User Manual

X1222
Premium 16-Input 2/2-Bus Mixer with XENYX Mic Preamps
& Compressors, British EQs, 24-Bit Multi-FX Processor and
USB/Audio Interface
2 XENYX X1222USB User Manual

Table of Contents
Thank you........................................................................ 2
Important Safety Instructions....................................... 3
Legal Disclaimer.............................................................. 3
Limited warranty............................................................. 3
1. Introduction................................................................ 4
1.1 General mixing console functions ................................ 4
1.2 The users manual................................................................ 5
1.3 Before you get started....................................................... 5
2. Control Elements and Connectors ........................... 5
2.1 Mono channels..................................................................... 5
2.2 Stereo channels.................................................................... 7
2.3 Connector panel and main section.............................. 7
2.4 Graphic 7-band equalizer............................................... 10
2.5 Rear view of X1222USB.................................................... 11
3. Digital Effects Processor and
XPQ Surround Function................................................ 11
3.1 Digital effects processor.................................................. 11
3.2 XPQ surround function................................................... 12
4. Installation................................................................ 12
4.1 Rack mounting.................................................................... 12
4.2 Cable connections............................................................ 12
5. Specifications............................................................ 13

Thank you
Congratulations! In purchasing the BEHRINGER XENYX you have acquired a
mixer whose small size belies its incredible versatility and audio performance.
The XENYX Series represents a milestone in the development of mixing console
technology. With the new XENYX microphone preamps including phantom power
as an option, balanced line inputs and a powerful effects section, themixing
consoles in the XENYX Series are optimally equipped for live and studio
applications. Owing to state-of-the-art circuitry, your XENYX console produces
a warm analog sound that is unrivalled. With the addition of the latest digital
technology, these best-in-class consoles combine the advantages of both analog
and digital technology.
3 XENYX X1222USB User Manual

Important Safety 9. Do not defeat the safety purpose of the polarized TO BIND MUSICGROUP BY ANY EXPRESS OR IMPLIED
Instructions or grounding-type plug. A polarized plug has two blades UNDERTAKING OR REPRESENTATION. THIS MANUAL
with one wider than the other. A grounding-type plug IS COPYRIGHTED. NO PART OF THIS MANUAL MAY
has two blades and a third grounding prong. The wide BE REPRODUCED OR TRANSMITTED IN ANY FORM
blade or the third prong are provided for your safety. Ifthe OR BY ANY MEANS, ELECTRONIC OR MECHANICAL,
provided plug does not fit into your outlet, consult an INCLUDING PHOTOCOPYING AND RECORDING OF ANY
electrician for replacement of the obsolete outlet. KIND, FOR ANY PURPOSE, WITHOUT THE EXPRESS
10. Protect the power cord from being walked on or WRITTEN PERMISSION OF MUSICGROUPIPLTD.
pinched particularly at plugs, convenience receptacles,
Terminals marked with this symbol carry ALL RIGHTS RESERVED.
and the point where they exit from the apparatus.
electrical current of sufficient magnitude 2013 MUSICGroupIPLtd.
to constitute risk of electric shock. 11. Use only attachments/accessories specified by Trident Chambers, Wickhams Cay, P.O. Box 146,
Use only high-quality professional speaker cables with themanufacturer. Road Town, Tortola, British Virgin Islands
" TS or twist-locking plugs pre-installed. Allother 12. Use only with the
installation or modification should be performed only cart, stand, tripod, bracket,
by qualifiedpersonnel. LIMITED WARRANTY
or table specified by the
manufacturer, orsold with For the applicable warranty terms and conditions
This symbol, wherever it appears,
the apparatus. When a cart and additional information regarding MUSIC Groups
alertsyou to the presence of uninsulated
is used, use caution when Limited Warranty, please see complete details online at
dangerous voltage inside the
moving the cart/apparatus www.music-group.com/warranty.
enclosure-voltage that may be sufficient to constitute a
risk ofshock. combination to avoid
injury from tip-over.
This symbol, wherever it appears,
13. Unplug this apparatus during lightning storms or
alertsyou to important operating and
when unused for long periods of time.
maintenance instructions in the
accompanying literature. Please read the manual. 14. Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has been
Caution damaged in any way, such as power supply cord or plug
To reduce the risk of electric shock, donot is damaged, liquid has been spilled or objects have fallen
remove the top cover (or the rear section). into the apparatus, the apparatus has been exposed
No user serviceable parts inside. Refer servicing to to rain or moisture, does not operate normally, or has
qualified personnel. beendropped.
Caution 15. The apparatus shall be connected to a MAINS socket
To reduce the risk of fire or electric shock, outlet with a protective earthing connection.
do not expose this appliance to rain and 16. Where the MAINS plug or an appliance coupler is
moisture. The apparatus shall not be exposed to dripping used as the disconnect device, the disconnect device shall
or splashing liquids and no objects filled with liquids, remain readily operable.
suchas vases, shall be placed on the apparatus.
Caution
These service instructions are for use
by qualified service personnel only.
Toreduce the risk of electric shock do not perform any
servicing other than that contained in the operation
instructions. Repairs have to be performed by qualified
servicepersonnel.
1. Read these instructions.
LEGAL DISCLAIMER
2. Keep these instructions.
TECHNICAL SPECIFICATIONS AND APPEARANCES
3. Heed all warnings.
ARE SUBJECT TO CHANGE WITHOUT NOTICE AND
4. Follow all instructions. ACCURACY IS NOT GUARANTEED. BEHRINGER,
5. Do not use this apparatus near water. KLARKTEKNIK, MIDAS, BUGERA, AND TURBOSOUND
6. Clean only with dry cloth. ARE PART OF THE MUSIC GROUP (MUSIC-GROUP.COM).
ALL TRADEMARKS ARE THE PROPERTY OF THEIR
7. Do not block any ventilation openings. Install in
RESPECTIVE OWNERS. MUSICGROUP ACCEPTS NO
accordance with the manufacturers instructions.
LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED
8. Do not install near any heat sources such as BY ANY PERSON WHO RELIES EITHER WHOLLY OR
radiators, heat registers, stoves, or other apparatus IN PART UPON ANY DESCRIPTION, PHOTOGRAPH
(including amplifiers) that produce heat. OR STATEMENT CONTAINED HEREIN. COLORS AND
SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT.
MUSIC GROUP PRODUCTS ARE SOLD THROUGH
AUTHORIZED FULLFILLERS AND RESELLERS ONLY.
FULLFILLERSAND RESELLERS ARE NOT AGENTS OF
MUSICGROUP AND HAVE ABSOLUTELY NO AUTHORITY
4 XENYX X1222USB User Manual

1. Introduction 1.1 General mixing console functions

A mixing console fulfils three main functions:
FBQ Feedback Detection System
Signal processing:
The FBQ Feedback Detection System, integrated into the graphic equalizer, is one
of the most outstanding characteristics of this mixing console. This ingenious Preamplification
circuitry lets you immediately recognize and eliminate feedback frequencies.
Microphones convert sound waves into voltage that has to be amplified
TheFBQ Feedback Detection System uses the LEDs in the frequency band faders
several-fold; then, this voltage is turned into sound that is reproduced
of the graphic EQ to indicate the critical frequencies. This way, what once used to
in a loudspeaker. Because microphone capsules are very delicate in their
be a labor-intensive search for feedback frequencies is now an activity that even
construction, output voltage is very low and therefore susceptible to
a child could master.
interference. Therefore, mic signal voltage is amplified directly at the mixer
The microphone channels feature high-end XENYX Mic Preamps that compare input to a higher signal level that is less prone to interference. This higher,
well with costly outboard preamps in terms of sound quality and dynamics and interference-safe signal level has to be achieved through amplification
boast the following features: using an amplifier of the highest quality in order to amplify the signal and
add as little noise to it as possible. The XENYX Mic Preamp performs this
130 dB dynamic range for an incredible amount of headroom
role beautifully, leaving no traces of noise or sound coloration. Interference
A bandwidth ranging from below 10 Hz to over 200 kHz for crystal-clear that could take place at the preamplification level could affect signal quality
reproduction of even the finest nuances and purity, and would then be passed on to all other devices, resulting in
inaccurate sounding program during recording or playback.
The extremely low-noise and distortion-free circuitry guarantees absolutely
natural and transparent signal reproduction Level-setting
They are perfectly matched to every conceivable microphone with up to Signals fed into the mixer using a DI-box (Direct Injection) or the output of a
60dB gain and +48 volt phantom power supply sound card or a keyboard, often have to be adjusted to the operating level of
your mixing console.
They enable you to use the greatly extended dynamic range of your
24-bit/192 kHz HD recorder to the full, thereby maintaining optimal Frequency response correction
audioquality
Using the equalizers found in each channel strip, you can simply, quickly and
effectively adjust the way a signal sounds.
British EQ
Effects mixing
The equalizers used for the XENYX Series are based on the legendary circuitry of
top-notch consoles made in Britain, which are renowned throughout the world In addition to the effects processor contained in your mixer, using the
for their incredibly warm and musical sound character. Even with extreme gain insert connectors on the mono channels and both aux busses lets you insert
settings these equalizers ensure outstanding audio properties. additional signal processors into your signal path.
Signal distribution:
Multi-effects processor
Individual signals adjusted at each channel strip are laid out at the aux
Additionally, your XENYX mixing console has an effects processor with 24-bit
sends and returns, and are either fed into external effects processors or fed
A/Dand D/A converters included, which gives you 16 presets producing first-class
back to the internal effects processor. Then, the signals are brought back
reverb, delay and modulation effects plus numerous multi-effects in excellent
into the main mix either via the aux return connectors or via direct internal
audio quality.
wiring. The mix for the on-stage musicians is also created using the aux
The XENYX mixing consoles are equipped with a state-of-the-art switched- sends (monitor mix). Similarly,for example, signals for recording equipment,
mode power supply (SMPS). Unlike conventional circuitry an SMPS provides power amplifiers, headphones and 2-track outputs can also be taken.
an optimum supply current regardless of the input voltage. And thanks to its
Mix:
considerably higher efficiency a switched-mode power supply uses less energy
than conventional power supplies. All other mixing console functions fall under this vital category. Creating a
mix means primarily adjusting the volume levels of individual instruments
and voices to one another as well as giving them the appropriate weight

!! CAUTION!
We would like to draw your attention to the fact that extreme volumes may
within the overall frequency spectrum. Likewise, youll have to sensibly
spread individual voices across the stereo image of a signal. At the end of
this process, adjusting the level of the entire mix to other equipment in the
signal path is required (e.g. recorder/crossover/amplifier).
damage your hearing and/or your headphones or loudspeakers. Turn the
MAINMIX faders and the PHONES control in the main section fully down before The interface of BEHRINGER mixing consoles is optimized for these tasks,
you switch on the unit. Always be careful to set the appropriate volume. enabling you to easily keep track of the signal path.
5 XENYX X1222USB User Manual

1.2 The users manual 2. Control Elements and Connectors

The users manual is designed to give you both an overview of the controls, as This chapter describes the various control elements of your mixing console.
well as detailed information on how to use them. In order to help you understand Allcontrols, switches and connectors will be discussed in detail.
the links between the controls, we have arranged them in groups according to
their function. 2.1 Mono channels
1.3 Before you get started 2.1.1 Microphone and line inputs

1.3.1 Shipment
Your mixing console was carefully packed in the factory to guarantee safe
transport. Nevertheless, we recommend that you carefully examine the
packaging and its contents for any signs of physical damage, which may have
occurred during transit.
If the unit is damaged, please do NOT return it to us, but notify your
dealer and the shipping company immediately, otherwise claims for
damage or replacement may not be granted.

1.3.2 Initial operation

Be sure that there is enough space around the unit for cooling purposes and to
avoid over-heating. Please do not place your mixing console on high-temperature
devices such as radiators or power amps. The console is connected to the mains
via the supplied power cable. The console meets the required safety standards.
Blown fuses must only be replaced by fuses of the same type and rating.
Fig. 2.1: Connectors and controls of mic/line inputs
Please note that all units must be properly grounded. For your own
safety, you should never remove any ground connectors from electrical
MIC
devices or power cables, or render them inoperative.
Each mono input channel offers a balanced microphone input via the XLR
Please ensure that only qualified people install and operate the
connector and also features switchable +48 V phantom power supply for
mixing console. During installation and operation, the user must have
condenser microphones. The XENYX preamps provide undistorted and noise-free
sufficient electrical contact to earth, otherwise electrostatic discharges
gain as is typically known only from costly outboard preamps.
might affect the operation of the unit.
Please mute your playback system before you activate the phantom
1.3.3 Online registration power supply to prevent switch-on thumps being directed to your
loudspeakers. Please also note the instructions in chapter 2.5
Please do remember to register your new BEHRINGER equipment right after your
Rear view of X1222USB.
purchase by visiting behringer.com (alternatively behringer.de) and kindly read
the terms and conditions of our warranty carefully.
LINE IN
Should your BEHRINGER product malfunction, our goal is to have it repaired as
Each mono input also features a balanced line input on a " connector.
quickly as possible. To arrange for warranty service, please contact the retailer
Unbalanced devices (mono jacks) can also be connected to these inputs.
from whom the equipment was purchased. Should your BEHRINGER dealer not
be located in your vicinity, you may directly contact one of our subsidiaries. Please remember that you can only use either the microphone
Corresponding contact information is included in the original equipment or the line input of a channel at any one time. You can never use
packaging (Global Contact Information/European Contact Information). bothsimultaneously!
Shouldyour country not be listed, please contact the distributor nearest
you. Alist of distributors can be found in the support area of our website INSERT
(behringer.com).
Insert points enable the processing of a signal with dynamic processors or
Registering your purchase and equipment with us helps us process your repair equalizers. They are sourced pre-fader, pre-EQ and pre-aux send. Unlike reverb
claims quicker and more efficiently. or other effects devices, whose signals are usually added to the dry signal,
dynamicprocessors are most effective on the complete signal. In this case,
Thank you for your cooperation!
auxsend paths are a less-than-perfect solution. It is better to interrupt the
signal path and insert a dynamic processor and/or equalizer. After processing,
the signal is routed back to the console at precisely the same point it left.
However, thechannel signal path is interrupted only if a plug is inserted into the
corresponding jack (stereophone plug: tip = signal output; ring = return input).
All mono input channels are equipped with inserts.
Inserts can also be used as pre-EQ direct outputs, without interrupting the signal
path. To this end, you will need a cable fitted with mono phone plugs on the tape
machine or effects device end, and a bridged stereo phone plug on the console
side (tip and ring connected).
6 XENYX X1222USB User Manual

LOW CUT 2.1.3 Aux sends (MON and FX)

The mono channels of the mixing consoles have a high-slope LOW CUT filter for
eliminating unwanted, low-frequency signal components (80 Hz, 18 dB/octave).

GAIN
Use the GAIN control to adjust the input gain. This control should always be
turned fully counter-clockwise whenever you connect or disconnect a signal Fig. 2.3: The AUX SEND controls in the channel strips
source to one of the inputs.
Aux sends take signals via a control from one or more channels and sum these
The scale has 2 different value ranges: the first value range (+10 to +60 dB)
signals to a so-called bus. This bus signal is sent to an aux send connector and
refers to the MIC input and shows the amplification for the signals fed in there.
then routed, for example, to an active monitor speaker or an external effects
The second value range (+10 to -40 dB) refers to the line input and shows device. The return from an external effects device can then be brought back into
its sensitivity. The settings for equipment with standard line-level signals the console via the aux return connectors.
(-10 dBV or +4 dBu) look like this: While the GAIN control is turned all the way
For situations that require effects processing, the aux sends are usually switched
down, connect your equipment. Set the GAIN control to the external devices
post-fader so that the effects volume in a channel corresponds to the position
standard output level. If that unit has an output signal level display, it should
of the channel fader. If this were not the case, the effects signal of the channel
show 0 dB during signal peaks. For +4dBu, turn up GAIN slightly, for -10 dBV a
would remain audible even when the fader is turned to zero.
bit more. Tweaking is done using the LEVEL SET LED.
When setting up a monitor mix, the aux sends are generally switched to
LEVEL SET pre-fader; i.e. they operate independently of the position of the channel fader.
This LED lights up when the optimum operating signal level is achieved. Both aux sends are mono, are sourced after the equalizer and offer up to
Duringnormal use, this LED should only light up during signal peaks. +15 dB gain.
If you press the MUTE switch of the respective channel, aux sends and
COMPRESSOR
returns (MON and FX) are not being muted.
Each mono channel features a built-in compressor which lowers the dynamic
range of the signal and increases its perceived loudness. The loud peaks are MON
squashed down and the quiet sections are boosted.
In the X1222USB, aux send 1 (MON) is wired pre-fader and is thus particularly
Turn the COMP knob clockwise to add more compression effect. The adjacent LED suitable for setting up monitor mixes.
with light when the effect is engaged.
FX
2.1.2 Equalizer
The aux send labeled FX is for feeding external effects devices and is thus set up
All mono input channels include a 3-band equalizer. All bands provide boost or to be post-fader.
cut of up to 15 dB. In the central position, the equalizer is inactive.
In the X1222USB, the FX send is routed directly to the built-in effects processor.
The circuitry of the British EQs is based on the technology used in the best-known Tomake sure that the effects processor receives an input signal, you shouldnt
top-of-the-line consoles and providing a warm sound without any unwanted turn this control all the way to the left (-oo). Dont have the FX MUTE switch
side effects. The result are extremely musical equalizers which, unlike simple pressed, and you should also not have the FX SEND fader pulled down.
equalizers, cause no side effects such as phase shifting or bandwidth limitation,
even with extreme gain settings of 15 dB. 2.1.4 Pan, mute switch and channel fader

Fig. 2.2: The equalizer of the input channels

The upper (HIGH) and the lower band (LOW) are shelving filters that increase
or decrease all frequencies above or below their cut-off frequency. The cut-off
frequencies of the upper and lower band are 12 kHz and 80Hz respectively.
Themid band is configured as a peak filter with a center frequency of 2.5 kHz.
Unlike shelving filters, the peak filter processes a frequency range that extends
upwards and downwards around its middle frequency.

Fig. 2.4: Channel fader and additional control elements

7 XENYX X1222USB User Manual

PAN All stereo channel strips have a GAIN control for level setting. In those channels
in which a mic input is present in the channel, the GAIN control has two scales:
The PAN control determines the position of the channel signal within the stereo
just like in the mono channels, there is a 0 to +40 dB scale that shows the
image. This control features a constant-power characteristic, which means the
preamplification of the mic signal; the +20 to -20 dB scale shows the sensitivity
signal is always maintained at a constant level, irrespective of position in the
for the corresponding input level that is applied to the line input.
stereo panorama.
Both inputs can also be used with balanced or unbalanced connectors.
MUTE
2.2.2 Equalizer stereo channels
Use the MUTE switch to mute the channel. This means that the channel signal
is no longer present in the main mix. However, the aux sends (MON and FX) The equalizer of the stereo channels is, of course, stereo. The filter characteristics
remainactive. and crossover frequencies are the same as those of the mono channels. A stereo
equalizer is always preferable to two mono equalizers if frequency correction of a
MUTE LED stereo signal is needed. There is often a discrepancy between the settings of the
left and the right channels when using separate equalizers.
The MUTE LED indicates that the relevant channel is muted.
2.2.3 Aux sends stereo channels
CLIP LED
In principle, the aux sends of the stereo channels function in just the same way as
The CLIP LED lights up when the input signal is driven too high. In this case,
those of the mono channels. As aux send paths are always mono, the signal on a
lowerapparent frequency increase on the channel EQ to avoid distortion.
stereo channel is first summed to mono before it reaches the aux bus.
Forexample, lower the mids and the highs somewhat to emphasize the bass.
Ifyou dont wish to change the EQ settings under any circumstances, try lowering
2.2.4 Balance, mute switch and channel fader
the GAIN control somewhat (counterclockwise).
If you inserted an external effects processor via the insert connector BAL
(e.g. a dynamic processor), then you should also control its output signal level.
The function of the BAL(ANCE) control corresponds to the PAN control in the
Itshould not be higher than its input signal level (0 dB).
mono channels.
The channel fader determines the level of the channel signal in the main mix.
The balance control determines the relative proportion between the left and
Attention: Since the aux path for the effect processor is connected right input signals before both signals are routed to the main stereo mix bus.
post-fader, the channel fader has to be turned up in order to get this
The MUTE switch, MUTE LED, CLIP LED and channel fader function in the same
channels signal to the effects processor!
way as the mono channels.
2.2 Stereo channels 2.3 Connector panel and main section
2.2.1 Channel inputs Whereas it was useful to trace the signal flow from top to bottom in order to gain
an understanding of the channel strips, we now look at the mixing console from
left to right. The signals are, so to speak, collected from one point on each of the
channel strips and then routed to the main section all together.

2.3.1 Monitor send and FX send channels

Fig. 2.5: Stereo channel inputs

Each stereo channel features two line-level inputs on " connectors for left and
right channels. Channels 9/10 and 11/12 can also be used in mono if you only use
the connector labeled L.
Both channels 5/6 and 7/8 feature an additional balanced XLR input for
microphones with available +48 V phantom power.

Fig. 2.6: Aux send controls of the main section

A channel signal is routed to the MON(ITOR) send bus if the MON control is turned
up on the corresponding channel.
8 XENYX X1222USB User Manual

MON SEND If the connected effects processor receives no input signal, the FX MUTE
switch is probably pressed and/or the FX SEND control is too low.
The aux send control MON SEND acts as master control for the monitor bus and
Thisalso goes for the built-in effects processor.
determines the level of the summed signal that is taken from the mixer via
the MON SEND connector and that can for example be fed to an amplifier for Adjust your external effects processor to 100% wet (effects signal only),
monitorpurposes. because the effects signal is added to the main mix along with the
dry channel signals.
Using the audio signal from this output, you can also feed a subwoofer if you
dont require stage monitors. To this end, you should implement a crossover in
2.3.3 Aux return connectors
your signal path pre-subwoofer and pre-amplifier, so that only low frequencies
are fed into the subwoofer. You can achieve the same effect by using the built-in
graphical equalizer. Lower all frequencies above 160 Hz and assign the equalizer
to Monitor.
When you use the MAIN MIX fader to reduce the overall volume,
keep in mind that the subwoofer is still receiving a signal!
Fig. 2.8: Aux return connectors

FX TO MON
AUX RETURN 1
You can use this control to insert an effects signal from the built-in effects
processor to your monitor mix. Of course, to do this, your effects processor must The AUX RETURN 1 connectors generally serve as the return path for the effects
first receive a signal, i.e. the FX controls in the channel strips must be turned up, mix generated using the FX send. This is where you connect the output signal
and the FX SEND fader (see fig. 2.6) hast to be open. of the external effects device. If only the left connector is used, the aux return 1
automatically operates in mono.
MON MUTE
You can also use these connectors as additional line inputs.
If the MON MUTE switch is pressed, the monitor bus is muted, i.e. there is no
signal at the MON SEND connector. AUX RETURN 2
The AUX RETURN 2 connectors are used exactly the same way as the AUX RETURN
FX SEND
1 connectors. If these connectors already function as additional inputs, you
The FX SEND fader determines the overall level of the effects bus. Both external can route the effects signal back into the console via a different stereo channel,
effects processors (via the FX SEND connector) and the built-in processor only with the added benefit that the channel EQ can be used to adjust the frequency
receive an input signal if this control is open. response of the effects return signal.
In this instance, the FX control of the channel being used as an effects
FX TO MAIN
return should be turned fully counter-clockwise, otherwise feedback
Use the FX TO MAIN control to feed the effects signal into the main mix. problems can occur!
If the control is turned all the way to the left, no effects signal can be heard.
2.3.4 CD/tape return channel, voice canceller and
FX MUTE connection socket
If the FX MUTE switch is pressed, the effects channel is muted, i.e. no signal is
present at the FX SEND connector and the effects processor no longer receives an
input signal.

2.3.2 Monitor send and FX send connector

Fig. 2.7: Aux send connectors MON and FX

MON SEND
Connect the input of your monitor power amp or an active monitor system here
to make the monitor mix audible to the musicians on the stage. The signal mix is
created using the channels MON controls.
Fig. 2.9: CD/tape return channel
FX SEND
This channel, intended especially for connecting stereo signal sources
The FX SEND connector outputs the signal you picked up from the individual
(CD players, DAT recorders or even sound cards) features a particularly
channels using the FX controls. You can connect this to the input of an external
practicalfeature: the VOICE CANCELLER.
effects device in order to process the FX bus master signal. Once an effects mix is
created, the processed signal can then be routed from the effects device outputs
back into the AUX RETURN connectors.
9 XENYX X1222USB User Manual

VOICE CANCELLER CD/TAPE OUTPUT

Here, you have a filter circuitry that lets you almost entirely remove the These connectors are wired pre graphic EQ and pre XPQ surround function.
vocal portion of a recording. The filter is constructed in such a way that voice Theycarry the main mix signal (unbalanced), effects mix included. Connect the
frequencies are targeted without majorly affecting the rest of the signal. CD/TAPE OUTPUT to the inputs of your recording device. If you wish to use your
Additionally, the filter seizes only the middle of the stereo image, exactly there mixer solely for recording purposes, the main outputs are also an alternative.
where the vocals are typically located.
2.3.5 Main mix, main out connectors and
Possible applications for the Voice Canceller are obvious: you can very simply
headphoneconnector
stage background music for Karaoke events. Of course, you can also do this at
home or at your rehearsal room before you hit the stage. Singers with their own
band can practice singing difficult parts using a complete playback from a tape
player or a CD, thus minimizing rehearsal time.

STANDBY
If the STANDBY switch is pressed, all input channels with a mic connector
(XLRconnector) are muted. During breaks or stage conversion, you can prevent
noise from entering the sound system via the microphones. Such noise can in the
worst-case scenario even irreparably damage loudspeaker membranes. The cool
thing about this is that the main mix faders can remain open, so that you can play
music from a CD at the same time. Similarly, the faders for the muted channels
can also remain in their position.
To bring in other sound sources, you can use the CD/tape inputs, stereo input
channels 9 to 12 and the aux return inputs.

CD/TAPE MUTE
Using this switch, the input signal from the CD/tape inputs is muted.
Fig. 2.11: Main mix fader

CD/TAPE RET(URN)
MAIN MIX
This stereo fader assigns the input signal from the CD/tape inputs into the
mainmix. Use the high-precision quality faders to control the output level of the main mix.

Fig. 2.10: 2-track connectors Fig. 2.12: Main out connectors

CD/TAPE INPUT MAIN OUT

The CD/TAPE INPUT RCA connectors are provided for connecting a 2-track The MAIN outputs carry the MAIN MIX signal and are on balanced XLR connectors
machine (e.g. DAT recorder) or also a CD player. They can also be used as stereo with a nominal level of +4 dBu. Depending on how you wish to use your mixer
line input. Alternatively, the output signal of a second XENYX or BEHRINGER and which gear you own, you can connect the following equipment:
ULTRALINK PRO MX882 can also be connected. If you connect a hi-fi amplifier
with a source selection switch to the CD/TAPE INPUT, you can easily switch Live PA systems:
between additional sources (e.g. cassette recorder, MDplayer, sound card etc.).
A stereo dynamics processor (optional), stereo equalizer (optional) and the stereo
Using the voice canceller function, you can process all signals being brought into power amplifier for full-range loud-speakers with passive crossovers.
your mixing console via these connectors.
If you wish to use multi-way loudspeaker systems without an integrated
crossover, you have to use an active crossover and several power amplifiers.
Often, limiters are already built into active crossovers (e.g. BEHRINGER SUPER-X
PRO CX2310 and ULTRADRIVE PRO DCX2496). Active crossovers are implemented
directly before the power amplifier, and they divide the frequency range into
several segments that are first amplified in the amplifiers and then passed onto
the corresponding loudspeakers.
10 XENYX X1222USB User Manual

Recording: Connect microphones before you switch on the phantom power supply.
Please do not connect microphones to the mixer (or the stagebox/
For mastering, using a stereo compressor such as the COMPOSER PRO-XL
wallbox) while the phantom power supply is switched on. In addition,
MDX2600 can be recommended. Use it to custom-tailor the dynamic
the monitor/PA loudspeakers should be muted before you activate the
characteristics of your signal to the dynamic range of the recording equipment
phantom power supply. After switching on, wait approx. one minute to
you are using. The signal is in this case passed on from the compressor into
allow for system stabilization.
therecorder.
LEVEL METER/CLIP
PHONES
The high-precision level meter accurately displays the appropriate signal level.
The PHONES control adjusts the volume of the headphones connected to the
PHONS/CTRL connector. If you connect active monitors or an amplifier, use this
LEVEL SETTING:
connector to adjust the output signal level.
When recording to a digital device, the recorders peak meter should not exceed
0 dB. This is because, unlike analog recordings, slightly excessive levels can create

!! CAUTION!
We would like to draw your attention to the fact that extreme volumes
unpleasant digital distortion.
When recording to an analog device, the VU meters of the recording machine
should reach approx. +3 dB with low-frequency signals (e.g. kick drum). Due to
may damage your hearing and/or your headphones or loudspeakers. their inertia VU meters tend to display too low a signal level at frequencies above
Turn the MAIN MIX faders and the PHONES control in the main section 1 kHz. This is why, for example, a Hi-Hat should only be driven as far as -10dB.
fully down before you switch on the unit. Always be careful to set the Snaredrums should be driven to approx. 0 dB.
appropriate volume.
The peak meters of your XENYX display the level virtually independent
of frequency. A recording level of 0 dB is recommended for all
signaltypes.

Fig. 2.13: PHONS/CTRL connector 2.3.7 USB input/output

PHONS/CTRL connector
You can connect headphones to this " TRS connector. The connector can also
be used for feeding active monitor loudspeakers (or an amplifier) in your control
room. For this purpose, the signal is taken directly before it is passed on to the
main mix faders.
Fig. 2.15: USB input/output
2.3.6 Level meter and level setting
The XENYX mixer line has built-in USB connectivity, allowing stereo signals to
be sent to and from the mixer and a computer. The audio sent from the mixer to
a computer is identical to the MAIN MIX. Audio being sent to the mixer from a
computer can be routed to the main mix with the 2-TR/USB RTN fader.
Connect the USB type B plug into the USB jack on the mixer, and the other end
into a free USB port on your computer. There are no required drivers, but we
recommend that PC users install the included ASIO driver. The driver can also be
downloaded from behringer.com.

2.4 Graphic 7-band equalizer

Fig. 2.14: Level meter

POWER
The blue POWER LED indicates that the device is switched on.

+48 V Fig. 2.16: The graphic stereo equalizer

The red +48 V LED lights up when the phantom power supply is switched
The graphic stereo equalizer allows you to tailor the sound to the room acoustics.
on. The phantom power supply is necessary for condenser microphones and is
activated using the corresponding switch on the rear of the device.
11 XENYX X1222USB User Manual

FBQ FEEDBACK DETECTION PHANTOM

The switch turns on the FBQ Feedback Detection System. It uses the LEDs in the The PHANTOM switch activates the phantom power supply for the XLR
frequency band faders to indicate the critical frequencies. On a per-need basis, microphone inputs, which is required to operate condenser microphones.
lower the frequency range in question somewhat in order to avoid feedback. The red +48 V LED lights up when phantom power is on. As a rule,
Thegraphic stereo equalizer has to be turned on in order to use this function. dynamicmicrophones can still be used with phantom power switched on,
provided that they are wired in a balanced configuration. In case of doubt,
Logically, at least one (ideally several) microphone channels have to be
contact the microphone manufacturer!
open for feedback to occur at all!
Connect microphones before you switch on the phantom power supply.
Feedback is particularly common when stage monitors (wedges) are
Please do not connect microphones to the mixer (or the stagebox/
concerned, because monitors project sound in the direction of microphones.
wallbox) while the phantom power supply is switched on. In addition,
Therefore, you can also use the FBQ Feedback Detection for monitors by placing
the monitor/PA loudspeakers should be muted before you activate the
the equalizer in the monitor bus (see MAIN MIX/MONITOR).
phantom power supply. After switching on, wait approx. one minute to
allow for system stabilization.
EQ IN
Caution! You must never use unbalanced XLR connectors (PIN 1 and 3
Use this switch to activate the graphic equalizer. When activated, the fader LEDs
connected) on the MIC input connectors if you want to use the phantom
will illuminate.
power supply.
MAIN MIX/MONITOR
SERIAL NUMBER
This toggles the graphic equalizer between the main mix and the monitor mix.
Please note the important information on the serial number given in
With the switch up (not depressed), the equalizer is active in stereo on the main
chapter1.3.3.
mix, and inactive on the monitor mix.
When the switch is depressed the equalizer is active in mono on the monitor mix,
and inactive on the main mix. 3. Digital Effects Processor and XPQ
2.5 Rear view of X1222USB Surround Function
3.1 Digital effects processor

Fig. 2.17: Voltage supply and fuse

Fig. 3.1: Effects presets overview

FUSE HOLDER/IEC MAINS RECEPTACLE
The console is connected to the mains via the cable supplied, which meets the 24-BIT MULTI-EFFECTS PROCESSOR
required safety standards. Blown fuses must only be replaced by fuses of the
Here you can find a list of all presets stored in the multi-effects processor.
same type and rating. The mains connection is made via a cable with IEC mains
This built-in effects module produces high-grade standard effects such as
connector. An appropriate mains cable is supplied with the equipment.
reverb, chorus, flanger, delay and various combination effects. The integrated
effects module has the advantage of requiring no wiring. This way, the danger
POWER
of creating ground loops or uneven signal levels is eliminated at the outset,
Use the POWER switch to power up the mixing console. The POWER switch completely simplifying the handling.
should always be in the Off position when you are about to connect your unit
These effect presets are designed to be added to dry signals. If you move the FX
to themains.
TO MAIN control, you mix the channel signal (dry) and the effect signal.
To disconnect the unit from the mains, pull out the main cord plug.
This also goes for mixing effects signals with the monitor mix. The main
Wheninstalling the product, ensure that the plug is easily accessible. If mounting
difference is that the mix ratio is adjusted using the FX TO MON control. Of course,
in a rack, ensure that the mains can be easily disconnected by a plug pull or by an
a signal has to be fed into the effects processor via the FX control in the channel
all-pole disconnect switch on or near the rack.
strip for both applications.
Attention: The POWER switch does not fully disconnect the unit from
the mains. Unplug the power cord completely when the unit is not used
for prolonged periods of time.
Fig. 3.2: Connection socket for the footswitch
12 XENYX X1222USB User Manual

FOOTSWITCH
" TS footswitch connector
Connect a standard footswitch to the footswitch connector; use this to switch the strain relief clamp
effects processor on and off. A flashing dot at the bottom of the display indicates
sleeve
if the effects processor is muted via the footswitch.
tip
In chapter 4.2, you will find an illustration showing how to connect
your footswitch correctly.

sleeve
pole 1/ground

tip
pole 2
Fig. 3.3: Digital Effects module and XPQ Surround Function control elements
The footswitch connects both poles momentarily

LEVEL
Fig. 4.1: " TS footswitch connector
The LED level meter on the effects module should display a sufficiently high
level. Take care to ensure that the clip LED only lights up at peak levels. If it is
4.2.1 Audio connections
lit constantly, you are overloading the effects processor and this could cause
unpleasant distortion. The FX SEND fader determines the level that reaches the Please use commercial RCA cables to wire the 2-track inputs and outputs.
effects module.
You can, of course, also connect unbalanced devices to the balanced input/
outputs. Use either mono plugs, or ensure that ring and sleeve are bridged inside
PROGRAM
the stereo plug (or pins 1 & 3 in the case of XLR connectors).
You can select the effect preset by turning the PROGRAM control. The display
Caution! You must never use unbalanced XLR connectors (pins 1 and
flashes the number of the current preset. To recall the selected preset, pressthe
3 connected) on the MIC inputs if you intend to use the phantom
button; the flashing stops. You can also recall the selected preset using
powersupply.
thefootswitch.
Balanced use with XLR connectors
3.2 XPQ surround function
The surround function can be enabled/disabled with the XPQTOMAIN switch. 2 1
This is a built-in effect that widens the stereo width, thus making the sound more 3

lively and transparent. Use the SURROUND control to determine the intensity of
this effect. input
1 = ground/shield
2 = hot (+ve)
3 = cold (-ve)
4. Installation
1 2

4.1 Rack mounting 3

The packaging of your mixing console contains two 19" rack mount brackets output
which can be installed on the side panels of the console. For unbalanced use, pin 1 and pin 3
have to be bridged
Before you can attach the rack mount brackets to the mixing console, you need
to remove the screws holding the left and right side panels. Use these screws to Fig. 4.2: XLR connections
fasten the two brackets onto the console, being careful to note that each bracket
fits a specific side. With the rack mount brackets installed, you can mount the
mixing console in a commercially available 19" rack. Be sure to allow for proper Unbalanced " TS connector
air flow around the unit, and do not place the mixing console close to radiators or strain relief clamp

power amps, so as to avoid overheating. sleeve

Only use the screws holding the mixing console side panels to fasten tip
the 19" rack mounts.

4.2 Cable connections sleeve

(ground/shield)
You will need a large number of cables for the various connections to and from
the console. The following illustrations show the wiring of these cables. Be sure
to use only high-grade cables.
tip
(signal)

Fig. 4.3: " TS connector

13 XENYX X1222USB User Manual

Balanced " TRS connector

5. Specifications
strain relief clamp
Mono Inputs
sleeve
ring
tip
Microphone Inputs (XENYX Mic Preamp)
Type XLR, electronically balanced,
discrete input circuitry
sleeve Mic E.I.N. (20 Hz - 20 kHz)
ground/shield
@ 0 source resistance -134 dB / 135.7 dB A-weighted
ring
cold (-ve) @ 50 source resistance -131 dB / 133.5 dB A-weighted
tip
hot (+ve) @ 150 source resistance -129 dB / 130.5 dB A-weighted
For connection of balanced and unbalanced plugs,
ring and sleeve have to be bridged at the stereo plug. Frequency response <10 Hz - 150 kHz (-1 dB),
<10 Hz - 200 kHz (-3 dB)
Fig. 4.4: " TRS connector
Gain range +10 to +60 dB
Max. input level +12 dBu @ +10 dB Gain
Insert send return " TRS connector
strain relief clamp Impedance approx. 2.6 k balanced
sleeve Signal-to-noise ratio 110 dB / 112 dB A-weighted
ring
tip
(0 dBu In @ +22 dB Gain)
Distortion (THD + N) 0.005% / 0.004% A-weighted

sleeve Line Input

ground/shield
Type " TRS connector,
ring
return (in) electronicallybalanced
tip
send (out) Impedance approx. 20 k balanced
Connect the insert send with the input and the
approx. 10 k unbalanced
insert return with the output of the effects device.
Gain range -10 to +40 dB
Fig. 4.5: Insert send return " TRS connector Max. input level +22 dBu @ 0 dB Gain

Fade-Out Attenuation (Crosstalk Attenuation)

" TRS headphones connector
strain relief clamp Main fader closed 98 dB
sleeve
ring Channel muted 85 dB
tip
Channel fader muted 85 dB
Frequency Response
sleeve
ground/shield
Microphone input to main out
<10 Hz - 90 kHz +0 dB / -1 dB
ring
right signal <10 Hz - 160 kHz +0 dB / -3 dB
tip
left signal
Stereo Inputs
Fig. 4.6: " TRS connector for headphones
Channels 5/6, 7/8
Microphone input
Type XLR microphone connector,
electronically balanced
Impedance approx. 2.6 k balanced
Gain range 0 dB to +40 dB
Max. input level +2 dBu
14 XENYX X1222USB User Manual

Channels 9/10, 11/12 CD/Tape Out

Stereo line inputs Type RCA connectors
Type 2 x " TRS connector, unbalanced Impedance approx. 1 k
Impedance approx. 40 k @ 0 dB Gain Max. output level +22 dBu
Gain range -20 dB to +20 dB DSP Texas Instruments
Max. input level +22 dBu @ 0 dB Gain Converter 24-bit Sigma-Delta
64/128-times oversampling
CD/Tape In Sampling rate 40 kHz
Type RCA connectors
USB
Impedance approx. 10 k
Audio Stereo In/Out
Max. input level +22 dBu
Connector Type B
EQ Mono Channels
Converter 16-bit
Low 80 Hz / 15 dB
Sample Rate 48 kHz
Mid 2.5 kHz / 15 dB
High 12 kHz / 15 dB Main Mix System Data
Low cut 80 Hz, 18 dB/oct.
Noise
EQ Stereo Channels
Main mix @ -, -99 dB
Low 80 Hz / 15 dB Channel fader - -101 dB A-weighted
Mid 2.5 kHz / 15 dB Main mix @ 0 dB, -84 dB
Channel fader - -87 dB A-weighted
High 12 kHz / 15 dB
Main mix @ 0 dB, -80 dB
MON/FX Send
Channel fader @ 0 dB -82 dB A-weighted
Type " TS connector, unbalanced
Impedance approx. 120 Power Supply

Max. output level +22 dBu Mains Voltage 100 - 240 V~, 50 - 60 Hz
Aux Returns Power consumption 40 W
Type " TRS connector, unbalanced Fuse T 1.6 A H 250 V
Impedance approx. 10 k Mains connection Standard IEC receptacle
Max. input level +22 dBu
Physical
Main Outputs
Dimensions (W x D x H) approx. 14.56 x 13 x 3.54"
Type XLR, electronically balanced
approx. 370 x 330 x 90 mm
Impedance approx. 240 balanced
Weight (net) approx. 9.3 lbs.
approx. 120 unbalanced
approx. 4.22 kg
Max. output level +28 dBu
Measuring conditions:
Headphone Output
1: 1 kHz rel. to 0 dBu; 20 Hz - 20 kHz; line input; main output; unity gain.
Type " TRS connector, unbalanced 2: 20 Hz - 20kHz; measured at main output. Channels 1 - 4 unity gain; EQ flat; all channels on main mix;
channels 1/3 as far left as possible, channels 2/4 as far right as possible. Reference = +6 dBu.
Max. output level +19 dBu / 150 (+25 dBm)
BEHRINGER is constantly striving to manintain the highest professional standards. As a result of these efforts,
modifications may be made from time to time to existing products without prior notice. Specifications and
appearance may differ from those listed or illustrated.
15 XENYX X1222USB User Manual

FEDERAL COMMUNICATIONS
COMMISSION COMPLIANCE
INFORMATION

XENYX X1222USB

Responsible Party Name: MUSIC Group Services US Inc.

Address: 18912 North Creek Parkway,
Suite 200 Bothell, WA 98011,
USA
Phone/Fax No.: Phone: +1 425 672 0816
Fax: +1 425 673 7647

XENYX X1222USB
complies with the FCC rules as mentioned in the followingparagraph:
This equipment has been tested and found to comply with the limits for a ClassB
digital device, pursuant to part 15 of the FCC Rules. These limits are designed
to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses and can radiate radio frequency
energy and, if not installed and used in accordance with the instructions, may cause
harmful interference to radio communications. However, there is no guarantee that
interference will not occur in a particular installation. If this equipment does cause
harmful interference to radio or television reception, which can be determined
by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the followingmeasures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the
receiver is connected.
Consult the dealer or an experienced radio/TV technician forhelp.
This device complies with Part 15 of the FCC rules. Operation is subject to the
following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may
cause undesired operation.

Important information:
Changes or modifications to the equipment not expressly approved by MUSIC Group
can void the users authority to use the equipment.
We Hear You