Art Curriculum Guide Grades 1-10 December 2013 PDF

Republic of the Philippines
Department of Education
DepEd Complex, Meralco Avenue
Pasig City
K to 12 Curriculum Guide
ART
(Grade 1 to Grade 10)
December 2013
K to 12 BASIC EDUCATION CURRICULUM
CONCEPTUAL FRAMEWORK
Both the Music and the Arts curricula focus on the learner as recipient of the knowledge, skills, and values necessary for artistic expression and
cultural literacy. The design of the curricula is student-centered, based on spiral progression of processes, concepts and skills and grounded in performance-
based learning. Thus, the learner is empowered, through active involvement and participation, to effectively correlate music and art to the development of his/her
own cultural identity and the expansion of his/her vision of the world.
As Music and Arts are performance-based disciplines, effective learning occurs through active experience, participation, and performance, creative
expression, aesthetic valuation, critical response, and interpretation. The skills that are developed include reading/analyzing, listening/observing, performing,
(singing, using musical instruments, movement, acting, and playing, using different art materials, techniques and processes, responding, composing, and
creating. (See Figure 1 and Figure 2)
The philosophical foundations upon which standards and competencies are based include: A Process of Education by Jerome Bruner, Performance-Based
Learning by Cleve Miller, Aesthetic Education by Bennett Reimer, Multiple Intelligences by Howard Gardner, A Structure for Music Education by Ronald
Thomas, Gongs and Bamboo by Jose Maceda, Compendium on the Humanities: Musical Arts produced by the National Research Council of the Philippines,
Cultural Dictionary for Filipinos by Thelma Kintanar and Associates, Creative and Mental Growth by Viktor Lowenfeld and W. Lambert Brittain, Discipline-Based
Art Education by Elliot Eisner, Encyclopedia of Philippine Arts and Tuklas Sining, both produced by the Cultural Center of the Philippines.
K to 12 Arts Curriculum Guide December 2013 Page 2 of 93

PHILOSOPHY AND RATIONALE FOR ARTS
The Arts has been present since the beginning of civilization as it is an essential means for man to live and communicate with others. It has been used to
enhance mans life and surroundings, to express his thoughts, dreams, and spiritual beliefs, and to share his own and his communitys aspirations,
celebrations, and events. Arts records, reflects, and rearranges mans life and existence.
The Arts is a visualization of a peoples history and uniqueness, a reflection of their creativity and accomplishments, and a visible expression of their distinct
way of thinking, communicating, reasoning, and worshiping. It is expressed in a unique symbol system that is visual, kinetic and tactile. Howard Gardner,
an educator and psychologist, affirms that the arts develop the childs SPATIAL, INTRAPERSONAL, LINGUISTIC AND KINESTHETIC INTELLIGENCES for the Arts
develop a distinct way of seeing, thinking, communicating, and creating in a person. Furthermore, Art develops and increases a persons ability to apply
creative and new solutions, for new problems in our world. Schools, therefore, need to develop the multiple intelligences of a student through the arts. The K-
12 Arts Curriculum seeks to address these needs of our students for the 21st Century.
The 21st Century is a different world: it is highly visual, with a proliferation of images seen not only in static media like magazines, books, paintings and
posters. Now images are kinetic and accessible in various media like television, outdoor advertisements, movies, cell phones, and new technologies like iPads,
iPods, DVD players, personal computers, and tablets. Artists create, upload and share via the Internet, images, sounds, texts, films, videos, pictures, artworks and
designs. These are readily available and interactive, involving the viewer to react, comment and utilize these visuals through the Internet. Teaching Art to students is
one way for them to process and interpret the barrage of images and sounds, in a critical and intelligent manner.
The focus of the K-12 Art curriculum is PHILIPPINE ART, CULTURE and HERITAGE, appreciating the diversity of our local artists, our arts, crafts, and
indigenous materials to strengthen the students identity of being Filipino, before he/she is introduced to the art of other countries. The modules guide educators
and provide our students with art experiences, concepts, and processes that are presented in a SPIRAL PROGRESSION of difficulty and depth from Kindergarten to
Grade 12.
The approach is CHILD-CENTERED and HANDS-ON in creating art using locally available materials. It develops the students imagination and individual
expression, and his/her CRITICAL THINKING SKILLS through inquiry into the aesthetic qualities of his work, the work of others and of artists from the
Philippines and other parts of the world. It culminates in connecting art to other subject areas and provides exposure and apprenticeship to professionals in
various art-related fields so the student can discover and consider the different career opportunities in the arts.

Figure 1. The Curriculum Framework of Music and Art

Education

Grade 12Mastery of Proficiency in the chosen form or genre
Grade 11Mastery of Proficiency in the chosen form or genre
Grade 10Application of Contemporary Music and Arts
Grade 9Application Western Music and Arts
Grade 8Application Asian Music and Arts
Grade 7Application Philippine Folk Music and Arts
Grade 6Application for Appropriate Mastery and Acquisition

of Skills
Grade 5Exploration Elements / Processes
Grade 4Formal Introduction to Elements / Processes
Grade 3Preliminary Acquisition of Basic Knowledge and

Skills
Grade 2Enhanced Understanding of Fundamental Processes
Grade 1Introduction to the Fundamental Processes
KindergartenExposure to the Different Music & Art Processes

(Experiential Learning)
Figure 2. Content of Music and Art per Grade Level

Table 1. Basic Reference for Music and Art Content
Music Elements Arts Elements and Principles Music Processes Art Processes
ine
-creating) -creating)
t)
* Contrast
*No formal instruction in harmony

ying (transference)
from K to 3

LEARNING AREA STANDARD: The learner demonstrates an understanding of basic concepts and processes in music and art through appreciation,
analysis and performance for his/her self-development, celebration of his/her Filipino cultural identity and diversity, and
expansion of his/her world vision.
KEY STAGE STANDARDS:
K-3 46 7 10
The learner demonstrates The learner demonstrates understanding The learner demonstrates understanding
understanding of fundamental of basic elements and concepts through of salient features of music and art of
processes through performing, creating, and responding, the Philippines and the world, through
performing, creating, and responding, aimed towards the development of appreciation, analysis, and performance,
aimed towards the development of appreciation of music and art, and for self-development, the celebration of
appreciation of music and art, and acquisition of basic knowledge and skills. Filipino cultural identity and diversity,
acquisition of basic knowledge and and the expansion of ones world vision.
skills.

GRADE LEVEL STANDARDS:
Grade Level Grade Level Standards
The learner demonstrates basic understanding of the fundamental processes in music and art, through performing, creating, listening and observing, and
Grade 1
responding.
Grade 2 The learner demonstrates basic and fundamental processes in music and art, through performing, creating, listening and observing, and responding.
The learner has acquired the basic and fundamental processes through performing, creating, listening and observing, and responding, towards the
Grade 3
development of appreciation of music and art, and the acquisition of basic knowledge and skills.
Through the formal introduction of elements, the learner can identify the basic knowledge and skills in music and art, towards self-development, the
Grade 4
celebration of Filipino cultural identity and diversity, and the expansion of ones world vision.
Through exploration, the learner demonstrates a deeper understanding of basic knowledge and skills in music and art, towards self-development, the
Grade 5
celebration of Filipino cultural identity and diversity, and expansion of ones world vision.
Through application, the learner demonstrates understanding of the basic concepts of and processes in music and art, towards self-development, the
Grade 6
celebration of Filipino cultural identity and diversity, and the expansion of ones world vision.
The learner demonstrates basic understanding of the fundamental processes in music and the arts through performing, creating, listening and observing,
Grade 7
and responding towards appreciation of the cultural richness of the different provinces in the Philippines.
The learner demonstrates understanding of salient features of Asian music and the arts, through appreciation, analysis, and performance for self-
Grade 8
development, the celebration of Filipino cultural identity and diversity, and the expansion of ones world vision.
The learner demonstrates understanding of salient features of Western music and the arts from different historical periods, through appreciation, analysis,
Grade 9
and performance for self-development, the celebration of Filipino cultural identity and diversity, and the expansion of ones world vision.
The learner demonstrates understanding of salient features of contemporary music and the arts, through appreciation, analysis, and performance, for self-
Grade 10
development, the celebration of Filipino cultural identity and diversity, and the expansion of ones world vision.

GRADE 1
CONTENT PERFORMANCE LEARNING

CONTENT LEARNING COMPETENCY CODE
STANDARDS STANDARDS MATERIALS
GRADE 1- FIRST QUARTER

I. Elements: The learner The learner The learner
1. Lines
2. Shapes demonstrates creates a portrait of himself 1. tells that ART is all around A1EL-Ia
3. Color understanding of lines, and his family which shows and is created by different
4. Texture shapes, colors and the elements and principles of people
texture, and principles art by drawing
II. Principles: of balance, proportion 2. distinguishes and identifies
5. Balance and variety through the different kinds of
6. Proportion drawing drawings:
7. variety 2.1 portraits
2.2 family portraits
III. Process: 2.3 school ground A1EL-Ib-1
6. DRAWING 2.4 on-the-spot
6.1 portraits 2.5 drawings of
6.2 family portraits home/school
6.3 persons surroundings
6.4 school, furniture
6.5 animals/ plants 3. observes and sees the
details in a persons
face/body, in a view, to be A1EL-Ib-2
able to show its shape and
texture
4. identifies different lines,

shapes, texture used by A1EL-Ic
artists in drawing
5. uses different drawing tools

or materials - pencil,
crayons, piece of charcoal,
A1EL-Id
a stick on different papers,
sinamay, leaves, tree bark,
and other local materials to
create his drawing
6. creates a drawing to
express ones ideas about
A1PR-Ie-1
oneself, ones family ,
home and school
7. shares stories related to

A1PR-Ie-2
their drawing
8. draws different animals

(pets) showing different A1PR-If
shapes and textures
9. creates a view-finder to
help him/her select a A1PR-Ig
particular view to draw
10. draws different kinds of

plants showing a variety of
A1PR-Ih
shapes, lines and color
GRADE 1- SECOND QUARTER

1. Colors
1.1 natural colors demonstrates creates a harmonious design 1. identifies colors, both in
1.2 primary colors understanding of colors of natural and man-made natural and man-made
A1EL-IIa
1.3 secondary colors and shapes, and the objects to express ideas using objects, seen in the
principles of harmony, colors and shapes, and surrounding
2. Shapes rhythm and balance harmony
2.1 geometric shapes through painting 7. expresses that colors have
2.2 organic shapes names, can be grouped as
primary, secondary and A1EL-IIb
tertiary
II. Principles:
3. Harmony
8. experiments on painting
4. rhythm using different painting A1EL-IIc
5. balance tools and paints

III. Process: 9. paints a design based on
6. PAINTING the Philippine jeepney or
Creating colors from natural fiesta dcor and shapes
using primary colors A1PL-IId-1
arranged in balanced
pattern
10. relates personal

observations on jeepney
designs and fiesta A1PL-IId-2
decorations
11. draws a design out of

repeated abstract and
geometric shapes like in a
A1PL-IIe
parol and paints it in
primary and secondary
colors
12. uses his creativity to create
paints from nature and
found materials, and A1PL-IIf
brushes from twigs, cloth
and other materials
13. creates a design inspired by
Philippine flowers or objects A1PR-IIg
found in school
14. paints a home/school
landscape or design
choosing specific colors to
A1PR-IIh-1
create a certain feeling or
mood
15. appreciates and talks about

the landscape he painted
and the landscapes of A1PR-IIh-2
others

GRADE 1- THIRD QUARTER

1. Shape
2. Texture demonstrates creates prints that show 1. distinguishes between a A1EL-IIIa
understanding of repetition, alternation and print and a drawing or
II. Principles: shapes and texture and emphasis using objects from painting
3. Prints can be prints that can be nature and found objects at
3.1 Repeated repeated, alternated home and in school 2. identifies the shape and
3.2 Alternated and emphasized texture of prints made from
3.3 emphasized through printmaking objects found in nature and A1EL-IIIb
man-made objects
III. Process:
4. PRINTMAKING 3. identifies artistically
4.1 This process allows the designed prints in his
pupil to copy the image artworks and in the A1EL-IIIc
from nature and artworks of others
environment
4. creates a print by applying
5. Kinds of prints: dyes on his finger or palm
5.1 Nature print or any part of the body and
5.2 Object prints A1EL-IIId
pressing it to the paper,
5.3 Stencil prints cloth, wall, etc. to create
impression
5. creates a print by rubbing
pencil or crayon on paper
placed on top of a textured
A1PL-IIIe
objects from nature and
found objects
6. repeats a design by the use

of stencil (recycled paper,
plastic, cardboard, leaves,
and other materials) and A1PR-IIIf
prints on paper, cloth,
sinamay, bark, or a wall

7. shares experiences in
experimenting different art A1PR-IIIg
materials
8. school/district exhibit and
culminating activity in
celebration of the National A1PR-IIIh
Arts Month (February)
GRADE 1- FOURTH QUARTER

1. shape (3-dimension it has
height, depth and width) demonstrates creates a useful 3-Dimensional 1. distinguishes between 2-
2. texture - feel of the surface understanding of object/sculpture using found dimensional and 3-
A1EL-IVa
texture and 3-D shapes, objects and recycled materials dimensional artwork and
II. Principles: and principle of states the difference
3. Proportion - parts are of proportion and
the proper size and weight emphasis through 3-D 2. identifies the different
so that the sculpture is works and sculpture materials that can be used
balanced. in creating a 3-dimensional
4. Emphasis is created by object:
using unusual decorative 2.1 clay or wood (human or
materials that are big, or animal figure)
colorful, or unusual. 2.2 bamboo (furniture,
A1EL-IVb
bahay kubo)
III. Process: 2.3 softwood (trumpo)
5. 3 Dimension works and 2.4 paper, cardboard,
sculpture (masks)
2.5 found material (parol,
sarangola)
3. selects 3D objects that are

well proportioned, balanced
and show emphasis in
A1PL-IVc
design

4. appreciates the creativity of
local and indigenous
craftsmen and women who
created artistic and useful A1PL-IVd
things out of recycled
materials like the parol,
maskara, local toys, masks
5. creates a useful 3D object:

a pencil holder, bowl, A1PR-IVe
container, using recycled
materials like plastic bottles
6. constructs a mask out of

cardboard, glue, found
materials, bilao, paper
plate, string, seeds and A1PR-IVf-1
other found materials for a
celebration like the
Maskara Festival of Bacolod
7. utilizes masks in simple role

play or skit A1PR-IVf-2
8. creates mobiles out of

recyclable materials such
as cardboards, papers, A1PR-IVg
baskets, leaves, strings and
other found materials
9. creates human figures out

of clay, flour-salt mixture,
or paper-mache using
different techniques A1PR-IVh

GRADE 2


1. LINES
different lines demonstrates creates a composition/design 1. identifies and appreciates
2. SHAPES understanding on lines, by translating ones the different styles of
natural shapes shapes and colors as imagination or ideas that Filipino artists when they A2EL-Ia
3. COLORS contrasting elements of art, and others can see and create portraits and still life
variety, proportion and appreciates (different lines and colors)
II. Principles: contrast as principles of
4. variety of lines, shapes art through drawing 2. points out the contrast
5. proportion of body parts, between shapes and colors
A2EL-Ib
fruits of different fruits or plants
6. contrast of shapes and flowers in ones work
and in the work of others
III. Process: 3. composes the different
7. DRAWING fruits or plants to show
7.1 portrait of two or more overlapping of shapes and A2EL-Ic
people in a compo-sition the contrast of colors and
7.2 body in motion shapes in his colored
still life (fruits/ plants) drawing
and drawing of 4. draws from an actual still
imaginary landscape life arrangement A2EL-Id
5. portraits of persons to
capture their likeness and A2EL-Ie
character
6. draws a portrait of two or

more persons - his friends,
his family, showing the
A2EL-If
differences in the shape of
their facial features (shape
of eyes, nose, lips, head,
and texture of the hair

7. shows motion or action in
the drawing of human A2EL-Ih-1
bodies
8. creates an imaginary
landscape or world from a A2EL-Ih-2
dream or a story
9. shares stories related to

the output
Grade 2- SECOND QUARTER

1. Colors
1. Primary demonstrates creates a composition or 1. describes the lines, shapes A2EL-IIa
2. secondary understanding of using design of a tricycle or jeepney and textures seen in skin
3. shapes two or more kinds of that shows unity and variety coverings of animals in the
4. organic lines, colors and shapes of lines, shapes and colors community using visual art
5. geometric through repetition and words and actions
6. textures contrast to create
7. spotted rhythm 2. describes the unique
8. furry shapes, colors, texture A2EL-IIb
9. shiny, slimy and design of the skin
coverings of different
II. Principles: fishes and sea creatures or
10. Contrast of wild forest animals from
11. rhythm images
III. Process:
12. PAINTING
12.1 fishes and sea creatures
or wild forest animals
designs: lines, shapes,
tricycles, jeepneys

3. points out the contrasts in
the colors, shapes, A2EL-IIc
textures between two or
more animals
4. draws, with the use of

pencil or crayon, the sea or
forest animals in their A2EL-IId
habitat showing their
unique shapes and features
5. paints the illustration of

animals to show variety of
A2EL-IIe
colors and textures in their
skin
6. creates designs by using

two or more kinds of lines,
colors and shapes by
A2PL-IIf
repeating or contrasting
them, to show rhythm
7. uses control of the painting

tools and materials to paint
the different lines, shapes
and colors in his work or in A2PR-IIg
a group work
8. draws the outline of a

tricycle or jeepney on a big
paper, and paints the
design with lines and
shapes that show
repetition, contrast and
rhythm


1. shapes
2. colors demonstrates creates prints from natural 1. identify natural and man-
3. textures understanding of and man-made objects that made objects with
shapes, textures, colors can be repeated or alternated repeated or alternated
A2EL-IIIa
II. Principles: and repetition of motif, in shape or color. shapes and colors and
4. repetition of motif contrast of motif and materials that can be used
5. contrast of motif & color color from nature and creates prints with repeating, in print making
found objects alternating or contrasting
III. Process: color or size or texture 2. creates a consistent
7. PRINTMAKING pattern by making two or
7.1 banana trunk prints shows skills in making a clear three prints that are A2PL-IIIb
7.1 fern prints print from natural and man- repeated or alternated in
7.2 eraser prints made objects shape or color
7.3 found object prints
7.4 cut out designs 3. create a print on paper or
7.6 card making cloth showing repeated
A2PL-IIIc
motif using man-made
objects with flat surface
4. experiments with natural

objects (leaves, twig, bark
of trees, etc.) by dabbing
dyes or paints on the
A2PR-IIId
surface and presses this on
paper or cloth, sinamay
and any other material to
create a prints
5. experiments with natural

objects (banana stalks,
gabi stalks, etc.) by
A2PR-IIIe
dabbing dyes or paints on
the surface and presses
this on paper or cloth,
sinamay and any other
material to create prints
6. carves a shape or letter on

an eraser or kamote which
A2PR-IIIf
can be painted and printed
several times
7. create a print on paper or

cloth using cut-out designs A2PR-IIIg
8. creates prints for a card

and makes several copies
or editions of the print so
A2PR-IIIh-1
that cards can be
exchanged with other
persons
9. share your card with your

love ones A2PR-IIIh-2

celebration of the National

Grade 2- FOURTH QUARTER

1. natural shapes
2. geometric shapes demonstrates creates a 3-dimensional free- 1. identifies the artistry of
3. texture understanding of standing, balanced figure different local craftsmen in
shapes, texture, using different materials creating:
II. Principles: proportion and balance (found materials, recycled, 1.2 taka of different
4. proportion through sculpture and local or manufactured) animals and figures in A2EL-IVa-1
5. balance 3-dimensional crafts Paete, Laguna
1.3 sarangola, or kites
1.4 banca, native boats
from Cavite, and
coastal towns
III. Process: 2 gives value and importance
6. SCULPTURE and 3-D CRAFTS to the craftsmanship of the A2EL-IVa-2
6.1 box figure sculpture local artists
6.2 kites and boats
6.3 paper mache animals 3 sites examples of 3-
6.4 clay figures dimensional crafts found in
the locality giving emphasis A2EL-IVb
on their shapes, textures,
proportion and balance
4 constructs a native kite

from bamboo sticks, papel
de japon glue, string, and
A2EL-IVc
fly the kite to tests its
design (proportion and
balance)
5 learns the steps in making

a paper mache with focus A2PR-IVd
on proportion and balance

6 shows the beginning skill in
the method of creating 3-
dimensional free standing
figures out of different A2PR-IVe
materials clay, wood, found
materials, recycled objects,
wire, metal, bamboo
7 creates an imaginary robot

or creature using different
sizes of boxes, coils, wires,
bottle caps and other found A2PR-IVf
material
8 molds an animal shape on

wire or bamboo armature
A2PR-IVg
or framework, showing the
animal in action
9 creates a clay human

figure that is balanced and A2PR-IVh
can stand on its own

GRADE 3


I. Elements: The learner... The learner The learner
1. Lines
1.1 lines can show demonstrates creates an artwork of people 1. distinguishes the size of A3EL-Ia
movement understanding of lines, in the province/region. persons in the drawing, to
2. texture is created by using texture, shapes and On-the-spot sketching of indicate its distance from
different lines depth, contrast (size, plants trees, or buildings and the viewer
3. shape of natural objects texture) through geometric line designs
drawing shows a work of art based on 2. shows the illusion of space
II. Principles: close observation of natural in drawing the objects and
4. Depth objects in his/her surrounding persons in different sizes A3EL-Ib
7.5 balance of size noting its size, shape and
5. Contrast texture
5.1 contrast of picture
3. appreciates that artist
create visual textures by A3PL-Ic
III. Process:
using a variety of lines and
6. DRAWING
colors
6.1 people in the
province/region
on-the-spot sketching of 4. tells that in a landscape,
plants, trees or building the nearest object drawn is
geometric line designs the foreground; the objects
behind the foreground are A3PL Id
the middle ground, while
the objects farthest away
are the background, and by
doing this there is balance
5. describes the way of life of

people in the cultural A3PL-Ie
community

6. create a geometric design
by contrasting two kind of A3PR-If
lines in terms of type or
size
7. sketches on-the-spot
outside or near the school
to draw a plant, flowers or
A3PR-Ig
a tree showing the
different textures and
shape of each part, using
only a pencil or black
crayon or ballpen
8. creates a pencil or pen
drawing of scene in daily
life, where people in the A3PR-Ih
province/region show their
occupation by the action
they are doing
9. sketches and colors and

view of the province/region
with houses and buildings
indicating the foreground A3PR-Ii
middle ground and
background by the size of
the objects

I. Elements: The learner... The learner... The learner...
1. Color 1. sees that there is harmony
1.1 mix colors to create demonstrates creates an artwork of people in nature as seen in the A3EL-IIa
tints, shades and understanding of lines, in the province/region on-the- color of landscapes at
neutral color textures, shapes and spot sketching of plants, trees different times of the day
2. Shape balance of size, contrast and building and geometric Ex:
2.1 animals have shapes of texture through line designs 1.1 landscapes of Felix
2.2 adapted to their needs drawing Hidalgo, Fernando
2.3 Texture applies knowledge of planes in Amorsolo, Jonahmar
2.4 is created by variety of a landscape (foreground, Salvosa
lines middle ground and 1.2 Stills life of Araceli
background) in painting a Dans, Jorge Pineda,
II. Principles: landscape Agustin Goy
3. Harmony
2.5 colors, shapes and lines 2. appreciates that nature is
that complement each so rich for no two animals A3EL-IIb
other create harmony have the same shape, skin
and a mood of the covering and color
painting
3. perceives how harmony is
III. Process:
created in an artwork A3PL-IIc
4. PAINTING
because of complementary
fruits and plants (still life)
colors and shapes
scene at the a time of day
wild animal (close-up)
4. paints a still life by
observing the different
shapes, color and texture A3PR-IId
of fruits, drawing them
overlapping and choosing
the right colors for each
fruit
5. creates new tints and

shades of colors by mixing A3PR-IIe
two or more colors
6. paints a landscape at a
particular time of the day A3PR-IIf
and selects colors that
complement each other to
create a mood

7. observes the characteristics
of a wild animal by making
A3PR-IIg
several pencil sketches and
painting it later, adding
texture of its skin covering
8. appreciates the Filipino

artists painted landscapes
in their own particular style A3PR-IIh
and can identify what
makes each artist unique in
his use of colors to create
harmony
Grade 3- THIRD QUARTER
I. Elements: The learner... The learner... The learner
1. Shape
1.1 letter stencils demonstrates Exhibits basic skills in making 1. tells that a print made from A3EL-IIIa
1.2 logo designs understanding of a design for a print and objects found in nature can
1.3 abstract shapes shapes, colors and producing several clean copies be realistic or abstract
2. Color principle repetition and of the prints
2.1 Complementary colors emphasis through 2. appreciates the importance
printmaking (stencils) manipulates a stencil with an and variety of materials
adequate skill to produce a used for printing A3PL-IIIb
clean print for a message,
II. Principles: slogan or logo for a T-shirt,
3. Repetition poster bag
3. observes that a print
3.1 of letters and logos and design may use repetition
produces at least 3 good
shapes of shapes or lines and
copies of print using A3PL-IIIc
4. Emphasis emphasis on contrast of
complementary colors and
4.1 of shapes by contrast shapes and lines
contrasting shapes
4.2 Process:

4.3 PRINTMAKING 4. realizes that a print design
can be duplicated many
III. Process: times by hand or by A3PL-IIId
5. PRINTMAKING (stencils) machine and can be shared
5.1 T-shirt/cloth pin with others
5.2 poster prints
5.3 duffel bag print 5. explain the meaning of the
A3PR-IIIe
design created
6. designs an attractive logo

with slogan about the A3PR-IIIf
environment to be used for
printing
7. creates and cuts a stencil
from paper or plastic
sheets to be used for A3PR-IIIg
multiple prints on cloth or
hard paper
8. creates a print for a shirt,
bag or a poster using
stencils with abstract
designs that conveys a A3PR-IIIh
message and can be
replicated
9. writes a slogan about the

environment that correlates
messages to be printed on A3PR-IIIg
T-shirts, posters, banners
or bags



I. Elements: The learner... The learner... The learner
1. SHAPES
1.1 human and animals demonstrates creates a single puppet based 1. identifies different styles of
2. COLORS understanding of on character in legends, puppets made in the A3EL-IVa
2.1 primary shapes, colors, textures, myths or stories using Philippines (form Teatro
2.2 secondary and emphasis by recycled and hard material Mulat and Anino Theater
2.3 tertiary variation of shapes and creates a mask or headdress Group)
3. TEXTURES texture and contrast of that is imaginary in design
3.1 visual and actual colors through sculpture using found and recycled 2. appreciates variations of
and crafts materials puppets in terms of
II. Principles: demonstrates basic skills in material, structure, shapes, A3PL-IVb
4. Emphasis constructing a puppet made colors and intricacy of
4.1 by Variation of shapes from a hard and stick, which textural details
and textures can be manipulated
5. CONTRASTof colors 3. creates a puppet designs
that would give a specific
A3PR-IVc
6. Process: and unique character
7. SCULPTURE and CRAFTS
7.1 puppets on a stick
7.2 hand puppet 4. applies designs of varied
imaginary masks shapes and colors on
puppets to show the A3PR-IVd
unique character of the
puppet
5. constructs a simple puppet

based on a character in a
legend, myth or story using A3PR-IVe
recyclable materials and
bamboo sticks or twigs
6. manipulates a puppet to act

out a character in a story A3PR-IVf
together with the puppets

7. performs as puppeteer
together with others, in a
puppet show to tell a story A3PR-IVg
using the puppet he/she
created
8. designs and creates mask

or headdress with the use
of recycled or natural A3PR-IVh
objects inspired by best
festivals
9. creates a mask or
headdress that is imaginary
A3PR-IVi
in design using found and
recycled material, inspired
by local Festivals

GRADE 4


1. LINES
1.1 organic and inorganic demonstrates practices variety of culture in 1. appreciates the rich
2. COLORS understanding of lines, the community by way of variety of cultural
2.1 primary and secondary texture, and shapes; attire, body accessories, communities in the
3. SHAPES and balance of size and religious practices and Philippines and their
3.1 stylized based on nature repetition of lifestyle. uniqueness
motifs/patterns through 1.1 LUZON- Ivatan,
II. Principles: drawing creates a unique design of Ifugao, Kalinga,
4. REPETITION houses, and other household Bontok, Gaddang,
4.1 motifs objects used by the cultural Agta
A4EL-Ia
groups. 1.2 VISAYAS Ati
III. Process: 1.3 MINDANAO-Badjao,
5. DRAWING writes a comparative Mangyan,Samal,
5.1 drawing of figures of description of houses and Yakan, Ubanon,
different cultural utensils used by selected Manobo, Higaonon,
communities cultural groups from different Talaandig,
5.2 crayon etching of ethnic provinces. Matigsalog, Bilaan,
designs Tboli, Tiruray,
crayon resist of scenes Mansaka, Tausug
from different cultural
groups in the Philippines 2. distinguishes distinctive
characteristics of several
cultural communities in A4EL-Ib
terms of attire, body
accessories, religious
practices, and lifestyles.
3. adapts an indigenous
cultural motif into a
contemporary design A4EL-Ic
through crayon etching
technique.

4. identifies specific clothing,
objects, and designs of
the cultural communities
A4PL-Id
and applies it to a drawing
of the attire and
accessories of one of
these cultural groups.
5. shares ideas about the

A4PR-Ie
practices of the different
cultural communities.
6. translates research of the

artistic designs of the A4PR-If
cultural communities into a
contemporary design.
7. creates a drawing after

close study and
observation of one of the A4PR-Ig
cultural communities way
of dressing and
accessories.
8. produces a crayon resist

on any of the topics: the
unique design of the A4PR-Ih
houses, household objects,
practices, or rituals of one
of the cultural groups.
9. uses crayon resist

technique in showing
different ethnic designs or A4PR-Ii
patterns.


1. SHAPES
1.1 overlapping of shapes demonstrates sketches and paints a 1. discusses pictures of
2. COLOR understanding of lines, landscape or mural using localities where different
2.1 to show mood and color, shapes, space, shapes and colors appropriate cultural communities live
A4EL-IIa
atmosphere and proportion through to the way of life of the and understands that each
3. SPACE drawing. cultural community. group has distinct houses
3.1 showing foreground, and practices.
middle ground and realizes that the choice of
background colors to use in a landscape 2. distinguishes the attire and
gives the mood or feeling of a accessories of selected
II. Principles: painting. A4EL-IIb
cultural communities in the
4. PROPORTION of houses, country in terms of colors
buildings, fields, mountains, and shapes.
sky in a landscape
3. appreciates the importance
III. Process: of communities and their A4EL-IIc
5. PAINTING culture.
5.1 important
landscape/famous
landmark in a province 4. compares the geographical
5.2 (indigenous houses) location, practices, and
A4EL-IId
5.3 mural painting festivals of the different
cultural groups in the
country.
5. sketches a landscape of a
cultural community based A4EL-IIe
on researches and
observations made.
6. paints the sketched

landscape using colors A4EL-IIf
appropriate to the cultural
communitys ways of life.

7. exhibits painted landscapes
to create a mural for the A4EL-IIg
class and the school to
appreciate.
8. tells a story or relates

experiences about cultural
communities seen in the A4EL-IIh
landscape.

1. LINES
1.1 organic, inorganic demonstrates creates relief and found 1. explores the texture of A4EL-IIIa
(mechanical) understanding of objects prints using ethnic each material and
2. COLORS shapes and colors and designs. describes its characteristic.
2.1 earth or natural colors the principles of
3. TEXTURE repetition, contrast, and presents research on relief
3.2 from a variety of emphasis through prints created by other 2. analyzes how existing
materials printmaking (stencils) cultural communities in the ethnic motif designs are
repeated and alternated. A4PL-IIIb
4. SHAPES country.
4.1 geometric/2-dimensional
Shapes produces multiple copies of a 3. discovers the process of
relief print using industrial creating relief prints and
II. Principles: paint/natural dyes to create appreciates how relief
5. CONTRAST decorative borders for prints makes the work
5.1 smooth vs. rough boards, panels etc. A4PL-IIIc
more interesting and
5.2 curves vs. straight lines harmonious in terms of the
5.3 small shapes vs. big elements involved.
shapes
6. HARMONY 4. draws ethnic motifs and
create a design by
repeating, alternating, or A4PR-IIId
by radial arrangement.
III. Process:

7. PRINTMAKING 5. creates a relief master or
A4PR-IIIe
7.1 relief print mold using additive and
7.2 glue print subtractive processes.
7.3 cardboard print
found objects print 6. creates simple,
interesting, and
A4PR-IIIf
harmoniously arranged
relief prints from a clay
design.
7. prints reliefs with adequate

skill to produce clean prints
with a particular design
A4PR-IIIg
motif (repeated or
alternated).
8. prints reliefs using found

A4PR-IIIh
materials and discusses the
finished artwork.
9. creates the relief mold

using found material: hard
foam; cardboard shapes
glued on wood; strings and A4PR-IIIi
buttons, old screws, and
metal parts glued on wood
or cardboard.
10. displays the finished

artwork for others to A4PR-IIIj
critique and discuss.
11. participates in a
school/district exhibit and
Arts Month (February).

1. COLOR
1.1 dyes can be combined to demonstrates applies individually the 6. researches and
create new colors understanding on color intricate procedures in tie- differentiates textile
2. VALUE/TONE (dyes), values, and dyeing in clothes or t-shirts traditions, e.g. tie-dye
light and dark repetition of motifs and compares them with one done in other countries like
through sculpture and another. China, India, Japan, and
II. Principles: 3-D crafts Indonesia in the olden
3. REPETITION replicates traditional skills in times and presently,as well A4EL-IVa
3.1 motifs, colors mat weaving from indigenous as in the Philippines, e.g.
material like abaca tapestries. theTinalak made by the
III. Process: Tbolis.
4. SCULPTURE and 3- researches on tie-dyed crafts
dimensional crafts of the Tboli and presents
5. Textile craft: designs made by
5.1 tie-dye (one color; 2 them;presents research on 7. presents pictures or actual
colors) tie-dyed products of other samples of different kinds
5.2 Mat weaving (buri) cultural communities to of mat weaving traditions A4EL-IVb
compare their designs and in the Philippines.
colors.
8. discusses the intricate
designs of mats woven in
the Philippines:
8.1 Basey, Samar buri
mats
8.2 Iloilo bamban mats
8.3 Badjao&Samal mats
A4EL-IVc
8.4 Tawi-tawilaminusa
mats
8.5 Romblon buri mats

9. emphasizes textile crafts
like tie-dyeing which
demands careful practices
and faithful repetition of A4PL-IVd
the steps to produce good
designs.
10. gives meaning to the

A4PL-IVe
designs, colors, patterns
used in the artworks.
11. creates a small mat using

colored buri strips or any
material that can be A4PR-IVf
woven, showing different
designs: squares, checks
zigzags, and stripes.
12. weaves own design A4PR-IVg

similar to the style made
by a local ethnic group.
13. creates original tie-dyed
textile design by following
the traditional steps in tie- A4PR-IVh
dyeing using one or two
colors.

GRADE 5

Grade 5- FIRST QUARTER

1. LINES
1.1 crosshatching technique demonstrates creates different artifacts and 1. identifies events, A5EL-Ia
to simulate 3- understanding of lines, architectural buildings in the practices, and culture
dimensional effect and shapes, and space; and Philippines and in the locality influenced by colonizers
visual texture the principles of rhythm using crosshatching who have come to our
and balance through technique, geometric shapes, country by way of trading.
drawing of archeological and space, with rhythm and 2. gives the illusion of
2. SHAPES/FORMS artifacts, houses, balance as principles of depth/distance to simulate
2.1 geometric 3-dimensional buildings, and churches design. a3-dimensional effectby
forms from historical periods usingcrosshatching and A5EL-Ib
3. SPACE using crosshatching puts up an exhibit on shading techniques in
3.1 distance or area technique to simulate 3- Philippine artifacts and houses drawings (old pottery,
dimensional and from different historical boats, jars, musical
II. Principles: geometric effects of an periods (miniature or replica). instruments).
4. RHYTHM artwork. 3. shows, describes, and
4.1 repeated motifs names significant parts of
5. BALANCE the different architectural
5.1 symmetrical and designs and artifacts found A5EL-Ic
asymmetrical in the locality.
e.g.bahaykubo, torogan,
III. Process: bahaynabato, simbahan,
6. DRAWING carcel, etc.
6.1 drawing of archeological
4. realizes that our
artifacts
archipelago is strategically
6.2 drawing of Philippine
located and made us part
houses, buildings, and
of a vibrant trading A5PL-Id
churches from different
tradition (Chinese
historical periods (on-
merchants, Galleon Trade,
the-spot)
silk traders)
5. appreciates the importance A5PL-Ie

of artifacts, houses,
clothes, language, lifestyle
- utensils, food, pottery,
furniture - influenced by
colonizers who have come
to our country (Manunggul
jar, balanghai,
bahaynabato, kundiman,
Gabaldon schools,
vaudeville, Spanish-inspired
churches).
6. creates illusion of space in
3-dimensional drawings of
important archeological
artifacts seen in books,
A5PR-If
museums (National
Museum and its branches
in the Philippines, and in
old buildings or churches in
the community.
7. creates mural and drawings

of the old houses, churches
or buildings of his/her A5PR-Ig
community.
8. participates in putting up a
mini-exhibit with labels of
Philippine artifacts and
A5PR-Ih
houses after the whole
class completes drawings.
9. tells something about

his/her community as
reflected on his/her
artwork. A5PR-Ij


1. LINE
1.1 straight and curved demonstrates sketches natural or man-made 1. identifies the importance of
2. COLOR understanding of lines, places in the community with natural and historical
2.1 complementary colors, space, and the use of complementary places in the community
3. SPACE harmony through colors. that have been designated
3.1 one-point perspective In painting and as World Heritage Site
landscape drawing explains/illustrates draws/paints significant or (e.g., rice terraces in
important historical places. A5EL-IIa
landscapes of important Banawe, Batad; Paoay
historical places in the Church; Miag-ao Church;
II. Principles: community (natural or landscape of Batanes,
4. HARMONY man-made)using one- Callao Caves in Cagayan;
4.1 created through the point perspective in old houses inVigan, Ilocos
right proportions of landscape drawing, Norte; and the torogan in
parts complementary colors, Marawi)
and the right
III. Process: proportions of parts. 2. identifies and describes the
5. PAINTING architectural or natural
5.1 landscapes of A5EL-IIb
features of the places
important places in the visited or seen on pictures.
community (natural or
man-made) 3. realizes that artists have
different art styles in
painting landscapes or
significant places in their
respective provinces (e.g.,
Fabian dela Rosa,
A5EL-IIc
Fernando Amorsolo, Carlos
Francisco, Vicente
Manansala, Jose Blanco,
VictorioEdades, Juan
Arellano,
PrudencioLamarroza, and
Manuel Baldemor)

4. appreciates the artistry of
famous Filipino artists in
painting different
A5PL-IId
landscapes and is able to
describe what makes each
artists masterpiece unique
from others.
5. sketches and uses

A5PL-IIe
complementary colors in
painting a landscape.
6. utilizes skills and

knowledge about
foreground, middle ground,
and background to A5PR-IIf
emphasize depth in
painting a landscape.
7. identifies and discusses

details of the landscape A5PR-IIg
significant to the history of
the country.

1. LINE
1.1 thick and thin demonstrates creates a variety of prints 1. discusses the richness of
1.2 straight, curved, and understanding of new using lines (thick, thin, Philippine myths and
jagged printmaking techniques jagged, ribbed, fluted, woven) legends (MariangMakiling,
2.TEXTURE with the use of lines, to produce visual texture. Bernardo Carpio, dwende,
2.1 ribbed, fluted, woven, texture through stories capre, sirena, Darna, A5EL-IIIa
carved and myths. diwata, DalagangMagayon,
etc.) from the local
II. Principles: community and other parts
3. CONTRAST of the country.
3.1 carved, textured areas
and solid areas 2. explores new printmaking
3.2 thick, textured lines and technique using a sheet of
fine lines thin rubber (used for soles A5EL-IIIb
of shoes),linoleum, or any
III. Process: soft wood that can be
4. PRINTMAKING carved or gouged to create
4.1 linoleum or rubber print different lines and textures.
or wood print of a
Philippine mythological
3. identifies possible uses of
creature A5EL-IIIc
the printed artwork.
4. shows skills in creating a

linoleum, rubber or wood A5PL-IIId
cut print with the proper
use of carving tools.
5. creates variations of the

same print by using
A5PR-IIIe
different colors of ink in
printing the master plate.
6. follows the step-by-step

process of creating a print :
6.1 sketching the areas to
be carved out and
areas that will remain
6.2 carving the image on
the rubber or wood A5PR-IIIf
using sharp cutting
tools
6.3 preliminary rubbing
6.4 final inking of the plate
with printing ink
6.5 placing paper over the
plate, rubbing the
back of the paper
6.6 impressing the
print
6.7 repeating the process
to get several editions
of the print
7. works with the class to A5PR-IIIg

produce a compilation of
their prints and create a
book or calendar which
they can give as gifts, sell,
or display on the walls of
their school.
8. utilizes contrast in a carved

or textured area in an A5PR-IIIh
artwork.
9. produces several editions

of the same print that are
well-inked and evenly
printed.
10. participates in a

1. COLOR
1.1 primary demonstrates demonstrates fundamental 1. identifies the materials
1.2 secondary understanding of colors, construction skills in making a used in making3-
2. SHAPE shapes, space, 3-dimensional craft that dimensional crafts which A5EL-IVa
2.1 geometric repetition, and balance expresses balance, artistic express balance and
2.2 organic through sculpture and design, and repeated variation repeated variation of
3. SPACE 3-dimensional crafts. of decorations and colors shapes and colors
3.1 distance 1.1 mobile
3.2 area 1. papier-mch jars 1.2 papier-mch jar
with patterns 1.3 paper beads
II. Principles: 2. paper beads
4. REPETITION 2. identifies the different A5EL-IVb
4.1 colors, shapes constructs 3-D craft using techniques in making 3-
5. BALANCE primary and secondary colors, dimensional crafts
5.1 structure and shape geometric shapes, space, and 2.1 mobile
repetition of colors to show 2.2 papier-mch jar
balance of the structure and 2.3 paper beads
shape
3. explores possibilities on A5EL-IVc
3. mobile
the use of created 3-D
III. Process: crafts.
6. SCULPTURE AND 3-D 4. applies knowledge of
CRAFTS colors, shapes, and balance A5PL-IVd
6.1 mobile in creating mobiles, papier-
6.2 papier-mch or clay mch jars, and paper
jar with geometric beads.
patterns 5. displays artistry in making
6.3 paper beads (bracelet, mobiles with varied colors A5PL-IVe
necklace, earring, ID and shapes.
lanyard, etc. 6. creates designs for making
3-dimensional crafts A5PR-IVf
6.1 mobile
6.2 papier-mch jar
6.3 paper beads
7. shows skills in making a A5PR-IVg
papier-mch jar
8. creates paper beads with

artistic designs and varied
colors out of old magazines
A5PR-IVh
and colored papers for
necklace, bracelet, ID
lanyard

GRADE 6

GRADE 6 - FIRST QUARTER

I. Elements: The learner The learner LOGO DESIGN
1. LINE Software: Inkscape (Open
2. SHAPE demonstrates creates concepts through art Source) for Laptop/Desktop PC
3. COLOR understanding of the processes, elements, and
4. TEXTURE use of lines, shapes, principles using new The learner
5. producing these using colors, texture, and the technologies (hardware and
technology principles of emphasis software) to create personal 1. realizes that art processes,
and contrast in drawing or class logo. elements and principles still A6EL-Ia
II. Principles: a logo and own cartoon apply even with the use of
6. CONTRAST character using new designs cartoon character on- new technologies.
7. EMPHASIS technologies in drawing. the spot using new
technologies. 2. appreciates the elements
III. Process: A6PL-Ia
and principles applied in
8. DRAWING NEW commercial art.
TECHNOLOGIES 3. applies concepts on the use
A6PR-Ib
8.1 logo of the software
8.2 cartoon character (commands, menu, etc.).
4. utilizes art skills in using A6PR-Ic
new technologies
(hardware and software).
5. creates personal or class
logo as visual A6PR-Id
representation that can be
used as a product, brand,
ortrademark
6. explains ideas about the A6PR-Id
logo
CARTOON CHARACTER
Making
Software: Inkscape (Open
Source) for Laptop/Desktop PC
Software: Sketch n Draw
(Open Source) for Tablet PC
The learner
1. realizes that art processes, A6EL-Ie

elements, and principles
still apply even with the
use of technologies.
2. appreciates the elements

and principles applied in A6PL-Ie
comic art.
3. applies concepts on the
steps/procedures in A6PR-If
cartoon character making.
4. utilizes art skills in using
new technologies
A6PR-Ig
(hardware and software) in
cartoon character making.
5. creates own cartoon
character to entertain,
express opinions, ideas, A6PR-Ih
etc.
6. explains ideas about the

A6PR-Ih
cartoon character

I. Elements: The learner The learner DIGITAL PAINTING
1. SHAPES Software: Gimp (Open Source)
2. SPACE demonstrates applies concepts on the use of for Laptop/Desktop PC
3. COLOR understanding of software in creating digital Software: Paint (Windows) for
4. primary, secondary, and shapes, space, colors, paintings and graphic designs. Laptop/Desktop PC
intermediate and the principles of Software: Photo Editor (Open
emphasis, harmony and Source) for Tablet PC
II. Principles: contrast in digital
1. EMPHASIS painting and poster
2. HARMONY design using new
3. CONTRAST technologies. The learner
4. lines, shapes
1. realizes that art processes,
III. Process: elements and principles still A6EL-IIa
1.PAINTING NEW apply even with the use of
TECHNOLOGIES technologies.
1.1 digital painting 2. appreciates the elements
graphic design (poster) and principles applied in A6PL-IIa
digital art.
3. applies concepts on the use
A6PR-IIb
of the software
(commands, menu, etc.)
4. utilizes art skills using new
technologies (hardware A6PR-IId
and software) in digital
painting.
5. creates a digital painting
similar with the Masters A6PR-IIc
(e.g., Van Gogh,
Amorsolo, etc.) in terms of
style, theme, etc.
GRAPHIC DESIGN (Poster
Layout)
Software: Gimp (Open Source)
for Laptop/Desktop PC
Software: MS Publisher
(Windows) for Laptop/Desktop
PC
The learner

elements and principles still A6EL-IIe
apply even with the use of
technologies.
7. appreciates the elements
and principles applied in A6PL-IIf
layouting.

8. applies skills in layouting

and photo editing using
new technologies
A6PR-IIg
making a poster.
9. creates an
advertisement/commercial A6PR-IIh
or announcement poster.

I. Elements: The learner The learner PRINTMAKING (Silk-
1. COLORS screen Printing)
1.1 primary blended with demonstrates creates simple printmaking
secondary and understanding of (silkscreen) designs on t-shirts The learner
intermediate colors shapes, colors, values, and posters.
2. SHAPES and the principles of 1. knows that design A6EL-IIIa
2.1 letters and geometric emphasis, contrast, and describes the basic concepts principles still apply for any
shapes harmony in printmaking and principles of basic new design (contrast of
and photography using photography. colors, shapes, and lines
3. VALUES/TONES new technologies. produces harmony)
3.1 lightness and darkness whether done by hand or
machine (computer).
II. Principles:
4. EMPHASIS 2. understands that digital
5. CONTRAST technology has speeded up
5.1 shapes and colors the printing of original
6. HARMONY designs and made it A6PL-IIIb
6.1 letters, shapes, colors accessible to many, as
emphasized in t-shirts and
III. Process: poster designs.
7. PRINTMAKING
(silkscreen printing) 3. applies concepts on the
steps/procedure in A6PR-IIIc
8. BASIC PHOTOGRAPHY silkscreen printing.
4. produces own prints from

original design to silkscreen
printing to convey a A6PR-IIId
message or statement.
BASIC PHOTOGRAPHY
A. Phone Camera
B. Point and Shoot Digital
Camera
A6EL-IIIe
The learner

elements, and principles
still apply even with the
use of technologies.
6. understands concepts and A6PL-IIIf
principles of photography.
7. identifies the parts and

functions of the camera
(point and shoot or phone A6PR-IIIg
camera).
8. applies composition skills to

produce a printed
A6PR-IIIh
photograph for a simple
photo essay.

9. participates in

I. Elements: The learner The learner SCULPTURE
1. SHAPES PACKAGE/PRODUCT
1.1 letters and geometric demonstrates creates an actual 3-D digitally- DESIGN (Paper Bag)
shapes understanding of enhanced paper bag for a
2. COLORS shapes, colors, and the product or brand. The learner
2.1 primary blended with principles of contrast A6EL-IVa
secondary and and harmony through applies concepts on the use of 1. knows that design
intermediate colors the use of new media in new technologies (hardware principles and elements
creating audio-video art and software) in creating an relates to everyday objects.
II. Principles: and product or package audio-video art/animation.
3. CONTRAST design. 2. appreciates the elements
3.1 of shapes and colors and principles applied in A6PL-IVa
4. HARMONY product design.
4.1 of letters, shapes, colors 3. manifests understanding of
concepts on the use of
A6PR-IVb
III. Process: software (commands,
5. SCULPTURE menu, etc.)
PACKAGE/PRODUCT DESIGN 4. utilizes art skills in using
(paper bag) new technologies
6. NEW MEDIA AUDIO-VIDEO A6PR-IVc
ART or ANIMATION package design.
(electronic collage) 5. creates an actual 3-D
digitally-enhanced product A6PR-IVd
design for a paper bag.
NEW MEDIA AUDIO-
VIDEO ART or ANIMATION
(Electronic Collage)

Software: Synfic Studio for 2D
Animation (Open Source) for
Laptop/Desktop PC
Software: Blender for 3D
Animation (Open Source) for
Laptop/Desktop PC
Software: MS Movie Maker
(Windows) for Laptop/Desktop
PC
The learner
6. realizes that art processes, A6EL-IVe

elements and principles still
apply even with the use of
technologies.
7. appreciates the elements A6PL-IVe

and principles applied in
audio-video art.
8. applies concepts on the use A6PR-IVf

of the software
(commands, menu, etc.)
9. utilizes art skills in using A6PR-IVg

new technologies
(hardware and software).
10. creates an audio-video art A6PR-IVh

/animation promoting a
product.

GRADE 7


Arts and Crafts of Luzon The learner... The learner The learner...
(Highlands and Lowlands)
1. Attire, Fabrics, and Tapestries 1. art elements and 1. create artworks showing the 1. analyze elements and
2. Crafts and Accessories, and processes by characteristic elements of principles of art in the
Body Ornamentation synthesizing and the arts of Luzon (highlands production of ones arts
A7EL-Ib-1
3. Architectures applying prior and lowlands) and crafts inspired by the
4. Sculptures (gods/rituals) knowledge and skills 2. exhibit completed artworks arts of Luzon (highlands
5. Everyday objects for appreciation and and lowlands)
2. the salient features critiquing
I. Elements of Art of the arts of Luzon 2. identify characteristics of
6. Line (highlands and arts and crafts in specific
7. Shape and Form lowlands) by showing areas in Luzon (e.g., papier
8. Value the relationship of mch [taka] from Paete,
9. Color the elements of art Ifugao wood sculptures A7EL-Ia-2
10. Texture and processes among [bulul], Cordillera jewelry
11. Space culturally diverse and pottery, tattoo, and
communities in the Ilocos weaving and pottery
II. Principles of Art country [burnay], etc.)
12. Rhythm, Movement
13. Balance 3. the Philippines as 3. reflect on and derive the
14. Emphasis having a rich artistic mood, idea, or message
15. Harmony, Unity, and cultural tradition emanating from selected
A7PL-Ih-1
Variety from precolonial to artifacts and art objects
16. Proportion present times
III. Process
17. Drawing and Painting
18. Sculpture and Assemblage 4. appreciate the artifacts and
19. Mounting an exhibit: art objects in terms of their
19.1 Concept uses and their distinct use A7PL-Ih-2
19.2 Content / labels of art elements and
19.3 Physical layout principles

5. incorporate the design,
form, and spirit of the
highland/lowland artifact A7PL-Ih-3
and object in ones creation
6. trace the external (foreign) OHSP Arts Module

and internal (indigenous) Q1
influences reflected in the
A7PL-Ih-4
design of an artwork and in
the making of a craft or
artifact
7. create crafts that can be

locally assembled with local
materials, guided by local
A7PR-Ic-e-1
traditional techniques
(e.g., habi, lilip, etc).
8. derive elements from

traditions/history of a
community for ones A7PR-If-2
artwork
9. shows the relationship of
the development of crafts
in specific areas of the
country, according to
A7PR-If-3
functionality, traditional
specialized expertise, and
availability of resources
(e.g. pottery, weaving,
jewelry, baskets)
10. show the relationship of
Luzon (highlands and
lowlands) arts and crafts to
A7PR-Ih-4
Philippine culture,
traditions, and history
(Islamic influences,

Spanish heritage, and
American legacies in
education, business,
modernization, and
entertainment, as well as in
indigenous practices,
fiestas, and religious and
social practices)
11. mount an exhibit using

completed Luzon
(highlands and lowlands)- A7PR-Ig-5
inspired arts and crafts in
an organized manner

Arts and Crafts of MIMAROPA The learner The learner The learner
(Mindoro, Marinduque, Romblon,
and Palawan) and the Visayas 1. art elements and create artwork showing the 1. analyze elements and
1. Attire, Fabrics, and Tapestries processes by characteristic elements of the principles of art in the
2. Crafts and Accessories, and synthesizing and arts of MIMAROPA and the production ones arts and A7EL-IIb-1
Body Ornamentation applying prior Visayas crafts inspired by the arts
3. Architectures knowledge and skills of MIMAROPA and the
4. Sculptures (gods/rituals) Visayas
5. Everyday objects 2. the salient features of
the arts of 2. identify characteristics of
I. Elements of Art MIMAROPA and the arts and crafts in specific
6. Line Visayan Islands by areas in MIMAROPA and
7. Shape and Form showing the the Visayas, Marinduque
8. Value relationship of the (Moriones masks),
9. Color elements of art and Palawan (Manunggul Jar), A7EL-IIa-2
10. Texture processes among Mindoro (Hanunuo-
11. Space culturally diverse Mangyan writing,
communities in the basketry, and weaving),
II. Principles of Art country Bohol (churches), Cebu
(furniture), Iloilo (culinary
3. the Philippines as arts and old houses),
12. Rhythm, Movement having a rich artistic Samar (Basey mats), etc.
13. Balance and cultural tradition
14. Emphasis from precolonial to
15. Harmony, Unity, Variety present times
Proportion 3. reflect on and derive the
mood, idea or message A7PL-IIh-1
III. Process emanating from selected
16. Drawing and Painting artifacts and art objects
17. Sculpture and Assemblage
18. Mounting an exhibit: 4. appreciate the artifacts
18.1 Concept and art objects in terms of
A7PL-IIh-2
18.2 Content / labels its utilization and its
18.3 Physical layout distinct use of art
elements and principles

form and spirit of artifacts A7PL-IIh-3
and art objects from
MIMAROPA and the
Visayas
6. trace the external OHSP Arts Module

(foreign) and internal Q1
(indigenous) influences
that are reflected in the A7PL-IIh-4
design of an artwork or in
the making of a craft or
artifact

locally assembled with
A7PR-IIc-e-1
local materials, guided by
local traditional techniques
traditions/history of a A7PR-IIf-2
community for ones
artwork
9. correlate the development
of crafts in specific areas
of the country, according
to functionality, traditional
A7PR-IIf-3
(e.g., architecture,
weaving, pottery,
accessories, masks, and
culinary arts)

MIMAROPA and Visayas
arts and crafts to
Philippine culture,
traditions, and history
(Islamic influences,
Spanish heritage, and A7PR-IIh-4
American legacies in
education, business,
modernization, and
entertainment, as well as
in indigenous practices,
fiestas, and religious and
social practices)

completed MIMAROPA-
Visayan-inspired arts and A7PR-IIg-5
crafts in an organized
manner


Arts and Crafts of Mindanao The learner The learner The learner
1. Attire, Fabrics and Tapestries
2. Crafts and Accessories, and Body 1. art elements and 1. create artworks showing the 1. analyze elements and
Ornamentation processes by characteristic elements of principles of art in the
3. Architectures synthesizing and the arts of Mindanao production ones arts and A7EL-IIIb-1
4. Sculptures (gods/rituals) applying prior crafts inspired by the arts
5. Everyday objects knowledge and skills 2. exhibit completed artworks of Mindanao
for appreciation and
I. Elements of Art 2. the salient features of critiquing 2. identify characteristics of
6. Line the arts of Mindanao arts and crafts in specific
7. Shape and Form by showing the areas in Mindanao (e.g.,
8. Value relationship of the maritime vessel
9. Color elements of art and [balanghay] from Butuan,
10. Texture processes among vinta from Zamboanga;
11. Space culturally diverse Maranaos malong,
communities in the brasswares, okir, A7EL-IIIa-2
country panolong, torogan, and
II. Principles of Art
12. Rhythm, Movement sarimanok; Yakans fabric
3. the Philippines as and face makeup and
13. Balance
having a rich artistic body ornamentation;
14. Emphasis
and cultural tradition Tbolis tinalak and
15. Harmony, Unity, Variety
from precolonial to accessories; Tawi-tawis
16. Proportion
present times Pangalay dance, etc.
III. Process
3. reflect on and derive the
mood, idea, or message
2. Sculpture and Assemblage
emanating from selected A7PL-IIIh-1
3. Mounting an exhibit:
artifacts and art objects
3.1 Concept
3.2 Content / labels
4. appreciate the artifacts
3.3 Physical layout
and art objects in terms of
its utilization and their
A7PL-IIIh-2
distinct use of art

form, and spirit of artifacts
A7PL-IIIh-3
and objects from
Mindanao to ones
creation

(indigenous) influences A7PL-IIIh-4
that are reflected in the
design of an artwork and
in the making of a craft or
artifact

local materials, guided by
A7PR-IIIc-e-1

A7PR-IIIf-2
community for ones
artwork
in specific areas of the
country, according to
functionality, traditional A7PR-IIIf-3
(e.g., pottery, weaving,
jewelry, and basketry)

Mindanaos arts and crafts A7PR-IIIh-4
to Philippine culture,
traditions, and history,
particularly with Islamic
influences and indigenous
(Lumad) practices
11. mount exhibit using

completed Mindanao-
A7PR-IIIg-5
inspired arts and crafts in
an organized manner

Festivals and Theatrical Forms The kearner The learner The learners:
Religious:
1. Lucban, Quezon Pahiyas 1. how theatrical 1. create appropriate festival 1. identify the festivals and
2. Obando, Bulacan Fertility elements (sound, attire with accessories theatrical forms celebrated A7EL-IVa-1
Dance music, gesture, based on authentic festival all over the country
3. Marinduque- Moriones movement ,and costumes throughout the year
4. Aklan Ati-atihan costume) affect the 2. research on the history of
5. Cebu Sinulog creation and 2. create/improvise the festival and theatrical
6. Iloilo Dinagyang communication of appropriate sound, music, composition and its
7. Santacruzan meaning in Philippine gesture, movements, and A7EL-IVb-2
evolution, and describe
Festivals and costume for a chosen how the townspeople
Nonreligious / Regional Festivals Theatrical Forms as theatrical composition participate and contribute
8. Baguio- Panagbenga influenced by history to the event
9. Bacolod Maskara and culture
10. Bukidnon Kaamulan 3. take part in a chosen 3. identify the elements and
11. Davao Kadayawan 2. theater and festival or in a performance principles of arts as seen in A7EL-IVc-3
performance as a in a theatrical play Philippine Festivals
Representative Philippine synthesis of arts and
Theatrical Forms a significant
12. Shadow Puppet Play expression of the
13. Dance Drama celebration of life in
14. Moro-moro various Philippine
15. Sarswela communities
16. Senakulo
I. Elements of Art as Applied to

Philippine Theater and 4. defines what makes each
Festivals: of the Philippine festivals
17. Sound and Music unique through a visual
18. Gesture, Movement and Dance presentation A7PL-IVh-1
19. Costume, Mask, Makeup and
Accessories
20. Spectacle
II. Principles of Arts

5. design the visual elements
21. Rhythm, Movement
and components of the
22. Balance
selected festival or A7PR-IVd-1
23. Emphasis
theatrical form through
24. Harmony, Unity, Variety
costumes, props, etc.
25. Proportion
III. Process 6. analyze the uniqueness of

26. Designing for stage, costume, each groups performance A7PR-IVh-2
and props for a theatrical play of their selected festival or
or festival theatrical form
27. Choreographing movement
patterns and figures
7. choreograph the
28. Recreating a Philippine festival
movements and gestures
or staging a theatrical form A7PR-IVe-f-3
reflecting the mood of the
selected Philippine
festival/theatrical form
8. improvise accompanying
sound and rhythm of the A7PR-IVe-f-4
Philippine festival/theatrical
form
9. perform in a group
showcase of the selected
Philippine festival/theatrical A7PR-IVg-5
form

GRADE 8


ARTS OF SOUTHEAST ASIA The learner The learners The learners:
Indonesia, Malaysia, Thailand,
Cambodia, Myanmar, Vietnam, 1. art elements and 1. create artworks showing the 1. analyze elements and
Lao PDR, Brunei , and Singapore processes by characteristic elements of principles of art in the
1. Attire, Fabrics and Tapestries synthesizing and the arts of Southeast Asia production of arts and A8EL-Ib-1
2. Crafts and Accessories, and Body applying prior crafts inspired by the
Ornamentation knowledge and skills 2. exhibit completed artworks cultures of Southeast Asia
3. Architectures for appreciation and
4. Sculptures (gods/rituals) 2. the salient features critiquing 2. identify characteristics of
5. Everyday objects of the arts of arts and crafts in specific
Southeast Asia by countries in Southeast
I. Elements of Art showing the Asia: Indonesia (batik,
6. Line relationship of the Wayang puppetry);
7. Shape and Form elements of art and Malaysia (modern batik,
8. Value processes among wau, and objects made A8EL-Ia-2
9. Color culturally diverse from pewter); Thailand
10. Texture communities in the (silk fabrics and Loi
11. Space region Kratong Lantern Festival);
Cambodia (Angkor Wat
II. Principles of Art 3. Southeast Asian and ancient temples);
12. Rhythm, Movement countries as having Singapore (Merlion), etc.
13. Balance a rich artistic and
14. Emphasis cultural tradition 3. reflect on and derive the
15. Harmony, Unity, and Variety from prehistoric to mood, idea, or message A8PL-Ih-1
16. Proportion present times from selected artifacts and
art objects
III. Process
17. Drawing and Painting 4. appreciate the artifacts
18. Sculpture and Assemblage and art objects in terms of
19. Batik processes their utilization and their A8PL-Ih-2
20. Mounting an exhibit: distinct use of art
20.1 Concept elements and principles
20.2 Content / labels

21. Physical layout 5. incorporate the design,
form, and spirit of
Southeast Asian artifacts A8PL-Ih-3
and objects in ones
creation

that are reflected in the A8PL-Ih-4
in the making of a craft or
artifact

local materials, guided by A8PR-Ic-e-1
(e.g.,batik, silk weaving,
etc.)
A8PR-If-2
community for ones
artwork
in specific countries in
Southeast Asia, according
to functionality, traditional A8PR-If-3
specialized expertise and

10. show the commonalities
and differences of the
culture of the Southeast A8PR-Ih-4
Asian countries in relation
to Philippine culture

completed Southeast
A8PR-Ig-5
Asian-inspired arts and
manner
ARTS OF EAST ASIA The learner The learner The learner
China, Japan, and Korea 1. art elements and 1. create artworks showing 1. analyze elements and
1. Attire, Fabrics, and Tapestries processes by the characteristic elements principles of art in the
2. Crafts and Accessories, and Body synthesizing and of the arts of East Asia production of arts and A8EL-IIb-1
Ornamentation applying prior crafts inspired by the
3. Architectures knowledge and skills 2. exhibit completed artworks cultures of East Asia
4. Sculptures (gods/rituals) for appreciation and
5. Everyday objects 2. the salient features critiquing 2. identify characteristics of
of the arts of East arts and crafts in specific
I. Elements of Art Asia by showing the countries in East Asia:
6. Line relationship of the China (Chinese painting
7. Shape and Form elements of art and and calligraphy); Japan
8. Value processes among (origami, woodblock A8EL-IIa-2
9. Color culturally diverse printing, theater masks,
10. Texture communities in the face painting, and anime
11. Space region and manga); and Korea
(theater masks, drums,
II. Principles of Art 3. East Asian countries and K-pop)
12. Rhythm, Movement as having a rich
13. Balance artistic and cultural 3. reflect on and derive the
14. Emphasis tradition from mood, idea or message
15. Harmony, Unity, Variety prehistoric to A8PL-IIh-1
from selected artifacts and
16. Proportion present times art objects

Process 4. appreciate the artifacts
17. Drawing and Painting and art objects in terms of
18. Sculpture and Assemblage their utilization and their A8PL-IIh-2
19. Printing distinct use of art
20. Mounting an exhibit: elements and principles
20.1 Concept 5. incorporate the design,

20.2 Content / Labels form, and spirit of East A8PL-IIh-3
20.3 Physical layout Asian artifacts and objects
to ones creation

A8PL-IIh-4
in the making of a craft

local materials, guided by A8PR-IIc-e-1
(e.g., Gong-bi, Ikat, etc.)

traditions/history of a A8PR-IIf-2
community for ones
artwork

East Asia according to
functionality, traditional A8PR-IIf-3
and differences of the A8PR-IIh-4
cultures of the East Asian
countries in relation to
Philippine culture
completed East Asian-
inspired crafts in an A8PR-IIg-5
organized manner

ARTS OF SOUTH, WEST AND The learner The learner The learner
CENTRAL ASIA
Examples: 1. art elements and 1. create artworks showing 1. analyze elements and
South Asia India processes by the characteristic elements principles of art in the
West Asia Iran, Saudi Arabia, synthesizing and of the arts of South, West, production of arts and
and Turkey applying prior and Central Asia crafts inspired by the A8EL-IIIb-1
Central Asia Pakistan, Tibet knowledge and skills cultures of South Asia,
1. Attire, Fabrics and Tapestries 2. exhibits completed artworks West Asia, and Central Asia
2. Crafts and Accessories, and Body 2. the salient features for appreciation and
Ornamentation of the arts of South, critiquing
3. Architectures West, and Central 2. identify characteristics of
4. Sculptures (gods/rituals) Asia by showing the arts and crafts in specific
5. Everyday objects relationship of the countries in South, West,
elements of art and and Central Asia: India
I. Elements of Art processes among (rangoli, katak, mendhi, A8EL-IIIa-2
6. Line culturally diverse diwali); Saudi Arabia
7. Shape and Form communities in the (carpet design); Pakistan
8. Value region (truck art); and Tibet
9. Color (mandala), etc
10. Texture 3. that the South,
11. Space West, and Central
3. reflect on and derive the
Asian countries have
mood, idea or message A8PL-IIIh-1
II. Principles of Art a rich, artistic and
from selected artifacts and
12. Rhythm, Movement cultural tradition
art objects
13. Balance from prehistoric to

14. Emphasis present times 4. appreciate the artifacts
15. Harmony, Unity, Variety and art objects in terms of
16. Proportion their utilization and their A8PL-IIIh-2
distinct use of art
Process
form, and spirit of South,
18. Sculpture and Assemblage A8PL-IIIh-3
West, and Central Asian
19. Printing
artifacts and objects to
ones creation
20.1 Concept
20.2 Content / Labels
20.3 Physical layout
A8PL-IIIh-4
in the making of a craft
7. create arts and crafts that

can be locally assembled
with local materials,
guided by local traditional A8PR-IIIc-e-1
techniques (e.g.,
Ghonghdis, Marbling
Technique, etc.)

traditions/history of a A8PR-IIIf-2
community for ones
artwork

A8PR-IIIf-3
South Asia, West Asia, and
Central Asia, according to
functionality, traditional

and differences of the
cultures of the South
Asian, West Asian, and A8PR-IIIh-4
Central Asian countries in
relation to Philippine
culture

completed South-West-
Central Asian-inspired A8PR-IIIg-5
manner

Festivals and Theatrical Forms of The learner The learner The learner
Asia
1. how theatrical 1. create appropriate festival 1. identify selected festivals
1. Thailand Lantern Festival elements (sound, attire with accessories and theatrical forms A8EL-IVa-1
2. Japan Kodo Taiko Drum music, gesture, based on authentic festival celebrated all over the
Festival movement, and costumes Asian region
Representative Asian Theatrical costume) affect the
Forms creation and 2. create/improvise 2. research on the history of
3. Kabuki communication of appropriate sound, music, the festival and theatrical
4. Noh meaning in Asian gesture, movements, and forms and its evolution,
5. Wayang Kulit Festivals and costume for a chosen A8EL-IVb-2
and describe how the
6. Peking Opera Theatrical Forms as theatrical composition community participates and
influenced by history contributes to the event
I. Elements of Art as Applied to and culture take part in a chosen festival
Asian Theater and Festivals: or in a performance in a 3. identify the elements and
7. Sound & Music 2. theater and theatrical play A8PL-IVc-1
principles of arts as
8. Gesture, Movement, and Dance performance as a manifested in Asian
9. Costume, Mask, Makeup, and synthesis of arts and festivals and theatrical
Accessories a significant forms
10. Spectacle expression of the
celebration of life in 4. define what make each of
various Asian the Asian Festivals and
communities A8PL-IVh-2
Theatrical forms unique
through a visual
II. Principles of Art presentation
11. Rhythm, Movement 5. design the visual elements
12. Balance and components of the A8PR-IVd-1
13. Emphasis selected festival or
14. Harmony, Unity, and Variety theatrical form through
15. Proportion costumes, props, etc.
6. analyze the uniqueness of
III. Process each groups performance A8PR-IVh-2
16. Designing for stage, costume, of their selected festival or
props for a theatrical play or theatrical form
festival 7. show the relationship of
17. Choreographing movement the selected Asian festival
patterns and figures and the festival in the A8PR-IVh-3
Recreating an Asian festival or Philippines in terms of form
staging a theatrical form and reason for holding the
celebration
8. choreograph the
A8PR-IVe-f-4
reflecting the mood of the
selected festival/theatrical
form of Asia
9. mprovise accompanying
sound and rhythm of the A8PR-IVe-f-5
selected festival/ theatrical
form of Asia

showcase of the selected A8PR-IVg-6
festival/theatrical form

GRADE 9


WESTERN AND CLASSICAL ART The learner The learner.. The learner
TRADITIONS
I. Ancient Art 1. art elements and 1. perform / participate 1. analyze art elements and
1. Prehistoric Art processes by competently in a principles in the
synthesizing and presentation of a creative production of work A9EL-Ib-1
II. Classical Art applying prior impression following the style of a
2. Egyptian Art knowledge and skills (verbal/nonverbal) of a western and classical art
3. Greek Art particular artistic period
4. Roman Art 2. the arts as integral 2. identify distinct
to the development 2. recognize the difference characteristics of arts
III. Medieval Art of organizations, and uniqueness of the art A9EL-Ia-2
during the different art
5. Byzantine spiritual belief, styles of the different periods
6. Romanesque historical events, periods (techniques,
7. Gothic scientific discoveries, process, elements, and 3. identify representative
natural disasters/ principles of art) artists from various art A9EL-Ia-3
IV. Principles of Art occurrences, and periods
8. Rhythm, Movement other external
9. Balance phenomena 4. reflect on and derives the
10. Emphasis A9PL-Ih-1
mood, idea, or message
11. Harmony, Unity, and Variety from selected artworks
12. Proportion
5. determine the use or
V. Process: function of artworks by A9PL-Ih-2
13. Painting and/ or Drawing evaluating their utilization
14. Sculpture and Assemblage and combination of art
15. Mounting an exhibit: elements and principles
16. Concept 6. use artworks to derive the
17. Content / Labels A9PL-Ih-3
traditions/history of an art
18. Physical layout period
7. compare the
characteristics of artworks
A9PL-Ih-4
produced in the different
art periods

8. create artworks guided by
techniques and styles of
A9PR-Ic-e-1
Western Classical art
traditions
9. describe the influence of

iconic artists belonging to A9PR-Ic-e-2
Western Classical art on
the evolution of art forms
10. apply different media

techniques and processes
to communicate ideas,
A9PR-Ic-e-3
experiences, and stories
showing the
characteristics of Western
Classical art traditions
11. evaluate works of art in

terms of artistic concepts
and ideas using criteria A9PR-If-4
from the Western Classical
art traditions
12. show the influences of the

Western Classical art
A9PR-1f-5
traditions to Philippine art
form

completed Western
Classical art tradition
A9PR-Ig-6


ARTS OF THE RENAISSANCE The learner The learner The learner
AND BAROQUE PERIOD
1. art elements and 1. performs/ participate 1. analyze art elements and
I. Renaissance Art processes by competently in a principles in the
1. Michelangelo synthesizing and presentation of a creative production of work
A9EL-IIb-1
2. Leonardo Da Vinci applying prior impression following a specific art
3. Raphael knowledge and skills (verbal/nonverbal) of a style
4. Donatello particular artistic period
2. the arts as integral 2. identify distinct
II. Baroque Artists to the development 2. recognizes the difference characteristics of arts
5. Carravaggio of organizations, and uniqueness of the art during the Renaissance A9EL-IIa-2
6. Rubens spiritual belief, styles of the different and Baroque periods
7. Velasquez historical events, periods (techniques,
8. Rembrandt scientific discoveries, process, elements, and 3. identify representative
9. Bernini natural disasters/ principles of art) artists from Renaissance
A9EL-IIa-3
occurrences, and and Baroque periods
III. Principles of Art other external
10. Rhythm, Movement phenomena 4. reflect on and derive the
11. Balance mood, idea or message
12. Emphasis A9PL-IIh-1
from selected artworks
13. Harmony, Unity, and Variety
14. Proportion 5. determine the use or
function of artworks by
IV. Process: evaluating their utilization
15. Painting and/ or Drawing A9PL-IIh-2
and combination of art
16. Sculpture and Assemblage elements and principles
17.1 Concept 6. use artworks to derive
17.2 Content / Labels the traditions/history of
17.3 Physical layout A9PL-IIh-3
an art period
7. compare the
characteristics of
artworks produced in the A9PL-IIh-4
different art periods

A9PR-IIc-e-1
the Renaissance and the
Baroque periods

iconic artists belonging to
A9PR-IIc-e-2
the Renaissance and the
Baroque periods

showing the
A9PR-IIc-e-3
characteristics of the
Renaissance and the
Baroque periods
(e.g.,Fresco, Sfumato,
etc.)

and ideas using criteria
A9PR-IIf-4
from the Renaissance and
the Baroque periods
12. show the influences of the

Renaissance and Baroque
periods on the Philippine A9PR-IIf-5
art form

completed Renaissance
and the Baroque periods
A9PR-IIg-6


ARTS OF THE NEOCLASSIC AND The learner The learner The learner
ROMANTIC PERIOD
1. art elements and 1. perform/participate 1. analyze art elements and
I. Neoclassic processes by competently in a principles in the
1. David synthesizing and presentation of a creative production of work
2. Ingres applying prior impression following a specific art A9EL-IIIb-1
3. Goya knowledge and (verbal/nonverbal) from style from the Neoclassic
skills the Neoclassic and and Romantic periods
II. Romantic Romantic periods
4. Goya 2. the arts as integral 2. identify distinct
5. Delacroix to the development 2. recognize the difference characteristics of arts
6. Gericault of organizations, and uniqueness of the art during the Neoclassic and A9EL-IIIa-2
spiritual belief, styles of the different Romantic periods
III.Principles of Art historical events, periods (techniques,
7. Rhythm, Movement scientific process, elements, and 3. identify representative
8. Balance discoveries, natural principles of art) artists from the Neoclassic
A9EL-IIIa-3
9. Emphasis disasters/ and Romantic periods
10. Harmony, Unity, and Variety occurrences, and
11. Proportion other external 4. reflect on and derive the
phenomena mood, idea, or message A9PL-IIIh-1
IV. Process: from selected artworks
12. Painting and/ or Drawing 5. determine the use or

13. Sculpture function of artworks by
14. Mounting an exhibit: evaluating their utilization A9PL-IIIh-2
1.1 Concept and combination of art
1.2 Content / Labels elements and principles
15. Physical layout 6. use artworks to derive the
traditions/history of the
Neoclassic and Romantic A9PL-IIIh-3
periods
7. compare the
A9PL-IIIh-4
produced in the Neoclassic
and Romantic periods

the Neoclassic and A9PR-IIIc-e-1
Romantic periods (e.g.,
linear style and painterly
style)
iconic artists belonging to A9PR-IIIc-e-2
the Neoclassic and
Romantic periods

A9PR-IIIc-e-3
showing the
Neoclassic and Romantic
periods

A9PR-IIIf-4
from the Neoclassic and
Romantic periods
12. show the influences of

Neoclassic and Romantic
periods on Philippine art A9PR-IIIf-4
forms

completed artworks with
Neoclassic and Romantic A9PR-III-g -7
periods characteristics


WESTERN CLASSICAL PLAYS The learner The learner The learner
AND OPERAS
Greek: 1. how theatrical 1. create appropriate theater 1. identify selected theatrical
Oedipus Rex, Medea elements (sound, play/opera costume and forms from different art
Renaissance: music, gesture, accessories and improvise periods A9EL-IVa-1
Shakespeare Plays movement, and appropriate sound, music,
Romantic: costume) affect the gesture, movements, and
Carmen creation and costume for a chosen 2. research on the history of
communication of theatrical composition the theatrical forms and
A9EL-IVb-2
I. Elements of Art as Applied to meaning in Western their evolution
Western Classical Theater Classical plays and 2. take part in a performance
and Opera: opera as influenced of a selected piece from 3. identify the elements and
1. Sound & Music by history and Western Classical plays principles of arts as
2. Gesture, Movement and Dance culture and opera manifested in Western A9EL-IVc-3
3. Costume, Mask, Make-up, and Classical plays and opera
Accessories Spectacle 2. theater and
performance as a 4. define what makes selected
II. Elements of Art as Applied to synthesis of arts western classical plays and
Western Classical Theater operas unique through A9PL-IVc-1
and Opera: visual representation
4. Sound & Music
5. Gesture, Movement and Dance 5. design the visual elements
6. Costume, Mask, Make-up, and and components of the
Accessories selected Western classical
7. Spectacle theater play and opera A9PR-IVd-1
through costumes, props,
III. Principles of Art etc.
8. Rhythm, Movement
9. Balance 6. analyze the uniqueness of
10. Emphasis each groups performance
11. Harmony, Unity, and Variety of its selected Western A9PR-IVh-2
12. Proportion classical theater play and
opera
IV. Process 7. show the influences of the

13. Designing for stage, costume, A9PR-IVh-6
selected Western Classical
and props of a selected play or opera on Philippine
theatrical play or opera theatrical performance in
14. Choreographing movement terms of form and content
patterns and figures of story
15. Recreating a Western classical
theater play and opera 8. choreograph the
needed in the effective
A9PR-IVe-f-3
delivery of a selected piece
from Western Classical
plays and opera
sound and rhythm needed
in the effective delivery of a
A9PR-IVe-f-3
selected piece from
Western Classical plays and
operas

showcase of the selected
A9PR-IVg-5
piece from Western
Classical plays and operas

GRADE 10


MODERN ART The learner The learner The learner
a. Impressionism 1. art elements and 1. performs/ participate 1. analyze art elements and
b. Expressionism processes by competently in a principles in the
c. Cubism synthesizing and presentation of a creative production of work
d. Dadaism applying prior impression following a specific art A10EL-Ib-1
e. Surrealism knowledge and skills (verbal/nonverbal) from style from the various art
f. Abstract Realism the various art movements movements
g. Pop Art 2. the arts as integral
h. Op Art to the development 2. recognize the difference 2. identify distinct
i. Performance Art of organizations, and uniqueness of the art characteristics of arts from
A10EL-Ia-2
j. Happenings and Mob spiritual belief, styles of the various art the various art movements
historical events, movements (techniques,
scientific discoveries, process, elements, and 3. identify representative
I. Principles of Art natural disasters/ principles of art) artists and Filipino
1. Rhythm, Movement occurrences and counterparts from the A10EL-Ia-3
2. Balance other external various art movements
3. Emphasis phenomenon
4. Harmony, Unity, and Variety 4. reflect on and derive the
5. Proportion mood, idea, or message
A10PL-Ih-1
from selected artworks
II. Process:
6. Painting and/ or Drawing 5. determine the role or
7. Sculpture and Assemblage function of artworks by
8. Mounting an exhibit: evaluating their utilization
8.1 Concept A10PL-Ih-2
8.2 Content / Labels elements and principles
8.3 Physical layout
6. use artworks to derive the A10PL-Ih-3
traditions/history of the
various art movements
7. compare the
A10PL-Ih-4
produced in the various
art movements

the various art movements A10PR-Ic-e-1
(e.g., Impasto, Encaustic,
etc.)

iconic artists belonging to A10PR-Ic-e-2
the various art movements

showing the
A10PR-Ic-e-3
various art movements
(e.g., the use of industrial
materials or found objects,
Silkscreen Printing, etc.)

A10PR-If-4
from the various art
movements
12. show the influences of
Modern Art movements on
A10PR-I-f-5
Philippine art forms

completed artworks
A10PR-I-g-6
influenced by Modern Art
movements


TECHNOLOGY-BASED ART The learner The learner 1. The learner
I. Computer/Digital Arts 1. new technologies 1. create a tech-based 2. identify art elements in A10EL-IIb-1
1. Cellular Phones (photos and that allow new artwork (video clips and the technology-based
videos) expressions in arts printed media such as production arts
2. Computer-generated Images using art elements posters, menus, brochures
3. Digital Photography (DLSR and and processes etc.) relating to a selected 3. identify distinct
Point-and-Shoot) topic from the different characteristics of arts
4. Video Games learning areas using during in the 21st century
5. Digital Painting and Imaging available technologies, in terms of:
A10EL-IIa-2
Videos TV & Film e.g., food and fashion 3.1. production
3.2. functionality range of
audience reach
II. Principles of Art
6. Rhythm, Movement 4. identify artworks produced
7. Balance by technology from other
8. Emphasis countries and their A10EL-IIa-3
9. Harmony, Unity, and Variety adaptation by Philippine
Proportion artists
5. realize that technology is
III. Process: an effective and vibrant
10. computer manipulation tool for empowering a
11. light setting person to express his/her
12. digital enhancements A10PL-IIh-1
ideas, goals, and
13. printing advocacies, which elicits
14. digital circulation immediate action
6. determine the role or

function of artworks by
evaluating their utilization
A10PL-IIh-2
7. use artworks to derive the

traditions/history of a A10PL-IIh-3
community (e.g.,
landscapes, images of
people at work and play,
portrait studies, etc.)
8. compare the
A10PL-IIh-4
in the 21st century
9. create artworks that can

be locally assembled with
local materials, guided by A10PR-IIc-e-1
21st-century techniques

technology in the 21st
A10PR-IIc-e-2
century on the evolution
of various forms of art

showing the
A10PR-IIb-e-3
characteristics of 21st-
century art (e.g., the use
of graphic software like
Photoshop, InDesign, etc.)

A10PR-IIf-4
appropriate for the style
or form
13. mount an exhibit of

completed technology- A10PR-II-g-5
based artworks


MEDIA-BASED ARTS AND The learner The learner The learner...
DESIGN IN THE PHILIPPINES
1. art elements and create artworks using 1. identify art elements in A10EL-IIIb-1
I. Photography processes by available media and natural the various media-based
1. George Tapan synthesizing and resources on local topics, arts in the Philippines
2. John Chua applying prior issues, and concerns such as
knowledge and skills environmental advocacies 2. identify representative
II. Film ecotourism, and economic artists as well as distinct
3. Brillante Mendoza 2. new technologies and livelihood projects characteristics of media- A10EL-IIIa-2
4. Maryo J. de los Reyes that allow new based arts and design in
5. Laurice Guillen expressions in the the Philippines
arts 3. realize that Filipino
ingenuity is distinct,
III. Animation exceptional, and on a par A10PL-IIIh-1
6. Animation Council of the with global standards
Philippines
7. Philippine Animation Studio 4. determine the role or
Inc. function of artworks by
evaluating their utilization
IV. Print Media A10PL-IIIh-2
8. Advertisements elements and principles
9. Comic books
5. use artworks to derive the
V. Digital Media traditions/history of a A10PL-IIIh-3
10. Webpage Design community
11. Game Development
6. create artworks that can
VI. Innovations in Product & be assembled with local A10PR-IIIc-e-1
Industrial Design materials
12. Kenneth Cobonpue, Monique
7. describe the
Lhuillier, Josie Natori, Lulu
characteristics of media-
Tan Gan, Ditas Sandico-Ong,
based arts and design in A10PR-IIIc-e-2
Rajo Laurel, Aze Ong
the Philippines
VII. Principles of Art

13. Rhythm, Movement 8. apply different media
14. Balance techniques and processes
15. Emphasis to communicate ideas,
16. Harmony, Unity, and Variety experiences, and stories
A10PR-IIIc-e-3
Proportion (the use of software to
enhance/animate images
VIII. Process: like Flash, Movie Maker,
17. painting Dreamweaver, etc.)
18. drawing
19. constructing 9. evaluate works of art in
20. assembling terms of artistic concepts
21. printing and ideas using criteria
22. carving appropriate for the style A10PR-IIIf-4
or form of media-based
arts and design
10. mount a media-based

exhibit of completed
A10PR-IIIg-5
artworks

ORIGINAL PERFORMANCE WITH The learner The learner The learner
THE USE OF MEDIA
1. how theatrical 1. create appropriate 1. explains how an idea or
I. Philippine Theater Groups elements (sound, costumes, props, set theme is communicated in
1. PETA music, gesture, accessories, costumes a selected performance
2. Repertory Philippines movement, and improvised lighting and through the integration of A10EL-IVb-4
3. Trumpets costume) affect the other dcor for Philippine musical sounds, songs,
4. Tanghalang Pilipino creation and plays dialogue and dance
5. New Voice Company communication of
6. Atlantis Productions meaning in a theater 2. create/improvise 2. analyzes examples of
play/performance appropriate sound, music, plays based on theatrical
II. Local Performing Groups incorporated with gesture, and movements forms, and elements of art A10EL-IVa-2
media for a chosen theatrical as applied to performance
III. Roles in a production composition
7. director 2. theater and 3. illustrate how the different
A10EL-IVc-3
8. actor performance as a 3. participate in an original elements are used to
9. choreographer synthesis of arts performance inspired by communicate the meaning
10. stage manager local Philippine stories,
11. light designer myths, and events relevant 4. define the uniqueness of
12. set designer to current issues each original performance A10PL-IVh-1
IV. Elements of Art as Applied to 5. design with a group the

an Original Performance: visual components of a
A10PR-IVe-1
13. Sound & Music school play (stage design,
14. Gesture, Movement, and costume, props, etc.)
Dance 6. assume the role of a
15. Costume, Mask, Makeup, and character as an
Accessories actor/performance, or
16. Spectacle A10PR-IVh-2
production staff (director,
choreography, light
V. Principles of Art designer, stage manager)
17. Rhythm, Movement 7. analyze the uniqueness of
18. Balance the group that was given
19. Emphasis recognition for its
20. Harmony, Unity, and Variety A10PR-IVh-3
performance and explain
21. Proportion what component
contributed to its selection
VI. Process 8. contribute to the
22. Designing for stage, costume, conceptualization of an
and props of a selected A10PR-IVd-4
original performance
theatrical play
23. Choreographing movement 9. choreograph the
patterns and figures movements and gestures
needed in the effective
A10PR-IVf-g-5
delivery of an original
performance with the use
of media
sound and rhythm needed
in the effective delivery of A10PR-IVf-g-6
an original performance
with the use of different
media

GLOSSARY
Abstract art that exaggerates, is simplified or distorted
Uses a visual language of form, color and line to create a composition, which may exist with a degree of independence from visual
Abstract art
references in the world.
Actual Texture The existing surface quality of an object as communicated primarily the sense of touch
Aesthetics The branch of philosophy that deals with the nature and value of art
Analogous Colors next to each other on the color wheel that have a common hue
Anime Japanese movie and television animation
Art Appreciation the understanding and enjoyment or work concerned with the individuals solution of emotional reaction.
Art Criticism Process organized approach to the observation and evaluation of a work of art using description, analysis, interpretation and judgment
Asymmetrical Balance two sides of a composition are different, but have the same visual weight. Also called Informal Balance
Background the part of a work of art that appears to be in the back, farthest away from the viewer and closest to the horizon line
principle of design that deals with arranging visual elements so that a composition has equal visual weight on each side of an imaginary
Balance
middle line
Balanghay A maritime vessel of the early Filipinos
Batik a fabric printed by an Indonesian method of hand-printing textiles by coating with wax the parts not to be dyed
Center of Interest the focal point or area of emphasis
Ceramics sculpture or pottery made from clay
Cityscape a picture of the outside, with the city or buildings being the most important part
GLOSSARY
Color element of art derived from reflected light. Color has three properties: hue, value and intensity
purposely selected group of colors chosen for their unique relationship to one another. Types of color schemes include: monochromatic,
Color Schemes
analogous, complementary, triad, split- complementary
Color Wheel a predetermined arrangement of the primary, secondary and intermediate colors on a circular wheel used to define color relationships
Complementary Colors any two colors opposite each other on the color wheel. Ex. Red-green, blue-orange, yellow-violet
Composition the arrangement of the elements and/or objects in an artwork. The way principles of art are used to organize elements
Contrast a principle of design that refers to a difference between elements in an artwork
Cool Colors colors around blue on the color wheel: green, blue, violet
a wax crayon technique in making a design or art composition made by applying dark water colors especially black over a wax crayon
Crayon resist
sketch or drawing.
creative means making something new. Creative means the power to create. Creatively means ones power to produce a work of
Creative
thought or imagination.
Creative Drawing is an expression of essential form character, mainly objective in a more tangible and practical process.
Creative Expression a visual interpretation of an idea or imagination, emotionally, intellectually, and aesthetically expressed.
is a painting with or without a subject, done through the spirit of adventure, a subjective process in free emotional freedom and power
Creative Painting
to express color and its harmonic relationship.
Crosshatching shading technique which uses layering of repeated, parallel lines in different directions to create the appearance of volume.
Curved line is the result of the gradual change in the direction of line
Depth distance between foreground, middleground and background
Design a visual plan, organization or arrangements of elements in a work of art. This is an orderly arrangement, a plan or a layout, or the
GLOSSARY
organization of the elements of art, or producing a new form as an expression of man.
Diagonal Lines that slant
Diorama This is a three-dimensional picture of a scene done with miniature objects and with background with actual perspective.
Discarded Materials are throw-away materials that can still be made useful
Diwali Hindu Festival of Lights
Dots and Dashes a painting wherein the primary colors are used in the dots and dashes, the harmonious color effects or contrast taking place in the eyes.
it is the art of expressing or representing ones emotion, feeling, or idea into a concrete visual shape by the use of lines, values, or
Drawing color. It is means of describing a pictured concept, imagination or representation by means of the use of lines as expressed by a pencil,
charcoal, wax crayon, or other mediums.
a drawing is a sketch to conceive an idea into a composition and then finally painted with a medium most suited to give the finished
Drawing and Painting
product of art a distinct personality.
Elements of Art the language of art of the basic elements used when producing works of art: Line, Shape, Form, Texture, Color, Value, Space
Emphasis the principle of design that stresses one element or area of a work of art to make it attract the viewers attention
Emphasis drawing of attention to important areas or objects in a work of art
Etching
intaglio technique in which acid is used to incise lines in a metal plate. Includes aquatint, soft grounds and hard ground
Ethnic design art designs by indigenous people or ethnic groups
Expression an art in which the emphasis is on the inner emotions, sensations, or idea rather than an actual appearances.
Festival an annual celebration or festivity
Finger Puppets puppets that are worn on the fingers.

GLOSSARY
Folktale a story made up of stories about life, adventure, love and humor where one can derive lessons about life.
Foreground The part of an artwork in the front, nearest or closest to the viewer and usually positioned at the bottom of the artwork
an Element of art that has three dimensions (height, width and depth) and encloses space This denotes shapes like lines, may convey
Form
several ideas or emotional effects on the viewer
Formal Balance two sides of a composition are identical. Also called Symmetrical Balance
shapes or forms with mathematical names that can be defined using mathematical formulas: circle, triangle, square, sphere, cube,
Geometric
prism, pyramid
Gong-bi Realist technique in Chinese painting
Habi An act of weaving
Hanunuo One of the Mangyan groups who inhabit the islands of Mindoro
Harmony is one element of art that shows the combination of colors.
Hatching shading technique that uses layering of repeated, parallel lines to create the appearance of volume
Headdress a covering, accessory or band for the head
Horizon a line where the sky and ground appear to meet
Hue Another name for color. Hue is related to the wavelength of the reflected light
Ikat fabric made using an Indonesian decorative technique in which warp or weft threads, or both, are tie-dyed before weaving
Illusion of Depth feeling or appearance of distance created by color, value, line, placement and size on a flat surface
Illusion of Space is the effect of using different lines with different characteristics that gives meaning or feeling the artist wanted to show in his artwork.

GLOSSARY
two sides of a composition have the same visual weight, but the lines, shapes and colors are not the same. Also called Asymmetrical
Informal Balance
Balance
the brightness or dullness of a color. It is the strength or the weakness of a color to make it about or be lost in the presence of other
Intensity
colors.
colors created by the combination of a primary and a secondary color that are next to each other on the color wheel: yellow-orange,
Intermediate Colors
red-orange, red-violet, blue-violet, blue-green, yellow-green. Also called tertiary colors
Katak eighth month of the Nanakshahi calendar
Landscape a painting or drawing showing a view of natural scene, such as mountain, fields or forests.
Lightness of colors when white is added to a color
Lilip Filipino term for hemstitch
is a geometrical figure which is made by the movement of a point. It has length only no width,nor thickness. Point indicates position
Line and has neither thickness nor width.Like any other geometrical figure, line and point are imaginary. Visually or in art, a line has
thickness and length. A line may have different qualities. It may be light or fine, heavy or thick, and uniform or varied.
a system of drawing or painting to give the illusion of depth on a flat surface. All parallel lines receding into the distance are drawn to
Linear Perspective
one or more imaginary vanishing points on the horizon in such a work
is a kind of art that uses either universal symbol ,icons to represent the idea of a certain company or group in a minimal
Logo
representation in a canvass
Lumad a group of indigenous people of the southern Philippines
Malong a traditional "tube skirt" made of handwoven or machine-made multi-colored cotton cloth
Mandala Hindu or Buddhist graphic symbol of the universe

GLOSSARY
Manga Japanese genre of cartoons, comic books, and animated films
Mangyan A generic name for eight indigenous groups found in the islands of Mindoro
Manunggul A secondary burial jar excavated from a Neolithic burial site
Marbling process of making marble like especially in coloration
Mask a covering of all parts of the face, in particular
material, such as pencil, pen, waercolors, oil paint, pastel, acrylic paint, clay, wood, stone, found objects, etc., used to create art. Plural
Medium
is Media
Mendhi Hindu practice of painting hands and feet
Middleground an area in an artwork between the foreground and background
Mobiles a three-dimensional sculptural form of art made of hanging units. It is enjoyed more when it moves in the wind.
an excellent means of self-expression as well as well as of representation in three-dimensional media. The art object is built up little by
Modeling
little by adding on particles or lumps of mud or clay.
Moriones Annual festival held on Holy Week in Marinduque.
Mosaic a surface decoration made by inlaying in patterns small pieces of variously colored papers, glass, stone, or other materials.
Neutral Colors color category that encompasses whites, grays, blacks and browns
Okir Geometric, flowing designs and folk motifs usually found in Maranao and Muslim-influenced artwork
Origami Japanese art of paper folding
Overlap occupy the same area in part

GLOSSARY
Overlapping placing one object in front of another to show depth
Paint pigment mixed with oil or water
Painting to make an artwork using wet media such as tempera or watercolor paints
Pangalay traditional fingernail dance of the Tausg people
Paper Mache a combination of paper pulp, paste, and a little glue to form a shape or form.
a three-dimensional art expressed in modeling, carving, sculpturing and architecture in which form is the sense of this type of art
Paper Sculpture
expression.
Pattern a choice of lines, colors and/or shapes repeated over and over in a planned way
Perspective a way of creating the illusion of depth on a two-dimensional surface
silver-gray alloys of tin with various amounts of antimony, copper, and sometimes lead, used widely for fine kitchen utensils and
Pewter
tableware
Pigment any coloring matter mixed with a liquid or binder to make paint, ink, crayons, etc.
Pointillism applying small stroke or dots of color to a surface.
Point of View angle from which the viewer sees an object
Portrait an artwork that shows a specific person or animal. Often shows only the face
Primary Colors the first colors from which all other spectrum are mixed: red, yellow, blue
the rules by which an artist organizes the Elements of Art to create a work of art: Balance, Emphasis, Contrast/Variety,
Principles of Design
Rhythm/Repetition, Unity, Proportion
Print the artwork made by printing ; transfer of a design or to stamp a design on a Material

GLOSSARY
Printing an art process by which a certain design is on a tool used for stamping . The design is then stamped on paper or other surfaces.
Print design is the process of creating and formatting projects using layout software that is ready to be printed
Proportion the pleasing relationship among the various elements of arts, the size relationships of parts to a whole and to each other
puppets are moved by people. They use their hands to pretend that the puppets are talking and moving. Puppets are either in string,
Puppet
finger and stick and made to move by a puppeteer.
Puppeteer a person who manipulates the puppet.
Puppet Show a show or entertainment in which the performers are puppets
Radial Balance type of balance in which lines, shapes or elements branch out from a central point in a circular pattern
Rangoli Hindu tradition of floor painting
Realistic art that shows life as it is. Art that aims to reproduce things as they appear
technique in which the image is printed form a raised surface, usually by cutting away non-image area. Includes linocut, woodcut,
Relief Printmaking
collagraph and etching.
defined as organized movement. In the visual arts, organized movement means that our eye should travel from one unit to another with
Rhythm
ease and pleasure.
Recycling the process of to extracting useful materials from trash and using in an artwork.
Sarimanok Legendary bird of the Maranao people
Scale the relative size of an object as compared to other objects, to the environment or the human figure
Scribbling a painting technique, the design caused by pulling the drawing paper placed on top of a wet water color painting over a glass.
Sculpture three-dimensional artwork (width, height and depth)

GLOSSARY
Seascape a picture of the outside, with the body of water being the most important part
Secondary Colors color made by mixing two primary colors: orange, violet, green
Shade the dark value of a color made by mixing black with a color. The opposite of tint
Shading the use of a range of values to define form
Shape an element of art. Shape is enclosed space having only two dimensions (height x width)
Simulated stained glass a simulation of stained glass figures or objects are made of cut-ups from transparent paper as oil paper and arranged as in mosaic.
Sketching is an incomplete work of art which may lack details and color. It is a guide used by an artist to produce his final work of art.
Slogan is a phrase used in a repetitive expression of an idea or purpose.
an element of art that refers to the emptiness between, around, above, below, or within objects. The distance around and between
Space
things. An area that can be filled with an art element
an impenetrable material (as a sheet of paper) perforated with design through which a substance (as ink, paint or wax) is forced onto a
Stencil
surface to be printed.
Stick Puppet is a type of puppet made of cardboard and sticks.
Still Life An arrangement of inanimate objects
Stippling A shading technique which uses layering of repeated dots to create the appearance of volume
String puppet is known as marionette and is operated by using the hands.
Subject the image that viewers can easily recognize in a work of art
Symbol an image that stands for an idea or has a meaning other than its outward appearance

GLOSSARY
Symmetrical Balance two sides of a composition are identical. Also called Formal Balance
Tboli one of the indigenous peoples of South Cotabato
Texture element of art that refers to how things feel or how they might look on the surface
Theme the most important idea or subject in a composition; the subject of a work of art, sometimes with a number of phrases or variations
Three-Dimensional artwork that has height, width and depth
Tinalak Fabric made from a fruit-bearing abaca plan
Tint light value of a color made by mixing white with a color
Torogan Palace of the Maranao Sultan
Transfer to print or to copy from one surface to another
Two-Dimensional artwork that is flat or measured in only two ways (height and width)
Value tells about the lightness and darkness of a color.
Variation of colors different kinds of colors like primary, secondary.
Variation of shapes different kinds of shapes like square, circle, triangle, etc.
Warm colors colors like red, orange and yellow that can make us feel warm and happy
Unity principle of design that relates to the sense of wholeness in an artwork. A coherent relationship among the elements in a work of art
Value element of art that refers to lightness or darkness of gray or a color
Vanishing Point point on the horizon where receding parallel lines seem to meet

GLOSSARY
Variety principle of design concerned with difference or contrast
Vinta A traditional sailboat found in Mindanao
Warm Colors colors around orange on the color wheel: red, orange, yellow
Wayang Shadow puppets from Indonesia
Wau A Malaysian kite
Weaving interlacing two sets of parallel threads. Decorative art made by interlocking one material into other materials
Yakan Muslim group in Basilan

CODE BOOK LEGEND
Sample: A10PR-If-4
LEGEND SAMPLE DOMAIN/ COMPONENT CODE
Learning Area and

Strand/ Subject or Art Elements EL
Specialization
First Entry A10
Grade Level Grade 10

Principles PL
Domain/Content/
Uppercase Letter/s Process PR
Component/ Topic
Processes PR
-
Roman Numeral
Quarter First Quarter I
*Zero if no specific quarter
Lowercase Letter/s
*Put a hyphen (-) in between
Week Week six f
letters to indicate more than a
specific week
-
Evaluate works of art in
Arabic Number Competency and ideas using criteria 4
from the various art
movements

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Republic of the Philippines

K to 12 Arts Curriculum Guide December 2013 Page 2 of 93

PHILOSOPHY AND RATIONALE FOR ARTS

K to 12 Arts Curriculum Guide December 2013 Page 3 of 93

Figure 1. The Curriculum Framework of Music and Art

K to 12 Arts Curriculum Guide December 2013 Page 4 of 93

Grade 12Mastery of Proficiency in the chosen form or genre

Grade 11Mastery of Proficiency in the chosen form or genre

Grade 10Application of Contemporary Music and Arts

Grade 9Application Western Music and Arts

Grade 8Application Asian Music and Arts

Grade 7Application Philippine Folk Music and Arts

Grade 6Application for Appropriate Mastery and Acquisition

Grade 4Formal Introduction to Elements / Processes

Grade 3Preliminary Acquisition of Basic Knowledge and

Grade 1Introduction to the Fundamental Processes

KindergartenExposure to the Different Music & Art Processes

Figure 2. Content of Music and Art per Grade Level

K to 12 Arts Curriculum Guide December 2013 Page 5 of 93

Table 1. Basic Reference for Music and Art Content

*No formal instruction in harmony

K to 12 Arts Curriculum Guide December 2013 Page 6 of 93

KEY STAGE STANDARDS:

K to 12 Arts Curriculum Guide December 2013 Page 7 of 93

GRADE LEVEL STANDARDS:

Grade Level Grade Level Standards

K to 12 Arts Curriculum Guide December 2013 Page 8 of 93

CONTENT PERFORMANCE LEARNING

GRADE 1- FIRST QUARTER

4. identifies different lines,

5. uses different drawing tools

7. shares stories related to

8. draws different animals

10. draws different kinds of

GRADE 1- SECOND QUARTER

K to 12 Arts Curriculum Guide December 2013 Page 10 of 93

10. relates personal

11. draws a design out of

15. appreciates and talks about

K to 12 Arts Curriculum Guide December 2013 Page 11 of 93

GRADE 1- THIRD QUARTER

6. repeats a design by the use

K to 12 Arts Curriculum Guide December 2013 Page 12 of 93

GRADE 1- FOURTH QUARTER

3. selects 3D objects that are

K to 12 Arts Curriculum Guide December 2013 Page 13 of 93

5. creates a useful 3D object:

6. constructs a mask out of

7. utilizes masks in simple role

8. creates mobiles out of

9. creates human figures out

K to 12 Arts Curriculum Guide December 2013 Page 14 of 93

CONTENT PERFORMANCE LEARNING

GRADE 2- FIRST QUARTER

6. draws a portrait of two or

K to 12 Arts Curriculum Guide December 2013 Page 15 of 93

9. shares stories related to

Grade 2- SECOND QUARTER

K to 12 Arts Curriculum Guide December 2013 Page 16 of 93