design. The original external component will not be
changed. See the instructions below.
If you have the Use lightweight assemblies option selected in the File import and export options,
external components will be loaded as lightweight components. See Lightweight components.
Dependent and independent components

You can load multiple instances of an external component. These are known as dependent com-
ponents. Changes to one instance will change all instances. The copy exists in the .scdoc file, but its
geometry comes from the external file.
Copies of external components that have been made independent of other copies are known as
independent components. Changes to the independent copy will not affect the original and vice
versa.
Notes about dependent and independent components
You can make an instance of an external component independent, so changes to that instance
dont affect other instances.
If your design includes multiple copies of an external component, making one of them
internal does not affect the other copies.
Making another copy of the same external component internal creates a second instance of
the same internal component. You will be asked to save the new external component when
you exit SpaceClaim if you haven't saved it.
Making an external subcomponent independent makes its parent component independent.
Independent status is propagated up through the structure as far as needed to differentiate
the subassembly from peer assemblies. Names are changed accordingly.
Independent status is not propagated down through the structure.
Examples
The structure of a design with copied subassemblies is shown below. Copies of the
wheelAxleAssembly subassembly (highlighted) exist in both suspension assemblies:
When we make the highlighted sub-assembly independent, the sub-assembly names are changed.
The names of the components are the text not in the parentheses. The change affects
wheelAxleAssembly and its parent; both names have a 2 appended in the image below:
To insert a component or assembly
1. Select the Insert File tool in the Insert ribbon group.

2. Navigate to the component and double-click to insert it.
The component will be inserted as an external component. The component is placed in the
center of the workspace and its sub-components (if it is an assembly) appear in the Structure
panel.
To make a component independent

Right-click the inserted, dependent component in the Structure tree, then hover over the Source
option and select Make Independent from the context menu. You can hold the Shift key to select
multiple components and make them all independent at once.
The icon in the Structure tree changes, and the component is renamed <Ori-
ginalComponentName>2.
To make an internal component external

If you want the document saved in the same folder as its parent and its name to be the same as the
component name:
1. Right-click the component in the Structure tree and hover over the Source option then select
Convert to External.
If you want to save the document in a different folder or with a different name:
1. Right-click the component and select Open Component1 from the context menu.
The selected component appears in a new Design window2.
2. Select Save As from the File menu. (DO NOT check the Save as copy box.)
3. Browse to select the folder where you want the document saved or create a new folder.
4. Type a file name.
5. Click OK.
Whichever method you use, the component is saved as a separate file and its icon in the Structure
tree changes to reflect that the component is now external.
If the design has not been saved, you will be prompted to choose a folder no mat-
ter which method you use.
To make a copy of an external component internal

1. Select one or more components in the Structure tree.
2. Right-click on the component and hover over the Source option then select Use Internal
Copy from the context menu.
The selected component is copied into your design. Any changes you make to the component
do not affect the original, external file.
3. Use Internalize All to make all external components in the design internal.
To save a copy of an external component

1. Select one or more external components in the Structure tree.
2. Click Save As.
3. Select Save as copy.
4. Click References.
The Referenced Designs dialog will open.
5. Click Browse and select a folder where the copies of the external components will be saved.
6. Select the external components you want to save.
7. Click OK.
8. Click Save.
Files are automatically renamed to resolve conflicts. You will receive a warning message in the
status line when this happens.
Lightweight components
If you have the Use lightweight assemblies option selected in the File import and export options,
external components will be loaded as lightweight components. Only the component's graphic
information is loaded.
A lightweightassembly component uses lessmemorythan an object that is fully loaded.You
canquickly view the component with the Orient tools. When you are ready to work with it in
SpaceClaim, you canload the geometry information.
See also Displaying lightweight components and Internal and external components.
To load a lightweight component

Right-click the component in the Structure tree1 and select Load Component2 from the context
menu.
The component and all its subcomponents' geometry information is fully loaded. You canmodify
the components with any SpaceClaim tool.
To make an external component lightweight

Right-click the componentin the Structure tree and select Make Lightweight from the context
menu.
Thecomponent becomes lightweight and uses lessmemory. You cannot make an internal com-
ponent lightweight.
Assigning assembly conditions
Assembly tools allow you to create proximity/arrangement conditions between components. These
conditions constrain the components so they can't be moved in ways that violate the condition. In
the animated example below, two cylindrical components (one large and one small) are constrained
with a tangent condition. The large cylinder can be moved vertically without moving the small cyl-
inder, but both cylinders move if either is angled because tangency between them must be main-
tained.
Click to replay
See the printable Assembly constraints reference chart for descriptions of the constraints created
between different combinations of geometry.
It is very important to note that, because conditions constrain movement, it is pos-

sible to create conditions where a desired movement is not possible. A constraint
solver is used to calculate the degrees of freedom available for movement, and
then minimize the (small) errors resulting from conflicts, if present.
Assembly1 conditions are displayed in the Structure tree2 with the same icon as the condition tool
chosen from the ribbon - one for each component in a matched pair of conditions.
tool, Component
An assembly condition that cannot be satisfied to a certain tolerance is shown with a small yel-
low triangle in the Structure Tree.
You can click on the assembly condition to highlight the faces that share the relationship.
You can toggle conditions on and off, or delete them, in the Structure tree.
A condition that is toggled Off allows that component to move unencumbered by that con-
straint.
Turning the condition back On restricts that degree of freedom accordingly.
Deletion of a pair of conditions deletes the matched condition, if present in another com-
ponent.
Objects must belong to different components for assembly conditions to be

assigned.
You can create multiple assembly conditions for your components.

When you use the Move1 tool on a component that is constrained to have only one degree of free-
dom, the move handle adapts to this and only activates the available movement/rotation axes.
The assembly constraint solver behaves differently than those in a history-based

modeler. Read the important notes about assembly conditions in the next section.
Important notes about assembly conditions

Once an assembly condition is applied to a component, the component is constrained as to trans-
lation or rotation, or both. For example, a block with one face aligned to another planar face, can
move within that plane, and rotate on that plane, but cannot rotate out of the plane (so that the
aligned faces are no longer parallel).
Since there is no notion of History, the order of adding assembly conditions is unimportant; all act-
ive constraints are evaluated at the same time. The constraint solver calculates the available degrees
of freedom for components, and then solves for the least possible error. The manner in which it
does this leads to some important considerations when assembling components.
All assembly conditions are calculated with NO sense of order or priority.
An exception is the Anchor condition, as all Anchored components are not allowed to
be moved by the solver.
All assembly components are positioned (i.e. moved) so as to satisfy all of the non-anchor con-
ditions all at once
Positioning is considered complete when an internal error threshold is reached.
Angular and positional errors are compared to the same value (1e-4).
This value was chosen to provide the best results for angles and positions in real sys-
tems.
Angular error is measured in radians.
Positional error uses the ACIS1 base unit of meters. Converting to other unit systems will
convert the error value accordingly.
Solving speed is proportional to the number of active constraints.
Even though there is no notion of history, there may be slight differences in the res-
ultant error depending on the initial conditions and degrees of freedom. For
example, applying constraints to two components that are initially close together
will produce an error that may be different than if they are initially farther apart.
Both error values, however, will be less than the error threshold of the solver.
If all components are created and assembled in a way that there are no conflicting constraints, there
will be zero error and all components appear perfectly aligned (see below for an illustration).
A perfectly square block is to be

assembled to a 90 L-shaped block so
that it fits in the corner.
The bottom face is aligned to the hori-
zontal face.
The left face is aligned to the vertical

face.
Zoom in on the bottom-right corner

and see perfect alignment.
Zoom in on the top-left corner and see
perfect alignment.
HOWEVER; If the vertical face has sig-

nificant draft, the bottom can be
aligned but the vertical face cannot (or
vice versa.) Doing so, would cause the
bottom face to rotate out of alignment
with the horizontal face. Because it is a
large angular error, the internal
threshold cannot be reached, and the
Align condition is shown in the Struc-
ture Tree with a warning triangle.
FURTHER; The square block looks the
same in this example but the left ver-
tical face has a small (0.01) incline. This
incline is smaller than the solver tol-
erance so the condition can be created.
What actually happens is that the pos-
itions of both blocks are adjusted to
minimize the alignment error. This is
potentially non-intuitive, especially as
many users expect that a previously-
assigned Alignment would never be
violated by a conflicting condition.
Zoom in to the bottom-right corner

and you can see that a very small inter-
ference has been created, "doing the
best it can" given the conflicting
instructions.
The same is true at the top-left corner.
EVEN FURTHER, in an unconstrained, unordered, error-minimizing system, the order of selecting

components has no bearing on which one will move and/or rotate to satisfy the condition as it is
added. The system attempts to calculate these so that the smallest overall change gets made in
order to satisfy the newly added condition.
If a notion of order is desired, then it is recommended that you apply an Anchor condition to one of
the components. The anchored component will remain stationary and the positional/rotational
change will only affect the other component (and of course all components that are assembled to it.)
Best practices
The following are useful techniques when working with assembly conditions.
Uncheck the Create conditions option if you just want to orient/position a component (one
time) and do not need to constrain its movement through later move-tool-requested trans-
formations
For larger assemblies, delete conditions on components that you subsume into sub-assem-
blies, once you get them in their correct positions (because subcomponents are considered
rigid within themselves, any conditions within a sub-assembly are redundant). You can use con-
ditions on the sub-assemblies to move all the parts as a unit. This minimizes the solver cal-
culations and improves performance, since the algorithm does not have to go through the
categorization of useless conditions within subassemblies, as well as keeping the structure tree
understandable.
Use the Anchor condition but do not overuse it. If you use more than one Anchor, you run the
risk of locking up the components so they will not move.
Delete assembly constraints after positioning components.
Many users have found that there is no need for assembly conditions to persist unless
they are intended for mechanism studies.
Performance is improved at later load times, since assembly constraints do not have to
be verified.
Restructuring and removal of unneeded constraints makes an easier-to-understand struc-
ture.
To toggle an assembly condition

Uncheck the assembly condition checkbox in the Structure tree to disable the assembly condition.
Check the box to enable the assembly condition.
To select all assembly conditions

Click Select all conditions in the Options panel1when an assembly tool is enabled.
You can also select a single assembly condition in the Structure tree and press Ctrl+A.
To delete an assembly condition

1. Select the assembly condition in the Structure tree.
You can clickSelect all conditions in the Options panel when an assembly tool is enabled if
you want to delete all conditions.
2. Press the Delete key or right-click and select Delete Assembly Condition.
To highlight faces that share an assembly condition
Select the assembly condition in the Structure tree.

You can clickSelect all conditions in the Assembly Options panel to highlight all conditions.
You can use the following tools from the Assembly group to create assembly conditions:
Aligns two faces so they are tangent or aligns a face tangent with a line, point, or
Tangent
plane. Possible face types include planes, cylinders, spheres, and cones.
Aligns two points, lines, planes, or combination of these elements. If you select a cyl-
Align indrical or conical face, then the axis is used. If you select a spherical face, then the
center point is used.
Orient Rotates components so the selected elements are oriented in the same direction.
Rigid Locks the orientation and position of two components to each other.
Constrains two objects so one of the objects rotates in response to the rotation of the
Gear other object. Gear conditions can be created between two cylinders, two cones, a cyl-
inder and a plane, or a cone and a plane.
Anchor Locks the position of a single component in 3D space.
Making objects tangent
The Tangent1 tool enables if a model isloaded, and italigns two faces so they are tangent or aligns
a face tangent with a line, point, or plane. Possible face types include planes, cylinders, spheres, and
cones.
See the printable Assembly constraints reference chart for descriptions of all assembly con-
straints.
Click to replay
You can use the Tangent tool to move objects without assigning assembly con-
ditions. If the objects belong to different components,uncheck Create conditions
in the Assembly2 Options panel3 before moving.
To define a tangent condition

1. Click Tangentin the Assembly group on the Design4 tab.
The Align tool guide is enabled by default.
2. Select an edge or face of the component that you want to move.
You can Ctrl+click to select multipleobjects.
TheReference tool guide is enabled.
tool, Component
3. Select an edge or face of the component that you want to remain stationary.
The components align. You can control the alignment animation with the Animate Full
Pull1Advanced SpaceClaim option.
The constraint is added to the components in the Structure tree2.
If you want to align to the other side of the plane, right-click the assembly condition in the
Structure tree and select Reverse Sense.
Do it faster
Hold Ctrl and selectthe component that you want to move and the component that you want to
remain stationary, then click Tangentin the Assembly group on the Design tab.
To reverse the sense of a tangent condition

Right-clicka Tangent condition in the Structure tree and select Reverse Sense to align the com-
ponents to the opposite side of the alignment plane.
You can also modify the Reversed value to True or False in the Assembly Condition section of the
Properties panel3.
To define an offset distance for a tangent condition

1. Select the Tangent condition in the Structure tree.
2. Change theangle value in the Offset4 property in the Properties Panel5.
To make objects tangentwithout an assembly condition
1. Click Tangentin the Assembly group on the Design tab.
2. UncheckCreate conditions in the Options panel.
3. Select an edge or face of the object that you want to move.
4. Select an edge or face of the object that you want to remain stationary.
PullAdvanced SpaceClaim option.
Tool guides
TheAlign tool guide allows you to select the component to move.
The Reference tool guide allows you to select the component to remain stationary.
Aligning objects
The Align tool enables if a model isloaded, and italigns two points, lines, planes, origins, or com-
bination of these elements. If you select a cylindrical or conical face, then the axis is aligned. If you
select a spherical face, then the center point is aligned. You can define a ball joint assembly con-
dition using Align by selecting the face of the ball and then the face of the socket. The ball rotates
within the socket no matter where you place the move handle on the ball part.
straints.
Click to replay
You can use the Align tool to move objects without assigning assembly conditions.
If the objects belong to different components,uncheck Create conditions in the
Assembly1 Options panel2 before moving.
To align objects
1. Click Align in the Assembly group on the Design3 tab.
You can Ctrl-click to select multipleobjects.
tool, Component
The components align. You can control the alignment animationwith the Animate Full Pull1
Advanced SpaceClaim option.
Do it faster
Use the Select tool to click the component you want to move, then Ctrl+clickthe component you
want to remain stationary. Then click Align in the Assembly group on the Design tab.
To reverse the sense of an align condition

Right-clickan Aligncondition in the Structure tree and select Reverse Sense to align the com-
Properties panel3.
To define an offset distance for an align condition

1. Select the Align condition in the Structure tree.
To align objects without an assembly condition
1. Click Align in the Assembly group on the Design tab.
2. UncheckCreate conditions in the Options panel.
The components align. You can control the alignment animation with the Animate Full Pull
Advanced SpaceClaim option.
Tool guides
Examples
Clicking on the Align assembly condition in the Structure tree highlights the faces.
Pulling one face of the aligned pair changes one object and moves the other.
Pulling an adjacent face has no affect on the aligned pair.
Defining a ball socket using align.
Orienting objects
The Orient tool enables if a model isloaded, and it rotates components so the selected elements
are oriented in the same direction.
straints.
Click to replay
You can use the Orient tool to move objects without assigning assembly con-
ditions. If the objects belong to different components,uncheck Create conditions
in the Assembly1 Options panel2 before moving.
To define an orient condition

1. Click Orientin the Assembly group on the Design3 tab.
tool, Component
The components align. You can control the alignment animationwith the Animate Full
Pull1Advanced SpaceClaim option.
Do it faster
Hold Ctrl and selectthe component that you want to move and the component that you want to
remain stationary, then click Orientin the Assembly group on the Design tab.
To reverse the sense of an orient condition

Right-clickan Orient condition in the Structure tree and select Reverse Sense to align the com-
Properties panel3.
To define an offset angle for an orient condition

1. Select the Orient Direction condition in the Structure tree.
To orient objects without an assembly condition

1. Click Orientin the Assembly group on the Design tab.
2. UncheckCreate conditions in the Assembly Options panel.
PullAdvanced SpaceClaim option.
Tool guides

Examples
Orienting two components that have an Align constraint on their axes turns the second part you
select.
Making components rigid
The Rigid tool locks the orientation and position of two components to each other.
straints.
The Rigid tool is enabled when you select appropriate objects that belong to dif-
ferent components.
To define a rigid condition

1. Hold Ctrl and select an edge or face of the two components that you want to remain sta-
tionary with each other.
You can also select two components in the Structure tree1.
2. Click Rigid in the Assembly2 group on the Design3 tab.
The constraintis added to both components in the Structure Tree.
tool, Component
Gear conditions
The Gear tool constrains two objects so one of the objects rotates in response to the rotation of the
other object. Gear conditions can be created between two cylinders, two cones, a cylinder and a
plane, or a cone and a plane.
straints.
The Gear tool is enabled when you select appropriate objects that belong to dif-
ferent components.
The animated example below shows how anchoring different parts in the assembly affects the beha-
vior of the gears. First we turned the gray component without anchoring it or the rose components.
Then we anchored the rose component that is highlighted and turned the gray component. Watch
the purple buttons on the rose components to see the difference.
Load GearsExample.scdoc and try it yourself. Try turning on the anchor constraints in the gray or rose
components and then use Move1 to rotate a component.
If you are using the online version of the help, the model will be downloaded as a
zip file. You need to save it to your disk and change the file extension from ".zip"
to ".scdoc"
To define a gear condition
1. Hold Ctrl and select an edge or face of the two component that you want to define as gears.
2. Click Gear in the Assembly1 group on the Design2 tab.
The constraintis added to the components.
To reverse the sense of a gear condition

Right-clicka Gear condition in the Structure tree3 and select Reverse Sense to align the com-
Properties panel4.
To reverse the rotation direction of a gear condition

1. Select the Gear condition in the Structure tree.
2. Right-click and select Reverse Rotation Direction.
By default, gears rotate in the opposite direction to the gear turning them. You can reverse this
to simulate a belt or chain drive, in which both gears spin in the same direction.
Examples
tool, Component
Several examples of gear constraints
Click to replay
Anchoring components
The Anchor tool fixes the position of a single component in 3D space.

straints.
The Anchor tool is enabled when you select an appropriate object that belongs to
a component.
To define an anchor condition

You can also select the component in the Structure tree1.
2. Click Anchor in the Assembly2 group on the Design3 tab.
The constraintis added to the component. If the component is selected with the Move4 tool,
the move handle is disabled.
tool, Component
Moving parts in an assembly
You can set up virtual mechanisms by defining mating conditions in your assembly. These rela-
tionships are solved when you move any related part in the assembly.
For example, load the file SliderMechanism.scdoc and move the purple component (Component5)
in the direction of the black arrow shown on the left in the image below.
to ".scdoc"
When you move a component that has a mating condition, the Move1 handle is positioned at the
constraint and the axes that are constrained can't be moved. If the assembly constraints only allow
movement in one direction, then that direction will be automatically selected. For example, if you
move a component with a Center Axes assembly constraint, the Move handle is positioned on the
axis and you can only move the component in directions that will keep the axes aligned.
You can solve assembly mechanisms by changing ruler dimensions or annotation dimensions, and
they can be saved as groups for modification. The images below show movement of the Slider-
Mechanism assembly that is driven by a change to the annotation dimension.
Detailing
You can detail your designs to communicate with others or to submit your designs for review with
the tools on SpaceClaim's Detailing tab. With the detailing tools, you can annotate your designs, cre-
ate drawing sheets, and review changes to designs. You can customize detailing options to conform
to standards or create your own custom style.
Detailing tools are grouped into the following ribbon groups:
Orient Quickly display a particular view of your design.

Font Format note text by adjusting the font characteristics.
Create notes on your design with text, dimensions, geometric tolerances, tables, sur-
Annotation
face finish symbols, and datum symbols, center marks, center lines, and threads.
Views Add views to a drawing sheet.
Sheet
Format a drawing sheet.
Setup
3D Markup Create markup slides to illustrate the changes made to a design.
Press Esc, then S to end any detailing action and return to the Select tool.
Annotation
You can annotate your designs, drawings, and 3D markups with notes, dimensions, geometric tol-
erances, surface finish and datum symbols, as well as center marks, center lines, and threads. When
you create annotations that are attached to the objects in your design, they stay attached, even when
you modify those objects using the Design1 tools. Annotations created on a drawing sheet or 3D
markup2 slide are part of that sheet or markup only; they do not appear on your design.
Each annotation has properties which you can modify in the Properties panel3. When you create the
first annotation, it is scaled so that it will be visible when your design is zoomed to its extents in the
Design window4. All other annotations use the same scale.
Annotation ribbon group

The Annotation5 ribbon group contains the following tools, from left to right:
Use theSelect tool tochoose Using Box, Using Lasso, Using Polygon, or Using Paint to select
the highlighted object.
Use the Dimension tool to create a measured dimension.
Use the Note tool to select an annotation plane and enter text onto the plane.
Use the Note Leader tool to connect a note to an object.

Use the Thread tool to create a threaded surface on any cylinder, cone, or hole.
Use the Center Line tool to add a center mark on any circle, arc, cylinder end, or sphere, and
put center lines on any cylindrical face.
Use the Geometric Tolerance tool to create a geometric tolerance.
Use the Datum Symbol tool to insert a datum symbol.
Use theDatum Target tool toinsert datum targets onto your design, drawing sheet, or 3D
markup slide.
Use the Table tool to insert a table.

Use the Hole Table tool to create a hole table.
Use theBolt Circle tool to view information about diameter, angular, and radial dimensions
for a circular pattern.
Use theWelding Symbol tool to create a weld symbol.
Use the Barcode tool to create a barcode symbol.
Use the Bill of Materials tool to create and insert a BOM.
Use theBalloon tool to add BOM balloon notes.
Use the Surface Finish tool to create a surface finish symbol.
Update Annotations Reading Direction flips annotations that are backwards in the current
viewing direction.
Click to display SpaceClaim's detailing options.
Press Esc, then S to end any detailing action and return to the Select tool.
Creating notes
Use the Note1 tool to annotate your designs, drawing sheets, and 3D markups. You can use this tool
to create and edit notes. You can also project the note onto a sketch or onto a solid. Place the
annotation plane on one layer and the note on another layer, then turn off layer visibility for the
annotation plane to hide it. You can also create circular note text.
Notes are shown in the Structure Tree. Like curves, Notes can live in datum planes or drawing sheets.
Unlike curves, they do not live directly in a part. So, in a part, you will not see a Notes folder.
To create a note
1. Select the Note tool from the Annotation2 ribbon group in the Detail3 tab.
Mouse over the faces of your design to preview the eligible annotation planes. (In Sketch and
Section mode4, the sketch grid defines the annotation plane.)
2. Click a face to create the plane on which to place the note.
To create an annotation plane for a cylindrical face, select the cylinder's axis.
If you need to change the annotation plane, right-click and click Select New Annotation
Plane5 from the context menu and select a new annotation plane.


3Aspects of a design incorporated to communicate with others or submit the design for review. Use
the tools on the Detailing tab to annotate designs, create drawing sheets, and review design
changes. You can customize detailing settings to conform to standards or create your own custom
style.
4See Section
3. Click to place the note on the plane.
4. Enter the text of the note.
Click in the mini-toolbar to insert a symbol into your note at the cursor location.
Click in the mini-toolbar to insert a dynamic field. Dynamic fields include current val-
ues from a variety of properties.
You can format the note text, and enter the text by cutting, copying, and pasting the text
from other notes or dimension annotations.
SpaceClaim recognizes many fonts stored on your computer. If you paste text from out-
side of SpaceClaim, and the font is not recognized, the default font will be used.
5. Adjust the orientation of the note by dragging the rotation handles.
For vertical notes, set the Stacked property to True.
To create a note field

Field codes can be included within a note. The text in field codes is variable text; in other words, the
text within a field is tied to code, so if you change a field code in your note or drawing sheet, for
example, a date format, the field automatically updates.
Some field codes are bi-directional; for example, adding the Scale1 field code to a drawing sheet
enables you to change the scale by editing the note, or, change the scale by changing the value from
the Scale drop-down in the Sheet Setup group in the Detail tab.
1. Click within the text of the note and place the cursor where you want the field to appear.
2. Right-click to display the mini-toolbar.
3. Click in the mini-toolbar to display the Insert Field window.
The Fields tab displays the properties available for insertion. (Document1 properties are those
that appear in the Properties panel2 when you click the top-level design in the Structure
tree3.)
4. Select a value from the Category drop-down to filter the properties displayed in the Fields list.
If you click Selected Object4, you can click any object in the Design window5 or Structure
tree to make its properties available.
If you select Formula, you can enter an expression, and include any numeric fields within the
expression.
5. Click a property in the Fields list.
6. Click the Format tab to format the text within the field.
The formatting options are based on the type of the property value. For example, strings can
be formatted with upper case, lower case, initial capitals, or title case.
7. Click OK to insert the formatted, dynamic field into the note at the cursor location.
If the field is empty, check to make sure that the property you selected has a value by select-
ing the appropriate object and viewing the Properties panel.
To copy a note
Ctrl+drag a note to copy it.
You can also do the following:
Click on a note.
The note displays inside the text box border.
Click on the border.
Press Ctrl+c
Press Ctrl+v
The note copy displays below and to the right of the original note.

If you paste the note on a different sheet, it will paste in the same location as in the original
sheet. It does not paste at the cursor location.
If you are zoomed in, the note will paste in the center of the view. If there is another note at
that location, the new note will paste below and to the right of that note.
To edit a note
1. Select the note to move, size, or rotate it.
If you select a single note, you can edit, resize, and rotate the note. If you select multiple
notes, you can only move or change formatting.
To move the note box, mouse over the edge of the box until the cursor changes to , then
drag the note.
To size the box containing the note, drag the handles of the note box (the white circles).
To rotate the note, drag the rotation handle (the green circle). Press Shift to snap to angular
increments.
2. Select the text of the note to reformat it.
Click a field to edit it. Changing the value of a string also changes it in the Properties panel.
3. Modify the note's properties in the Properties panel.
Circular Text
Type - Choose from:
None
Clockwise
Counterclockwise
Radius -Enter a radius for the note circle.
Cosmetic
Space - Choose from:
Model Space sizes the text based on the actual measurements of the
objects in your design.
View1 Space sizes the text based on the view of the design in the Design
window.
Mirrored - Set this property to True to display the text as if it is seen in a mirror.
Stacked - Set this property to True to stack the textvertically instead of hori-
zontally.
Flagnote
Flagnote is a drop-down menu of border shapes to put around the text.
Minimum width prevents theborder from resizing automatically to fit the con-
tent of the note.
Position
Anchor influences the position and size of a note within a plane. Where you
anchor a note determines the direction that the text will fill the note. For example,
if you select the Left Top position, as you type, the expanded text box flows from
left to right and top to bottom. The choices are:
Left Top
Left Bottom
Right Bottom
Right Top
Left Center
Right Center
Top Center
Bottom Center
to view it head-on.
Center
When moving a note or circular note, the notes anchor (or circular notes
text center) now snaps to an edge, a sketch point, or an axis. Select the
Move1 tool, and then select the notes red anchor and drag it to an edge,
sketch point, or axis. The red anchor will snap to the notes anchor location
that is closest to the drag point. The Anchor position updates in the Position
group of the Properties panel as you move the anchor to a new location.
To fit text within a note box

RMB Click on the note and open the Autofit drop-down menu.
Choose one of the following options:
Do not autofit: The text box adjusts to the size of the text and grows as you type. There
is no blank space around the note and making the text larger or smaller adjusts the box
accordingly.
Resize text height on overflow: The text always fits the width of the box. If you make
the box wider, text from the second line will move up to the first line.
Shrink text on overflow: The text adjusts uniformly (width and height)and scales to fit
in the text box.
Shrink text horizontally on overflow: The width of the text changes but the height
remains the same.
To adjust the text width

The Font group in the Detail tab has tools for increasing and decreasing text width.
Click the Width Factor drop down menu and select from the width factor options.
Click the Increase Width Factor button to increase the width in 0.1 increments.
Click theDecrease Width Factor button to decrease the width in 0.1 increments.
To align multiple notes

1. Select multiple notes.
2. In the RMB menu, choose from the following:
Align Lefts - Align the left side of each note box.
Align Centers - Vertically align thecenter of each note box.
Align Rights - Align theright side of each note box.
Align Top Lines - Align thebottom of the first line of text ineach note box.
Align Middles - Horizontally align themiddle of each note box.
Align Bottom Lines - Align thebottom of the last line of text in each note box.
Make Same width -Makeeach note box the same width based on the first note selec-
ted. Some text may be scaled accordingly.
Make Same Height - Make each note box the same heightbased on the first note selec-
Make Same Size - Make each note box the samesize (height and width)based on the
first note selected. Some text may be scaled accordingly.
Distribute Horizontally - The space betweeneach note box is distributed evenly hori-
zontally.
Distribute Vertically -The space between each note box is distributed evenly vertically.
Remove Horizontal Spacing - The even horizontal spacing is removed and
anysignificant overlap is equalized.
Remove Vertical Spacing - The evenvertical spacing is removed and any significant
overlap is equalized.
Any notes rotated differently are not affected by the above commands.
Attaching and Detaching notes

You can attach notes to other notes using the Attach Notes option in the RMB menu. The first note
selected is the parent note (highlighted in blue) and any other notes you select become child notes
(highlighted in dark blue).
1. Select two or more notes
2. RMB click
3. Select Attach Notes
4. To detach a note RMB select it and choose the Detach1 option.
When notes are attached, moving the parent note moves all the notes as one. However, moving a
child note will move that note individually.
You can attach a note to the note fields of objects created with tools in the Detail tab. For example,
Surface1 Finish symbols, Welding symbols, Datum2 Targets, Datum symbols, notes within a Symbol,
and Dimensions3 are some tools that have note fields. Any notes can be attached to any other notes.
Dimensions, however, can only be parent notes since they are attached to the model.
To display the text of an annotation and hide the plane

1. Create two layers, one for notes, and one for the annotation planes.
2. Place the note on one layer and the annotation plane on another layer.
3. Turn off the visibility of the layer that contains the annotation plane.


Circular notes
Use the Note1 tool to create and edit circular Note text. This text type can orient either clockwise
(CW) or counterclockwise (CCW). The circle center is indicated by a cross-hair marker. The circle
radius displays as a visual guideline. Use the size handle to size the circle. You can adjust the ori-
entation of the note by dragging the rotation handle. Enter or change new radius settings in the
Options panel2.
With circular text you can create:

Single line text
Multi-line text. Type the first line of text, and then press Enter to create an additional line of
text.
Formatted single or multiple line text. Use the mini-toolbar to format circular note text. You
can change the font, font size, and style of all or some of the text; however, you cannot under-
line circular text.
A note with a True Type or a Microsoft Windows 3.1 font (Modern, Roman, and Script). True
Type fonts may be used when etching or laser-cutting in sheet metal, where the width of the
character is determined by the width and/or focus of a laser beam.

To create a circular note
1. Select the Note tool from the Annotation1 ribbon group in the Detail2 tab.
Section mode3, the sketch grid defines the annotation plane.)
2. Click a face to create the plane on which to place the note.
3. Click to place the note on the plane.
4. Enter the text of the note.
5. In the Properties panel5, select Clockwise or Counterclockwise from the Type drop down.
6. Click the fact to update the note.
Once you create the circular note text, you can:

Click in the mini-toolbar to insert a symbol into your note at the cursor location.
Click in the mini-toolbar to insert a dynamic field. Dynamic fields include current values
from a variety of properties.
Format the note text, and enter the text by cutting, copying, and pasting the text from other
notes or dimension annotations.
Adjust the orientation of the note by dragging the rotation handles. Drag the center cross-hair
marker to move the text.
Use leading spaces (inserted before text or within text) and trailing spaces (inserted after text)
to position text around the circle radius as needed.

style.
3See Section

Convert the text to lightweight text in sheet metal. Lightweight text is transparent, and is used
to represent text objects in a virtual way (so that further operations on the part do not have to
recalculate all the new graphics data dealing with text). In lightweight mode, the text cutouts
seen by the user are only recreated when the text is edited, as opposed to every time any
other action is performed on the model.
Move1 the note: Simply drag a red anchor point to snap to an edge, a sketch point, or an axis.
The red anchor will snap to the note's anchor location that is closest to the drag point.
Formatting note text
You can adjust the font, size, style (bold, italic, underline), alignment of the text within the box, and
create superscripts and subscripts using the tools in the Font ribbon group, or by right-clicking the
annotation and selecting from the mini-toolbar.
You change the text characteristics for notes, dimensions, and tables at the same time.
Font ribbon group

The Font ribbon group contains the following tools:
Font Select the font family (Ctrl+Shift+F)

Font Size Select or enter a font size.(Ctrl+Shift+P)
Width Factor Drop down menu and select from the width factor options.
Increase Width
Button to increase the width in 0.1 increments.
Factor
Decrease Width
Button to decrease the width in 0.1 increments.
Factor
Vertical Text Off-
Superscript or subscript the note text.
set1
Make the text bold (Ctrl+B), italic (Ctrl+I) the text, underline (Ct+U), or
strikethroughthe note text.
Left, center, or right-justify the note text.
Set the text direction from left-to-right or right-to-left.
To format text
All text within a note boundary singular or multiple lines of text aligns to the format you set.
1. To change the text formatting for an entire note, dimension, or table, select one or more in
the Design window2. Hold Ctrl to select more than one or draw a box in the Design window.
Place your cursor at the location in the text where you want to change the formatting. To
change the text formatting for only some of the text in a note, dimension, or table, select only
the text you want to change.

2. Use the tools in the Font ribbon group to format the text.
To create a superscript or subscript, select a preset amount from the Vertical Text Offset
drop-down, or select Custom and enter a custom amount to raise or lower the text.
Creating note leaders
Use the Note1 Leader tool to create an arrow from your note.
To create a note leader

1. Click Note Leader in the Annotation2 group on the Detailing tab.
Mouse over notes on the active annotation plane to see the possible ways to connect the note
leader to the note.
2. Click a note's connection point to draw the first segment of the note leader.
Mouse over your design to highlight the geometry to which you can attach the end of the
note leader. You can also attach leaders to temporary objects.
3. For a segmented line, click to set each point of the note leader line.
4. End the note leader by clicking a vertex, edge, or face to attach the end of the note leader, or
double-click to end the note leader at any point.
The end of the note leader is an arrow unless you attach it to a face.
Snapping a leader to 45 increments

While creating a Leader, hold the Shift key to snap the Leader to the nearest 45 increment.
1. Click to set the start point of the Leader.
2. Start dragging to get near the desired orientation.
3. Press and hold the Shift key.
4. The Leader snaps to the nearest 45 increment.

5. Continue holding Shift down and dragging to set the length.
6. Click to set the endpoint of the Leader.
Underlining note text with a leader

1. Create a Note
2. Enter the Leader tool
3. Attach a Leader to the underline location
4. Complete the Leader
5. Select the Leader
6. RMB > Underline
7. The text is underlined
When you start the leader, hovering near the note text displays attachment points. The image above
shows the underline location highlighted.
Select the leader and use the context menu to select Underlined. This toggles the leader to an under-
lined leader.
To insert an all-around symbol

Right-click the note leader and select All Around.
To change a note leader's segments
Drag a segment of the note leader line to move it and its surrounding boundary points. Right-click
the note leader and select Add Jog Point1 to create a new segment.
You can delete note leader line segments by deleting the jog points that border the segment.
To change a note leader's properties

1. Right-click the note leader and select Properties.
2. Modify the Arrow Style, Length, and Width values.
3. Set the All Around value to True to display an all-around symbol. Select False to hide it.
To attach a note leader to a virtual sharp

1. Select the Note Leader tool from the Annotation ribbon group in the Detailing tab.
2. Ctrl+click a line.
3. Ctrl+click a converging line.
The head of the note leader is attached to the virtual sharp. You can also drag the virtual
sharps end point, draw another leader to the virtual sharp, create virtual sharps in cross-sec-
tion, for rounds, and between an angled and straight edge.
Examples
A virtual sharp
Attaching to the bottom connection point of a note to create a leader with a jog or shoulder.
Attaching to the center connection point of a note to create a straight leader.
Use the center connection point to create circle flag notes or BOM balloon notes according to the
JIS1 standard, without a jog or shoulder.
1Japanese Standards Association standards for technical drawings. You can customize the style of
your annotations to conform to JIS standards. JIS defaults are the same as ISO, except that JIS uses
third-angle views while ISO uses first-angle views. See ASME, ISO.
Creating dimension annotations
Use the Dimension1 tool to add a measurement to your design, drawing sheet, or 3D markup2.
You can use annotation dimensions with the Pull3 and Move4 tools to change your design. See Driv-
ing modifications with annotation dimensions.
An annotation plane cannot be moved to a sub-component after you add dimensions because the
references would be lost.
You can enable dual dimensions, which will display each dimension in both Metric and Imperial
units. See Units options.
To create a dimension annotation
1. Click the arrow under the Dimensiontool and select Dimension.

2. If you are creating a dimension in 3D, click a face to create an annotation plane on which to
place the dimension.

Section mode1, the sketch grid defines the annotation plane.) If multiple objects occur at your
cursor location, use the scroll wheel or arrow keys to highlight each one.
If you need to change the annotation plane, right-click and click Select New Annotation2
3. Click an edge or face.
Where you click on a circle determines whether you will measure from the circle's center, near,
or far edge. To select the center click the top, bottom, left, or right side of the circle.
4. Mouse over your design to preview the possible dimensions.
5. Click a second object if you want to dimension between two objects.
6. (Optional) Select a dimension orientation in the Options panel4. You can also select the ori-
entation for the first and second reference.
7. Click to create the dimension.
To create an arc length dimension
Two methods:
Hold the Ctrl key down and click on the arc.
Click the arc first and hold the Ctrl key down while dragging the dimension.
To create a chamfer dimension
1See Section
2 Information you can add to a drawing, such as notes, dimensions, geometric tolerances, center


2. If you are creating a dimension in 3D, click a face to create an annotation plane on which to
place the dimension.
Plane from the context menu and select a new annotation plane.
3. Click an edge or face that belongs to the chamfer.
4. Mouse over your design to preview the possible dimensions.
5. Click to create the dimension.
Dimensions1 for planar and cylindrical chamfers.
You can flip the orientation of chamfer dimensions by setting the Flip Chamfer2 Dimension prop-
erty to True.
Flipped chamfer dimensions
Annotation options in the General page of Detailing option in SpaceClaim Options offers choices for
how chamfer dimensions are displayed.
Default chamfer dimension style:
Linear: Displays the dimension with extensions lines as in the images above.
Normal1 to chamfer: Displays the dimension with a leader pointed normal to the cham-
fer as shown in the image below.
Default chamfer dimension text format:

<length> X 45: Text is displayed as in the images above.
C<length>: Text is shown as in the image below.
To create ordinate dimensions
1. Click the arrow under Dimension in the Annotation group on the Detailing tab and select
Ordinate Dimensions.
2. If you are creating a dimension in 3D, click a face to create the plane on which to place the
dimension.
Section mode, the sketch grid defines the annotation plane.) If multiple objects occur at your
cursor location, use the scroll wheel or arrow keys to highlight each one.
Plane from the context menu. Then right-click the new place and click Set As Annotation
Plane.
3. Click a line or edge to set the baseline dimension.
You can use an existing extension line as a dimensioning reference. An extension line is the
line that connects the point to the dimension text. If you select an extension line, the baseline
dimension for the extension line's dimension is used.
4. Mouse over the face to see all the possible dimensions.
5. Click a point to place the dimension line.
If you select a face, all of the possible ordinate dimensions will be created.
You can click multiple points to use the same baseline for those dimensions.
The baseline dimension (0) is displayed or hidden based on which detailing standard is selec-
ted in the Detailing options.
Automatic jog points are included if ordinate dimensions are too closely spaced. This helps
make them easier to read.
Using an angled baseline
First, establish a simple, oriented dimension. Then use one of the witness lines to set the baseline
and orientation of the ordinate dimensions.
In the example above, the leftmost witness line of the existing circle-to-circle dimension was selec-
ted to define the baseline.
To create foreshortened dimensions
1. Start with a radius dimension
2. Optional - Set the Foreshortened radial dimension center size in SpaceClaim Options
3. Right click and select Foreshortened
4. Move the endpoint and jog points as needed.

5. Dimensioning to the center produces a foreshortened length dimension.
To dimension bodies
2. Click the Select bodies tool guide on the right side of the Design window1.
3. Select the solid body or bodies you want to dimension:
If you select a single body, then the maximum horizontal or vertical dimension is cre-
ated, as shown below.
If you select more than one body, then the dimension is created for both solids and is
anchored on the side closest to where you click on the solid. You must click on the
Select bodies tool guide before you select each solid, so you click the tool guide and
select the first part, then click the tool guide again and select the second part.
In both of the examples below, the upper part was selected near its top. The lower part
was selected near its top in the example on the left and near its bottom in the example
on the right. The mouse arrows indicate where the lower part was selected. You will see
a preview of the dimension when you click the tool guide and hover over the second
part.
If you create the dimension in a section view of a drawing sheet, then the dimension is
created on the extents of the body that is visible in the section plane, as shown below.
To edit a dimension annotation

1. Select the dimension annotation to move, size, or rotate it.
To move the dimension note, mouse over the edge of the box with the Select tool until the
cursor changes to , then drag the note.
To size the box that contains the dimension note, drag the handles of the note box (the white
circles).
2. Select the text of the note to reformat it.
3. (Optional) Right-click the dimension and select text formatting options from the mini-toolbar.
Click to select a tolerance format, then edit the text of the tolerance.
Click to insert a field. You can select a field type and format from the Insert Field window.
Select from the drop-down to insert a symbol.
4. Click an arrowhead to cycle through alternative leader styles.
You can also right-click an arrowhead and select Arrow Style to select a style for that arrow-
head, or select the arrowhead, then select the style for the head in the Properties panel1.
5. Click the note leaders to modify them.
You can right-click a leader and select Add Jog Point2 to add a new point.
6. To change the distance between a dimension extension line and its reference point on the
object, click on the extension line, then hover over the end closest to the object. Drag the red
dot to change its distance from the object.
If you cant' see the extension line, hover over the end of the dimension leader, where the line
would be. You will see two red dots that you can drag:
7. Modify the dimension note properties in the Properties panel. Modify the:
Arrow Length and Width properties to set the length and width of the arrowheads
Measurement property to change the measurement type. For example, you may want
to display the radius of a hole instead of the diameter.
Precision property to change the number of decimal places.
Upper Limit, Lower Limit, and Type of tolerance property to change the format of the
dimension and enter upper and lower tolerance values.
8. To fit a dimension within the text box
RMB Click on the note and open the Autofit drop-down menu.
Choose one of the following options:
Do not autofit: The text box adjusts to the size of the text and grows as you type.
There is no blank space around the note and making the text larger or smaller
adjusts the box accordingly.
Resize text height on overflow: The text always fits the width of the box. If you
make the box wider, text from the second line will move up to the first line.
Shrink text on overflow: The text adjusts uniformly (width and height) and scales
to fit in the text box.
Shrink text horizontally on overflow: The width of the text changes but the
height remains the same.
To display the annotation and hide the plane

To align multiple dimensions

1. Select multiple dimensions.
2. In the RMB menu, choose from the following:
Align Lefts - Align the left side of each dimension.
Align Centers - Vertically align the center of each dimension.
Align Rights - Align the right side of each dimension.
Align Top Lines - Align the bottom of the first line of text in each dimension.
Align Middles - Horizontally align the middle of each dimension.
Align Bottom Lines - Align the bottom of the last line of text in each dimension.
Make Same width - Make each dimension the same width based on the first note selec-
Make Same Height - Make each dimension the same height based on the first note
selected. Some text may be scaled accordingly.
Make Same Size - Make each dimension the same size (height and width) based on the
first note selected. Some text may be scaled accordingly.
Distribute Horizontally - The space between each dimension is distributed evenly hori-
zontally.
Distribute Vertically -The space between each dimension is distributed evenly ver-
tically.
Remove Horizontal Spacing - The even horizontal spacing is removed and any sig-
nificant overlap is equalized.
Remove Vertical Spacing - The even vertical spacing is removed and any significant
overlap is equalized.
Any notes rotated differently are not affected by the above commands.
To display dimensions for an annotation plane
Right-click an annotation plane and select:
Show all dimensions to display dimensions on all annotation planes.
Show dimensions to display the dimensions for only the annotation plane you right-clicked.
Examples
Annotations with orientation changed in the Options panel

1. Dimension Orientation set to Aligned
2. Dimension Orientation set to Horizontal
3. Dimension Orientation set to Vertical
4. 1st Reference Orientation set to Horizontal, 2nd Reference Orientation set to Vertical
A dimension annotation with dual dimensions enabled in the Units options
Ordinate dimension annotations
Ordinate dimensions1 for a planar face
1X or Y distances that originate from a single location, which is usually the lower left corner of the
object. Also known as datum dimensioning or baseline dimensioning
Automatic jog points with closely spaced ordinate dimensions
Dimensioning between virtual points
You can create dimensions from the line between two points or the mid-plane between two lines,
even when that line doesn't exist as an edge.
To dimension between virtual points
1. Click Dimension1 in the Annotation2 group on the Detailing tab Investigate group on
the Design3 tab.
2. Select a point (A) as your starting point.
3. Hold Ctrl and select a second point (B).
This creates a virtual line between points A and B, which will be the baseline of your dimen-
sion.
4. Select a third point (C).
Now you have a dimension between line AB and point C:
If you hold Ctrl when you select point C, the dimension is created between line AB and line
BC:


5. (Optional) If you select point C without holding Ctrl, and hold Ctrl to select a fourth point (D),
the dimension is created between line AB and line CD:
6. Click anywhere in the annotation plane to place the dimension.
To dimension to a virtual sharp
1. Click Dimension in the Annotation group on the Detailing tab Investigate group on the
Design tab.
2. Hold Ctrl and select a line.
3. Hold Ctrl and select a converging line.
The head of the note leader is attached to the virtual sharp. You can also drag the virtual
sharps end point, draw another leader to the virtual sharp, create virtual sharps in cross-sec-
tion, for rounds, and between an angled and straight edge.
4. (Optional) To end the dimension at another virtual sharp,
1. Hold Ctrl and select a line.
2. Hold Ctrl and select a converging line.
5. Click anywhere in the annotation plane to place the dimension.
Dimension to a mid-plane line
1. Click Dimension in the Annotation group on the Detailing tab Investigate group on the
Design tab.
2. Define the mid-plane line:
1. Select a face or edge:
2. Hold Ctrl and select a second face or edge:
The mid-plane line is displayed as a gray line, and the beginning of the dimension is attached
to this line.
3. Select the face, edge, or point you want to dimension to.
The end of the dimension is attached to the face, edge, or point.
4. Click to place the dimension annotation.
You can reverse these steps to begin the dimension with an existing line or point
and end the dimension with a mid-plane line. You can also dimension between two
mid-plane lines.
Examples
A dimension between virtual points
A dimension from a mid-plane line to an edge
A dimension between two mid-plane lines
A dimension to the virtual sharp of a chamfered edge
A virtual sharp
Center marks and lines
You can put a center mark on any circle, arc, cylinder end, or sphere, and you can put center lines on
any cylindrical face on a drawing sheet.
To add a center mark or center line

1. Click the Center Line1 tool .
2. Click an:
Edge2 of the end of the cylinder or hole to add a center mark.
Cylindrical face3 to add a center line.
Sphere to add a center mark.
Examples
Center mark on the end of a cylinder and center line along the face of a cylinder
Center mark on a sphere

3The surface of a cylinder, formed by points at a fixed distance from the axis of the cylinder.
Geometric dimensioning and tolerancing
ASME1 Y14.5 (2009) provides the standards for Geometric dimensioning and tolerancing (GD&T).
ASME Y14.41 contains additional requirements for tolerances defined in digital models.
SpaceClaim provides functionality for GD&T symbol creation based on this standard.
Help topics for symbol creation focus on functionality and workflowonly.
For helpwith terminology,interpreting GD&T symbols,and understanding the motivations behind
them, refer to ASME Y14.5 (2009) and related publications.
You can create both Semantic and Non-semantic geometric tolerances (GD&T).
Non-semantic tolerances
Simply annotations using GD&T symbols and tolerance values
You manually build them up by selecting the symbols, entering values, and adding leaders
Semantic tolerances
Built into the model using geometric references.
Contain logic based on the ASME Y14.5 (2009)standard
Creation workflow assists in building the symbol
Only geometry applicable to the selectedcharacteristic symbolis selectable
Tool guides2 step you through symbol creation
Update according to geometry changes
If changes cause symbols to become invalid they are flagged in the Structure Tree
1American Society of Mechanical Engineers standards for engineering drawing practices. You can cus-
tomize the style of your annotations to conform to ASME standards. See ISO, JIS
Adding GD&T annotations
Use the Geometric Tolerance tools in the Annotation1 ribbon group in the Detailing tab to add a
tolerance to your design, drawing sheet, or 3D markup2 slide.Non-semantic geometric tolerances
are not created automatically. You can enter anything in a geometric tolerance, so we recommend
that you read the geometric tolerance tooltips carefully to create intelligent geometric tolerance
annotations.
To create a geometric tolerance annotation
1. Click the Geometric Tolerance tool

2. Select Non-Semantic Geometric Tolerance from the dropdown menu

3. Click to place the geometric tolerance annotation on the appropriate annotation plane and dis-
play the Format tab.
4. Select the characteristic symbol from the Symbol drop-down in the Geometric Tolerance rib-
bon group.
5. Click in one of the Tolerance fields and enter any combination of text and modifying symbols
from the Symbols ribbon group.
To create multi-row geometric tolerance annotations, select a characteristic symbol, then enter
text and modifying symbols in the second row. To combine the two rows so that they have
one characteristic symbol, check the Composite Frame option.
6. Press Esc to exit the annotation and close the Format tab.

Encoding geometric tolerances
Encoded GD&T symbols understand their dimensional and situational context within the model. So,
when their attachment references change in space or in type, the symbols update accordingly or
become invalid.
GD&T is part of the Product and Manufacturing Information (PMI1) exchanged between CAD sys-
tems. The PMI Working Group recognizes two levels of information that can be exchanged in the
context of explicit 3D geometric shape representation and associated PMI.
Representation: Describes the exchange of reusable, associative PMI that is not visible in the
3D model. It is used "behind the scenes" by the CAD system and downstream applications.
Presentation: Describes the exchange of information in a way that is user-visible in the 3D
model.
Representation information is pointed to by the definitions shown in the Structure Tree. The geo-
metry that the definitions apply to are recognized as features which are displayed in the tree. Defin-
itions which apply to the features are shown as sub-nodes of the features in the tree. This includes
dimensions for features of size. All GD&T items in the Structure Tree are contained in the 'GD&T'
folder as shown in the image below.
GD&T has its own Structure Tree folder.
Presentation information is the actual symbol shown in the graphics area and attached to geometry.
Representation stays with the object because it is part of its Structure. Presentation information is
built from the representation.
So, when a solid with associated Semantic GD&T is moved to a new component:
Representation information is moved to the new component.
Presentation information is not moved to the new component.Create new symbolsin the
componentusing the Representation information in the Structure Tree.
ASME and ISO standards

Both the ASME1 and the ISO2 standards are supported for GD&T. Set the standard in the General
Detailing page of SpaceClaim Options. You can apply the standard to the current document or to all
new documents.
The descriptions in this topic are based on the ASME standard.
What you need to create a Semantic GD&T symbol

To encode a GD&T symbol, you construct a Feature Control Frame, which consists of a rectangle
divided into compartments containing:
Geometric Characteristic Symbol
Tolerance value or description
Modifiers
Applicable Datum1 Feature references
The image below shows an example Feature Control Frame with modifiers.
Prior to creating the symbol, you need to have the appropriate Datum Features in the model.
The geometry to which a GD&T symbol is applied is usually called a "Feature". Features may be spe-
cified by:
Directly selecting a part's faces
Selecting an existing datum feature
Selecting an existing Feature Control Frame in the structure tree or graphics window
After choosing a Characteristic Symbol and the geometry (usually called Features)to which the tol-
erance will apply, you will be asked to select the relevant Datum Feature references
An exception is Form tolerances, which do not use Datum Feature references.
When you first create a GD&T symbol, the default Characteristic Symbol is Position. Once you
choose a different symbol, that becomes the default until you select another one.
Characteristic Symbols are shown in the table below.
Tolerance
Symbols Applied To
Type
Form Individual Features

Straightness Flatness Circularity Cylindricity
Individual or Related
Profile2
Features

Line1 Surface2
Orientation Related Features

Angularity Perpendicularity Parallelism
Location Related Features

Position Concentricity Symmetry
Runout Related Features

Runout Total Runout
Once you have selected the Datum Feature references, you are put in placement mode where:
In 3D, you choose an annotation plane and then place the symbol somewhere within that
plane
In a drawing you place the symbol somewhere in the sheet
To create a Semantic GD&T symbol

1. (Optional) Use the Datum Symbol tool to create any Datum Features to be referenced by the
symbol. (Datum Symbols are semantic as well)
This is optional because the Form characteristics (Straightness, Flatness, Circularity, and
Cylindricity) do not require Datum Feature references
For a single Feature Control Frame, you can select up to three Datum Symbols
There are up to three Datum Feature references
Each of these references may use a datum established by more than one Datum
Feature (separated by "-" as in the image below)
See ASME Y14.5 Paragraph 4.12 and Figure 4-22
Each Datum Symbol can be used only once in a single frame
2. Select the desiredCharacteristic Symbolin the Options panel1 (see the table below)
3. Choose an Attachment Technique in the Options panel
Size Callout (Attached to a dimension)
Directed leader (Attached to a note leader)
4. Follow the prompts to select the necessary references
You can Ctrl+select multiple faces for the following tolerances
Profile
Flatness
Position for Planar Feature of Size (i.e. Middle Plane2)
Coaxial3 cylinders (ASME Y14.5 Figure 4-34)

3Relationship between faces that share the same center of rotation. If you check the Coaxial Face
For multiple faces:
The symbol will show the number of faces by including "3X" for example to
say the tolerance applies to three faces
Number of faces is not shown for Coaxial Cylinders or Middle Plane
After creation, selecting the symbol will highlight all the faces
5. Click Complete to place the symbol
6. An annotation plane appears
7. Drag the plane to a desired placement
As you drag the plane
Itwill change orientation to other valid orientations based on the geometry under
the cursor
Existing annotation planes will pre-highlight for selection
8. Click to place the plane
9. The symbol appears
10. Drag the symbol to a desired placement
11. Click to place the symbol
After the symbol has been placed, you can add any appropriate modifiers by
1. Selecting thetolerance value or Datum Reference compartmentsto be modified
2. Choosing a Modifierfrom the mini-toolbar
Modifiers
When you select a symbol element, the mini-toolbar will present all relevant modifiers.
Their meaning and applicabilityare described in the relevant sections of ASME Y14.5 (2009)
andASME Y14.41.
Available Modifiers are shown below.
Symbol Modifier
At Maximum Material1 Condition (When applied to a tolerance Value)
At Maximum Material Boundary (When applied to a Datum Reference)
At Least Material Condition (When applied to a tolerance Value)
At Least Material Boundary (When applied to a Datum Reference)
1 Property that you can assign to an object, consisting of material name and attributes such as density
Translation
Projected Tolerance Zone
Free State
Tangent1 Plane
Unequally Disposed Profile
Statistical Tolerance
Between
All Around
All Over
Some notes about Modifiers:

Translation is applied to Datum References (A, B, C, etc.) to indicate the datum can translate
within the specified tolerance.
Projected Tolerance Zoneis applied to positional tolerances andincludes a minimum pro-
jected tolerance zone height. This is typically used to control variation in perpendicularity of
threaded or press-fit holes where fasteners could interfere with mating parts.
Free State is applied to features or datum references that are subject to Free-State Variation.
This is the distortion of a part after manufacturing forces are removed. Free State tolerances
apply after the removal of manufacturing forces.
Tangent Plane is applied to tolerances of Form only.
Unequally Disposed Profile is applied to Profile tolerances to indicate that the tolerance is not
equally applied to the profile. For example, the symbol below the modifier is between 0.3 and
0.1. This means the total tolerance is 0.3 and 0.1 lies Outside the profile and Adds material.The
remaining 0.2 lies Inside the profile and Removes material.
Statistical Tolerance is used to assign tolerances to related components of an assembly based

on sound statistical data.
Between indicates that the tolerance applies across multiple features or to a limited segment
of a feature between designated extremities.
The example below shows a profile tolerance between D and E. The system prompts you to
select a direction and a first and last face to include (first and last can be the same face). It
places labels based on the next available letters but you need to create notes pointing to the
locations on the faces.
1. Select the Profile tolerance to modify

2. Choose Between from the mini-toolbar
3. Select an edge to set the direction of the limited region or group of features
4. Select the first face
5. Select the last face
6. Complete
All Around and All Over apply to Profile of Surface symbols attached to dimensions (Attach-
ment Technique = Size Callout)
Diameter and width dimensions for Features of Size can have the Independency modifier added to
the Dimension1. This revokes Rule #1 in the ASME standard. Rule #1 establishes a boundary of per-
fect form at the MMC size limit. Rule #1 is also called the Envelope Rule.
To add the Independency modifier, select the dimension, and set the Suspend Envelope Rule prop-
erty to True in the Properties panel2.
An example is shown below.

In the ISO standard, the Envelope Rule is not applied by default. So, if you are using the ISO standard
and want to apply the Envelope Rule, you need to set the Impose Envelope Rule property to True in
the Properties panel.
Multi-Segment Feature Control Frame
You can add segments to GD&T symbols in much the same way as they are initially created. This cre-
ates an FCF stack.
Instead of selecting geometry, you select the Characteristic Symbol of an existing GD&T symbol.
Based on which Characteristic symbol you wish to add, the system will limit which existing symbols
are available.
For example, adding Concentricity to the position tolerance of a hole is invalid.
FCF stacks are sorted by tolerance value. The largest value is always in the first FCF and the values
decrease as you go down the stack.
Feature-Relating Tolerance Zone Framework
AFeature-Relating Tolerance Zone Framework(FRTZF) contains a single entry of a Characteristic Sym-
bol followed by each tolerance and datum requirement, one above the other.
FRTZF applies to Position and Profile tolerances used with Patterns.
Each segment can have the same number of Datum Feature References or Less than the segment
above it.
To create a FRTZF:
1. Select an existing Position or Profile tolerance value
2. The mini-toolbar appears
3. Select Add Feature-Relating Tolerance Zone Framework

4. A second tolerance segment is added below the first
5. Repeat as many times as needed
To set the FRTZF Datum Feature References:

1. Select the first secondary tolerance value
2. The mini-toolbar appears
3. Choose one of the following:

Remove Feature-Related Tolerance Zone Framework- to remove the segment
Show one repeated datum reference
Showtwo repeated datum references
Showthree repeated datum references
The mini-toolbar options will adjust depending on which segment tolerance is selected.
Datum Feature Symbols for Patterns

For patterns, you can create a Datum Feature Symbol that applies to a single member only, or the
whole pattern.
In the Options panel, check the Use One Pattern Member Only option On toapply the symbol only
to the selected pattern member. Check it Off to apply the symbol to the entire pattern.
The image below shows an example. For the entire pattern, the number of pattern members is
included in the symbol.
Datum Reference Frame

The Datum Reference Frame (DRF)consists of three mutually perpendicular planes inferred from
three Datum Features.
Datum Features that comprise the DRF can be a combination of planes and cylinders.
The DRF is inferred from the Datum Feature References. This does not mean the references have to
be three orthogonal planar features.
The XYZ coordinate system in the image above is the Datum Reference Frame formed by the three
Datum Features A, B, and C.
When you select a DRF in the Structure Tree, it highlights in the Graphics Window. If the DRF has any
unconstrained degrees of freedom (DOF), the DRF display in the graphics window is animated to
show movement in the unconstrained DOF's.
DOF information is displayed in the Properties panel for a selected DRF. The constraints are estab-
lished by default rules when the DRF is created. In some cases, you may want to override the
defaults. Each Datum of the DRF can have it's constraints modified with a dropdown menu in the
Properties panel of the DRF.
Selecting a DRF in the Graphics Window highlights it in the Structure Tree.
The DRF may not be valid if changes have been made to invalidate any of the symbols. Invalid Datum
Features are marked with a Red 'X' in the Structure Tree.
You can Delete a DRF by selecting it in the Structure Tree like other SpaceClaim objects.
Basic dimensions
Basic Dimensions1 locate the controlled features back to the Datum Reference Frame. They are gen-
erated automatically once the DRF is established. All you need to do is place them.
1. Right-click on a GD&T Feature in the Structure Tree.
2. Choose Create basic dimensions from the context menu.
3. Mouse over the design to drag each dimension and click to place them.
Tool guides2 are available to switch between the different directions (X, Y, Z) and to
change annotation plane.
The tool guides and hints will be different based on the type of feature being dimen-
sioned.
The image below shows Basic Dimensions for a Surface Profile tolerance.
Creating symbols from Items in the Tree
You can recreate Datum Feature symbols and Feature Control Frames in the graphics window and
drawing viewsfrom symbols listed in the Structure Tree.
1. Select a GD&Tin the Structure Tree
2. RMB > Create Feature Control Frame Symbol
3. Select or place an Annotation plane1
4. Drag the symbol to place it
If you select a Datum Feature in the tree, follow the same procedure but use RMB > Create Datum
Feature symbol
Track Encoding
Track Encoding allows you to see the encoding status of your model as you add GD&T. The but-
ton has two parts. The top part of the button is a global ON/OFF switch to turn tracking On and Off.
The bottom part of the button is a dropdown menu with two choices, which are both ON by default.
Dim Encoded Faces shows faces as dimmed when they have GD&T encoded in them.
Dim Encoded Symbols shows GD&T symbols as dimmed when they are encoded in the
model and not simply annotations.
Reasons to use Tracking include the following.

You want to see how much of the model geometry is currently controlled with encoded
GD&T.
The model is imported and you do not know how the GD&T was created, or you not know the
quality.
If you include PMI on import, it may all come in fine
Some GD&T may not import correctly
PMI is not available for all imported file types
The model may have been created in an earlier version of SpaceClaim, before PMI was sup-
ported
1Plane on which you can annotate designs, drawing sheets, and 3D markups. Use the Create Note
tool to select an annotation plane and enter text onto the plane.
Track Encoding Example
When the model is opened it looks like

this. There is some GD&T already
applied to the model but you do not
know if it is encoded or not.
Turn Tracking ON to immediately see

what is encoded. In this example, all but
one symbol is encoded. The non-
encoded symbol is NOT dimmed.
If you turn Faces OFF, you can focus on

just the symbols as shown here.
Datum and surface finish symbols
You can insert datum symbols onto your design, drawing sheet, or 3D markup1 slide. Datum sym-
bols are made semantically, which means they update to changing attachment objects.
Datum symbols appear in the tree and show their attachment objects when selected.
To add a datum symbol

1. Select the Datum2 Symbol tool .
Mouse over the faces of your design to preview the eligible annotation planes.
2. Click toattach the datum symbol.
3. Drag and click to place the symbol.
To replace a dimension with a datum

1. Click the Datum Symbol tool .
2. Click the dimension text.

Datum targets
Use the Datum1 Target2 tool in the Detail3 tab Annotations group tocreate datum targetsin
your design, drawing sheet, or 3D markup4 slide. As shown below, you can insert the following
datum target types:
Point5
Circular Area
Axis6 (cylindrical or conical only)
Line7
Rectangular area

style.
ment axis.
The top field of a datum target is the dimension (target area size or the diameter of the datum tar-
get point); the bottom field is the reference letter (target identifying letter), as shown in the image
below:
When you create a datum target, by default, the datum callout height ratio is 3.5. This setting con-
trols how many times the current text height the callout circle size should be, for example, the set-
ting of 3.5x is for ASME1, and ISO2 and ISO-based models use a 4x setting.>
To insert a datum target
1. Select the Datum Target tool.
2. In the Options panel1, choose the target type.
Point
Circular area
Rectangular area
Line
Axis
1. Hover over the faces of your design to preview the eligible annotation planes.
2. Move2 the cursor to where you want to place the target.
3. Click and drag the target leader to a position inside or outside the annotation plane.
4. Click the top field to enter (or to change an existing) number or letter for the callout, as shown
in the image set below:
To edit a Datum Target:

Datum targets havethree components. You can change the properties of each in the Properties
panel3.
With a callout selected, you can change the following properties:
Hidden - True or False
Layout1 - If Number of Callouts is greater than 1, they can be stacked Top, Bottom, Left,
or Right.
Number of Callouts - Greater than or equal to 1
Text Height - Based on model units
Text Position - Inside or Outside the callout
With a leader selected, you can change the following properties:
Arrow Style - Choose from the drop-down list of available styles.
Arrow Length - Choose the Default or enter a value in model units.
Arrow Width - Choose the Default or enter a value in model units.
With a target selected, the available properties depend on the type of target.
Point
Type - Choose from Point, Circular, or Rectangular.
Point Size - Enter a value in model units.
Circular area
Radius - Enter a value in model units.
Rotation - Enter a number of degrees to rotate the circle.
Hatch Angle - Enter a number in degrees.
Hatch Spacing - Enter a number in model units.
Rectangular area
Width - Enter a number in model units.
Height - Enter a number in model units.
Rotation - Enter a number of degrees to rotate the rectangle.
out.
Hatch Angle - Enter a number in degrees.
Hatch Spacing - Enter a number in model units.
Line
Length - Enter a number in model units.
Point Size - Enter a number in model units.
Rotation - Enter a number of degrees to rotate the line.
Show Points - True or False
Axis
Point Size - Enter a number in model units.
Rotation - Enter a number of degrees to rotate the line the point and leader attachment
locations.
Show Points - True or False
You can change default settings for datum callouts and targets from the Annotation group in General
SpaceClaim Options.
Showdatum target end points: Checkbox to control whether or not datum target lines
should show their end points.
Datum Callout text height ratio: Controls how many times larger the callout circle should be
compared to the text height.
Datum Target default point size: Controls the point size used by datum target points, lines,
and circles. Default point size can be overridden on a per object basis.
Datum Target area default hatch spacing: Controls the hatch spacing for circular and rect-
angular datum targets. Default spacing can be overridden on a per object basis.
Datum Target area default hatch angle: Controls the hatch angle for circular and rectangular
datum targets. The default angle can be overridden on a per object basis.
Datum callout leader arrow shape: Controls the arrow shape of leaders connected to datum
targets.
Linestyle options:
Set line style and thickness for Datum target area borders
Set line style and thickness for Datum target area lines
Dimensioning datum targets

You can dimension in the following ways:
To or from the circular area of a datum.
To or from the center of a rectangular datum or any of its edges.
To the endpoints of a datum target line or the entire line.
The diameter of a datum target axis by clicking on the circle.
From each point of the datum target axis.
Assembly considerations
Datum targets only appear in the root document of the current design window. If they appeared in
the component itself, they would be shown in every occurrence of the component in an assembly.
Having them in the root document of the design window provides flexibility and prevents multiple,
unnecessary duplicates.
For example, in a table with four legs, each leg is the same component, but each leg in the table
assembly may need a different datum target, or no target at all. See the image below.
You can insert surface finish symbols onto your design, drawing sheet, or 3D markup1 slide. Surface
finish symbols2 move along with the surface they are attached to.
To add a surface finish symbol

1. Select the type of symbol you want to use from the Surface3 Finish tool drop-down.
Mouse over the faces of your design to preview the eligible annotation planes. If an annota-
tion plane already exists, right-click and select Select New Annotation4 Plane5 to choose a
different plane.
2. Click a face to place a leader on the plane.
You can click as many faces as you'd like to add leaders to those faces.
3. Click in an empty area of the Design window6 to place the surface finish symbol.
2Annotation you can add to a drawing that provides instructions for material removal during man-
ufacturing.



4. Modify the values in the Properties panel1. Modify:
Font Size to change the font size for all the text fields on the symbol.
Template to change the number of fields.
Show All Around Symbol to add that symbol to the surface finish symbol.
Type to change the type of surface finish symbol.
5. Enter text or symbols in the field.
You can press Tab to switch between the fields. Right-click and select from the mini-tool-
bar to insert a symbol.

Example
Surface finish symbols using the Standard, Standard 2, and Standard 3 templates
Barcodes
You canplace Barcode annotationsin your design, drawing sheet, or 3D markup1 slide. Barcodes are
placed on Annotation planes and are shown in the Structure Tree. If there are also Notes in the
design, Barcodes and Notes each get their own folder in the tree. Barcodes can be patterned in the
same manner as Notes.
To add a barcode
1. Select the Barcode tool in the Annotation2 group of the Detail3 tab
2. (Optional) Change the Display options
Type: Choose one of the many standard types from the dropdown list (default is 'Code
2 of 5')

style.
Show Text: Checkbox displaying or hiding Barcode text
3. Place the Barcode on an annotation plane
4. You can continue to place more Barcodes or exit the tool
To modify a barcode
Select a Barcode and modify any of thefollowing properties
Type: Choose one of the many standard types from the dropdown list (default is 'Code 2 of 5')
Data: This is the text that gets displayed (default is '123456')
Module Width: Enter a value for the module width. This is the smallest width and/or length of
a space, bar, or dot in the barcode symbol.
Width: Enter a value for the width
Height: Enter a value for the height
Show Text:True or False
Module Width and Width are coupled. Specifying one will determine the other.
To displaya barcodeand hide the plane

1. Createa layer, for annotation planes.
2. Place the annotation plane onthe layer.
Welding symbols
You can insert Welding Symbols into your design, drawing sheet, or 3D markup1 slide. They can be
created with or without geometry in the design window.
Symbols can be made to either the AWS or ISO2 standard.
AWS follows the specification titled "AWS A2.4:2007 Standard Symbols for Welding, Brazing,
and Non-Destructive Examination."
ISO follows "ISO 2553:1992 (E) Welded, Brazed, and Soldered Joints - Symbolic Representation on
Drawings - p.193 of ISO Drawings."
SpaceClaim defaults to the AWS standard. You can change this in the Annotation3 options in the
Detailing>General section of SpaceClaim options. The setting is independent of the standard
chosen for font.
The basic procedure for creating Welding symbols is to build up the symbol, adding progressively
more detail while the UI adapts intelligently based on your choices. There are tooltips available for
every possible input value or symbol. Box-selecting the entire symbol will show all possible places
to input values. Weld symbols can be created and edited while in the Welding Symbol tool.
The image below shows a blank welding symbol. As you move the cursor over the highlighted areas,
tooltips will guide you in building the symbol.
2 International Organization for Standardization standards for architectural and engineering drawing,
Welding symbols have an Arrow side and an Other side. The Reference line1 divides the symbol
into the Arrow Side and the Other Side. In AWS, the Arrow Side is always on the bottom of the Refer-
ence line. In ISO, the Arrow Side is identified by a dotted line as shown in the image below.
To create a Welding Symbol:

1. Select a Welding Symbol Standard in the Annotation options in the Detailing>General sec-
tion of SpaceClaim options.
2. Click the Welding Symbol.
3. Click to place the arrow
4. Click to place the Reference Line2.
1Line used as the starting point for dimensioning.

5. The symbol is now placed and ready to be built.
1. You can add or remove a Jog Point1 to a Welding Symbol leader while in the Welding
Symbol tool. RMB click on the symbol leader to display this option.
2. You can press the ESC key after beginning symbol placement to delete the leader and
cancel the tool.
6. As you move the cursor over the symbol, highlighting will indicate where you can add symbol
elements or input values.
Do any of the following in any order to build up the symbol.

Click on either the Arrow Side or the Other side box to display the symbol palette (see images
and details in the sections below).
AWS Symbols
The AWS symbol palettes are shown below. Some symbols are only available for Arrow side.
Arrow Side
Other Side
The symbols are described in the following table.
AWS Sym- AWS Sym-
Weld Type Weld Type
bol bol
Groove square Stud
Groove scarf Spot or projection
Groove V Seam
Groove bevel Back or backing
Groove U Surfacing
Groove J Edge1
Joint geometry not specified, groove weld

Groove flare V
size specified
Groove flare
Melt-through
bevel
Fillet1 Consumable insert square
Plug Backing rectangle
Slot
ISO Symbols
The ISO symbol palettes are shown below. Some symbols are only available for the Other side.
Arrow Side
Other Side
1Rounded corner at the intersection of two lines or edges; concave intersection between two sur-
faces. Fillet refers to an interior corner; exterior corner is known as a round. You can draw a fillet
using the Create Rounded Corner tool or by selecting the Fillet (Constant radius round) option from
the Pull options. See Round.
The symbols are described in the following table.
ISO Sym- ISO Sym-
Weld Type Weld Type
bol bol
Butt weld between plates
Spot weld
with raised edges
Square butt weld Seam weld
Steep-flanked single-V butt

V butt weld
weld
Steep-flanked single-bevel
Bevel butt weld
butt weld
V butt weld with broad root

Edge weld
face
Bevel butt weld with broad

Surfacing
root face
Bevel butt weld (parallel or

Surface1 joint
sloping sides)
J butt weld Inclined joint
Backing run: back or backing
Fold joint
weld /USA/
Fillet weld Backing strip
Plug weld: plug or slot weld

/USA/
Click on the Reference line todisplay the Reference line mini-toolbar (see images and details
in the section below).
Reference Line mini-toolbar options
Symbol Option
Stagger intermittent welds
Weld all around
Field weld
Swap arrow and other sides
Joint with spacer
Show tail even if reference is
not used
Add welding reference line
Add welding symbol leader
Click on the Tail text box to enter a specification process or other reference. If there is no ref-
erence, the tail will be omitted. You can choose to show the tail regardless of reference by
clicking on Show tail even if reference is not used
1. As you select symbols from the palette and choose options from the mini-toolbars, the avail-
able symbols and options will change to present only those that make sense for the current
symbol configuration. Tooltips are provided to describe possible symbols and inputs.
2. Selecting symbols after they are placed will display the symbol mini-toolbar, which contains
options to:
Open the symbol palette and change the symbol
Add secondary symbols appropriate for the selected symbol. For example, a backing
symbol can has the option to add a Removable backing symbol
Add contour symbols for (left to right): No contour symbol; Flush or flat; Convex; Con-
cave
If you add a Contour symbol, you can add a Finishing symbol for: No finishing; Chip-
ping; Grinding; Hammering; Machining; Planishing; Rolling; Unspecified
Some notes about Welding Symbols:

Welding symbols can have multiple leaders.
To delete a welding symbol, select the leader and press the Delete key. If there are multiple
leaders, you need to delete them all to delete the symbol.
You can CTRl+drag to copy a welding symbol.
You can only input one line of text in the symbol text blocks.
If you need to resize the Reference Line, change the font size to change the size of the Weld-
ing Symbol.
Newly inserted symbols are placed in the current active layer.
Custom symbols
A custom symbol is a two dimensional collection of sketch curves and text grouped together as one
selectable entity. You can insert a custom symbol multiple times in the same document and each
instance of the symbol can be scaled, rotated, and transformed independent of the others.
Custom symbols can include:
Any set of sketch curves that you can draw using the tools in the Sketch group.
Fixed text that always remains the same.
Editable text that you can change independent of other instances of the symbol.
Leader attachment points that allow you to add note leaders at one or more points on the sym-
bol.
Other symbols.
Custom symbols can be attached to geometry.Symbols attached to geometry move with that geo-
metry as it changes
Custom symbols are saved with the document, and can be imported from saved documents.
Creating custom symbols
A custom symbol is a two dimensional collection of sketch curves and text grouped together as one
selectable and editable entity. Your symbols can include anything drawn with Sketch tools and text
made with the Note tool.
To create a custom symbol

1. Draw the symbol using Sketch tools and use the Note1 tool to add text, as needed.
2. Click Create in the Symbols group on the Detail2 tab.

The Symbol tab will open in the ribbon bar.
3. Use the following tools in the Symbol tab to build your custom symbol:
Select: This tool is active by default. Use it to select sketch curves and text to include in
your symbol.
Editable Text: Use this tool to select notes that will be editable when you use the sym-
bol. Notes you select with the Select tool cannot be edited in the finished symbol.
Remove: Use this tool to remove elements from the symbol.
Leader Attachment: Use the Horizontal or Vertical tools to add note leader attach-
ment points to the symbol. Click to add a note leader, then drag the leader into pos-
ition. You can drag the white circle or the red diamond to adjust the leader's length.
You will be able to create note leaders that are attached at these positions. The line seg-
ment between the white circle and the red diamond is fixed; the line segment after the
red diamond is adjusted when you add the leader.
Use original style in inserts: Use the original text height for inserted symbols.
Scale3 symbol to text height: Select this option if you want to set the reference text

style.
height that is used if you scale the symbol based on text height when it is inserted. The
ratio between the current window text height and the symbol reference text height
determines the scale of the symbol. If you select this option you can also change the
Reference text height.
Symbol Space: These options determine how the symbol is scaled in your design.
Model space: Select this option if you want the symbol to remain the same size
when you change the scale (in the Sheet Setup group on the Detail tab).
View1 space: Select this option if you want the symbol to be resized when you
change the scale.
The example below shows two symbols scaled at 1:1, 4:1, and 10:1. The rect-
angular symbol was set to Model space and the round symbol was set to View
space.
4. If you want the symbol to be attachable, move the origin handle (shown below) to set the ori-
gin of the symbol and then select one or more Placement options to determine how the sym-
bol will be scaled in your design:
Allow attaching placements to geometry: Attaches the origin point of the symbol to
3D edges and curves. You must select this option to create an attachable symbol.
Orient placements normal to geometry: Orients the symbol perpendicular to the selec-
ted curve or face.
Maintain an upward orientation for placements: Automatically positions a symbol ori-
ented normal to geometry so that it is never upside down. This option is useful for
to view it head-on.
annotation symbols, such as surface finishes, that should be perpendicular to their ref-
erence geometry and also right side up relative to the reading direction of the model.
When you select the first two options, the symbol is automatically oriented per-
pendicular to the reference.
5. Click Complete to finish editing and save the custom symbol in the current document.
or
Click Close Symbol Tools to exit the Symbol tab without saving the symbol.
To edit a symbol
1. Insert a symbol if you haven't already.
2. Select the symbol.
3. Click Edit in the Symbols group on the Detail tab or right-click a symbol and select Edit.
4. Use the tools in the Symbol tab to edit your symbol. Refer to the instructions above for
information about each tool or option.
Using custom symbols
You can insert a custom symbol multiple times in the same document and each instance of the sym-
bol can be scaled, rotated, and transformed independent of the others. You can copy and paste inser-
ted symbols within the same drawing sheet. Symbols are saved with the document, and can be
imported from saved documents.
You can add and remove symbol libraries in Support files.
To insert a custom symbol into your design
1. Click Insert in the Symbols group on the Detail1 tab.

The icon for this tool will change to the symbol thumbnail after you insert a symbol.
2. Select asymbol from the list of available symbols.
3. Choose one of the Creation options:
Create in model space
Create in paper space
4. Place the symbol:
Click anywhere in your design to place the symbol
Click highlighted geometry to attach an attachable symbol to that geometry.
If you want to attach the symbol to the intersection of two curves, click the first curve to
attach the symbol to it, and then Alt+click the second curve to move the symbol to the
intersection of the two curves. You can also select the Attach to Intersection tool
guide, then click the second curve to move the symbol to the intersection.
The symbol is attached to the geometry and will move with that geometry as it changes.
5. If editable text was defined in the symbol, you can change the text now.
style.
To import custom symbols from another document
1. Click Insert in the Symbols group on the Detail tab.

2. Click Add Symbol Library1.
3. Browse to select one or more SCDOC files that contain the symbols you want to use.
4. Click Open.
The symbols from the file are available in a new tab in the symbol library. Symbols are saved in
the current document only when they are used.
5. If a conflict is found between the imported symbols and symbols already in the open file, then
a dialog will open with the following options:
Copy and replace: Replace the local version with the imported version everywhere it is
used in the current document.
Don't copy: Leave the current version of the symbol unchanged and don't import the
external version.
Copy and keep both versions: Import a second copy of the external symbol and make
both available in the current document.
To scale or rotate an inserted custom symbol

2. Select the symbol you want to change.
3. Use the size handles to resize the symbol, like this:
4. Use the rotation handle to rotate the symbol, like this:
1 You can select from the Materials Library in the Properties panel and add them to your Local Mater-
ials.
To attach note leaders to an inserted custom symbol
1. Click Note1 Leader in the Annotation2 group on the Detailing tab.
2. Move3 your mouse over the symbol and the possible attachment points will appear as white
circles.
3. Click on an attachment point.
4. For a segmented line, click to set each point of the note leader line.
5. End the note leader by clicking a vertex, edge, or face to attach the end of the note leader, or
double-click to end the note leader at any point.
The end of the note leader is an arrow unless you attach it to a face.
To convert a custom symbol to sketch curves

Right-click the symbol and select Explode.
This only affects the selected instance of the symbol and not the master symbol in the library.
To change custom symbol properties

2. Select the symbol you want to change.
3. Change the following properties, as desired:


Cosmetic: The Space property determines how a symbol behaves in terms of scale and vis-
ibility. You can have it inherit the value (Model space or View1 space) from the symbol defin-
ition, or you can set the value for individual symbol insertions.
Same as original: Uses the value of the symbol definition.
View space: The symbol will resize when you change the view scale.
Model space: The symbol will remain the same size when you change the scale (in the
Sheet Setup group in the Detail tab).
Symbol Insert Parameters:
Attachment method: An unattached symbol is set to Free Placement. If you want the
symbol to be attachable, set this property to Attach to geometry, Set normal to geo-
metry, or Place normal and upward to geometry.
Flipped: Set this property to True to flip the symbol in its plane, like this:
For an attachable symbol, set this property to True to flip an attached symbol to the
opposite side of the selected geometry.
Rotation: Use this property to rotate the symbol counterclockwise in the plane where it
was placed.
Scale2: The size of the symbol is multiplied by the scale value. For example, if you set
this property to 5, then the symbol size is multiplied by 5.
Text height: If you selected the Scale symbol to text height option when you created
the symbol, you can set this property to change the text height that is used to scale this
instance of the symbol.
Use original symbol style: The original scale and size are used for the symbol.
to view it head-on.
Examples
Attaching a note leader to a custom symbol
Custom symbols attached to geometry
Same symbols with Flipped property set to True
Same symbols moving with changed geometry
Attaching symbols to the intersection of two curves
Threads
Use the Thread1 tool to create a threaded surface on any cylinder, cone, or hole. Select a thread
edge or face to view its properties in the Properties panel2.
The depth of a threaded blind hole on a curved surface is defined as the measured distance from the
end of the thread to the closest point on the outer contour of the thread.
To create a threaded surface

1. Click the Thread tool in the Annotation3 ribbon group on the Detailing tab.
2. Click the edge of a cylinder, hole, or cone.
The threads are indicated as a spiral, not circular, texture on the surface, and the thread depth
is shown when you view the threaded object in Section mode4. An inner thread or outer
thread object also appears in the Structure tree5. (Broken threads appear with a small yel-
low triangle over the icon.)
3. Click the surface to edit the properties of the threaded surface in the Properties panel.
Type: Controls whether threads are selected from a table or entered manually. For cyl-
inder threads, select Standard to select values for the other properties from a drop-
down list. The most likely values are selected by default (next smaller size for external
1Texture created on the surface of a cylinder, cone, or hole using the Annotation tools.

4See Section
threads, and the next larger size for internal threads). Select Custom to enter offset val-
ues. For tapered threads (threads made on conical surfaces) you can only use the Offset1
option.
Series: You can select ISO2 or UNC.
Size: Select from a list of available sizes in the series you select.
Thread Depth Type: Can be Blind or Full Thread. Full Thread is the default for through
holes and Blind is chosen automatically when the thread placement cylinder or cone
ends in a plane at a convex edge.
Minor Diameter: The smallest, or inner, diameter of a thread.
Major Diameter: The largest, or outer, diameter of a thread.
To change the depth of a threaded hole

1. Click on the thread edge or hole in the Design window3 or select the thread in the Structure
tree.
2. Press the Tab key or click on the dimension field.
3. Type a new value for the depth.

To customize the thread properties
The thread data XML files that drive the drop-down menus for Standard thread properties are loc-
ated in the SpaceClaim Library1/Threads directory. You can:
Add files to the directory to display the name in the Series property drop-down when you
click the threaded surface with the Thread tool. Remove files to remove them from the prop-
erty.
Add rows to an individual file to display them in the Size property drop-down. Remove rows
to remove them from the property.
Specify a different directory for thread files by adding a different directory to the support file
options.
This is an example of the XML file used for threads:

<?xml version="1.0" encoding="utf-8"?>
<thread:ThreadSizeTable xmlns:thread="http://www.spaceclaim.com/threadSizeTableVersion2">
<thread:Units>in</thread:Units>
<thread:ShowThreadDesignationInDiameterDimension>false</thread:ShowThreadDesig-
nationInDiameterDimension>
<thread:ThreadSizes>
<thread:ThreadSize>
<thread:Name>1 - 64</thread:Name>
<thread:Size>0.073</thread:Size>
<thread:MinorDiameter>0.0544</thread:MinorDiameter>
</thread:ThreadSize>
</thread:ThreadSizes>
</thread:ThreadSizeTable>
To use the example above,

1. Copy the text inside the gray box and paste it into a text file.
2. Save the file with a .xml extension in the SpacClaim Library/Threads folder.
For example, your file could be named MyThreads.xml.
3. Change the text shown in red to your values.
You should add your own custom files instead of changing the default files.
ials.
Bills of materials
You can insert a Bill of Materials (BOM)1 onto your design, drawing sheet, or 3D markup2 slide.
BOM values are automatically populated for both internal and external components that are part of
an assembly. SpaceClaim only itemizes components; if the design only has solids in the structure
tree, they will not be included in the BOM. The QTY column in a design's BOM table shows the num-
ber of sub-components, not items, that are included in an assembly.
When a drawing includes a BOM table that contains data added with a newer service pack of
SpaceClaim than you are using, the new columns are displayed in red. This indicates that the data can-
not be changed, and can only be viewed.
You can include X, Y, and Z dimensions of components in a BOM table. The extents shown are the
exact extents of all solid and surface geometry in the component, for both visible and hidden solids
and surfaces. Sketch curves, bitmaps, and other entities are not included in the extents. Use these
dimensions to create a cut list of parts in an assembly of panels in the BOM, along with their number
and dimensions. See the instructions for adding a column to a BOM table below.
1Table of components, sub-components, parts, and materials needed to manufacture a finished
product.
To add a Bill of Materials to a document
1. Click the arrow next to the Bill of Materials tool in the Annotation1 Investigate group on
the Detailing Design2 tab and select a type:
Top level: Creates a table that includes only parent components (or parts):
Parts only: Creates a table that includes all child components:
Indented: Creates a table that includes all components, with child components inden-
ted:

The last type of BOM you created is remembered and will be automatically chosen if you click
the BOM icon instead of the drop-down arrow.
2. (Optional) If you created a view of a component on the drawing sheet, select the component
on the Options panel1 to create a BOM for just that component.
3. (Optional) Modify the Bill of Material2's properties in the Properties panel3.
The Hidden components option allows you to control whether or not hidden com-
ponents will be included in the BOM.
There are many other options for controlling the cosmetics of the BOM.
4. Click to place the Bill of Materials on the design, drawing sheet, or 3D markup slide. The table
appears in gray until you place it, and it changes to black after it is placed.
To cancel, press the Esc key before you click to place the table.
The BOM appears in the Structure tree4.
You can copy and paste a BOM, and you can copy the contents from a BOM table and paste
them into Microsoft Excel.
To edit a Bill of Materials

When you change a value in a BOM table, the property is changed. You can also select the
BOM and edit its properties in the Properties panel.
Select a row or column, right-click, and select from the menu to Insert rows or columns.
Select a row or column, right-click, and select from the menu toDelete rows or columns.
You can only delete rows that you insert
You cannot delete all columns. If there is one column left, it cannot be deleted.

Select a row, right-click, and select Split1 Table from the menu to divide the BOM into two
tables, for example, if necessary to fit on the drawing sheet.
Re-size a table by dragging the circles at its corners or edges.
Rotate2 a table by dragging the green circle at the top of the table.
To add columns to a BOM table

1. Right-click an existing column and select Insert > Insert Columns to the Left or Insert
Columns to the Right.
2. Select the new column by clicking above the first row of the column, like this:
3. Select a Column Type in the Properties panel.

4. Select a Column Value if you selected Document3 Property, Material Property, or Custom
Property for the column type. The values in the column will be automatically filled-in.
If you select Material Property for the column type and Mass4 or Volume for the column value,
then the column data will only be filled-in when a material has been assigned to the object.
To export a Bill of Materials

1. Click on a BOM table, then click its edge to select the entire table. The edge will change from
a dashed line to a solid line when you have the entire table selected.
2. Right-click the table and select Save Table As.
3. Select HTML, XML, BOM Template (.scbomtemplate) for the Save as type.

an axis.

4Analysis tool used to display mass properties, or volume information for the solids and surfaces in
your design.
If you choose 'BOM Template' as the type, all the formatting, header, table properties, and contents
are saved to an .xml file which you can edit.
To use a BOM Template

1. Click the arrow on the BOM tool.
2. Select Template from the drop down list.
3. Select the .scbomtemplate document and click the Open button.
4. Place the BOM table.
Sorting a Bill of Materials

You can sort the columns in a BOM table.
1. Select a column.
2. Choose Sort by column in the RMB menu.
3. The values are sorted numerically and then alphabetically in ascending order.
4. Sort the column a second time to sort in descending order.
You can manually edit any values in the BOM but any sorts have to be re-done to update the table.
Sorting works with indented and regular BOM's.
Sequential sorting is remembered across columns. Below is an example of two sequential sorts:
1. First sort items alphabetically by name.
2. Then sort numerically by Quantity.
3. Result:
1. Rows are put in ascending order according to Quantity
2. Items with duplicate quantities are then put in alphabetical order according to their
names. In the image below, items are sorted by Quantity (1, 2, 3). Then all items with a
Quantity of 1 are sorted alphabetically.
Tables
You can place a table on an annotation plane using the Table tool in the Annotation1 ribbon group.
You can copy annotation dimensions from drawings and paste them into tables, and their values will
be updated when the dimensions change.
To add a table
1. Add an Annotation plane2 or activate an existing plane.
2. Click the Table tool .
3. Drag to create the table with as many columns and rows as you need. The default cell size is
determined by the font size in the Detailing tab.
Table editing operations

Select the table, then drag to select multiple cells. Once multiple cells are selected, you can
right-click and select Merge Cells or Unmerge Cells.
Right-click a cell and insert columns and rows.
Select one or more cells and right-click to access the other context menu functions, which
allow you to add and remove columns and rows.
Click within a table cell to edit its contents.
Drag a column or row boundary to resize the column or row.
Select rows, columns and cells by positioning the cursor to the left of the row, to the top of
the column, and in the internal left side of the cell.
Select and then drag a row or column to move it within the table.
Apply font and paragraph properties to selected text.
Press Tab to navigate through table cells.
Resize a table by dragging the circles at its corners or edges.

2Plane on which you can annotate designs, drawing sheets, and 3D markups. Use the Create Note
tool to select an annotation plane and enter text onto the plane.
Rotate1 a table by dragging the green circle at the top of the table.
Copy an annotation dimension and paste it into a table cell. The dimension value will be
updated automatically if the dimension changes.
To move or rotate a table

1. Click the outer, dotted border of the table to select it.
2. Use the:
Arrow keys to move the table.
Ctrl+arrow keys to move the table by a very small amount.
Round2 handle at the top of the table to rotate the table.
To delete text within a table

1. Select all the cells in the table.
2. Press Delete.
To delete a table
1. Select the table.
2. Select the rectangular border.
3. Press Delete.
To modify table properties

1. Click the outer, dotted border of the table to select it.
2. Enter values in the Properties panel3.
You can modify:
Cell alignment and margins.
an axis.
Position of the table anchor.
Number of rows and columns, column width, and row height.
To copy table contents

Press Ctrl+C or right-click and select Copy. You can paste the data from a table into Microsoft Excel.
Hole tables
Use the Hole table toolfrom the Annotation1 ribbon group in the Detail2 tab to create a
table that orders a designs round holes by size (classified by duplicates) and labels the holes on a
planar face. In a hole table, holes are sorted in order from left to right, then top to bottom. This fea-
ture workswith holes only (threaded or non-threaded) includingdesigns with hole patterns,but
does not work withslots of any type.
A Hole table displays in the Structure treeas an Annotation Plane3. You can deselect the Annotation
Plane checkbox to hide the Hole table. A Hole chart displays the quantity of holes in your design
that havesimilar diameters. Once you create a Hole table, origin points, and X and Y axis labels, dis-
play as shown in the image below, and you can create a Hole chart:

style.
To create a Hole table
1. Click on a planar face that includes holes. SpaceClaim creates a datum plane for the Hole table.
2. Click and drag the Hole table to an empty space in the design window. X and Y axis labels, and
an origin point, display.
Holes with counterbores, countersinks, or fillets are shown in the table. Dimensions1 are taken from
the intersection with the top plane and the hole.
SpaceClaim uses all faces of the solid with the same orientation to collect holes for the table. Label
editing works for holes that appear on multiple faces as shown in the image below.
Moving a Hole table origin

You can drag a Hole Table origin to move it.As shown in the image below, an origin displays as a
red circle:
To view the origin, hover over the two perpendicular axes for the X and Y coordinates (with
extension lines).
When you select an origin, its size increases and all valid origin positions display as red origin
points. These origin points remain visible until you begin to drag the origin to a different pos-
ition. As you drag the origin, the X and/or Y coordinates data in the Hole Table immediately
updates to provide a preview of X and Y coordinates data for the various origin positions.>
When you release an origin to set the new location, the origin points no longer display, and
the Hole Table updates to reflect the X and Y coordinate position of the new origin location.
When moved close enough to another valid origin position, the X and Y coordinate display in
the new position, and the origin snaps to the new location. as shown below:
To format font text properties for Hole table elements
You can use theFont options in the Font group of the Design1 tab to format the font text properties
of the X/Y labels and all hole labels, as shown in the image set below. For example, you might prefer
text to display in a non-default font, or a Microsoft Windows 3.1font, such as Modern, Roman, or
Script. You can alsochange font text properties of hole tables that display for either single or mul-
tiple faces.
1. Select and an origin axis or extension line.
2. Click the Detail tab, and, from the Font group, choose your Font options.
The axis or line font changes automatically to update to your selection.
The images below show samples of hole tables with different fonts used for hole labels and X and Y
axis coordinates:
Working with hole tables
Use the pull handles on the table or chart to size as needed. Use the round handle at the top
of the table to rotate the table or chart.
Just like a regular table, you can change the values in the Rows and Columns cells in the Prop-
erties panel1 to adjust the number, width, or height of a table element.>
You can change individual axis label text and text properties (text is a single line). For example,
you could have X-A coordinates instead of X-Y.
If you make changes to your design, select the table ( or X or Y axis)anduse the RMB to:
Show Hole Chart to create another chart.
Show Hole Tableto create an updated table.
Save Table As a Web (.htm, .html) or XML file.
When you change the size of a hole, the values in the table update, and the table re-orders
and re-classifies the holes and rows of the table.
When you copy and paste a hole, the table updates to display a new row with the holes X, Y,
and Description values.
After you drag a label to another position on the design, the table updates to the size and pos-
ition of the new hole. To display your changes in a new table, right-mouse click and select
Show Hole Table.
To remove a table or chart, select the table, right-mouse click, and select Cut.
Curve tables
Curve1 Tables contain information about selected curves. They apply to:
Sketched curves
Turn Profile2 curves
Deburring curves
The image below is an example of Turn Profile curves.
Curve tables are similar to Hole Tables.

They require an origin
Are stored with the model
Are shown in the Structure Tree
The following information is included in the table.

Curve Type: Line1 or Arc2
Start: The starting point of a curve
End: The end point of a curve
Center: The center point of arcs
Rotation: The rotation direction (CW or CCW)
To create a curve table

1. Open the Detail3 tab.
2. Click Curve Table in the Annotation4 group.
3. Choose the Table Type in the Options Panel5.
Interactive: The curve information in the table updates when the curves are changed. An
example is shown above.
Snapshot: Creates a table of curve points that does not update when the curves change.
Snapshot tables are described in a later section.
4. Select an Origin6 for locating the curves.
5. Select one or more curves to include in the table.
Box-selection is available.
6. Click Complete.
style.

7. Place the table.
If all the curves are in the same plane, that plane is used for placement by default. If the curves
are in multiple planes, drag the cursor over the model to highlight planes and select one.
Manufacturing-focused curve tables

Manufacturing-focused tables are created for Turn Profile curves. They contain information that is
useful for programming the turning machine.
When working with Turn Profile curves, make sure you Alt-select an origin when
you create the Turn Profile. This ensures that the curves are in-plane and will gen-
erate rotations properly for Manufacturing-Focused Tables.
The following information is included in the table.

Curve Type: Line or Arc
Start: The starting point of a curve
End: The end point of a curve
Center: The center point of arcs if I, J, K values is used.
Radius: If I, J, K values are not used.
Code: The rotation direction in machine code
G02 = CW
G03 = CCW
Feedrate: Feedrate is not generated automatically. It is an editable field where you can enter a
machine feedrate.
To create a curve table for manufacturing

1. Open the Detail tab.
2. Click Curve Table in the Annotation group.
3. Click Interactive in the Options panel1 to enable the manufacturing options.
4. Check the Create table for manufacturing option.
Check the Use diameters about axis option and choose a Turning Axis2 if you want to
list arc radius in the table.
Check Use IJK values for radius centers if you want to list arc Center in the table.
Check Absolute IJK if you want to measure arc centers from the machine origin,
which you select in the next step.
Uncheck Absolute IJK if you want to measure arc centers relative to the arc start
point.
I, J, and K are defined as follows:
I - The distance with direction measured from the start point to the center
of the arc parallel to the X-axis
J - The distance with direction measured from the start point to the center
of the arc parallel to the Y-axis
K - The distance with direction measured from the start point to the center
of the arc parallel to the Z-axis
5. Select an Origin for locating the curves.
7. Click Complete.
ment axis.
8. Place the table.
The image below shows a Curve Table using I, J, K values.
Snapshot curve tables

A Snapshot table breaks a 3D curve or curves into straight line segments and reports the endpoints
of the segments. An example is shown below.
To create a Snapshot curve table
1. Open the Detail tab.
2. Click Curve Table in the Annotation group.
3. Choose Snapshot in the Options panel.
4. Set a Maximum Deviation. this is the distance from the straight line segment of the curve to
the actual curve in areas of curvature. Its analogous to the deviation used for creating 3D tri-
angles in STL conversion.
5. Select an Origin for locating the curves.
7. Click Complete.
8. Place the table.
Curve Ordering
The default ordering scheme comes from manufacturing turning operations, where the workpiece is
set up as shown in the image above. The Z-axis is aligned with the turning axis and the tool bit
moves from the most positive Z location to the most negative Z location. The start and end points in
curve chains begin at the largest positive Z value and move toward lesser Z values.
The default ordering scheme is used when you box-select the curves.
Individually selected curves (using the Ctrl key), or curves selected by range (select the start curve
then Shift-select the end curve), are ordered in their selection order.
Randomly selected curves, that were selected without curve order in mind, will be ordered using the
default scheme.
Working with Curve tables
Pre-selecting a curve in the Graphics Window highlights the curve's row in the table.
Selecting a Curve Table displays handles for modifying the table size and orientation.
Use the pull handles on the table to size as needed.
Use the round handle at the top of the table to rotate the table.
If you make changes to the curves, the Curve Table updates accordingly.
Select the tableanduse the RMB to Save Table As a Web (.htm, .html), XML file, or CSV file.
When you change the size of a hole, the values in the table update, and the table re-orders
and re-classifies the holes and rows of the table.
To remove a table, select the table, right-mouse click, and select Cut, or press the Delete key.
Balloons
Use the Balloon1 tool to add BOM balloon notes. The content of the balloon updates when
changes are made to the BOM table.
The document must contain a BOM table for the Balloon tool to be enabled.
To add BOM balloon notes

1. From the drop-down menu on the Bill of Materials tool in the Annotation2 ribbon group,
select a type:
Item number
Part number
Item number and quantity
2. Click a face or edge in the drawing sheet or Design window3 to attach a balloon to the
object.
3. Click again to place the balloon.
1Annotation consisting of content from the Bill of Materials. Balloon notes update when changes are
made to the BOM table.


To automatically add BOM balloon notes to a view
1. Right-click a view.
2. Select Autoballoon and then Item Number, Part Number, or Item Number and Quantity.
These menu options are only available when a view has a BOM.
Bolt circles
Use the Bolt Circle toolfrom the Annotation1 ribbon group in the Detail2 tab to view inform-
ation aboutdiameter, angular, and radialdimensions for a circular pattern, as shown below:
To create a Bolt circle
1. Select the Bolt Circle toolfrom the Annotation ribbon group in the Detail tab.
In your circular pattern design, click the face of your design that holds the pattern member to
create a datum plane on which to place your Bolt circle.
2. SpaceClaim creates a datum plane for the Bolt circle.
SpaceClaim automatically adds dimension call outs, arrows, and lines to the annotation plane. You
can click on an arrow or line to view or modify each dimension's values in the Properties panel3.

style.
Working with Bolt circles
You can create a Bolt circle for either one- or two-dimension circular patterns.
A Bolt circledisplays in the Structure treeas an Annotation Plane1. You can deselect the
Annotation Plane checkbox to hide the Bolt circle.
Bolt circle information does not update if you modifythe options for your pattern, such as Cir-
cular count or Angle.
The count and angular dimension are separate and can be deleted individually.
Adding hyperlinks to annotations
Hyperlinks allow access to more content in your notes and dimensions. Some examples are:
Images
Web pages
Word documents
.scdocs
Once a Hyperlink is established, you can hover over theannotation text to display the link in the
status bar and Ctrl+Click to go to the link.
To add a Hyperlink to a note:

1. Highlight the annotation text.
2. RMB click
3. Select the Hyperlink option.
4. The Insert Hyperlink dialog box opens.
5. Enter an existing file path or web page link. You can also click the Browse for File button or
Browse the Web button.
6. Click the OK button.
To edit a Hyperlink:
2. RMB click
3. Select the EditHyperlink option.
4. Edit the link in the Edit Hyperlink dialog box.
To open a Hyperlink:
2. RMB click
3. Select theOpenHyperlink option.
4. The link opens in the appropriate media.
You can also hover over the annotation text and Ctrl+Click to open the link in the appropriate
media.
To remove a Hyperlink:
2. RMB click
3. Select theRemoveHyperlink option.
You can also edit the Hyperlink and click the Remove Hyperlink button in the dialog box.
Drawing sheets
SpaceClaim helps you create drawing sheets. When you add a new drawing sheet to a design, views
of the design are created for you automatically. You can then add, remove, and edit these views, as
well as drag them to move them around on the sheet. Drawing sheets are saved within your design.
Normally, you will create the drawing sheet, set up the sheet, apply a format, add and modify views,
then annotate the views.
Drawing sheets and their views appear in the Structure tree1. You can place drawing sheet views on
layers.
You can edit a design directly while viewing the drawing sheet using the tools on the Design tab.
To create a new drawing sheet

Select New > New Drawing Sheet from the File menu.
A drawing sheet containing top, front, and right-side views appears in the Design window2, and the
Drawing Sheet appears in the Structure tree. The Detailing tab is displayed. You do not need to cre-
ate a design before creating a drawing sheet. SpaceClaim allows you to create and edit geometry
within the drawing sheet itself. When you create a new drawing sheet for an empty design, the sheet
contains the view outlines, with handles you can use to control the size and position of the view. You
can delete the handles and move the view using the outline.
If you began a design from an empty drawing sheet, you can right-click a design on the drawing
sheet and select Open Component1 to display the design in a new Design window.
Modifying one view changes the related views as appropriate.
To display a drawing sheet in the Design window

Right-click the sheet in the Structure tree and select Open Sheet from the context menu.
To delete a drawing sheet

Right-click the sheet in the Structure tree and select Delete from the context menu.
The drawing sheet window closes. If the drawing sheet is no longer referenced by any other open
design document, it is removed from active memory. It is not deleted from other documents that
reference the drawing sheet.
To change the visual orientation of a drawing sheet

You can orient a drawing sheet using the normal mouse + keyboard combinations and menu com-
mands. For example, you can press the middle mouse button and drag to spin the drawing sheet.
See Orienting.
Right-click anywhere in the drawing sheet and select View2 > Flat View from the context menu to
view the sheet head-on.
Drawing sheets have separate named views in the Views tab. These are the views used to orient your
sheet in the design area. The default named views are
Home: Changes the view to head-on by default. Can be set to a different view.
Plan View: Changes the view to head-on based on the face you have selected. If nothing is
to view it head-on.
selected, the sheet is oriented to the drawing window.
Flat View: Changes the view to head-on for the drawing sheet.
See Customizing views.
To edit design annotations

Right-click the annotation plane in the Structure tree and select Show all dimensions to display any
design annotations on that plane. Click an annotation to edit it. Changes made on the drawing sheet
will also appear in the design.
To control the visibility of objects in a drawing sheet

The Structure tree in a drawing displays the design components under each drawing. You can:
Hide or show a view: Check or uncheck the box next to the view in the Structure tree. You can
also right-click the view in the drawing sheet and select Hide from the context menu.
Hide or show a component in all views: Right-click the component in the Structure tree and
select Hide in all views or Show in all views from the context menu.
Hide or show a component in a particular view: Check or uncheck the box next to the com-
ponent in the Structure tree.
Hide or show an object in all views: Right-click the object in the Structure tree and select
Hide in all views or Show in all views from the context menu.
Hide or show an object in a particular view: Right-click the object in the drawing sheet and
select Hide in Selected View from the context menu. Check the box in the Structure tree to
restore visibility.
Isolate a solid in a view: Right-click the solid in the Structure tree and select Isolate in selec-
ted view from the context menu. You can also right-click a face of the body in the drawing
sheet. All geometry in the view disappears except the selected object. This option is not avail-
able for components.
Hide an individualcurve in a component instance: Right-click the curve and select Hide
from the context menu. You can also check or uncheck the box next to the curve in the Struc-
ture tree.
The Structure tree displays a mixed visibility state for any objects hidden in a view, as shown in the
figure below.
Visibility in a drawing sheet is independent from the visibility of the model in the design window.
If you insert a model into a new document, the model appears with the visibility saved in the doc-
ument. After the model is inserted, the visibility of objects is independent of the saved document.
When you create a new view (general view, projected view, cross section, or detailed view) in a draw-
ing sheet from an existing view in your drawing sheet, the visibility of objects is copied to the new
view.
To open a root part in the design document

Right click a root node in the Structure panel of a drawing sheet and select Open Root Part.
In a drawing sheet opened from a component-only design document, right-click the component
root node and select this option to display the design document for the full assembly. In a drawing
sheet without any views, right-click the Drawing Sheets root node and select this option to display
the design document for the assembly.
Drawing sheet setup
You can format the drawing sheet using a template, orient the page, and select a paper size for the
sheet. When you select the format and size of the drawing sheet, SpaceClaim automatically sets the
scale, but you can modify it.
Use the following tools in the Sheet Setup group to change a drawing sheet:
Format: Select a default or custom format, or remove the formatting from the drawing sheet
with the Format tool.
Orientation: Select a portrait or landscape orientation for the page from the Orientation
drop-down list.
Size: Select the page size from the Size drop-down list.
Scale: Select a scale or type a ratio in the Scale field. For example, enter 1:1 to display views
Scale of your design at actual size. The values listed are the two most common ratios that are smal-
ler and larger than the current scale ratio.
Formatting a drawing sheet
You can apply SpaceClaim formats to your drawing sheet or create your own custom formats. You
can show or hide the format lines on the sheet.
You can use different sheet size formats in a single document. The Format, Orientation, and Size
tools now have a Apply to All Sheets option that, when selected, applies your changes to all sheets
in the document. When not selected, the change is only applied to the sheet displayed in the Design
window1. The option is only available when the document contains more than one drawing sheet.
To change the format of a drawing sheet
1. Click Format in the Sheet Setup group on the Detail2 tab.

2. Select a format from the list.
3. (Optional) Click More Formats near the bottom of the format list.
Select Use a specific sheet of the format if you want to use only the format from one
sheet in the drawing file.
Use Copy BOM tables from format to specify whether or not you want to include the
BOM tables.
Use Copy views from format to specify whether or not you want to include views
Navigate to the SCDOC file3 containing the format and click Open.
4. (Optional) Deselect Apply to All Sheets to apply the format to only the current drawing sheet.
To remove the formatting from the drawing sheet

Select Remove Current Format from Format tool drop-down.
style.
Create a custom drawing sheet format
1. Create a new drawing sheet.
2. Set the orientation, size, and scale of the drawing sheet.
3. Draw on the drawing sheet using the Sketching and Annotation tools.
Tip If you insert fields based on document properties into annotations on the drawing sheet,
you can create a drawing sheet format that automatically updates when it is applied to a draw-
ing sheet in a design.
4. Save the drawing sheet into a support directory.
The drawing sheet appears as a format within the Format tool's drop-down list.
To create a custom drawing sheet by inserting an AutoCAD file

1. Create a new drawing sheet.
2. Click File in the Insert group on the Design1 tab.

3. Select AutoCAD2 files for the Files of Type.
4. Select the Import onto drawing sheet option.
5. Browse to locate the AutoCAD file, then click Open.

2 Software application for 2D and 3D design and drafting by Autodesk, Inc. AutoCAD's native file
Editing a drawing sheet
You can edit your design directly while viewing the drawing sheet using the tools on the Design tab.
When sketching on a drawing sheet, you can:
Click within the view boundary with a sketch tool to display a sketch grid.
Right-click a view and select Use Last Sketch Plane from the context menu.
Turn the mouse wheel to select a face of a solid in the drawing sheet when only the edge is
displayed.
Override colors for solids and surfaces. Changing the colors on the drawing sheet does not
affect the colors in the design.
To sketch in the active view only

SelectCreate curves shown only in current view in the Sketchoptions panel.
Sketched curvesappear only in the active view. This function is useful if you want to show multiple
design possibilities using the views on your drawing sheet. If you want to work with the sketch
curves as design elements, make them visible in your design document.
Drawing sheet views
You can add and remove views from the drawing sheet, move them around the sheet, and modify
their properties. You can create general views, projected views, cross-section views, and detail views.
These views are all related to the view used to create them, and inherit properties from that view.
To add a view to the drawing sheet

1. Select one of the following tools from the Views ribbon group on the Detailing tab:
General View tool to add a new, independent view.
Projected View tool to create a view projected from one of the other views on the
drawing sheet.
Cross Section tool to create a cross-section view using one of the other views on the
drawing sheet.
Detail View tool to create an enlarged view of a particular area.
Broken View tool to create a shortened view of a long model.
Broken-out Section View tool to create a localized section.
2. Click to place the view on the drawing sheet.
3. Press Esc or S to exit the tool.
To select a view on the drawing sheet

1. Press S to activate the Select tool.
If you are in another tool, press Esc to cancel the current action, then press Esc again to exit
the tool and activate the Select tool.
2. Mouse just outside the view on the drawing sheet, or scroll over the design shown in the view
until a dashed box around the view is displayed.
3. Click the box to select the view.
To move a view on the drawing sheet

1. Select the view.
2. Drag the view with the Select tool to move it or click the Move1 tool and move it with the
Move handle.
Projected and cross-section views move together as a group.
To orient the design shown in a view
1. Select the component shown in the view.
2. Select the Move tool on the Design1 tab.
3. Use the Move handle to orient the component within the view.
Views related to the current view also change their orientation.
To modify a view
1. Select the view.
You can select multiple views to modify the properties they have in common.
2. Modify the view's properties in the Properties panel2 or right-click and modify the view using
the mini-toolbar.
3. Control the visibility of the view in the Structure tree.
To rename a view
1. Right-click a view in the Structure tree3 and select Rename.
The Rename drawing view labels dialog opens.
2. Change the following:
Name: The name of a view. By default, the name of a view is a number or letter.
Show prefix label: Display a descriptive prefix before the view name, such as Detail4,
Top View5, or Front View.
Structure tree name override: Use the text in the area below this option instead of the
name and prefix.

style.
to view it head-on.
The combination of user input and checkboxes are shown in a preview of the view name in the
box at the bottom of the dialog.
To lock a view
1. Select one or more views.
2. Open the RMB menu
3. Choose Lock Position
Notes on Locked views:

Any view that is not aligned to another view can have its poosition locked on the sheet
Locked views have the "Locked" icon next to them in the Structure Tree
Locked views are given a red outline in pre-highlighting and selection
If a selection consists only of locked views, attempting to drag switches the cursor to the
"circle-slash" cursor meaning the action is blocked.
General views
Use the General View1 tool to add a new, independent view.

You can create views of multiple components and assemblies. You can move the view of a com-
ponent from one drawing sheet to another by dragging the view in the Structure panel. When using
the Bill of Materials tool, you can select the component on the Options panel2 to create a BOM for
just that component.
To add a new, independent view

1. Click the General View tool .
2. Click the drawing sheet to add the view at that location.
External model views

You place views of models that are not present in the Design3 document attached to the drawing
sheet. This allows you to do the following:
Create a new empty drawing sheet without an associated design model.
Save an .scdoc containing only a drawing sheet.
Add views of any external part or assembly to an empty drawing sheet.
Add multiple external part or assembly to an empty drawing sheet.
To add a view of an external model

1. Click the General View tool .
2. Click the Browse button in the Options panel.
3. Locate the desired model
4. Select the model and drag it into the empty drawing sheet.
Some details about external views:
to view it head-on.
The design window associated with the drawing sheet does not contain any geometry.
The Structure tree1 of the associated design window contains only the drawing sheet. Hover
over each view to display the file name of the external document.
Changes made to models in the drawing sheet update the external .scdoc once the drawing is
saved. Opening these models in a new design window shows the changes.
Geometry created in the associated design window can be placed in the drawing sheet with
the external views of other models.
To modify a general view

1. Select the view.
2. Modify the values in the Properties panel2, or right-click and select a style from the mini-tool-
bar. Change the:
Orientation to change the orientation of the view to isometric, trimetric, or any side. If
you change the orientation of a general view from which projected views were created,
the orientation of the projected views also change.
Rendering3 mode to change the graphics style for the view. Select Inherit if you want
to link the graphics style to the drawing sheet.
Scale4 to magnify or shrink the view. When you change the scale, the Type property
changes to Independent from sheet. You can select Linked to sheet to set the scale to
be the same as the scale used for the drawing sheet.
3. You can also adjust the appearance of your design on the drawing sheet by using the:
Snap View tool to correctly position the design.
Move tool to position the design more accurately.
When you modify the orientation of a general view, any views dependent on the general view
are oriented simultaneously. Other general views do not change.
To create a view of a component on a drawing sheet
1. Select the General View tool .
2. Select the component from the Options panel.
As you move your cursor over the drawing sheet to place the view, the model you selected is
previewed at the cursor location.
3. Click to place the view of the selected component on the drawing sheet.
The component is repeated in the Structure tree as a root node. You can place multiple
internal components.
To create a view of an assembly on a drawing sheet

1. Select the General View tool .
2. Select the assembly from the Options panel.
As you move your cursor over the drawing sheet to place the view, the model you selected is
previewed at the cursor location.
3. Click to place the view of the selected assembly on the drawing sheet.
The assembly appears in the Structure tree as a root node
To create an exploded assembly view on a drawing sheet

1. Add a General view1 of the assembly.
2. RMB click on the new General View in the Structure Tree and select the Convert to Exploded
View option.
3. Open the Move2 tool.
4. Click the Select Component3 tool guide.
5. Move the components around as needed to create the exploded view.
This is a separate view in the drawing sheet, with component positions independent of any other
views. With independent positions, the components can be moved freely within the view without
affecting any other views.
1One of the view selections for drawing sheets. General view makes the selected view independent
of the view used to create it. See Projected view, Cross-section view, and Detail view.
Projected views
Projected views show another side of the model.

You can drag drawing views to different sheets in the Structure tree1. When you drag a projected
or auxiliary view to a different sheet from its parent, its alignment is changed to independent. The
two views will be linked again if you drag it back to the same sheet and align it with the parent view.
You can place a projected or auxiliary view independent of the parent view. Select the view, then
select Independent or Aligned to View2 for Alignment in the Properties panel3.
To create an orthogonal projected view

1. Click the Projected View tool on the Detailing tab's Views ribbon group.
2. Click within the view you want to use to create the projected view. Do not click a highlighted
edge.
If dotted gray lines do not appear around the view, it is not selected. If this occurs, press Esc
and try again.
3. Move4 your mouse to preview the projected view.
Orthogonal views are created as you move toward the top, bottom, left, and right of the cur-
rent view.
To create an auxiliary projected view

1. Click the Projected View tool on the Detailing tab's Views ribbon group.
2. Mouse over the view until the edge you want to use to create an auxiliary projected view is
to view it head-on.
highlighted, then click.
and try again.
3. Move your mouse to preview the projected auxiliary view.
Auxiliary views are created as you move the mouse perpendicular to the highlighted edge.
To modify a projected view

1. Select the view.
2. Modify the values in the Properties panel, or right-click and select a style from the mini-tool-
bar. Change the:
Orientation Type to change the projected view to a General view1. This makes the
selected view independent of the view used to create it.
to link the graphics style to the parent view.
Cross section views
Planar cross-section views show interior details of your design. You locate a plane through the
details of interest and SpaceClaim creates the view.
To create a cross-section view, you must already have at least one view. You can add a cross-section
to any view type.
In some cases, you may want to only show the geometry that lies in the section plane. This is called
an Area section. In other cases, you may want to see the geometry behind the plane as well. This is
called a Total section. Both types are illustrated in the image below.
The Detail1 section of SpaceClaim Options also has settings for Cross Sections. Refer to the View2
Options and Line3 Style Options.
Planar cross section views can be created in the following ways:
As a new view projected from an existing view.
By converting an existing view to a cross section.
To create a new planar cross-section view

1. Click the Cross Section4 View tool in the Detailing tab Views group.
2. Click the Select Reference Geometry Inside Drawing View tool guide.
3. Set the following options in the Options panel5 before you position the view:
Create a Total Cross-Section
Uncheck the option to set the property to Area.
Check the option to set the property to Area.
Arrow Orientation
Horizontal
Vertical
Through Selected Geometry to orient the arrows based on the highlighted
object, which can be sketched geometry.
Placement
Create as General View to place the view in any location on the drawing sheet.
style.
to view it head-on.

Create as Auxiliary View to link the orientation of the cross-section view to the
view containing the arrows.
4. Drag and place the section line on an existing view. If you chose Through Selected Geometry,
the section line will snap to highlighted objects and orient accordingly.
5. The new view is created and attached to the cursor for placement.
6. Click to position the new section view in your drawing sheet.
For an Auxiliary view, drag parallel to the section arrows to place the view.
A general view can be placed anywhere in the sheet.
Alternate workflow
1. Sketch a single line in a drawing sheet view.
2. Select the single line.
3. Enter the Cross Section tool.
4. Move1 your mouse to place the planar cross section view.
In addition to Planar sections, you can also create Offset cross sections and Aligned cross sections.
To convert an existing view to a cross-section view

1. Click the Cross Section View tool on the Detailing tab's Views ribbon group.
2. Click the Select Section View tool guide and select the view you want to convert to a cross-
section.
and try again.
3. Set the Create a Total Cross-Section option to set the view's section type property to Total.
Uncheck the option to set the property to Area. See examples in the image above.
4. Mouse over a related view to display the cross-section indicator and preview the cross-sec-
tion.
The indicator line snaps to geometry in the view. Geometry in front of the cutting plane is not
displayed.
5. Click to place the cross-section indicator and create the cross-section view.
The view is labeled automatically.
To modify a cross-section view
1. Move the cross-section indicator to change the cutting plane.
2. Select the cross-section view.
3. Modify the values in the Properties panel1, or right-click and select a style from the mini-tool-
bar. Change the value in:
Orientation Type to change the cross-section view to a General view2. This makes the
selected view independent of the view used to create it.
to link the graphics style to the parent view.
Section Type to create a total or area cross-section. Select Total to display 3D geo-
metry not on the cross section plane. Select Area to display only the geometry on the
cross-section plane. You can select None to turn the view into a General view.
4. Select a region within the cross-section view.
5. Modify the values in the Properties panel. Change the value in the following Cross hatching
properties:
Exclude from sectioning to remove the selected region from the cross-section view.
Fill5 styles to add or removing hatching from the region.
Angle to modify the angle at which the hatching lines are drawn.
Spacing to modify the space between hatching lines.
Offset6 to modify the start point of the first hatching line.
To reverse the direction of a cross-section view
Right-click the cross-section arrow and select Flip Viewing Direction.
To publish a cross-section view to 3D
1. Right-click the cross-section view on the drawing sheet or in the Structure tree1.
2. Select Publish to 3D from the context menu.
A published section appears as a root node in the Structure tree.
You can right-click the published cross-section in a Design window2 and select Clip3 with
Plane4. You can also use the Move tool to move a published cross-section.
Examples
Selecting a published cross-section to clip with plane.
Using the Move tool to move a published cross-section.
Working with cross sections
When you select and drag an individual section line segment, the segment you are dragging
will snap to and merge with other sections as it moves across other segments on the drawing
sheet.
You can create an offset section from inside the tool. To view the cross-section cut indicator
(red diamond), select the Cut Existing Sections tool guide, then click a section line.
To create a cross-section from inside the tool, click the Cross Section tool, and then within the
drawing sheet, select a view. Use the Select Reference Geometry Inside Drawing View tool
guide to place the section line.
You can only divide a section on segments that are perpendicular to the principal direction; at
your cursor location you can right-click on a section line segment and select Split1 Section.
This right-click option is no longer available for segments that are parallel to the section dir-
ection.
To view a dotted-line preview of the principal direction of a cross section, scroll with the
mouse wheel onto the entire section line.
Offset cross section views
Offset1 sections allow you to show interior details that lie on different section planes in one view.
Offsetcross section views can be created in the following ways:
Once a cross section view is created, you can reverse the viewing direction.
1. Right-click on a section line or arrow.
2. Select Flip Viewing Direction.
To create an offset section from an existing cross section

1. Create a cross section view.
2. Select the Create Offset Section4 tool guide.
3. Click the section line at a point where you want to create an offset.
4. Drag the side of the section line you want to have pass through a different detail.
5. Continue until you establish all necessary offsets.
When you select and drag individual section line segments, the segment you are dragging will snap
to and merge with other sections.
Alternate workflow
1. Create a cross section view.
2. Right-click onthe section line.
style.
to view it head-on.
3. Select Split1 Section.
4. SpaceClaim creates a default offset.
5. Dragindividual section line segments to the desired locations.
When you select and drag individual section line segments, the segment you are dragging will
snap to and merge with other sections.
You can only divide segments that are perpendicular to the principal direction.
6. Continue until you establish all necessary offsets.
To create an offset section as a new cross section view

1. Sketch achain oflines in a drawing sheet view.
2. Selecta line segment.
3. Enter the Cross Section tool.
4. Move2 your mouse to place the planar cross section view.
The new view will be projected perpendicular to the selected line segment, which can be slanted.
SpaceClaim will find the other connected segments to create the view.
If the tool cannot find an unambiguous chain of lines, a planar section will be created.

Plane4. You can also use the Move tool to move a published cross-section.
Aligned cross section views
Aligned cross sections are similar to Offset1 cross sections but the segments are rotated about a
pivot point to be parallel to the sheet. So, the width of the section view will be greater than the
width of the parent view.
Planar cross section views can be created in the following ways:
Once a cross section view is created, you can reverse the viewing direction.
1. Right-click on a section line or arrow.
2. Select Flip Viewing Direction.
You can modify an aligned section byselecting and dragging individual section line segments, the
segment you are dragging will snap to and merge with other sections.
Segments can be deleted. If all segments are deleted, the section reverts to Planar.
To create analigned section with a single pivot point

1. Create a cross section view and exit the tool.
2. Select the Cross Section4 tool.
3. Click the Set Pivot for Aligned Sections tool guide.
4. Click somewhere on the section line to set the pivot point.
5. The Create Aligned Section tool guide activates.
6. Click somewhere on the section line to set a cutter point.
7. Drag to move that portion of the section line.
8. An arc is created to show how the linear sections connect. The arc has no length in the section
view.
style.
to view it head-on.
To create an aligned section with multiple cutter points
1. Create a cross section view and exit the tool.
2. Select the Cross Section tool.
3. Click theCreate Aligned Sections tool guide.
4. Click somewhere on the section line to set the pivot point, which also sets the cutter point.
6. Repeat to set additional cutter points.
To add aligned section pieces to an existing cross section
1. Right click on a section line.
2. SelectSplit1 Aligned Section.
3. Click somewhere on the section line to set the pivot point, which also sets the cutter point.
4. The tool creates a default pivot.
6. Repeat to set additional points.

Plane5. You can also use the Move6 tool to move a published cross-section.


Detail views
Detail views allow you to magnify a portion of another view to show more detail. To create a detail
view, you must already have at least one view on your drawing sheet.
If a detail view does not display correctly, make sure that you loaded any lightweight components
shown in the view.
You can change several options for detail views in the Detailing options, such as line weights and
note options.
To create a new detail view

1. Click the Detail1 View2 tool on the Detail tab's Views ribbon group.
2. Select one of the following options:
1 Aspects of a design incorporated to communicate with others or submit the design for review. Use
style.
to view it head-on.
Create Detail of Selected View to create a new detail view with the boundary drawn on
an existing view.
Convert Selected View to Partial to convert an existing view into the detail view.
3. Select the Sketch Boundary Type (circle, rectangle, or spline) from the Options panel1.
4. (Optional) Enter the Scale2 on the Options panel.
5. Click on the view that will create the detail to set the anchor point for scaling.
Usually, you will create an anchor point very close to the detail that you want to show in the
view.
6. Click to set the center of a boundary circle, a corner of a rectangle, or the first point of a
closed spline.
7. Click again to define the boundary circle or rectangle, or click multiple times to define the
boundary spline.
The detail view is displayed.
8. Click to place the detail view on the drawing sheet.
To modify a detail view

If you created a circular or rectangular boundary, you can drag the boundary to expand or shrink it.
Modify the values in the Properties panel3, or right-click and select a style from the mini-toolbar.
Change the value in:
Rendering4 mode to change the graphics style for the view. Select Inherit if you want to link
the graphics style to the parent view.
Scale to magnify or shrink the view. When you change the scale, the Type property changes to
Independent from sheet. You can select Linked to sheet to set the scale to be the same as
the scale used for the drawing sheet.
Orientation type to change the detail view to a General view1.
You can drag drawing views to different sheets in the Structure tree2. When you drag a detail view
to another sheet it remains linked with its parent view.
Displaying a modular grid
The modular grid is a coordinate system used to locate objects relative to an origin in 3D space. You
can display the modular grid on any view that is parallel to the world origin axes.
To toggle the display of the modular grid for a view

Right-click the view and select Show Modular Grid1.
To adjust the size of the modular grid

Click on the grid labels (or end points if labels are not displayed) and drag.
To display grid information for a cross-section view

Select the cross-section view reference plane and set Show Modular Grid Description in the Prop-
erties panel2 to True.
Change Modular grid description label to change text displayed before the coordinates in the
label.
You can move the reference plane by changing the value of its label.
To customize a grid
1. Select the grid by clicking on a grid label or end point.
2. Drag the handles to expand or shrink the grid dynamically.
1 See Sketch grid

3. Modify the following values in the Modular grid section of theProperties panel:
Color: The color of the grid, labels, and the legend axis.
Font: The font and text height used for grid labels. Type the complete name for a font,
followed by a comma and the font height in units (mm, in, etc.). You can also click the ...
button and select a font and a size in points; the size will be converted to the current
units.
Grid interval: The distance between grid lines.
Horizontal text location: Show labels for the bottom of grid lines, the top of grid lines,
both, or neither.
Intervals per grid line: The number of rows between each grid line.
Show balloons around grid labels: Show circles around grid labels.
Show baselines only: Select True to only show the baselines. The default is False which
shows all grid lines.
Show origin: Show the legend axis on the lower left corner of the view.
Show when at least one direction is parallel to the sheet: Select True to automatically
display the grid if the X, Y, or Z axis in the view is parallel to the drawing sheet. Select
False if you want to hide the grid in this case.
Vertical text location: Show labels for the left end of grid lines, the right end of grid
lines, both, or neither.
Axis1 labels: Override X, Y, or Z with your own labels.
ment axis.
Negative and positive prefixes: A prefix shown before the distance on a grid label.
Negative, positive, and zero suffixes: A suffix shown after the distance on a grid label.
You can set the defaults for these values by changing the Modular grid options.
Modular grid properties are based on the sheet defaults and are not inherited by
child views.
Broken views
Broken views are a way of foreshortening long views without changing the scale.
When you break a view, a new view is created and both the original and the new view are converted
to partial views. An alignment is set up to match the cut orientation.
To create a Broken view with a straight line break

1. Check the Linestyle options in the General section of Detailing options.
Under Type of object, select Broken view clipping edges
Set the style, thickness, color, and extent as appropriate
2. Click the Broken tool in the Detail1 tab Views group.

3. Set the following options (remembered for the entire session):
style.
Cut Direction: Horizontal, Vertical, or Aligned to Geometry.
Break Line1: Set this to Straight Cut (Freehand Spline2 Cut is the other option)
Default Gap: Sets the initial gap between broken view pieces.
4. Pick a location for the first cut line. A blue line pre-highlights the cut location. If CutDirection
is Aligned toGeometry, the cut orientation will be perpendicular to the selected geometry.
5. Pick a location for thesecond cut line to create the view break. A blue line pre-highlights the
cut location. If CutDirection is Aligned toGeometry, the cut orientation will be parallel to the
first cut line.
6. The view is created with the default gap set in the Broken View3 Options.
7. Press Esc or strong>S to exit the tool.
To create a Broken view with a sketched spline break
1. Click the Broken tool in the Detail tab Views group.

2. Set the following options (remembered for the entire session):
Cut Direction: Horizontal, Vertical, or Aligned to Geometry.
Break Line: Set this to Freehand Spline Cut (Straight Cut is the other option)
Default Gap: Sets the initial gap between broken view pieces.
3. Pick a location for the break. You will be placed into spline sketch mode.
4. Sketch the spline and double-click to finish the spline.
5. The break spline is shown in blue. If you want to sketch a different spline, you need to restart
the tool.
6. Pick a location for the second spline.
7. The view is created with the default gap set in the Broken View Options.
Pull tool.
to view it head-on.
Working with broken views
Both break locations must be picked on the same view (this is automatically enforced by the
tool).
You can create multiple breaks in a view.
When inserting a new break in a view, the new break lines cannot intersect any existing break
lines.
To delete a broken view

1. While in the Select tool, mouse over the break.
2. A handle is displayed.
3. Select and delete the handle.

The break is removed
The view is also removed
To change the angle of an existing cut line

1. Select the break line
2. Change the Angle property
3. Both sides are slanted by the specified amount relative to the original cut.
To move a set of broken views
1. Double-click on any view in the set.
2. All the view pieces are highlighted.
3. Move1 the views as needed.
Broken out section views
Broken out sections display internal details in a portion of an existing view. You select an attachment
point in the view, set the depth of the section, and sketch a section boundary. The area within the
boundary is cutout up to the section depth to expose the interior details.
To create a Broken out section view

1. Set the attachment popint by picking on a point somewhere on a model within a drawing
view.
2. Set the depth.
The default is zero.
If the attachment point is on a hole axis, a zero depth creates a section through the cen-
ter bof the hole.
3. Choose the boundary type:
Circle
Spline
4. Sketch the section Boundary.
5. The view is created.
To change the view boundary linestyle

1. Open SpaceClaim Options
2. Click on Detailing
3. Open the General options page
4. In Linestyle options, select Broken-Out section clipping edges
5. Choose from:
Thin
Medium
Thick
To modify a Broken out section view

1. Hover over the clipping boundary to prehighlight it for selection
2. Select the boundary
3. Do any of the following:
Drag the boundary to re-size the area
Select the anchor and drag it to a new location
Change the depth in the Properties panel
Delete the section
3D markup
SpaceClaim allows you to create 3D markup1 slides so that you can highlight and communicate the
differences between versions of a design. 3D Markup2 slides display by name, such as Slide1, as
components in the Structure tree3.
Slides can be exported in PowerPoint and XPS formats.
Markup ribbon group

The Markup ribbon group contains the following tools:
Create a new 3D markup slide for the current design with the New Slide tool.
Display the dimensions of the previous version and the current version with the Original
Dimension Values tool.
Apply colors to the design that indicate the type of change that occurred with the Color
Changed Faces tool.
To create a 3D markup
1. Open the design you want to mark up in the Design window4.
2. Select Save As New Version from the File menu to create a new version of your design.
The new version is saved with a version number appended to the file name, and becomes the
active Design window.
3. Make changes to the new version of the design.
4. Select New > 3D Markup from the File menu to create the first 3D markup slide.
The slide is shown in the 3D Markup panel, the design window, and the Structure tree. In the
Structure tree, the version you created in step 2 is labeled Reference Design5.
5. Openthe Inserttab in the ribbon.
6. Click the File tooland browse to a previous version or the original versionto insert into the
2Slides you can create to highlight and communicate the differences between versions of a design.
slide.
The design appears in the Structure tree, labeled either Alternate Version or Original
Version. In the Design window, the previous version of the design is displayed in the wire-
frame transparent style and is placed directly on top of the new version. The Move1 tool is act-
ive.
7. (Optional) Move the alternate version to a new location by clicking on a Move handle axis and
dragging.
8. Customize the slide using the tools in the Markup ribbon group in the Detailing tab.
You can document the dimension changes with dimension annotations, color the faces based
on the type of changes made, and apply any other annotations using the tools in the Annota-
tion2 ribbon group in the Detailing tab. You can right-click a lightweight component and
select Load Component3 to load it.
9. Create as many slides as you need to effectively communicate your changes.
You can right-click a slide in the Structure tree and select Open Slide to display the slide.
10. Select Save As XPS or Save As PowerPoint from the File menu to export the 3D markup
slides to a separate document.
To delete a 3D markup slide

1. Select the slide in the Structure tree.
2. Right-click and select Delete to remove the slide.
Because a slide is a component, when you delete a slide from the Structure tree you also delete all
of that slides objects. This feature allows you to organize your 3D Markup slides as you work
towards creating a design or finished assembly.


Examples
The Structure tree shows contents of each slide. 3D Markup panel shows two slides in the slide show.
The Design window shows reference and original versions compared with dimensions and coloring
for changed faces.
Creating a 3D markup
Use the New Slide tool in the Markup1 ribbon group on the Detailing tab to create a new 3D
markup2 slide.
To create a 3D markup slide
1. Select the New Slide tool or right-click in the 3D Markup panel and select New Slide
from the context menu.
A new 3D markup slide appears in the 3D Markup panel containing the reference design. (The
reference design is the design that was active when you first created the 3D Markup doc-
ument.
2. Insert a previous version of the design for comparison.
Displaying changed dimensions
Use the Display Original Dimension1 Values tool to create dimension annotations for the current and
original dimensions in the 3D markup2 slide.
To display changes to dimensions

Create dimension annotations on the new version with the Dimension tool.
The original dimension appears as a "Was" value alongside the current one, if that dimension
changed between the two versions.
To edit a change dimension

Click within the dimension and edit the text or formatting.
You can copy and paste the dimensions into a note or table.
You can also delete either the original or new value. If you delete the original dimension, and then
want to restore the change dimension, select the annotation and click the Original Dimension Values
tool from the Markup3 ribbon panel on the Detailing tab. To restore the change dimension to all
annotations, click the Original Dimension Values tool with no annotations selected.

Coloring changed faces
Use the Color Changed Faces tool in the Markup1 ribbon group on the Detail2 tab to automatically
color the faces that changed from one version to another based on the nature of the change.
We recommend creating a legend on your slide similar to the following to help communicate the
meaning of each color:
New faces are colored green. Green faces did not exist in the previous version and will appear
only on the modified version of the design.
New topology is colored blue. Blue faces have changes to both the face and its edges, but the
face existed in the previous design.
Deleted faces are colored red. Red faces will appear only on the previous version of the
design.
Faces with changed edges are colored pink. Pink faces are in the same spatial location, but are
bounded differently because their edges have changed.
Faces with a changed spatial location are colored yellow. The edges of yellow faces have not
changed from the previous version.
If you want to manually color the faces, you can apply colors to the individual faces on your 3D
Markup slide.
To temporarily color changed faces

Click the Color Changed Faces tool . Click again to remove the colors.
The colors are shown on the current slide.
style.
Measuring and analyzing
The Analysis tab contains the tools you use for measuring, displaying interference, and analyzing
quality in your design.
The analysis tools are grouped into the following ribbon groups:
Measure Tools for displaying measurements of the edges, faces, and solids in your design.
Tools for displaying edges where solids intersect each other or volumes created by
Interference
the intersection of solids, surfaces, and components in your design.
Tools for detecting anomalies or discontinuities in surfaces that shading cannot
Quality
show.
Checking geometry
You can check the geometry for solids and surfaces. The geometry is checked for all possible ACIS1
errors. Select errors and warnings in the dialog to highlight the associated geometry in the Design
window2, as shown below.
To check an object's geometry

1. Right-click a solid or surface in the Structure tree3.
2. Select Check Geometry.
You can click Stop in the status bar or press Esc to cancel the operation if necessary.
A dialog will open that lists any errors or warnings found.
3. Select errors and warnings in the dialog to highlight the associated geometry in the Design
window.
4. Select Zoom to fit selection to automatically zoom in to the problem area in the Design win-
dow.
5. Click Close when you are finished.
Measuring
Select a tool from the Measure1 ribbon group to display measurements for the edges, faces, and
solids in your design.
Measure ribbon group

The Measure ribbon group contains the following tools:
Use the Measure tool to display measurements of the edges and faces in your design. Select
from this tool's menu to display edges and volumes of intersection.
Use the Mass Properties tool to display volume information for the objects in your design.
Use the Check Geometry tool to check geometry for common problems.
Use the Clearance tool to search an assembly for small gaps between parts.
Quick measurements
A simple measurement is displayed in the status bar when you select a single object or a pair of
objects. This measurement is displayed using the units and precision set in Units options for the cur-
rent document. The Measure1 tool also has a Units option to switch units for the measured values
without changing units for the document.
If the text in the quick measure area is cut off, move your mouse over the text area to show all of the
text.
To measure: Select:
Distance between two Two parallel linear objects (lines, edges, axes)
objects
Two parallel planar objects (faces, surfaces, planes)
Two points or vertices
One point or vertex and one curve or edge (curved or linear) - dis-
plays the shortest distance from the point to the curve or edge
One point and one analytic face, edge, or curve - displays the pro-
jected distance of point onto face, edge, or curve
Two parallel, but not concentric, cylindrical faces - displays the dis-
tance between the axes
Two non-concentric circular edges or arcs - displays the distance
between the centers
Length of an object A linear object (line, edge)
Radius of an object A circular object (circular edge or curve, cylinder, sphere)
Angle between two Two non-parallel linear objects (lines, edges, axes)
objects
Two non-parallel planar objects (faces, surfaces, planes)
Two analytic curves that share an end point - displays the angle
between the curves at the point where they meet
Offset2 Two concentric cylindrical faces
Two circular edges that are in the same plane
X, Y, Z coordinates A point or vertex
from the world origin
Mass properties
Use the Mass1 tool to display volume information for the solids and surfaces in your design.
If you use the tool on a surface, it will display the total surface area. If there are multiple surfaces on
the same plane, the tool displays the total surface area for all the surfaces. To display the surfaces
individual surface areas, use the Measure tool.
To view mass properties of a solid
1. Click Mass in the Inspect group on the Measure2 tab.

Click a solid in the Structure tree3 or by triple-clicking it in the Design window4 to display its
volume, center of mass, and principle moments and axes.
2. A small origin appears at the center of volume with its axes oriented in the direction of the
principle axes. To calculate the principle moments and axes for another point, hold Alt and
select an origin to add it to your selection.
To calculate the actual moment of inertia, multiply the moment measurement by the density
of the solid.
The axis is indicated with x, y, z values; in the figure above, these values are (0, -1, 0). The first
number is the red axis of the origin, the second is the green axis, and the third is the blue axis.
1Analysis tool used to display mass properties, or volume information for the solids and surfaces in
your design.
To measure the projected area of an object or objects
1. Click Mass in the Inspect group on the Measure tab.

2. Click the Select datum plane tool guide.
3. Select the objects you want to measure.
You can also hold Alt and select the object without using the tool guide.
The projected area and estimated precision is displayed in the Design window.
To measure the properties of a planar section
1. Click Mass in the Inspect group on the Measure tab.

2. Click the Selectplanar areatool guide.
3. Select a planar area.
Displaying measurements
Use the Measure1 tool to display measurements of the edges and faces in your design. Any values
displayed on screen are automatically copied into the Clipboard and can be pasted into another doc-
ument.
The Measure tool is accessible in the Ribbon and from within the Pull2 and Move3 tools. Meas-
urement values are selectable only when the tool is invoked within Pull or Move.
You can select units for measurement in the SpaceClaim Units options. You can also modify the Pre-
cision and Angular Precision values in the Measure Tool options.
The document origin is displayed by default. You can hold Alt and select the origin or its axes as ref-
erence objects, and the distance in that direction (or all three) is displayed.
If you hold Alt and select an origin, then you will see a preview of the X, Y, and Z distance from the
origin. This preview changes as you move your mouse over objects in the Design window4. If you
hold Alt and select any plane, then the preview shows the distance from the point under the mouse
to the plane. If you hold Alt and select a line or axis, then the preview shows the distance from the
point under the mouse to the line. Clicking on an object sets the dimensions in the results box.
Negative values are displayed for the results when you select an origin and the measurement is neg-
ative in the direction of one or more axes.
To view a measurement
1. Click Measure in the Inspect Investigate group on the Measure Design1 tab.
Mouse over your design to preview the faces and edges eligible for measurement.
2. Select points, curves, edges, or faces to display measurement information.
Ctrl + Selecting multiple objects displays measurement between them as appropriate. The
value Min. distance between objects displays an exact measurement of the minimum dis-
tance between the objects you selected.
Selecting multiple faces displays their total area.
Triple-click on a body to display its total surface area.
3. (Optional) Hold Alt and select a reference object.
The reference can be a point, curve, edge, face, plane, axis, or origin.
You can measure to an axis of an origin object.
4. (Optional) Hover over a measurement value to display the Copy icon. Copy the value to the
clipboard for pasting into Notes, etc.
When measuring edges and curves, the Minimum and Maximum Curvature2 locations are
highlighted in the geometry when you hover over the result as shown below.

Selecting a mesh body in the Measure tool reports the total surface area of the body.
Tool guides
The Select objects to measure tool guide is active by default. This tool guide allows you to
select the object you want to measure.
The Select plane or origin tool guide allows you to set the measurement directions by select-
ing an origin, origin axis, line, or plane. You can hold Alt and select the origin to display the X,
Y, and Z coordinates from the origin to the object being measured or between the objects if
you select two objects. You can select a plane or origin in the Structure tree1 or the Design
window.
Examples
Measuring between two points.
Measuring between two points, with a reference face Alt+selected, so the projected distance is
appended to the measurement.
Measuring between two points, but the origin is Alt+selected as a reference, so the X, Y, and Z dis-
tances are shown.
Measuring the distance between two sketch points
Measuring the angle between a sketch curve and a face. The sketch curve is extended until it inter-
sects the face. Angle to surface normal is the angle between the extended curve and a line that is
perpendicular to the surface at the intersection point. Angle to surface is the angle between the
extended curve and a plane tangent to the surface at the intersection point.
Measuring a projected area
You can measure the projected area of one or more objects. The objects are projected onto a plane,
and the area of their silhouette is measured.
To measure the projected area of an object or objects
1. Click Mass1 in the Inspect group on the Measure2 tab.

2. Select the objects you want to measure.
3. Select Show projected area in the Options panel3 to see a shadow of the projected area.
4. Click the Select Datum4 Plane5 tool guide or hold Alt and select the plane you want the
your design.
4 Object that is assumed to be an exact size and shape, and be in an exact location, that is used to loc-

objects' silhouette projected on.
The projected area and estimated precision is displayed in the Design window1.
Analyzing quality
The tools in the Quality1 ribbon group allow you to detect any anomalies or discontinuities in a sur-
face that shading cannot show.
Quality ribbon group

The Quality ribbon group contains the following tools:
Use the Normal tool to display the normal direction ("inside" or "outside") of faces or surfaces.
Use the Curvature tool to display a fringe graph of the curvature along curves or edges.
Use the Draft tool to display a fringe graph of the selected surfaces, where each value is an
angle measurement.
Use the Grid tool to display the curves that define any face or surface in your design.
Use the Dihedral tool to display a fringe graph of the angle between two faces along the selec-
ted edges.
Use the Stripes tool to reflect a virtual 3D cube "room" on the selected faces.
Use the Deviation tool to show the distance from a source, or reference, body to a selected
body or Mesh body.
Displaying normal directions
This tool will display the normal direction of faces or surfaces in your design. The normal direction is
the "outside" of the face or surface. The normal can be flipped when you import models. Use this
tool to check and fix face normal directions.
To display normal directions for faces
1. Click Normal1 in the Quality2 group on the Measure3 tab.

2. Select an object, face, or surface. Ctrl+click to select multiple faces and surfaces, or select an
object in the Structure tree4.
The normal direction of each face or surface at the point where you click is displayed.
3. If you find an incorrect normal, right-click the face or surface and select Reverse Face5
Normal.
Options
The following options are available with the Normal analysis tool:
Show face
Display the normal direction using an arrow.
normal
using
Arrow
Show face Display the normal direction using colors. Select colors for the front ("outside") and
normal back ("inside") using the drop-down menus. Use contrasting colors to make it easier
using Color to see which faces were incorrectly reversed on import.
Examples
Displaying face normals using arrows
Displaying face normals using colors
Displaying curvature
Use this tool to show curvature values along faces or edges. You can use this analysis to identify
areas with very tight curves that can be difficult to offset or turn into thin solids.
You can also use the visualization to evaluate curvature continuity along a set of faces or edges.
Curvature1 continuity is when the curvature values change in a smooth, continuous manner. You can
see continuous curves because the data points will gradually change length or the transition
between face coloring is even and smooth. Sudden changes in the length of the data points or color
on a face indicates non-continuous curvature.
To display edge curvature
1. Click Curvature in the Quality2 group on the Measure3 tab.

2. Select a line, curve, or edges. Ctrl+click to select multiple lines or edges, or select an object in
the Structure tree4.
You can change the shading colors in the options panel.
You can change the color, scale, and density of the data points in the options panel.
Tip Select Edges in the selection filter, then box select to select all the edges in your design.
The visualization for edges shows lines at data points along the edge. The greater the curve's
radius, the longer the data point. Straight edges won't show any data points because they
don't have curvature.
To display face curvature
1. Click Curvature in the Quality group on the Measure tab.

2. Select a face or Ctrl+click to select multiple faces.
You can change the shading colors in the options panel.
In addition to the face curvature display, the absolute values for minimum and maximum
curvature are displayed in the Properties panel1.
The curvature with the smallest radius is shown in the maximum color (red is the default). The
curvature with the smallest radius, or no radius, is shown in the minimum color (gray is the
default).
Each line length of the fringe graph represents a curvature value C = absolute value (1/r) when
a surface or body is selected.
Options
The following options are available with the Curvature analysis tool:
Show edge curvature using:
Color Select a color for the fringe graph from the drop-down menu.
Scale2 Slide the scale or click + or - to increase or decrease the relative size of the fringe graph.
Slide the scale or click + or - to increase or decrease the density of sampling (the number
Density
of lines created along the edge).
Select Shading to display face curvature using color. Select colors for Min and Max from
Shading
the drop-down menus.
Examples
Displaying face curvature using color
Displaying draft angles
This tool will help you identify the amount of draft and direction on each face in a design.
You can use this tool to analyze parts that will be molded. Faces shown in red (the default color for a
negative draft angle) may not release properly from a mold. You should input the draft angle you
consider necessary for proper release. The draft angle may depend on a number of factors, including
material choice and design constraints.
To display draft
1. Click Draft1 in the Quality2 group on the Measure3 tab.

2. Click the Draft Direction tool guide and select a face, surface, or the World Origin4to set the
draft direction.
If you dont first set the draft direction, the angle is measured with respect to the Z axis.
3. Set the Angle in the options panel.
The face highlight color is based on the angle you specify. A face will be highlighted in the
positive color if the angle of the face is greater than the Angle value and the negative color if
its angle is smaller in the direction you specify. You can change these colors in the Options
panel5.
4. Click the Draft Select tool guide and select a face to check its draft angle. You can also
you pull.
Ctrl+click to select solids and surfaces, box-select or select objects in the Structure tree1.
A color graph of the selected surfaces is displayed. Each value is an angle measurement
between the surface and the selected plane.
Tool guides
The Draft Select tool guide is active by default. Use it to select the face(s) for which you want
to display draft angles.
Use the Draft Direction tool guide or Alt+click to select an alternate reference for the draft dir-
ection.
Use the Draft Curve2 tool guide to select a temporary curve (created by the faces selected,
draft direction, and angle of one or both sides) to create the curve in the Structure tree. Curves
appear in the current layer color.
Options
The following options are available with the Draft analysis tool:
Direction Select One or Both to display the draft angle in one or both directions.
Angle Slide the scale or click - or + to set the minimum angle to display.
Color Select colors from the drop-down menus to indicate positive and negative draft angles.
Slide the scale or click - or + to adjust the color transition between sharp and smooth.
Color
The higher this setting, the more gradual the transition between positive and negative
Transition
faces.
Create
shadow Display shadow lines where the angle of the face is the same as the draft angle.
lines
Examples
Draft analysis with color transition low (sharp)
Draft analysis with color transition set to high (smooth)
The shadow line on these examples show where the angle of the curved face is the same as the draft
angle. The example on the left is shown with the Color Transition option set low, and the example
on the right shows the Color Transition set high.
Displaying the UV grid of a face
Use the Grid1 tool to display the curves that define any face or surface in your design. This tool dis-
plays a visual representation of the mathematical expression of the surface. The grid lines represent
the mathematical expression used to generate the surface. You can use it to identify a low quality sur-
face. For example, a face may look fine, but the underlying mathematical representation is unne-
cessarily complicated or poorly parameterized. You would have problems changing the face using
other tools.
If you find a face with underlying problems, you can delete the face, then use the Fill2 tool with the
Patch Blend3 option or the Replace tool to generate a new face.
To view a face or surface grid
1. Click Grid in the Quality4 group on the Measure5 tab.

2. Select a face or surface. Ctrl+click to display the grid on multiple faces and surfaces.
Click in an empty area in the Design window6 to hide the grid.
Options
The following option is available with the Grid analysis tool:
Select Grid or Checker from the Texture menu. Use this option to increase performance
Shading
with large or complex designs.
Wire Slide the scale or click - or + to set the scale of the grid.
Examples
Face grids with grid shading, checker shading, and wire
1See Sketch grid

Face grids displayed on a blended face and on a sphere
Displaying a dihedral graph
This tool can be used to visualize tangency (or lack of tangency) between two faces. You won't see
any data points if you select an edge between two tangent faces. Non-tangent faces will show data
points because the angle is more than 0. The larger the angle between the faces, the longer the
fringe lines will be at each test point.
You can use the Repair dihedral tool guide to make the faces tangent. You should only use this tool
guide if the faces are already close to tangent. Neighboring edges are not modified to be tangent as
well, so the results can be unexpected if the faces are not close to tangent.
To display a dihedral graph
1. Click Dihedral in the Quality1 group on the Measure2 tab.

2. Select a dihedral edge. You can Ctrl+click to select multiple edges.
Data points show the angle between the faces along the edge. Longer data points are shown
for larger angles, or, variable dihedral angles
The Analysis section of the Properties panel3 displays both minimum and maximum edge
dihedral angle values
Tool guides

Use the Repair dihedral tool guide to make the faces along the measured edge tangent. The
tool guide will slightly modify the two faces to create an edge whose dihedral angle is close to
zero. You should only use this tool guide for faces that are close to tangent.
Options
The following options are available with the Dihedral analysis tool:
Color Select a color from the drop-down menu.

Scale1 Slide the scale or click - or + to decrease or increase the relative size of the fringe graph.
Slide the scale or click - or + to decrease or increase the number of points along the edge
Density
where the angle is measured and displayed.
Displaying stripes
This tool will reflect an infinite striped plane on the selected faces (or on all the faces of the selected
solid). This tool is useful to show how the smoothness of a surface.
Use this tool to visualize and check tangency and curvature continuity between faces. For example,
two surfaces may appear to have a smooth transition, but the Stripes tool will reveal an irregularity.
In the example above, the area marked with A has good continuity. The stripes line up almost per-
fectly across the edge. The area marked with B does not have good continuity. The stripes do not
quite line up at the edge.
If you find irregularities in your design, you can repair them using the following tools:
Tangency (on the Prepare tab)
Merge Faces (on the Prepare tab)
Fill1 with the Patch Blend2 option (on the Design3 tab)
To display stripes
1. Click Stripes in the Quality4 group on the Measure5 tab.

2. Select the face that you want to appear striped. Ctrl+click to select multiple faces or select an
object in the Structure tree1.
Options
The following options are available with the Stripes analysis tool:
Color Select light and dark colors for the pattern from the drop-down menu.
Slide the scale or click + or - to increase or decrease the stripe density (the number of
Density
lines in the pattern).
Examples
Displaying deviation
Use this tool to show thedistance froma source, or reference, body to a selected body or Mesh
body. Use this analysisto see how closely thegeometry of two bodies match up. For example, you
would use the Deviation toolwhen you reverse engineer a design from mesh data to see how
closely your design matches the mesh.
The Deviation tool also works to show deviation between meshes.
To display deviation
1. Click Deviation in the Quality1 group on the Measure2 tab.

2. Select a body or a mesh as the source, or reference, body.
3. Select a second body as the target body.
When you have two bodies selected, the system automatically calculates the deviation.
Only one Mesh can be selected.
Options
The following options are available with the Deviation analysis tool:
Show edge curvature using
Source body
Select the method for defining the sample point spacing.
sample spacing

Body1 - Use body faceting vertices as samplingpoints
Percentage - Enter a percentage of the body's diameter to define
sample spacing
Length - Enter a length to use as the sample spacing
Show Display controls:
Shading - Use textured shading to indicate deviation
Porcupine - Use lines to indicate deviation
Sample points - Show sample points in the deviation display
Target2 - Show the target body in the display
Transparent Target - If the target body is displayed, show it as trans-
parent
Slide the scale or click + or - to increase or decrease the smothness of the
Color transition
transition between colors in the display.
Tolerance Display deviation results above a specified tolerance.
Colors Select colors for the display.
Inside distance - Choose a color for displaying distances to sample
points inside of the target body
Outside distance - Choose a color for displaying distances to sample
points outside of the target body
Distance within tolerance - Choose a color for displaying distances
within the specified tolerance
Repairing problems
SpaceClaim can import a variety of native and neutral CAD formats, but you may need to clean up
and repair this data for use in SpaceClaim and for CAE. The Repairtab includes tools you can use to
repair imported models and prepare your designs for export and analysis.
The Repair tools are presented in the following groups:
Solidify
Fix
Fix Curves
Adjust
In general, when you need to repair geometryimported from another source, you use the tools in
the order they are presented in the ribbon (left to right).
Tools in theSolidify group fix problems that may exist in imported data, which prevent the model
from being solid.
Use the Stitch tool to combine surface part faces that are touching at their edges.
Use the Gaps tool to repair gaps between faces.

Use the Missing Faces tool to fill missing faces.
Tools in theFix group fix problems that may exist in imported data, which can exist in a solid model
but cause problems when you edit or modify the geometry.
Use the Split Edges tool to remove extraneous points on edges.
Use the Duplicates tool to detect and fix duplicate faces.

Use the Extra Edges tool to detect and remove edges that are not needed to define the
model.
Use the Bad Faces tool to detect faces that have corrupt rendering.
Tools in the FixCurves groupfix problems that may exist in imported data, which cause problems
when working with curves.
Use the Curve1 Gaps tool to detect and fix gaps between curves.
Use the Small Curves tool to detect and remove small curves and fix the resulting gaps.
Use the Duplicate Curves tool to detect and remove duplicate curves.
Use the Fit Curves tool to improve selected curves by replacing them with lines, arcs, or
splines.
Tools in theAdjust group help you modify characteristics of your design that will affect analysis.
Use the Merge Faces tool to combine two or more faces into a single face.
Use the Small Faces tool to remove small faces from your design.
Use the Tangency tool to change nearly tangent faces so they are tangent.
Use the Simplify tool to simplify complex faces and curves.

Use the Inexact Edges tool to repair edges that do not fit together precisely.
Use the Relax tool to reduce the number of control points in imported surfaces to make them
more stable.
Use the Straighten tool to straighten faces that are at unwanted angles.
Navigating through issues
The Navigate ribbon group allows you to quickly jump through all the problems identified by a tool
on this tab.
To navigate identified issues

Click the Next or Back buttons to view each problem.
Click Select to convert the problem area into a selection and exit the tool for manual fixing.
Select Zoom to Fit to zoom in on each problem when you click next or back.
Select Clip1 Volume to put a Clip Volume spheres around the problem areas. You can then use the
Next and Back buttons to make them current.
Problem areas are found.
Clip Volume places clipping spheres around the problem areas.
Zoom to fit the current problem.
Stitching adjacent faces
The Stitch tool combines surface part faces that are touching at their edges. When the merged faces
form a closed surface, a solid is automatically created. You can use this tool to repair multiple sur-
face parts that are in separate components. Coincident faces are detected and removed before
Stitch merges surfaces into a single body.
To stitch faces together

1. (Optional) Select one or more surface parts or a components.
Selecting objects before starting the tool will limit the tool's results to those objects.
If you select a component, all surface parts in the component that have touching faces will be
merged.
2. Click Stitch in the Solidify group on the Repair tab.

The edges of faces that can be merged are highlighted.
3. (Optional) Change the Maximum distance in the Options panel1 to adjust the distance
between parts that are automatically detected.
4. Select the Check for coincidence checkbox to find any edges or planes that are coincidental
to each other.
5. Click the highlighted faces that you want to merge.
The faces are merged when you click on them.
6. (Optional) Click the Select Geometry tool guide to select faces that were not automatically
detected.
7. Click Complete to merge all highlighted faces.
Tool guides
The Select Problem tool guide is active by default. This tool guide allows you to select and fix
problem areas that are automatically found by the tool.
The Select Geometry tool guide allows you to select faces that were not automatically found.
Hold Ctrl to select multiple objects or box select in the design area.
The Exclude Problem tool guide allows you to exclude areas from selection and fixing.
The Complete tool guide merges the highlighted faces.
Options
The following options are available:
Maximum dis- The maximum distance between faces that is automatically detected by the
tance tool.
Repairing gaps
The Gaps tool removes gaps between faces. These gaps are usually found on parts imported from
other CAD systems when the native format allows faces to fit together loosely.
This tool only works for edges that are paired. Paired edges are edges that are within the maximum
distance along their length or that share an end point and are within the maximum angle you set in
the tools options. Use the Missing Faces tool if you need to repair a part with edges that are not
paired. When a gap is adjacent to a larger hole, this tool only repairs the gap and not the hole.
To remove gaps
1. Click Gaps in the Solidify group on the Repair tab.

The tool will automatically detect and highlight gaps in an object, as shown in the image
above.
2. Select the object(s) you want to change:
Use the Select Problem tool guide to select highlighted areas that you want to change.
The cursor will change to a hand when you move the mouse over a problem area. This
tool guide is active by default.
Use the Select Geometry tool guide to select edges that were not automatically detec-
ted.
Maximum Angle: The maximum angle between any neighboring edge pairs in the
potential missing face edge loop.
Maximum Distance: The maximum distance between any pair of edges in the potential
missing face edge loop.
4. Use the controls in the Navigate ribbon group to view each problem one at a time before you
fix it.
Click Next or Previous to step through and highlight each identified problem.
Select Zoom to Fit if you want to automatically zoom in on the problem in the design
area when you click Next or Previous.
SpaceClaim adjusts neighboring faces to remove the highlighted gaps.
Tool guides
The Select Problem tool guide is active by default. This tool guide allows you to select prob-
lem areas that are automatically found by the tool.
The Select Geometry tool guide allows you to select edges that were not automatically found.
Hold Ctrl to select multiple edges or box select in the design area.
The Complete tool guide fills faces between all highlighted edges.
Options
Maximum The maximum angle between any neighboring edge pairs in the potential miss-
angle ing face edge loop.
Maximum dis- The maximum distance between any pair of edges in the potential missing face
tance edge loop.
Missing faces
The Missing Faces tool automatically detects and fills missing faces on an object. This tool should be
used to find missing faces on imported designs.
Use the Fill1 tool to fill faces when you know where the edges of the new face should be. Use the
Missing Faces tool to identify missing faces and fill them automatically or choose which missing
faces you want created.
As a precaution, if your design includes any open edge loops, first be certain that the loop(s) are not
simply imported parts that may have been designed as a surface body with open regions.
To find missing faces
1. Click Missing Faces in theSolidify group on the Repair tab.

The tool will automatically detect and highlight missing faces, as shown in the image above.
Use the Select Geometry tool guide to select edge loops that were not automatically
detected.
Minimum Angle: The minimum angle between all neighboring edge pairs in the poten-
tial missing face edge loop.
Minimum Distance: The minimum distance between all of edges in the potential miss-
ing face edge loop.
The tool looks for missing faces that meet both of the minimum meas-
urements.
Fill: Fix the missing face by extending neighboring faces until they intersect.
Patch: Fix the missing face by creating a new face through the bounding edges of neigh-
boring faces. To repair edge loops, select Patch and insert a new blended face. This new
face will include each relevant tangent neighboring face, enabling you to close any selec-
ted edge loops with the smoothest possible inside surface, thereby creating a more real-
istic design..
Try both: Fix the missing face by extending neighboring faces. If that does not
work,SpaceClaim will attempt to fill by creating a patch.
Allow multiple faces: Fix a hole in the surface with two or more missing faces.
fix it.
SpaceClaim creates a new face using the method you selected in the Options panel1.
Tool guides
The Select Geometry tool guide allows you to select edges between faces that were not auto-
matically found. Hold Ctrl to select multiple edges or box select in the design area.
The Complete tool guide creates new faces in areas that are highlighted.
Options
Minimum The minimum angle between all neighboring edge pairs in the potential missing face
angle edge loop.
Minimum
The minimum distance between all of edges in the potential missing face edge loop.
distance
Fill Fix the missing face by extending neighboring faces until they intersect.
Fix the missing face by creating a new face through the bounding edges of neighboring
faces.
Patch Faces with a high level of detail on a boundarymay haveone or more short edges. To
make a smooth patch on a boundary, short edges are automatically removed when
patching.
Fix the missing face by extending neighboring faces. If that does not work,SpaceClaim
Try both
will attempt to fill by creating a patch.
Allow
multiple Fix a hole in the surface with two or more missing faces.>
faces
Split edges
The Split1 Edges tool detects and merges coincident edges that do not mark the boundaries of new
faces.
To consolidate split edges

1. Click Split Edges in the Fix group on the Repair tab.
The tool will automatically detect and highlight split edges, as shown in the image above.
ted.
fix it.
SpaceClaim consolidates the highlighted areas.
Options
Set the Maximum Length to search the model for split edges that are no
Maximum Length
longer than the specified length.
Use the Minimum Angle option to detect open edges on surfaces that are
close to tangent. An open edge is defined as an edge on the outside bound-
Minimum Angle
ary of a surface and not connected to another surface. This option must be
enabled for the tool to find the edges.
The image below shows an example of using the Minimum Angle option to find open edges that
are close to tangent. After fixing the edges found, they are made tangent, resulting in continuous tan-
gent edges.
Tool guides
The Select Geometry tool guide allows you to select points that were not automatically found.
Hold Ctrl to select multiple points or box select in the design area.
The Complete tool guide consolidates all highlighted areas.
Inexact edges
The Inexact Edges tool finds and repairs edges that have been inaccurately defined and do not meet
precisely. These types of edges are usually found in designs imported from other CAD systems, par-
ticularly from conceptual design systems.
To repair inexact edges
1. Click Inexact Edges in the Fix group of the Repair tab.

The tool will automatically detect and highlight gaps in an object, as shown in the image
above.
ted.
fix it.
SpaceClaim redefines the edges so they meet precisely.
Tool guides
The Complete tool guide recalculates all the highlighted edges to increase the precision
between faces or surfaces.
Extra edges
The Extra Edges tool works like Merge Faces but operates on edges. Instead of merging two
faces by selecting the faces, you select the edges between faces to remove the extra edge and
merge the faces.
You should only merge faces that are tangent or close to tangent; otherwise, the results may not be
what you expect.
The Extra Edges tool is only intended to be used as preparation for analysis. Mer-
ging faces simplifies the model by removing edges and makes the model more dif-
ficult to modify.
Tool guides
The Complete tool guide merges the highlighted faces.
To remove edges
1. Open a model which needs edges removed.
2. Click the Extra Edges tool in the Fix group of the Repair tab.
3. Edges which can be removed are highlighted.
4. Click the Complete tool guide to remove all edges at once.
5. You can also select areas to be excluded from fixing.
SpaceClaim removes the edges and merges the faces.
Duplicate faces
The Duplicates tool detects and fixes duplicate faces. SpaceClaim highlights the duplicates and will
remove them all, or you can select duplicates to exclude from being fixed.
Tool guides
The Complete tool guide removes the highlighted faces.
To find and fix duplicate faces

1. Open a model which needs faces removed.
2. Click the Duplicates tool in the Fix group of the Repair tab.
3. Duplicate faces which can be removed are highlighted.
4. Click the Complete tool guide to remove all duplicates at once.
5. You can also select areas to be excluded from fixing.
SpaceClaim removes the duplicate faces.
Merging faces
The Merge Faces tool replaces two or more neighboring faces with a single new face that closely fits
the original faces. Use this tool to simplify a model before you export it for analysis. Merging faces
can result in a smoother mesh on the solid.
You should only merge faces that are tangent or close to tangent; otherwise, the results may not be
what you expect.
You can't select edges when using the Merge Faces tool. You should use the Fill tool on the Design1
tab when you need to select an edge and a face to fill in a missing face. The Missing Faces and Gaps
tools on the Prepare tab also perform this function.
The merge faces tool is only intended to be used as preparation for analysis. Mer-
ging faces simplifies the model by removing edges and makes the model more dif-
ficult to modify.
To merge faces
1. Click Merge Faces in the Adjust group of the Repair tab.

2. Select two or more faces you want to merge.
3. If you want to retain tangency between the new face and an existing face, click on the Main-
tain Tangency tool guide and select the face with which you want to retain tangency.
SpaceClaim replaces the selected faces with a new face.
Tool guides
The Select tool guide is active by default. You can also select by drawing a box in the design
window.
The Maintain Tangency tool guide allows you to select faces with which you want to retain
tangency. The new face will be tangent to the face(s) you select. You can also use Alt+click to
select faces for tangency.
The Complete tool guide replaces the selected faces with a single face.
Removing small faces
The Small Faces tool detects and removes small and sliver faces in your design. You may want to
remove these faces before you export the design for analysis if they will have a negligible impact on
the analysis accuracy but a significant impact on its speed.
If the small face is tangent to a neighboring face, the tool will merge the small face with the neigh-
boring face. If no neighboring face is tangent, the tool will extend neighboring faces to remove the
small face.
To remove small and sliver faces
1. Click Small Faces in the Adjust group of the Repair tab.

The tool automatically finds small faces in the active component and highlights them in the
design area, as shown in the image above.
Use the Select Problem tool guide to select highlighted areas that you want to adjust.
Use the Select Geometry tool guide to select faces that were not automatically detec-
ted.
3. Set the Maximum area and Maximum width in the Options panel1. Faces that are smaller
than the maximum area and thinner than the maximum width will be found and highlighted
for adjustment.
fix it.
SpaceClaim will remove the Selected faces.
Tool guides
The Select Problem tool guide is active by default. You must select objects that you want to
adjust in the Structure tree1 while this tool is active.
The Select Geometry tool guide allows you to select small and sliver faces that were not auto-
matically detected. The face will only be removed if it is smaller than the maximum area and/or
width in the Options panel.
The Complete tool guide removes all the faces that are highlighted.
Options
Maximum Faces that are smaller than the maximum or area will be found and highlighted for
area adjustment.
Maximum Faces that are thinner than the maximum width will be found and highlighted for
width adjustment.
Adjusting tangency
The Tangency tool detects edges between faces that are close to tangent and adjusts the faces so
they are tangent.
If a faces is near tangent with more than one neighboring face, you will get the best results if you
make all the edges tangent at the same time.
To adjust tangency between faces
1. Click Tangency in the Adjust group of the Repair tab.

The tool automatically finds near-tangent faces in the active component and highlight their
edges in the design area, as shown in the image above.
Use the Select Geometry tool guide to select edges between faces that were not auto-
matically detected.
3. Set the Maximum angle in the Options panel1.
The tool will automatically detect near-tangent faces again when you change this value. For
best results, keep this angle as small as possible.
fix it.
SpaceClaim adjusts the highlighted edges so their adjacent faces are tangent.
Tool guides
The Select Geometry tool guide allows you to select edges between faces that were not auto-
matically found. Hold Ctrl to select multiple edges or box select in the design area. When you
hover over an edge, you can see the two faces that would be affected by the change.
The Complete tool guide makes all highlighted edges tangent.
Options
Maximum The maximum angle to detect for tangency. For best results, keep this angle as
angle small as possible.
Simplifying a design
This tool examines a design and simplifies complex faces and curves into planes, cones, cylinders,
lines, arcs, etc. This automates the one-by-one Simplify capability found in the Replace tool.
To simplify a design
1. (Optional) Select the faces you want to simplify.
You may want to pre-select faces on large designs because it can be easier to simplify a
region at a time.
2. Click Simplify in the Adjust group of the Repair tab.
3. (Optional) Click the Select Geometry tool guide to select faces to simplify that aren't auto-
matically detected.
4. Click the Select Problem tool guide and click on a highlighted face to simplify the face or
click the Complete tool guide to simplify all highlighted faces.
Tool guides
The Select Geometry tool guide allows you to select faces and curves that were not auto-
matically found. Hold Ctrl to select multiple objects or box select in the design area.
The Complete tool guide replaces all the highlighted objects with simplified faces and curves.
Relaxing surfaces
The Relax tool is used to look for surfaces that may have too many control points and reduce the
number of points. Reducing the number of control points 'relaxes' the surfaces and makes them
more stable.
To relax a surface
1. Click Relax in the Adjust group of the Repair tab.

2. (Optional) Click the Select Geometry tool guide to select surfaces to relax that aren't auto-
matically detected.
3. Click the Select Problem tool guide and click on a highlighted surface to relax or click the
Complete tool guide to relax all highlighted surfaces.
Tool guides
The Complete tool guide replaces all the highlightedsurfaces with new surfaces based on the
Fix Options.
Find Options
Maximum distance: Find faceswhose control points are less than the specified distance apart
in either direction.
Minimum points: Find faces with more than the specified number of control points in either
direction.
Fix Options
Density of points:Point1 density to applywhen relaxing the surface.
Straightening faces
The Straighten tool is used to look forholes and planar faces that are inclined at angles less than a
specified value.
The examples below show how the tool straightens the faces.
The hole is adjusted equally relative to the center. So, the top edge shifts to the Left and the bottom
edge shifts to the Right.
The face is adjusted about its center. So, the left end adjusts Upward and the right end adjusts Down-
ward.
To straighten holes and faces
1. Click Straighten in the Adjust group of the Repair tab.

2. (Optional) Click the Select Geometry tool guide to select surfaces to straighten that aren't
automatically detected.
3. Click the Select Problem tool guide and click on a highlighted hole or planar face
tostraighten itor click the Complete tool guide to straighten all highlighted holes and planar
faces.
Tool guides
The Complete tool guide replaces all the highlightedsurfaces with new surfaces based on the
Fix Options.
The SelectPlaneOrOrigin tool guide allows you to select an origin, origin axis, line, or plane to
usefor the measurement direction.
Find Options
Maximum angle: Find faces inclined at less than the specified angle.
Fix Options
Snap1 faces to nearest: Angularly misaligned faces will be adjusted to the snap tolerance,
making it easier to put model dimensions to round numbers. The images below show an
example.
Precision is set to 3 decimal places with the trailing zeroes option turned on.
Snap faces to nearest is checked On.
The top face will be straightened by rotating the right edge down and the left edge up.
Snap faces to nearest= 0.001mm
Curve gaps
The Curve1 Gaps tool finds any gaps between curves and closes them. It can extend and/or move
lines to close the gaps.
Tool guides
The Select Geometry tool guide allows you to select geometry that were not automatically
found. Hold Ctrl to select multiple objects or box select in the design area.
The Complete tool repairs the gaps.
To fix curve gaps

1. Click the Curve Gaps tool in the Fix Curves group of the Repair tab.
2. Set the Maximum distance option or keep the default value
3. Gaps within the maximum distance tolerance are highlighted.
4. Click on problem areas to fix them or click the Complete tool guide.
Small curves
The Small Curves tool finds any curves smaller than a specified length.
Tool guides
The Complete tool removes the small curves and repairs the gaps they leave.
To find small curves

1. Click the Small Curves tool in the Fix Curves group of the Repair tab.
2. Set the Maximumlength option or keep the default value.
3. Curveswithin the maximumlength tolerance are highlighted.
4. Click the problem areas to fix them or click the Complete tool guide.
Duplicate curves
The Duplicate Curves tool finds any overlapping curves and deletes any extra curves.
Tool guides
The Complete tool removes the duplicate curves.
To fix duplicate curves

1. Click the DuplicateCurves tool in the Fix Curves group of the Repair tab.
2. Duplicate curves are highlighted.
Fitting curves
The Fit Curves tool attempts to create fewer and better curves to replace selected curves which
may not be continuous or tangent. You can also replace a curve with simple line segments as in the
example above.
Tool guides
The Complete tool fixes the curves.
To fix and replace small curves

1. Click the Fit Curves tool in the Fix Curves group of the Repair tab .
2. Select or box-select the curves you want to fix.
3. Set the Maximum distance option to determine the curves that will be found and how closely
new curves will follow old curves.
4. Choose Fix Options to set the types of replacement curves to use.
Lines
Arcs
Splines
Correct tangency: Check this option to make arcs tangent that are otherwise slightly
non-tangent.
5. Small curves are highlighted and new curve start and end points are indicated.
The images below show the effect of the Check tangency option.
Without the Check tangency option checked, only one tangency is found.
With the Check tangency option checked, a slightly non-tangent arc is made tangent.
Preparing designs for analysis
Use the tools in the Analysis group to create or subdivide bodies for analysis.
Use the Volume Extract tool to create a solid based on an enclosed region within a part.
Use the Midsurface tool to create a surface midway between two offset faces.
Use the Split by Plane tool to split a part based on a plane.
Use the Spot Weld tool to define points on two faces that represent weld points.
Use the Imprint tool to imprint coincident faces.
Use the Extend tool to extend surface edges or curves up to intersecting bodies.
Use the Enclosure tool to detect coincident faces, edges, or vertices and imprint them to
allow for mesh connections.
Tools in the Remove group help you easily remove elements to simplify your designs.
Use the Rounds tool to remove rounded edges from a design.
Use the Faces tool to remove features from a design.
Use the Interference tool to merge parts that clash.
Tools in the Detect group help you easily find geometry problems in your designs.
Use the Short Edges tool to find edges shorter than a specified length that may impact mesh-
ing results.
Use the Overlap Faces tool to find faces that overlap.
Use the Clearance tool to find small gaps between parts.
Create and edit beam objects with the tools in the Beams group.
Use the Profiles tool to select a profile for a beam object.
Use the Create tool to define a beam using a profile from the library.
Use the Extract tool to define a beam and profile from a solid.
Use the Orient tool to change the orientation or axis of the beam.
Use the Display tool to change how beams are displayed.
Extracting volume
Use the Volume Extracttool in the Analysis group on the Prepare tab to create a
solid based on the volume enclosed by a single body or set of bodies (including
meshes). A solid named Volume is created in the Structure tree1, and the bodies
used to generate the volume are temporarily transparent when the volume is cre-
ated.
If a surface intersects all of the edges you select to enclose the region, it will be
used to cap the created volume. You can create cleaner caps by placing surfaces at
each of the edges you use to define the enclosed region.
If an edge will be removed when you use the Volume Extract tool,
that edge will flash red and you will receive a warning message. This
can happen when you select a capping edge that will be removed
when it is merged with the rest of the model. The highlight identifies
the problem so you can pick a different edge.
To create a volume body
1. Click the Volume Extract tool in the Analysis group of the Prepare tab.
2. Click the Select Edges tool guide to select the edge loops that enclose the
volume of the area.
You can double-click to select more than one contiguous edge. You can also
click a selected edge to deselect it. Select edge loops only that you intended
to use to enclose the volume area. If you hover over a face that contains
internal edge loops, the edge loops are highlighted. Click the face to select
the highlighted edge loops.
3. If necessary, click the Select Cap Faces tool guide to cap a face.
4. (Optional): Select the Preview inside faces checkbox to activate the Preview
slider. Your model immediately updates to paint a preview of the inner faces
shown in red at 100%. Move1 the slider to the left and right to preview the
faces, and see a progression of how the faces were captured.
When previewing the faces, all Select tools and context menu Select tools, as
well as all Volume Extract tool guides, are disabled until the Preview checkbox
is turned off.
5. Click the Select Seed Face2 tool guide and select a face inside the volume
area. The Select Seed Face tool guide is used to select a face to determine
the inside of the enclosed volume. You only need to use this tool guide if the
Volume Extract tool fails to correctly identify the inside of the volume.
SpaceClaim creates a surface part based on the volume you defined.
To update the volume body

Right-click the volume part (named Volume by default) in the Structure tree. Select
one of the following commands:
Update Volume Body3 as Created updates the volume body based on
objects that were visible when the volume was created (regardless of their cur-
rent visibility). Use this option for simple regeneration.
Update Volume Body in Context updates the volume body based on objects
that are currently visible in the design area. Use this option to remove bodies
from the volume calculation.


Tool guides
The following tool guides help step you through the process. Use the Tab key to
cycle through them. As soon as the tool guide switches, the cursor may change to
reflect the active guide.
The Select Edges tool guide selects edge loops that enclose a region. Edges
are used to stop the propagation of face selection, emanating face-wise out-
ward, starting at the selected seeds.
The Select Faces tool guide activates by default when you select the Volume
Extract tool, and selects faces whose edges seal an enclosed region. This is a
shortcut to selecting all the edges that are detected in a face. You can Ctrl+
Select multiple seed faces, and then choose to click on a different tool guide.
Once you create a volume, the Select Faces tool guide resets by default.
The Select Cap Faces tool guide selects optional capping faces. This is import-
ant when an internal edge loop is either not simply fillable, or when you want
some non-standard fill geometry to be created.
The Select Seed Face tool guide selects a face that lies within the volume you
want to enclose. If this is not chosen, then SpaceClaim chooses an arbitrary
face to start from, and test whether any bounded volumes are created. If they
are not, another face will automatically be selected and the algorithm will re-
start. Select a face here to save this iteration time.
The Complete tool guide creates the volume solid based on the edges and
seed face you select.
Creating midsurfaces
This tool creates a surface midway between two offset faces. The midsurface faces are automatically
extended or trimmed to adjacent faces, and the distance between the faces is stored as a thickness
property. You can use these surfaces for FE analysis.
Color highlighting shows you face pairs that have been selected, as shown below. The midsurface
face will be offset from the cyan faces. Green indicates that a face is paired with a cyan face. Unse-
lected faces and faces without offsets are shown in the original color.
The thickness of the original model face offsets are stored as a property named Thickness in the Mid-
surface section of the Properties panel1. This is a face property, so you must select the face in the
Design window2 rather than in the Structure tree3, even if it is a single face. You can change this
property, and it is included in the ANSYS data when it is sent out to ANSYS via the SpaceClaim add-
in.
The Midsurface tool detects and removes small faces of midsurfaces that are created when an edge
is equal to half of the part thickness.
If the Midsurface tool finds missing faces because neither side can be offset, you will receive an
error message in the error box that lists the faces. If the tool fails to create midsurface parts, the
problem faces or edges are highlighted.
Midsurfaces inherit the material properties of their parent components, but you can change the
material properties for the midsurface object.
To create midsurface faces by selecting offset pairs
1. Click Midsurface in the Analysis group of the Prepare tab.
2. Select the Use selected faces option in the Options panel1.
This option automatically detects all offset face pairs on a body with one or more offset dis-
tances.
3. Click on a face for which you want to create a midsurface.
4. Click on a second face that makes an offset pair with the first face. All face pairs that have the
same offset distance will be added to the selection.
5. Click detected face pairs to remove them or click undetected face pairs to add them.
Two faces may be detected as a pair because they have the same offset distance as the face
pairs to be midsurfaced. Click on the blue face to remove the pair from selection.
A face pair that should be midsurfaced may not be detected because its offset pair is not a per-
fect offset of the first face. Click on the face you want offset to add it to the selection. Its mid-
surface will be offset using the thickness of neighboring detected face pairs.
6. (Optional) Click the Select Faces tool guide or hold the Ctrl key and select additional face
pairs with a different offset distance.
When you add face pairs, all face pairs with the same offset distance will be added to the
selection.
7. Click the Complete tool guide when you are finished selecting faces.
When you successfully create a midsurface, the solid will become semi-transparent and the sur-
face will be opaque until you select a different tool or clear your selection.
Midsurface bodies are created in a component in the Structure tree, and are named using the
name of the original object and appended with MidsurfaceN, where N is a unique number.
Midsurfaces are shown in the Structure Tree with a default name that includes the assigned thickness.
When you rename the surface, the thickness is appended to the new name.
To create midsurface faces based on an offset range

1. Click Midsurface in the Define group on the Prepare tab.
2. Select Use range in the Options panel.
The face pairs with offset distances within the range are automatically detected. If you have
face pairs selected, the range will automatically change to include the offset distance.
3. Click the body for which you want to detect offset face pairs.
4. Change the Minimum thickness and Maximum thickness values in the Options panel as
needed.
Face1 pairs within this range will be selected; face pairs outside this range will be removed
from the selection.
5. Click the Complete tool guide when you are finished selecting faces.
To add or remove faces from selection

To add or remove a detected face pair, click either face in the pair.
The midsurface distance will be offset from this face the same distance as adjacent faces,
regardless of any potential offset pair for this face.
If the face has an offset pair that was previously selected, the pair will be deselected.
You may need to remove a face from selection if it is paired incorrectly.
To change the thickness of a midsurface face

1. Select the midsurface face in the Design window.
2. Change the Thickness property in the Properties panel.
To make a midsurface body from a regular open surface body

1. Select the surface in the Structure tree.
2. Change the Thickness property in the Properties panel.
Tool guides
The Select Faces tool guide is active by default. This tool guide allows you to select a pair of
offset faces, and all other face pairs with the same offset distance are automatically detected.
The Add/Remove Faces tool guide allows you to select additional faces to offset or remove
detected face pairs from the selection.
The Swap Sides tool guide allows you to switch the face pairs. You may need to do this when
you detect pairs with more than one offset distance, and the offset relationships are incorrectly
detected.
The Complete tool guide creates the midsurface faces.
Options
Use selec-
Select this option to create midsurfaces for only the faces you select.
ted faces
Use range Select this option to create midsurfaces on all faces in the specified thickness range.
Thickness Change the value of this option to detect offset spline faces with an offset value
tolerance within the tolerance amount.
Select Same component to create the midsurfaces in the same component as the
Create mid-
part you selected for midsurfacing. Select Active component to create the mid-
surfaces in
surfaces in the active component.
Select this option to create midsurfaces in a new sub-component. Deselect the
Group mid-
option to create the midsurface objects in the component you select in the option
surfaces
above (same component or active component).
Examples
Selecting an additional face pair with the Use selected faces option and the Select Faces tool guide.
All face pairs with the same offset are added to the selection.
Removing a face that was automatically detected but not desired as a midsurface pair
Weld points
The Spot Weld tool creates points on two faces that represent weld points. Each spot weld consists
of two points: one on each face that is to be welded together. Each point must lie on a face or edge.
For export to ANSYS, each point must lie on a different solid or surface part.
When spot weld points are found on another body, the set does not include points with mates
within the same body, as shown below. Weld points in a set that have mates are blue and points that
do not have mates are gray.
Spot welds are updated with changes to the guiding edges or base faces.
If a guiding edge disappears, the points created along it are removed.
If a mate face moves out of the search range the weld point, the pairs to that mate face will
disappear.
If the mate face moves back into the range, the point pairs will reappear.
If pairs cannot be found for all of the points on the base face, the spot weld is marked in the
Structure tree1 with an error icon showing that it is no longer valid.
Dimensions2 for spot weld point patterns are displayed in the Design window3. These dimensions
look the same as dimensions for other patterns.
Exporting to ANSYS
Spot welds defined for the design can be exported to ANSYS. ANSYS Design1 Modeler and ANSYS
Workbench recognize the weld points with the following limitations:
Only points with mates can be used for simulation.
You may place weld points between multi-body parts if the two bodies belong to different
parts. Spot welds defined between bodies in the same part are not transferred to simulation.
You can approximate seam welds by placing weld points on the guiding edge with an offset
of zero, if no mating face is found on either side of the base face.
SpaceClaim supports spot welds of more than two weld points (more than two components
are welded together at one location), but Simulation does not; Simulation ignores any weld
points after the first two supplied.
If a spot weld joint in SpaceClaim contains a spot weld with more than two weld points, then a
chain of pairs of weld points is transferred to Simulation as separate spot welds, and each two-
point spot weld is listed separately under the Connections node. For example, if a single
SpaceClaim spot weld connects parts A-B-C-D, this is transferred as three separate spots welds:
A-B, B-C, and C-D.
To define weld points

1. Click Spot Weld in the Analysis group of the Prepare tab.
2. Select base face.
This is the face or faces on which the weld points will be defined. You should select a single
face or a chain of tangent faces.
3. Click the Select guiding edges tool guide and select an edge.
This is the edge along which the weld points will be defined. The tool searches for mating
edges in the following directions:
1. The surface normal.
2. The opposite direction of the surface normal.
3. If no match is found for a or b, then the direction perpendicular to both the surface nor-
mal and edge tangent is searched.
You can hold Ctrl and double-click to select a chain of edges.
4. (Optional) If you want to define a different mating face, click the Select mating faces tool
guide and select a mating face.
You can select more than one face. Clicking on a mating face removes all previously selected
faces and holding Ctrl adds a face.
Start offset: The distance of weld points from the beginning of the guiding edge.
Edge1 offset: The distance of weld points from the guiding edge.
End offset: The distance of weld points from the end of the guiding edge.
Number of points: The number of weld points to define for each edge chain.
Increment: The distance between weld points.
You can set either the number of points or the increment. The last value you enter will
be used. For example, if you change the number of points, the increment will auto-
matically update. If you then change the increment, the number of points will change.
Search range: The distance to search for mating faces from the guiding edge.
6. Click the Create spot weld tool guide to define the spot welds.
To redetect mating faces

1. Right-click a face with spot welds.
2. Select Redetect Mating Faces.
Spot welds will be placed on any new nearby faces.
Tool guides
Use the Select Base Faces tool guide to select the face or faces on which the weld points will
be defined. You should select a single face or a chain of tangent faces.
Use the Select Guiding Edges tool guide to define the edge along which the weld points will
be defined.
Use the Select Mating Faces tool guide to change the mating face from the face that is auto-
matically detected. You can select more than one face. Clicking on a mating face removes all
previously selected faces and holding Ctrl adds a face.
The Complete tool guide completes the spot weld definition.
Options
Start off-
The distance of weld points from the beginning of the guiding edge.
set
Edge off-
The distance of weld points from the guiding edge.
set
End offset The distance of weld points from the end of the guiding edge.
Number
The number of weld points to define for each edge chain.
of points
The distance between weld points. You can set either the number of points or the incre-
ment. The last value you enter will be used. For example, if you change the number of
Increment
points, the increment will automatically update. If you then change the increment, the
number of points will change.
Search
The distance to search for mating faces from the guiding edge.
range
Example
Spot welds that cross over multiple nearby welded parts
Welds
You can weld surface bodies to other surface bodies or to solid faces.
To weld surface bodies manually
1. Click the Weld tool in the Prepare tab
2. Click the Select Edges tool guide
3. Select edges where the Weld body will be created
Ctrl-select individual edges or select chains or loops
4. Click the Select Target1 Faces tool guide
5. Select a target face where the Weld body will attach
Use the Ctrl key to select multiple target faces
The edges can extend beyond the selected faces
The tool will determine the extent of the Weld
6. Click the Complete tool guide to create the Weld body
To find potential weld sites

1. Click the Weld tool in the Prepare tab
2. The Select Problem tool guide is active by default
3. Based on the Maximum Length value in the Weld tool Options, the model is searched to find
potential Weld sites
4. Change the Maximum Weld length if needed
5. Weld sites are highlighted as in other Find/Fix tools
6. Select individual sites for Weld creation or click Complete to create Welds at all sites found
You can add a Thickness to a Weld by selecting it and editing its Properties.
Tool guides
The Select Problem tool guide is used for selecting sites found and creating welds at the sites.
The Select Edges tool guide is used for manually selecting edges where welds will be created.
The Select Target Faces tool guide is used for selecting the faces where welds will attach.
The Exclude Problem tool guide is used for excluding sites found.
The Complete tool guide creates the weld.
Options
Maximum This is a length in model units that represents the maximum length for a weld. All poten-
Length tial welds that are equal to, or less than, the Maximum Length will be found.
Examples:
The following example shows how you can find potential Weld sites and create welds.
Enter the Weld tool. By default, the tool will find any
sites that can be welded with a length less than, or
equal to, the Maximum Length specified in the tool
Options.
Any sites found are highlighted.
Using the Select Problem tool guide, you can select

individual sites to create welds. Here, one of the sites
is selected.
The weld is created at the selected site.
Clicking the Complete tool guide creates the remain-

ing welds.
Enclosures
An enclosure is a solid around a body or bodies that has a cushion around the enclosed solid(s). The
enclosure can be a box, cylinder, or sphere, as shown below.
Enclosures are used by analysis tools to simulate fluid.
To create an enclosure
1. Click Enclosure in the Analysis section of the Prepare tab.
2. Select one or more solid or mesh bodies in the Design window1 or Structure tree2.
These bodies will be inside the enclosure.
3. Set the Default cushion amount.
This is a percentage of the minimum enclosure size, and determines the initial distance
between the enclosed object(s) and the closest point of the enclosure to the objects. You can
adjust the distances by typing in the fields in the Design window.
4. Select the shape of the enclosure in the Options panel3: Box, Cylinder, Sphere, or Custom
shape.
If you select Custom shape, you must use the Custom Shape tool guide to select a solid to
use as the enclosure shape.
5. (Optional) Click the Set Orientation tool guide and select a line, axis, or origin to change the
orientation of the enclosure.
The enclosure is oriented with the world origin by default.
6. (Optional) Deselect the Symmetric dimensions option to set the cushion distance different for
dimensions that are opposite each other.
7. (Optional) Type a value to adjust the cushion values, if necessary.
Press Tab to move among the cushion values.
8. Click the Complete tool guide when you are finished.
The enclosure is created in a sub-component of the active part.
Tool guides
Use the Select Bodies tool guide to select the bodies that will be enclosed.
Use the Set Orientation tool guide to change the orientation of the enclosure relative to your
design or the axis of a coordinate system.
Use the Custom Shape tool guide to select a solid to use as the custom shape when you set
the enclosure type to Custom in the Options panel.
Click the Complete tool guide when you are finished.
Options
This is a percentage of the minimum enclosure size, and determines the distance
Default
between the enclosed object(s) and the closest point of the enclosure to the objects.
cushion
You can change adjust the distances by typing in the fields in the Design window.
Enclosure Select an enclosure shape from the list. If you select Custom shape, you must use the
type Custom Shape tool guide to select a solid to use as the enclosure shape.
Symmetric Forces the dimensions to remain symmetric. Deselect this option if you want to enter
dimensions values for dimensions and you don't want the opposite dimensions changed.
Examples
Changing the cushion by typing in the field doesn't change the size of the opposite cushion. The
Symmetric dimensions option must be disabled.
Changing the orientation of the enclosure so it is aligned with the edge highlighted in yellow aligns
the enclosure with that edge.
Split by plane
The Split1 by Plane2 tool splits parts based on a plane. It is intended to be used to split symmetrical
parts for analysis. This tool is similar to Split Solid3, except Split by Plane allows you to select an axis,
point, or edge, to use as splitting plane locations which are not allowed by Split Solid.
The part below has been split along the length of its handle. The purple and green parts are sym-
metrical, and can be analyzed faster than the whole part.
To split by plane
1. Click Split by Plane in the Analysis group of the Prepare tab.
2. Select the object(s) you want to split.
3. Select a plane to split the object:
To split the part on the same plane as a face, edge, or point, click Select Cutter and
select a reference face, edge, or point.
To define a temporary plane based on design elements, click Build Cutting Plane and
select faces, edges, or points to define the plane. You can select more than one face,
edge, or point, and the cutting plane will be created that bisects the elements. The
wrench in the image above is tapered. Using the Build Cutting Plane tool guide, you can
select the top and bottom of the wrench to create a plane that bisects the wrench along
its plane of symmetry.
4. To delete objects created by the split, click the Select Regions tool guide and mouse over the
parts created by the split. The regions will be highlighted. Click to delete the region.


SpaceClaim splits the solid along the plane.
Tool guides
The Select Target1 tool guide is active by default. Use this tool guide to select the object that
will be split.
Use the Select Cutter tool guide to select a reference face, edge, or point with which to cut
the part. Use Ctrl to select more than one object. The plane is previewed in gray before you
select the reference object.
Use the Build Cutting Plane too guide to select faces, edges, or points to create a temporary
plane with which to cut the object. The temporary plane(s) are shown with a dashed line. Select
a temporary plane to complete the split.
Use the Select Regions tool guide to select regions that will be removed. You can move your
mouse over regions that were created and highlight them before you click to delete.
Options
Merge Select this option to merge all touching solids or surfaces when you exit the tool. Hidden
when objects are not merged. This saves you the extra step of selecting all the cut-up regions
done after you are done and manually merging them all back together.
Extend
Use this tool to extend or trim surfaces and merge them with nearby parts, or to extend or trim
sketch curves. The tool automatically detects faces that can be extended or trimmed and highlights
them, as shown below. Click on a highlighted area to perform the extension or trimming. You can
also select a surface that wasn't automatically detected and attempt to extend or trim it. This tool
only works with surface parts and sketch curves.
To extend or trim adjacent surfaces

1. Click Extend in the Analysis group of the Prepare tab.
The edges of surface parts or sketch curves that can be extended or trimmed are highlighted.
Chains of tangent faces are automatically grouped to offset them together.
2. Change the following options:
Maximum distance: The maximum distance between surfaces. The tool will search for
adjacent faces again if you change this value.
Trim surfaces: Controls whether or not surfaces may be trimmed in addition to exten-
ded.
Partial intersections: Controls whether or not faces that partially intersect are detected.
Same body: Allows a surface to be trimmed or extended by a face or edge on the same
body.
Merge after extend or trim: Merges bodies, if possible, when you trim or extend an
edge on one surface body up to a face or edge on another body.
3. If you want to extend or trim only some of the surfaces or sketch curves, click the highlighted
spots.
Hold Ctrl to select multiple edges.
The surfaces or sketch curves are extended or trimmed when you click on them.
4. Click Complete if you want to extend or trim all highlighted surfaces.
Press Esc to cancel the operation.
Tool guides
The Complete tool guide merges or trims the highlighted surfaces.
Options
Maximum dis- The maximum distance between parts. The tool will search for adjacent faces
tance again if you change this value.
Trim surfaces Controls whether or not surfaces may be trimmed in addition to extended.
Partial inter-
Controls whether or not faces that partially intersect are detected.
sections
Allows a surface to be trimmed or extended by a face or edge on the same
Same body
body.
Finds surfaces to extend to curves when the curve is in the same plane as the
Extend to curves
surface.
Merge after Merges bodies, if possible, when you trim or extend an edge on one surface
extend or trim body up to a face or edge on another body.
Examples
Curves are extended from endpoint to endpoint.
The edges of separate surfaces are merged when you select the Merge after extend or trim option.
You can extend curves to surfaces and surfaces to curves when you select the Extend to curves
option.
Imprinting
The Imprint tool detects coincident faces, edges, and vertices between bodies and imprints them
onto the coincident face. The contact regions will be the same shape, and the resulting mesh on
each face will be similar. This can be helpful when analyzing stress between two parts.
Curves and Beams that intersect faces create imprinted Points that are converted to Pinned Datum1
Points.
To imprint a part
1. Click Imprint in the Analysis group of the Prepare tab. The tool will automatically detect and
highlight coincident edges, as shown in the image above.
ted. You can use box, lasso, and paint select modes.
fix it.
SpaceClaim imprints the selected edges of the coincident faces.
There is an internal limit to the number of imprint sites found by the tool. The
limit is set to 1000 to optimize for performance.
Options
Tolerance if the distance between objects

is less than or equal to the Tolerance value, they will be considered inter-
secting.
In the image on the right, the distance between the objects is 0.01, which
is equal to the Tolerance.
Face1 finds intersections between two faces.
Edge2 finds intersections between two edges.

Beam/Curve1 finds intersections between curves/beams.
: Show intersections between two faces.

: Show intersections between
: Curve intersecting at a point as shown in the image below.
Tool guides
The Select Problem tool guide is active by default. This tool guide allows you to select problem
areas that are automatically found by the tool.
The Complete tool guide imprints all the highlighted edges.
Removing rounds
The Rounds tool provides a quick and easy way to remove rounds from an object. It is similar
to the Fill tool, except with the Rounds tool, you can only select rounded edges.
The image below shows an example of well-formed rounds, on the left, and poorly formed rounds,
on the right:
Before you begin:

You will have a greater chance of success if you remove only a few rounds at a time. If you
spend a lot of time removing rounds, you may want to review SpaceClaim's tutorials or tech-
nical support information,online at SpaceClaim.com for advanced techniques you can use
when removing rounds.
Closely inspect your model from various angles and zoom levels, so you can best determine
the areas of rounds you want to remove. Each area of a model is unique, and different areas
may require different approaches to round removal.
Select the round's or round group's shortest edge first.
To ensure accurate and complete round removal, remove the rounds in the reverse order in which
they were created, as shown in the example below of a model with colored rounds:
To remove rounds
To split and partially remove a round:
1. Click Rounds from the Remove group on the Prepare tab.
Avoid splitting into a round. Instead, split on either side of it. You may need to split and par-
tially remove one or more rounds before adjacent rounds can be removed, especially when
two or more rounded faces meet along an edge or vertex. The rounded face is split and filled
in the middle. To select faces or capping faces, use the Faces tool.
2. Hover over one tangent edge of the rounded face to display the round's split lines. These lines
show you a visual indication of where the round will split, as shown below. You can move the
split lines by moving your mouse.
If necessary, from the Options panel1, change the Cap width option to adjust the percentage of the
round face that is removed.
Click on the edge to split the rounded face.
Select the rounds you want to remove:
Click an object in the Structure tree1 to select all rounds on the object.
Select a round face in the design area. You can hold Ctrl and select faces or draw a box to
select multiple faces.
Ctrl+click to deselect a face.
From the context menu choose Select > Using Box. Move2 your mouse over the area you want
to remove to identify the parts you want to select. Draw the selection box around the area.
You can only select round faces while this tool is active.
To select faces or capping faces, use the Faces tool.

SpaceClaim removes the rounded faces you selected and replaces them with a sharp edge.
Tool guides
The Select Rounds to Remove tool guide is active by default. You can also select by drawing a
box in the design window. You can only select round faces while this tool is active.
The Complete tool guide finishes the operation. F or Enter are shortcuts for removing the
rounds.
Options
Auto-shrink fill area: Select this option to split round faces where they can't be removed
when you select a chain of rounds and it cannot be filled in its entirety. The rounds will be par-
tially removed.
Cap width: The percentage of the width of a round that is removed when you click on an
edge of an existing round. The splits are previewed as the cursor is moved along the round
tangent edges.
Examples
Splitting and partially removing a round
Using other tools to remove rounds

As an option, when removing rounds, you can also use the Replace tool from the Edit group
on the Design1 tab, to replace one face with another. You can replace multiple faces with a
single face, replace a single face with multiple faces, or replace multiple faces with multiple
other faces.

Full round replaced with a face
Progression using a face to remove a round
Try using the Sphere tool from the Insert group on the Design tab. Using this tool, you can cre-
ate a round sphere and place it at difficult geometry junctions. Once in place you can use the
sphere to split the junction in order to remove the round. In some cases, you may want to cre-
ate a chain of two or more spheres to help with removing larger or more complex rounds
areas.
To avoid trouble with removing spheres, it's good practice to fill the sphere immediately after
you remove the rounds on either side of a sphere or sphere chain.
Using the Sphere tool to split and partially remove a round
Displaying interference
Use the Curves tool to display the edges where solids intersect each other, as shown in the
example below with a block and a sphere.
Use the Volumes tool to display volumes created by the intersection of solids, surfaces, and
components in your design, as shown in the example below.
To display the edges of intersection
1. Click Curves in the Interference1 group on the Analysis tab.

2. Select intersecting objects to see their edges of intersection.
1Edges where solids intersect each other or volumes created by the intersection of solids, surfaces,
and components in your design; can be displayed using the Analysis tools.
To display volumes of intersection
1. Click Volumes in Interference group on the Analysis tab.

2. Select objects to display their intersection in green.
You can also select multiple faces by box-selecting or selecting in the Structure tree1.
Interference with thread intersections are not reported.
3. (Optional) Click the Create Volume tool guide and select an area of interference to create a
new solid from the volume.
Tool guides
The Select Targets tool guide allows you to selectthe objects for which interference will be
shown.
The Create Volume tool guide allows you to select an area of interference and create a new
solid from the volume.
Options
The following options are available:
Collapse to parent component: All ofthe components sub-components are treated as part
of a single solid when performing the volume interference calculation. Select this option to
optimize performance.
Removing interference
The Interference1 tool detects and removes interference from clashing bodies. The interference is
removed from the body with the largest volume.
The tool searches all visible bodies for interference. Bodies that are hidden (turned off in the Struc-
ture tree2) are ignored.
If you want to remove an interfering region from one of the bodies, use the Interference Volumes
tool on the Measure3 tab to create a solid of the interfering region. You can then use the Combine4
tool to remove this solid from one of the parts.
To remove interference
1. Click Interference in the Remove group of the Prepare tab.

The tool will automatically detect and highlight interference, as shown in the image above.
ted.
1Edges where solids intersect each other or volumes created by the intersection of solids, surfaces,
and components in your design; can be displayed using the Analysis tools.
SpaceClaim removes the interference by merging the bodies into one part.
Tool guides
The Complete tool guide merges the clashing objects.
Removing faces
The Faces tool allows you to quickly remove faces from your design. Use it to simplify your design
by removing holes, protrusions, etc.
To remove faces from an object
1. Click Faces in the Remove group of the Prepare tab.

2. Select the faces you want to remove. Hold the Ctrl key to select more than one face.
SpaceClaim attempts to remove the selected faces by extending neighboring faces.
Tool guides
The Select Faces to Remove tool guide is active by default. You can also select by drawing a
box in the design window. You can only select faces while this tool is active. Edges and vertices
will not be selected.
The Complete tool guide finishes the operation.
Finding short edges
The Short Edges tool finds any edges smaller than a specified length. If the design needs to be
meshed for running simulations, short edges have an impact on the mesh quality.
Tool guides
The Complete tool fixes all remaining problem areas or those that are currently selected.
To find short edges

1. Click the Short Edges tool in the Remove group of the Prepare tab.
2. Set the Maximumlength option or keep the default value.
3. Edgeswithin the maximumlength tolerance are highlighted.
4. Click the problem areas to fix them or click the Complete tool guide.
Bad faces
The Bad Faces tool detects faces that have corrupt rendering. It detects bad edges that get flagged
when faceting faces for graphics display.
A bad face is highlighted with a red circle.
To find bad faces

1. Open the model you want to check.
2. Click Bad Faces in the Detect group of the Prepare tab.
3. Any faces with corrupt rendering are highlighted.
Overlapping faces
The Overlapping Faces tool detects faces that overlap. The example below shows an imported sur-
face model. The lower face extends past the point of tangency with the upper face.
Overlapping faces
To find Overlapping faces

1. Open the model you want to check.
2. Click Overlap Faces in the Detect group of the Prepare tab.
3. Any faces that overlap are highlighted.
Checking clearance
The Clearance tool helps you easily find small gaps between faces.
To find gaps between faces
1. Click Clearance in the Detect group of the Prepare tab.

2. Type a distance for the Maximum distance in the Options panel1.
IftheClearance tool cannot locate gaps between faces for the setting you entered, an Inform-
ation alert displays to inform you that no areas were found.Enter a new setting to locate exist-
ing gaps.If you enter a distance that does not exist in your design, an alert displays to inform
you that the distance setting you entered is invalid. When you enter a valid maximum distance,
gaps between faces that are equal or less than this distance are automatically detected and
highlighted, as shown below.
3. Use the Pull2 or Move3 tools to adjust any gaps as needed.
Options
Maximum distance: The maximum distance to detect for near faces.
Show contact
Use thistool in theValidate group on the Prepare tab to display a preview of topology sharing.
Show Contactlets you see before sending to ANSYS exactly what topology would be shared.
To Show Contact between objects

1. Click on the top level assembly component in the Structure Tree
2. In the Properties panel1, locate the Share Topology property
3. Click in the property input panel
4. Open the dropdown menu and choose
None (default) does nothing to geometry during transfer to ANSYS/Workbench
Merge is used for Baffles:
It merges surfaces with solids and trims away any parts of the surfaces outside of
the solid
Faces do not need to intersect
Surfaces that are completely inside a solid are merged with that body
Share imprints and merges all bodies in the components the result to ANSYS as a multi-
body part
Group groups all bodies in a component into a multi-body part, but does NOT merge
or share faces and edges of the bodies with each other
5. Click the Show Contact button in the CAE group on the Prepare tab. Any shared topology dis-
plays on the model with blue lines.
To further define your share topology, and to help you identify any failed or missing connections or
parts, you can use the Edges and Vertices toggle check boxes in the Options panel2 to hide or show
edge junctions, laminar edges, free beams, and beam junctions and ends. This allows you to get an
isolated preview of the models face, edge, and vertex connections.
Show Contact settings in
Display color Description
the Options Panel1
Edge options
control the
display of
connected
and dis-
Edge2 Options
connected
paths (i.e.
edges, sketch
curves, Beam
paths.
Shared edges
of solids or
Show Edge Junctions Blue
surfaces and
Beams
Edges of sur-
face bodies
Show Laminar Edges Red that are not
connected to
anything
Beams that
are not
entirely con-
nected (i.e.
Show Free Beams Orange
coincident to
an edge or
embedded
within a face.
Vertex
Vertex3 Options options con-
trol the dis-
1 Sections of the user interface that initially appear along the left side of the application window and

play of con-
nected end-
points (Beam
endpoints
and inter-
sections).
Shared points
on Beams (i.e.
shared end-
Show Beam Junctions Blue
points or
interior inter-
sections).
Non-shared
Show Beam Ends Red endpoints of
Beams.
Beams
A beam is a long, thin object with a constant cross-section. Defining objects as beams, rather than
modeling them as solid geometry, simplifies the model and analysis.
To create a beam
1. Create objects to define the beam path
One or more of the following methods can be used in the same design:
Sketch curves: Use any of SpaceClaim's sketching tools to create straight or curved seg-
ments and then assign beam profiles to them. These sketch curve beams can then be
modified just like any curve in SpaceClaim using the Move1, Pull2, Select, Scale3, Bend,
Extend, and Trim tools. This method is a straightforward, lightweight way to create beam
structures.
Edges of a solid or surface: Use this method when you have solid geometry that you
want to reference for the beams. For example, to create a simple rectangular cage of
beams, sketch a rectangle, pull it into a solid, and assign beams to all of the edges. If
you change the solid, then the beams will dynamically update to match the location and
length of the edges. Any of SpaceClaim's modeling tools can be used to create soph-
isticated geometry changes that drive changes to the beam structure.
For example, beams are assigned to the edges of the rectangular part shown below, and
then the edges are bent. The beams are automatically updated when the solid is
changed.
Two points or midpoints in a model: You can use any two points in a model to define a

straight beam segment. Planes can be used to create "stages" or additional locations for
defining beams to or from. A beam can be created to the intersection point of any plane
with any edge. When a defining plane is moved, any associated beams dynamically
update their locations. You can create sophisticated tower and truss structures using this
method, and the structures will be easily adaptable to unforeseen design changes.
In the example below, one end of each diagonal beam was created at the intersection of
the plane and the solid. The beams change when the plane is moved.
2. Click Profiles in the Beams group on the Prepare tab.

This tool enables you to add a profile to your structure.
3. Select a profile from the library or click More Profiles to load a profile that is saved as an
SCDOC file1.
See Changing beam profiles.
More than one beam can reference the same profile, so the characteristics of
all beams that use that profile will change if you edit the profile.
4. Click Create in the Beams group on the Prepare tab.

The Create tool is enabled when you select a profile, which adds the profile to your design
document. This tool enables you to create the beam path.
5. Select edges or points to define the path:
Click the Select Point2 Chain tool guide and then select an edge or curve, or click on a
series of points to create the path.
Click the Select Point Pairs tool guide and then select a beginning and end point for
the path.
You can use intersection points and midpoints on edges and other beams. Click on the
small triangles on the ends and midpoint when you hover over an edge or beam.
See Creating a beam.
A Beams folder is created for the beams and a Beam Profiles folder is created for the profiles in the
Structure tree1:
The profile name is displayed in parentheses after the beam name in the Structure tree.
Extracting beams from solids

If you have already modeled the beam you can convert it to a beam object. See Extracting a beam
from a solid.
Beams and ANSYS

If you send a design with beams to ANSYS, the following is sent for each beam object:
Profile2 and path
Beam properties
Profile properties
Material3 properties
You can import groups from a beam profile into your design document, which makes them available
to drive changes within ANSYS. The groups are named based on the profile name, as <profile
name>_<group name>.
Beams and shared topology
Beams can share topology with surfaces when
The end point of the beam lies on the surface:
The path of the beam lies in the surface.

The beam intersects a surface at a point.
The beams and surfaces must be in the same component, the component must be set to share, and
the mixed import option in Workbench must be set to lines and surfaces. See Shared topology in
ANSYS for more information about shared topology.
Beam highlighting
The following table shows how beams, sketch lines, and edges look when they are highlighted and
selected:
Object1 Highlighted Selected Selected and highlighted
Beam
Sketch
Edge1
Copying beams
You can use Copy and Paste to make copies of beams.
In the same document, copies are pasted on top of the originals.
To move a copied beam, make sure that Maintain sketch connectivity is checked OFF
in the Selection tool's Sketch Options.
You can then use the Move tool to move the entire beam or use Vertex2 Dragging to
move an endpoint.
You Copy beams in one document and Paste them in another.
Beams can also be copied in the same way a Curves, by using Ctrl+Alt when dragging the endpoint.

Creating beams
The library of standard profiles includes several basic beam profiles. You can use these profiles and
edit them to your own dimensions.
Create a beam
1. Click Create in the Beams group on the Prepare tab.
The Create tool won't be active until you select a profile, which adds the profile to your design
document.
2. Select edges or points to define the beam path:
Click the Select Point1 Chain tool guide and then select an edge or curve, or click on a
series of points to create the path.
Click the Select Point Pairs tool guide and then select a beginning and end point for
the path.
You can use intersection points and midpoints on edges and other beams. Click on the
small triangles on the ends and midpoint when you hover over an edge or beam.
The beam object is defined, and the Beams and Beam Profiles folders are created in the Structure
tree2. The profile name is displayed in parentheses after the beam name in the Structure tree.
Tool guides
Use the Select Point Chain tool guide to create a beam along an edge or a series of points
that you select.
Use the Select Point Pairs tool guide to create a beam between two points.
Extracting beams from solids
Use this method to convert an existing 3D solid into a beam.
To extract a beam from a solid

1. Click Extract in the Beams group on the Prepare tab.
2. Select a solid in the Design window1.
The beam object is defined, and the Beams and Beam Profiles folders are created in the Struc-
ture tree2.
If you select faces on multiple bodies, then beams will be extracted for each body.
Similar profiles are detected when you extract beams from 3D geometry. The resulting beams
are linked to the same profile, so multiple profiles with the same shape are not created.
Examples
This is a simple I-beam modeled as a

solid part.
This is the Beam after using the Extract
tool.
This is a complex solid with a constant

cross section.
This is the Beam after using the Extract

tool.
Midsurface geometry can also be used to
Extract a beam.
This beam was extracted from the mid-

surface above.
Beam properties
Select a beam in the Beams folder and you can change the following properties, which are found in
the Beam section of the Properties panel1:
Profile2 Name
Orientation: The angle of the profile relative to the path.
Reversed: Changing this property flips the profile.
Section3 Anchor: Select the location where the profile intersects with the path of the beam:
Area Centroid, Shear Center, or Location. If you select Location, then you can enter the X and Y
coordinates of the anchor location. Area Centroid is the default.
Location: Correspond with the orientation arrows in the beam Orient tool.
To rename a beam in the Structure tree4, right-click and select Rename.

You can edit the Beam Section properties by highlighting values and changing them accordingly.
This allows you to create beamsthat have different geometry characteristics from their profile
sketches.
Beams can also have material properties just like other objects.
See Changing beam profiles for information about beam profile properties.
Formulas used for Beam Section properties

The following beam cross-section properties are calculated by SpaceClaim and transferred to
ANSYS.
The area of section:
The X coordinate of the centroid:
2 Line in space; outline of an object; used to describe objects when sweeping or blending.

The Y coordinate of the centroid:
Moment of inertia about the X axis:
Moment of inertia about the Y axis:
Product of inertia:
The warping constant, shear center and torsional constants are calculated from the warping function.
The warping function is the solution to the St. Venant boundary value problem for pure torsion:
Using the Trefftz definition, the shear center and warping constant are calculated purely as a prop-
erty of the section:
X coordinate of shear center:
Y coordinate of shear center:
Warping constant:
with
Creating beam profiles
You can create your own beam profiles and save them as files.
To use these profiles, click Profiles, select More Profiles, and then browse to locate the SCDOC file1.
To create a profile without creating a beam

1. Sketch the profile.
3. Pull to extrude the profile into a solid.
4. Change the color of the face you want to use as the profile.
You can change this face to any color, as long as it overrides the color of the solid. Only one
face can have a color override, otherwise SpaceClaim won't know which face is used for the
profile.
5. Insert an origin at the location where the profile should intersect with the path of the beam.
6. Save the design as an SCDOC file.
To create a profile based on an extracted beam

1. Sketch the profile.
3. Pull to extrude the profile into a solid.
4. Click Extract in the Beams group on the Prepare tab.
5. Select the solid you created in the previous steps.
6. Right-click the profile in the Beam Profiles folder and select Save beam profile.
7. Browse to the folder where you want to save the profile, type a file name, and click Save.
Beam profiles
Profiles are found in the Beam Profiles folder in the Structure tree1.
To change the profile for a beam

1. Select the beam in the Structure tree or Design window2.

3. Select a profile from the list or from one of the libraries.
More Profiles opens a folder browser to browse to profiles you may have saved on your
machine
Standard Library3 opens a browser of industry standard beam profiles. Two libraries are
available.
AISC
Eurocode
The name of the beam in the Beams folder changes to the name of the profile, and the new
profile is added to your Beam Profiles folder.
To view beam profile properties

Select a beam profile in the Beam Profiles folder in the Structure tree.
The profile properties are displayed in the Properties panel4. These properties are read-only and
cannot be changed.
See Beam properties.
ials.
To edit a profile
1. Right-click the profile on the Structure tree.
2. Select Edit Beam Profile1.
The profile will open as a sketch in a new Design window.
3. Change the profile like you would a sketch.
Each profile has driving dimensions set up in the Groups2 panel, and each annotation dimen-
sion is labeled to show you which group it corresponds with. You can change these dimen-
sions to alter the profile. See Working with groups.
To set the default profile

1. Clear your selection by clicking in empty space in the Design window.

3. Select a profile from the list or from the profile library.
New beams you create during this session will use this profile by default.
The default profile is not persistent and will be cleared when you restart SpaceClaim.
To remove a profile from the Beam Profiles folder

1. Select the profile in the Structure tree.

3. Click Remove Profile.
with the group.
Example
The labels of the annotation dimensions on a beam profile correspond with the group names.
Orienting beams
Use this tool to change the direction of a beam, rotate it around its anchor point, and offset it from
its anchor point.
To change a beam's orientation

1. Click Orient in the Beams group on the Prepare tab.
2. Select a beam in the Structure tree1 or Design window2.
You can click Display in the Beams group and change the display mode to Solid3 Beams while
the Orient tool is active. You may want to do this so you can see the beam.
3. (Optional) Click the Orient to Object4 tool guide or hold the Alt key and select a reference
object, and the beam will be oriented to the projected Z direction of the plane of the selected
object.
4. Use the blue arrows to change the beam's orientation:
Click the straight blue arrow (X axis) to reverse the beam's direction.
Drag the curved blue arrow to rotate the beam around its anchor point.
Double-click the curved blue arrow to rotate the beam 90.
Drag the red or green arrows (Y and Z axes) to offset the beam.
Tool guides
The Select tool guide is active by default. This tool guide allows you to select the beam object
that you want to reorient.
The Orient to Object tool guide allows you to select a face, edge, or axis and orient the beam
in that direction.
Example
Offsetting a beam along the Y axis.
Moving beams
You can use the Move tool to move beams. The Move1 tool has a special Keep beam fixed option
for beams. This options causes the beam (shown in dark green) to be offset while the profile (shown
as a green semi-transparent 3D object) remains fixed.
When you move more than one beam at a time and select the Keep beam fixed option, the beam
profiles moving along a trajectory that can be reversed (normal to the trajectory) are moved and the
beam profiles that can't be reversed (along the trajectory) remain fixed. The beam is offset with
equal and opposite changes to the Location property and the location of the beam's section is main-
tained. You can see this in the preview geometry for the beam.
Moving the beams without the Keep beam fixed option moves all beams and profiles:
Moving the beams with the option selected moves the two beams that are normal to the trajectory,
but the two beams that aren't normal to the trajectory are offset:
Beam display
You can display the beam as a wireframe or as a lightweight model.
To change the beam display
1. Click Display in the Beams group on the Prepare tab.

2. Select a display type:
Wire Beams displays the beam as a wire or a thin line in the Design window1.
Solid2 Beams displays the beam as a lightweight solid, so it is displayed as a semi-trans-
parent 3D object.
Working with sheet metal
You can use SpaceClaim to create sheet metal designs and components.
SpaceClaim recognizes a component as sheet metal if it consists of only planar, cylindrical, and con-
ical faces, and when faces are offsets of the same size.
Sheet metal parts are displayed in azure (blue) by default. Unfolded parts are displayed in purple, as
shown in the image below.
Unfolded parts have the following default layers:

Dimension
Bend Lines Up
Bend Lines Down
Bend Dimensions
Forms
Converting a design to sheet metal
Use the Convert tool in the Import ribbon group on the Sheet Metal tab to convert an existing
design to sheet metal within SpaceClaim. You may need to convert if you imported regular geo-
metry or if you moved a part to another component.
When you click the Convert tool and select a surface body of a design, the surface body auto-
matically thickens into a sheet metal body at the default sheet metal thickness. This enhancement
eliminates the need to redo a surface you may have sketched prior to converting the design to sheet
metal. After you convert the body, you can use the Identify tool to call out forms, joggles, hems, etc.
Walls, bends, junctions (only created, default-sized junctions, not imported junctions), and forms that
were made in Sheet Metal are identified by color: Faces are blue, junctions are purple, forms are
orange, partial bends are yellow, and edges of end faces that are not square are red. Identification is
important because it allows the element to be unbent or flattened when you unfold the part.
See Converting a solid to a sheet metal part tutorial for a hands-on example with additional steps
you may need to perform when you convert a part, such as adding reliefs and junctions.
To convert a solid to sheet metal
1. Click Convert in the Import group on the Sheet Metal tab.

The Select Bodies tool guide is enabled by default.
2. Select the body you want to convert.
You can Ctrl+click to select multiple bodies.
Walls, bends, and junctions (only default-sized junctions you created as sheet metal, not impor-
ted junctions) are automatically detected and identified by color. Faces that are not separated
by the default thickness are not highlighted. Edges shown in red indicate end faces that are
not square, as shown in the following figure.
3. Click the Assign Objects tool guide.
4. Convert hard edges to junctions:
1. Select an option from the Junction tool in the Create group on the Sheet Metal tab.
2. Select the hard edges that you want to convert to the current junction type.
Clicking an edge shown in red creates a junction or squares up a sharp face. The edge
you click to square a face determines the final length of the sheet metal wall.
When you convert to sheet metal, faces that have problems are identified with error messages in the
Status Log. Clicking on each message will highlight the problem with red blinking. In the example
below,the message is selected and the problem is highlighted in the upper left corner of the left-
most image. A detailed view of the problem geometry is shown below in the rightmost image.
Example
Converting a sheet metal design with bends automatically detected.
Tool guides
Use the Select Bodies tool guide to select the part(s) you want to convert to sheet metal.
Use the Assign Objects tool guide to assign or change the junction types, reliefs, and notches.
You can only select geometry that is appropriate for the tool guide.
Identifying sheet metal
When you use the Convert tool to convert a body to sheet metal, or, are working with an existing
sheet metal body, only the sheet metal faces that are separated by the default sheet metal thickness
are shown in blue, but sheet metal that varies in thickness from the default, as shown in the image
below, does not display in blue:
After you haveconverted adesign to sheet metal, you can use the Identify tool in the Import
ribbon group on the Sheet Metal tab to call out sheet metal geometry such as forms, hems, joggles,
beads, notches, and gussets.
You can alsouse Select>Using Box to identify sheet metal geometry. Box selecting selects front and
back faces of the pre-identified sheet metal geometry.
Some geometry is automatically identified and other geometrymust be manually assigned. As the
geometry is identified, the highlighting color changes to indicate. the sheet metal object.
Objects in a converted sheet metal part must be identified before they can be unfolded.
To identify sheet metal geometry
1. Click the Identify tool in the Import group on the Sheet Metal tab.
2. Identify each of the followingobjects as needed by clicking the appropriate tool guide. Click
Complete when finished.
Beads: Select highlighted beads or select the faces to identify as a bead.
Forms: Select highlightedforms or select the faces to identify as a form.
Formed Bends: Select highlightedformed bendsor select the faces to identify as a
formed bend.
Gussets: Select highlightedgussets or select the faces to identify as a gusset.
Hems: Select highlightedhems or select the faces to identify as a hem.
Joggles:Select highlightedjoggles or select the faces to identify as a joggle.
Notches: Select highlightednotches or select the faces to identify as a notch.
Tabs:Select highlighted tabs or select the faces to identify as a tab.
Highlighting sheet metal objects

Select All, or some of the options, from the Highlight drop down in the Show group on the Sheet
Metal tab, as shown in the image below:
Examples
Automatically identifying forms.
Automatically identifying a hem.
Selecting two bends to identify a joggle.
Selecting the front faces and back faces to identify a bead.
Selecting the thickness edges to identify a notch.
Automatically identifying gussets.
Unfolding a sheet metal design after identifying the geometry.
Tool guides
Use theBeads tool guide to find and identify beads.
Use theForms tool guide to find and identify formed sheet metal details on a part.
Use theFormed Bendstool guide to find and identify formed bends.
Use theGussets tool guide to find and identify gussets.
Use theHems tool guide to find and identify hems.
Use theJoggles tool guide to find and identify joggles.
Use the Notches tool guide to find and identifynotches.
Use theTabs tool guide to identify tabs.
Use theReliefs tool guide to identify reliefs.
Use the Complete tool guide to complete each identification.
Selecting sheet metal objects
The Select tool on the Sheet Metal tab works much like the standard Select tool, with the following
differences:
The tools on the Sheet Metal tab recognize junctions, bends, bend reliefs, and forms first, then
edges and points when you scroll the mouse wheel to select the underlying entities.
Your selection is now automatically converted from faces to junctions, bend reliefs, or forms
when you switch to the Sheet Metal tab and the Pull1, Select, or Move2 tool is active. The
selection is converted back to faces when you switch to a different tab.
You can box-selectsheet metal objects. For example, to selecta corner relief,box-select all of
the faces in the corner relief. If you box-select any of the faces from right to left, the entire
sheet metal object is also selected, even if you have not fully enclosed the object within the
selection box.
Only the tool guides and options that are appropriate for sheet metal are displayed.
Shortcut keys work for all of the tools on both tabs. For example, you can press S to activate the
Select tool from either the Design3 tab or the Sheet Metal tab.
Squaring up sheet metal faces
After you have converted a design to sheet metal, you can use the Square-Up tool in the Import
ribbon group on the Sheet Metal tab to find and fix edges and faces that are not square to the Sheet
Metal sheet.
The image below shows a simple example. The circular hole and right thickness face are not per-
pendicular to the sheet. Square-Up findsthis geometryand highlights it.
To square up sheet metal geometry
1. Click the Square-Up tool in the Import group on the Sheet Metal tab.
Geometry that can be squared-up is highlighted in red.
2. Click on highlighted geometry tofix
If you click an edge, that edge remains fixed and the opposite edge is moved to line up
with the selected edge
If you click on a face all edges misaligned on the opposite face are moved
Sheet metal properties
You can modify the thickness, inner radius, and K-factor1 of sheet metal components in the Prop-
erties panel2. Modifying the component's properties affects all the objects in the component. Modi-
fied property values appear in bold. You can set the default values for sheet metal components by
setting sheet metal options. Delete a modified property value to return it to the default value.
The thickness of sheet metal is maintained with an offset relationship. A sheet metal component
retains its properties when you move it into a non-sheet metal component.
To change sheet metal part properties

1. Select the sheet metal component in the Structure tree3.
2. Change the following in the Properties panel:
Bend Table: The bend table to use for this sheet metal part.
Flatten Form: How forms should be represented in the unfolded part. You can choose
from the following values:
No flatten: The form is shown as-is in the unfolded part.
Outline: A dotted line is shown for the extents curve and center cross-hair. The
outline is added to the Bends layer on the unfolded part, which is hidden by
default. This is the default value.
Remove: The form is not shown on the unfolded part.
Inner Radius: How the inside radius of a bend is calculated. This field shows you what
you have set in the two fields below.
1Parameter of bends in a sheet metal part used to calculate the bend radius. K-factor is a percentage
of the metal thickness and depends on factors such as the material and type of bending operation.
Relates to the depth of the neutral axis; a line within the sheet where the length does not change
when the sheet is bent. The inside of the bend is under compression, the outside is under tension,
and the neutral axis occurs somewhere between the midpoint of the material (K-factor=0.50) and a
point closer to the inside of the bend (K-factor=0.25).
Radius: The radius of a bend.
Type: Select Thickness Ratio or Absolute.
When the Bend Radius in Sheet Metal options is set to Thickness

ratio and you change the sheet metal part thickness for the part,
the value for the Inner Radius now changes in the Properties panel.
In other words, changing the part thickness property will not
change all the bend radii, but the displayed bend radius changes to
show that there is a problem for you to fix. You can fix them by
selecting the desired bends and changing their properties manu-
ally.
K-Factor: The K-Factor is used to calculate the bend radius, and is determined by the
material, the type of bend, and the ratio of the bend radius to the thickness of the metal.
Material1: You can set the gage for a material used in a sheet metal part. Assigning a
gage enables you to control the thickness of a sheet metal part at a more granular level.
Gage, or, gauge, is the thickness of the metal organized by numbers: the smaller the
number the thinner the metal. A sheet metal design or component of a design must be
assigned a material in order for the gage drop down to display. You cannot select a
gage for designs or components that are assigned the Unknown Material option.
To assign a material, from the Structure tree select the design at the top level, or select
the component for which you want to assign a material, and then click the Material
Name drop down from the Material group in the Properties panel. From the Thickness
group in the Properties panel, click the gage drop down, and select a gage.
Sheet Metal: True or false; determines whether or not the component is a sheet metal
part. All sheet metal properties and parameters are removed from a part when you turn
off the Sheet Metal property in the Properties panel. This includes things like junctions,
reliefs, forms, etc.
Thickness: The thickness of the sheet metal part.
You may need to change the inside radius of bends, change the bend or corner reliefs,
or alter the geometry after you change the thickness.
To export sheet metal part properties

With a Sheet Metal part selected, the RMB now has an Export Sheet Metal Properties command. It
opens the Export Sheet Metal Properties dialog for writing a CSV file. The file has columns for the
1 Property that you can assign to an object, consisting of material name and attributes such as density
following properties.
Thickness
Area of the flattened part
Perimeter of the flattened part
Maximum X and Y extents of the flattened part
Number of Holes
Number of Bends
You must first Unfold the part to have the flat properties export.
Example
Changing the thickness of parts caused the S junctions to become no-overlap junctions because the
radius was too small for the new thickness. You would need to change the inside radius to convert
the junctions back to S junctions on these parts.
Correcting a sheet metal component
SpaceClaim s sheet metal functionality can be used to fix components that are intended to be made
from sheet metal but which do not conform to the sheet metal standards required for production.
There are a number of typical errors in sheet metal creation that can be easily remedied in
SpaceClaim.
To correct a sheet metal component

1. Fix joints that are not bendable.
Select the edge of an improper joint, click Junction, and select a junction type. Once a proper
joint has been created, it will update with changes to part thickness, bend radius, and K-
factor1 as well as show the joints bend allowance on the unfolded design. An example of this
change is shown below.
2. Fill2 in extraneous geometry.

A sheet metal component often has a number of details (such as punches, louvers, and vents)
that may not be relevant to each person involved in the manufacturing process. SpaceClaim
allows these details to be quickly and easily filled in order to simplify parts and retain focus on
only the elements necessary for each step of the manufacturing process.
To fill in geometry, use Select to box select desired features and then Fill to remove them. An
example is shown below.
To identify problems when unfolding parts
If an unfolded component has conflicting geometry, the conflicting geometry is made a separate sur-
face in the Structure tree1 and highlighted in red, as shown in the figure below. The edge that pre-
vents the unfold is also highlighted.
Sketching sheet metal parts
The tools in the Sketch group on the Sheet Metal tab are a little different from normal sketch tools:
Rectangles, circles, polygons, and ellipses are automatically extruded to the thickness of a sheet
metal wall as you sketch. See Sheet metal options to change the default wall thickness. Lines, splines,
and arcs are extruded when they form a closed profile.
Sketching in empty space creates new walls.
A preview is displayed as you sketch that shows you the wall thickness for each sketch curve:
Sketching perpendicular to an existing wall creates a new wall with a bend between the walls with
corner or rip reliefs where needed. The bend radius is created inside when the sketch is connected
to the top edge and outside when the sketch is connected to the bottom edge:
Sketching on an existing wall creates sketch curves on the wall that you can use with the Bend and
Split1 tools.
Sketching adjacent to or overlapping an existing wall adds material to the wall and may imprint the
overlapping curves on the wall:
In addition, you can choose the Profile1 option tocreate a wall that is perpendicular to the sketch
plane as you sketch:
Sheet Metal sketch tools
Lines Rectangles Circles Polygons

Tangent lines Three-point rectangles Three-point circles Splines
Tangent arcs Ellipses Sweep arcs Three-point arcs
Sheet Metal options

The following Sheet Metal sketch options allow you to choose between sketching a flat wall or a
wall that is perpendicular to the sketch plane:
When sketching an open profile (series of lines), a perpendicular wall is created. When
Auto
sketching a closed profile (square, circle, etc.), a flat wall is created.
Flat Any closed sketch creates a flat wall.
Pro- When sketching an open profile (series of lines), a perpendicular wall is created.
file
Auto- Use the starting location of the sketch to determine whether the inside or the outside
matic of the sheet is maintained when bending.
Maintains the length of the sheet's inside surface when bending.

Inside
Out-
Maintains the length of the sheet's outside surface when bending.
side
Common sketch options

the origin.
points.

snap to the facets.
Sheet metal lines
The Sheet Metal Line1 tool is primarily used to sketch freeform shapes and to draw lines that will
become bends. See Bending a sheet metal wall.
Lines, splines, and arcs are extruded to the thickness of a sheet metal wall when they form a closed
profile.You can change the default wall thickness in the sheet metal properties.
In addition, you can use the Profile2 option tocreate a wall that is perpendicular to the sketch plane
as you sketch.
When sketching lines for a profile wall, the attachment edge for determining inside or outside radius
follows the same paradigm as flat-sketched walls. In the images below, both lines start at the top
corner. Sketching vertically downward creates an outside wall, while sketching vertically upward cre-
ates an inside wall.
To draw a line
1. Click on the Sheet Metal tab.
3. (Optional) Click the Profile optionif you want to create walls as you sketch.
5. Click to set the next points of the line.
If you want any section of the line to be an arc, right-click and select Switch to Arc1, then click
to set the radius. Right-click and select Switch to Line to return to drawing straight lines
between points. You must create at least one line segment before using this option.
6. End the line:
Press Esc.
Do it faster
Click and drag to draw one straight line.
Example
Sketchinga polyline using the Profile Sheet metal option.
Options
Auto
Pro-
When sketching an open profile (series of lines), a perpendicular wall is created.
file

Inside
Out-
side

the origin.
points.
snap to the facets.
Sheet metal tangent lines
Use the Sheet Metal Tangent1 Line2 tool to sketch lines that are tangent to curves in your design.
profile.You can change the default wall thickness in the sheet metal properties.
plane as you sketch.
To sketch a tangent line in sheet metal

Curves are highlighted as you move your mouse over them, and the tangency indicator
appears at your cursor location. If there are no curves in your design, this tool is disabled; you
must add a curve to create a tangent line.
3. (Optional) Click the Profile option if you want to create walls as you sketch.
4. Click the curve you want to draw tangent to.
As you move the mouse, the start point moves so that the line remains tangent to the curve.
5. (Optional) Dimension the line with a length.
You cannot dimension from another sketch object when creating a tangent line.
If you move your mouse over another curve, the line snaps so that it is tangent to the second
curve. Hold Alt to stop your cursor from snapping to curves.
Options
Auto
Pro-
file

Inside
Out-
side

the origin.
points.
snap to the facets.
Sheet metal tangent arcs
Use the Sheet Metal Tangent1 Arc2 tool to sketch an arc that is tangent to a curve or line in your
design.
profile. You can change the default wall thickness in the sheet metal properties.
To draw a tangent arc

4. Click the line or curve you want to draw tangent to.
This is usually done at the end point of a line, arc, or spline, but it can be on the line. If two
lines share an end point, use the scroll wheel to set tangency to the other line.
5. (Optional) Dimension the radius and chord angle.
The arc cannot end on its start point to make a circle or end on the same line as its start point.
Options
Auto
Pro-
file

Inside
Out-
side

the origin.
points.
snap to the facets.
Sheet metal rectangles
The Sheet Metal Rectangle tool is most often used to draw the base of a sheet metal part. After
you sketch a base, you can use the Pull tool to create walls perpendicular to the rectangle.
metal wall as you sketch. You can change the default wall thickness in the sheet metal properties.
To sketch a rectangle in sheet metal

2. Click Rectangle in the Sketch group or press R.
5. Click to set the first corner.
6. Click to set the opposite corner of the rectangle.
Options
Define rectangle from center: Select this option to sketch rectangles from their centers. Click
to define the center of the rectangle, then click again to set the length of the sides. You can
also drag to draw the rectangle. Hold the Alt key while drawing a rectangle to toggle this
option on-the-fly.
Auto
Pro-
file

Inside
Out-
side

the origin.
points.
snap to the facets.
Sheet metal Three-point rectangles
The Sheet Metal Three-Point1 Rectangle tool is used to draw a rectangle at any angle on the
sketch plane.
To sketch a three-point rectangle in sheet metal

2. Click Three-Point Rectangle in the Sketch group.
5. Click to set the first corner of the rectangle.
6. Click to set the length of the second side.
Click and drag to draw the first side, then click to set the length of the second side.
Options
Define rectangle from center: Select this option to sketch rectangles from their centers. Click
to define the center of the rectangle, then click again to set the length of the sides. You can
also drag to draw the rectangle. Hold the Alt key while drawing a rectangle to toggle this
option on-the-fly.
Auto
Pro-
file

Inside
Out-
side

the origin.
points.
snap to the facets.
Sheet metal ellipses
Use the Sheet Metal Ellipse1 tool to draw ellipses in sheet metal.
To sketch an ellipse in sheet metal

2. Click Ellipse in the Sketch group.
4. Click to set the center of the ellipse.
5. Click to set the overall length and angular orientation of the first axis.
6. Click to set the length of the second axis.
Options
Auto
1 Geometric shape described as a circle viewed at an angle; oval with two centers of equal radius.
Pro-
file

Inside
Out-
side

the origin.
points.

snap to the facets.
Sheet metal sweep arcs
Use the Sheet Metal Sweep1 Arc2 tool to sketch an arc when you know the location of its center
and end points.
To draw a sweep arc

2. Click Sweep Arc in the Sketch group.
3. Click to set the center of the arc.
5. Click to set the start point and radius of the sweep circle.
You can dimension the chord angle or offset the angular dimension.
Options
Auto
Pro-
file

Inside
Out-
side

the origin.
points.
snap to the facets.
Sheet metal three-point circles
Use the Sheet Metal Three-Point1 Circle tool to draw circles when you know the location of the
edge of the circle but you don't know the location for its center, or when you want to draw a circle
that is tangent to two objects.
To sketch a three-point circle in sheet metal

2. Click Three-Point Circle in the Sketch group.
3. (Optional) Select Three-point circle segment in the Options panel3 to create an arc that is a
segment of a three-point circle.
5. Click to set the first point on the circles edge.
If you click a curve or line, the circle will be drawn tangent to the curve or line, unless you click
6. Click to set the second point on the circles edge.
If the circle disappears as you move your mouse over the sketch grid, then the cursor location
cannot be included in any circle drawn through the first two points and the current point. If
you click a curve or line, the circle will be drawn tangent to the curve or line unless you click
7. Click to set the last point on the circles edge.
Options
Three-point circle segment: Check this option to create an arc that is a segment of a three-
point circle. To create an arc with this option, click to set the first point, click to set the second
point, then enter the diameter or click to set the final point.
Auto
Pro-
file

Inside
Out-
side

the origin.
points.
snap to the facets.
Sheet metal circles
Use the Sheet Metal Circle tool to draw circles in sheet metal.
To sketch a circle in sheet metal

2. Click Circle in the Sketch group or press C.
4. Click to set the circles center.
5. Click to set the circle's diameter.
6. The circle will snap to existing sketches or determined circles and arcs in the plane of the
sketch.
Options
Auto
Pro-
file

Inside
Out-
side

the origin.
points.
snap to the facets.
Sheet metal polygons
Use the Sheet Metal Polygon1 tool to draw a polygon with between 3 and 64 sides.
To draw a polygon in sheet metal

2. Click Polygon in the Sketch group.
3. (Optional) Select Use internal radius in the Options panel3 to dimension the polygon based
on the diameter of a circle inscribed within the polygon. Uncheck the option to dimension the
polygon based on a circumscribed circle.
5. Click to set the center of the polygon.
6. Drag the mouse to draw the polygon and change its orientation.
The orientation is the polygon's angle relative to the X and Y axis.
You can press Tab and type a number to change the diameter, orientation, or number of sides.
7. Click to complete the polygon.
1 Complex object composed of three or more straight lines in a closed figure. Use the Polygon tool

The sides of the polygon are all related, and act as one object. When pulled in 3D, the edges
and faces of the polygonal solid will also maintain this relationship.
Tip If you trim a polygon sketch with the Trim Away tool, you can drag the original sides of
the polygon with the Select tool to recreate the polygon.
Options
Use internal radius: Select this option to dimension the polygon based on the diameter of a
circle inscribed within the polygon. Uncheck the option to dimension the polygon based on a
circumscribed circle. In the image below, the blue circle is inscribed within the polygon and
the orange circle is circumscribed around it.
Auto
Pro-
file

Inside
Out-
side

the origin.
points.
snap to the facets.
Sheet metal splines
Use the Sheet Metal Spline1 tool to draw curvy lines in sheet metal.
To draw a spline
5. Click to set the next points of the spline.
You can Dimension spline points by entering the coordinate distance from the start point to
each point, or dimension each point relative to another sketch object.
6. End the spline:
Double-click to set the end point of the spline.
Right-click and select Finish Spline.
Press Esc.
1 A continuously curved line, without sharp boundaries (that is, without vertices). Create a spline by
Pull tool.
Click any other tool (except the Clipboard and Orient tools).
To create a closed spine

You can create a closed spline in the following ways:
When drawing a spline, end it on the start point.
When editing the spline, drag one end point on top of the other point.
Once you have created a closed spline, you cannot edit it into an open spline.
Options
Auto
Pro-
file

Inside
Out-
side

the origin.
points.
snap to the facets.
Sheet metal three-point arcs
Use the Sheet Metal Three-Point1 Arc2 tool to sketch an arc when you know its chord angle and
the location of its start and end points.
To draw a three-point arc

2. Click Three-Point Arc in the Sketch group.
4. Click to set the start point of the arc.
5. If the start point is on another line, arc, or spline, then the arc will initially be drawn tangent to
that line, arc, or spline.
7. Click to set the arc's radius.
You can dimension the chord angle or radius.
The arc will snap to tangent objects.
Options
Auto
Pro-
file

Inside
Out-
side

the origin.
points.
snap to the facets.
Creating and editing sheet metal parts
Create a new sheet metal design using the tools on the Sheet Metal tab. See Converting a design to
sheet metal if you have already modeled the part.
To create a new sheet metal design

2. Select a tool in the Sketch group.
3. Sketch the first wall of your sheet metal part:
You can see a preview of the wall's thickness as you sketch.

See Sketching sheet metal parts for detailed information and instructions.
4. Click Pull on the Sheet Metal tab.

5. Select an edge or edges and pull side walls on your part:
Junctions, corner reliefs, and bends are automatically created as needed.

See Pulling sheet metal parts for detailed information and instructions.
To highlight objects in a sheet metal design

Selectoptions in theHighlight ribbon group on the Sheet Metal tab.
You can toggle highlighting on and off forjunctions, reliefs, notches, and other sheet metal objects.
You can customize the highlighting colors in the SpaceClaim Sheet Metal Options.
Pulling sheet metal
Use the Pull1 toolin the Edit ribbon group on the Sheet Metal tab to change sheet metal parts.
Since Sheet Metal thickness faces are thin, and you are likely zoomed out, selecting a non-thickness
edge allows both edge and face Pull options. The image below shows that you can choose to pull
the edge (dimmed Pull arrow)or pull the face (active Pull arrow). In this case you also have a choice
of Extending the wall or creating a Joggle.
If you choose Joggle in the mini-toolbar , pulling the edge will create a Joggle.
On cylindrical walls, the mini-toolbar has an option to create a Curved Joggle .
If you change Pull directions, the edge will be pulled up to make a new wall.
Junctions and bend reliefs are automatically created and are determined by the current settings of
the Junction and Relief tools. Pulling an edge on an inside contour creates a wall with a gap on both
sides if a circular or square bend relief is chosen at the standard bend relief width. If a Rip relief type
is selected, then the gap is equal to the rip width.
You can select an edge loop to pull multiple walls simultaneously, as shown below.
When you pull walls up on a design, the side edges of the new wall will follow the angles of its
neighbors. This angle is usually 90, but can be almost any angle. If the neighboring walls are obtuse
angles, the neighbor wall must be less than 135 for the new wall to follow along the neighbors.
You can create conical bends by pulling one edge of a bend junction.
When pulling side edges with neighboring bend junctions, you can snap the resulting round radius
to the radius of the junction. Hold the Shift key while pulling to snap to the bend radius, inner or
outer, whichever is appropriate.
Shortcut keys work for all of the tools on both tabs. For example, you can press P to activate the Pull
tool from either the Design1 tab or the Sheet Metal tab.
To pull sheet metal parts
1. Click the Pull tool in the Edit group on the Sheet Metal tab.
2. Change the Junction and Relief tool settings in the Modify group, if necessary.
The settings of these tools are used when you pull. For example, if the Junction tool is set to
Sharp, then a sharp edge is created when you pull. The tools' icons change to represent their
current settings, so you can see them at a glance.
3. (Optional) Change the bend behavior in the Options panel2:
The bend options control where bend radii are created in relation to adjacent walls.
Use Edge3 Location: When you pull a sheet metal edge, the location of the bend
radius depends on the edge you select and the direction you pull.
When you pull away from the other edge (1), the selected edge becomes an inside
corner.
When you pull across the other edge (2), the selected edge becomes an outside corner.
Inside: The length of the inside surface of the wall is maintained, like 1 in the illus-
tration above.
Outside: The length of the outside surface of the wall is maintained, like 2 in the illus-
tration above.
Offset4: The amount of space to allow for the bend when pulling.


Bend angle: The angle between the two walls.
Bend radius: The inside radius of the bend.
An edge to create a new wall with the default sheet thickness.
A thickness face to extend an existing wall.
A wall face to offset (or move) the wall in the direction of the Pull arrow.
A thickness edge to round or chamfer the edge. You cannot create a hem on a non-thick-
ness edge.
5. (Optional) Click the Pull Direction tool guide or hold Alt and select a reference element to set
the direction of the pull.
6. (Optional) Click the Up To tool guide or press U and select a face, edge, or point to pull up to.
7. Click a yellow Pull arrow and drag in the direction of the arrow.
Examples
Pulling a wall with an adjacent wall creates a matching angle in the end of the new wall.
Pulling one side of a wall moves the wall and changes adjacent walls.
Movingwalls using the Up To tool guide.
Pulling a wall up to an angled wall. The wall merges to the walls from which it extends. The exten-
sion and angled wall do not mergea small gap is maintained.
Creating swept sheet metal walls by selecting a tangent chain of edges and pulling them per-
pendicular to the chain (left). Swept sheet metal walls can be unfolded (right).
Pulling the edge of an inner loop to create a flange form. Edge reliefs are created automatically and
can be unfolded. (Reliefs are not highlighted in the figure because they are not yet classified as edge
reliefs).
Pulling an angled sheet metal wall. The neighboring wall is modified so that it does not maintain the
junction.
Using the Revolve1 tool guide to maker an angled end face.

To pull a partial wall
2. Change the Relief tool setting in the Create group, if necessary.
3. Select an edge on the wall.
4. Drag one or both of the yellow balls to the desired width.
Type a number to dimension the location from the end of the edge.
6. Reliefs are created as necessary. The shape and size of the relief is determined by the Edge
Relief tool and your Sheet metal options.
To pull a wall between two parallel walls
1Move in a path around an axis. Use the Pull tool to revolve faces, edges, or a helix around an axis.
1. Click Pull in the Create group on the Sheet Metal tab.
2. Select an edge on the first wall.
3. Click the Up To tool guide or press U.
4. Select an edge on the second wall.
The Pull handle previews the direction of the pull direction when you move your mouse over
an edge.
Bends are automatically added as needed.
To control the bend angle of a pull

Enter a value in the Bend angle option before pulling.
The angle is measured from the flat state of the sheet. The following image shows a 10 (left) and
170 (right) bend
To create a round or chamfer

2. Select one or more thickness edges.
3. Click Round1 or Chamfer2 in the Pull options panel.
You can also select Round or Chamfer from the mini-toolbar.
To create a jog or S junction
1. Click the Pull tool in the Create group on the Sheet Metal tab.
2. Select the edge of a sheet metal wall.
3. Select aBend option in the Sheet Metal Options panel.
4. Pullalong the direction of the wall.
The wall will jog up one wall thickness and continue in the same direction, as shown below.
The bend faces becomejoggles.
Tool guides
The Select tool guide is active by default. This tool guide allows you to select an object to pull.
The Revolve tool guide allows you to revolve instead of pulling in a direction.
The Pull Direction tool guide allows you to set the direction to pull.
The Up To tool guide pulls the object up to another object.

When using the Up To tool guide to move a face, form, or bead to a new location on a part,
such as an edge or face, select a direction with a Move1 tool handle and click the Up To tool to
move the face, form, or bead to the new location. You can also use this tool guide with a sheet
metal model in flattened mode.
Sheet metal options

The following options are available for this tool:
Use Edge Location: When you pull a sheet metal edge, the location of the bend radius
depends on the edge you select and the direction you pull.
When you pull away from the other edge, the selected edge becomes an inside corner.
When you pull across the other edge, the selected edge becomes an outside corner.
Inside: The length of the inside surface of the wall is maintained, like 1 in the illustration
above.
Outside: The length of the outside surface of the wall is maintained, like 2 in the illustration
above.
Offset: The amount of space needed to offset the sheet, in orderto allow space for
pulling.
Dimension2 to Selected Edge: Uses the selected edge to automatically calculate the
dimension reference based on the subsequent pull direction.
Dimension to Inside Edge: Uses the inside edge as the dimension reference regardless of
the pull direction.
Dimension to Outside Edge: Uses the outside edge as the dimension reference regardless
of the pull direction.
Bend angle: Angle between the two walls.
Bend radius: Inside radius of the bend.

Pull options
Add: Only add material when you pull. If you pull in a subtractive direction, no change will
Cut: Only remove material when you pull. If you pull in an additive direction, no change will
No merge: Pulls without merging into other objects even when the object pulled intersects
with an existing object.
Round: Create a rounded corner (fillet) on a thickness edge while pulling.
Chamfer: Create a chamfer on a thickness edge while pulling.
Moving sheet metal
The Move1 tool on the Sheet Metal tab is similar to the standard Move tool, with the following
differences:
The tools on the Sheet Metal tab recognize junctions, bends, bend reliefs, and forms first, then
edges and points when you scroll the mouse wheel to select the underlying entities.
You can select a form with one click and move or rotate the form using the Sheet Metal Move
tool. The 2D Move handle is displayed for a form, and it is lined up with the frame of the form.
Your selection is automatically converted from faces to junctions, bend reliefs, or forms when
you switch to the Sheet Metal tab and the Pull2, Select, or Move tool is active. The selection is
converted back to faces when you switch to a different tab.
Only the tool guides and options that are appropriate for sheet metal are displayed.
The side of the wall you select determines how a bend changes when you rotate a wall. See
Rotating sheet metal walls. When you move a wall, any associated sheet metal objects asso-
ciated with that wall, such as junctions, edges, reliefs, corner reliefs, and bends, also move with
the wall.
Shortcut keys work for all of the tools on both tabs. For example, you can press M to activate the
Move tool from either the Design3 tab or the Sheet Metal tab.
Faces which have beads can be moved with the Move tool.
To move an edge relief
1. Click the Move tool in the Create group on the Sheet Metal tab.
2. Select the edge relief.
3. Click an axis and drag in that direction.
To move a wall between joggles

2. Select a wall between joggles.
3. Click an axis and drag in that direction.
The wall is translated between the joggles.
You can move a joggle along a bend. If you have trouble moving a joggle, use the
sheet metal Select tool to select the joggle, then usethe Move tool in the Edit rib-
bon group of the Design tab to move it.
Example
Translating a wall between four joggles.
Rotating sheet metal walls
Select one face of the sheet metal wall and rotate it with the Move1 handle. If you select the inside
of a face to rotate around the inside bend center, or select the outside face to rotate around its
outer mold line
A default junction to rotate around is chosen based on which junction causes the smaller portion of
the part to rotate. To rotate around the other junction, drag the Move handle anchor (the center ball)
to an edge on the other junction.
To rotate a sheet metal wall
1. Click Move in the Edit group on the Design2 tab.

2. Select a face of the wall you want to rotate.
The face you select determines the rotation point:
Select the inner face to rotate around the inside of the bend:
Select the outer face to rotate around theoutside of the bend (the outer mold line):

When a wall is rotated around the outer mold line, the size of the walls change. This type of
rotation is useful because the mold line is a measurable point for inspection.
If the face is connected to more than one junction, then the junction closest to the point
where you click is selected:
3. Select the blue rotation axis and rotate the wall.

The Move tool will stop when the wall touches another wall.
The bend will reverse direction if you rotate the wall so its angle is greater than 180.
Example
Rotating the inside wall so the bend is reversed.
Rotating walls that are split on an edge around a bend junction and then translating tha base face
shared by the split walls.
Bending sheet metal walls
The Sheet Metal Bend tool works similar to Split1, and is used to create bends in a sheet metal flat
or unfolded part. You can bend along a sketch curve on the sheet metal face, bend perpendicular to
an edge, or bend between two points.
You can also place multiple bend lines along a surface. Existing in-progress bends, that are not yet
bent (flipped) remain de-selected as you place one or more new, additional bend lines along the
sheet metal surface.
To bend along a line

1. Click the Bend tool in the Create group on the Sheet Metal tab.
The Create Bend option is enabled in the Bend Options panel2.
2. (Optional) Modify the following values in the Bend Options panel:
Bend angle: The angle of the bend.
When selecting on an edge to create a bend angle, modifying the Bend Angle option
propagates to the pull edge handles immediately.
Bend radius: The inner radius of the bend.
When a Bend Table is applied to the part, Bend radius is changed to Tool radius
and the input becomes a dropdown list of available radius values from the table.
Die width: The width of the die. This changes to a dropdown list of available widths
when a Bend Table is applied to the part.

Bend Allowance: Value to use for calculating the flat length of the bend.
Bend Deduction: Value to use for calculating the flat length of the bend.
3. Click on a sketch curve on the sheet metal face. The bend will be made across the full length
of the face, regardless of the length of the sketch curve.
4. Click the Complete tool guide to create the bend.
To bend in multiple components at once

1. Follow the same steps you would use for creating a single bend.
2. Select curves in multiple components. The curves can belong to one component but lie on a
face of another component. For example, curve 1 belongs to component 1, but is sketched on
the face of component 2.
3. Click the Complete tool guide to create the bend.
To reverse bend direction
Click the bend line to cycle through bending up and bending down.
To remove bend segments

Clicking a bend segment until the bend line turns red removes the segment from the bend.
The dashed lines to either side of the bend line show the extents of the bend allowance area, based
on the radius set by default or overridden by the user in the options area.
If necessary, you can click an empty location in the Design window1 while a tool guide is active to
clear the bend line and activate the Select Cutter Point2 tool guide.
Tool guides
Select Cutter Point: Click a point on an edge

to create a bend that is perpendicular to the
edge at the point.Press Tab to enter a value
for the percentage or distance from the bend
to the endpoint along the edge.
Select Two Cutter Points: Click a point on
one edge and a point on another edge to cre-
ate a bend between the points. You can see a
preview of the line as it extends to the second
edge before you click on it. Press Tab to
enter a value for the percentage or distance
from the bend to the endpoint along the
edge.
Select Anchor Point: Select the face you want

to remain fixed when the body is bent:
Select Curves: Select curves to be wrapped

around bends.
To add bend steps

1. Select a bend.
2. Modify the Bend Steps value in the Sheet Metal section of the Properties panel1.
Adding bend steps creates a bumped bend, whichinstructs the operator and machine to create a
large radius bend by bumping instead of "rolling" smoothly. The bendis hit with a sharp tool, cre-
ating closely spaced sharp bends that form a large bend.
To display the bend steps and bend dimension properties of the bend in anunfolded sheet metal
part, turn on the visibility in the Bends and Bend Dimensions1 layers in the Layers panel or in
theStyle ribbon group on the Display tab.
To create a joggle
2. Select the Create Joggle option in the Bend Options panel.
Bend angle: the angle for both bends of the joggle
Bend radius: the inside radius for both bends of the joggle
Joggle height: the measurement between the top of the sheet going into the bottom
bend and the top of the sheet coming out of the top bend.
Bend Allowance: Value to use for calculating the flat length of the joggle.
Bend Deduction: Value to use for calculating the flat length of the joggle.
4. Use the Select Cutter Point or Select Two Cutter Points tool guide to create the bottom
bend of the joggle.
5. Click to select thesecond bend of the joggle, which is previewed as you mouse over the sheet
metal face, as shown below.
If necessary, you can click an empty space in the Design windowto clear your selections and
activate the Select Cutter Point tool guide.
6. Use the Select Anchor Pointtool guide to select the face to remain fixed when the rest of the
body is bent to create the joggle.
7. Click the Complete tool guide to create the joggle.
You can move the walls between joggles.
To create a joggle from existing bends
1. Select two bends with a face between them.

2. Right-click and select Create Joggle From Bends from the context menu.
The face between the two bends is added to the joggle. Thehighlighting color changes to
indicate the joggle.
To return a joggle to independent bends

Right-click the joggle and select Explode Jogglefrom the context menu.
The independent bends remain selected. If you want to return the bends to a joggle, right-click and
select Create Joggle From Bends.
Examples
Joggles created using the Bend tool.
To create a bead using the Bend tool
2. Select the Create Bead option in the Bend Options panel.
Bead radius: Theradius of the bead, which is also the height of the bead. The minimum
bead radius is 0.25xT (sheet metalthickness).
Round1 radius: Radius of the round at the base of the bead that intersects with the sur-
face.
4. Click on a curve on the sheet metal face, or select a tool guide and select bend points based
on the tool guide you use.
5. Click the Bend tool guide to complete the bead.
You can also create a bead using the Bead tool.
Tool guides
The Select Cutter Point tool guide is active by default. This tool guide creates a bend that is
perpendicular to the edge at the point you select.
The Select Two Cutter Points tool guide allows you to select a point on one edge and a point
on another edge to create a bend between the points.
The Select Anchor Point tool guide allows you to select the face that will be fixed when the
body is bent.
Click the Complete tool guide to create the bend.
Bend Options
Use the Create Bend option to bend a sheet metal face along a line.
Use the Create Joggle option to create a joggle bend in a face.
Use the Create Bead option tocreate a bead along a curve on a face.
Forms
Use the Forms tool in the Create group on the Sheet Metal tab to choose from a gallery of stand-
ard formed sheet metal details. Forms can be placed on any sheet metal face and can be placed on
the edge of a face.
Select Forms in the Highlight group on the Sheet Metal tab to highlight all forms in your sheet
metal design.
To add a form to your design
1. Click Forms in the Create group on the Sheet Metal tab.

2. Select a form in the gallery that opens below the tool icon.
3. Change the form parameters in the Options panel1.
Hover over the illustration thumbnail in the Options panel to see a larger illustration with each
dimension or value.
These parameters will be saved as properties for the form.
4. Change the Rotation angle in the Options panel, if available.
5. Click on a face to place the form.
If you want to dimension the position of the form, click the Place the form using a grid tool
guide and select a face to place a sketch grid. You can then snap to the grid or hold the mouse
over an edge and press Shift for dimensions to lines, points, and intersections
An outline of the form will be shown on the face. You can click again to reposition the form.
6. Click the Complete tool guide to create the form or double-click to place and complete the
form in one step.
To add a Swept Edge form to your design
1. Sketch a profile at an endpoint of the edge.
2. Enter the Pull1 tool.
3. Click the Sweep2 tool guide.
4. Click the Full Pull tool guide.
The vertical line will be swept along the arc to create the form.
Notice that the sweep profile is a single line and an Inside Radius arc is automatically added to the
profile, at the attachment point, to produce a bend. If you draw a tangent arc along with a line, then
that arc determines the bend radius and overrides any inside radius automation that is done in the
case of only a straight line.
Swept Edge1 Forms can be unfolded.
To add a countersink or special form
1. Click Forms in the Forms group on the Sheet Metal tab.

2. Hover over the illustration thumbnail in the Options panel to see a larger illustration with each
dimension or value.
3. Click to select aform fromthe Countersink or Special gallery.
4. The Options panel updates to display specific parameters for the form type you selected.
5. Select the face to use as the form shape.
6. Click the Complete tool guide to create the form or double-click to select the face and com-
plete the form in one step.
To add a user-defined punch, knockout, extrusion, or cup form

2. Select a user-defined form in the punch, knockout, extrusion, or cup sections of the gallery
that opens below the tool icon.
3. If you are adding an extrusion or cup form, you can change the form parameters in the
Options panel.
Hover over the illustration thumbnail in the Options panel to see a larger illustration with each
dimension or value.
4. Select the face to use as the form shape.
To add a custom embossed form to your design

2. Click Emboss in the Custom Tools section at the bottom of the gallery.
Click on the arrow at the bottom of the gallery to scroll down if you don't see the Custom
Tools section.
3. Set the following parameters in the Options panel:
Distance: The distance that the section of wall will be offset.
Round1 radius: All edges that are created are automatically rounded to this radius. Set
the option to 0 if you don't want the edges to be rounded.
Draft2 angle: The angle of the inside wall of the embossed area. Set this value to 0 or
hold Alt and select the edges of the sketch area to prevent a draft. The draft is angled
inward from the profile you select.
Shift faces or Offset3 faces: In the illustration below, the embossed area on the left was
done with the Shift method and the embossed area on the right was done with the Off-
set method.
Remove top face: The top face is removed and the end faces are squared up.
Chamfer4 holes: Creates a chamfer on the top edge of inside holes.
4. Select a sketched region to use as the form shape.
Closed sketches inside the region you select will become holes, as shown in the example
below. The Chamfer holes option has been selected in this example:
5. (Optional) Use the Select Edges tool guide and select sides that you want open, like this:
you pull.
To add a custom punch form to your design

2. Click Punch in the Custom Tools section at the bottom of the gallery.
Click on the arrow at the bottom of the gallery to scroll down if you don't see the Custom
Tools section.
3. Set the following parameters in the Options panel:
Through: The hole will go all the way through the sheet metal wall.
Partial: The hole will go only to the depth that you set in the Depth field.
Depth: How deep the punched hole should go into the sheet metal wall.
Countersink: The sides of the punched area are drafted at a 45 angle. The draft angle is
measures across the hole and made so that its extents are outside of the sketched area.
Full: If you select Countersink, the inside walls of the hole are angled from the
top of the hole to the bottom.
Partial: If you select Countersink, the inside walls of the hole are angled from D1
to D2 in the illustration below.
Diameter: The smaller diameter of a partial countersink; labeled as D2 in the illus-

tration above. Only used if you select Partial.
4. Click the Complete tool guide to create the form or double-click to select the face and
complete the form in one step.
To remove a form from your design

1. Click on the form to select it.
All faces that belong to the form are selected by default. You can scroll your mouse wheel if
you need to select a single face of the form.
2. Click theFill1 tool in the Edit section of the Design2 tab.
To change form properties

1. Click on the form to select it.
2. Change the parameters in the Sheet Metal section of the Properties panel3.
The parameters in the Properties panel are the same as the parameters in the Options panel
when you created the form. No parameters are shown for forms that can't be rotated or that
don't have parameters.
You can also change the Flatten Form property for the component to change how the form is
treated when the sheet metal part is unfolded. See Changing sheet metal part properties.
Tool guides
The Place the form tool guide is active by default. This tool guide allows you to place a form
on any sheet metal face.
The Place the form using a grid tool guide allows you to select a face for a sketch plane, and
then you can place the form on the plane using the grid. You may want to use this tool guide
to help accurately position your form. You can use any dimensioning methods normally avail-
able for a sketch grid.
The Select a face tool guide allows you to select the face that will become the form when you
create a user-defined form.
The Complete tool guide creates the form and allows you to place more forms until you exit
the tool.
Options
Each form has its own options for the form's dimensions. These dimensions are shown in the thumb-
nail illustration in the Options panel. Hover over the thumbnail with your mouse to see the full-size
image.
Most forms have the following options:
Rotation angle: Use this option to turn the form on the face where it is placed.
Create rounds: Use this option to round the edges of the form.
Examples
Creating a user-defined punch form on the edge of a face removes material from the edge.
You can create a pattern of forms, and the forms arerecognized by the Convert tool.
Splitting sheet metal faces
Use the Split1 tool in the Create group on the Sheet Metal tab to divide sheet metal faces and
create partial rips.
You can use the Split tool and the Select Two Cutter Points tool guide and select a corner for either
or both points to make a miter junction, as shown below. Corner2 reliefs are automatically created
where needed.
You can only select a facenot a thickness edgewith this tool. You cannot split a bend face.
When creating multiple splits along a sheet metal part, regardless of whether you use one or two cut-
ter points or bend direction, the resulting bend spans the length of the sheet metal part across all
splits, and, on both sides of the split(s):
The Split face gap option in Sheet Metal options controls the width of a gap when you use the Split
tool.

To create a partial split or rip
1. Click Split in the Create group on the Sheet Metal tab.

2. Select the Select Two Cutter Points tool guide.
3. Change the selection for the Relief tool, if necessary.
The shape of the end of a partial split is determined by the type of relief selected for the
Relief tool. The Relief tool is set to Square in the example below.

5. You can enter a dimension for the percentage of the distance along the edge or the distance
from the end of the edge.
The yellow ball turns green when the endpoint snaps to a point.
6. Click the point for the end of the split or rip.
To split using an imprinted edge or sketch curve

Click Split and then select an imprinted edge or sketch curve.
Tool guides
The Select Cutter Point1 tool guide is active by default. This tool guide splits a face per-
pendicular to an edge at the point you select.
The Select Two Cutter Points tool guide allows you to select two points and a split is made
between the points. The snap radius from SpaceClaim Options > Snap2 is used.
Beads
Use the Bead tool in the Create ribbon group on the Sheet Metal tab to create a bead on a face
of a sheet metal part.
You can create a bead using a line, spline, arc, tangent curve chain, layout curve, imprinted edge, or
other curve on a face. The curve must be completely on the face and must not self-intersect. The
curve can extend from an edge of the face or it can extend from edge to edge to create a full bead.
A dotted line previews the bead. If the preview extends beyond the edge of the face, or if the curve
is too tight, the bead will not be created. Faces which have beads can be moved with the Move1
tool.
The bead unfolds in the same way as a form unfolds.
Select Bead in the Highlight group on the Sheet Metal tab to highlight all the beads in your sheet
metal design.
To relocate beads on a face, select the Move tool.
To add a bead to your design

1. Click the Bead tool in the Create group on the Sheet Metal tab.
The Select Path tool guide enables.
1. Select one or more curves to use to create the bead.

2. (Optional) Modify the Bead radius value in the Options panel2.
3. (Optional) Modify the Round3 radius value in the Options panel.
4. Click the Create Bead tool guide.
Do it faster
Select the curve then click the Bead tool.
You can also create a bead using the sheet metal Bend tool.

Options
Bead The radius of the bead, which is also the height of the bead. The minimum bead radius
radius is 0.25 x T (sheet metal thickness).
Round
Radius of the round at the base of the bead where it intersects with the surface.
radius
Examples
Create a bead from a line on a sheet metal face.
Creating a bead using a line that extends across a face.
Sheet metal markers
Use the Marker tool tocreate one or more bluecross-hair placeholder markers on planar sheets
or side walls (flat surfaces) of your sheet metal design.
To create a marker
1. Click Marker in the Create group on the Sheet Metal tab.

2. Select the Place the marker tool guide to activate the tool. The tool remains active, enabling
you to place multiple markers.
3. Move1 your cursor over the face where you want to place a marker.
4. Click to place the marker.
To move a marker
When moving a marker, the only Move handles that display are those that allow you to move the
marker along the design's grid. Markers move along with the walls on which they are initially placed.
1. Click Move in the Edit group on the Sheet Metal tab.
2. Click the marker that you want to move.
Hold Ctrl and click to select multiple markers. Markers you select with Ctrl will move as a
group. You can also select one marker, then right-click and choose Select All to select all mark-
ers. To move a marker, you can also enter a new location value.
3. Move the marker to its new position.
Markers that are added to a sheet metal part remain in place if you bend the part.
When you unfold a sheet metal part, markers that appeared on the part will also dis-
play on the unfolded part.
Double walls
Use the Double wall tool in the Create group on the Sheet Metal tabtocreate a folded full or
partial double wall in your sheet metal design, for example, in use with creating pipes, ducts and fit-
tings.
To create a double wall

1. ClickDouble wall in the Create group on the Sheet Metal tab.
2. Select the Select faces tool guide to activate the tool.
3. Clickon the face where you want to place the double wall.
4. Click the Select Edges tool guide, and click the edge where you want to place the bend.
5. Click the Complete tool guide to create the double wall.
Examples
You can not only rotate double walls around a bend axis, but you can also click anywhere on the
model, such as a face, and rotate the double wall to change the models geometry. How the double
wall rotates depends on which face is selected, as shown in the examples below:
When you move a double wall, the wall and any objects associated with it, such as
junctions and reliefs, also move..
Gussets
Use the Gusset tool in the Create group on the Sheet Metal tabtool tocreategussetsin your
design.A gusset is a section of the metal inside a bend which is not bent, but rather forced into the
bend in order to reinforce or stiffen the piece. You can create flat or cylindrical gussets. Both types
are shown in the image set below:
To create a gusset
1. Click Gusset in the Create group on the Sheet Metal tab.

2. From the Options panel1, select a gusset type (Flat or Cylindrical), and then choose Angle,
Depth, Width, and Round2 radius values for the gusset.
3. Click on the bend where you want to place the gusset. A blue outline of the gussetappears to
indicate where the gusset will be located on the bend.
4. Click to set the gusset.
To move a gusset
When moving a gusset, the only Move handle that displays is simply the handle that allows you to
move the gussets along the bend axis on which the gusset is defined.
1. Click Move3 in the Edit group on the Sheet Metal tab.
2. Select the gusset that you want to move.
3. Move the gusset along the bend axis to relocate the gusset to a new position.
You can also enter a new location value for the gusset.
When you use the Fill tool to fill a gusset, the bend geometry on which the gusset
is defined remains intact.
Tabs
Use the Tab tool in the Create group on the Sheet Metaltab tocreatetabs in your design.You
can create a tab on a sheet metal junction, such as a bend or split.
Tabs are defined by the following options:
Overlap Full
Overlap 1-sided partial
Overlap 2-sided partial
Length
Spacing
Clearance
Height
Sharp Edges
Rounds
Chamfers
To create a tab
1. In your design,select the junction where you want to place the tab.
2. Click the Tab tool in the Sheet Metal tab Create group. The Select Edges tool guide activates.
The tab highlights in preview mode (blue) so you can see the tab's values and placement.
3. (Optional):Modify theoptions in theOptions panel1
Length
Spacing
Clearance
Height
Edge2 options:
Sharp Edges
Rounds
Chamfers
Flip: Checkbox to alternate the tabs in the opposite direction along the edge used to
create the hem.
4. Click Complete to create the tab.
With a Hem feature selected, the RMB has two Hem menu options.
Flip: Alternate the tabs in the opposite direction along the edge used to create the hem.
Reverse: Switches the edge to the other body to create the hem.
To create a single tab

1. In your design, select the junction where you want to place the tab.
2. Clickthe Tab tool in the Sheet Metal tab Create group.
3. Click the Select Points tool guide.
4. (Optional): Modify the options in the Options panel.
Clearance
Height
Edge options:
Sharp Edges
Rounds
Chamfers
5. Hover over the edge you want for the tab.
6. Click once to locate the first point. Dimensions1 display to enter an exact location.
7. Click the edge a second time to locate the end of the tab. Dimensions display to enter an
exact tab length.
8. Click Complete to create the tab.
Examples
Tabs created on a sheet metal junction.
Tabs created on a split sheet metal partial edge.
Tabs created at aT junction where one sheet is perpendicular to another.
Hinges
Use the Hinge tool in the Sheet Metal tab Create tocreatehingesat junctions betweensheet
metal parts.
Hinges are defined by the following options:
Pin diameter
Pitch1
Knuckle
length
End play
Paint clearance
To create a hinge
1. Create one of the three overlap junctions, or create a split across a flat wall.
2. Select the junction where you want to place the hinge.
3. Click Hinge in the Sheet Metal tab Create group.
4. The Select Edges tool guide activates and thehinge highlights in preview modeto showthe
hinge's placement and size.
5. (Optional):Modify theHinge options in the Options panel1:
Pin diameter
Pitch
Knuckle length
End play
Paint clearance
Hinge direction can be flippedusing the Flip checkbox.
6. ClickComplete to create the hinge.
Cross breaks
Cross breaks are a cost effective method for strengthening a thin piece of sheet metal. Typically, this
is done in an X shape, however two lines crossing at most angles will add strength.
To add across breakto your design

1. Enter the Bend tool.
2. In the Options panel1, click CreateCross Break.

3. Select Cutter Point2 is the default tool guide. When you mouse over an edge, you see a pre-
view of the bend line and its location. Click anywhere along the edge to place a bend line per-
pendicular to the edge across the entire face.
4. The Select Two Cutter Points tool guide lets you select both bend line endpoints to produce
different angles.
5. Click Complete once you have created two crossing bend lines.
6. SpaceClaim shows the cross break as triangular shaded areas on the face.
Sheet metal text
A note is text that is engraved or cut out of the sheet metal part when it is fabricated. The special
sheet metal note can only be created, edited, moved, or deleted in the flattened state, but you can
see it in the folded state. The text can cross bends, as shown in the example below.
You can only create lightweight notes, which means they are rendered simply and don't require as
many resources as normal rendering. Their faces cannot be edited directly; you can only change the
text by changing the note.
To add engraved or cut-out text to your design

1. Unfold the sheet metal part.
2. Click Note1 in the Annotation2 group on the Detail3 tab.

3. Click on the face where you want to place the note.
4. Click again to place the note.
5. Type the note text.


style.
6. Right-click the note text and select Convert To Lightweight > Cutout or Engraving.
You can change the note text like a normal annotation note. See Formatting note text.
To convert a sheet metal note to a regular annotation note

Right-click the note text and select Convert To Note.
Lightweight patterns
Lightweight patterns allow you to create patterns in sheet metal that contain hundreds of thousands
of members. They are displayed nearly as fast as one member because only the original member's
graphics facets are calculated and then translated into graphics according to the pattern dimensions.
You can't select the graphics-only members. All changes are driven from the pattern leader and all
pattern members move when you move the leader.
When you toggle from a real to a lightweight pattern, the hole that is selected as the pattern leader
remains selected. This allows you to convert a lightweight pattern to a regular pattern, change the
center of modification or the leader position, then convert the pattern back to lightweight for speed
purposes.
Lightweight patterns are automatically converted to regular patterns when you export a sheet metal
design.
You can only make a lightweight pattern using a pattern of holes.
To make a lightweight pattern

1. Follow the instructions in Creating a pattern to create a pattern of holes.
You can make any type of pattern, including linear, circular, radial, etc.
2. Right-click the pattern leader and select Toggle Lightweight Pattern.
To convert a lightweight pattern to a normal pattern
Right-click the pattern leader and select Toggle Lightweight Pattern.
Flanges
Use the Flange tool in the Create group on the Sheet Metal tab to create a Complex Flange Form.
Flange forms get their shape from a separate, existing surface.
To create a flange
1. Create a surface that has the shape desired for

the Flange.
2. Click the Flange tool.
3. Select edges where the Flange will be created.
4. Click the Select Faces tool guide.
5. Select the Face1 to define the Flange.
6. Select the Face to define the Flange.
7. Enter a Flange Radius, Flange Height, or
Bend Allowance in the Options panel1.
8. Click Complete.
9. Click Complete.
10. Enter a new Flange Height. Notice how it fol-
lows the shape of the selected face.
Options
The Flange tool has following options:
Flange Radius: Use this option to change the size of the Radius at the base of the Flange.
Flange Height: Use this option to change the Flange wall height.
Bend Allowance: Use this option to set the Bend Allowance for the Flange.
Modifying sheet metal parts
SpaceClaim automatically creates reliefs, junctions, and other sheet metal features as you create a
sheet metal design or convert a design to sheet metal.
Use thefollowing tools in the Modify ribbon group on the Sheet Metal tab to change the type of
existing sheet metal features or to create additional features.
Modify ribbon group

The Modify ribbon group contains the following tools:
Junction
Edge relief
Corner relief
Notch
Hem
Junctions
Use the Junction option tool to set the default junction type and to change the junction type of
an existing junction. The junction type can be changed for junctions with or without reliefs.
The icon on the Junction option tool changes to reflect the junction type. This setting is saved until
you close SpaceClaim. The junction type can also be found in the Sheet Metal section of the Prop-
erties panel1 when you select a junction.
Select Junctions in the Highlight group to highlight all junctions in your sheet metal design.
To change the junction type

Select an option from the Junction tool in the Create group on the Sheet Metal tab:
A traditional, circular bend between two sheet

Bend
metal walls.
Full
One wall overlaps the other.
Overlap
Partial
One wall overlaps the other halfway.
Overlap
No
The walls meet but do not overlap.
Overlap
Removes rips and bends from the geometry and
returns it to a shell, where there is no inside or out-
Sharp
side radii. (You can also rotate a 180 "hem" to cre-
ate a 90 flange.)
One side of the junction is bent and the other is
Flange straight. Use Reverse to change the bent and
straight sides.
The junction will no longer be recognized by
None
SpaceClaim.
The junction type you select is saved as the default for the session, so any junctions created by Pull1
will be this junction type.
To change a junction on a sheet metal design

1. Select an edge or faceofa junction.
You can Ctrl+click toselect multiple junctions.
2. Select an option from the Junction tool.
You can also select an option from the mini-toolbaror change the Junction type value in the
Sheet Metal section in the Properties panel.
Examples
Selecting an edge to change an S Bend junction to a No Overlap junction
Selecting the edge of a corner junction to change the junction type from No Overlap to Full Overlap
Changing a Bend to a Full Overlap junction
Using the junction mini-toolbar to change a junction type when Select and Pull tools are active
To remove a junction
1. Select an edge or face that belongs to one or more Full overlap, Partial overlap, or No overlap
bend junctions.
2. Ctrl+click toelect multiple edges.
3. Select theNone option from the Junction option tool.
You can also right-click the edge or face and click inthe junction mini-toolbar or
selectNoneas the Junction type in the Sheet Metal section of the Properties panel.
The geometry at the junction will not change, but the junction will no longer be recognized
by SpaceClaim. You may need to do this when you want to make changes that can't be made
to a recognized junction, such as creating a partial flange.
To reverse an overlapjunction
Right-clicka partial overlap or full overlap junction and selectReverse from the context menu.
Edge reliefs
Edge1 reliefs are automatically created when you pull a partial wall.
The edge relief type is determined by the Edge Relief option tool in the Modify group on the
Sheet Metal tab. The default is round, but you can change it to another type. The icon on the Edge
Relief tool changes to reflect the relief type. This setting is saved until you close SpaceClaim.
The shape of the end of a partial split is also determined by the relief type you have set for the Edge
Relief tool. See Splitting a sheet metal face.
The dimensions of a relief are determined by the relief settings in Sheet metal options.
Dragging a yellow ball end point to pull a partial wall creates an edgerelief.
A message appears in the status bar if a relief cannot be created, such as when it is too close to the
side.
After you create a bend that has an edge relief, you can select the relief and change the type using
the Edge Relief tool, or you can change the type, depth, and width in the Properties panel2. You can
also move an edge relief along a sheet metal wall.
Edge relief type Icon

Round3
Square
Rip

Edge relief type Icon
Circular
Smooth
Smooth and Circular edge reliefs do not change the 3D geometry. Their effect is
seen in the unfolded part.
To change an edge relief type and dimensions

1. Select an edge or faceof a relief.
You can Ctrl+click to select multiple reliefs.

2. Select an option from the Edge Relief toolin the Modify ribbon group on the Sheet Metal tab.
You can also select a relief type from the mini-toolbar or modify the Bend Relief Type in the
Sheet Metal section in the Properties panel. Depending on the relief type, you canalso
modify:
Bend Relief Width: The width of the relief is A in the images below.
Bend Relief Depth: The depth of the relief is B in the images below.
Corner reliefs
Corner1 reliefs are created automatically when you create a sheet metal design or convert a design
to sheet metal.
The corner relief type is determined by the Corner Relief option tool in the Modify group on the
Sheet Metal tab. The default type is square, but you can change it to another type. The icon on the
Corner Relief option tool changes to reflect the corner relief type. This setting is saved until you
close SpaceClaim.
You can select a corner relief and view its propertiesin the Sheet Metal section of the Properties
panel2.
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To add a corner relief

1. Select an option from the Corner Relief tool in the Modify group on the Sheet Metal tab.
2. Select one or more points where you want a corner relief added.
To change the type of a corner relief

1. Select one or more corner reliefs by clicking any face in the corner relief.
2. Select an option from the Corner Relief tool in the Create group on the Sheet Metal tab:
Corner relief type Icon Application

Default Any corner
Filled Any corner
Smooth Corners between bends or angles
Square Any corner

Corner relief type Icon Application
Circular Any corner
Triangular Any corner
Rectangular Any corner
Oblong Any corner
Diagonal Corners between bends of unequal radius or angles
Laser Edge1 Any corner
Laser Symmetric Any corner
None Any corner
3. You can also select a corner relief type from the mini-toolbar or modify the following values
in the Sheet Metal section of the Properties panel:
Relief Type: Select a corner relief type.
Reference: Select Corner or Middle based on how you want the corner to be posi-
tioned.
Diameter, Offset2, Width, Height: Enter values for the selected relief type.
You may wish to rotate a wall. To achieve a solid rotation and retain cor-
rect geometry, before rotating a sheet metal wall face, you can auto-
matically convert the corner reliefs to a default corner relief (which is
purposely a bit over-sized). When finished with the rotation, the corner
reliefs will automatically restore to their original relief type.
Some examples of Corner Relief types
Changing a corner relief type to Laser symmetric.
Selecting the Smooth option from the Corner Relief tool for
unequal radius bends.

Selecting the Smooth optionfor anon-90-degree corner.
The following examples show the effect of the Reference corner relief property in an unfolded sheet
metal part.
Corner relief type: Circular

Reference: Corner

Reference: Middle
Corner relief type: Square

Reference: Corner

Reference: Middle
Corner Relief added to a shelled part converted to Sheet Metal
Adding a corner relief to a shelled part that was previously converted to sheet metal. This part will
need junctions and split faces before it can be unfolded.
To change a corner relief type back to default
1. Select one or more corner reliefs.
You can select a Filled corner by selecting the vertex where the corner relief would be.
2. Select theDefault option from the Corner Relief tool.
You can alsomodify the Relief Type value in the Sheet Metal section of the Properties panel.
To create a smooth corner relief between equal bends

1. Ctrl + click to selectequal bends neighboring a cornerrelief.
2. Select the Smooth optionfrom the Corner Relief tool.
To remove a corner relief
To remove but leave the geometry

1. Select one or morecorner reliefs.
2. Select None from the Corner Relief toolin the Modify group on the Sheet Metal tab or
from the mini-toolbar.
The corner relief object is removed. The geometry remains.
To remove by filling
1. Select one or morecorner reliefs.
2. Click theFill1 tool in the Edit section of the Design2 tab.
When a corner relief is filled, it will be filled with a radius to match the inside radius of the bend and
create acorner object.
Notches
Use the Notch option tool in the Modify ribbon group on the Sheet Metal tab to create a notch
in an edge of asheet metal wall. The notch type is also determined by this tool. The icon on the
Notch tool changes to reflect the type.
Click the Notches option in the Highlight group to highlight all the notches in your sheet metal
design.
When you convert a part that includes a notch, and then click the Identify tool and select the
Notches tool guide, notches are clearly identified by the cyan color in the sheet metal part.
To create a notch
1. Select a vertex or thickness edge.

2. Select an option from the Notch tool in the Create ribbon group on the Sheet Metal tab to cre-
ate the notch.
Notch type Icon

Square
Rectangular
45-Degree Bevel
XY Bevel
Radius
To modify a notch
Select one or more notches and do any of the following:
Select an option from the Notch tool.
Select a notch type from the mini-toolbar. Use the Reverseoption to flip the sides of Rect-
angular and XY Bevel notches.
Modify the Notch Type in the Sheet Metal section in the Properties panel1. Depending which
Notch Type you select, you can modify the Width, L1, L2, and Radius values.
To remove a notch
To remove but leave the geometry

1. Select the notch.
2. Select None from the Notch tool in the Modify group on the Sheet Metal tab or from the
mini-toolbar.
The notch object is removed. Highlighting Notches no longer highlights the object.
The geometry remains and can now be manipulated.
To remove by filling
1. Select the notch.
2. Click the Fill2 tool in the Edit section of the Design3 tab.
Hems
The following table shows the available Hem types.
Option Icon
Simple
Open
Teardrop
Rolled
None
Hems can be created in two basic ways.

Applied to a selected edge
Pulling a selected edge
If you move a wall with a hem, the hem moves with the wall.
Click the Hems option in the Highlight group to highlight all the hems in your sheet metal design.
To create a hem using the Hem tool

1. Select an edge
You can only create Hems on straight edges that have squared straight thickness edges.
You can not create hems on non-thickness edges, such as those created with chamfers.
2. Choose a Hem type from the Hem tool dropdown list
3. The Hem is created
Simple hems areoffset by one wall thickness.
To create a hem using the Pull tool
1. Use the Hem tool dropdown menu to set the default Hem type
2. Enter the Pull1 tool
3. Select an edge
4. Choose the inline Pull arrow (not the arrow at 90 degrees from the face)
5. Choose Joggle or Hem from the mini-toolbar
6. Pull back over the face to create the Hem
To create a partial edge Hem
3. Select an edge
4. Drag the edge end handles (yellow balls)to size the length of the Hem
To create a multiedged Hem
3. Double-click an edge to select an entire edge chain
To create a hem using theMove tool
1. Enter the Move1 tool

2. Select the inside wall of the bend.
Turn themouse wheelto select a face that is hidden by another face, if necessary.
3. Rotate2 the wall back on its neighboring face, as shown below.
A 0.0001 mm gap is created automatically.
To modify a hem
1. Selectone or more hems.
2. Select an option from the Hem tool.

an axis.
You can also select a hem type from themini-toolbar or modify the Hem Type in the Sheet
Metal section in the Properties panel1. Dependingwhich hem type you select, you can
modify theLength, Height, Gap, and Diameter values.
With a hem selected, you can alsomodify the hems Inner Radius, Bend Steps, Bend Allowance
(BA) and Bend Deduction (BD) parameters in the Sheet Metal section of the Properties panel.
When you change a hems BA, the BD parameter also automatically updates, depending on the
hems other parameters, such as Inner Radius, Height, or Angle.
With a hem selected, you can alsomodify the hems Inner Radius, Bend Steps, Bend Allowance
(BA) and Bend Deduction (BD) parameters in the Sheet Metal section of the Properties panel.
When you change a hems BA, the BD parameter also automatically updates, depending on the
hems other parameters, such as Inner Radius, Height, or Angle.
To remove a hem
To remove a hem object but leave the geometry

1. Select the hem.
2. Select None from theHem toolin the Modify group on the Sheet Metal tab or from the
mini-toolbar.
Thehem objectis removed. Highlighting Hems no longer highlights the object. The geometry
remains and cannow be manipulated.
To remove a hem, you can also select Fill2 from the Edit group in the Design3 tab, or right-
click and select Delete from the context menu.
Miters
When you pull two Sheet Metal edges that form a corner, a Miter will be created. Miters are Sheet
Metal objects like Hems Notches, Reliefs, and Junctions.
There are two types of Miters.

Bisector
Perpendicular
To create a miter
1. Select two edges that form a corner.
2. Enter the Pull tool.
3. Pull the edges.
4. The miter is created as you pull.
You can also enter the Pull tool and then select the edges.
Tomodify a miter
1. Select a miter.
2. Choose one of the following options from the mini-toolbar.
1. Bisector: If the selected miter is Perpendicular, you can change it to Bisector.
2. Perpendicular: If the selected miter is Bisector, you can change it to Perpendicular.
3. None: Remove the miter
4. Reverse: If the selected miter is Perpendicular, you can reverse the direction.
Watertight corners
Watertight corners are sheet metal corners that don't have reliefs, so to make them you simply
remove the reliefs. Parts with watertight corners can be unfolded and modified just like any other
sheet metal part.
To make a default watertight corner

1. Select the faces of the corner, like this:
2. Click Fill1 in the Edit group on the Design2 tab.

The corner is now watertight:
To convert a watertight corner to a corner with reliefs

1. Select the edge or point where the bends meet, as shown below.
or
2. Clickthe Corner3 relief tool in theModify group on theSheet Metaltab.
3 See Fillet (interior corner) or Round (exterior corner)
The corner now has a relief:
Full and Partial overlap corners

Full Overlap Junction:
1. Select the faces of the corner, and choose a Triangular relief from the mini-toolbar.
2. The watertight corner is created.
Partial Overlap Junction:

1. Select the faces of the corner, and choose a Triangular relief from the mini-toolbar.
2. The watertight corner is created.
Partial flanges
The part shown below has partial flange junctionson the front and back corners:
To create a partial flange

1. Select an edge or face that belongs to a junction.
2. Change the junction type to No Overlap, if necessary.
3. Change the Junction type parameter in the Sheet Metal section of the Properties panel1 to
None.
4. Click Pull2 in the Edit group on the Sheet Metal tab.

5. Select the outside edge of one wall of the junction.
6. Drag the yellow balls in to the points where you want the flange to end, as shown below.
7. Pull in the direction that isparallel with the adjacent wall, as shown below.
Unfolding sheet metal
You can unfold a sheet metal design and changes appear simultaneously in the unfolded component
and in the original design.
The Unfoldbutton enables when you select a single face of a sheet metal part.
Unfolded parts are not exported with the solid when you export a sheet metal part; however, you
can explicitly export the unfolded part.
You can unfold the following types of walls, but you must right-click a planar face and not a cylinder
or a cone:
Planar walls
Cylindrical walls, including large diameter cylinders (roll bends)
Most conical walls, such as a part with variable radius round between arcs that was shelled and
converted to a sheet metal part. Parts that are made with blends between radii also unfold reli-
ably.
Z bends and S bends, even when they neighbor a cylindrical or conical wall.
Walls thatincludes holes that touch a bend or are included in an object that includes a bend.
Double-walled parts that include a complex unbending edge.
To unfold a sheet metal component

1. Select a face of a sheet metal component with at least one bend junction.
The selected face sets the orientation of the unfolded design. When you select a single face of
a sheet metal part, the Unfold button enables. You can also right-click and select Unfold Part
from the context menu.
2. ClickUnfold in the Flat group on the Sheet Metal tab.
An unfolded version of the component is displayed in a new Design window1 as a top view
with its overall dimensions, as shown in the figure below. It also appears in the Structure
tree2 as an unfolded part . The visibility of the unfolded part in the original design is ini-
tially set to Off in the Structure tree. The unfolded part is saved as part of your design.
Overall dimensions on an unfolded part are measured based on the orientation of the sketch
grid. The inside angle of a bend is used to calculate dimensions. The two flat extent dimen-
sions are automatically displayed.
Bends are listed as objects in the Structure tree for the unfolded part. Bend lines and bend
dimensions are placed on a Bends layer with the visibility off. Turn the visibility on in the Lay-
ers panel to view the bend lines.
If a chamfer is recognized as a form, it unfolds based on the Flatten form as value in the
Sheet Metal section of the Properties panel for the design.
If an unfolded component has conflicting geometry, the conflicting geometry is made a sep-
arate surface in the Structure tree and highlighted in red, as shown in the figure below. The
edge that prevents the unfold is also highlighted.
If you save an unfolded sheet metal partwithin a component, opening that component in an
assembly displays a checkbox and icon for the unfolded part in the Structure tree. You can
toggle the visibility of the unfolded sheet metal part in the unfolded part design window.
To fold an unfolded sheet metal component

Use the Fold Walls tool to fold walls in the unfolded part.
1. Click Fold Walls in the Flat group on the Sheet Metal tab.
2. (Optional) Enter a Bend Percentage in the Options panel1 if you want to only partially bend
back the wall.
3. Click on Bends (not the wall) to bend them back
Box-selection is available for selecting Bends to bend back.
Examples
Unfolding a form. Outlines are shown on the unfolded part on the side on which they were placed.
Only the topmost outlines of forms are displayed. Form outlines are on the Bends layer, which is hid-
den by default.
Unfolding a flange form.
To work simultaneously on the folded and unfolded view of a design

The unfolded view of a sheet metal part can be placed next to the folded view in order to work sim-
ultaneously on both views. Changes made to the part in one view updates in the other view.
You can use the Pull1 tool to make the following changes, and the change will be reflected in the
unfolded view:
Punch holes in planar and cylindrical walls
Pull walls to change their height or width, or pull to change the dimensions of a hole
Use the annotation dimensions that are automatically created with an unfolded part to change
the height or width of a wall (see the animated example below)
To place views next to each other, click and drag the tab for a Design window and drop it next to
another view.
Examples
Using the Pull tool and annotation dimensions to change the height of a wall on the unfolded part
(on top); the changes are reflected in the folded part (on the bottom).
Using the Pull tool to put a hole in an unfolded cylinder also creates the hole in the folded part.
To create a view of an unfolded part in a drawing sheet

1. Unfold the sheet metal part in the drawing sheet.
Move1 the mouse to preview the unfolded part.
2. Click the drawing sheet to place a general viewat that location.
To add bend dimensions to an unfolded view

1. Select the view.
2. RMB > Show Bend Dimensions2
3. Make sure the Bend Dimensions layer is turned on.

2 Values or expressions you enter for precise control during the creation or modification of a design.
With this option enabled, any changes made to the model will automatically update the drawing
sheet bend dimensions.
To export an unfolded part as .dxf

1. Place the desired dimensions and notes on the unfolded view using the tools in the Detailing
tab.
2. Set the Graphics Style in the Display tab to Wireframe1.
This step prepares the model for dxf export and shows you what the resulting image will look
like.
3. Select Save As from the SpaceClaim menu and specify AutoCAD2 files (*.dxf) as the export
type.
The unfolded model is saved as a 2D dxf file with the included annotations and can be used in
manufacturing.
1 View mode in which all edges of the part or assembly are displayed.
Calculating unfolded lengths
SpaceClaim can use sheet metal bend deduction to calculate unfolded lengths. You can set the
default Sheet Metal Options in the SpaceClaim Options window.
You can change the default bend properties for a specific component or bend by selecting the com-
ponent or bend and modifying the values in the Properties panel1:
The Bend Allowance property contains the length of the arc through the bend at the neutral
axis of the sheet metal wall being bent. Adding the Bend Allowance and the lengths of the two
sides give the unfolded length.
The Bend Deduction value for the selected bend represents2 times theOutside Set Back
(OSSB)minus the bend allowance.
Bend Allowance (BA)and Bend Deduction (BD) are linked. Modifying one value causes the other to
be automatically recalculated as follows.
BD = 2 x OSSB - BA
Bend allowances
Bend allowance1 calculations use what is known as a K-factor2. This is the ratio of the location of
the neutral line (t in the image below) to the material thickness (T). When metal is bent, the material
at the inside radius is put in a compressive state while the material at the outside radius is put in ten-
sion. The neutral line is the point of zero stress where the material transitions from compression to
tension.
K-factor = t/T
The K-factor is a geometric calculation and does not take into account physical factors for a given
bend process (material type, bend operation type, tools, etc.). Because of this, the only way to know
the actual K-factor for a given setup is to do a reverse calculation from an actual bend. In other
words, bend the metal, measure the result, and calculate the K-factor.
1Amount of material added to compensate for changes caused by bending sheet metal. Allowance is
required to correct for the change in length caused by bending a flat sheet.
2 Parameter of bends in a sheet metal part used to calculate the bend radius. K-factor is a percentage
SpaceClaim determines the correct K-factor curve so you have a more accurate result, without chan-
ging the K-factor or frequently change bend tables. The default bend allowance produces an accur-
ate result for normal bends made with normal tools and a normal press brake. For basic parts, you
should use the default allowances. For special cases, you can use a bend allowance table.
The curve for the default values used in SpaceClaim is shown below.
The graph shows three segments: red, blue and green.

The red segment represents bend radii less than the material thickness. Because of the physical
limit of the steel compressibility, it is difficult to obtain bends with a radius less than the thick-
ness in an air bend process.
The blue segment shows that, as the inner radius increases, the K factor is not constant. It
increases up to approximately 0.5 when the inner radiu is about four times the material thick-
ness. It does not increase beyond that because the material is no longer stretched. A K-factor
greater than 0.5 is not possible.
The green segment is constant at 0.5, which is the neutral axis for bends with a radius greater
than four times material thickness.
The point where the red and blue segments meet is important. It represents a bend radius equal to
the material thickness. For normal bends, a reverse calculation finds the K-factor to be:
K = (4-PI) / PI = 0.27324
This can be confirmed by press brake manufacturers. It is correct for normal bends because it is
based on the actual physical result.
You can build bend allowance tables for your materials and processes. When your tables are filled
(which is a one-time task), you can unfold with the tables, or use the default value.
With a sheet metal design selected at the top level of the Structure tree1, theK-Factor Typeoption
displays in the Sheet Metalgroup of thePropertiespanel. By default, the K-factor type is set to Vari-
able, but you can also set a constant K-factor.
The Constant K-Factor type option allows you to enter a numerical value for the part. Using this
option, you can map the design to other mainstream CAD functionality, or, adjust the design to a
manufacturers unique standards or tolerance levels to achieve various unfolding results.
You should only change the K-factor so it corresponds to the working properties of
the metal.
Additive manufacturing
SpaceClaim has tools that allow you to prepare models for Additive Manufacturing i.e. 3D Printing.
3D Printers use STL files to build up a model in layers. SpaceClaim's Facets tab contains tools for
working with meshes and preparing them for export to a 3D printer.
The ribbon is organized in groups of tools that, from left to right, step through the process of cre-
ating a mesh for the printer.
1. Cleanup has tools that remove defects which can cause problems for downstream operations.
2. Organize has tools for separating and joining disconnected mesh regions (e.g. shells).
3. Modify has tools for working with mesh geometry.
4. Adjust has tools smoothing the mesh, reducing the number of facets, and making the facets
more uniform.
5. Analyze has tools for measuring thickness and finding overhangs.
6. Create has tools for previewing the mesh and exporting it to an STL file1.
7. Edge2 Display has toggles for displaying:
Internal mesh edges are shared by two connected facets
Open mesh edges belong to one facet
Over-connected mesh edges are connected to three or more facets and cannot be
resolved by 3D printers

Mesh cleanup
3D Printing requires that the mesh be watertight and free of self-intersecting facets, or other defects.
The Cleanup tools identify and fix mesh defects.
Checking meshes
Use the Check Mesh tool to list problems with the Mesh that will adversely affect the3D Printing
process.
Problems detected include the following:
Multiple pieces (i.e mesh regions or shells)
Non-watertight mesh
Self intersections
Over-connected (i.e non-manifold) edges
To check a mesh:
1. Select a mesh in the Structure tree1
2. Click the Check Mesh tool
3. A dialog appears listing any issues found
The Check Mesh tool can also be used in an Action-Object2 workflow by entering the tool and then
selecting the mesh.
Automatically fixing a mesh

Use the Auto Fix tool to automatically search for, and fix any mesh defects.
The Auto Fix tool performs the following sequence:
1. Fix self-intersections
2. Close holes using the methods described the find and fix example below.
If there is surrounding curvature, the hole is closed using the Patch method.
If the surrounding edges are approximately planar, the hole is closed using the Cap
method.
3. Recheck for self-intersections
4. Fix self-intersections
5. Remove void shells
6. Fix inverted normals
7. Fix non-manifold edges and vertices
Additive Manufacturing technology is capable of producing interior voids

(enclosed, hollow spaces) that would not be possible with traditional man-
ufacturing methods. Depending on the additive process used, the void may contain
unused resin, powder, or support materials. If voids need to be in the finished part,
it is good practice to build it in halves or add access holes to remove the unused
materials.
To Auto Fix a mesh:

1. Click the Auto Fix tool
2. Select a mesh in the Graphics window
3. Problem areas are fixed
Mesh intersections
Use the Intersections tool to highlight areas of self-intersection.
To check for intersections:
1. Click the Intersections tool
3. Areas of self-intersection are highlighted
The model is also made transparent if any intersections are found
4. Click Complete to fix the intersections
Holes in meshes
You can find and fix holes using the Holes tool. It works like other Find-and-Fix tools in the Repair
tab.
In the mouse example below, the button needs a smooth fill and the bottom simply needs to be
capped.
To find and fix holes in meshes:
1. Click the Holes tool to highlight holes in the mesh.
2. Click the Exclude Problem tool guide.

3. Select the bottom hole because it needs to be flat and the button needs to be smooth.
If there are more than one holes to exclude, you can use box-selection.
4. Choose the Patch option.

6. The button is filled in smoothly and the bottom hole is highlighted again.
7. Click the Cap option.

8. Click the Complete tool guide to cap the bottom
Mesh sharps
Meshes may contain sharp spikes that need to be flattened. You can use the Fix Sharps tool to find
and fix any sharps in the mesh. It works like other Find-and-Fix tools in the Repair tab.
There are several options to control how sharps are fixed.

Sharp edges: This applies to the angle between normals of facets that share an edge. Any
edges with an edge angle greater than the specified angle will be found.
Sharp vertices: This applies to the angle between normals of any two facets that share a ver-
tex. Any vertices with an angle greater than the specified angle will be found.
Convexity options specify which type of sharps to look for.
Both convex and concave: All types are found.
Convex: Only convex sharps are found. These are sharps that point outward.
Concave: Only concave sharps are found. These are sharps that point inward.
To find and fix sharps:

1. Click the Sharps tool.
2. Based on the options settings, if any sharps are found, they are highlighted.
Convex and concave sharps are found.
3. (Optional) Change the option settings as needed.
4. Use the Select Problem tool guide to select and fix individual sharps.
The concave sharp is flattened.
5. Use the Exclude Problem to exclude problem areas.

6. Use the Select Geometry tool guide to select areas not found automatically by the tool.
7. Click Complete to fix all remaining highlighted sharps.
Organizing meshes
The Organize group has tools for:

Separating mesh regions in a single mesh body
Joining multiple mesh bodies into a single body.
A single mesh body can have any number of mesh regions. A common example is a shelled mesh
which has both an inner and an outer mesh in one body. Another example can be created by saving a
SpaceClaim model, which contains several separate solid bodies, as an STL file1. It gets imported in
SpaceClaim as a single mesh body but has several separate mesh regions.
Separating mesh pieces
Use the Separate All Pieces tool to separate mesh regions into individual mesh bodies.
The image below shows a shelled mesh with interior and exterior mesh regions
After separation, there are two mesh bodies as shown in the image below, where the interior mesh
body has been moved outside.
To Separate a single mesh region:
1. Click the Separate tool.
2. Use the Select Shells tool guide for a shelled mesh body.
3. Use the Select Meshes tool guide for a mesh body with disconnected mesh regions.
4. In the Options panel1, choose:
Over-Connected to separate over-connected meshes (i.e. meshes joined at a single
edge or point)
Connected to separate normally connected meshes.
5. Select a mesh shell or mesh region.
6. The selection is then converted to a separate mesh body.
To Separate All mesh regions:

1. Click the Separate All tool.
2. In the Options panel, choose:
Over-Connected to separate over-connected meshes (i.e. meshes joined at a single
edge or point)
Connected to separate normally connected meshes.
3. All mesh regions, in all mesh bodies, are converted to separate mesh bodies.
To Join meshes:
1. Click the Join tool.
2. Use the Select Meshes tool guide to join selected bodies one-by-one.
3. Use the Select Target1 Mesh tool guide to join all mesh bodies to the selected target body.
Mesh modification
The Modify group contains tools for combining, splitting, shelling, thickening, and scalingmesh bod-
ies. You can also modify the number of meshtriangles to optimize the 3D printing process (more tri-
angles means longer printing time).
Combining mesh bodies is done using Boolean operations.

Merge
Subtract
Intersect1
In the Boolean tools, keep in mind the following:

The first mesh you select is altered by the second
The second mesh is consumed by the first
After the operation, the first mesh is still in the Structure tree2 but the second is not
Use the Keep original bodies option to keep both meshes
First selection is blue Merge result Subtract result Intersection result
To Merge meshes:
1. Click the Merge tool
2. Select the first mesh
The first mesh is highlighted in blue

3. Select the second mesh
4. The two meshes are merged into one
The Merge tool also works on two Open meshes to automatically create the union that produces a
single, closed mesh.
To Subtract meshes:
1. Click the Subtract tool
3. Select a second mesh to use as a cutter, or box-select multiple cutters
4. The second mesh is subtracted from the first
To Intersect meshes:
1. Click the Intersect tool
3. Select the second mesh
4. The two mesh bodies are intersected
Patterned components are up-selected in the Boolean tools. In the example below, the cylinders
were made as a pattern. Highlighting one pattern member highlights the entire pattern.
Use the Split1 tool to divide a mesh body using a cutter.
To Split a mesh body:

1. Click the Split tool
2. Select a mesh body
The selected mesh highlights in blue
3. Choose a Cap option (see images below)

Dont cap
Cap
Cap with internal points
4. Select a plane, or surface, to use as a cutter

5. The mesh is split into two separate mesh bodies
Mesh and Cutter selec-

No Cap Cap Cap With Internal Points
ted
Use the Shell2 tool to add thickness on the inside or outside ofa mesh.

2 Solid or part that is hollowed out from a selected face, leaving a shell of designated thickness.
To Shell a mesh body:
1. Click the Shell tool
2. Choose options in the Options panel1.
Thicken direction - Inside or Outside
Thickness - Enter a shell thickness in model units
Keep original bodies - The original, unshelled mesh will be kept as a separate Design2
Mesh
Infill -Select None, Basic, or Custom. Refer to the Mesh Infill topic for more details.
3. Select a mesh body
4. Click Complete
5. The Shell is added and a new mesh body is shown in the Structure Tree
Use the Scale3 tool to scale the mesh body.
To scale a mesh body:
1. Click the Scale tool
2. (Optional) Toggle on/off the scaling directions in the Options panel to scale non-uniformly.
4. Select a point on the mesh to scale about
5. Drag to change the scale or press the Spacebar and enter a scale value
Use the Thicken tool to add thickness to a surface mesh.
Thicken has the following options:
Thicken direction
Inside
Outside
Thickness
Fix intersections: Fixes any intersection that result from thickening the facets.
To thicken a surface mesh:

1. Create or import a surface mesh.
2. Click the Thicken tool.
3. Choose a Direction, and enter a Thickness value.
4. (Optional) Set the Fix intersections option.
5. Select the surface mesh.
6. Exit the tool or Undo, change the options, and reselect the surface mesh.
Adjusting meshes
The Adjust group contains tools for smoothing meshes, reducing the number of facets, and making
facets more uniform (Regularize).
Smoothing meshes
Mesh smoothing is done with the Smooth tool. You control how the smoothing is done through the
Smooth Options.
The Angle threshold option determines if an angle stays sharp or gets smoothed.Vertices on edges
with faces coming together at angles above the Angle Threshold will not be moved or changed. The
example below shows a block that has all 90 edges except for two which are 45. With an angle tol-
erance of 60, only the two 45 edges get smoothed and the 90 edges are left alone.
Smooth type determines which of the following algorithms is used to so the smoothing.
Approximate:
The original vertex positions and the new vertex positions are allowed to move.
The amount of movement depends on how smooth the surroundings are.
In sharp areas, the amount of movement will be large.
In smoother areas, the amount of movement may be barely noticeable.
Because of the movement, the Approximate option will, in general, produce smoother results.
The Approximate option can produce results that are very noticeable as shown in the example
below. The final result is achieved with several smoothing passes.
Local:
Local does not change topology.
It mostly knocks down spikes.
The example below shows how Local smoothing works on slightly rough areas. The rough facets are
selected and then the Smooth tool is applied several times using the Local option. The number of
facets remains the same. The spiked areas are brought down closer to the surroundings.
To Smooth a mesh:
1. Click the Smooth tool.
2. In Smooth Options, set an Angle threshold and choose a Smooth type.
3. Select mesh facets or a mesh body.
4. Click Complete to smooth the selection.
5. You can continue to click Complete to further smooth the mesh.
You can also select mesh facets or a mesh body and then enter the Smooth tool.
Reducing the number of facets
Use the Reduce tool to reduce the number of mesh triangles. You control the amount of reduction
through the Reduce Options.
Triangle reduction is the percentage reduction you want to achieve.
Maximum deviation controls the distance between triangle edges and the actualedges of the part.
It influences the number of triangles used to approximate curved edges. See the images below.
Larger Maximum Distance Smaller Maximum Distance
To Reduce the number of mesh triangles:

1. Click the Reduce tool
2. Optional - Change the Reduce Options:
Change the Triangle reduction percentage (default = 20%).
Enter a Maximum deviation in model units.
3. Select a mesh body or box-select facets.
4. Click Complete.
5. The model or selection is re-meshed with fewer triangles.
6. You can continue to click Complete to reduce further.
You can also make your selection and then enter the tool.
Original mesh Reduced mesh
Regularizing mesh facets

Use the Regularize tool to improve the quality of selected facets by making their aspect ratios more
consistent. You control the process with the Regularize Options.
The Angle threshold option sets the facet-to-facet angle limit when regularizing the selected facets.
Vertices on edges with faces coming together at angles above the Angle Threshold will not be
moved or changed.
To Regularize selected facets:

1. Click the Regularize tool
2. Optional - Change the Angle threshold.
3. Select a mesh body or box-select facets.
4. Click Complete.
5. The model or selection is re-triangulated.
6. You can continue to click Complete to regularize further.
You can also make your selection and then enter the tool.
A selection of facets is regularized.
Analyzing meshes
The Analyze group contains tools for checking the thickness of a mesh and checking for overhangs.
Thickness and the presence of overhangs are things that need to be considered for 3D printing.
Thickness
Thickness is important for planning 3D printing. The Thickness tool lets you measure the thickness
based on facet normals or relative to the printer vertical direction.
To check mesh thickness:

1. Click the Thickness tool.
2. Enter a Minimum thickness in the Options panel1 or use the default value.
You can also click the arrow to open a slider for setting the Minimum thickness. The Thickness
display changes dynamical as you drag the slider.
3. (Optional) Click the 3D Printing Direction tool guide and select an edge or axis parallel to the
printer vertical direction.
4. Select a mesh body.
The results are shown shaded with areas that are less than the Minimum thickness shown in red. An
example is shown below.
Overhangs
Overhanging geometry is an important consideration in 3D printing because it may require special
supports. This can add cost and setup time to the process.
The Overhangs tool detects and highlights areas of the mesh that protrude out at angles up to 90.
You can set the Overhang Angle option to look for any angle up to 90.
To check a mesh for overhangs:

1. Click the Overhangs tool.
2. Enter a Overhang Angle in the Options panel or use the default value.
3. Select a mesh body.
4. Faces that overhang by More Than the Overhang Angle are highlighted.
In the example below, the overhang is at 65. The Overhang Angle is set to 64.
Creating a mesh
Use the Convert tool to convert solid bodies into mesh bodies.
Use the following Convert options to control the size and shape of the mesh facets in areas with
curvature.
Max distance
Max angle
Aspect ratio1
Max edge length
These are the same options (geometrically-speaking) as the ones that control STL export.
Regardless of thecontext in which these options are used, they control the facet creation required
by mesh modeling tools, whether it is for the explicit,user-directed Convert,or the behind-the-
scenes conversion required by other mesh modeling tools.
Max distance controls how far facet edges are away from model edges. The images below show the
effect of Max distance on the mesh of a cylinder. These examples keep the Aspect ratio fixed at 3
and the Max edge length set to 4 mm.
1 Ratio of the length to width of a rectangle or the height to width of an image. When resizing
images, it can be important to maintain the aspect ratio to avoid distortion.
Max Distance = 0.75mm Max Distance = 0.01mm
Max angle = 20-degrees Max angle = 20-degrees
Notice how the settings change the facets along the edge of the circle. The intrerior is a flat plane,
so 45-degree triangles are the most efficient facets.
The example on the left shows the default Max distance of 0.75mm. This refers to the gap seen in
the zoomed-in (top) image. Decreasing the Max distance to 0.01mm results in more facets along the
edge, which brings the facet edgess closer to the cylinder edge, as seen in the example on the right.
Similarly, decreasing the Max angle will result in more facets along curved edges. This example
shows the result of decreasing the Max angle from 20 degrees to 1 degree.
Max Distance = 0.75mm
Max angle = 1-degree
Without a fixed Aspect ratio and without a Max edge length, you can get more distorted triangles as
shown in the following images.
No set Aspect Ratio or Max- No set Aspect Ratio or Max- No set Aspect Ratio or Max-
imum Edge1 Length imum Edge Length imum Edge Length
Max Distance = 0.75 mm Max Distance = 0.75 mm Max Distance = 0.01 mm
Max angle = 20-degrees Max angle = 1-degree Max angle = 20-degrees
Converting a solid body to a mesh consumes the original solid.

Use the Keep original bodies option if you want to retain the original solid bodies.
The Convert tool also has a Progress Bar and a Stop button for meshes that take longer to generate.
Exporting a mesh
Use the Export tool to writea mesh file for the 3D printer.
To export a mesh:
1. Select a mesh
2. Click the Export tool
3. The Save As dialog opens
4. Browse to a folder and enter a file name
5. Click Save
Shrinkwrap
Some faceted models contain gaps that will cause problems for 3D Printing. For example, assem-
blies have multiple parts fastened together but there are small gaps between the component parts.
The Shrinkwrap tool allows you to create a single, faceted model that can be sent to a 3D printer. As
the name implies, Shrinkwrap creates a faceted wrapper around the model that closes gaps.
The human foot shown below is a faceted model from scanned data. Notice that there are many tiny
meshes.
The following example describes how Shrinkwrap can be used on the foot model that can be prin-
ted.
To create a shrinkwrap
1. Open a faceted model that contains gaps.

The foot model used in this example, has
small gaps between the bones of the foot.
2. Click on the Shrinkwrap tool in the Create
group on the Fates tab.
3. In the Options panel1, set the following
options:
Gap size: Enter a value that sets the
maximum distance between meshes
that will be considered a gap.
Distances above this value will be
considered acceptable and will not
be closed.
Keep original bodies: When
checked ON, the original faceted
bodies will NOT be removed after
the Shrinkwrap is created.
Preserve features: When checked
on, you need to set an Angle
threshold.
Angle Threshold: Enter an
angle, in degrees, that determ-
ines the smoothness of the
shrinkwrap. Facet2 angles
above the threshold will not
be smoothed by the shrink-
wrap.
4. Select a Facet Mesh in the Graphics Win-
dow or the Structure Tree
5. Click Complete to create the Shrinkwrap.
The completed shrinkwrap is shown below.

Notice how the tiny mesh regions have been
wrapped into a single mesh body.
Customizing SpaceClaim
You can customize SpaceClaim to best suit your working style. Most customization is done on the
SpaceClaim options window, accessible from the File menu.
To customize SpaceClaim
1. Select SpaceClaim Options from the File menu to display the SpaceClaim Options window.
2. Click the type of option you want to set from the navigation panel on the left.
You can use the up and down arrow keys to navigate the left panel.
3. Modify the options on the page.
4. Click OK to save all your changes and close the window.
If you try to enter a value that is out of the allowed range in the Options panel1 or
the SpaceClaim Options dialog, you will see a red exclamation mark icon next to
the field. You can hover over the icon to see a tooltip that will explain the valid val-
ues for the option.
Option types
You can set the following option types:
Popular Change your application color scheme, set file options for
importing and exporting, grid size, application performance
(speed vs. graphics quality), and customize the tools that are
displayed while you are working in the Design window2.
Detailing Change options for annotations and drawing sheets.
Color Change the color of the SpaceClaim application window.
Snap Change the objects snapped to while you are sketching and
editing solids.
Units Set the units for dimensions, the sketch grid, and text height.
Support Set the search path for support files, such as standard thread
Files size tables.
Sheet Set the thickness, bend, and relief defaults for sheet metal com-
Metal ponents.
Advanced Modify how your design changes are displayed in the Design
window, whether tools and hints are displayed, enable back-
ground loading, change the language, customize the Spin1,
Select, and Undo tools, reset the layout of the panels, and
adjust the license warning.
Customize Add or remove tools and commands from the Quick Access
toolbar.
Change the keyboard/mouse actions used for common nav-
Navigation
igation tasks.
Add-Ins Include or remove SpaceClaim add-ins.
License View2 and activate SpaceClaim licenses.
Resources Download sample designs, check for updates, contact
SpaceClaim, or view information about this version of
SpaceClaim.
to view it head-on.
Popular options
Set the startup options, interface, application performance (speed vs. graphics quality), and cus-
tomize the tools that are displayed while you are working with your design.
To customize popular options

2. Click Color in the navigation panel on the left.
Graphics performance options

Rendering1 quality: Select a value from 1 to 7, where 1 is the lowest quality and 7 is the highest
quality. Select a low number to increase the speed of the application; select a high number to
increase the quality of the graphics. Increasing graphics quality may lower the SpaceClaim's respons-
iveness to actions in the Design window2. If you notice a delay when working with your design,
modify this option to increase application speed.
Anti-aliasing: The amount of smoothing applied to text, edges, and face boundaries in the Design
window. This option appears only if your graphics card supports anti-aliasing.
Recalculate Rendering: Select this option to update the 3D display in the Design window. This
allows you to see the affects of any changes you made in the settings dialog.
Multi-threaded faceting: Select this option to calculate faceting in parallel to improve per-
formance.
Startup options
Show splash screen: Select this option to display the splash screen when you start SpaceClaim.
Show welcome screen: Select this option to display the Welcome window with links to tutorials,
training videos, and other support resources when you start SpaceClaim.
Check for software updates: Select this option to use your internet connection to check for
updates each time you start SpaceClaim.
Report performance information to SpaceClaim: Select this option to share data, based on per-
formance, to help improve product reliability, performance and functionality. Shared data does not
contain any model or design information.
Interface options
Show tooltips: Select this option to display hints when you hover over tools, tool guides, and other
icons. They briefly explain what will happen when you select the tool and provide some hints on
how to use the tool.
Showpopup messages in status bar: ON by default. Select this option to display popup
messagesin the statusbar area(the lower left corner of the SpaceClaim window). These messages
provide hints and feedback while you work in SpaceClaim.
Show popup progress messages: ON by default. Select this option to display progress
messageswhenimporting files or using the Volume Extract tool.
Show tool KeyTips: Select this option to enable keyboard shortcuts. Pressing and releasing the Alt
will display shortcuts that can be used to access the Quick Access toolbar, the Ribbon groups, and
the tools in the Ribbon groups.
Show scroll bars: Check this option ON to add scroll bars to the Design window for panning left-
right and up-down.
Control options
Tool Guide position: Select Left, Right, Top, Bottom, or Not Shown.
Show view orientation in design window: Default is OFF.When selected, this optiondisplays a
view orientation gizmo, as shown below,in the design window. You can click a linear gizmo arrow to
rotate the design to a new orientation in 3D, or a rotational arrow to rotate the design in 90-degree
increments in the plane of the screen.
Show mini-toolbar on selection: Select this option to display a small toolbar near your cursor when
you right-click. The contents of the mini-toolbar depend on the tool you are using. You can click or
scroll the middle mouse button to hide the mini-toolbar, and it fades as you move the mouse away
from it. The mini-toolbar is shown in the image below.
Show radial menu: Allows you to use the radial menu to change select modes while other tools are
active, and gives you quick access to the Pull1, Move2, Fill3, and Combine4 tools. If you select this
option, you can select one or both of the following methods to open the radial menu:
Show after holding left mouse button for N ms
Show after clicking right mouse button, while holding left mouse button down
Show cursor arrows: Select this option to display arrows next to your cursor that indicate the dir-
ections in which you can move your mouse to edit the selected object. The arrows also convey the
change in size that will occur if you pull in that direction.
Arrow transparency: Adjust the slider to control the transparency of the cursor arrows. Move the
slider to the right to make the arrows more opaque; move it to the right to make them more trans-
parent. The arrows are set to opaque in the image below.
Move handle size: Move the slider to increase or decrease the size of the Move handle relative to
the size of the Design window, as shown in the image below.
Grid1 guide: Change the position and size of the toolbar displayed for the sketch grid. You can set
the Position (Bottom, or Corner2), and the Size (Large, or Small). The defaults are Bottom and Large.
1 See Sketch grid

General detailing options
You can customize the style of your annotations in a single design or set a custom style as the
default for all designs. You can quickly customize the style to conform to ASME1 or ISO2/JIS3 stand-
ards, or you can create a style by customizing note leaders, dimensions, and geometric tolerances.
To change detailing options

1. Select SpaceClaim Options from the File menu and click Detailing or click in the Annota-
tion4 ribbon group on the Detailing tab.
2. Set the options for Defaults:
New window font: Choose from any font installed on your system. This font will be
used as the default font for all new windows. When a new window is created for an old
or new document, this font will be used. It will also be used for new SpaceClaim ses-
sions.
Default drawing graphics style: The default graphics style used for new drawings.
Autoscale drawing sheets: Check this optionto have the scale automatically determ-
ined based on model size. Uncheck the option to set a default custom scale.
Create total cross sections: Check this option to have new sections created as Total sec-
tions. Uncheck the option to have new sections created as Area sections.
Default section fill style: Choose either Hatch or None.
3. Select one of the following from the Detailing options for drop-down list:
All New Documents to create a default detailing style for all your designs. These set-
tings will not affect any currently open documents.
3Japanese Standards Association standards for technical drawings. You can customize the style of
your annotations to conform to JIS standards. JIS defaults are the same as ISO, except that JIS uses
third-angle views while ISO uses first-angle views. See ASME, ISO.
This Document1 to set options for the current design only.
4. To reset all options to predefined defaults, click one of the Defaults buttons to set all doc-
ument options to the default.
5. Set the remaining options.
View options
Default view projection:
First Angle to label the view by the direction you are looking. For example, if you are looking
front, you see the back of an object. Therefore, the back of the object is the "Front view."
Third Angle to label the view by the object. For example, the front of the object is the "Front
view."
Default front view position:

Top left to place the front view at the top left corner of the drawing sheet. This is the ISO
standard.
Top right to place the front view at the top right corner of the drawing sheet
Bottom left to place the front view at the bottom left corner of the drawing sheet. This is the
ASME and JIS standard.
Bottom right to place the front view at the bottom right corner of the drawing sheet. If you
use third angle projection, ISO standards also allow this position.
Section2 line arrow size - Enter the length of the arrow on section lines.
Section line length - Enter the length of section lines.
Detail view3 name text height ratio - Set the ratio of a character's height to width. For example, a
value of 1.4 sets the character height to 140% of its width.
Default view note layout - Select One Line4 to display the detail name and scale on one line.
Select Two Lines to display the scale below the detail name.
1 A model file (.scdoc) that may contain any combination of design versions, associated drawing


3 One of the view selections for drawing sheets. Detail view creates an enlarged view of a particular
area, magnifying a portion to show more detail. You create a detailed view from one of the other
views on the drawing sheet. See General view, Projected view, and Cross-section view.
Default detail name note prefix - Select how you want the detail label to appear on the drawing
sheet.
Default view scale note prefix - Select how you want the scale label to appear on the drawing
sheet.
Detail view boundary note placement - Select how you want the detail name and scale inform-
ation to be positioned relative to the detail boundary.
Section cut line extension distance - Enter the length.
Section line arrow direction - Choose either Away from cut line or Toward cut line.
Cosmetic thread display standard Select a value from the drop-down.
ISO Conventional
ASME Simplified
JIS Conventional
GB Conventional
ASME Simplified is the same as ISO and JIS Conventional display standards.
Default projected view arrow style - Select the style you want to use for the projected view arrow-
heads from the drop-down list.
Show projected view name - Check whether or not to show the projected view name.
Show projected view arrow - Check whether or not to show the projected view arrow.
Default projected view name prefix - Enter a new prefix or choose one from the dropdown list.
Show auxiliary view name - Check whether or not to show the auxiliary view name.
Show auxiliary view arrow - Check whether or not to show the auxiliary view arrow.
Default auxiliary view name prefix - Enter a new prefix or choose one from the dropdown list.
Projected/auxiliary view arrow length - Enter the length of the arrow on projected and auxiliary
views.
Annotation options
Default text height - Enter the height of the annotation text.
Leader circle size - Enter the size of the circle that connects note leaders to faces.
Leader arrow length - Enter the length of the arrow on note leaders.
Leader arrow width - Enter the size of the arrowhead on note leaders.
Leader shoulder length - Enter the length of the line from the note text to the note leader arrow.
Leader textbox gap - Enter the size of the margin between the note text and the beginning of the
note leader.
Center line extend- Enter the length that a center line will extend past the edge of the object.
Default arrow fill style - Select the style you want to use for the arrowheads on note leaders from
the drop-down list.
Default dimension arrow shape - Select the shape you want to use for the arrowheads on dimen-
sions and leaders from the drop-down list.
Default dimension text location - Select how you want to align the note leader text with the note
leader line from the drop-down list.
Fallback font - Select the font you want to use if the new window font is not available.
Virtual sharps rendering style - Select the symbol you want to use to indicate the virtual sharp.
Datum symbol1 frame - Select the frame style for datum symbols.
Datum symbol attachment - Select the attachment style for datum symbols.
Show thread designation in thread diameter - Choose whether thread designations are shown
instead of thread diameters:
Never: Show the diameter and not the thread designation.
Always: Show the thread designation instead of the diameter.
Per thread table: Use the value for ShowThreadDesignationInDiameterDimensions in the
thread table XML file. The value can be set to true or false.
If units match: Show the thread designation if the system units match the units from the
thread table.
Per thread table if units match: Show the thread designation if the units match and if the
ShowThreadDesignationInDiameterDimensions value is true.
Datum2 Callout text height ratio: Controls how many times larger the callout circle should be com-
pared to the text height.
Datum Target3 default point size: Controls the point size used by datum target points, lines, and
circles. Default point size can be overridden on a per object basis.
Datum Target area default hatch spacing: Controls the hatch spacing for circular and rectangular
datum targets. Default spacing can be overridden on a per object basis.
Datum Target area default hatch angle: Controls the hatchangle for circular and rectangular
datum targets. The defaultangle can be overridden on a per object basis.
Datum callout leader arrow shape:Controls the arrow shape of leaders connected to datum tar-
gets.
Welding symbols standardChoose either AWS or ISO.
1 Symbol attached to a point, axis, or plane that must be referenced for machining and inspection.
2 Object that is assumed to be an exact size and shape, and be in an exact location, that is used to loc-

Enforce dimension line - Check the box to use the European standard of keeping the dimension
line when the extension lines are shown.
Tight gap between dimension line and text - Check the box to shrink the gap between the dimen-
sion text and witness lines.
Horizontal dimension text - Check the box to keep all annotation text oriented horizontally.
Override layer color for annotations - Check the box to set all annotation text to the color selec-
ted shown in the Annotation color control. If you choose to override the layer color, select the color
used for the override from the Annotation color control.
Extension line gap - Enter the size of the margin between geometry and the end of dimension
lines.
Extension line extent - Enter the length that the dimension lines cross each other.
Dimension1 line extent - Enter the length of the arrow that appears outside the dimension lines.
Dimension text offset - Enter the distance between the dimension text and its leader line.
Foreshortened radial dimension center size - Enter the size of the cross shown to represent the
center.
Default chamfer dimension style - Choose either Linear or Normal2 to chamfer.
Default chamfer dimension text format - Choose between:
<length> X 45
C <length>
Show zero value for base ordinate dimension - Display the baseline dimension as a 0.
Show common dimension line for ordinate dimensions - Display all dimensions along the same
line.
Check Rotate3 text if you want the dimensions to be displayed along the line instead of per-
pendicular to the line.
Show datum target endpoints - Checkbox for showing or hiding the endpoint.
Hide annotations behind model - Checkbox to allow solid geometry to hide annotations that are
behind the geometry. For printing, set the Print as image to Yes in the Printing Options to show
annotations as hidden in the print.

an axis.
Linestyle options
Default thick lineweight - Enter the default width for thick lines.
Default medium lineweight - Enter the default width for medium lines.
Default thin lineweight - Enter the default width for thin lines.
Type of object - From the drop-down, select an object type, then select the Line style and Thick-
ness for that object.
Only a Thickness option is available for Crosshatching.
Options forDetail view clipping edges apply to all clipping edges of partial views. You can
also set a Color for the clipping edges.
Only a Thickness option is availablefor Area cross section border lines.
Only a Thickness option is available for Cross section arrow tips.
The values in the Trim back section control the line weight for side offset handles.
Thick-Empty-Thick lines look like this:
Thick-Thin-Thick lines look like this:
Line style: Selecta line style for the object. For example, when working with Wireframe1, Hidden
Line, or Hidden Line Removed visibility modes, you can now select a line style to show the edge(s)
of a designs partial view. This feature enables you to easily identify which parts of the model are cut
by the partial clipping boundary. Non-solid line styles can help to differentiate a detail view with
clipped edges when in wireframe mode.
To enable the display to view while workingwith your design:
Select Lineweight in the Show group in the Display tab
Select Hidden Line, Hidden Line Removed or Wireframe from the Graphics drop down in
the Style group in the Display tab
ues for the option.
Drawing sheet size and format options
The drawing sheet size and format options allow you to choose a drawing sheet layout.
To use a pre-defined drawing format that has been saved as an .scdoc file, select Use external
format and select a format from the list or click Browse to choose a file.
To create drawings without a format, select No format and select a size and orientation, or set
a custom width and height.
Deselect Show SpaceClaim -provided default formats in the user interface if you don't
want to list drawing sheet formats that were installed with SpaceClaim in the external formats
selection list.
Modular grid options
Modular grid options allow you to change how modular grids appear by default in your drawings.
When you change these options, all new modular grids will use these settings; existing grids in your
drawings will not change.
Most of these options are also found in the properties for a grid. To change one instance of a mod-
ular grid, see Displaying a modular grid.
To change modular grid options

1. Select SpaceClaim Options from the File menu and click Detailing > Modular Grid1.
2. Set the defaults for the following options:
Color: The color of the grid, labels, and the legend axis.
Grid text height: The height of all text labels for the grid.
Font: The font and text height used for grid labels. Type the complete name for a font,
followed by a comma and the font height in units (mm, in, etc.). You can also click the ...
button and select a font and a size in points; the size will be converted to the current
units.
Grid interval: The distance between grid lines.
Intervals per grid line: The number of rows between each grid line.
Line2 style: The type of line used for grid lines.
Thickness: The thickness of grid lines.
1 See Sketch grid

Horizontal text location: Show labels for the bottom of grid lines, the top of grid lines,
both, or neither.
Vertical text location: Show labels for the left end of grid lines, the right end of grid
lines, both, or neither.
Axis1 labels: Override X, Y, or Z with your own labels.
Negative and positive prefixes: A prefix shown before the distance on a grid label.
Negative, positive, and zero suffixes: A suffix shown after the distance on a grid label.
Modular grid description label: A label shown next to the section line when you show a
modular grid on a cross section view.
Automatic creation for new views:Select an option for displaying modular gridsfor
all new views in drawing sheets.
Automatically show modular grid when two grid directions are parallelto the
sheet: Two of the X, Y, or Z axes in the view must be parallel to the drawing sheet
to display the modular grid.
Automatically show modular grid when at least one grid directions are par-
allelto the sheet:The X, Y, or Z axis in the view must be parallel to the drawing
sheet to display the modular grid.
Do not automatically show the modular grid
Automatically show modular grid description: If selected, then the description label is
displayed next to the section line for a cross section view.
Show balloons around grid labels: Show circles around grid labels.
Automatically show origin: Show the legend axis on the lower left corner of the view.
3. Click OK to save your changes.
ment axis.
Appearance options
You can adjust SpaceClaim's appearance, such as its menu bar style and color schemes. This options
page also contains placeholder elements for future color customization options.
To set color options

2. Click Appearance in the navigation panel on the left.
General
Ribbon style: Choose between Fluent (Office 2007) or Scenic (Office 2010), or Windows 8 (Office
2013) style ribbon bar styles.With the Scenic style, the File menu provides a Recent menu item,
which displays Recent Documents (lists the name and location of all recently opened files) and
Recent Places (lists a history of all recently visited folders).
Color scheme: Select Silver, Blue, Black, or Custom Colorfrom the menu.
Reset Docking Layout1: Click this button to return the layout of the docking panels and SpaceClaim
windows to their original locations.
Show cross sections in sketch: Display selectable section curves at the intersection of the section
plane and bodies while in Sketch mode2.
Show coaxial face groups: Display faces that share an axis with blue shading.
Show arc centers: Display small crosses on the sketch grid at the centers of circles, ellipses, poly-
gons, and arcs.
out.
Show section points: Toggle the display of points that represent tangent edges in Sketch and Sec-
tion modes.
Show occluded mesh selection: Show mesh selection highlighting through objects. When the
option is On, hidden mesh selections are shown. When it is Off, hidden mesh selections remain hid-
den.
Fill1 cross section: Display cross section area with a filled appearance in Section mode2 and Sketch
mode.
Add tool graphics to scene image: When copying the scene from a window, include the tool ele-
ments in the image.
Colors
Design3 color scheme: Select a color scheme from the menu. This option controls the color scheme
used in the Design window4. You can choose between two pre-set color schemes: White Back-
ground or Black Background. Elements displayed in the design area will change to colors that work
well for the background color.
You can change the colors for other elements. Click the color next to an individual element and
choose a new color from the drop-down. Select colors from the Custom, Web, or System palettes.
Click Reset to change all the colors back to the SpaceClaim defaults.
Highlight and Select scheme: Select a scheme from the drop-down menu. Classic and Default can-
not be modified. Custom allows you to modify color options to create your own scheme. Use
Ctrl+Shift+H to toggle through schemes in the following order: Classic; Default; Custom.
Mesh back face color: Enable or Disable the ability to show mesh back faces in a different color and
choose which color.
Mesh Highlight and Select scheme: Choose the Classic or Default scheme, or choose Custom and
set the following:
Highlighted mesh
Highlighted selected mesh
Selected mesh
2See Section
Selection options
You can adjust SpaceClaim's selection settings, such as the cursor Hit radiusand the tolerance used in
Power Selection.
To setselection options
2. ClickSelection in the navigation panel on the left.
General
Hit radius: Type the number of pixels your cursor can be from the object you want to select.
Select edge loops using mouse scroll wheel: This option is ON by default. It allows you to hover
over an edge and use the mouse scroll wheel to cycle through the possible loops that include that
edge. You can click a pre-highlighted edge loop to select it. If you are using a multitouch machine,
you can select edge loops by double-clicking OR double-tapping the first edge of the edge loop
you want to select.
Show previous selections with prehighlight hint: This option is OFF by default. If it is enabled,
SpaceClaim will remember previous selections that were used for some operation. For example,
select several faces and moved them. The next time you select one of the faces, the others will pre-
highlight.
Power Selection
Automatically calculate Power Selection results: Select this option to automatically display objects
in the Selection panel. You do not need to click to search when power selecting. Objects similar
to the selected object are automatically displayed in the Related list. This option is on by default.
Power Selection relative tolerance: Type a percentage to change the relative tolerance used when
searching in the Selection panel. Enter a non-zero percentage to find objects with similar, but not
exactly the same dimensions when power selecting. For example, if you enter 10% in this option
field, select a 10 mm radius round in your design, then click in the Selection panel, rounds with a
radius between 9 mm and 11 mm will be returned in the All rounds equal to 10 mm results list. The
default is 1%. Adjust this value to 0% to detect perfect rounds exactly or increase it to find imported
rounds.
Mesh
Mesh selection granularity: Allows you to control the scope of selection in meshes.
Fine: Shows the selection hot spot and allows selection of mesh facets, edges, and vertices.
Coarse: Allows selection of mesh facets only.
Snap options
You can set snapping options for sketching and editing solids. Units for snap options are set by your
Units options for all new documents.
To customize snap options

2. Click Snap1 from the navigation panel on the left.
ues for the option.
To set incremental options for sketching on the sketch grid

1. Check Angular snap to snap to objects while sketching.
2. Enter the angle increment you want to snap to when you select the Snap to angle option in
Select, Move3, and Sketch tools.
To enable snapping to objects when sketching on the sketch grid

1. Check Enable snapping in sketches to snap to objects while sketching.
While you sketch, objects you can snap to are highlighted. The points to which the sketch
tools are snapping appear as messages in the status bar.
2. Check the box next to each item in the list to determine which objects you can snap to while
sketching:
Line1 - Snap points along lines (at intersections with sketch grid) indicated by rectangles
End point - Snap points at all end points indicated by squares
Midpoint - Snap point at center of lines indicated by triangles
Arc2/circle center - Snap points at center of arcs and circles indicated by circles
Tangent3 from end point - Snap points at tangent angle to end points indicated by tan-
gent guides
Perpendicular from end point - Snap points perpendicular angle to end points indicated
by perpendicular guides
Tangent/perpendicular from line - Snap points at tangent and perpendicular angles
along lines indicated by tangent and perpendicular guides
Parallel to line - Lines parallel to the sketched line indicated by highlighting
Parallel to grid - Snap enabled parallel to the grid when snap to grid is disabled
Grid4 - Snap enabled to the grid
To set incremental options for editing solids

1. Check Linear snap to snap to constrain to a linear increment and set the linear interval for tool
movements in the Incremental area.
For example, if you set the Linear increment to 1 mm, you will pull to whole millimeters
instead of fractions of millimeters.
2. Check Angular snap to snap to constrain to an angle increment and set the degree interval for
tool movements in the Incremental area.
For example, if you set the Angular increment to 5 degrees, you will move in larger incre-
ments than if set to 1 degree.
To set snapping options for editing solids

1. Check Enable snapping to solids with the Shift key to snap when you press and hold Shift
using any tool.
2. Check the box next to each situation or object in the list to determine when a tool will snap
4See Sketch grid
while editing solids:
Face1 parallel - Snap to a parallel face
Rotate2 parallel to face - Snap to a parallel face when rotating
Rotate perpendicular to face - Snap to a perpendicular face when rotating
Edge3 - Snap to any edge
Cylinder radius - Snap to the radius of a cylinder
Round4 radius - When creating a round, snap its radius the value of an existing round on
the component
To set the nudge options

Nudginglets youincrementally change dimensionvalues using the arrow keys.
Depending on what tool you are in, there may be only one dimension or there may be two.
The active dimension is considered the Primary dimension and the inactive is secondary. Which
dimension is active can be changed using the Tab key.
For the primary dimension, you nudge the value up using the Up Arrow key and nudge it down using
the Down Arrow key.
Nudge the secondary dimension vakue up with the Right Arrow key and down with the Left Arrow
key.
You can set three nudge increment values:
Normal5 - The nudge increment when you pressShift and an arrow key.
Small - The nudge increment when you pressAlt+Shift and an arrow key.
Big - The nudge increment when you pressCtrl + Shift and an arrow key.

an axis.

Examples
Snapping to the midpoint of a line
Editing a solid with angular snap set to 15 degrees
Snapping to an existing diameter
Units options
You can set the units for dimensions, the sketch grid, and text height.
To customize units
2. Click Units from the navigation panel on the left.
3. Select one of the following from the Units settings for drop-down list:
All New Documents to create a default detailing style for all your designs. These set-
tings will not affect any currently open documents.
This Document1 to set options for the current design only.
ues for the option.
Units
Type: Select Metric or Imperial from the menu.
Length: Select the default units used for length. Angles are always shown in degrees. For SCDM only,
a checkbox to Use project units when available will be active only when you are modifying settings
for all new documents. The option will be disabled by default.
Decimal/fraction: If you use Imperial units, you can select Decimal or Fraction to display distance
measurements that are less than 1 unit.
Angle: Select from the following options. For SCDM only, a checkbox to Use project units when
available will be active only when you are modifying settings for all new documents. The option will
1 A model file (.scdoc) that may contain any combination of design versions, associated drawing

be disabled by default. Note1: When radians are chosen, their angle dimensions will show the appro-
priate values and unit suffix (rad).
Degrees
Degrees/Minutes/Seconds
Degrees/Minutes
Radians
Mass2: Select the default units used for mass.

Density: Select Independent to specify the density units from the density fields or Derived to cal-
culate the units from your selections for length and mass.
Symbol: Select the abbreviation you want displayed for unit type you selected for Length.
Primary precision: The number of decimal places you want displayed for distance measurements for
the primary units.
Angularprecision: The number of decimal places you want displayed forangle measurements for
the primary units.
Show trailing zero: Select this option to display trailing zeros in decimal measurements.
Use tight tolerances: When this option is selected, tolerances are rounded to a value that gives a
tighter tolerance when youhave dual dimensions or when a dimension from the design window is
shown in the drawing window with a different unit setting than the design window. The purpose is
to not lose any precision when converting from one unit system to another. When this option is not
selected, the values are rounded according to method A in ISO3 370-1975 (E). Whenselected, values
are rounded according to method B.
Show symbol in user interface: Select this option to display the units abbreviation in SpaceClaim.
The abbreviation will appear in measurement fields, such as a distance field when you pull a face.
Show symbol in annotations: Select this option to display the units abbreviation after the meas-
urement in annotation dimensions.
Show "-" separator: Select this option to display a hyphen between whole values and fractions.

your design.
Use Dual dimensions: Select this option to display annotation dimensions in both Metric and Imper-
ial. The unit type you have selected is displayed first and the other is displayed in square brackets.
You can see a preview of the display below this option category.
Secondary precision: The number of decimal places you want displayed for distance measurements
for the secondary units.
Show nearest fraction: Check this option to show the nearest fractional value Less Than the nominal
dimension and the nearest fractional value Greater Than the nominal dimension. It allows for Ruler-
style dimensions. For example, if you were to lay a ruler down and the distance falls between the
marks on the ruler, these values tell you the nearest marks on either side of the dimension value.
Fraction: Enter a fraction between 1/128 and 1/2. The default is 1/16, which is a common ruler
increment.
From both sides: Show fractions on both sides of the nominal dimension.
From closest: Only show the fraction that is closest to the nominal dimension regardless of
which side it is on.
Grid
Reset to Defaults: Click this button to reset the grid settings to the SpaceClaim defaults.
Minor grid spacing: Type the distance you want between the smallest grid lines.
Number of grid lines per major: Type the number of smaller grid lines between larger, darker grid
lines.
Text
Text height units: Select a unit type for note text.
To convert an existing solid or surface from millimeters to inches

1. Change the units to inches as described above.
2. Select the Pull1 tool in the Edit ribbon group on the Design2 tab.
3. Select the object you want to convert.
4. Scale the object by 25.4.
Sheet metal options
You can set the wall thickness, bend, and relief defaults for sheet metal components. These defaults
can be changed for each component or bend by selecting the component or bend and modifying
the property values in the Properties panel1. Units for sheet metal options are set by your Units
options for all new documents.
Options in the Basic Defaults section apply to all new designs, and persist after you close
SpaceClaim. Options in the Relief Defaults section apply only to new designs in the current session.
To customize sheet metal options

2. Click Sheet Metal in the navigation panel on the left.
ues for the option.
Basic Defaults
Thickness: Type a value for the default wall thickness of sheet metal parts.
Bend Table: Specify an existing Bend Table as the default for new parts.
K-Factor (for R=T): Type a value for the K-factor3. The K-factor is a value between .25 and .50 that
is used to calculate the bend radius. K-factor is a percentage of the metal thickness and depends on
factors such as the material and type of bending operation.
Bend radius: Type a value for the default bend radius. The value is a Thickness ratio by default, but
you can select Value to enter an absolute value.
Split1 face gap: Set the default gap created when you bend a split face, which is shown as C in the
image below.
Junction gap: Set the default gap created in Full, Partial, and No Overlap Junctions and Flanges.
Thickness ratio to change the gap based on the thickness of the wall.
Value to specify the exact width of the gap.
Junction overlap: Set the percentage of overlap in Partial Overlap Junctions. The default is 50%.
For individual Partial Overlap Junctions, you can change the Overlap Proportion property in
the Sheet Metal properties panel with the Junction selected.
When the Bend Radius is set to Thickness ratio and you change the sheet metal
part thickness for the part, the value for the Inner Radius now changes in the Sheet
Metal Properties panel. In other words, changing the part thickness property will
not change all the bend radii, but the displayed bend radius changes to show that
there is a problem for you to fix. You can fix them by selecting the desired bends
and changing their properties manually.
Relief Defaults
Bend Relief: These values are the defaults used when you create a bend. Select the default Type,
Width, and Depth from their menus. You can change this type for an individual bend relief by select-
ing the bend relief with the Pull2 tool and clicking a different option in the Options panel.
In the images below, A is the width and B is the depth of the bend relief.

Square relief Rounded relief
Corner1 relief: Set the default depth of corner reliefs, which is shown as D in the image below.
If you change the width or depth for these option you can select:
Thickness ratio to change the relief width and depth based on the thickness of the wall.
Value to specify the exact width and depth of the bend relief.
Export
Round2 all sharp corners at DXF3 export: Select this option to round all the edges in your design
whose neighboring faces are not co-planar when you export a DXF file. You can set the round radius
values if you select this option.
Colors
Select highlighting colors to use on sheet metal designs. To distinguish between corner reliefs and
edge reliefs, select two different colors. Colors on designs will appear more saturated than the col-
ors shown in the sheet metal options.
1 See Fillet (interior corner) or Round (exterior corner)

3 Drawing Interchange Format or Drawing Exchange Format. CAD data file format developed by
Click Reset Colors to restore the default colors.
Unfold Layers
Assign default layer colors and linestyle for:
Bend Lines-Up
Bend Lines-Down
Forms
Overall Dimensions1 (color only)
Bend Dimensions (color only)
Navigation options
SpaceClaim allows you to customize how you spin, pan, and zoom. You can customize which mouse
button/keypress combinations are used as shortcuts for these tools, or you can select a theme to
match another CAD application you are familiar with.
To set navigation options

2. Click Navigation in the navigation panel on the left.
3. Select the default SpaceClaim theme, select an alternative theme, or create a custom theme.
See below for more information.
4. Select an option in theZoom group to set how turning the mouse wheelzooms the design:
In Zoom mode: Turning the mouse wheel only zooms while the Zoom tool on the Ori-
ent group on the Design1 tab is active.
In Spin2/Pan3/Zoommode: Turning the mouse wheel zooms when any of the Spin,
Pan, and Zoom tools are active.
Always (hold Ctrl to Query Select): The mouse wheel always zooms in any tool.
5. Select a spin method in theSpin group:
Arcball: Rotates the view using the spot where you start dragging as the rotation axis.
Imagine the axis running straight up and down from your mouse position and per-
pendicular to your current view.Navigation in most 3D CAD systems works like this.
Turntable: Rotates the view using the top of your design as the up direction and the loc-
ation of your mouse as the rotation axis. This is the spin method commonly used in archi-
tectural CAD packages.
6. Select Show spin center to display the axis about which you are spinning the design.
7. Select Rotate4 about pre-selected object to spin the design around the highlighted edge.
You may want to uncheck this box if you are working with large or complicated designs.

3 Move a drawing around by dragging the drawing area around your screen; move the viewpoint lat-

an axis.
8. Select your Clip1 with Volume, or, ClipView options:
Preview color: Select a ClipView preview color to set the preview color of the sphere
representing your selected ClipView.
Clip selection: Trims the visible and selected surfaces inside a Clip Volume by the Clip
Volume boundary. If you select this option, you are working in Clip Selection mode, and
you can toggle Clip selection and Zoom to fit from the Misc section of the Properties
panel2. If you do not select this option, you are working in Clip Interactive mode. In this
mode, you cannot modify options from the Misc section of the Properties panel. When
you select a face within the boundary, the entire face (unclipped) displays.
Zoom to fit: Changes the behavior of the ClipView>Locate function. If this option is
selected, then the Clip Volume is moved to the center of the graphics window and is
magnified for the user; when Zoom to Fit is chosen. If it is not set, then the Clip Volume
is only centered, and not magnified.
Alternative navigation themes

The following table shows CAD applications matched to alternative themes.
CAD Application Navigation theme (closest match)

SpaceClaim Default
Pro/ENGINEER Default
Solid3 Edge4 Default
CATIA5 Alternative 1
Rhino Alternative 2
ANYSYS Alternative 3
SolidWorks Alternative 3
ALGOR Alternative 3
KeyCreator Alternative 3
Inventor Alternative 4

To create a custom theme
Modify the key and mouse shortcuts shown in the Theme1 list for any theme. Custom is displayed as
the selected Theme. Your changes are saved immediately.
Modify the Spin, Pan, and Zoom settings to set the mouse and key shortcuts used for those actions.
You can also change the Zoom-in drag direction and the Zoom-in wheel direction to Upward
(turning the mouse wheel away from you zooms in) or Downward (turning the mouse wheel
towards you zooms in).
To delete a custom theme

Click Reset All to delete the custom theme and select the Default theme.
1Set of view navigation options used for spin, pan, and zoom.
Advanced options
Modify how your design changes are displayed in the Design window1, whether tools and hints are
displayed, enable background loading, change the language, customize the Spin2, Select, and Undo
tools, reset the layout of the panels, and adjust the license warning.
To set advanced options

2. Click Advanced in the navigation panel on the left.
You can click Reset all user settings to adjust all settings back to their default states. You may
need to restart SpaceClaim.
ues for the option.
General
Animate changes to view projection: Select this option to animate the steps when you select a
view.
Show previous selections with pre-highlight hint: Select this option to highlight all the geometry
you last acted on that includes the selected vertex, edge, or face. If you click again with the Select
tool, the previously selected group will be selected for you with that one click.
Auto-extrude/revolve sketches in Section mode4: Select this option to automatically extrude or
revolve in section mode. As you sketch in Section mode, lines that begin on an existing edge are
extruded to form surfaces, and closed surfaces form solids. If the line begins on a solid, the line is fin-
ished automatically when you click another point on the solid. To automatically revolve, the sketch
must be attached to a revolved face.
4 See Section
Maximum undo steps: Type the number of actions you want available for undo. We recommend
that this value be set to at least 50. To enable your changes, you must restart SpaceClaim.
Language: Select a language from the menu. The SpaceClaim user interface and online help display
in the selected language. For SCDM only, a check box will appear to Use Workbench Language Set-
ting; it will be enabled as default.
Reset All User Settings: Reset all modifiable user settings toa default state. To apply the updated
settings, you must restart SpaceClaim.
Export User Settings: Export a SpaceClaim user.config file (XML format) for editing and/or
future import.
Import User Settings:Apply non-default, customized selections that are unique to an individual
user.A valid SpaceClaim user.config file (XML format) must be available for import. User-
.config file location can vary depending on SpaceClaim installation, but generally, this file type is
stored in your local AppData directory. Once you locate theuser.config file you want to import,
or, enter the name of the user.config file in the File Name text box, click Open to import the
file.
How to create a universal user settings file

1. Create an environment variable called SpaceClaim_ADMIN_CONFIG. It should point to a fully
qualified file name which may be on the network, for example: SpaceClaim_ADMIN_
CONFIG=\\dell_server\shared\rob\admin.config
2. Begin by creating your own user.config file as described below.
Open SpaceClaim and go to the Options menu.
Change the settings any way you want.
Click the Export User Settings button in the Advanced options page.
Save as "user.config" or any other name you want with the ".config" extension.
Place in the location which your Environment variable points to.
3. Test that your settings have exported correctly as follows.
Close out SpaceClaim.
Locate your user.config file.
1. Go to Computer>Local Disk
2. Click in the Path panel at the top of the window.
3. Type: %APPDATA%
4. Double click Local.
5. Double click SpaceClaim
6. Select all the settings folders and delete them.
4. Open a new SpaceClaim session and see the results of your user.config file.
Notes about the universal settings file

The name can be anything - 'admin.config' is just an example.
This file will be usedby SpaceClaim instead ofthe local user configuration file.
To use the settings you created, make sure you clear out your local settings before you start
SpaceClaim. You should only need to do this once.
Users may need to delete local settings to get SpaceClaim to use the central config file the
first time. This is because SpaceClaim checks the file dates and uses the newest of the two
files.
After the first time, you should not need to delete local settings again.
When you do a new install on a machine with the Environment variable set, the admin user set-
tings will be used without needing to delete the local settings.
Once a user has a specified central config file, any changes they make will persist. However, set-
tings within tabsrestricted by 'panel.config' cannot be overridden.
Restricting access to specific user settings

You can prevent some tabs in the SpaceClaim Options panel from being overridden by a user. This is
done with the 'panel.config' file that specifies which tabs to disable.
There is an example panel.config file in the following directory:
C:\Program Files\SpaceClaim \
This file is simply an example to work from and currently does nothing.
Unlike the 'admin.config' file, which can be named anything, 'panel.config' should not be
renamed.
How to create a 'panel.config' file

This example will disable the 'Popular', 'Snap1', and 'File->CATIA2' options.
<PanelsToDisable>
<PanelName>Popular</PanelName>
<PanelName>Snap</PanelName>
<PanelName>FileOptions_CATIA</PanelName>
</PanelsToDisable>
All of the option panel names are listed below. Use them to customize panel.config as you like.
Place the file in the same location as the admin.config where your Environment variable points.
Popular
Detailing_General
Detailing_SizeAndFormat
Detailing_ModularGrid
Appearance
Snap
Units
SheetMetal
Navigation
Advanced
FileOptions_General
FileOptions_ACIS1
FileOptions_AutoCAD2
FileOptions_CATIA
FileOptions_IGES
FileOptions_JTOpen
FileOptions_OBJ
FileOptions_Parasolid3
FileOptions_PDF
FileOptions_ProEngineer
FileOptions_Rhino
FileOptions_SketchUp
FileOptions_STEP4
FileOptions_STL
FileOptions_VRML
SupportFiles
Customize
AddIns
License
Resources
SpaceClaim Labs
Pull Tool
Select Automatic, Add, Cut, or No Merge to set the initial state of Pull1. The Automatic option
selects by default.
Animate Full Pull: Select this option to animate all the steps when you select the Full Pull option to
revolve, sweep, or blend your design.
Behavior
Preview before modifying: Select when you want interim calculations performed when modifying
solids from the menu. If this option is turned on, the preview of a change is displayed as a rough
wireframe model rather than a rendered, 3D model. If you work with very large designs, a wireframe
preview can be faster than doing the calculations necessary to render the change as a shaded 3D
model. Select:
Auto to allow SpaceClaim to determine when to render the preview based on the size of the
component and the capabilities of your graphics card.
On to always display changes as rough wireframe previews rather than rendered previews.
Off to always render the preview instead of displaying it as a wireframe model.
Enable geometry convergence: Select this option if you want SpaceClaim to help you when you are
moving solids together so that the edges (such as rounds) converge perfectly. If this option is
enabled, when you are moving solids together, SpaceClaim will display a progress bar as it performs
the convergence steps. When the option is enabled, if the geometry fails while dragging (using the
Pull or Move2 tool) beyond a certain point, SpaceClaim will figure out the last value at which the
geometry can be created and will set it at that point. With the option disabled (default), you can
drag beyond the geometry failure when the geometry disappears.
Show cross sections in sketch: Select this option to display cross sections of solids with hatching.
You might want to disable this option if you are working with complicated cross-sections.
Show coaxial face groups: Display faces that share an axis with blue shading.
Fill1 cross section: Controls the visualization of a cross-sectioned solid in Section mode. If this
option is on and you view a section through a body, the body is filled with color.
Show arc centers: Select this option to display small crosses on the sketch grid at the center of
circles, ellipses, polygons, and arcs.
Offset2 edges by geodesic calculation: With this option selected, all the points on the offset edge
are the same distance from the initial edge. In the examples below, the original edge is highlighted
in green, the regular offset is shown in orange, and the geodesic offset is shown in blue.
Top view direction: Allows you to change the top view to Z or Y. This setting is saved with the doc-
ument and only applies to new documents. You may want to change this setting when you import
drawings from other CAD applications that use a different upward direction. This option is auto-
matically set to Y when you run SpaceClaim with an ANSYS license. This gives your design the same
orientation in SpaceClaim and ANSYS.
Examples
Extruding while sketching in Section mode
Import and export options
You can open and insert files from many other modeling applications into SpaceClaim for editing,
and save your SpaceClaim designs as many different file types. If you work frequently with non-
SpaceClaim files, we recommend that you set your file options to optimize the importing and
exporting process for your needs.
To customize import and export options

2. Click File Options in the navigation panel on the left.
3. Select a file type in the panel on the left to change options for just that type of file.
Descriptions of all options are listed below.
4. Click OK to save all your changes and close the SpaceClaim Options dialog.
If you try to enter a value that is out of the allowed range in the Options
panel1 or the SpaceClaim Options dialog, you will see a red exclamation mark
icon next to the field. You can hover over the icon to see a tooltip that will
explain the valid values for the option.
To set general file options

1. Click General in the panel on the left.
2. Check:
Load model in background to orient large designs while they are loading.
Load lightweight only to open external components as lightweight graphics rep-
resentations when opening SCDOC files. This option is disabled when Load model in
background is unchecked.
You cannot toggle a lightweight component's display Off using the checkbox in
the Structure Tree. Lightweight components cannot be modified which includes
their display status.
Use SpaceClaim color tones when importing to use the SpaceClaim color scheme for
layers. This option is enabled by default to avoid fully saturated colors, on which high-
lighting is less visible. Faces of imported data will retain their original color tones if this
option is turned off.
Create multiple documents when importing assemblies to open or insert a non-
SpaceClaim assembly as multiple documents. When you save your design, click Refer-
ences to adjust where the documents are saved.
Use matching SpaceClaim documents for faster import if a design contains an
external component that was previously imported and converted to the SpaceClaim
.scdoc format,and you want to re-use that previously imported file.
When SpaceClaim is integrated with a manufacturing application, this option is
ignored. In the manufacturing use case, it is common to alter geometry to accom-
modate manufacturing processes and save the model with the same name. If this
option is on, it could cause the manufacturing version to be overwritten.
Automatically save imported documents to immediately save an opened or inserted
non-SpaceClaim file to an SCDOC file1. (If you do not select this option, then opened or
inserted files are not saved until you save the design.) Make sure that Save imported
document and load as lightweight is NOT checked if you do not want to save any
imported documents.
Improve imported data to improve a file when it is opened or inserted. You can
choose to have SpaceClaim Clean and simplify geometry, Stitch nearby surfaces
together, and Find coincident surfaces within a tolerance that you specify. De-select-
ing this option imports the file without improvements so the file appears more quickly,
but you may have to perform the improvements manually.
Use multi-threading: Improve performance when importing large CATIA2 V5,
Pro/ENGINEER, SolidWorks, or Solid3 Edge4 assemblies by running translation in mul-
tiple threads
Use lightweight assemblies for SpaceClaim documents: If you open a SpaceClaim doc-
ument with external components, the external components will be opened as light-
weight.
Use lightweight assemblies for imported documents: If you select this option, then
you can select one of the following load methods:
Save imported document and load as lightweight: When this option is selected,
the imported file will be opened in memory. An SCDOC file will be created for
each part in the file, saved, and then loaded as lightweight, which frees the heavy-
weight data from memory. You will see an entirely lightweight assembly. If you
then right-click on one of the lightweight components and select Load Com-
ponent1, then the part will be fully loaded very quickly. Also, this method displays
the color of imported parts. The methods below do not. PMI2 information cannot
be imported with a lightweight model.
Lightweight assembly3 structure and geometry: This method imports the doc-
ument just like in the above option, creating lightweight parts in SpaceClaim, but
no SCDOC files are created or saved. As a result, this option uses less memory than
the above method when importing the document; however, if you use Load Com-
ponent on one of the lightweight components, the entire document must be re-
imported in order to get all of the data for the component. Loading the com-
ponent can be very slow. This method is recommended if you intend only to use
the lightweight facets and not the heavyweight geometry or if you are working
with smaller imported documents. Since an SCDOC is not created and saved, you
are able to toggle Off the display of these lightweight components using the
checkbox in the Structure Tree.
Assembly4 structure only: Only the component name and hierarchy is created.
No lightweight facets are created.
Allow import of hidden components and geometry to open or insert hidden

3 Graphics-only representation of a design. When inserting an external file into a design, select the
Enable lightweight assemblies option to load only the component's graphic information. This
improves performance of large and complex assemblies for quicker viewing. When you are ready to
work with the component, you can load the geometry information.
4 Hierarchy of components and subcomponents showing relationship within a design, as shown in
tool, Component
components within CATIA v5, Parasolid1, SolidWorks, and SketchUp files, and turn off
their visibility in the Structure tree2.
Objects to be imported has checkboxes for:
Free curves
Points
Planes
Axes
Coordinate systems
Object3 names
Improve data on export to improve a file when it is exported. This allows you to turn
off the behavior if you don't want to merge faces and edges before a model is expor-
ted, such as exporting to Rhino.
Allow export of hidden components and geometryto save components that have
their visibility turned off in your design as hidden components when you save them as
any other file type. This option is supported for ACIS4, Rhino, SketchUp, and SAT/SAB
formats.
Select Import object names to import CATIA files with object names.
Select Export object names to export CATIA files with object names.
To set ACIS file options

1. Select ACIS in the panel on the left.
Convert ACIS bodies to SpaceClaim components to create components and use the
name of the ACIS bodies for the components. If you deselect this option, then the ACIS
structure is used in the Structure tree.

Split1 body name by the following characters to insert the character between the part
name and the body name, when the names are different. For example, with the character
set to a period, the name would be part.body. If you deselect this option, then the com-
ponent name of imported components and solids are the same in the Structure tree.
Export part manufacturing information
Version to set the format of exported designs.
To set AMF options

1. Select AMFin the panel on the left.
2. Set theImport options:
Connected mesh.
Simple mesh.
Solid/surface bodyto set the format of exported designs.
Merge faces:
3. Set theExport options:
Compress file: Export a compressed file.
Resolution (Deviation is in current model units):
Coarse: Deviation = 2mm; Angle = 30 degrees
Medium: Deviation = 0.75mm; Angle = 30 degrees
Fine: Deviation = 0.5mm; Angle = 30 degrees
Custom: Enter custom values for Deviation and Angle
Facet2 maximum edge length: Enter a value in current model units
Facet maximum aspect ratio: Enter a value in the range 1- 10
To set AutoCAD file options

1. Select AutoCAD3 in the panel on the left.
2. Set the Import options:
Insert polyface mesh,3DFace and Solidentities into 3D as: Select how you want to
import these entities as 3D into SpaceClaim.

2 Simple triangular face used to describe surface geometry in STL (stereolithography) file format.
3 Software application for 2D and 3D design and drafting by Autodesk, Inc. AutoCAD's native file
Insert polyface mesh, 3DFace and Solidentities onto drawing sheets as: Select how
you want to importthese entitiesonto drawings sheets.
Insert hatch entities as: Select the behavior forhatch identities.
Center imported data: This is useful for AutoCAD files that have models positioned out-
side of the SpaceClaim modeling range (+/- 1km). The center of the bounding box for
the imported data is moved to world origin coordinates (0, 0, 0). This option is ON by
default.
Allow default code page conversion: This setting needs to be on in order to support
text entities and table names that require a code page conversion. The latest version of
Teigha has removed the need for this but the current version of RealDWG still needs it.
Associate dimensions to geometry: Import associated dimensions
Substitute font: Select a font to use when the original font in the DXF1 file is missing.
3. Set the Export options:
Version: Select the AutoCAD version to set the format of exported designs.
Save as Black and White: Remove color information from exported designs.
Associate Dimensions2 to Geometry: Select dimensions to associate with adjacent geo-
metry.
Include Drawing Format: On by default.
Scale3 Output 1:1: Off by default. Set the output of your AutoCAD files to a 1:1 ratio.
Export solids as: Choose either Solids or Hidden line curves
When saving a drawing as a DWG4 or DXF file, you can also access the last two
Exportoptions by choosing Save As from the File menu; from the Save As dialog
box, click the Options button.
2 Values or expressions you enter for precise control during the creation or modification of a design.
Set the Translation technology for Import and Export:
Teigha (Associated Dimensions) to use Teigha 3.4.0 libraries.
Autodesk Real DWG to use Autodesk's translator. Importsupports associated
dimensionsin your design. Use this option to import DWG files with 3D bodies. For
export it will disconnect dimensions from the geometry in your design.
To set CATIA file options

1. Select CATIA in the panel on the left.
2. Set the Import options:
Check Import part manufacturing information to include product manufacturing
information when you open or insert CATIA designs.
If you select this option, and you previously selected Import assembly structure only in
the General file options, that option will be deselected.
Deselect Trim control points outside face boundaries if you do not want to perform
surface optimization on CATIA files when they are imported. This option is on by
default.
Check the Map CATIA Geometric sets to SpaceClaim Groups1 option to create
SpaceClaim Groups from CATIA Geometric Sets
For CATIA CGR files, you can specify how you want to import the faceted data (similar to
other faceted formats such as AMF and STL)
Lightweight
Connected mesh
Simple mesh
Solid/surface body
3. Set the Export options:
Version: Select the CATIA version to set the format of exported designs
Simplify spline surface data: Reduce the number of control points on surfaces
Export as hybrid design: Check this option ON to export the model as a Hybrid design.
Whether you import or export CATIA files, XYZ locations of point objects will scale as expec-
ted.
To set IGES file options
with the group.
1. Select IGES in the panel on the left.
2. Select an Import Method:
Use facewise connections to attempt to stitch everything together and make a solid if
possible. With this option selected, the import may fail if the model is corrupt.
Import faces independently to import models as a collection of individual surfaces,
skipping only the surfaces that are corrupt.
3. Set Export options
1. Export using JAMA IGES subset: Check option On or Off
2. Select an Export SpaceClaim body option:
Manifold Solid B-Rep Object (MSBO - Type 186): MSBO defines a manifold
body with all the necessary topology information like shells, faces, loops, edges
and vertices.
Trimmed surfaces (Type 144): The boundaries of these surfaces will be rep-
resented by Curve1 on a Parametric Surface2 Entity3 (Type 142).
Bounded surfaces (Type 143): The boundaries of these surfaces will be rep-
resented by Boundary Entity (Type 141). The boundary entity will refer to model
space curves and surface parametric curves, with preference set to model space
curves.
To set JT Open file options

1. Select JT Open in the panel on the left.
2. Set Import options:
Import part manufacturing information:Imports JT PMI (Product and Manufacturing
Information) files with datum labels, text notes, dimension measurements, and GTOLs
(geometric distance and tolerance information, also called GD&T).
Import polylines: Import polylines from JT facet data. To enable this option, Free
curves under General file options must be turned on
Import data:
B-Rep
Facets
3. Set Export options:


3Term used to refer to any object in a 2D sketch or 3D drawing.
Resolution
Coarse, Medium, Fine to use the deviation and angle preset values.
Custom to use the Deviation and Angle sliders to set a custom resolution.
Resolution indicates the number of sides of a polygon used to represent a circle.
The deviation is the difference in distance between the circles radius and the poly-
gons radius. The angle is the angle between the edge of the polygon and a tan-
gent drawn through the circle at the same point.
Default to use the system setting.
Use JT Open Toolkitconfiguration file to import/export JT files, which allows
you to control common translation parameters using a standard configuration file,
the format of which is defined by JT Open Toolkit. Using the toolkit also ensures
100% data compatibility and allows you to have more control over the number of
LODs (Levels of Detail1) and tessellation parameters for each LOD in an exported
JT file.
Export part manufacturing information: Check On or Off
Version: Select a JT version
To set OBJ file options

1. Select OBJ in the panel on the left.
Units: Choose a system of units
Override quality to change the faceting setting for exported files so it is different from
the graphics facetting setting.
Custom to use the Deviation and Angle sliders to set a custom resolution.
Resolution indicates the number of sides of a polygon used to represent a circle.
The deviation is the difference in distance between the circles radius and the poly-
gons radius. The angle is the angle between the edge of the polygon and a tan-
gent drawn through the circle at the same point.
style.
Facet maximum edge length: Enter a value in current model units
Facet maximum aspect ratio: Enter a value in the range 1- 10
To set Parasolid file options

1. Select Parasolid in the panel on the left.
2. Select the Parasolid version to set the format of exported designs.
To set PDF file options

1. Select PDF in the panel on the left.
2. PDF 3D
Import part manufacturing information: Check On or Off
3. PDF 2D
Shaded quality (dpi): Set the quality by entering a value (default is 110 dpi)
Overlay vector edges: When checked on, it improves the quality of model edges in PDF
To set Pro/ENGINEER options

1. Select Pro/ENGINEER in the panel on the left.
2. Select Import Quilts if you want to import quilts. A Quilt in Pro/ENGINEER is a collection of
individual surface bodies.
To set Rhino file options

1. Select Rhino in the panel on the left.
2. Set Import Options:
Select Convert Rhino layers to SpaceClaim layers on import to import layers.
Select Convert SpaceClaim layers to Rhino layers on export to export layers.
Version: Choose a Rhino version
To set SketchUp options

1. Select SketchUp in the panel on the left.
2. Set Import options.
Import as: Choose Solid or Mesh.
3. Set Export options
Version: Choose a SketchUp version
To set STEP file options
1. Select STEP1 in the panel on the left.
Import Method:
Use facewise connections to attempt to stitch everything together and make a
solid if possible. With this option selected, the import may fail if the model is cor-
rupt.
Import faces independently to import models as a collection of individual sur-
faces, skipping only the surfaces that are corrupt.
Protocol: Choose a protocolto use to format exported designs.
To set STL file options

1. Select STL in the panel on the left.
2. Set Importoptions:
Units: Choose a system of units
Import as:
Connected mesh: Create a lightweight mesh with full connectivity information
between facets.
Simple mesh: Create a lightweight mesh withno connectivity information
between facets
Solid/surface body: Convert STL triangles into full geometry.
Checkthe Merge faces checkbox to seamlessly merge one or more faces.
1. Format
Binary (Default)
ASCII
2. File
Per design
Per component
Per body
3. Set the Resolution optionsto control the size and shape of mesh facets in areas with
1 Standard for the Exchange of Product model data (ISO 10303). Defines a methodology for describ-
curvature:
Coarse, Medium, Fine use preset values for Deviation and Angle.
Customenables the Deviation and Angle sliders so you can use your own specific
values.
See below for a description of the effect of these options. Deviation is the dis-
tance between a chord drawn through a curved cross-section of the model and
the curves most distal point. The angle is the angle that the chord line makes with
a line tangent to the cross-section curve.
Facet maximum aspect ratio to change the triangle faceting ratio when you
export anSTL file1.
Facet maximum edge length to enter a desired edge length. The value you spe-
cify is the maximum value for the edges, however smaller edge lengths may be
created. The ACIS modeler attempts to meet your desired edge length setting,
but in some design scenarios, may create an edge length that is less than what you
specify as your facet maximum edge length setting, to best accommodate the
design.
Deviationcontrols how far facet edges are away from model edges. The images below show the
effect of Max distance on the mesh of a cylinder. These examples keep the Aspect ratio2 fixed at 3
and the Facet maximum edge length set to 4mm.

2Ratio of the length to width of a rectangle or the height to width of an image. When resizing
images, it can be important to maintain the aspect ratio to avoid distortion.
Max Distance = 0.75mm Max Distance = 0.01mm
Max angle = 20-degrees Max angle = 20-degrees
Notice how the settings change the facets along the edge of the circle. The intrerior is a flat plane,
so 45-degree triangles are the most efficient facets.
The example on the left shows the default Max distance of 0.75mm. This refers to the gap seen in
the zoomed-in (top) image. Decreasing the Max distance to 0.01mm results in more facets along the
edge, which brings the facet edgess closer to the cylinder edge, as seen in the example on the right.
Similarly, decreasing the Max angle will result in more facets along curved edges. This example
shows the result of decreasing the Max angle from 20 degrees to 1 degree.
Max Distance = 0.75mm
Max angle = 1-degree
Without a fixed Aspect ratio and without a Max edge length, you can get more distorted triangles as
shown in the following images.
No set Aspect Ratio or Max- No set Aspect Ratio or Max- No set Aspect Ratio or Max-
imum Edge Length imum Edge Length imum Edge Length
Max Distance = 0.75mm Max Distance = 0.75mm Max Distance = 0.01mm
Max angle = 20-degrees Max angle = 1-degree Max angle = 20-degrees
To set VRML file options
1. Select VRML in the panel on the left.
2. Select Override quality to change the print resolution options and tolerances.
Custom to use the Deviation and Angle sliders to set the resolution of the VRML mesh.
Deviation is the distance between a chord drawn through a curved cross-section of the
model and the curves most distal point. The angle is the angle that the chord line makes
with a line tangent to the cross-section curve.
Facet Aspect Ratio to change the triangle faceting ratio when you export a VRML file.
Support file options
You can specify the directories in which you store support files, such as drawing sheet formats or
thread size tables. Drawing sheets contained in these directories are displayed within the Format
tool.
To set the location of support files

2. Click Support Files from the navigation panel on the left.
3. Click Browse to replace the selected path or click Add to add another path, and navigate to
the file or directory you want to include. (You can also select the path and click Remove to
remove it.)
4. Select a path and click Move1 Up or Move Down to order the file paths.
5. Click OK.
To change the file location display

Drag nodes to reorder the search paths, which determines the order in which files are
searched.
Right-click on the top level (or root) node and select Add to add a new search path.
Right-click a node and select Browse, Remove, Move Up, and Move Down.
File backup settings

ChecktheBackup every checkbox to enable the Autosave feature. With Backup, you can save your
files automatically, helping to reduce the risk or impact of data loss in case of a crash or freeze. The
default Backup time interval is 10 minutes, but you can select a time interval from 1 to 100 minutes.
Once you select a time interval, you can enter or click theBrowse button to select a location for the
Backup files on your computer. By default, SpaceClaim stores Backup files on your C: drive in your
Users folder. If you save your file before your session ends, your Backup files are purged. You can
click the Clear Backup Files button to manually purge your Backup files at any time.
When you relaunch SpaceClaim after a crash or freeze, an information box displays to notify you that
Backup files are available. To recover them, click Recover from the File menu and select the file you
want to open.
Keep Backup files for ^ days: Use the scroll box to select the number of days (0-100) that you want
to store your Backup files. By default, SpaceClaim sets the number of days at 7.
Number of recent files to show: Set the number of files to show in the MRU list. The default is 8.
To use a template for new designs

To create a design template, do the following:
1. Create some geometry (or set some parameters) you wish to use as a template for new
designs
2. Save the document as a SpaceClaim Template File (*.scdot)
3. In Support Files options, check the Use template for new designs checkbox and specify a
path to the template files.
File Locations
Check the Initialize Open dialog to the following directory checkbox and specify a path. When
you choose to open an existing design, the Open dialog opens and displays files in this directory.
Check the InitializeSave dialog to the following directory checkbox and specify a path. When you
choose to saveyour design, the Save dialog opens and displays files in this directory.
Quick access toolbar options
The Quick Access toolbar (QAT) is located on the title bar. The Ribbon is the menu bar that contains
all the tools in groups. You can add or remove tools from this toolbar and control the placement
and display of the Ribbon.
To customize the Quick Access toolbar

1. Click next to the Quick Access toolbar.
2. Select any items you want to appear in the toolbar.
3. (Optional) Select Place Quick Access Toolbar1 below the Ribbon to create a separate toolbar
on the SpaceClaim interface.
4. Select Customize Quick Access Toolbar to display the SpaceClaim options window. (Any
changes you made in the previous steps are saved automatically.)
You can also select SpaceClaim Options from the File menuand click Customize.
5. Select the ribbon group that contains the tool you want to include in the QAT from the
Choose commands from drop-down menu.
6. Click the tool you want to include and click Add.
Select a tool and click Remove to remove it from the QAT.
7. Click OK.
To temporarily minimize the ribbon bar

Double-click the name of the active tab or press Ctrl+F1. Double-click a tab or press Ctrl+F1 again
to restore the ribbon bar.
To keep the ribbon bar minimized

1. Click next to the Customize Quick Access toolbar.
2. Select Minimize the Ribbon to hide the ribbon when you are working in the Design
window2.
To use the ribbon while it is minimized, click a tab to display the ribbon bar temporarily.
1 Tool icons that appear at the top of the user interface, next to the File menu, and include common
Windows commands such as Open, Save, and Undo. You can customize the toolbar so that it con-
tains the file-related shortcuts you use most often.
To restore the ribbon bar
1. Click next to the Customize Quick Access toolbar.
2. Select Maximize the Ribbon.
License options
You can view and activate SpaceClaim licenses. If you have questions about licensing, please
contactSpaceClaim customer support.
To view and set license options

2. Click License in the navigation panel on the left.
To change the expiration warning

License expiration warning: Enter the number of days you want to be warned when your
SpaceClaim license is about to expire.
To change add-ins
The licensed add-ins that are available to you are listed. Select an add-in to activate the license.
When you try to activate an add-in, and a license is not available, you will receive a warning message.
To switch to a different license type

Click New License to reconfigure the SpaceClaim license.
Your Windows login must be set up as an administrator.
Reconfiguring allows you to change from an evaluation to a customer license.
Flex Licensing
If flex licensing is available for you, your license is stored on a server.You can check out a flex license
on a specific computer, and then go off the network and continue to use the borrowed license. You
borrow the license for a specified period of time, after which it is returned to the server on the date
and time you specify.
To borrow the license
Check Specific Borrow Length and enter the number of days you want to borrow the
license.
The maximum number of days is determined when SpaceClaim is purchased.
Check Specify return date/time and enter the exact date and time.
Use this option if the borrow time is shorter than one day.
2. Select the Translator licenses to borrow.
3. Click BorrowLicense.
When the license if successfullyborrowed, Borrow License is disabled (grayed out) and title
bar shows the expiration date or the time remaining.
To return the license

Click Return License and click OK.Restart SpaceClaim to complete the return.
Node-locked Licensing
A node-locked licenseis intended to prevent unauthorized (repeated) use of the SpaceClaim applic-
ation, and requires that a serial number only works on a single machine. In SpaceClaim, node-locked
licenses can include, for example, Data Exchange Package I, Data Exchange Package II, JT Open,
TraceParts, and CATIA1 V5.
To use the same serial number on another machine, you must first deactivate the license on the first
machine. To do this, select the Deactivate License button in the License Options dialog box. The
Deactivate License button displays only if you have a node-locked serial number license, and is not
visible to Flex customers, or most serial number customers.
Multitouch options
The Multitouch options page is only visible if a multi-touch device is connected to your computer.
To set multitouch options

2. Click Multitouch in the navigation panel on the left.
General
Enable multitouch: Enable or disable multi-touch functionality in SpaceClaim.
Use style: Select either of the following, then set the options in the Settings section.
Timing-based: This mode automatically chooses touch functions based on the amount of time
a touch signal is maintained. For example, using two fingers moving together to immediately
drag invokes panning, while holding two fingers down for a while, then moving them, invokes
what are normally right-mouse-button drag mouse gestures.
Gizmo-based: Existing mouse buttons and popular keyboard buttons are placed in an on-
screen gizmo, to clearly map existing functions onto the touch interface. This mode is inten-
ded to transition existing SpaceClaim users to the touch interface.
See Using a multitouch screen for more information about multitouch styles.
Show touch spots: Displays a red filled circle at the location of the recognized pen or touch loc-
ations on the screen. This was added to facilitate online demos, so the viewer can see where fingers
are touching on the remote screen.
Settings
The options in this section change depending on your Use style setting.
If you select Timing-based, then you can set Query next direction: Set the direction of flick-based
query. The default is up.
If you select Gizmo-based, then you can set Gizmo configuration: Select Switch buttons to reverse
the direction of the gizmo. The default gizmo is configured for right-handed use and the reversed
gizmo is configured for left-handed use.
Displaying workspace tools
You can adjust the display of workspace tools and the display of your design in the Design window1
using the Show drop-down list of tools in theDisplay ribbon group on the Display tab, and by modi-
fying SpaceClaim options.
To customize the tools displayed while you are working with your design
SpaceClaim offers the following tools on the Display ribbon group on the Display tab to assist you
while creating, editing, and detailing your designs:
Check the World Origin2 box to display the axes that set the default orientation of the design
in the Design window.
Check the Spin3 Center box to mark the center of the spin when using the Spin tool. (This is
the same as the Show Spin CenterSpaceClaim option.)
Check the Lineweight box to switch the line style of lines (such as those displayed in Hidden
Line4, Hidden Line Removed, and Wireframe5 graphics styles) from thin to the thickness set
by the Lineweight tool in the Style ribbon group.
Check the Face6 Highlight box to enable pre-highlighting of faces.
Check the Face Spotlight box to show a spotlight attached to the cursor when passing over
faces.
Check the Adjacent Entities box to display faint highlighting on adjacent faces when you
hover over an edge and on adjacent edges when you hover over a vertex. Scrolling the mouse
wheel switches between adjacent entities. This feature is useful in selecting the correct edge
or face to extrude.
Check the Layout1 Lines box to display sketch curves on layout planes.
Check the Offset2 Baseline Faces box to display offset relationships with blue shading.
Check the Standard Holes box display Standard Holes in blue. When unchecked, Standard
Hole faces display in the normal face color.
Check the Lightweight Components box to display Lightweight components. This also has a
flyout for setting Lightweight component3 transparency.
Check the Environment box to display according to the settings in the Appearance panel.
To display other workspace tools, modify the settings in the Popular SpaceClaim options.
You can also display journal-related tools by checking the Show Journal Tab option in the Popular
SpaceClaim options.
Examples
Hovering over an edge with Adjacent Entities highlights the faces shared by the edge
out.
3See Lightweight assembly
Configuring windows
SpaceClaim has several docking windows that are initially docked along the left side of the applic-
ation. You can minimize these panels, detach them, or dock them to different sides of the applic-
ation. You can also dock and detach your design windows.
To minimize a panel
Click the thumbtack icon to minimize the docked panel. Mousing over a minimized panel expands
the panel while the cursor is over it. Once the cursor leaves the expanded panel, it returns to its min-
imized state.
To maximize a panel
Click the thumbtack icon to "stick" the panel to the application window.
To detach a panel or window

Drag a panel by its title bar to detach it. Drag a design window by its tab to detach it.
To dock a panel or window

Drag a panel or window by its title bar or tab. As you move the panel or window over the applic-
ation, icons indicate possible docking positions.
Mouse over an icon to preview the docked location. Release the mouse button to dock the panel at
that location.
To return docked panels to their default layout

1. Select SpaceClaim Options from the File menu and select Appearance.
2. Click Reset Docking Layout.
3. Click OK.
Customizing the welcome window
The layout and contents of the SpaceClaim Welcome window can be customized by editing a single
XML file. You can add or remove buttons, edit the icon for a button, control the layout of buttons,
and determine the action executed when a button is pressed.
The following button actions are supported:
Launch a video any media format that the operating system of the computer displaying the
Welcome window can play
Launch a Web page uses the default browser
Launch a SpaceClaim Help page opens SpaceClaim s html-based help to a specific page of
its contents
Load a SpaceClaim model from any file format that SpaceClaim opens in the running
instance of SpaceClaim that the Welcome screen is attached to
Launch any other executable that the operating system can handle
The XML file: Welcome.xml

The XML file Welcome.xml consists of a list of tags that contain the information for displaying and
executing the buttons in the dialog. In the following example, a new group named Getting Started
is created, with one button named Introduction in it.
XML Elements
The following tags are used in Welcome.xml to specify the content and behavior of the Welcome
screen:
File structure and versioning
When the Welcome screen launches, it looks first for the Welcome.xml file and uses that file to set
the layout and behavior of the buttons. It looks first in the %APPDATA%\SpaceClaim \Welcome dir-
ectory (typically C:\Documents and Settings\user\Application Data\SpaceClaim \Welcome\) and then
in SpaceClaim InstallDirectory\Library1\Welcome\ for the xml file.
The paths to files (example: <DocumentPath>folder\intro.scdoc</DocumentPath>) used in Wel-
come.xml should be relative paths from the location of welcome.xml. This means that in order to cre-
ate a custom Welcome screen, the Welcome.xml file should be placed in either of these locations
with the supporting files and images.
Once the Welcome screen has loaded, it checks the SpaceClaim server (if connected to the internet)
to see if a newer version of Welcome.xml exists. If it does, it automatically downloads it and replaces
the current Welcome screen display. This means that if a user wishes to have a custom Welcome
screen created and used by SpaceClaim, they should assign a large version number in the <Version>
tag in Welcome.xml so that SpaceClaim will not download and overwrite the custom version with a
newer version.
There is also an XML attribute to control whether or not the XML file can be updated automatically
from the server. The attribute is <Update>false</Update> and can be placed after the version num-
ber as shown below.
ials.
Lastly, in order to minimize the size of files included with a SpaceClaim install, the Welcome screen
need not have the files referenced in the Welcome.xml. For example, if the xml file uses the link
<Link>Videos\intro.wmv</Link> (to a possibly large video file) and the video file is not present on
the users machine, when the button is pressed to watch the video (and only when the button is
pressed) the user will be prompted to download the video from the SpaceClaim server (if it exists).
This way large videos can be stored on a server and only accessed if and when the user tries to watch
them.
Additional notes
The <Link> tag can be used to open any executable or windows document.
The preferred button image type is .png with a transparent background. This approach pro-
duces the best highlighted appearance when the button is pressed.
The <Tooltip>, <Link>, <HelpId>, and <DocumentPath> tags are optional.
The <Name> tag for an item must be unique. This tag is used internally to identify buttons so
that they can use different translated text.
Views
You can change the shortcut keys for standard views and create your own custom views to save set-
tings for object orientation and visibility.
User-created views will not auto-scale when they are moved.
To change view shortcut keys

1. Select the View1 tab in the Structure panel.
2. Select a shortcut key combination in the Shortcut drop-down list for the view you want to
change.
To add a custom view

to view it head-on.
3. Click Create View at the top of the panel.
4. Select from the following options:
Name: Enter a unique name for the view. The name will appear in the Structure tree1>.
Shortcut: Select a key combination from the drop-down list.
Orientation: Select if you want the current orientation to be saved in the view.
Object2 visibility: Select if you want the visibility of objects in the current view to be
saved in the view. Objects that are hidden when you create the view will be hidden
when you apply the view. Visibility is applicable to all types of geometry, planes, and
curves.
Visibility behavior for new objects: Select the visibility behavior you want to apply to
objects you create after you create the view.
Leave Unchanged: New objects will retain their visibility when you apply the
view.
Visible: New objects will be visible when you apply the view.
Hidden: New objects will be hidden when you apply the view.
5. Click OK.
Your custom view is added to the View tool menu.
To apply a custom view

You can change the current view to a custom view in the following ways:
Select the View tab in the Structure panel, right-click the view, and select Apply view from the
context menu.
Use the shortcut key (if assigned).
Select the view from the View tool menu in the Orient ribbon group.
To replace a custom view

3. Right-click the custom view you want to replace and select Replace from the context menu.
The custom view is replaced with the current view.
To rename a custom view

2. Right-click the custom view you want to rename and select Rename from the context menu.
3. Enter a new name for the view.
To edit custom view properties

2. Right-click the custom view you want to edit and select Properties from the context menu.
3. Edit the view properties.
To delete a custom view

2. Select the view you want to delete.
3. Click Delete View at the top of the panel.
You cannot delete standard views.
Creating custom shortcuts
You can create custom shortcuts for SpaceClaim commands.
To create custom shortcuts

2. Click Custom Shortcuts in the navigation panel on the left.
3. A list of current shortcuts is displayed.
4. Click Add to create a new shortcut.
5. The New Command Shortcut dialog opens.
6. Select a command from the dropdown list.
7. Enter a key sequence.
8. If the key sequence entered is already in use, you will be notified.
9. When an acceptable sequence is entered, click Assign to save the shortcut.
You can continue to add more shortcuts or select an existing shortcut and click Edit to change it.
When you are done creating and editing shortcuts, click OK to exit.
Ribbon options
You can turn any of the following Ribbon Tabs on and off in the Ribbon Tabs page of SpaceClaim
Options.
Design
Insert
Detail
Display
Measure
Repair
Prepare
Sheet Metal
Facets
Keyshot
Journal
Use the Reset button to return to the original tab configuration.
Scripting
You can work with SpaceClaim programmatically using Python. A built-in script editor allows you to
create and run scripts to perform repetitive tasks and work with models and geometry.
Use File>New>Script to begin a new script.
Use File>Open to open an existing script file (*.scscript, *.py).
When you exit SpaceClaim with an open script, you are asked if you want to save the existing script.
Script Editor
The Script Editor has the following functions.
Open Script -Loads a script from a file
Save Script -Saves the current script to a file
Save Script As - Saves the current script by specifying a destination
Clear - Clears the Script Editor
Record - Code for scriptable actions performed in SpaceClaim is written in the script window
Insert Code Snippet - Presents the Snippet dropdown at the cursor in the script window
Insert Selection - Pastes the current selection as script in the script window. The selection can
be identified by:
ID
Index
Ray
Find/Replace - Opens a Find and Replace dialog
Run Next Line - Executes the next line of the script
Run Script - Executes the entire script from the top.
Script is written in the main Script Window but can also be entered as single command in the com-
mand line.
Intellisense is included in the editor to assist with entering commands.
Results of running a script, including error and warnings, are written to the Output Window.
Snippets
Snippets are chunks of code that can be inserted into your script. They are presented in a dropdown
folder browser with tooltip help describing the function of each Snippet.
You can write your own Snippets and add them to the Snippet directory, which is a collection of dir-
ectories and XML files.
XML files are plain text
Edit an existing Snippet to see how they are defined
Snippet directory:
... src\dev\SpaceClaim\SpaceClaim\bin\x64\Debug\Snippets
Snippet example
This example shows how to use a Code Snippet to create a simple gear.
The model already contains a cylindrical shaft, which could also be constructed using a script.
Open the Examples folder and select the gear Snippet.
The Snippet code loads into the Script Editor window.
Click the Run Script button to build the gear.
SpaceClaim add-ins
The following add-ins are currently available for SpaceClaim:

ANSYS Launcher - Pass designs back and forth between SpaceClaim and ANSYS. See ANSYS
add-in.
Conversion - Batch convert files to the SpaceClaim format.
TraceParts - Insert a component from an expansive library of standard parts.
You must install and activate each add-in before you can use it. You will receive a warning message if
you try to activate an add-in and a license is not available. If you want to use an add-in, but it is not
available, contact SpaceClaim Customer Support.
To activate an add-in
1. Select SpaceClaim Options from the File menu then click Add-Ins.
2. Check the box next to the add-in to activate it.
3. Click OK.
4. Exit SpaceClaim and restart it.
To insert a Trace Part

1. Select Insert from Trace Parts from the Insert tool on the Design1 tab.
2. Select the part you want to insert.
3. Click OK.
The selected part appears as a new component in your design.
SpaceClaim API
The SpaceClaim Application Programming Interface (API) allows you to create add-in applications
that extend the functionality of SpaceClaim. An add-in application is a managed code DLL that uses
Microsoft .NET Framework 3.0 and the SpaceClaim API.
Information about the SpaceClaim API can be found in help files in a sub-folder in the SpaceClaim
installation folder. The sub-folder has a name of the form "SpaceClaim .Api.Vx", where "Vx" refers to
the version of the API. For example, information about API V4 can be found in the "SpaceClaim
.Api.V4" sub-folder.
The following documents are provided:
SpaceClaim_API.chm - the Developer's Guide to writing an add-in.
API_Class_Library1.chm - documentation for classes, structs, methods, and properties in the
API.
API Overview.pdf - an overview of the SpaceClaim API and its concepts.
These documents are written by developers for developers, and are available only in English.
ials.
Mastercam
The plugin for Mastercam allows geometry transfer back and forth between the two products. This is
beneficial for SpaceClaim users who need a CAM solution and Mastercam customers who need a
powerful geometry editing and preparation tool.
The plugin is supported in SpaceClaim versions SC2012 SP0 and later that are licensed for
Parasolid1 import/export.
Mastercam versions X6, X6 MU1, and X8 are supported.
After installing the plugin, there will be a new toolbar in Mastercam with an "Export to SpaceClaim "
button and a "Import from SpaceClaim " button.

The Export to SpaceClaim button can be used to send models having one or more solids to
SpaceClaim. If SpaceClaim is not already running, this will start a new SpaceClaim session and load
the model. If SpaceClaim is already running, it will open the model in a new design window. Note2
that only solids in Mastercam can be imported using this plugin.
The Import to SpaceClaim button can be used in Mastercam to receive models from SpaceClaim.
This will import the current active design from the current SpaceClaim session. The model will be
imported in the same Mastercam design window. SpaceClaim should already be running when using
the import functionality. Solids, surfaces, and curves can be imported into Mastercam and will retain
their colors. Assemblies will be flattened when transferred.
Installation procedure
1. Download theMastercam zip file from http://www.space-
claim.com/en/Support/downloads.aspx
2. Extract the downloaded zip file.
Thezip file may be blocked by Windows, sinceit came from the internet. To
check:
Using Explorer, navigate to the directory containing thezip file
Right click on the file

Select Properties
Click the "Unblock" button if it is there
3. Within the extracted file structure, copy the following files into the {Mastercam Installation}
\chooks directory (keep the original DLL's inside their SpaceClaim sub-directory):
SpaceClaim \MastercamSpaceClaim Plugin.6.0.dll
SpaceClaim \SpaceClaim AddInBridge.dll
SpaceClaim \SpaceClaim PlugInBase.dll
MastercamSpaceClaim Plugin.6.0.ft
The DLL files may be blocked by Windows, sincethey came from the internet.
To check:
Using Explorer, navigate to the directory containing the DLL's
Right click on the DLL file
Select Properties
4. Launch Mastercam > Go to Settings > Customize > Toolbars:New Toolbar. Category:NETHook
5. Drag the SpaceClaim import/export icons onto the new toolbar
6. Close and re-launch Mastercam. The new toolbar should appear with the SpaceClaim tools on
it.
Configuring the Plugin

By default, models will be transferred from Mastercam to SpaceClaim using STEP1 format, while
model transfer from SpaceClaim to Mastercam will use SAB. The import and export formats can be
controlled using the SpaceClaim AddInBridge.dll.config file.
Possible formats are:
AcisBinary
AcisText
ParasolidBinary
Parasolidtext
STEP
Open the configuration file in a text editor and change the following settings:
FromSpaceClaim Format
ToSpaceClaim Format
ESPRIT
The plugin forESPRIT allows geometry transfer back and forth between the two products. This is
beneficial for SpaceClaim users who need a CAM solution and ESPRITcustomers who need a power-
ful geometry editing and preparation tool.
The plugin is supported in SpaceClaim versions SC2012 SP0 and later that are licensed for
ESPRITversion 2012 issupported.
After installing the plugin, there will be a new toolbar in ESPRIT with an "Export to SpaceClaim " but-
ton and a "Import from SpaceClaim " button.

The Export to SpaceClaim button can be used to send models having one or more solids to
SpaceClaim. If SpaceClaim is not already running, this will start a new SpaceClaim session and load
the model. If SpaceClaim is already running, it will open the model in a new design window. Note2
that only solids inESPRIT can be imported using this plugin.
The Import to SpaceClaim button can be used inESPRIT to receive models from SpaceClaim. This
will import the current active design from the current SpaceClaim session. The model will be impor-
ted in the sameESPRIT design window. SpaceClaim should already be running when using the
import functionality. Solids in SpaceClaim can be imported intoESPRIT and will retain their colors.
Assemblies will be flattened when transferred.
Installation procedure for 32 bit OS

1. Download the ESPRIT zip file from http://www.spaceclaim.com/en/Support/downloads.aspx
2. Extract the downloaded zip file and save the following ESPRIT plugin files in the {ESPRIT Install-
ation}\Addin directory:
ESPRIT directory with the SpaceClaim Addin icon files
ESPRITSpaceClaim PlugIn.dll
RegisterAddinToESPRITon32bitOS.reg
RegisterOn32BitOS.bat
SpaceClaim AddinBridge.dll

SpaceClaim PlugInBase.dll
Thezip file may be blocked by Windows, sinceit came from the inter-
net. To check:
Using Explorer, navigate to the directory containing thezip file
Right click on the file
Select Properties
3. When installing on 32 bit OS, edit the RegisterOn32bitOS.bat file.

1. Set ESPRITSpaceClaim PlugInDllFilePath = {SpaceClaim install directory}
\ESPRITSpaceClaim PlugIn.Dll
4. Save and run the batch file. The batch file will first register the plug-in to the system using
RegAsm.exe, then call RegisterAddinToESPRITon32bitOS.reg to register the ESPRIT software to
find and load the SpaceClaim plug-in.
5. Launch ESPRIT.
6. To verify the plugin installation, go to Tools>Add-in>Add-in Manager.
Installation procedure for64 bit OS
1. Download the ESPRIT zip file from http://www.spaceclaim.com/en/Support/downloads.aspx
2. Extract the downloaded zip file and save the following ESPRIT plugin files in the {ESPRIT Install-
ation}\Addin directory:
ESPRIT directory with the SpaceClaim Addin icon files
ESPRITSpaceClaim PlugIn.dll
RegisterAddinToESPRITon64bitOS.reg
RegisterOn64BitOS.bat
SpaceClaim AddinBridge.dll
SpaceClaim PlugInBase.dll
3. When installing on64 bit OS, edit the RegisterOn64bitOS.bat file.
1. Set ESPRITSpaceClaim PlugInDllFilePath = {SpaceClaim install directory}
\ESPRITSpaceClaim PlugIn.Dll
4. Save and run the batch file. The batch file will first register the plug-in to the system using
RegAsm.exe, then call RegisterAddinToESPRITon64bitOS.reg to register the ESPRIT software to
find and load the SpaceClaim plug-in.
5. Launch ESPRIT.
6. To verify the plugin installation, go to Tools>Add-in>Add-in Manager.

The default file format for transferfrom ESPRIT to SpaceClaim is ParasolidBinary.
The import and export formats can be controlled using the SpaceClaim AddInBridge.dll.config file.
AcisBinary
AcisText
ParasolidBinary
ParasolidText
STEP1
FromSpaceClaim Format
ToSpaceClaim Format
If ESPRIT cannot find the config file, ParasolidBinary will be used.
GibbsCAM
The plugin forGibbsCAM allows geometry transfer back and forth between the two products. This is
beneficial for SpaceClaim users who need a CAM solution and GibbsCAM customers who need a
powerful geometry editing and preparation tool.
The plugin is supported inSpaceClaim versions SC2014 SP0 and later that are licensed for
Gibbs CAM API version must be higher thanv10.5.0.
The GibbsCAM API only supports export of of selected bodies. If nothing is selected, all bodies are
exported.
Only export to Parasolid Text Format is supported.
Once installed, the UI appears in GibbsCAM under the Plug-Ins menu.
Plug-Ins > SpaceClaim Add-in
With two commands:

Importfrom SpaceClaim
Export to SpaceClaim
Import toSpaceClaim is used inGibbsCAM to receive models from SpaceClaim. This will import
the current active design from the currentSpaceClaim session. The model will be imported in the
sameGibbsCAM design window.SpaceClaim should already be running when using the import func-
tionality. Solids inSpaceClaim can be imported intoGibbsCAM and will retain their colors. Assem-
blies will be flattened when transferred.
Export toSpaceClaim is used to send models having one or more solids to SpaceClaim. If
SpaceClaim is not already running, this will start a new SpaceClaim session and load the model. If
SpaceClaim is already running, it will open the model in a new design window. Note2 that only
solids inGibbsCAM can be imported using this plugin.

Installation procedure
1. Go tothe SpaceClaim installation directory
2. Copy the followingfilesto the {GibbsCAM Installation}\Plugins\SpaceClaim directory:
GibbsCAMSpaceClaimPlugIn.dll
SpaceClaimAddinBridge.dll
SpaceClaimAddinBridge.dll.config
SpaceClaimPlugInBase.dll
3. Optionally, copy the desired language folder(s) to the same location for translated versions of
the plugin
4. Launch GibbsCAM.
5. To verify the plugin, open the Plug-Ins menu and look for GibbsCAM-SpaceClaim Addin.

The default file transferformatis ParasolidText.
The import and export formats can be controlled using the SpaceClaimAddInBridge.dll.config file.
AcisBinary
AcisText
ParasolidBinary
ParasolidText
STEP1
Depending on your Data Exchange License, some formats may not be available.
FromSpaceClaimFormat
ToSpaceClaimFormat
The GibbsCAM API only allows "ParasolidText" regardless of the value set in the config
file
If GibbsCAM cannot find the config file, ParasolidText will be used.
Driving dimensions with Excel
The Excel add-in lets you control dimensions with an Excel spreadsheet.
When you create a spreadsheet in the Excel ribbon, Driving Dimension1 groups are automatically
added to an Excel spreadsheet. In the spreadsheet, you can enter new target values, or use Excel's for-
mulas to calculate new values.
To use a spreadsheet to drive dimensions

1. Create Driving Dimension groups for dimensions you want to control
In the Pull2 and Move3 tools, create Ruler Dimensions4 and add them to Groups5 to create
Driving Dimension groups.
2. Open the Excel tab
3. Click Create
The spreadsheet is created and automatically populated with groups
Auto update is On by default. If you have several dimensions to change, turn it off so the
model does not update until you have entered all the new values.
4. Enter Target6 Values
5. Click Update to apply the new dimensions to your model
As with all spreadsheet calculations, you should avoid circular calculations.

Values areapplied sequentially, so order your groups in the sequence that you want to perform the
operations.

with the group.
MakerBot Thingiverse
The MakerBot add-in allows you to upload models to MakerBot's Thingiverse design community.
To upload a model to Thingiverse

1. Click Login to login to Thingiverse.
2. A web page opens for you to authorize SpaceClaim to access your Thingiverse account.
1. If you do not have an account, you will be redirected to the web page for creating an
account.
2. Then you will be asked to authorize SpaceClaim.
3. SpaceClaim displays a message in the Status Bar when you are logged in.
4. The Login button grays out.
5. The Upload button is enabled.
6. Click Upload to upload the current mesh model.
7. A dialog opens to enter information Thingiverse needs to process your model.
8. When you submit the information, Thingiverse opens the web page containing your model.
9. It may take a few minutes for your model to appear as Thingiverse processes the information
and generates thumbnail images, etc.
The link to your model can copied to the clipboard.
ANSYS add-in
SpaceClaim and ANSYS provide a combined solution that you can use to simplify CAD models for
analysis. With this add-in, you can send a model that was imported or created in SpaceClaim to
ANSYS Workbench, ANSYS Mechanical, ANSYS Design1 Modeler, or any other integrated ANSYS
products. The geometry is sent into ANSYS along with any driving parameters or analysis specific
attributes (spot welds, midsurfaces thicknesses, etc) that you have defined. Driving parameters can be
edited within ANSYS to run sets of iterative analyses.
The basic process is simple:
1. Import a CAD model into SpaceClaim.
2. Simplify and modify the model for analysis.
3. Define parameters and named selections that you can use in ANSYS.
4. Send data to ANSYS:
ANSYS 11.0, 12.0, and 12.1: Launch ANSYS from SpaceClaim, and then set up analysis con-
ditions and constraints using the powerful simulation tools in ANSYS.
ANSYS 13.0: Start ANSYS Workbench and create a geometry cell:
To work with an existing design,click Import Geometry in ANSYSand choose an
existing SCDOC file2, then use Edit Geometry to launch SpaceClaim with that doc-
ument loaded.
To start a new design, click New SpaceClaim Geometry in ANSYS to launch
SpaceClaim with an empty design.
5. Modify and send data between SpaceClaim and ANSYS, and rerun the tests as often as neces-
sary.
6. Return the validated design options or recommended changes to the designer when testing is
complete.
You can view the following video that demonstrates the process:
SpaceClaim ANSYS integration demonstration
Data you can send to ANSYS

You can transfer the active model to ANSYS, even if it has not been saved. You can also send data
from a document that is open in SpaceClaim or from a saved SpaceClaim document.

Only visible objects are sent to ANSYS; hidden objects are not sent.
The following data is transferred to ANSYS:
Geometry
Solids
Surfaces
Line1 bodies (Beams)
When a Beam withSection2 Anchor type set toLocation is transferred to Workbench, its
Location becomes a Workbench Offset3 of type, User Defined. The X and Y offset com-
ponents will, in general, change to preserve the Beam cross-section position relative to
the Beam line. This coordinate transformation is necessary to account for differences
between SpaceClaim and Workbench reference frames.
Points
Origins
Named Selections (groups)
Driving dimensions (groups)
Ruler dimensions
Pattern count
Driving annotation dimensions
Shell4 thickness
Midsurface thickness values on surfaces
Spot welds
Material properties

ANSYS demos and tutorials
You may want to view the following videos that feature the Prepare tools and the ANSYS add-in:
3D Direct Modeling Optimized for CAE
CAE Solution Demo
The following tutorials provide in-depth and hands-on examples to help you get started:
Spot welds tutorial
Midsurface tutorial
Shared topology tutorial
Using groups and dimensions in ANSYS tutorial
Spot welds tutorial
This tutorial will teach you how to define spot welds on a part and analyze them in ANSYS Mech-
anical.
Step 1: Open the document

Click on the following link and save the file on your computer:
1. spotweld.scdoc.
If you are using the online version of the help, the model will be downloaded
as a zip file. You need to save it to your disk and change the file extension
from ".zip" to ".scdoc"
2. Open the document in SpaceClaim.
The design looks like this:
Next
Spot weld tutorial conclusion
In this tutorial you learned how to

Define spot weld joints
Change spot weld joints
Launch ANSYS Workbench from SpaceClaim
Send designs to ANSYS Workbench
Previous
Midsurface tutorial
This tutorial will teach you how to define midsurfaces.

1. Click on the following link and save the file on your computer: w8872.scdoc.
We will use this design to show basic midsurface creation.
to ".scdoc"
Midsurface tutorial: Step 2

First you will define the midsurface by selecting offset face pairs.
You should read Creating midsurface faces to become familiar with the Midsurface tool before you
continue.
The four tool guides for midsurface are:
Select Faces tool guide is active by default. This tool guide allows you to select a pair of offset
faces, and all other face pairs with the same offset distance are automatically detected.
Add/Remove Faces tool guide allows you to select additional faces to offset or remove detec-
ted face pairs from the selection.
Swap Sides tool guide allows you to switch the face pairs. You may need to do this when the
sets of detected colored faces are not grouped cleanly.
Complete tool guide creates the midsurface faces.
Define midsurface faces
The Select Faces tool guide is active by default.
2. Select the face shown here:
After you select the first face, SpaceClaim will filter the selection and will only allow you to
click on parallel faces, or faces that produce an offset.
3. Select the offset face, shown here:
This is the only face you can select.

All surfaces with the same thickness will be identified on the part and highlighted in blue:
As you can see, one round does not have the same thickness and is not identified as an offset
pair. Faces that look like offset pairs might not be identified as a midsurface because of errors
in translation, or when the part was not modeled with an offset face.
4. Click the Add/Remove Faces tool guide if it is not already active (it should be).
5. Select the round face:
This face will now be included when the midsurface is created.

Note1: Faces only need to be identified on one side of the model.

Now you can finish defining the midsurface.
Complete the midsurface

The solid is temporarily transparent so you can see the newly-created midsurface.
2. For a better view of the midsurface, hide the solid and expand the Midsurface component in
the Structure tree2, like this:

Now let's try a more complicated example.
1. Click on the following link and save the file on your computer: Midsurfacing.scdoc.

4. Select the face shown here:
5. Now select its offset pair:
6. The outer faces of the part will be identified as offset pairs:
The base side of an offset pair is highlighted in blue and the offset side is highlighted in
green. Midsurfaces are generated from the blue, or base, faces.
The inside ribs have a different thickness or offset from the outside walls, so we have to add them to
the selection. We can do this using the Select Faces tool guide.
Add face pairs

1. Click the Select Faces tool guide.
You can also hold Ctrl and this tool guide will become active.
2. Select one of the inner ribs:
3. And select its offset pair:
Most of the inside faces are now highlighted:
4. Continue selecting face pairs until your design looks like this:

Although we now have all of the face pairs selected, there is a more efficient way to select the offset
face pairs in designs like this.
Change the range option

1. Click in white space in the Design window1 to clear your selection.
2. Select Use range in the Options panel2 and make sure the minimum and maximum thickness
values are set like this:
3. Click on the solid:
All face pairs with offsets between the minimum and maximum thickness are selected.
If you zoom in, you'll notice that the base and offset sides on the ribs are not highlighted correctly.
You can use the Swap Sides tool guide to change the base and offset sides. This is important
because the midsurfaces are created from the base (blue) face. The offset face (green) is only high-
lighted so you can see it as you define midsurfaces.
Swap sides
1. Click the Swap Sides tool guide.
2. Select the first incorrect face:
Its highlighting changes from blue to green.
3. Select the other incorrect face:
Now all inner faces are highlighted correctly as base and offset faces.
4. Click the Complete tool guide to finish defining the midsurfaces.

Notice that the midsurfaces are created in a new component in the Structure tree:
In addition to normal face properties, a midsurface has a thickness property that is sent to ANSYS
and applied to the shell element.
View midsurface properties

1. Hide the solid in the Structure tree.
2. Select a midsurface face:
The Properties panel1 displays the properties for the face:
The Thickness property is in the Midsurface section of the panel.

The midsurfaces are ready for analysis in ANSYS Workbench.
Launch ANSYS
1. Click the ANSYS Workbench button in the ribbon bar to send the current model in SpaceClaim
to a new project in Workbench.
Everything that is visible in the Design window will be sent, so hide the solid so it will not be
sent to ANSYS.
2. Go to Workbench and click on one of the midsurfaces under Geometry in the project:
3. Look in the Properties panel (below the structure tree) and you will see that a thickness is
assigned to the midsurface. This is the thickness from the original solid in SpaceClaim.
4. Generate a mesh:
1. Right click Mesh under the project and select Generate Mesh.
Workbench will use the thickness property assigned to it to give the model the proper
mesh.
Midsurface tutorial: Conclusion

In this tutorial you learned how to
Create a midsurface in SpaceClaim
Add faces to the midsurface selection
Automatically detect offset faces within a range
Swap the sides of midsurface faces
View1 midsurface properties in SpaceClaim and ANSYS
Generate a mesh that uses the midsurface thickness property
to view it head-on.
thShared topology tutorial
ANSYS utilizes shared topology when bodies are grouped into multi-body parts and the solid(s) and
surface(s) are touching or intersecting. A component in SpaceClaim becomes a multi-body part in
ANSYS.
See Shared topology in ANSYS for more information.

1. Click on the following link and save the file on your computer: Top_Level_Assy.scdoc.
Shared topology tutorial: Step 2

You should see six solids and two components in the Structure tree1:
Solids under the same component will be sent to ANSYS as a multi-body part if the Shared Topo-
logy property is set to true. In this case the solids are at the top level, and two midsurfaces are also
in their own components. See Shared topology in ANSYS for detailed information about how shared
topology propagates through the structure for designs sent to ANSYS 13.0 through ANSYS 15.0.
Hide and unhide components

1. Right-click the blue solid and select Hide:
As you can see, the smaller parts that share the component with the blue part are not imprin-
ted. You do not need to imprint edges from one body to another to have a multi-body part. It
will be created automatically if the solids are in the same component.
2. Click the box next to Top_Level_Assy twice to hide and then unhide all of the objects in the
Design window1.
All objects should now be visible.
3. Click ANSYS Workbench on the ANSYS tab to launch Workbench and send the design.

Generate a mesh to see how ANSYS Workbench handles multi-body parts.
Generate a mesh
1. Switch to ANSYS Workbench.

2. Expand the design in the structure tree.
All of the solids are in the same component so they will be recognized as a multi-body part
and use shared topology.
3. Right click Mesh and select Generate Mesh.
4. The solids should now be meshed. Take some time to view the mesh. Notice how it looks
around all of the components.

Now let's take a closer look at the mesh.
Hide a body and look at the mesh

1. Select the center solid and right click to hide the body.
2. Notice that the mesh has been formed around the solids that used to be there.
Also notice that the top face has been split into regions in order to use shared topology. No
imprinting of edges needs to be done in SpaceClaim to make this occur. Overlapping parts
also create shared topology.

For ANSYS 11.0, there are two methods to prevent multi-body parts:
Put the solid or surface in its own component.
Set the Shared Topology property on the component.
For ANSYS 12.0 and 12.1, you must make sure the top level component has its Shared Topology
property set to False, and then change the property for each component as desired. Keep in mind
that the property is applied to everything below a component, including its sub-components.
In this exercise we will put the solids in sub-components and set the Shared Topology property
because this method works for all supported versions of ANSYS.
Prevent multi-body parts in ANSYS Workbench

1. Go back to SpaceClaim.
2. Right-click the blue solid that we hid in Step 2 and select Move1 to New Component2.
3. Name the component bearing.

4. Put the remaining solids in a component:
1. Select the solids in the Structure tree.
2. Right-click and select Move to New Component.
5. Select Component1 and change its Shared Topology property to true.

6. Go back to Workbench and select the model in the structure tree.
7. Click Update: Use Geometry Parameter Values.
This will update the geometry in Workbench from SpaceClaim, so your change will be sent
over.
8. Notice that the bearing component is now in the structure tree in Workbench.
9. Right-click Mesh and select Generate Mesh.

Spend some time looking at the mesh and how it was created for the multi-body parts.
Inspect the mesh
1. Hide the bearings and notice that the small components are no longer split.
2. Hide the plug on top of the design to see that the solids that are still under the same com-
ponent are still using the same topology. This includes the midsurfaces.
Note1: To make a multi-body part, the solids need to exist in the same component and the
Shared Topology property for the component must be set to True.
Shared topology tutorial: Conclusion

In this tutorial you learned
Shared topology is passed from SpaceClaim to ANSYS automaticallyyou don't have to set
any options; however, you can change the Shared Topology property on components.
For ANSYS 11.0, the Shared Topology property on a component only applies to that com-
ponent and not its children.
For ANSYS 12.0 and 12.1, the Shared Topology property applies to the component and its chil-
dren when it is set to true. In this case, the Shared Topology property of components lower in
the structure are ignored, so you can't use them to create sharing exceptions.
Solids or surfaces in the same component will be treated as a multi-body part and will use
shared topology.
To prevent shared topology, place solids in their own components or set the Shared Topology
to false for a component.
Using groups and dimensions in ANSYS tutorial
This tutorial will teach you how to create groups in SpaceClaim to drive changes in ANSYS Work-
bench.

1. Click on the following link and save the file on your computer: keychain.scdoc.
to ".scdoc"
Using groups and dimensions in ANSYS tutorial: Step 2

You can find the Groups1 tab in the same panel as the Structure tree2, on the left side of the
SpaceClaim window. See Working with groups for more information about groups and the Groups
panel.
Groups can include driving dimensions and named selections. You can use both of these types of
groups in ANSYS Workbench.
A named selection group allows you to quickly select a group of faces or edges in SpaceClaim or
ANSYS Workbench.
with the group.
Create named selections
1. Select the two cylindrical holes on the right side of the model:
2. Click Create Group in the Groups panel or press Ctrl+G.

Group1 appears in the Groups panel under Named Selections.
Named selections are sent to ANSYS and the faces can be used for supports or loads.
3. Select several surfaces on the green solid:

Group2 appears in the panel under Named Selections.
5. Right-click the groups and rename Group1 to holes and Group2 to support:
These names will make it easier to identify the groups when you are working with the design
in ANSYS.

Driving dimension1 groups can be used in ANSYS to change your design, without going back to
SpaceClaim and transferring the changes to ANSYS.
Create driving dimensions

1. Select the round on the left side of the model:
2. Click Create Group in the Groups panel.

A driving dimension was created instead of a named selection. This driving dimension can be
used to change the radius of the round. This is because the face selected is a round, which has
a dimension property that can be controlled from the property panel.
4. Select the hole on the right side of the model:
1Ruler dimension created with the Move, Pull, or Select tool and saved within a group.
Notice that there is a dimension on the screen. When a dimension is showing and you create a
group, you will usually create a driving dimension.
A group is created in the Driving Dimensions1 folder in the Groups panel.
6. Select the top face of the blue part:

This time a named selection was created. This is because the face you selected doesn't have a
dimension showing when the Pull tool is active, and there is not a dimension to be saved with
the group.
8. Delete the group created in the previous step because we won't use it later.
9. Select the top face of the blue part again, and then click the ruler icon in the mini-toolbar or in
the Options panel2:
10. Select the opposite end of the model to make a ruler dimension that controls the total length
of the design:

A group is created under Driving Dimensions.
12. Rename the groups so their uses will be easier to recognize in ANSYS:

Now let's send the design to ANSYS and work with the groups.
Launch ANSYS Workbench
1. Click ANSYS Workbench on the ANSYS tab.
2. Open the default geometry options dialog in ANSYS. See Configuring SpaceClaim and ANSYS
11 or Configuring SpaceClaim and ANSYS 12 and 12.1 for instructions.
The Default Geometry Options control how the named selections and parameters are trans-
ferred to ANSYS and are located in different places in ANSYS versions 11 and 12.
3. You must delete the NS and DS prefixes so all of your parameters and named selections are
sent to ANSYS.
4. Expand the Named Selections in the Workbench structure tree to view the named selection
groups sent over from SpaceClaim.
The faces stored in the named selection are highlighted in red.
5. Click Geometry in the structure tree.

The driving dimensions groups are sent to ANSYS Workbench as properties. You can find
these properties in the lower left corner of the ANSYS window, in the CAD Parameters section
of the properties panel.

When you change the values of a driving dimension, you can send the changes back to SpaceClaim.
Change a driving dimension
1. Change the values of the following CAD parameters:
round from 1 to 2
hole radius from 1.4 to 1
length from 35 to 38
In ANSYS 11, change the values directly in the properties panel.
In ANSYS 12, click each parameter you want to drive. A letter P should appear next to
each parameter. Go back to Workbench and edit the parameter values using the para-
meter group that appears in a new cell.
2. Send the changes back to SpaceClaim by clicking Update: Use Simulation Parameter Values.
This will change the model in ANSYS and in SpaceClaim.
Before: After:
Also notice that when you click on the groups in the Groups panel, you see the dimensions
specified in ANSYS.

You can also use annotation dimensions to drive changes in ANSYS.
Driving changes with annotation dimensions
1. In SpaceClaim, click the box next to the annotation plane so it is visible.
2. Click Move1 in the Edit group on the Design tab.

3. Select Inner_tube_pushed_in_position in the Structure tree.
4. Click the red axis of the move handle:
You must select an axis on the Move handle before you can use the dimensions to drive
changes. Clicking a handle tells the Move tool which direction the change will be made. The
sparks appear only after an axis is selected.
5. Click the spark next to the 38mm dimension and change it to 40:
6. Click Create Group in the Groups panel.

A new driving dimension is created from the annotation dimension and Move tool. Changing
this driving dimension is like using the Move tool to change the dimension.
7. Go back to ANSYS and click Update: Use Geometry Parameter Value.
The model will update and the new parameter will be passed over. Now you can change the
length of the model by changing the location of the part or by stretching the model.
Using groups and dimensions in ANSYS tutorial: Conclusion

In this tutorial, you have learned
Parameters and named selections can be passed into ANSYS by creating them in the Groups
panel.
Driving dimensions are created when there is s dimension on screen or a dimension in the
properties panel.
Parameters can be edited in ANSYS which will change the geometry in ANSYS and also change
the geometry in SpaceClaim.
SpaceClaim parts and properties in ANSYS
Workbench applications only support flat (single-level) assemblies. An ANSYS part is created for
each SpaceClaim part, at any level in the assembly. This part contains bodies that are visible and
match the user import filters set in ANSYS. The filters are Import Solid1 Bodies, Import Surface2 Bod-
ies, and Import Line3 Bodies.
In ANSYS Design4 Modeler, multi-bodied parts are parts (components) that contain more than one
body (solid, surface, or line body). For example, for two surface or two solids to share topology, they
must be placed in a multi-bodied part.
ANSYS Mechanical allows a maximum of two assembly levels. You can have components inside com-
ponents, but nothing deeper.
If you send a component with two or more bodies into ANSYS Mechanical, then it shows up as a part
with multiple bodies in it (multi-bodied part).
If you send a component with two or more bodies into ANSYS Design Modeler, then everything
becomes flat.
When you send a SpaceClaim assembly to ANSYS mechanical, it also gets flattened to 2 levels.
SpaceClaim: ANSYS Mechanical: ANSYS Design Modeler:
SpaceClaim part and body names in ANSYS

In Simulation, the Geometry node represents the assembly, and nodes immediately beneath that rep-
resent parts. If a part has more than one body, then child nodes are shown for each body, but if there


is only one body, no child nodes are shown. This is based on the number of bodies transferred,
which is subject to visibility and filters.
For a multi-body part ANSYS Mechanical displays the part name on the part node and the body
name on the body node, but for a single-body part ANSYS displays a combined name on the part
node, in the form <Part name> (<body name>). For example, Wheel (Solid).
The image above shows an assembly in SpaceClaim on the left and the same assembly in ANSYS on
the right. Component1 1 is displayed as a single-body part in ANSYS and component 3 is moved to
the root level.
Component instance names are not transferred.
Mass properties
ANSYS will calculate the volume, center of gravity, and moments of inertia of the part if these values
are not supplied. SpaceClaim supplies the volume and allows ANSYS to calculate the center of grav-
ity and moment of inertia.
Using groups to drive changes in ANSYS
SpaceClaim and ANSYS have full round-trip associativity. This means that changes to the model can
be sent back and forth between SpaceClaim and ANSYS.
You can define groups to use as parameters and named selections. If the objects in the group are
similar or related, then a property is created that can be used to change a parameter in ANSYS. For
example, you could create a group of all faces that have the same offset and use this group to
change the offset in ANSYS.
See Using groups and dimensions in ANSYS tutorial for hands-on examples.
Note1: Negative dimension values can invert the direction vector of SpaceClaim operations that
they are associated with; this change is applied to the current and subsequent design point updates.
As a result, when a Workbench input parameter is used as a driving dimension for a SpaceClaim geo-
metry, negative dimension values may result in unexpected geometric changes.
Updating group parameters in ANSYS 13.0

In ANSYS 13.0, groups are instantly added to the Parameters group in Workbench. Changes to the
group in SpaceClaim, such as renaming and deleting the group, are also immediately reflected in
Workbench.
However, if you edit the dimension of a group parameter in SpaceClaim, the new value is not auto-
matically updated in Workbench. You must click Update Parameters in the ANSYS group to push
the change to Workbench. You can also send thechange by saving the project or closing
SpaceClaim. This means that if SpaceClaim is not running, you know that the parameters are up-to-
date.
Using driving dimensions in ANSYS

You can create driving dimension groups in SpaceClaim and use them to change key dimensions in
ANSYS. Just click on the part in the structure tree in ANSYS and find the CAD Parameters section in
the Details panel. Change a value and run the analysis again to see its affect. You can use Update to
send the new values back to SpaceClaim.
Creating a driving dimension with Pull (offset)
Creating a driving dimension with Move (translation or rotation)
Creating a driving dimension with the Select tool (round radius and distance between offset
faces)
Using Named selections in ANSYS
You can create named selections in the SpaceClaim Groups panel and then use these groups as
named selections in ANSYS.
See Using groups to drive changes in ANSYS for information about using groups to make changes to
the design in ANSYS.
To create a named selection

1. Select the objects you want to include in the group.
You can use the Selection panel to select objects in the same part that are similar or related to
the object that is currently selected.
2. Click Create Group in the Groups1 panel.
If you are using ANSYS 13.0, the new group is automatically added to the Parameters group in
Workbench.
3. (Optional) Rename the group.
It is helpful to rename the groups with a prefix that tells you the group's type, because named
selections and driving dimensions are grouped together in the structure in ANSYS.
4. Send your change to ANSYS:
If you are using ANSYS 13.0, click Update Parameters in the ANSYS group on the Pre-
pare tab.
If you are using an earlier version of ANSYS, send the design to ANSYS.
with the group.
Shared topology in ANSYS
SpaceClaim can share topology (face, edge, and vertex connections) between touching or inter-
secting bodies and surfacesin designs that are transferred to ANSYS.
Shared topology is the only way to achieve a conformal mesh where bodies meet, and is the only
way to be certain that the intersection of bodies is meshed perfectly.
Shared topology also applies to volume and surface bodies that are completely inside of other
volume or surface bodies. This situation is common in analyses involving fluid flow.
The Shared Topology settings are:

None (default) does nothing to geometry during transfer to ANSYS/Workbench
Merge is used for Baffles:
It merges surfaces with solids and trims away any parts of the surfaces outside of the
solid
Faces do not need to intersect
Surfaces that are completely inside a solid are merged with that body
Share imprints and merges all bodies in the components the result to ANSYS as a multi-body
part
Group groups all bodies in a component into a multi-body part, but does NOT merge or
share faces and edges of the bodies with each other
To create a group of parts that share topology

1. Create a component the default setting is None, which treats multi-body parts as a sub-
assembly of independent parts (i.e. no sharing).
2. Set the Share Topology property to Merged, Shared,or Group in the properties panel of the
component
3. Place any solids, surfaces, beams, or components that you want to share topology into this
component.
For ANSYS 15.0 and later, Shared Topologyset to Merged applies to the following cases:
Bodies that are touching each other (same as Shared)
Surface1 bodies that are intersecting each other (same as Shared)
Volume bodies that are completely inside of other volume bodies. For example Solid2 A is
completely inside of Solid B which is completely inside of Solid C. Solid A will share topology
with Solid B and Solid B will share topology with Solid C.
Surface bodies that are completely inside of volume bodies. For example Surface A is com-
pletely inside of Solid B which is completely inside of Solid C. Surface A will share topology
with Solid B and Solid B will share topology with Solid C.
Any combination of the above four cases.
Not Supported - Cases where volume bodies partially intersect each other or surfaces extend-
ing outside of volume bodies.
For ANSYS 17.0 and later, Shared Topologyset to Group will group all bodies in a component into a
multi-body part in ANSYS/Workbench. It does NOT merge or share faces and edges of the bodies
with each other.
For legacy databases, the NONE option maps to Group in the latest version.
ANSYS 13.0 through 15.0

If a component has the Shared Topology property set to Shared (or Merged in ANSYS 15.0
and 16.0), then that component and all components beneath it become a share group.
The Shared Topology property of components lower in the structure are ignored, so you can't
use them to create sharing exceptions.
For example, if you set Shared Topology to true for the root component, then the entire
model will be one share group.
The name of the component node is the name of the component from which recursive sharing
starts.
The bodies under this node are listed with full path names through the assembly, such as Axle
Sub-Assy (Front)\Wheel (Left)\Solid, using component names in parentheses if they are
present.
You can have multiple distinct share groups, but a body can only belong to one group.
See the Shared topology tutorial for hands-on experience with shared topology. See ANSYS online
help for detailed information about how ANSYS handles multi-body parts and shared topology.

To set shared topology for ANSYS
Put the bodies anywhere under a component that has its Shared Topology property set to Shared
(or Merged in ANSYS 15.0 and 16.0), including a sub-assembly (regardless of the sub-assembly's
Shared Topology setting).
This property can be found in the properties panel when you select one or more components in the
Structure tree1.
The Shared Topology property on Parent component2 is set to true, so the solids inside the shaded
area are shared.
To prevent shared topology in ANSYS

Place solids in a component whose Shared Topology property is set to None, and whose parent
components also have this property set to None.
Examples
ANSYS meshes two blocks with shared topology. The blue block will gain a new imprinted face
which will be shared between the green and blue blocks. Notice how the nodes of the mesh line up
along the bottom of the smaller block.
2A component upon which other components depend. For example, in a block with a hole, the block
is the parent and the hole is the child.
ANSYS creates separate meshes for two parts because they are in different components and the root
part has Shared Topology set to None.
The mesh for shared topology is not the same as merged geometry. Here the boxes are merged,
and you can see that the mesh is different than it is for two bodies with shared topology.
ANSYS workbench settings
There are many user preferences in Workbench that control geometry transfer. The settings sup-
ported by SpaceClaim are explained below.
Workbench
Description
setting
The following parameters are transferred:
Part parameters: Only includes the sheet metal parameters for thickness, inner
radius, and kFactor if the part is a sheet metal part. These are transferred with
the names, Sheet.Thickness, Sheet.InnerRadius, and Sheet.kFactor.
Assembly1 parameters: Groups2 for the active window (belonging to the root
part) that have a dimension.
If you have more than one part occurrence for the same part master in SpaceClaim
Parameter (for example, 4 wheels in a car assembly), then part parameters are only transferred
Processing for the first occurrence. We do not transfer the parameters for each part node
because Simulation allows you to set contradictory parameters on different nodes,
even if they share the same geometry.
The Parameter Processing option also controls whether parameters are applied if
they have been changed in Simulation and then the Update: Use Simulation Para-
meter Values command has been executed.
New assembly parameters are applied in the order that dimension groups are listed
in the Groups panel in SpaceClaim. You can change this order by dragging a group
to a new location in the list.
Personal The Personal Parameter Key is a string that can match the start or the end of the
Parameter parameter name. You can specify more than one key separated by semicolons. By
Key default, SpaceClaim groups have no parameter prefixes.
Named SpaceClaim does not transfer vertex members because we do not support CAD Asso-
tool, Component
with the group.
Workbench
Description
setting
Selection
ciativity for vertices at this time.
Processing
Named
Selection Supported by SpaceClaim.
Prefixes
Materials
Property Supported by SpaceClaim.
Transfer
This option may slow things down, which is why there is a preference to turn it off.
CAD Asso-
With SpaceClaim, the performance difference should be negligible, so you should
ciativity
keep it enabled.
Import
Coordinate Coordinate systems belonging to the root part are transferred.
Systems
Import
Spot Welds are transferred.
Work Points
Simulation allows parts to share a B-Rep, which means transfer is faster and the B-Rep
only needs to be meshed once. Because spot weld points must be defined in terms
of special vertices created in the B-Rep (for example, a vertex in a face requires a
Import degenerate loop containing a single vertex), breps can only be shared if they are
Using identical in the spot welds that they have. SpaceClaim compares spot weld points
Instances and create instances that share a B-Rep for those part occurrences that have the same
spot weld requirements.
We recommend that you leave this option turned on.
Smart update will only re-transfer parts that have changed, which can save a lot of
time with a large assembly. Unfortunately, what constitutes a change in this case is an
all-or-nothing consideration, which means a part will need to be re-transferred,
along with any other parts that would share its B-Rep, if any of the following have
changed:
The placement of the part occurrence in the overall assembly has changed.
Do Smart
Update Bodies have changed geometry, or been added/removed, or been made vis-
ible/invisible, or the user filters have selected different bodies.
The name of the part or any of the bodies has changed.
Named selection members for this part occurrence have changed.
Spot weld points for this part occurrence have changed.
Parameters (currently only sheet metal parameters) for this part have changed.
Workbench
Description
setting
If you save your work in Simulation as a "dsdb" file, the timestamps used for smart
update are saved with it, which means smart update continues to work in the next ses-
sion.
Attach File
Attach is what ANSYS calls a transfer. This preference uses a file for data transfer
Via Temp
rather than reading data streams directly. This may be faster for large assemblies.
File
Analysis
If this is set to 2D, then only surface bodies lying in the XY plane are transferred.
Type
Simulation does not support bodies of mixed dimensionality in a multi-body part.
They will transfer successfully, but they will fail to mesh. Mixtures of surface and line
bodies are supported, but mixtures of solid-surface or solid-line are not. Therefore, if
a part contains a mixture of solid and surface bodies, which is quite common in
Mixed SpaceClaim, Mixed Import Resolution can be used to specify whether solids bodies
Import Res- or surface bodies should be used.
olution If Mixed Import Resolution is set to None, a mixture of solid bodies and surface
bodies could be transferred, and as already mentioned, the part will fail to mesh. The
default setting is None, since most CAD systems do not support mixtures of solids
and surface bodies, but this setting should be set to Solid1 or Surface2 with
SpaceClaim.
Settings not supported by SpaceClaim

The following settings are not supported by SpaceClaim:
CAD Attribute Transfer
Reader Save Part File
Enclosure and Symmetry Processing
Work points (construction points)

Working in AIM
Follow these steps to create and edit geometry within your physics simulation.
1. Right-click the Geometry task in the View1 panel

2. Choose Create Geometry to begin a new model
3. Click the Editing Geometry button at any time to return to your physics simulation
4. Right-click on the Geometry task and choose Edit Geometry to return to geometry modeling
to view it head-on.
A Guide to Using Geometry Modeling in AIM
Model Editing
A delay is expected upon the first use of the Geometry Modeler in AIM, while the modeler loads.
Journaling, Scripting and Batch Execution Support

Operations performed while editing geometry are not journaled and it is not possible to automate
geometry editing operations via scripting.
Geometry Parameter Updates

When creating or changing the value of a geometry parameter, you must close the built-in geometry
modeler for the change to appear. Ruler dimensions are not converted to Workbench parameters
until the Geometry Modeling task has been updated.
Shared Topology Support

Transfer between Geometry Modeling and downstream AIM tasks does not respect the Part's share
topology property (multibody parts). You can edit your geometry in SpaceClaim (or a CAD system)
outside of AIM and then import the geometry without further editing in AIM.
For Structural and Thermal simulations, you can use contact detection with the Geometry Modeler.
Contact detection eliminates the need for share topology and is enabled by default in the templates.
For simulations involving fluid flow, there is typically only one body per flow region and it is not
affected by the limitation. In cases where there is more than one body in a given flow region, use
AIM physics to create interfaces between the multiple bodies in the single flow region. See Auto-
matically Generating Region1 Interfaces in the Physics Solution AIM documentation for more
details.
Undo Spans Multiple Documents

Each Geometry Modeling task corresponds to a geometry model (part or assembly of parts). In AIM,
you can have multiple Geometry Modeling tasks within a single Study. Undo/Redo for geometry
changes is shared by all geometry models within the Study. Therefore, Undo/Redo may affect a dif-
ferent model than the one you are currently editing. AIM will not automatically detect this. After edit-
ing the current model, select the Geometry Modeling task for the other model and click the
Synchronize button at the top left to update AIM.
Enclosure Exterior, Named Selections and Locations Not Preserved

Named Selections and Locations for boundary Conditions and Results are not preserved for exterior
faces when enclosures are updated. If you have defined a Named Selection that includes one or
more exterior surfaces of the enclosure, then you change the internal geometry and update the
enclosure, the Named Selections will be deleted. Also, the Locations of Boundary Conditions and
Results on those exterior surfaces need to be re-specified after geometry changes.
Driving Dimension Units

In the AIM Geometry Modeling data panel and parameter tables, all driving dimensions are dis-
played in meters (for lengths) and radians (for angles), regardless of the units specified when cre-
ating them. For example, if you create a driving dimension of 10mm, it will be displayed as 0.01m in
the Geometry Modeling data panel when you return from editing the geometry.
1 When you sketch shapes in 2D using the sketch tools, regions are formed by closed or intersecting
lines. The regions will become solids and the lines become edges when you pull your sketch into 3D
with the Pull tool.
Dimension Value Tool
When you release the mouse button after pulling a face that is connected to an adjacent face, which
has a driving dimension (or ruler dimension, or parameter), the pop-up tool (used to enter the
dimension value and create a driving dimension) disappears. You can specify an exact value for the
dimension by pressing the spacebar before releasing the mouse button.
Creating Geometry Parameter Causes Downstream Tasks to Become Out-of-Date

If you create a new geometry parameter (driving/ruler dimension) while editing the geometry, down-
stream AIM tasks become out-of-date, even if you do not change the value of the dimension. Down-
stream tasks must be updated after completing geometry changes.
Inserted Models not Archived

If you insert a model while creating/editing geometry (via Insert > File), the imported model file(s)
will not be included when you archive the AIM project, unless they are internalized before archiving.
To internalize an imported model, right-click on the model in the Structure Tree and choose Source
> Internalize All.
Design Point Update

When dimensional geometry parameters are imported into AIM from SpaceClaim or a bi-directional
CAD interface, design point updates may fail when dependencies exist between the parameters or
when the parametric update in the CAD system or SpaceClaim cannot be realized with the parameter
values specified in AIM.
Geometry Parameters
AIM geometry parameters (driving/ruler dimensions) are not updated until Geometry Editing mode
is exited. If you switch to the Project tab while editing geometry and open the Parameter Set work-
space, the values of the geometry parameters may not match those in the geometry editor. Design1
point updates use the values in the Parameter Set workspace. To ensure consistency of your geo-
metry parameter values, exit the geometry editor before updating design points or changing geo-
metry parameter values outside of the geometry editor.
Multiple Geometry Parameters
While modifying geometry with the Pull1 or Move2 tool, each click on the blue "[P]" button creates
a new geometry parameter (driving/ruler dimension). The "[P]" button will remain blue and this will
make it possible to create multiple geometry parameters for a single dimension. Only the last cre-
ated parameter is used when the model is updated from the Geometry Modeling task, Design Points
Dashboard or Parameter Set workspace. Only click once on the "[P]" button for each driving dimen-
sion and be sure to delete any parameters that may have been created by accident.
Unsupported Import File Formats

While importing models in the Geometry Modeling task, it is possible to select file types that cannot
be imported. See the table below for specific file types.
Source Unsupported Types Recommended Alternative(s)
Import into SCDM and create 3D bod-
ies, then transfer those bodies to AIM.
AutoCAD3 *.dxf
(Note4 that AutoCAD*.dwg files must
contain 3D bodies for use with AIM)
Catia [V4] Model (*.model), STEP5 (*.stp,
Catia [V4] *.exp, *.session
*.step)
Creo Ele-
Creo Parametric (*.prt, *.asm), STEP
ments/Direct Model-all formats
(*.stp, *.step)
ing
Solid6 Edge7 *.pwd Solid Edge (*.par, *.asm, *.psm), Para-

solid1 (*.x_t, *.x_b), STEP (*.stp, *.step)
SolidWorks 2015 or older, STEP (*.stp,
SolidWorks 2016 (all types)
*.step)
Customizing SpaceClaim with ANSYS ACT

Within ANSYS ACT, you can create custom applications or "extensions" to customize supported
ANSYS products, including ANSYS SpaceClaim.
An ACT "guided process" extension enables you to leverage both the functionality of SpaceClaim
and the scripting capabilities of the Workbench/AIM framework API; you can manipulate existing fea-
tures and simulation components, organizing them as needed to produce a custom automated pro-
cess. A guided process extension is exposed in SpaceClaim as a "wizard" which provides simulation
guidance within the application workflow, walking non-expert users through a step-by-step sim-
ulation. For more information, see Custom Guided Processes and SpaceClaim Wizard in the ANSYS
ACT Developer's Guide.
Geometry Parameters Deleted When Feature is Removed

Geometry parameters (driving/ruler dimensions) are deleted when the geometry associated with
them is deleted. This is to be expected when interactively modifying geometry. For example, if you
delete a body which has geometry parameters driving its dimensions, the dimensions will be
deleted.
Some geometry parameter values can result in their geometry entities being deleted; if the radius
parameter of a fillet, round or cylinder is set to zero, the fillet/round/cylinder is deleted from the
model with the parameter. Subsequent design point updates will fail if they expect that parameter
to exist.
Try to avoid assigning parameter values which would eliminate their associated geometry features. If
such simulations are necessary, use multiple geometry models, some with features present and oth-
ers without them.
Parameters for Extracted Volumes Produce Unexpected Results

Extracted volumes are generated when the surrounding geometry changes. If a geometry parameter
(driving/ruler dimension) is defined on the extracted volume or on any of its faces or edges,
redundant extracted volumes may result when that parameter's value is changed. Define your para-
meters on the surrounding geometry rather than the extracted volumes to avoid this.
Working with ANSYS 13.0
Configuring SpaceClaim and ANSYS 13
To set the add-in transfer options in SpaceClaim

1. Click in the lower right corner of theCAE group on the Prepare tab.
The Options dialog opens.
Use tolerant stitching with surface bodies: Stitch the edges of nearby surfaces
together when they are sent to Workbench. Set the tolerance value to control the max-
imum size of the gap between edges that will be made into a single connected edge. A
larger tolerance value will be more aggressive in stitching nearby edges together.
3. Click OK.
To set the Workbench geometry import options

In order to transfer geometry, parameters, and named selections from SpaceClaim to ANSYS Work-
bench, the correct import options must be set within Workbench. To set the import options in
ANSYS Workbench,
1. Click Tools > Options in the ANSYS Workbench menu.
2. Click GeometryImport in the left panel of the Options dialog.
3. Select 3D for the Analysis Type.
4. Make sure there are no prefix values to filter for in the Parameters or Named Selections
fields.
5. The following options should not be selected: Reader Save Part File, and Smart Update.
All other options should be selected.
6. Select None for Mixed Import Resolution.
7. Select SpaceClaim for the Preferred Geometry Editor.
8. Restart Workbench for the changes to take effect.
Connecting to ANSYS 13
To launch Workbench from SpaceClaim

If you have the ANSYS add-in installed in SpaceClaim and ANSYS installed on your computer, then
you will see a new ANSYS 13 button on the Prepare tab. Click the ANSYS Workbench button to send
the current model in SpaceClaim to a new project in Workbench. A new geometry cell will be cre-
ated automatically.
To connect to ASCDM from ANSYS Workbench

Start ANSYS Workbench and create a geometry cell:
To work with an existing design,click Import Geometry in ANSYSand choose an existing
SCDOC file1, then use Edit Geometry to launch SpaceClaim with that document loaded.
To start a new design, click New SpaceClaim Geometry in ANSYS to launch SpaceClaim with
an empty design.
Updating data with ANSYS 13
SpaceClaim is a recognized geometry editor in ANSYS 13.0.

The SpaceClaim title bar now shows the systemIDfor theWorkbench project and the system name
as a prefix, as in: A:Geometry - <remainder of title>. Document1 tabs for the corresponding geo-
metry cells display a yellow ANSYS icon and theunique system name from ANSYSto make them
easy to find.
When you transfer geometry to ANSYS, only surface bodies are stitched. Other bod-
ies are fused, and a warning is issued if shared topology fails.
When a Beam withSection2 Anchor type set toLocation is transferred to Work-

bench, its Location becomes a Workbench Offset3 of type, User Defined. The X
and Y offset components will, in general, change to preserve the Beam cross-sec-
tion position relative to the Beam line. This coordinate transformation is necessary
to account for differences between SpaceClaim and Workbench reference frames.
To edit SpaceClaim data from ANSYS

To work with an existing design, click Import Geometry in ANSYS and choose an existing
SCDOC file4, then use Edit Geometry in SpaceClaim to launch SpaceClaim with that doc-
ument loaded.
an empty design.
To edit a design that is used in a simulation, open the Workbench project and click Edit Geo-
metry in SpaceClaim.
Click Reset in the geometry cell to disconnect the cell and clear its contents.


To initiate changes from SpaceClaim
Click the File menu and select Save Project to save the Workbench project.
This is the same as clicking Save in Workbench. The entire project schematic is saved, includ-
ing any geometry cells, and design.wbpj and design_files folder are created, where design is the
name of your design. The .scdoc file for each geometry cell is saved in this folder.
You cannot currentlysave a Workbench project that is linked to an .scdoc file that contains
external documents. Workbench moves the .scdoc file, so the links to external files are broken.

3. Click OK.

ANSYS Workbench,
fields.

ated automatically.

an empty design.

easy to find.


ument loaded.
an empty design.



3. Click OK.

ANSYS Workbench,
fields.

ated automatically.

an empty design.

easy to find.


ument loaded.
an empty design.


Collaborating with LiveReview
SpaceClaim LiveReview securely links a Host SpaceClaim session with other interested parties over
the internet. Models opened in the Host session can be viewed, manipulated, measured, and
marked-up by everyone connected.
To begin a shared session, the Host connects to the server. Secure invitations are then sent out for
Guests to connect to the server from their Client machines.
Models used in the session reside on the Host PC and are opened in the Host SpaceClaim session.
SpaceClaim LiveReview then distributes graphics information from the Host session to the Clients. In
other words, each Client sees graphics from the active model in the Host s SpaceClaim session.
The Host controls the session by:

Model selection only the Host can add models to the session
Choosing the active model
Inviting and Un-inviting guests
Monitoring participant status
When necessary, suspending client navigation for the group
SpaceClaim LiveReview provides enough graphics information for Clients to work independently with
the model and perform the following actions.
View1 navigation
Selection
Making measurements
Taking view Snapshots
to view it head-on.
Hosting a LiveReview session
As the Host, you initiate and control the shared session.
Models used in the session reside on your PC. You control which models are in session and which is
the active model.
You also have tools for the following:

Inviting and un-inviting Guests
Managing when guests can navigate the model
Helps to focus the attention of the group during key points of the session
Monitoring the Guest list
Names
Actions Navigating, Markup1, etc.
Graphics status Has their graphics caught up to the Host
The session is conducted through a server, which you can choose.
In SpaceClaim Options, the LiveReview panel allows you to specify the Server address.
You connect to the server through the Share menu in SpaceClaim.
To start a SpaceClaim LiveReview session

1. Open the File menu
2. Click the Share button
3. Click Using SpaceClaim LiveReview
4. The SpaceClaim LiveReview dialog opens
5. Enter a Host name to enable the invitation buttons:
Email
Opens a message window for composing an email invitation
A link for joining the session is embedded in the message contents
Send the invitation to as many guests as you need
Copy URL
Copies the session link to the clipboard
6. Once an invitation type has been chosen the session begins
The SpaceClaim graphics window is given a blue border
Session status is displayed in the upper left corner of the graphics window
Hovering over the session status will display the session ID

Managing the participants

As the Host, you control who is invited to the session.
Use the Invite button to invite guests.
As guests join the session, their names are added to the Participant list in the LiveReview panel.
Action can be:

Blank Client is not performing any action
Navigating Client is changing the model view
Dynamically spin, pan, zoom
Choosing a standard view
Choosing a zoom level
Marking Client is using the Pen tool to draw on the model
Paused Client has paused their session
Graphics is a traffic light:
Green Client graphics have finished loading and caught up to the current view on the Host
Red Client graphics are loading
While Red on the Host, the Client will see a progress bar
Managing Client navigation
By default, all guests can independently navigate the model, i.e. perform view operations.
Spin1, Pan2, Zoom
Choosing standard views (Top, Front, etc.)
To make it easier for you to control the session, Host navigation takes precedence over that of the
Clients.
Also, updates from the Host are pushed to the Clients with a forced pause to their navigation.
At times, in order to focus the attention of the group, you can shut off all Client navigation with the
Block Guest Navigation command in the ribbon.
While Client navigation is blocked, the command button shows a Lock icon.
When you change your active window on the Host machine, the Clients view also changes.
Selecting
Selection is shared both ways, Host-to-Client and Client-to-Host, across multiple client sessions.
The following Selection Modes are available on the Client.
Single, Double and Triple-click
Ctrl+selection
Alt+selection
Box-selection
The following Selection Modes are Not available on the Client.
Lasso
Polygon1
Paint
Using Boundary
When Selection Modes are used on the Host, the results are shared with the Client.
Chat
Use the Chat panel to type text messages to your guests.
Guests can also type text messages in their Chat window.
If a guest has their Chat window closed, a popup will notify them when a new chat message is sent.
Messages from both Host and Clients are displayed on all participants' machines.
Markup
LiveReview has a set of tools for marking up the graphics.
Pen Tool
Use the Pen tool to draw freehand markups on the model.

1. Click the Pen tool
2. Choose aColor from the dropdown list

3. Set pen Width from the dropdown list
4. Sketch freehand anywhere in the graphics window
Line2 Tool
Use the Line tool to draw straight lines and arrows on the model.

1. Click the Line tool
2. Choose aColor from the dropdown list

4. Choose an Arrow Style for the start and end points of the line
The top dropdown menu is for the start point
Thebottom dropdown menu is for the end point
Text Tool
Use the Text tool to add textbox notes in the graphics.

1. Click the Text tool
2. Choose a Font from the dropdown list
3. Set the font Size
4. Set thefont Color
5. Click in the Graphics where you want to place thetext
6. Type text
7. Exit the Text tool when you are done
Erase markups using Clear All.
Markups are broadcast to all clients, which allows simultaneous drawing on models by multiple
users.
Each client is assigned a different color
Markups on clients display on the Host and the other Clients
While anyone is marking up, all participants are prevented from spinning
Spinning is enabled when the markup is cleared
In the example above, the image was taken on the Host machine. The green circle was sketched on
the client and the blue arrow was drawn on the Client.
Client markups are cleared on the Host when the session is disconnected.
While a participant is marking up, their status shows as Marking.
Points of Interest
The Points of Interest tool to make text call outs that point to model geometry.
Simply click the tool button and then click on the geometry. A text balloon is created pointing to
the selected geometry.
Snapshots
Snapshots allow you to snap images of the graphics window while connected to a shared session.
Click the Snapshot button to create an image of the screen.
Snapshots are added to the Snapshot Gallery in the ribbon.
Clicking on a Snapshot in the Gallery restores the view to the as-snapped orientation and zoom
level.
Client Snapshots are also added to the Gallery.
Markups are also recorded in Snapshot images.

Click Record while any participant, including the Host, is marking up
In the Gallery, when you click on a Snapshot containing Markups
The view is restored to the orientation and zoom level of the Markups
All markups from all participants at the time of the Snapshot are displayed
If you want to add more Markups, you need to re-enter the Pen tool
You can Pan and Zoom and still see the Markups
Spinning the model clears the Markups
When you end the shared session, you will be asked if you want to save the Snapshots.
If you choose to save them, the Save As dialog opens for saving the Snapshots as PNG files.
Sending feedback
While in a LiveReview session, click the Feedback button to connect with the SpaceClaim Support
page.
There, you can enter information about your session experience.
Was the session useful
Were there any performance issues
What features would you like to see added
Closing the session
Click the Disconnect button to end the shared session.

All markups are cleared when disconnected
The LiveReview tab closes
The blue border is removed from the Graphics Window
LiveReview client sessions
As a Client, you connect to the secure server session initiated by the Host.
During the session you see graphics information from the active model in the Hosts SpaceClaim ses-
sion.
SpaceClaim LiveReview provides enough graphics information for you to independently work with
the model and perform the following actions.
View1 navigation
Selection
Make measurements
Markup2 the model
Take view Snapshots
Chat with the group using text
Joining a SpaceClaim LiveReview session
The Host provides a link to the secure session This will be by an email containing a direct link, or
some other method providing a link to paste into your browser.
When you arrive at the session site, you will see a login box.
to view it head-on.
Before you can join the session, you must enter a username. This is the name that appears in the Par-
ticipant list on the Host machine.
When you join the session, the system reports your connection speed.
Client user interface
The desktop UI defaults to viewer4.aspx.

Structure tree1 to the left
Folders are shown in the Structure Tree
Pre-highlight the model by hovering over nodes in the tree and then click to select
Hovering over a model in the Graphics Area also highlights the node in the tree
Client commandsat thetop and also on the right
Participant list on bottom left
Snapshots on the lower right
Session Status Log on the lower right
Includes Chat
When the Host loads a model, you will see a Progress bar on the Client.
If you want to Pause your session, click the Pause button.

You will be listed as Paused in the Participant list on the Host.
Your SpaceClaim LiveReview banner will change to show you as Paused.
You will not receive broadcasts from the Host until you resume your session.
If the Host switches model tabs, your display will update to show the new model.
However, you will not receive any subsequent navigations, selections, and Markups.
Click the Play button to resume receiving broadcasts from the Host.
Viewing the model
When a model comes up on the Client, it orients the same way as in the Host session.
Spin1, Pan2, and Zoom operations are done with the same mouse buttons as in SpaceClaim.
You can also use:

LMB Spin
RMB Pan
Wheel Zoom
Wheel-zoom is blocked if another Client navigation is in progress
The table below summarizes other view functions available on the Client.
This is a Fly-out menu with the following options:
Zoom Zoom Extents1 Fits the model to the screen size
Zoom to Selected Fits the selected face to the screen size
Select from predefined views like those found in SpaceClaim.
(Isometric, Trimetric, Top, Bottom, Left, Right, Front, Back)

Snap2 to View
Display toggles in the Client Structure Tree can be used to toggle the display of Solids.
Shared with Host and Clients
No Component3 display toggles for components on Clients
Component displays toggled on the Host are shared with the Clients
Selecting
Selection is shared both ways, Host-to-Client and Client-to-Host, across multiple client sessions.
Single, Double and Triple-click
Ctrl+selection
Alt+selection
Box-selection

Since the LMB spins the model, you cannot click and drag to box-select on the Cli-
ent.
Instead, thereare buttonsto switch between Spin and Box-select modes.
The following Selection Modes are not available on the Client.

Lasso
Polygon1
Paint
Using Boundary
When Selection Modes are used on the Host, they are shared with the Client.
Measuring
The following measurements can be made in the Client through selection (not using measurement
tools).
Radius
Point2-to-point distance

Length
Angle
As selections are made, the corresponding measurement is displayed in the lower left corner of the
screen.
Working with model colors
On the Client, there is a Change Color command in the RMB to change the color of the whole body.
Color changes are shared among all Clients and the Host.
Chat
Use the Chat panel to type text messages to Host and other guests.
Type text messages in the Chat window.
Ifyour Chat window is closed, a popup will notify you when a new chat message is sent.
Messages from both Host and Clients are displayed on all participants machines.
Chat names are tied to the current user's annotation color.
The Chat button blinks when new messages and snapshots are received from the Host.
Markup
LiveReview has a set of tools for marking up the graphics.
Markups are broadcast to all clients, which allows simultaneous drawing on models by multiple
users.
Each client is assigned a different color
Pen Tool
Use the Pen tool to draw freehand markups on the model.
1. Click the Pen tool
2. Choose a Color from the dropdown list
4. Sketch freehand anywhere in the graphics window
Upon entering the Pen tool on the Client, the cursor changes to indicate drawing.
Pen markups are broadcast to the Host and to all clients, which allows simultaneous drawing on mod-
els by multiple users.
Each participant is assigned a different color
In the example below, the image was taken on the Host machine.
The green circle was sketched on the client and the blue arrow was drawn on the Client.
While you draw on the model, you are listed as Marking in the Participant list on the Host.
Line1 Tool
Use the Line tool to draw straight lines and arrows on the model.
1. Click the Line tool

2. Choose a Color from the dropdown list
4. Choose an Arrow Style for the start and end points of the line
Theleft dropdown menu is for the start point
Theright dropdown menu is for the end point
Text Tool
Use the Text tool to add text box notes in the graphics.
1. Click the Text tool
2. Choose a Font from the dropdown list
3. Set the font Size
4. Set thefont Color
5. Click in the Graphics where you want to place thetext
6. Type text
Note2 text is broadcast as it is typed.
7. Exit the Text tool when you are done
Erase markups using Clear All.
Points of Interest
The Points of Interest tool to make text call outs that point to model geometry.
Simply click the tool button and then click on the geometry. A text balloon is created pointing to
the selected geometry.
Snapshots
Snapshots allow you to snap images of the graphics window while connected to a shared session.
Click the Snapshot button to create an image of the screen.
Snapshots are added to the Snapshot Gallery at the bottom of the page.
Clicking on a Snapshot in the Gallery restores the view to the as-snapped orientation and zoom
level. Snapshots are associated with the model and can only be recalled if the associated model is
active.
All Snapshots taken on the Host and the other Clients are added to the Gallery.
Markups are also recorded in Snapshot images.

Click Record while any participant, including the Host, is marking up
In the Gallery, when you click on a Snapshot containing Markups
The view is restored to the orientation and zoom level of the Markups
All markups from all participants at the time of the Snapshot are displayed
If you want to add more Markups, you need to re-enter the Pen tool
You can Pan and Zoom and still see the Markups
Spinning the model clears the Markups
When the Host ends the shared session, they are asked if they want to save the Snapshots.
They can be saved as PNG files in a directory on the Host machine.
Viewer
SpaceClaim Web Viewer is a secure way to share visualization data of the current design with others.
From within your SpaceClaim session, you generate a secure link and share it with anyone who needs
to view the model. The link takes them to the server, which displays the models graphics in their
browser.
SpaceClaim Web Viewer provides visualization tools for:

Spinning, Panning, and Zooming
Standard views (Isometric, Front, Top, etc.)
Perspective view
Cross-sections
Viewing of the model is done independently of a SpaceClaim session. Graphics information used to
visualize the model resides on the secure server.
Sharing a model
To share a model, you create a link to the models graphics information on the server. Then you
share the link with anyone who needs to view the model.
Google Chrome is the preferred browser for the Beta version of SpaceClaim Web Viewer.
To share the active model in SpaceClaim

1. File > Share > As Web Viewer Link
2. Google Chrome opens with a tab displaying the model
3. Copy the link
4. Send the link to anyone needing to view the model
Web Viewer user interface
SpaceClaim Web Viewer has a simple interface for viewing SpaceClaim models.
The model is displayed in the browser window with tools on the left for changing the model view.
Zoom Zoom Extents1 Fits the model to the screen size
Zoom to Selected Fits the selected face to the screen size
Select from predefined views like those found in SpaceClaim.
Snap2 to (Isometric, Trimetric, Top, Bottom, Left, Right, Front, Back)

View3
Perspective On
Perspective
Perspective Off
Sections
Planar Drag the cursor over the model to view possible planes for a sec-
tion

to view it head-on.
XY Create a section through the World Origin1 XY-plane
YZ Create a section through the World Origin YZ-plane
XZ Create a section through the World Origin XZ-plane
3-Point1 - Create a section using a plane defined by selecting three points
on the model
Clear Remove the current section and view the entire model
You can also use F9 to set the model spinning the for several revolutions. Frames per Second (FPS) is
reported in the upper right-hand corner of the screen for both desktop and tablet in real time.
You can also Markup1 the view using the Pen and Line2 tools.
Take snapshots of your marked up view using the Snapshot tool. Snapshots are displayed in a sep-
arate window for copying, printing, etc.
Printable Glossary
3D markup
A document type that enables you to annotate and compare different versions of
a design.
Absolute coordinates
See Coordinates
ACIS
Modeling engine by Spatial Corporation. You can import and export ACIS files
(.sat and .sab).
Alignment axis
Axis around which you can rotate a component using the Orient tool.
Anchor in Detail views

A point used as the starting point for scaling.
Anchor in Move tool

The center ball of the Move handle. You can drag the center ball or use the
Anchor tool guide to place the anchor on a solid, face, edge, vertex, or origin.
Anchor in Patterns
A member of a linear or rotational pattern that does not move with the pattern.
You can anchor one or more pattern members using the Fulcrum tool guide.
Anchor point
See Anchor
Angular reference
Starting point for dimensioning an angle.
Angular ruler dimension
See Ruler dimensions
Annotation
Information you can add to a drawing, such as notes, dimensions, geometric tol-
erances, center marks, and Bills of Materials.
Annotation plane
Plane on which you can annotate designs, drawing sheets, and 3D markups. Use
the Create Note tool to select an annotation plane and enter text onto the plane.
Arc
Curved line of constant radius; part of a circle. See Sweep arc, Three point arc, Tan-
gent arc.
ASME
American Society of Mechanical Engineers standards for engineering drawing
practices. You can customize the style of your annotations to conform to ASME
standards. See ISO, JIS
Aspect ratio
Ratio of the length to width of a rectangle or the height to width of an image.
When resizing images, it can be important to maintain the aspect ratio to avoid
distortion.
Assembly
Hierarchy of components and subcomponents showing relationship within a
design, as shown in the Structure tree. In manufacturing, a unit fitted together
from manufactured parts. See Assembly tool, Component
Assembly tool
Use the Assembly tools to specify how components are aligned with each other,
that is, create a mating condition. You can Align, Center, and Orient components.
Association
Relationship between objects that enables you to edit them together. For
example, when you pull a polygon into 3D, the faces acquire a polygon
relationship. If you act on one face or edge, it affects all the faces in the polygon.
Another example of an association is a mirror plane between two faces. See Mir-
ror, Remove associations
AutoCAD
Software application for 2D and 3D design and drafting by Autodesk, Inc.
AutoCAD's native file format is DWG, its interchange file format is DXF, and its
format for publishing CAD data is DWF.
Axial face
Face of a 3D object through which an axis extends. The axis displays when you
move the cursor over the axial face.
Axis
Straight line that an object rotates around or that objects are regularly arranged
around. See Alignment axis.
Balloon
Annotation consisting of content from the Bill of Materials. Balloon notes update
when changes are made to the BOM table.
Baseline faces
See Offset baseline faces
Bend allowance
Amount of material added to compensate for changes caused by bending sheet
metal. Allowance is required to correct for the change in length caused by bend-
ing a flat sheet.
Bend deduction
Value used to calculate unfolded lengths of sheet metal. Bend Deduction is twice
the distance from the outside mold line to the beginning of the bend (set back)
minus the bend allowance.
Bend deduction table
CSV (comma-separated value) file used to calculate the developed lengths for
unfolded or flat patterns to be machined.
Bill of Materials (BOM)

Table of components, sub-components, parts, and materials needed to man-
ufacture a finished product.
Blend
Smooth and tangent transition between faces or edges; created using the Pull
tool.
Blend plane
Sections that appears when you edit a face as a blend using the Edit as Blend
tool. You can create, move, and orient blend planes.
Blend surface
Faces you can edit using the Edit as Blend tool. If the face was originally created
as a blend, the original blend surfaces are available for editing. If the face is not
blended, the tool first converts the face to a blended surface.
Blended face
Face created by blending between two edges.
Body
A solid or surface.
Bounded line
Segment of a line bounded by one of more intersections with lines or edges. Use
the Trim Away tool to delete a bounded line.
CATIA
Modeling engine by Dassault Systmes. You can import and export CATIA files.
Chamfer
Sloping corner between two edges created using the Pull tool; angle with equal
setback; bevel.
Chord
Straight line with both end points on a circle.
Chord angle
Degrees of a circle delineated by a chord. In a Swept arc, the starting point and
end point of the arc define the chord.
Clip
Hide all geometry in a design above or below the grid or selected plane.
Closed lines
Intersecting lines that enclose an area to form a region when you sketch shapes
in 2D. The regions will become solids and the lines become edges when you pull
your sketch into 3D.
Closed loop
Contiguous sketched lines or edges. Can be selected by double-clicking one of
the edges or lines.
Coaxial
Relationship between faces that share the same center of rotation. If you check
the Coaxial Face Groups box in the Display tab, faces that share an axis are indic-
ated with blue shading.
Combine
A tool used to cut or glue geometry together.
Component
Object in a design, including the top-level design component. Each component
consists of any number of objects, such as solids and surfaces, and can contain
sub-components. You can think of a component as a "part." Components can be
saved as a separate file. An external component is another design inserted as a
component of your design. Making the component internal prevents changes
from being made to the external component file. You can also create an external
component by saving a component as a separate file. See Lightweight com-
ponents, Assembly
Constant-radius round
Default configuration for a fillet. The radius of the rounded corner is uniform
across the length of the line or edge. See Fillet, Variable radius round
Construction line
Shape drawn with a Sketch tool to help you create an accurate sketch. Con-
struction lines become axes in 3D. They are also useful for creating mirrors.
Context menu
In the user interface, a list of functions specific to the operation that you are per-
forming. Access the context menu by right-clicking in the design window.
Converging lines
Non-parallel lines. With the Dimension tool, you can annotate converging lines at
a virtual sharp.
Coordinates - Absolute
Method of inputting points based on distance and angle. Absolute coordinates
are measured from the origin (x and y for 2D and x, y, z for 3D).
Coordinates - Polar
Method of inputting points based on distance and angle. Polar coordinates are
measured by entering values for distance and angle.
Coordinates - Relative
Method of inputting points based on distance and angle. Relative coordinates are
measured from the selected point (x and y for 2D and x, y, z for 3D).
Corner
See Fillet (interior corner) or Round (exterior corner)
Cross-section mode
Mode used to edit solids by working with their edges and vertices in cross-sec-
tion. In this mode, pulling a line pulls a face, and pulling a vertex pulls an edge. To
create a cross-section view, you select the face that will be used to set the cross-
section plane. Hatching is used to show the intersection of the cross-section
plane and a solid.
Cross-section view
One of the view selections for drawing sheets. Cross-section view shows a cross-
section through your design. You create a cross-section view from one of the
other views on the drawing sheet. See General view, Projected view, and Detail
view.
Curvature
Analysis tool that displays a fringe graph or color shading to represent the
curvature along curves or edges. Values indicate how curvy or "swoopy" the
curve or surface is at each point.
Curve
In 3D, any line in space.
Curve center
A small cross that appears on the sketch grid at the center of a circle, ellipse, poly-
gon, or arc.
Curved slot
A slot created by pulling a hole along the axis of a driving cylinder. A 360 degree
curved slot is a round cut. See Radial slot.
Cutter object
When using the Combine tool to split a solid or surface, the Cutter object is the
solid or surface you use to cut the target. Use the Select Cutter tool guide to
select the Cutter object.
Cylindrical face
The surface of a cylinder, formed by points at a fixed distance from the axis of the
cylinder.
D
Datum
Object that is assumed to be an exact size and shape, and be in an exact location,
that is used to locate or establish geometric relationship of other objects.
Datum symbol
Symbol attached to a point, axis, or plane that must be referenced for machining
and inspection.
Design
Design component
See component
Design window
Area in the user interface that displays your model or assembly. Also known as
Workspace.
Detach
Create separate surfaces from individual pieces of a sketch, or objects or faces in
3D. You can detach protrusions to move them with the Move tool's Detach First
option.
Detail
Aspects of a design incorporated to communicate with others or submit the
design for review. Use the tools on the Detailing tab to annotate designs, create
drawing sheets, and review design changes. You can customize detailing settings
to conform to standards or create your own custom style.
Detail view
One of the view selections for drawing sheets. Detail view creates an enlarged
view of a particular area, magnifying a portion to show more detail. You create a
detailed view from one of the other views on the drawing sheet. See General
view, Projected view, and Cross-section view.
Dimension
Annotation on a drawing showing measurement of an edge or face. Use the
Dimension tool to add measurements to your design, drawing sheet, or 3D
markup.
Dimensional sketching
Precise sketching by entering measurement values for the current line or relative
to other lines and points. See Dimensions.
Dimensions
Values or expressions you enter for precise control during the creation or modi-
fication of a design. You can dimension every element, from lines in sketches to
faces of solids. See Ordinate dimensions, Progressive dimensions, Ruler dimen-
sion.
Document
A model file (.scdoc) that may contain any combination of design versions, asso-
ciated drawing sheets, and 3D markup slides.
Draft
Angle or taper on an object that facilitates removal from a mold or die. You draft
by pulling one or more faces around about another face that you selected as the
pivot. You can add or cut material as you pull.
Draft faces
See Draft
Driving cylinder
Shape used when pulling a hole to create a curved or radial slot. You select the
face or axis of the driving cylinder to guide the shape of the slot.
Driving dimension
Ruler dimension created with the Move, Pull, or Select tool and saved within a
group.
Driving edge
Edge you select to drive the change when using the Pull tool. Select a driving
edge for revolves, directed extrusions, sweeps, and drafts. The driving edge is
shown in blue.
Driving face
Face you select to drive the change when using the Pull tool. Select a driving face
for revolves, directed extrusions, sweeps, and drafts. The driving face is shown in
blue.
DWG
AutoCAD native drawing format. You can open and insert drawings, parts, and
assemblies. Drawings can be inserted as layouts. You can export parts, assem-
blies, drawing sheets, and 3D markup slides.
DXF
Drawing Interchange Format or Drawing Exchange Format. CAD data file format
developed by Autodesk for enabling data interoperability between AutoCAD and
other programs. You can open and insert drawings, parts, and assem-
blies.Drawings can be inserted as layouts. You can export parts, assemblies, draw-
ing sheets, and 3D markup slides.
Eccentric
Not sharing the same center.
Edge
3D object composed of a single outside boundary of a feature. A line sketched in
2D becomes an edge when you pull your sketch into 3D.
Edge chain
Tangent chain; a continual series of edges that are connected edge-to-edge.
Double-clicking an edge in the chain selects the entire chain.
Edge loop
All of the edges around a face; a continual series of edges that are connected
edge-to-edge forming a closed loop. Double-clicking an edge in the loop selects
the entire loop.
Edge tangency
When you blend between two faces, the blend surface begins tangent to the
edges of the initial faces and ends tangent to the edges of the end faces. By decid-
ing which edges you do not want to use for tangency, you can create a blend
with or without the effects of the edges.
Edit faces as a blend

Using the Edit as Blend tool to move or orient blend planes to edit a face as a
blend. See Blend plane, Blend surface.
Ellipse
Geometric shape described as a circle viewed at an angle; oval with two centers
of equal radius.
Entity
Term used to refer to any object in a 2D sketch or 3D drawing.
Exploded assembly
View of components in which objects are shown along an axis line.
Extents
The outer boundaries of the objects you have drawn.
Extrude
To pull a face along with its edges. The edges extend to bound the extruded face,
creating a new section defined by the edges.
Face
Side or other surface of a solid. Some examples are the inside surface of a hole or
the six sides of a rectangular solid. See Surface.
Face grid
Horizontal and vertical lines, displayed using the Face Grid tool, that define any
face or surface you select in your design.
Face styles
Modes you can select for displaying a solid or surface. You can set the display to
be transparent, opaque, or metallic. See Graphics styles.
Facet
Simple triangular face used to describe surface geometry in STL (ste-
reolithography) file format.
Fade scene
Make the geometry under the sketch grid more transparent, by selecting Fade
Scene Under Grid in the Display tab. Selecting this option enhances the visibility
of your sketch.
Fill
Use the Fill tool to simplify or clean up geometry by extending surrounding faces
to eliminate a selection. The selected region is filled in or healed with the sur-
rounding surface or solid.
Fillet
Rounded corner at the intersection of two lines or edges; concave intersection
between two surfaces. Fillet refers to an interior corner; exterior corner is known
as a round. You can draw a fillet using the Create Rounded Corner tool or by
selecting the Fillet (Constant radius round) option from the Pull options. See
Round.
Filleted corner
See Fillet
Filter
See Selection filter
Flag note
See Note
Fulcrum
Hinge; pivot point. When using the Move tool, you can select an object and use
the Fulcrum tool guide to move other objects around it.
Full pull
Pull tool option that enables you to revolve 360 degrees or to the next face,
sweep through the full trajectory, or blend through selected faces.
General view
One of the view selections for drawing sheets. General view makes the selected
view independent of the view used to create it. See Projected view, Cross-section
view, and Detail view.
Geometric tolerances
Annotation symbols used for dimensioning geometry in technical drawings;
usage is guided by ASME, ISO, and other standards.
Golden rectangle
A rectangle with ratio of side lengths (approximately 1:1.618) considered by
artists and architects to be aesthetically pleasing. As you sketch a rectangle, an
indicator line appears when the shape has the proportions of a square or golden
rectangle.
Graphics styles
Modes you can select for displaying a design. You can display geometry as
shaded, perspective shaded, wireframe, wireframe with hidden lines displayed in
light gray, and wireframe with hidden lines removed. You can apply styles to
your entire design or drawing sheet, to individual layers, or to individual views in
your drawing sheet. See Face styles.
Grid
See Sketch grid
Grid lines
See Face grid
Groups
Sets of objects that appear in the Groups tab. You create a group from any set of
selected objects. Information such as Selection, Alt+selection, move anchoring,
axis, and ruler dimension is all stored with the group.
GTOL
See Geometric tolerance
Guides
See Tool guides
Heal
See Fill
Helix
Pull tool option that revolves the selected shape around an axis to create a screw
or drill shape. You control the height, direction, pitch, and taper.
Home view
Tool used to return the view to the Home settings. You can customize the Home
view tool so that it displays your design with a specific orientation, location, and
zoom level.
Imprinted edge
A line that does not define a corner. For example, you might create an imprinted
edge on a face of a cube, if you want to divide the face and pull different parts.
Imprinted edges are often created when importing designs.
Inking a line
See Project to sketch
Interference
Edges where solids intersect each other or volumes created by the intersection of
solids, surfaces, and components in your design; can be displayed using the
Analysis tools.
Intersect
A tool used to split solids and faces.
Inverse selection
The inverse of the current selection in the active component. For example, if you
select the top face of a cylinder, right-click and select Select > Inverse Selection,
the entire cylinder except the top face will be selected.
ISO
International Organization for Standardization standards for architectural and
engineering drawing, including guidelines for dimensioning and tolerancing. You
can customize the style of your annotations to conform to ISO standards. See
ASME, JIS.
Isometric view
3D view of surfaces and edges, oriented to show the top, front, and side faces of
your design. The angles between the projection of the x, y, and z axes are all
equal at 120. See Trimetric view.
JIS
Japanese Standards Association standards for technical drawings. You can cus-
tomize the style of your annotations to conform to JIS standards. JIS defaults are
the same as ISO, except that JIS uses third-angle views while ISO uses first-angle
views. See ASME, ISO.
K-factor
Parameter of bends in a sheet metal part used to calculate the bend radius. K-
factor is a percentage of the metal thickness and depends on factors such as the
material and type of bending operation. Relates to the depth of the neutral axis; a
line within the sheet where the length does not change when the sheet is bent.
The inside of the bend is under compression, the outside is under tension, and
the neutral axis occurs somewhere between the midpoint of the material (K-
factor=0.50) and a point closer to the inside of the bend (K-factor=0.25).
Layer
Grouping mechanism for visual characteristics such as visibility and color. You
can group objects on layers to organize your drawing. Layers are especially use-
ful when you want to show or hide annotation planes.
Layout
2D drawing mode that is most useful when you have no immediate need to gen-
erate 3D objects from the lines in the layout. If you try to pull layout lines to 3D,
they do not behave the same way that sketched lines do. Think of a layout as a
pencil drawing made on your design. When you are ready to use your layout to
create geometry, you must project the layout lines to a sketch. Projecting a layout
line to a sketch is like inking the line. You can import a 2D AutoCAD DXF or DWG
file as a layout.
Library
You can select from the Materials Library in the Properties panel and add them
to your Local Materials.
Lightweight assembly
Graphics-only representation of a design. When inserting an external file into a
design, select the Enable lightweight assemblies option to load only the com-
ponent's graphic information. This improves performance of large and complex
assemblies for quicker viewing. When you are ready to work with the com-
ponent, you can load the geometry information.
Lightweight component
See Lightweight assembly
Line
A straight line, arc, or spline drawn in Sketch mode or on a layout plane. Lines
have length but no area. When you pull a sketch into 3D with the Pull tool, lines
become edges.
Local materials
See Library
Markup
Slides you can create to highlight and communicate the differences between ver-
sions of a design.
Mass
Analysis tool used to display mass properties, or volume information for the
solids and surfaces in your design.
Mass properties
See Mass
Material
Property that you can assign to an object, consisting of material name and attrib-
utes such as density and tensile strength.
Materials library
See Library
Mating condition
Attribute of components that specifies how they are aligned with each other. You
create mating conditions with the Assembly tools.
Measure
Tools for displaying measurement properties of the edges, faces, and solids in
your design.
Mesh object
Object created by importing an STL file lightweight (facets only). Mesh objects
have the ability to snap to the facets.
Mini-toolbar
Set of tool-specific options that appears when you right-click in the Design win-
dow. You can also access the options in the Options panel.
Mirror
Associative relationship between two faces or planes mirrored about a centerline
plane or planar face. The second object is a copy of the original; if the geometry
of the original is changed, the mirrored copy is also updated. Use the Mirror tool
to designate a face or plane as a mirror, or to create a mirror plane between two
faces.
Mode
Three ways of designing: Sketch, Cross-section, or 3D. You can switch between
modes at any time.
Mouse up
See Zoom box in
Move
A tool used to translate or rotate geometry.
Neutral plane - Pull tool

The plane, face or edge around which you want to pivot.
Neutral plane - Sheet metal

Sheet metal: the line within a sheet where the length does not change when the
sheet is bent; axis.
Non-planar edges
Edges that do not lie in the same plane. See Planar edges.
Normal
The vector that is perpendicular to a flat plane at the selected point. In the case of
a non-flat plane, the vector that is perpendicular to the plane tangent to the sur-
face at the selected point.
Note
Annotation placed on a design, drawing sheet, or 3D markup. Notes contain text
or symbols that you insert and can be connected to geometry by a note leader.
O
Object
Anything recognizable by the tools. 3D objects include vertices, edges, faces, sur-
faces, solids, layouts, planes, axes, and origins. 2D objects include points and
lines.
Offset
Distance an edge, segment, or curve is moved or copied.
Offset baseline faces

See Offset relationship
Offset relationship
A relationship between two faces that is maintained in the 2D and 3D editing
tools. Offset relationships are created when you define a relationship using the
Offset tool, create a sheet metal part, or Shell a solid.
Offsetting faces
Pulling a face without selecting the edges. The pull extends the neighboring faces
without creating an edge. The neighboring faces extend to bound the offset face,
creating a new section defined by the adjacent geometry.
Offsetting lines
Using the Offset Line tool to create an offset of any line or spline in the grid
plane. A new object is created at a specified distance from the selected object.
Options panel
Area of the user interface that enables you to modify functions specific to tools.
Ordinate dimensions
X or Y distances that originate from a single location, which is usually the lower
left corner of the object. Also known as datum dimensioning or baseline dimen-
sioning
Orientation angle
Property that you define when sketching a polygon. Orientation angle determ-
ines the polygons rotational position.
Origin
Zero point in coordinate system. You can insert an origin at any location in your
design where you can anchor the Move tool, enabling you to dimension from the
origin or quickly move the sketch grid to the origin. You can also insert an origin
at a solid's center of mass or volume.
Origin Axis
Axis through the origin.
Orthogonal view
Projection that is constrained to regular 90 angles (top, bottom, left, and right of
the current view). When you create a projected view from one of the other views
on the drawing sheet, the available projections are orthogonal (orthographic).
Pan
Move a drawing around by dragging the drawing area around your screen; move
the viewpoint laterally relative to the drawing.
Pan with multi-touch

Move two fingers together across the screen.
Panel
Sections of the user interface that initially appear along the left side of the applic-
ation window and include: Structure panel, Layers panel, Selection panel, Groups
panel, Options panel, and Properties panel. You can dock and detach these pan-
els.
Parasolid
Parasolid geometric modeling kernel. You can open and insert parts and assem-
blies and export parts and assemblies.
Parent component
A component upon which other components depend. For example, in a block
with a hole, the block is the parent and the hole is the child.
Patch blend
Fill tool option that uses the initial tangency of the neighboring faces to fill the
selected edges. Faces are blended into a smooth, single-face patch, instead of
extending the faces attached to the edge until they intersect. Deselecting the Tan-
gent extension option ignores the tangency of the neighboring faces.
Periodic blend
Pull tool option used to go all the way around when blending faces.
Periodic face
A cylinder, cone, or other revolved surface.
Pitch
Unit of length that a helix face shifts per 360 rotation; distance from one point
on a thread to the corresponding point on the next thread.
Pivot line
Line around which a face is revolved using the Pull tool.
Plan view
Head-on view.
Planar edges
Two or more edges that lie in the same plane. You can select planar edges and
select the Plane tool from the Insert ribbon group to insert the plane defined by
the edges.
Planar face
Face that lies within a plane.
Plane
Construction geometry consisting of a flat surface. Planes can be used for a 2D
sketch, section view of a model, a neutral plane in a draft feature.
PMI
Product Manufacturing Information. You can import PMI if you check the Import
Part Manufacturing Information box when importing CATIA files.
Point
Single location in the sketch grid. 2-D object that has no height, width, or length.
The origin, an axis, and a vertex are examples of points. Use the Point tool to
sketch a point on the sketch grid. Points are useful as a dimensional reference,
for splitting, and for creating a point on a line or curve through which you want
to draw a three-point circle.
Polar coordinates
See coordinates
Polygon
Complex object composed of three or more straight lines in a closed figure. Use
the Polygon tool to sketch a polygon with up to 32 sides.
Power selection
Advanced selection tool available from the Selection tab. Enables you to search
for and select all objects with geometry similar to the currently selected object.
Profile
Line in space; outline of an object; used to describe objects when sweeping or
blending.
Project to sketch
Tool used to convert 2D layout lines to a sketch so you can use the layout to cre-
ate geometry.
Projected view
One of the view selections for drawing sheets. You create a projected view from
one of the other views on the drawing sheet to show another side of the model.
See General view, Cross-section view, and Detail view
Properties panel
Area of the user interface that displays editable details about the selected object
(s). This panel is initially displayed on the lower left side of the screen, but can be
moved.
Pull
Tool used to distort or deform geometry. Use the Pull tool to offset, extrude,
revolve, sweep, draft, and blend faces; or to round, chamfer, or extrude edges.
When converting a sketch to 3D, pulling a line creates a surface and pulling a sur-
face creates a solid.
Quality
Tools for detecting anomalies or discontinuities in surfaces.
Quick Access Toolbar

Tool icons that appear at the top of the user interface, next to the File menu, and
include common Windows commands such as Open, Save, and Undo. You can
customize the toolbar so that it contains the file-related shortcuts you use most
often.
Radial slot
A slot created by pulling a hole toward the axis of the driving cylinder. See
Curved slot.
Radiused corner
See Fillet (interior corner) or Round (exterior corner)
Reference line
Line used as the starting point for dimensioning.
Region
When you sketch shapes in 2D using the sketch tools, regions are formed by
closed or intersecting lines. The regions will become solids and the lines become
edges when you pull your sketch into 3D with the Pull tool.
Regular face
An unblended face. The face must be converted to a blended face before you can
edit the face as a blend. See Blend surface
Relative coordinates
See Coordinates
Remove associations
Tool that removes an associative relationship. For example, removing a polygon
relationship enables you to make changes to only one face of the polygon solid
without affecting the other faces. See Associations.
Rendering
Mode available from the Properties panel for a view on a drawing sheet. Use Ren-
dering mode to change the Graphics style for the view. Select Inherit if you want
to link the graphics style to the parent view. See Graphics styles.
Revolve
Move in a path around an axis. Use the Pull tool to revolve faces, edges, or a helix
around an axis. The axis may be a straight line, axis, or edge. See Subtractive
revolve.
Revolve axis
A straight line, axis, or edge around which you revolve a face, edge, or helix.
Rotate
Design: Using the Rotate tool to spin a design 90 degrees in the plane of the
screen. You can rotate your design clockwise or counterclockwise. Object: Using
the Move handle to spin an object around an axis.
Rotate with multi-touch

Hold one finger on the axis you want to rotate around and move the other finger
in an arc that is centered on your first finger.
Rotational blend
Pull tool option used when blending faces to create cylinders and cones
whenever possible.
Round
Rounded corner at the intersection of two lines or edges. Round refers to an
exterior corner; an interior corner is known as a fillet. Rounds and fillets are both
called rounds. See Fillet, Constant-radius round, Variable-radius round.
Round Group
Grouping that is created each time you fill a round. You can reattach a group of
rounds as long as some portion of the original edges (or faces that bordered the
edges) still exists in your design. See Group.
Ruler dimension
Option used to enter precise dimensions when pulling or moving. Dimensions
may be linear when moving or pulling, or angular when rotating.
Scale
Solid or surface: Change the size of the selected object using the Pull tool. You
can scale dynamically or by entering a scale value. Drawing sheet or cross-sec-
tion views: Magnify or shrink the view by selecting a View in the Structure tree
and editing the Properties panel.
SCDOC file
File format for SpaceClaim files (.scdoc). Files comply with the Microsoft Open
Packaging Convention, which is also used by Microsoft Office 2007. These files
are actually zip archives with a special structure, the contents of which are primar-
ily XML data.
Section
Design mode in which you edit solids by working with their edges and vertices in
cross-section. View is cut away to show interior detail.
Section mode
See Section
Selection filter
Drop-down control in the status bar that can be used to limit the selection of
objects. Only object types you check will be selected; for example, only faces and
edges.
Selection tab
Area of the user interface where you can locate objects similar to the ones selec-
ted. See Power selection.
Shell
Solid or part that is hollowed out from a selected face, leaving a shell of des-
ignated thickness.
Shell relationship
Association that stays with a solid when it is moved to another component,
unless the relationship would link two components when it is moved. See Shell.
Silhouette edge
Edge that is rotated to conceal a 3D object and appears as a 2D line.
Sketch grid
Pattern of regularly spaced lines that guides you when sketching. The sketch grid
makes aligning and drawing objects easier.You can adjust the units and spacing
of the grid, as well as how solids are displayed when the grid appears.
Sketch mode
Mode for drawing in two dimensions using the sketching tools on the sketch
grid. A sketch is a collection of lines and other 2D objects on a sketch grid. Sketch-
ing creates regions that can be pulled into 3D. When you pull your sketch into 3D
with the Pull tool, regions formed by intersecting lines will become solids and
lines will become edges.
SLA
See Stereo lithography
Snap
Constrain to objects, angular and linear increments, or grid points while you are
sketching or editing solids. You can customize the snapping behavior in File>Op-
tions. Pressing Shift while dragging snaps the tool based on your snap settings.
You can use the Snap to grid tool to constrain or lock all drawing to grid points
only.
Snap view
Tool used to display the head-on view of a face. You can also use the tool to
"throw" the highlighted face to the top, bottom, right, or left.
Solid
Object that encloses volume. A surface becomes a solid if it encloses volume.
Spin
Tool used to re-orient your design in any direction, allowing you to view it from
any angle.
Spin center
Axis about which you spin your design when you use the Spin tool.
Spline
A continuously curved line, without sharp boundaries (that is, without vertices).
Create a spline by defining a set of points using the Spline tool. A spline becomes
an edge when you pull it with the Pull tool.
Split
Using the Combine tool to split solids or surfaces. You select a solid or surface to
use as a Cutting tool to cut the target. See Cutter object.
STEP
Standard for the Exchange of Product model data (ISO 10303). Defines a meth-
odology for describing product data. You can select the STEP protocol when you
export designs.
Stereo lithography
Technology used for rapid prototyping, in which a laser hardens successive lay-
ers of a photopolymer to create a part with a shape defined by a computer
model.
Sticky tool guide

Tool guides that are sticky appear with a double outline when clicked. After you
click it, the tool guide remains selected so you can select multiple objects by click-
ing on each object.
STL file
File format native to the stereo lithography CAD software created by 3D Systems.
You can export parts and assemblies (.stl).See Stereo lithography.
Structure tree
Display in the Structure panel that shows you each of the objects in your design.
You can expand or collapse the nodes of the tree to view the objects. You can
rename objects, create, modify, replace, and delete objects, as well as work with
components.
Subtractive
Manipulation (revolve, draft, pull, etc.) of a solid in which material is removed. In
editing tools performing subtractive operations, the cursor changes to - to indic-
ate that the edit is subtractive.
Surface
Two dimensional object that has no thickness (as opposed to a face, which is part
of a three-dimensional object). A surface has area but no volume. See Face.

Annotation you can add to a drawing that provides instructions for material
removal during manufacturing.
Sweep
Pull a surface or face along a line or edge using the Pull tool. You can sweep
faces and edges, and select straight or curved lines or edges along which to
sweep. Sweeping along a spline is a pulling technique for creating a smooth,
swoopy shape. See Trajectory.
Sweep arc
Arc created by defining a center point and two end points; drawn using the
Sweep Arc tool.
Sweep circle
The circular path followed by a Swept arc. See Swept arc.
Sweep trajectory
See Trajectory
Swept arc
See Sweep arc
Tangent
Line that touches a curve (arc or circle) at only one point, without crossing over,
and is perpendicular to the radius at the point of tangency. You can sketch a line
tangent to a curve or you can sketch an arc tangent to a line or curve.
Tangent arc
Arc that is sketched using the Tangent Arc tool, using a point on a line or curve as
the starting point.
Tangent chain
See Edge chain.
Tangent edges
Transition edge between rounded or filleted faces in hidden lines visible or hid-
den lines removed modes in drawings.
Tangent extension
See Patch blend
Tangent faces
Faces created by rounds or when edges are drawn on a face.
Taper
Angle of a helix or threads made on a conical surface. See Helix, Thread.
Target
The object you want to cut, when using the Combine tool to split a solid or sur-
face.
Tessellation
An approach for data exchange between CAD programs. Tessellation represents
entities such as lines and surfaces in a CAD system with tiny triangles (polygonal
data representations). Data formats such as XML and VRML are examples of tes-
sellated data.
Theme
Set of view navigation options used for spin, pan, and zoom.
Thickness edge
Edge across the thickness of a sheet metal wall.
Thickness face
The end face of a sheet metal wall. The thickness face is shown highlighted in
orange in the image below.
Thread
Texture created on the surface of a cylinder, cone, or hole using the Annotation
tools.
Three point arc

Arc created by defining a starting point, an end point, and a radius; drawn using
the Three-Point Arc tool.
Tool guides
Functions that are specific to the selected tool.
Torus
Doughnut-shaped object created using the Pull tool to sweep a sketched shape
around an axis on a circular path.
Trajectory
Straight or curved line or edge along which you sweep a face or an edge.
Translate
Move in a plane (x, y, or z).
Trim away
Delete a line portion bounded by an intersection with a line or edge.
Trimetric view
3D view of surfaces and edges, oriented to show the top, front, and side faces of
your design. Compared to isometric view, trimetric view angles the front face
slightly towards you, shows less of the side face, and less of the top. This is the
default Home view. See Isometric view.
UV grid
See Face Grid
U-V lines
See Face Grid
Variable radius round

Fillet created from a constant-radius round by selecting one edge of the round
and pulling it to a new radius. See Fillet, Constant-radius round.
Vee-die width
Sheet metal property; sets the width of the tooling that produces a bend.
Vertex
Point that terminates a line; point at which two or more lines or edges intersect.
Vertices can be selected for sketching, dimensioning, and other operations.
View
Orientation settings that you can apply to your design, including spin, pan, and
zoom. You can adjust these settings individually or you can apply one of the fol-
lowing preconfigured views: Trimetric, Isometric, Top, Bottom, Front, Back, Right,
Left. You can also select Snap View and click a face to view it head-on.
Virtual sharp
Point of intersection formed by extending converging lines.
W
Wall face
The side face of a sheet metal wall. The two perpendicular wall faces are high-
lighted in orange in the image below.
Wireframe
View mode in which all edges of the part or assembly are displayed.
World origin
Axes that set the default orientation of the design in the Design window. Display
the World origin by checking the World Origin box on the Display tab.
Zoom box in
Tool used to pan and zoom until the design fits within a selected area.
Zoom extents
Tool used to enlarge or contract the view so that the selected face, the selected
edge, or the design fills the Design window. If you are working with a drawing
sheet, Zoom extents will fit the drawing sheet to the Design window.
Index
3D markup 893
Add a control curve 505

Adding a Cross Break 1142
Adding a sheet metal bead 1127
Adding a sheet metal marker 1129
Adding engraved or cut-out text in sheet metal 1143
Adding sheet metal forms 1116
Adjust tangency 954
Aligned cross sections 877
Annotation 734
ANSYS add-in 1308
ANSYS Workbench settings 1354
Configuring SpaceClaim and ANSYS 15 1368, 1372
Using named selections in ANSYS 1349
ANSYS Workbench settings 1354
Applying a rendering style 158
Applying colors 149
archiving 173
Assembling 708
Creating gear conditions 728
Locking the orientation and position of components 727
Autosave 1248
Axis 529, 532
Balloon 844
Barcodes 798
Beams 1015
Bending 315
Bending a sheet metal wall 1108
Bills of Materials (BOMs) 822
Blending 509
Bolt circles 847
Bracket and knob tutorial 25
Broken out sections 891
Broken views 887
Brushed 158

Capping a surface with a plane 676
Changing beam display style 1033
Changing beam orientation 1030
Changing beam profiles 1027
Changing junction types 1149
Changing object transparency 153
Changing sheet metal part properties 1044
Checking geometry 231, 900
Circles 275
Circles (Sheet Metal) 1078
Circular Area 790
Circular patterns 553
Clockwise 129
Combining and splitting 662
Common sketch options 234
Configuring SpaceClaim and ANSYS 15 1368, 1372
Converting a solid to a sheet metal part tutorial 26
Copying and pasting from other applications 204
Counterclockwise 129
Create Workpiece 624
Creating 3D markup slides 896
Creating a beam 1020
Creating a cylinder 581
Creating a double wall 1130
Creating a hinge (Sheet Metal) 1139
Creating a lightweight pattern 1145
Creating a new beam profile 1026
Creating a partial flange junction 1170
Creating a sheet metal gusset (Sheet Metal) 1132
Creating a sphere 585
Creating a tab (Sheet Metal) 1134
Creating an offset relationship 563
Creating and changing corner reliefs 1154
Creating and changing edge reliefs 1152
Creating and changing hems 1160
Creating and changing notches 1158
Creating and editing sheet metal 1090
Creating circular notes 744
Creating enclosures 986
Creating gear conditions 728
Creating geometric tolerance annotations 771
Creating midsurface faces 973
Creating mirror relationships 567
Creating notes 736
Creating slots 405
Cross-section views 867
Curve Gaps 962
Custom symbols 809
Customizing 1214
Customizing the Welcome window 1280
File import and export options 1255
License options 1274, 1287
Quick Access toolbar options 1272
Setting general detailing options 1220
Snap options 1233
Units options 1238
Customizing a view 60, 1284
Customizing the Welcome window 1280
Cutting, copying, and pasting 223

datum labels 1262
Datum Target 790
datum target point 791
Datum targets 790
Defining weld points 978
Design modes 217
Designing 215
Detaching 229
Detail views 881
Detailing 733
3D markup 893
Aligned cross sections 877
Annotation 734
Balloon 844
Bills of Materials (BOMs) 822
Bolt circles 847
Broken out sections 891
Broken views 887
Creating 3D markup slides 896
Creating circular notes 744
Creating geometric tolerance annotations 771
Creating notes 736
Cross-section views 867
Custom symbols 809
Datum targets 790
Detail views 881
Detailing 733
Dimension between virtual points 765
Drawing sheets 850
Editing on a drawing sheet 857
General views 862
Hole tables 834
Non-semantic geometric tolerances 772
Offset cross sections 873
Projected views 865
Semantic geometric tolerances 774
Setting up a drawing sheet 854
Tables 828
Threads 819
Welding symbols 800
Working with drawing sheet views 858
Dimension between virtual points 765
Dimensions 753
Display a head-on view of the sketch grid 140
Displaying 125
Applying a rendering style 158
Applying colors 149
Changing object transparency 153
Customizing a view 60, 1284
Display a head-on view of the sketch grid 140
Displaying workspace tools 165, 1277
Displaying your design in multiple windows 161
Line styles 155
Maximizing the Design window 164
Painting display properties from one object to another 156
Splitting the workspace window 162
Switching between windows in the workspace 163
The Home view 138
Working with layers 52
Displaying a face (UV) grid 922
Displaying mass 903
Displaying normal direction 914
Displaying workspace tools 165, 1277
Displaying your design in multiple windows 161
document tab 174
Documents 172
Copying and pasting from other applications 204
Printing drawing sheets and designs 205
Drafting faces 403
Drawing sheets 850
E
Editing 331
Blending 509
Creating slots 405
Cutting, copying, and pasting 223
Design modes 217
Detaching 229
Dimensions 225
Drafting faces 403
Editing 331
Extruding edges 360
Fill 469
Moving 420
Moving in two dimensions 253
Moving with the Fulcrum tool guide 458
Moving with the Select tool 450
Offsetting or extruding faces 357
Pivoting edges 379
Pivoting with the Select tool 417
Pulling 339
Pulling with the Select tool 416
Removing rounds 489
Replacing faces 496
Revolving edges 383
Revolving faces 381
Revolving helices 387
Rounding edges 364
Sweeping 389
The Move handle 430
Undo and redo 230
Using measure to drive move 461
Working with mesh objects 29
Editing on a drawing sheet 857
Ellipses 282
Ellipses (Sheet Metal) 1069
ESPRIT add-in 1299
Exporting a mesh 1211
Extend adjacent faces 991
Extending or extruding surface edges 353
Extra Edges 946
Extracting a beam from a solid 1021
Extruding edges 360
File import and export options 1255

Fill 469
Fill patterns 560
Find and correct missing faces 938
Fit curves 966
Fit Spline 586
Font 834, 846
GD&T 771
General information 19
Introduction 19
SpaceClaim API 1294
SpaceClaim copyright information 16
General views 862
Getting Started 27
Designing 215
Internal, external, and independent components 702
Layout Curves 251
SpaceClaim objects 27
GibbsCAM 1303
Glossary 19
Groups 55
Working with groups 55
GTOL 771
Hatched 158
Highlight 1038
Hole 831, 846
Hole Chart 831, 846
Hole table 831, 846
Hole Table origin 832, 846
Hole tables 834
Identifying Holes 616

Imprinting 994
Inserting
Deburring Toolpath 633
Edges 632
Extract Curves 579
Fit Spline 586
Inserting a plane 525
Inserting a video 659
Moving the sketch grid 249
Relief 637
Wrap 640
Inserting a plane 525
Inserting a video 659
Inserting points 532
Inserting shapes 581, 584, 586
Internal, external, and independent components 702
Intersecting 667
Capping a surface with a plane 676
Combining and splitting 662
Intersecting 667
Merging solids 670
Splitting a face 688
Splitting a solid with a surface, plane, or another solid 679
Using the Split Body tool 681
Introduction 19
J
Keyshot 159
Layout Curves 251

License options 1274, 1287
lightweight 438
Line 790
Line styles 155
Linear patterns 547
Lines 259
Lines (Sheet Metal) 1053
Locking the orientation and position of components 727
louver 1116, 1127

Making watertight corners 1167
Mastercam add-in 1295
Maximizing the Design window 164
Measure a projected area 911
Measuring 901, 908
Checking geometry 231, 900
Displaying a face (UV) grid 922
Displaying mass 903
Displaying normal direction 914
Measure a projected area 911
Measuring 901
Merge faces 950
Merging solids 670
Merging surfaces 673
Metallic 158
Midsurface tutorial 1313
Move Body 620
Moving 420
Moving beams 1032
Moving in two dimensions 253
Moving sheet metal objects 1103
Moving the sketch grid 249
Moving with the Fulcrum tool guide 458
Moving with the Select tool 450
Navigate through issues 932

Non-semantic geometric tolerances 772
Offset cross sections 873

Offsetting or extruding faces 357
Options panel 65
Orient Mesh 574
origin points 831, 846
Painting display properties from one object to another 156

Pinned datums 536
Pivoting edges 379
Pivoting with the Select tool 417
Plastic 158
PMI 1257
Point 790
Points 256
Polygons 295
Polygons (Sheet Metal) 1081
Prepare 968
Beams 1015
Changing beam display style 1033
Changing beam orientation 1030
Changing beam profiles 1027
Create Workpiece 624
Creating a beam 1020
Creating a new beam profile 1026
Creating enclosures 986
Creating midsurface faces 973
Defining weld points 978
Extend adjacent faces 991
Extracting a beam from a solid 1021
Identifying Holes 616
Imprinting 994
Move Body 620
Moving beams 1032
Orient Mesh 574
Overlapping Faces 1010
Remove faces 1007
Remove interference 1005
Remove rounds 998
Short Edges 1008
Show Contact 1012
Splitting by plane 989
Unroll 648
Preview Sharing 1012
Printing drawing sheets and designs 205
Projected views 865
Properties 66
Pulling 339
Pulling sheet metal parts 1092
Pulling with the Select tool 416
Quick Access toolbar options 1272

Rectangles 269
Rectangles (Sheet Metal) 1063
Rectangular 790
reference letter 791
Remove faces 1007
Remove interference 1005
Remove rounds 998
Remove small faces 952
Removing rounds 489
Repair 930
Adjust tangency 954
Bad Faces 1009
Curve Gaps 962
Duplicates 948
Extra Edges 946
Find and correct missing faces 938
Fit curves 966
Merge faces 950
Navigate through issues 932
Remove small faces 952
Repair gaps 936
Repair inexact edges 944
Repair split edges 941
Simplify a design 956
Small curves 964
Stitch adjacent faces 934
Straighten faces 959
Repair gaps 936
Repair inexact edges 944
Repair split edges 941
Replacing faces 496
Revolving edges 383
Revolving faces 381
Revolving helices 387
rotate 129
Rotate 90 Clockwise 129
Rotate 90 Counterclockwise 131
Rounding edges 364
Scaling sketches 326

Scaling sketches with Pull 330
Select components 123
Selecting 93
Select components 123
Selecting 93
Selecting by drawing a box 108
Selecting by drawing a freeform shape (lasso) 113
Selecting by painting 118
Selecting using boundary 121
Selecting using polygon 116
Using Clip with Plane 99
Using Clip with Volume 103
Selecting by drawing a box 108
Selecting by drawing a freeform shape (lasso) 113
Selecting by painting 118
Selecting using boundary 121
Selecting using polygon 116
Selection panel 44
Semantic geometric tolerances 774
Setting general detailing options 1220
Setting up a drawing sheet 854
Shared topology tutorial 1326
sharing 173
Sheet Metal 1034
Adding a Cross Break 1142
Adding a sheet metal bead 1127
Adding a sheet metal marker (SheetMetal) 1129
Adding engraved or cut-out text in sheet metal 1143
Adding sheet metal forms 1116
Bending a sheet metal wall 1108
Changing junction types 1149
Changing sheet metal part properties 1044
Circles (Sheet Metal) 1078
Creating a double wall 1130
Creating a hinge (Sheet Metal) 1139
Creating a lightweight pattern 1145
Creating a partial flange junction 1170
Creating a sheet metal gusset (Sheet Metal) 1132
Creating a tab (Sheet Metal) 1134
Creating and changing corner reliefs 1154
Creating and changing edge reliefs 1152
Creating and changing hems 1160
Creating and changing notches 1158
Creating and editing sheet metal 1090
Ellipses (Sheet Metal) 1069
Lines (Sheet Metal) 1053
Making watertight corners 1167
Moving sheet metal objects 1103
Polygons (Sheet Metal) 1081
Pulling sheet metal parts 1092
Rectangles (Sheet Metal) 1063
SheetMetal Miter 1165
SheetMetal Square Up 1043
Splines (Sheet Metal) 1084
Splitting a sheet metal face 1124
Sweep arcs (Sheet Metal) 1072
Tangent arcs (Sheet Metal) 1060
Tangent lines (Sheet Metal) 1057
Three-point arcs (Sheet Metal) 1087
Three-point circles (Sheet Metal) 1075
Three-point rectangles (Sheet Metal) 1066
Unfolding sheet metal components 1172
SheetMetal Miter 1165
SheetMetal Square Up 1043
Shelling a solid 565
Show 1038
Show Contact 1012
Simplify a design 956
sketch options 237
Sketching 234
Bending 315
Circles 275
Ellipses 282
Lines 259
Points 256
Polygons 295
Rectangles 269
Scaling sketches 326
Scaling sketches with Pull 330
Sketching 234
Swept arcs 291
Tangent arcs 284
Tangent lines 264
The sketch plane 247
Three-Point arcs 288
Trimming lines 317
Working with sketch curves in 3D 232
Small curves 964
Snap options 1233
ESPRIT add-in 1299
GibbsCAM 1303
Mastercam add-in 1295
SpaceClaim API 1294
SpaceClaim objects 27
SpaceClaim copyright information 16
Splines (Sheet Metal) 1084
Splitting a face 688
Splitting a sheet metal face 1124
Splitting a solid with a surface, plane, or another solid 679
Splitting by plane 989
Splitting the workspace window 162
Status bar 63
Stitch adjacent faces 934
Straighten faces 959
Structure tree 39
Sweep arcs (Sheet Metal) 1072
Sweeping 389
Swept arcs 291
Switching between windows in the workspace 163
Tables 828
Tangent arcs 284
Tangent arcs (Sheet Metal) 1060
Tangent lines 264
Tangent lines (Sheet Metal) 1057
The Home view 138
The Move handle 430
The sketch plane 247
Threads 819
Three-Point arcs 288
Three-point arcs (Sheet Metal) 1087
Three-point circles (Sheet Metal) 1075
Three-point rectangles (Sheet Metal) 1066
topology 1012
topology sharing 1012
Trimming lines 317
Turn Profile 634
Tutorials 23
Bracket and knob tutorial 25
Converting a solid to a sheet metal part tutorial 26
Tweak face editing methods 503
Tweak faces 500
Add a control curve 505
Tweak face editing methods 503
Tweaking a face 500
Tweaking a face 500
Undo and redo 230

Unfolding sheet metal components 1172
Units options 1238
Unroll 648
User interface 36
Options panel 65
Properties 66
Selection panel 44
Status bar 63
Structure tree 39
Welcome window 21
Using Clip with Plane 99
Using Clip with Volume 103
Using groups and dimensions in ANSYS tutorial 1335
Using measure to drive move 461
Using named selections in ANSYS 1349
Using the Split Body tool 681
Welcome window 21
Welding symbols 800
Working with drawing sheet views 858
Working with groups 55
Working with layers 52
Working with mesh objects 29
Working with sketch curves in 3D 232
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Table of contents

Protected by US Patents 7,639,267, 7,733,340, 7,830,377, 7,969,435, 8,207,990, 8,244,508, 8,253,726,

parts and assemblies.

Quick reference Mouse and touch gestures chart

12D or 3D model that contains at least one top-level component.

Get started using SpaceClaim

Other learning resources

In this tutorial, you

Self-paced training tutorials

In this tutorial, you will:

In this tutorial, you will

Start the tutorial

Vertex2 Edge3 Face4

selected for sketching, dimensioning, and other operations.

edge when you pull your sketch into 3D.

rectangular solid. See Surface.

Plane3 Axis4 Origin5

sional object). A surface has area but no volume. See Face.

of a model, a neutral plane in a draft feature.

You can placemesh objectson a layer.

Mesh nodes in the Structure Tree are labeled Facet2 Mesh.

Sketching on a mesh object

parts and assemblies (.stl).See Stereo lithography.

A double circle (normal to the screen) is displayed when the

A single circle is displayed and the facets edge is high-

A single large circle is displayed and the facet is high-

Changing mesh edge display

Open Edges Displayed

Open and Internal Edges Displayed

Copying and pasting mesh edges

and tensile strength.

The Material ID is preserved for operations such as:

1A tool used to translate or rotate geometry.

To lock a solid or surface

File menu:Contains file-related commands and options to customize SpaceClaim.

access the options in the Options panel.

Customizing the ribbon background image

edge when you pull your sketch into 3D.

1In 3D, any line in space.

To set the visibility of objects using the Structure tree

To expand or collapse components

To collapse a component, click or press ' - 'on the number pad.

1Distance an edge, segment, or curve is moved or copied.

To convert a solid to surfaces

To lock and unlock objects

To select objects similar to the currently selected object

Category Description Example Selection types

sional object). A surface has area but no volume. See Face.

rectangular solid. See Surface.

you insert and can be connected to geometry by a note leader.

new radius. See Fillet, Constant-radius round.

To find all the edge loops of a surface

To select and create recognized patterns

edge when you pull your sketch into 3D.

To select all same color faces

We selected the round face highlighted above.

measurements to your design, drawing sheet, or 3D markup.

To delete empty layers

To set layer visibility

To modify the layer color