Superlux 2012 Catalogue
Superlux 2012 Catalogue
Superlux 2012 Catalogue
Starting from a bachelor apartment just 30 years ago, the Superlux company is now a modern manufacturer
occupying a 8.65-acre (350 Ares) site in the heart of Shanghai city. We do not stop there. We are currently
building a brand new 57.66-acre (2333 Ares) facility in the Superlux industrial zone at Lan-Yuan port, China. This
growth would not have been possible without the strong commitment throughout the years of you, our friends and
partners. We cherish every opportunity when we can work together to bring the greatest products to the users.
Value in Sound is our core belief, continually motivating us to go forward. Our best reward is to hear you say,
"Wow, Superlux products are a really great value!” Then all our efforts have been worthwhile.
We insist on doing the right thing and doing it right from start to nish. We focus on electronic audio products, R&D
and production. From the input to the output, from the microphones, ampli ers and headphones to the speakers,
we have a very complete product line. Our strengths are a high production rate, a global hub logistics center and
an ERP internal control system. Our management team integrates R&D, production, marketing and sales so we
can always provide a total solution for our customers.
An important part of our R & D is Mr Pan Zheng Yuan who was invited to join the Superlux team in1996. Mr. Pan
is from a pioneering microphone family who successfully developed the rst condenser microphone in China 60
years ago. Following in his father's footsteps, Mr. Pan has worked on developing electroacoustic products for 48
years and is a master technician who is truly passionate about his art. His expertise has proved invaluable and he
is truly an inspiration to everybody in the R & D team at Superlux.
Superlux is a company who thinks highly of our employees' training and benefits. Through daily exercise, we
motivate our people and grow together to create a strong team, one of the best in the industry. We have a very
long vision for the electronic audio industry, and hope to create even more value for you, our friends and partners.
Your friend,
2
Locations of Superlux
3
Contents
4
Appendix
5
Recording
Broadcast
USB Products
Recording Microphones
CMH8D
CMH8D
CMH8D
CMH8G
Vacuum Tube Condenser, Large Diaphragm
This dual 1" large diaphragm, true condenser, low noise microphone is
CMH8G
CMH8D Front
Rear
Dual diaphragm and switches between omni and cardioid directivity.
CMH8G
CMH8G
Model No. CMH8D CMH8G
Dual diaphragm structure with remote 9 directivity variations. Type Vacuum tube true condenser, Vacuum tube true condenser,
Ø1" (Ø25.4 mm) dual diaphragm Ø1" (Ø25.4 mm) dual diaphragm
Polar Pattern Omni/ Cardioid 9 directivity variations
Optional Accessories
HM7C Shock Mount HM8 Adapter
Packaging A3 aluminum carrying case A3 aluminum carrying case
colorful outer packaging colorful outer packaging
8
Recording
CMH8A
CMH8B
CMH8A
CMH8B
CMH8C
Large Diaphragm, Variable Directivity, Flat Response
CMH8A
CMH8B
This mic also has a built-in HPF to reduce unwanted lower frequency
sounds such as footsteps and air-handler noises and a -10dB pad
switch for high SPL instrument. The CMH8B is the middle priced unit
for who do not need multi-directivity. CMH8C
CMH8C
The CMH8C is the full-featured version, having a dual diaphragm for
3 switchable polar patterns. A built-in HPF reduces those unwanted
Model No. CMH8A CMH8B CMH8C
low frequency rumbles while the -10dB pad switch effectively reduces
Type True condenser, True condenser, True condenser,
high SPL for better sound pick up. The CMH8C is a great recording Ø1" (Ø25.4 mm) Ø1" (Ø25.4 mm) Ø1" (Ø25.4 mm),
microphone with extended frequency response, low distortion, low dual diaphragm
noise and high dynamic range, and will meet the critical demands of Polar Pattern Cardioid Cardioid Variable polar pattern
SMKH8A stereo kit, matched pair of CMH8A Packaging A3 protective carrying A3 protective carrying A3 protective carrying
case, colorful outer case, colorful outer case, colorful outer
SMKH8B stereo kit, matched pair of CMH8B
packaging packaging packaging
SMKH8C stereo kit, matched pair of CMH8C
9
CMH8AH
CMH8BH
CMH8AH
CMH8BH
CMH8CH
Large Diaphragm, "Smile Curve" Frequency Response
CMH8CH Cardioid, Figure 8, & Omni patterns, external -10 dB pad and
low-cut switches
Model No. CMH8AH CMH8BH CMH8CH
Type True condenser, True condenser, True condenser,
Ø1" (Ø25.4 mm) Ø1" (Ø25.4 mm) Ø1" (Ø25.4 mm),
Polar Control Low Cut -10 dB PAD dual diaphragm
Polar Pattern Cardioid Cardioid Figure 8/ Cardioid/ Omni
Frequency Response 30-20,000 Hz 30-20,000 Hz 30-20,000 Hz
Low Frequency Filter 100 Hz (internal) 100 Hz 100 Hz
Pad N/A -10 dB -10 dB
Sensitivity -34 dBV/Pa (20 mV) -34 dBV/Pa (20 mV) -30.5 / -35.4 / -30.5 dBV/
Pa (30 / 17 / 30 mV)
Output Impedance
Min. Load Impedance
S/N Ratio 76 dB 76 dB 80 / 76 / 80 dB
Equivalent Output Noise 18 dB 18 dB 14 / 18 / 14 dB
Max. SPL 132 dB SPL 142 dB SPL 138 / 142 / 138 dB SPL
Dynamic Range 114 dB 124 dB 124 dB
Power Requirements 48 VDC, 2.7 mA 48 VDC, 2.7 mA 48 VDC, 4 mA
Finish Black Black Black
Connector XLR3M XLR3M XLR3M
Dimensions Ø54 × 200 mm Ø54 × 200 mm Ø54 × 200 mm
Ø2.13" × 7.87" Ø2.13" × 7.87" Ø2.13" × 7.87"
Net Weight 550 g (19.4 oz) 550 g (19.4 oz) 567 g (20 oz)
Accessories Furnished HM8B adapter, YA2 threaded adapter, S65 windscreen, HM26A shock mount
Optional Accessories
MS158 big mic stand
HM26A shock mount
Packaging A5 protective carrying A5 protective carrying A5 protective carrying
case, colorful outer case, colorful outer case, colorful outer
packaging packaging packaging
10
Recording
PRO238MKII NEW
S125 WL
1" True Condenser Vocal Microphone 1/2" True Condenser Vocal Microphone
Vocal / Studio / Live Recording / Strings / Winds / Piano / Percussion Studio Recording / Live Recording / Vocal / Strings / Winds /
Percussion
The PRO238MKII is a handheld large diaphragm condenser microphone
with an improved mechanical structure to lower handling noise. Its The S125 is a 1/2" gold-evaporated diaphragm true condenser studio-
modular design makes it easy to remove/restore the capsule. The built- grade microphone with extended frequency response, high definition
vocal texture, accurate impact transient details, triple-layer windscreen
letting the artist perform comfortably while holding the PRO238MKII. to prevent close miking pop sound.
Thanks to its wide and extended frequency and optimized damping, the
PRO238MKII exhibits a natural and lively sound. The PRO238MKII is the 1/2" gold-coated diaphragm
best microphone for live sound, broadcasting, and recording Built-in -10 dB pad switch
1" gold-coated diaphragm Protective rubber cover on switch window to prevent accidental change
Low handling noise Wide and uniform frequency response
Built-in low cut switch Shock mount capsule, very low handling noise
Warm, detailed sound suitable for vocals Conductive shielding, extremely low inherent noise and RF immunity.
Extended frequency response with mid-high band emphasis tailors
frequency response WL Wireless Please refer to the page 95
High dynamic range, low distortion
Type True condenser, Ø1" (Ø25.4 mm) Type True condenser, Ø1/2" (Ø12.7 mm)
Polar Pattern Cardioid Polar Pattern Cardioid
Frequency Response 20-20,000 Hz Frequency Response 20-20,000 Hz
Low Frequency Filter 100 Hz@12 dB/oct Low Frequency Filter 150 Hz (18 dB/oct)
Sensitivity -40 dBV/Pa (10 mV) Pad -10 dB
Output Impedance Sensitivity -45 dBV/Pa (5.6 mV)
Min. Load Impedance Output Impedance
S/N Ratio 78 dB Min. Load Impedance
Equivalent Output Noise 16 dB S/N Ratio 76 dB
Max. SPL 136 dB SPL Equivalent Output Noise 18 dB
Dynamic Range 120 dB Max. SPL 148 dB SPL
Power Requirements 48V DC, < 3.5 mA Dynamic Range 130 dB
Finish Titanium grey Power Requirements 48V DC, 3.5 mA
Connector XLR3M Finish Titanium grey
Dimensions Ø50 × 182 mm (Ø1.97" × 7.17") Connector XLR3M
Net Weight 350 g (12.3 oz) Dimensions Ø48 × 180 mm (Ø1.89" × 7.09")
Accessories Furnished S58 windscreen Net Weight 350 g (12.3 oz)
HM38S mic clip with screw knob Accessories Furnished HM38S mic clips with screw knob
YA2 threaded adapter, pouch YA2 threaded adapter
Optional Accessories PS2 A phantom power supply Pouch
Optional Accessories S40 windscreen
HM26B shock mount PS2A phantom power supply
Packaging Colorful outer packaging Packaging Colorful outer packaging
11
PRO238MKII S125
S241
1/2" True Condenser
to change from cardioid to omni polar pattern as needed. The S241 is an ideal
candidate for capturing the transient sounds from acoustic guitars, snare drums,
hi-hats and overheads. All these features make the S241 a great tool for rental
companies as standard equipment.
CMH8K
CMH8K
Classical Music Recording / Location Recording / Studio Recording Live Recording / Lead Vocal / Strings / Acoustic Guitar / Piano /
/ Drums Recording Brass / Woodwinds / Percussion
Utilizing the most popular stereo recording microphone technique, The CMH8K series is a pencil-type back electret condenser microphone
the S502 combines a pair of matched cardioid capsules in the ORTF with a inter-changeable capsule, good electro-acoustic characteristics
arrangement, saving a lot of time to find that sweet spot for stereo and compact size. Its modular capsule design allows the user to change
recording. Superlux has combined the ORTF technique with its from cardioid to super cardioid or omni polar patterns as needed. The
successful S241 and S125 1/2" true condenser technology to develop CMH8K series are suitable for the recording or live sound reinforcement
the S502 as a straight-forward design to provide experienced engineers of mid-high frequency instruments.
the most convenient solution for stereo recording.
Good transient response
1/2" gold-evaporated diaphragm High dynamic range, low distortion
Delicate sound
Sturdy metal body
Balanced output CMH8K/U/H/O: 3-Capsule pack with 1 each of the cardioid, super-
cardioid and omni capsules
SMKH8K: Stereo pack with a pair of CMH8KU and one HM15 adapter
The ORTF stereo record mode please refer to the appendix of stereo CMH8KU: Includes cardioid capsule
techniques. CMH8KH: Includes supercardioid capsule
CMH8KO: Includes omni capsule
Type True condenser, Ø1/2" (Ø12.7 mm) matched pair Type Back electret, Ø16 mm (Ø0.63")
Polar Pattern Cardioid Polar Pattern Cardioid, Supercardioid, Figure 8
Frequency Response 40-20,000 Hz Frequency Response 40-20,000 Hz
Sensitivity -36 dBV/Pa (15.8 mV) Sensitivity -40 dBV/Pa (10 mV)
Output Impedance Output Impedance
Min. Load Impedance Min. Load Impedance
S/N Ratio 76 dB S/N Ratio 72 dB
Equivalent Output Noise 18 dB Equivalent Output Noise 22 dB
Max. SPL 135 dB SPL Max. SPL 134 dB SPL
Dynamic Range 117 dB Dynamic Range 112 dB
Power Requirements 48V DC, 4.5 mA Power Requirements 48V DC, 3.5 mA
Finish Black Finish Champagne silver
Connector XLR5M Connector XLR3M
Dimensions Capsule: Ø22.5 mm (Ø0.89") Dimensions Ø20 × 150 mm (Ø0.79" × 5.91" )
(W,H) 184.5 mm, 66.8 mm (7.26", 2.63") Net Weight 170 g (6 oz)
Net Weight 245 g (8.6 oz) Accessories Furnished HM32 shock mount
Accessories Furnished HM30 shock mount YA2 threaded adapter
YA2 treaded adapter S08F windscreen, O-ring × 2
2 × S20 windscreen Optional Accessories HM33 shock mount
FM0.6AMM 0.6-meter PS2B phantom power supply
5-pin XLR-3M~2 × XLR-3M cable
Packaging A3 protective carrying case
Packaging A3 protective carrying case Colorful outer packaging
Colorful outer packaging
CMH8K 13
S502
E202 NEW
E524D STEREO
Lead Vocal / Strings / Acoustic Guitar / Piano / Brass / Woodwinds / Live Sound / Recording Studio / Strings / Piano / Woodwinds /
Percussions Percussion
Type Back electret, Ø16 mm (Ø0.63") Type Back electret, Ø16 mm (Ø0.63") (matched pair capsule )
Polar Pattern Supercardioid Polar Pattern Cardioid
Frequency Response 30-18,000 Hz Frequency Response 40-18,000 Hz
Sensitivity -47 dBV/Pa (4.5 mV) Sensitivity -48 dBV/Pa (4 mV)
Output Impedance Output Impedance
Min. Load Impedance Min. Load Impedance
S/N Ratio 72 dB S/N Ratio 72 dB
Equivalent Output Noise 22 dB Equivalent Output Noise 22 dB
Max. SPL 134 dB SPL Max. SPL 134 dB SPL
Dynamic Range 112 dB Dynamic Range 112 dB
Power Requirements 12-52V DC, 3.5 mA Power Requirements Phantom: 12-52V DC, 2 mA Battery: 1.5V AA/UM3, 2 mA
Finish Black Finish Titanium grey
Connector XLR3M Connector XLR5M
Dimensions Ø54 × 156.5 mm Dimensions Capsule Ø23.5 mm ( Ø0.93")
Ø2.13" × 6.16" (W × H)78 mm × 216 mm (3.07" × 8.5")
Net Weight 140 g (4.9 oz) Net Weight 340 g (12 oz)
Accessories Furnished HM8 adapter Accessories Furnished HM38 mic clip
YA2 threaded adapter DS01 table stand
Pouch S25 windscreen, pouch
Optional Accessories HM26A shock mount 1.5V AA alkaline battery
FM5AMM 5-meter mic cable with XLR-5F~2 × XLR3M
Packaging Colorful outer packaging
connectors
Optional Accessories HM40C camera adapter
Packaging A4 protective carrying case, colorful outer packaging
14
E202 E524D
Broadcast
Broadcast Microphones
Classical Active
Ribbon Microphone
Pouch
Optional Accessories PS2A phantom power supply, HM48B. HM58B table arm
Packaging A3 protective aluminum carrying A4 protective carrying case,
case, colorful outer packaging colorful outer packaging
15
E523D
Speech / Broadcast / String / Brass Broadcast / TV / Pro Recording / Outdoor Production / Handheld
Digital Recording
Type True condenser, Ø1" (Ø25.4 mm) Type Back electret, Ø9.7 mm (Ø0.38")
Polar Pattern Cardioid Polar Pattern Cardioid
Frequency Response 30-20,000 Hz Frequency Response 50-18,000 Hz
Low Frequency Filter 100 Hz, 150 Hz Low Frequency Filter 150 Hz
Pad -10 dB Sensitivity -47 dBV/Pa (4.4 mV)
Sensitivity -38 dBV/Pa (12 mV) Output Impedance
Output Impedance Min. Load Impedace
Minimum Output Impedance S/N Ratio 70 dB
S/N Ratio 76 dB Equivalent Output Noise 24 dB
Equivalent Output Noise 18 dB Max. SPL 126 dB SPL
Max. SPL 145 dB SPL Dynamic Range 102 dB
Dynamic Range 127 dB Power Requirements 12-52V DC, 2 mA, battery1.5V AA/UM3, 2 mA
Power Requirements 48V DC, 2.7 mA Finish Titanium grey
Finish Champagne silver Connector XLR5M
Connector XLR3M Dimensions Capsule: 64 × 38 mm (2.52" × 1.5")
Dimensions Ø54 × 200 mm (Ø2.13" × 7.87") Body: Ø23.5 × 218 mm (Ø0.93" × 8.58")
Net Weight 600 g (21.1 oz) Net Weight 340 g (12 oz)
Accessories Furnished U bracket (cable clip included) Accessories Furnished HM38S mic clip with screw knob
YA2 threaded adapter
Optional Accessories PS2A phantom power supply S50 windscreen
S65 windscreen FM5AMM 5-meter mic cable with XLR5F~2 × XLR3M
HM48B table arm Battery 1.5V, AA alkaline
HM58B table arm Pouch
Packaging Colorful outer packaging Optional Accessories HM40C camera microphone shock mount
YA10 camera adapter
Packaging Colorful outer packaging
16
CMH8E E523D
Broadcast
PRA318S / L PRA118S / L
Omni Interview Shotgun Microphone
SNG / ENG / Interview Film / EFP / ENG / SNG / Theater / Live Sound
The PRA318L/S are Omni dynamic microphones for SNG, with a light The PRA118 shotgun is a highly directional pro electret condenser
weight aluminum alloy body, lengthened handle for easy reach and microphone with a specifically tuned frequency response, making it
no proximity effect for the best speech recognition. It easily meets the
requirements of professionals for an all-purpose interview microphone. productions, theater sound reinforcement and SNG/ENG tasks.
PRA118S
17
PRA318S/L PRA118L
MS Stereo
Film / EFP/ ENG / SNG / Theater / Live Sound Film / EFP/ ENG / SNG / Theater / Live Sound
on/off
18
PRA116B E525S/L
USB Products
USB
Microphones
MS Stereo
E207U NEW
E502U NEW STEREO
The E207U is a high quality condenser microphone with an advanced The E502U is a combination of a high quality MS stereo condenser
A/D and USB interface which gives you digital recording capabilities microphone and an advanced A/D and USB interface, giving you
instantly with no external digital interface or software driver required. digital recording capabilities instantly with no external digital interface
It is USB compatible with Mac, Windows, and most DAW software or software driver required. It is USB compatible with Mac, Windows,
programs, including GarageBand. The E207U offers premium quality and most DAW software programs, including GarageBand. The E502U
audio recording with ease and mobility, and with its mic stand mount offers premium quality audio recording with ease and mobility, and with
adapter and 9.8 ft. (3-meter) USB cable, the E207U is a valuable kit for its mic stand mount adapter and 9.8 ft. (3-meter) USB cable, the E502U
any project studio. is a valuable kit for any project studio. For more information about MS
stereo recording, please refer to the Stereo Recording Techniques in the
Appendix.
Plug in and start recording, no drivers required
Up to 16 bit / 48 kHz sampling MS stereo matched pair capsules with both cardioid and bi-directional
Powered by USB power, no external power required directivities
Headphone output and volume control
Includes mic stand adapter, USB cable, and threaded adapter Plug in and start recording, no drivers required
Up to 16 bit / 48 kHz sampling
Powered by USB power, no external power required
Includes mic stand adapter, USB cable, and threaded adapter
Type Back electret, Ø14 mm (Ø0.55") Type Back electret, Ø14 mm (Ø0.55")
Polar Pattern Cardioid Polar Pattern Cardioid + Figure 8 (MS)
Frequency Response 20-20,000 Hz Frequency Response 20-20,000 Hz
Sensitivity (at 1,000 Hz Open -42 dBV/Pa (7.9 mV) Sensitivity (at 1,000 Hz Open -42 dBV/Pa (7.9 mV)
Circuit Voltage) Circuit Voltage)
Max. SPL 137 dB SPL Max. SPL 137 dB SPL
Power Requirements USB 5V, <30 mA Power Requirements USB 5V, <30 mA
Resolution Up to 16 bit/48k Hz sampling rate Resolution Up to 16 bit/48k Hz sampling rate
Finish Champagne silver Finish Champagne silver
Connector USB B-TYPE Connector USB B-TYPE
Dimensions Ø55 × 156 mm (Ø2.16" × 6.14") Dimensions Ø55 × 156 mm (Ø2.16" × 6.14")
Net Weight 220 g (7.75 oz) Net Weight 220 g (7.75 oz)
Accessories Furnished 3-meter USB cable Accessories Furnished 3-meter USB cable
HM8 adapter HM8 adapter
YA2 threaded adapter YA2 threaded adapter
Packaging Colorful outer packaging Packaging Colorful outer packaging
19
E502U
E503U NEW STEREO
E201U NEW
Broadcasting / Field Recording / Digital Flash Recorder Professional Recording / Acoustic Guitar / Eastern and Western
Instruments / Brass / Strings / Piano / Percussions / Vocal
The E503U is a combination of high quality XY stereo condenser
microphone and advanced A/D and USB interface, giving you instant The E201U is a combination of the popular Superlux E124D condenser
digital recording with no external digital interface or software driver instrument microphone and an advanced A/D and USB interface, giving
required. It is USB compatible with Mac, Windows and most DAW you instant digital recording with no external digital interface or software
software programs, including GarageBand. The E503U offers premium driver required. Its high sensitivity and flat response back electret
quality audio recording with ease and mobility, and with its mic clip, condenser capsule makes it a good solution for acoustic instruments
windscreen, 9.8 ft. (3-meter) USB cable, and soft pouch, the E503U and vocals, especially for strings and cello. Whether for instrument or
is ideal for amateurs, professionals and project studios. For more vocal recording, the E201U will meet the demands of critical professional
information about XY stereo recording, please refer to the Stereo engineers. With an included mic clip, windscreen, 9.8 ft. (3-meter) USB
Recording Techniques in the Appendix. cable, and soft pouch, the E201U is a valuable addition to any studio.
Type Back electret, Ø9.7 mm (Ø0.38") Type Back electret, Ø9.7 mm (Ø0.38")
Polar Pattern Cardioid + Cardioid (XY) Polar Pattern Cardioid
Frequency Response 50-18,000 Hz Frequency Response 40-18,000 Hz
Sensitivity (at 1,000 Hz Open -42 dBV/Pa (7.9 mV) Sensitivity (at 1,000 Hz Open -42 dBV/Pa (7.9 mV)
Circuit Voltage) Circuit Voltage)
Max. SPL 137 dB SPL Max. SPL 137 dB SPL
Power Requirements USB 5V, <30 mA Power Requirements USB 5V, <30 mA
Resolution Up to 16 bit/48k Hz sampling rate Resolution Up to 16 bit/48k Hz sampling rate
Finish Champagne silver Finish Champagne silver
Connector USB B-TYPE Connector USB B-TYPE
Dimensions Grille net 64 × 52 mm, Ø24.5 × 187 mm Dimensions Ø31 (24) × 155 mm (Ø1.22" (0.94") × 6.1")
(2.52" × 2.05", Ø0.97" × 7.36") Net Weight 130 g (4.58 oz)
Net Weight 230 g (8.1 oz) Accessories Furnished USB cable
Accessories Furnished 3-meter USB cable HM38S mic clip with screw knob
HM38S mic clip with screw knob YA2 threaded adapter
YA2 threaded adapter S09 windscreeen
S50 windscreen Nylon bag
Pouch Optional Accessories HM32S shock mount, HM26B shock mount
Optional Accessories HM26B shock mount Packaging Colorful outer packaging
Packaging Colorful outer packaging
20 E201U
E503U
USB Products
D201U NEW
Type Dynamic
Polar Pattern Omni
Frequency Response 50-15,000Hz
Sensitivity (at 1,000 Hz Open -56 dBV/Pa (1.6 mV)
Circuit Voltage)
Max. SPL 140 dB SPL
Power Requirements USB 5V, <30 mA
Resolution Up to 16 bit/48k Hz sampling rate
Finish Champagne silver
Connector USB B-TYPE
Dimensions Ø36 × 203 mm (Ø1.42" × 8")
Net Weight 160 g (5.6 oz)
Accessories Furnished 3-meter USB cable
HM30 shock mount
YA2 threaded adapter
S07 windscreen
Optional Accessories HM6 table stand, HM26B shock mount
Packaging Colorful outer packaging
21
D201U
Clip onto a laptop
E204U NEW
E30AU NEW
Type Back electrect, Ø14 mm (Ø 0.55") Type Back electret, Ø9.7 mm (Ø0.39")
Polar Pattern Cardioid Polar Pattern Cardioid
Frequency Response 20-18,000 Hz Frequency Response 20-18,000 Hz
Sensitivity -42 dBV/Pa (1.8 mV) Sensitivity (at 1,000 Hz Open -40 dBV/Pa (10 mV)
Max. SPL 136 dB SPL Circuit Voltage)
Power Requirements USB 5V, <75 mA Max. SPL 133 dB SPL
Resolution Up to 16 bit/48k Hz sampling rate Power Requirements USB 5V, 70 mA
Finish Chrome plated Resolution Up to 16 bit/48k Hz sampling rate
Connector USB B-TYPE Finish Black
Dimensions (W × H × D) 56 × 191 × 67.5 mm Connector USB Mini B-Type, 3.5 mm (1/8")TRS mini stereo plug
2.2" × 7.5" × 2.66" Dimensions Grille net: Ø47 mm (1.86")
Net Weight 520 g (18.3 oz) Height with table stand: 147.5 mm (5.81")
Diameter of table stand: Ø39 mm (Ø1.54")
Accessories Furnished 3-meter USB cable
YA2 threaded adapter Net Weight 265 g (9.3 oz)
Protective pouch Accessories Furnished HD381B in-ear headphones
Optional Accessories HM6 table stand 1.5-meter USB cable
DS02 table stand
Packaging Colorful outer packaging
Packaging Colorful outer packaging
22
E30AU
USB Products
D303UT NEW
E203UT NEW
The D303UT is a combination of a professional dynamic microphone The E203UT is a combination of professional condenser microphone
and USB digital interface, providing clear, bright and highly intelligible and USB digital interface, providing a clear, bright and highly intelligible
voice reproduction. It's perfect for podcasts or music recording. The voice reproduction. It's perfect for podcasts or music recording. The
D303UT also has an analog output for connecting to an analog preamp E203UT also provides an analog output for connecting to an analog
for use as a traditional microphone. Furnished with a HD381B in-ear preamp for use as a traditional microphone. Furnished with an HD381B
headphone, the D303UT gives you extra value , allowing you to monitor in-ear headphone, the E203UT gives you extra value, allowing you to
your music or conversation at no additional expense. monitor your music or conversation at no additional expense.
With its table stand, the D303UT can sit on a desk for podcasting
With its table stand, the E203UT can sit on a desk for podcasting or
or interview recording. With 16 bit / 48k Hz resolution plus Mac and
interview recording. Featuring 16 bit / 48k Hz resolution plus Mac
Windows compatibility with no drivers required, the D303UT is a
and Windows compatibility with no drivers required, the D303UT is a
convenient kit for quick and easy computer recording.
convenient kit for quick and easy computer recording.
Analog microphone output is provided
Portable USB condenser microphone Analog microphone output is provided
Plug and Play Mac and PC compatible, no drivers required Portable USB condenser microphone
Up to 16 bit / 48k Hz resolution Plug and Play Mac and PC compatible, no drivers required
Dynamic microphone with cardioid directivity Up to 16 bit / 48k Hz resolution
1/8-inch (3.5 mm) headphone output Condenser microphone with cardioid directivity
Includes HD381B in-ear headphone, USB cable, and table stand 1/8-inch (3.5 mm) headphone output
Includes HD381B in-ear headphone, USB cable, and table stand
D303UT E203UT 23
USB
Converters
U01 NEW
U02X NEW
The U01 is a plug and play USB converter that is compatible with Mac The U02X makes it easy to connect a Superlux high quality microphone
OS or Windows, allowing you to adapt the analog microphone and to your computer for digital recording. Its headphone output with no
headphone for your computer to enhance sound performance while latency microphone direct monitoring, microphone gain control, volume
computer gaming or listening to music. Featuring microphone input, control, and monitor mix control make it easy to set a suitable level and
headphone output, microphone mute button and volume control, the monitor. Providing 48V phantom power ensures the U02X will work with
U01 is a perfect tool for your computer entertainment and conversations professional high quality condenser microphones. With its compact, low
without the need for software drivers.
NLE application.
Compatible with Mac and Windows, no drivers required
Real USB Plug & Play, eliminates the need for a traditional sound card Plug and play, compatible with Mac and Windows, no drivers required
The audio adapter is the best tool for computer gaming and DVD music Monitor Mix Control for blending microphone and playback audio
Instantly creates microphone in & audio out jack from any PC / PS3 Headphone output with volume control
USB port Built-in microphone preamp and gain control
No need to reach behind your PC for audio jacks Zero latency monitoring for real-time playback and multi-tracking
USB powered, no external power required Up to 16 bit/48k Hz sampling rate
Microphone input, headphone output, microphone mute button, 9.8 ft. (3-meter) USB cable included
headphone volume control and USB LED indicator +48V phantom power supplied
Powered by USB power, no external power required
24
Vocal
Headworn
Lavaliere
Microphones
Vocal
Microphones
PRO238MKII NEW
S125 WL
1" True Condenser Vocal Microphone 1/2" True Condenser Vocal Microphone
Vocal / Studio / Live Recording / Strings / Winds / Piano / Percussion Studio Recording / Live Recording / Vocal / Strings / Winds /
Percussion
The PRO238MKII is a handheld large diaphragm condenser microphone
with an improved mechanical structure to lower handling noise. Its The S125 is a 1/2" gold-evaporated diaphragm true condenser studio-
modular design makes it easy to remove/restore the capsule. The built- grade microphone with an extended frequency response, giving high
definition vocal texture and accurate transient details. A triple-layer
letting the artist perform comfortably while holding the PRO238MKII. windscreen prevents that unwanted close miking pop sound.
Thanks to its wide and extended frequency and optimized damping, the
PRO238MKII exhibits a natural and lively sound. The PRO238MKII is the 1/2" gold-coated diaphragm
best microphone for live sound, broadcasting, and recording Built-in -10dB pad switch
1" gold-coated diaphragm Protective rubber cover on switch window to prevent accidental changes
Low handling noise Wide and uniform frequency response
Built-in low cut switch Shock mount capsule, very low handling noise
Warm, detailed sound suitable for vocals Conductive shielding, extremely low inherent noise and RF immunity.
Extended frequency response with mid-high band emphasis
High dynamic range, low distortion WL Wireless Please refer to the page 95
Type True condenser, Ø1" (Ø25.4 mm) Type True condenser, Ø1/2" (Ø12.7 mm)
Polar Pattern Cardioid Polar Pattern Cardioid
Frequency Response 20-20,000 Hz Frequency Response 20-20,000 Hz
Low Frequency Filter 100 Hz@12 dB/oct Low Frequency Filter 150 Hz @18 dB/oct
Sensitivity -40 dBV/Pa (10 mV) Pad -10 dB
Output Impedance Sensitivity -45 dBV/pa(5.6 mV)
Min. Load Impedance Output Impedance
S/N Ratio 78 dB Min. Load Impedance
Equivalent Output Noise 16 dB S/N Ratio 76 dB
Max. SPL 136 dB SPL Equivalent Output Noise 18 dB
Dynamic Range 120 dB Max. SPL 148 dB SPL
Power Requirements 48V DC, <3.5 mA Dynamic Range 130 dB
Finish Titanium grey Power Requirements 48V DC, 3.5 mA
Connector XLR3M Finish Titanium grey
Dimensions Ø50 × 182 mm (Ø1.97" × 7.17") Connector XLR3M
Net Weight 350 g (12.3 oz) Dimensions Ø48 × 180 mm (Ø1.89" × 7.09")
Accessories Furnished S58 windscreen Net Weight 350 g (12.3 oz)
HM38S mic clip with screw knob Accessories Furnished HM38S mic clip with screw knob
YA2 threaded adapter, pouch YA2 threaded adapter
Optional Accessories PS2A phantom power supply Pouch
Optional Accessories S40 windscreen
HM26B shock mount PS2A phantom power supply
Packaging Colorful outer packaging Packaging Colorful outer packaging
26
PRO238MKII S125
Vocal
PRO238C WL
PRO108 NEW
The PRO238C is a versatile cardioid condenser microphone with superb The PRO108 is a brand-new dynamic vocal microphone with performance
electro-acoustic characteristics and anti-roll design. This microphone is standards beyond even the successful D108B. It has an impressively
pure, warm, and rich musical sound profile. With over 30 years of
its low handling noise, it is ideal for professional handheld vocal use as development and research, the PRO108 is ideal for capturing high SPL
well as for conferences and interviews. levels and transient response during performances on stage. It can deliver
a powerful, clear sound to the audience with ease. This dynamic vocal
microphone also exhibits exceptionally uniform frequency response, not
Optimal low frequency response and proper elevation in mid-high
frequency band
High SPL durability, wide dynamic range
The PRO108 will satisfy even the stringent demands of professionals.
27
PRO238C PRO108
TOP248/S WL
TOP258
Vocal Dynamic Microphone Vocal Dynamic Microphone
Lead Vocal / Back-Up Vocal / Speech Lead Vocal / Back-Up Vocal / Speech / Winds / Strings / Percussion
The TOP248 microphone is designed for professional vocal and The TOP258 microphone with flat grille is designed for professional
instrument live sound applications. This dynamic supercardioid vocal and instrument live sound applications. This dynamic supercardioid
microphone incorporates neodymium magnets and an aluminum voice microphone incorporates neodymium magnets and an aluminum voice
coil on a double membrane diaphragm. Due to the 60-240 Hz band coil on a double membrane diaphragm. Due to the 60-240 Hz band
boosting, the TOP248 sound is more powerful in the low frequency band, boosting, the TOP258 sound is more powerful in the low frequency band,
yet has great texture detail in the high frequency band. The TOP248 is while having more texture detail in the high frequency band to meet
ideally suited for lead vocals in popular music, soul and Jazz. professional demands. The TOP258 is equally suitable for strings and
percussion.
Typical vocal frequency response
Powerful in the low frequency band and more texture detail in the high Wide frequency response
frequency band Highly intelligible speech reproduction
High gain before feedback High gain before feedback
Low handling noise Low handling noise
Suitable for instrument miking
The TOP248S model is the TOP248 with a lockable on/off switch.
m
3m
mm
25
mm
50
M
0 .6
28 TOP248/S TOP258
Vocal
PRO248 PRO258
Vocal Dynamic Microphone Vocal Dynamic Microphone
Lead Vocal / Back-Up Vocal Lead Vocal / Back-Up Vocal / Woodwinds / Strings / Percussion
The PRO248 microphone is a professional dynamic supercardioid The PRO258 microphone with flat grille is designed for professional
microphone incorporating reinforced grille, neodymium magnets and vocal and instrument live sound applications. This dynamic supercardioid
an aluminum voice coil on a double membrane diaphragm. Its output microphone incorporates neodymium magnets, an aluminum voice coil
transformer gives the PRO248 a wide frequency response, high on a double membrane diaphragm, and an output transformer, giving
sensitivity and better directivity, delivering a natural sound with more the PRO258 a wide frequency response and high sensitivity. Its warm,
detail. The PRO248 is suitable for professional live stage performance natural sound makes the PRO258 equally suitable for professional
and studio recording. vocals, instrument recording, and live performance.
m
3m
mm
25
mm
50
0.6M
PRO258 29
PRO248
Drum Instrument
Vocal
WH5
Instrument
WH5
Vocal
WH5
D108A D108B WL
The Superlux D107 and D108 series are a milestone in the world of
professional vocal microphones, exhibiting exceptionally uniform on-axis
and off-axis frequency response. The D107 series inherits the balanced
The Superlux D107 and D108 series have the same voicing; the D107
series is a smaller version of the D108 series. They each come in
two versions: the D107A and D108A are designed for recording with
a tailored vocal sound and are ideal for close miking; the D107B and
D108B are best for live sound performance with a tailored bass punch
response.
Application Tone
D107A D108A Recording Meet proximity effect curve, best for close miking
D107B D108B PA Low frequency boost for more solid sound Type Dynamic
Polar Pattern Supercardioid
Flat and clear true sound Frequency Response 50-16,000 Hz
Frequency response is good for intelligibility, with a bright mid-high Sensitivity -54 dBV/Pa (2 mV)
frequency band while the low frequency band is solid and powerful Output Impedance
High gain before feedback Min. Load Impedance
Max. SPL 150 dB SPL
High SPL capacity
Finish D107A / D108A: Titanium grey
On/off switch with locking function D107B / D108B: Black
Module capsule design, capsule or grille can be turned Connector XLR3M
counterclockwise for easy replacement Dimensions D107: Ø42.3 × 152 mm (Ø1.67" × 5.98")
D108: Ø48 × 177 mm (Ø1.89" × 6.97")
Gold-plated connectors
Net Weight D107: 188 g (6.6 oz)
D108: 290 g (10.2 oz)
WL Wireless Please refer to the page 95
Accessories Furnished HM38S clip with screw knob
YA2 threaded adapter
Pouch
Optional Accessories S40 windscreen
Packaging Colorful outer packaging
Vocal / Karaoke
The D109 is a high impedance, supercardioid dynamic microphone. The D103 series microphone features a shock mount capsule structure
and double-layer dome diaphragm design that extends the high
wind noise and close miking. The D109 is an ideal microphone for vocal frequency band response, increasing the stability of the capsule and
reinforcement from a guitar amp with a high impedance microphone input delivering powerful vocal sounds with lots of detail. The reinforced grille
or other high impedance input devices. structure makes the D103 series the best for karaoke.
32
D109 D103
Vocal
FH12/S FI10
Vocal Dynamic Microphone Instrument or Vocal Dynamic Microphone
The FH12 and FH12S are vocal microphones of the Sonata Series.
Featuring a rounded style pop screen grille and a capsule that can style pop screen grille makes it easy to get close-miking of a musical
be exchanged simply by un-screwing the cartridge, the FH12 is a instrument. The modular design of the capsule with its gold-plated
supercardioid dynamic microphone that delivers excellent sonic connectors permits easy separation of the grille and capsule from the
performance. Its transient response and directivity makes it the body of the microphone, facilitating maintenance. With its supercardioid
professional's best choice for capturing that ideal vocal sound . directivity, the FI10 ensures a greatly reduced chance of acoustic
feedback.
Modular design, capsule exchangeable
High suppression of ambient noise Modular design, capsule exchangeable
High SPL capacity, high dynamic range, low distortion Extended high frequency response
Low output impedance Powerful ND magnet, high sensitivity
Powerful ND magnet, high sensitivity Low output impedance
33
FH12/S FI10
PRAC1 PRAD1
PRAC3 PRAD3
PRAC5 PRAD5
Vocal Dynamic Microphone Vocal Dynamic Microphone
The PRAC series is the most popular supercardioid vocal microphone. The PRAD series is the most popular supercardioid vocal/instrument
It has a typical vocal frequency response, sturdy body structure, round microphone. It has a typical vocal frequency response, sturdy body structure
metal grille design, and an on/off switch. This mic set has 3 different
packages to meet the demands of stage work. up. This mic set has 3 different packages to meet the demands of stage
work.
Typical vocal frequency response
Powerful on low frequency band, more texture detail on high frequency band Flat metal grille design
High gain before feedback Typical vocal frequency response
3 different packages Powerful on low frequency band, more texture detail on high frequency band
High gain before feedback
PRAC1: 1 PRAC package Powerful ND magnet, high sensitivity
PRAC3: 3 PRAC package 3 different packages
PRAC5: 5 PRAC package
PRAD1: 1 PRAD package
PRAD3: 3 PRAD package
PRAD5: 5 PRAD package
34 PRAC PRAD
Vocal
The ECO88S 6 PACK is a 6 in one package, with zinc alloy body, ECOA1 is sturdy, yet economical, suitable for all general stage sound
reinforced grille and supercardioid directivity. It is built for the general reinforcement applications.
user and suitable for all applications, which makes this economic design
the best value choice for sound reinforcement. Nd magnet capsule, high sensitivity
Zinc alloy die-casting case
6 pack, high value A skid-proof, anti-roll design at the end of the mic
Nd magnet capsule, high sensitivity
Reinforced metal grille
35
ECO88S ECOA1
Headworn Microphones
PRA20 PRA30
Headworn Dynamic Microphone Headworn Condenser Microphone
Vocals / Guitarists / Dancers / Drummers
Speeches / Presentations / Conferences
The PRA30 is a high-quality headworn condenser microphone with an
The PRA20 is a head-worn dynamic microphone with no proximity effect elastic steel frame, adjustable headband and no proximity effect, thereby
when used in close miking applications, avoiding those unwanted "pop" avoiding those unwanted "pop" sounds when used in close miking
sounds. These microphones have a light-weight, comfortable steel applications. The PRA30 microphone provides a tailored vocal frequency
wire design and a tailored vocal frequency response that increases the response that increases intelligibility, making it especially suitable for
intelligibility of speech. The PRA20 does not require phantom power and singers or active dancers who can’t use a handheld microphone.
is especially suitable for all vocal miking.
WL WL
Model No. PRA20 PRA30 PRA30TQG PRA30XLR PRA30DXLR
Type Dynamic Back electret, Ø14 mm (Ø0.55") Back electret, Ø14 mm (Ø0.55") Back electret, Ø14 mm (Ø0.55") Back electret, Ø14 mm (Ø0.55")
Polar Pattern Cardioid Supercardioid Supercardioid Supercardioid Supercardioid
Frequency 50-15,000 Hz 50-15,000 Hz 50-15,000 Hz 50-15,000 Hz 50-15,000 Hz
Response
Low Frequency N/A N/A N/A N/A 80Hz, 12dB/oct
Filter
Sensitivity -64 dBV/Pa (0.6 mV) -46 dBV/Pa (5 mV) -35 dBV/Pa (17.8 mV) Phantom: -40 dBV/Pa (10 mV) Phantom: -42 dBV/Pa (7.9 mV)
Battery: -44 dBV/Pa (6.3 mV)
Output Impedance
Minimun Load
Impedance
S/N Ratio N/A N/A N/A 70 dB 68 dB
Equivalent Output N/A N/A N/A 24 dB 26 dB
Noise
Max.SPL 136 dB SPL N/A N/A 136 dB SPL Phantom: 132 dB SPL
Battery: 118 dB SPL
Dynamic Range N/A N/A N/A 112 dB Phantom: 106 dB Battery: 92 dB
Power N/A 2.5~9V DC 2.5~9V DC Phantom: 12~52V DC, 3.5 mA Phantom: 9~52V DC, 3.5 mA
Requirements Battery: 1.5V AA/UM3
Finish Black Black Black Black Black
Connector PRA20: 3.5 mm TRS 3.5 mm TRS, 1.5-meter cable TA4F,1.5-meter cable TA3F,1.5-meter cable TA3F,1.5-meter cable
PRA20TQG:
TA4F for wirless system
PRA20XLR:
XLR3M 1.5-meter cable
Dimensions Width: 155 mm (6.1") Width: 155 mm (6.1") Width: 155 mm (6.1") Width: 155 mm (6.1"); Width: 155 mm (6.1");
Gooseneck: 120 mm (4.72") Gooseneck: 120 mm (4.72") Gooseneck: 120 mm (4.72") Gooseneck: 120 mm (4.72") Gooseneck: 120 mm (4.72")
Microphone: Ø16 mm (Ø0.63") Microphone: Ø17.8 mm (Ø0.7") Microphone: Ø17.8 mm (Ø0.7") Microphone: Ø17.8 mm (Ø0.7") Microphone: Ø17.8 mm (Ø0.7")
PS418S: PS418D: H × W × D
Ø21 × 106 mm (Ø0.83" × 4.18") 84 × 63 × 22.5 mm (3.3" × 2.48" × 0.89")
Net Weight Microphone: 65 g (2.3 oz) Microphone: 65 g (2.3 oz) Microphone: 65 g (2.3 oz) Microphone: 65 g (2.3 oz) Microphone: 65 g (2.3 oz)
PS418S: 118 g (4.2 oz) PS418D: 245g (8.6 oz)
Accessories S11 windscreen, belt clamp S11 windscreen, belt clamp S11 windscreen, belt clamp S11 windscreen, belt clamp, S11 windscreen, belt clamp,
Furnished PS418S preamp 1.5V AA alkaline battery,
PS418D preamp
Packaging Colorful outer packaging Colorful outer packaging Colorful outer packaging Colorful outer packaging Colorful outer packaging
36
PRA20 PRA30
Headworn
E10A E10B
Headworn Condenser Microphone Headworn Condenser Figure 8 Microphone
Vocals / Dancers / Drummers / Guitarists
Speech / Drama / Dance Coach
Professional headworn vocal microphone Figure 8 directivity helps to eliminate ambient noise, giving better intelligibility
Especially designed for hands-free microphone applications High-quality headworn microphone for hands- free applications.
E10ATQG is for use with wireless systems E10B TQG is for wireless systems
E10ATQG TA4F connector for wireless systems E10BTQG TA4F for wireless systems
E10AXLR TA3F connector for PS418S preamp (phantom power only) E10BXLR TA3F connector for PS418S preamp (phantom power only)
E10ADXLR TA3F connector for the PS418D preamp (either phantom E10BDXLR TA3F connector for PS418D preamp (either phantom or
power or battery) battery)
WL Wireless Please refer to the page 95
WL WL
Model No. E10ATQG E10AXLR E10ADXLR E10BTQG E10BXLR E10BDXLR
Type Back electret, Back electret, Back electret, Back electret, Back electret, Back electret,
Ø9.7 mm (Ø0.38") Ø9.7 mm (Ø0.38") Ø9.7 mm (Ø0.38") Ø9.7 mm (Ø0.38") Ø9.7 mm (Ø0.38") Ø9.7 mm (Ø0.38")
Polar Pattern Cardioid Cardioid Cardioid Figure 8, noise-canceling Figure 8, noise-canceling Figure 8, noise-canceling
Frequency Response 50-15,000 Hz 50-15,000 Hz 50-15,000 Hz 50-15,000 Hz 50-15,000 Hz 50-15,000 Hz
Low Frequency Filter N/A N/A 80Hz@12 dB/oct/(PS418D) N/A N/A 80Hz, 12 dB/oct/ (PS418D)
Sensitivity -36 dBV/Pa (15.8 mV) -46 dBV/Pa (5 mV) Phantom: -44 dB (6.31 mV) -33 dBV/Pa (22.4 mV) -42 dBV/Pa (7.9 mV) Phantom: -42 dBV/Pa (7.9 mV)
Battery: -45 dB (5.6 mV) Battery: -40 dBV/Pa (10 mV)
Output Impedance
Minimun Load Phantom: Battery:
Impedance
S/N Ratio N/A 72 dB Phantom: 72 dB Battery: 73 dB N/A 76 dB 71 dB
Equivalent Output N/A 22 dB Phantom: 22 dB Battery: 21 dB N/A 18 dB 23 dB
Noise
Max. SPL N/A 145 dB SPL Phantom: Battery: N/A 141 dB SPL Phantom: Battery:
134 dB SPL 128 dB SPL 137 dB SPL 127 dB SPL
Dynamic Range N/A 125 dB SPL Phantom: Battery: N/A 123 dB Phantom: 114 dB Battery: 104 dB
112 dB 107 dB
Power Requirements 1.5~9V DC 12~52V DC, 3.5 mA Phantom: 12~52V DC, 3.5 mA 1.5~9V DC Phantom: Phantom: 12~52V DC, 3.5 mA
Battery: 1.5VDC AA/UM3 12~52V DC, 3.5 mA Battery: 1.5VDC (AA)
Finish Black Black Black Black Black Black
Connector TA4F, 1.5-meter cable TA3F, 1.5-meter cable TA3F, 1.5-meter cable TA4F, 1.5-meter cable TA3F, 1.5-meter cable TA3F, 1.5-meter cable
Dimensions Width: 166 mm (6.5"); Width: 166 mm (6.5"); Width: 166 mm (6.5"); Width: 166 mm (6.5"); Width: 166 mm (6.5"); Width: 166 mm (6.5");
Gooseneck: Gooseneck: 100 mm (3.94") Gooseneck: 100 mm (3.94") Gooseneck: 100 mm (3.94") Gooseneck: 100 mm (3.94") Gooseneck: 100 mm (3.94")
100 mm (3.94") Microphone: Microphone: Ø12.5 mm (Ø0.5") Microphone: Microphone: Microphone: Ø12.5 mm (Ø0.5")
Microphone: Ø12.5 mm (Ø0.5") PS418D: H × W × D Ø12.5 mm (Ø0.5") Ø12.5 mm (Ø0.5") PS418D: H × W × D
Ø12.5 mm (Ø0.5") PS418S: Ø21 × 106 mm 84 × 63 × 22.5 mm PS418S: Ø21 × 106 mm 84 × 63 × 22.5 mm
(Ø0.83" × 4.18") (3.3" × 2.48" × 0.89") (Ø0.83" × 4.18") (3.3" × 2.48" × 0.89")
Net Weight Microphone: Microphone: 40 g (1.4 oz) Microphone: 40 g (1.4 oz) Microphone: 40 g (1.4 oz) Microphone: 40 g (1.4 oz) Microphone: 40g (1.4 oz)
40 g (1.4 oz) PS418S: 118 g (4.2 oz) PS418D: 245 g (8.6 oz) PS418S: 118g (4.2 oz) PS418D: 245g (8.6 oz)
Accessories S23 windscreen S23 windscreen S23 windscreen, S23 windscreen S23 windscreen S23 windscreen,
Furnished PS418S preamp 1.5V AA alkaline battery, PS418S preamp 1.5V AA alkaline battery,
PS418D preamp PS418D preamp
Packaging Colorful outer packaging Colorful outer packaging Colorful outer packaging Colorful outer packaging Colorful outer packaging Colorful outer packaging
37
E10A E10B
Lavaliere Microphones
E12A
Miniature Omni Condenser Lavaliere Microphone
The E12A omni lavaliere mini clip-on condenser microphone is ideal for inconspicuous recording. Its tailored frequency
response gives accurate, intelligible speech recognition, making it well suited for the interview programs of TV and radio
stations for recording where ambient noise is not an issue.
Miniature shape
Flat and wide frequency response
Tailored frequency response that gives proper emphasis to speech intelligibility
E12ATQG is for wireless systems
WL
Model No. E12ATQG E12AXLR E12ADXLR
Type Back electret, Ø4 mm (Ø0.16") Back electret, Ø4 mm (Ø0.16") Back electret, Ø4 mm (Ø0.16")
Polar Pattern Omni Omni Omni
Frequency Response 20-20,000 Hz 20-20,000 Hz 20-20,000 Hz
Low Frequency Filter N/A N/A 80Hz, 12 dB / oct / (PS418D)
Sensitivity -33 dBV/Pa (22.4 mV) -42 dBV/Pa (7.9 mV) Phantom: -42 dBV/Pa (7.9 mV)
Battery: -47 dBV/Pa (4.5 mV)
Output Impedance
Min. Load Impedance
S/N Ratio N/A 76 dB Phantom: 76 dB Battery: 74 dB
Equivalent Output Noise N/A 18 dB Phantom: 18 dB Battery: 20 dB
Max. SPL N/A 137 dB SPL Phantom: 137 dB SPL Battery: 129 dB SPL
Dynamic Range N/A 119 dB Phantom: 119 dB Battery: 109 dB
Power Requirements 2.5~9V DC 12~52V DC, 3.5 mA Phantom: 12~52V DC, 3.5 mA
Battery: 1.5VDC AA/UM3
Finish Black Black Black
Connector TA4F,1.5-meter cable TA3F,1.5-meter cable TA3F,1.5-meter cable
Dimensions Microphone: Microphone: Microphone:
10.5 × 7 × 4 mm 10.5 × 7 × 4 mm (0.41" × 0.28" × 0.6" ) 10.5 × 7 × 4 mm (0.41" × 0.28" × 0.6" )
(0.41" × 0.28" × 0.6" ) PS418S: PS418D: H × W × D
Ø21 × 106 mm (Ø0.83" × 4.18") 84 × 63 × 22.5 mm (3.3" × 2.48" × 0.89")
Net Weight 19 g (0.7 oz) Microphone: 19 g (0.7 oz) Microphone: 19 g (0.67 oz)
PS418S: 118 g (4.2 oz) PS418D: 245 g (8.6 oz)
Accessories Furnished S53 windscreen, clamp S53 windscreen, clamp S53 windscreen, clamp, 1.5V AA alkaline battery
PS418S preamp PS418D preamp
Packaging Colorful outer packaging Colorful outer packaging Colorful outer packaging
38 E12A
Lavaliere
WO518 WU518
Miniature Omni Condenser Lavaliere Microphone Miniature Cardioid Condenser Lavaliere Microphone
TV Broadcasting / Speech / Cello / Double Bass / Eastern Strings Speech / Eastern String / General Purpose
The WO518 is an omni lavaliere clip-on condenser microphone with The WU518 is a unidirectional electret lavaliere condenser clip-
a frequency response tailored to give accurate, intelligible speech on microphone for inconspicuous recording. The cardioid directivity
recognition. It is ideally suited for the interview programs of TV suppresses the ambient sound, giving high gain before feedback, making
broadcasting and video production. The extended bass frequency range this mic especially suitable for live performance sound reinforcement.
of this mic makes it the best choice for cello and double bass sound
pick-up. Boosted wire mesh grille increases the HF response
Built-in 1.5-meter (5') cable
Phantom or battery power
Boosted wire mesh grille increases the HF response
Wind screen foam to reduce those unwanted "pop" sounds WU518TQG is for wireless systems
Flat and wide frequency response, high SPL, high dynamic range, low
distortion WU518TQG TA4F connector for wireless systems
WU518XLR TA3F connector for PS418S preamp (phantom power
WO518TQG is for wireless systems
only)
WU518DXLR TA3F connector for PS418D preamp (either phantom
WO518TQG TA4F connector for wireless system power or battery)
WO518XLR TA3F connector for PS418S preamp (phantom power only)
WO518DXLR TA3F connector for PS418D preamp (either phantom WL Wireless Please refer to the page 95
power or battery)
WL WL
Model No. WO518TQG WO518XLR WO518DXLR WU518TQG WU518XLR WU518DXLR
Element Back electret, Back electret, Back electret, Back electret, Back electret, Back electret,
Ø6 mm (Ø0.24") Ø6 mm (Ø0.24") Ø6 mm (0.24") Ø6 mm (0.24") Ø6 mm (0.24") Ø6 mm (0.24")
Polar Pattern Omni Omni Omni Cardioid Cardioid Cardioid
Frequency 20-20,000 Hz 20-20,000 Hz 20-20,000 Hz 60-15,000 HZ 60-15,000 HZ 60-15,000 HZ
response
Low Frquency N/A N/A 80Hz@12 dB / oct / (PS418D) N/A N/A 80Hz@12 dB / oct / (PS418D)
Filter
Sensitivity -32 dBV/Pa (25.1 mV) -44 dBV/Pa (6.3 mV) Phantom: -40 dBV/Pa (10 mV) -33 dBV/Pa (22.4 mV) -45 dBV/Pa (5.6 mV) Phantom: -46 dBV/Pa (5 mV)
Battery: -43 dBV/Pa (7.1 mV) Battery: -48 dBV/Pa (4 mV)
Output Impedance
Min. Load Phantom: 1,000
Impedance
S/N Ratio N/A 72 dB Phantom: 76 dB Battery: 75 dB N/A 72 dB Phantom: 70 dB Battery: 70 dB
Equivalent Output N/A 22 dB Phantom: 18 dB Battery: 19 dB N/A 22 dB Phantom: 24 dB Battery: 24 dB
Noise
Max. SPL N/A 132 dB SPL Phantom: Battery: N/A 133 dB Phantom: Battery:
130 dB SPL 126 dB SPL 137 dB SPL 131 dB SPL
Dynamic Range N/A 110 dB Phantom: 112 dB Battery: 107 dB N/A 111 dB Phantom: 113 dB Battery: 107 dB
Power 1.5~9V DC 12~52V DC, 3.5 mA Phantom: 12~52V DC, 3.5 mA 1.5~9V DC Phantom: Phantom: 12~52V DC, 3.5 mA
Requirements Battery:: 1.5VDC AA/UM3 12~52V DC, 3.5 mA Battery: 1.5VDC AA/UM3
Finish Black Black Black Black Black Black
Connector TA4F, 1.5-meter cable TA3F, 1.5-meter cable TA3F, 1.5-meter cable TA4F, 1.5-meter cable TA3F, 1.5-meter cable TA3F, 1.5-meter cable
Dimensions Microphone: Microphone: Microphone: Microphone: Microphone: Ø8 × 12 mm Microphone:
Ø8 × 12 mm Ø8 × 12 mm (Ø0.31" × 0.47") Ø8 × 12 mm (Ø0.31" × 0.47") Ø8 × 12 mm (Ø0.31" × 0.47") Ø8 × 12 mm (Ø0.31" × 0.47")
(Ø0.31" × 0.47") PS418S: PS418D: H × W × D (Ø0.31" × 0.47") PS418S: PS418D: H × W × D
Ø21 × 106 mm 84 × 63 × 22.5 mm Ø21 × 106 mm 84 × 63 × 22.5 mm
(Ø0.83" × 4.18") (3.3" × 2.48" × 0.89") (Ø0.83" × 4.18") 3.3" × 2.48" × 0.89"
Net Weight Microphone: 20 g (0.7 oz) Microphone: 20 g (0.7 oz) Microphone: 20 g (0.7 oz) Microphone: 20 g (0.7 oz) Microphone: 20 g (0.7 oz) Microphone: 20 g (0.7 oz)
PS418S: 118 g (4.2 oz) PS418D: 245 g (8.6 oz) PS418S: 118 g (4.2 oz) PS418D: 245 g (8.6 oz)
Accessories S12 HF boost windscreen, S12 HF boost windscreen, S12 HF boost windscreen, S12 HF boost windscreen, SS12 HF boost windscreen, S12 HF boost windscreen,
Furnished S13 windscreen, clip, S13 windscreen, clip, S13 windscreen, clip, 1.5V AA S13 windscreen, clip, S13 windscreen, clip, S13 windscreen, clip, 1.5V AA
PS418S preamp alkaline battery, PS418D preamp PS418S preamp alkaline battery, PS418D preamp
Packaging Colorful outer packaging Colorful outer packaging Colorful outer packaging Colorful outer packaging Colorful outer packaging Colorful outer packaging
39
WO518 WU518
40
Instrument
Microphones
& Drum Sets
Instrument Microphones
PRA383
Clip-On Microphone with Gooseneck
The PRA383 is ideal for saxophones, woods, strings and percussion because of its high SPL capability and
gooseneck for the sweet spot. A good choice for mid-high frequency range instrument sound pick-up, the
PRA383 is a necessity for both live sound and studio recording.
Gooseneck with clip can be easily installed on brass and string instruments
Cardioid polar pattern suppresses sound from rear and sides
WL
Model No. PRA383TQG PRA383XLR PRA383DXLR
Type Back electret, Back electret, Back electret, Ø9.7 mm (Ø0.38")
Ø9.7 mm (Ø0.38") Ø9.7 mm (Ø0.38")
Polar Pattern Cardioid Cardioid Cardioid
Frequency Response 40-18,000 Hz 40-18,000 Hz 40-18,000 Hz
Low Frequency Filter N/A N/A 80 Hz@12 dB/oct (PS418D)
Sensitivity -44 dBV/Pa (6.3 mV) -42 dB/Pa (7.8 mV) Phantom Power: Battery:
-44 dBV/Pa (6.3 mV) -45 dB/Pa (5.6 mV)
Output Impedance
Min. Load Impedance
S/N Ratio N/A 71 dB Phantom power: 72 dB Battery: 73 dB
Equivalent Output Noise N/A 23 dB Phantom power: 22 dB Battery: 21dB
Max. SPL N/A 137 dB SPL Phantom Power: 139 dB SPL Battery: 129 dB SPL
Dynamic Range N/A 114 dB Phantom Power: 117 dB Battery: 108 dB
Power Requirements 3-12V DC 12-52V DC, 3.5 mA 12-52V DC, 3.5 mA
Finish Black Black Black
Connector TA4F, 1.5-meter cable TA3F, 1.5-meter cable TA3F, 1.5-meter cable
Dimensions Microphone: Microphone: Microphone: Ø12.5 × 27 mm (Ø0.5" × 1.1")
Ø12.5 × 27 mm Ø12.5 × 27 mm (Ø0.5" × 1.1") PS418D: H × W × D
(Ø0.5" × 1.1") PS418S: 84 × 63 × 22.5 mm (3.3" × 2.48" × 0.89")
Ø21 × 106 mm (Ø0.83"x4.18")
Net Weight 160 g (5.64 oz) Microphone: 160 g (5.64oz) Microphone: 160 g (5.64 oz)
PS418S: 118 g (4.2 oz) PS418D: 245 g (9.9 oz)
Accessories Furnished N/A PS418S preamp PS418D preamp, 1.5V AA alkaline battery
Packaging A1 carrying case A1 carrying case A1 carrying case, colorful outer sleeve
Colorful outer sleeve Colorful outer sleeve
42
PRA383
Instrument
E101 D112
Guitar Microphone Harmonica Microphone
The E101 electret condenser microphone is designed for instrument and The D112 is a new Hi-Z blues harmonica microphone with unique curves
natural sound texture of an acoustic guitar. the sound to a suitable level. A permanently attached cable with 1/4"
Its cardioid polar pattern enhances on axis signal and rejects sound
from the rear. It is suitable for live vocal, drum, and brass sound pick up impedance devices.
applications. Mounting accessories are included so that the microphone
can be mounted for various uses such as drums, winds, speech, or
singing. The E101 is an easy solution for all audio professionals.
Warm and full sound
Wide and uniform frequency response.
Background noise suppressed, high gain before feedback. 6.3 mm TS output connector
Permanent 6-meter attached shield cable
Built-in 1.5-meter cable. Level knob for player to adjust sound level, center detent included.
E101TQG TA4F connector for wireless system.
E101DXLR TA3F connector for PS418D preamp (either phantom
power or battery)
WL
Model No. E101TQG E101DXLR Type Dynamic
Type Back electret, Back electret, Polar Pattern Omni
Ø9.7 mm (Ø0.38") Ø9.7 mm (Ø0.38")
Frequency Response 100-6,000 Hz
Polar Pattern Cardioid Cardioid
Sensitivity -50 dBV/Pa (3.2 mV)
Frequency Response 40-18,000 Hz 40-18,000 Hz
Output Impedance
Low Frequency Filter N/A 80 Hz, 12 dB/oct (PS418D)
Min. Load Impedance
Sensitivity -44 dBV/Pa (6.3 mV) Phantom: Battery:
Max.SPL 140 dB SPL
-44 dBV/Pa (6.3mV) -45 dBV/Pa (5.6mV)
Output Impedance Finish Titanium blue
E101 43
D112
PRO218A PRO228A
Kick Drum Microphone Tom-Tom Microphone
The PRO-218A supercardioid dynamic microphone is designed for bass The PRO228A is specially designed for tom-tom with permanent
drum, with tailored low frequency response and high SPL capacity attached microphone clip and a high SPL capacity, up to 150 dB SPL. It
up to 174 dB SPL. The PRO218A is best for bass drum or other bass is also suitable for brass instruments.
instruments.
Flat mid-low frequency band, wide frequency response
Tailored low frequency response High SPL capacity, high dynamic range, low distortion
High gain before feedback Best for instruments with mid-low frequency
High dynamic range The DRKB5C2MKII includes 3 PRO228As
The DRKB5C2MKII includes 1 PRO218A
44 PRO218A PRO228A
Instrument
PRO268B PRA288A
Overhead Microphone Snare Microphone
Overhead / Strings / Brass / Mid-High Frequency Instruments Snare Drum / Clarinet / Suona
The PRO268B is a back electret condenser microphone for drum set The PRA288A is specially designed for snarea pick-up. Its tailored
overhead. It is suitable for mid to high frequency instruments. It also frequency response, with low end roll off and slight high end roll off,
features an inter-changeable capsule design. makes it perfect for mid-high frequency instruments.
Back electret condenser microphone Tailored frequency response for snare drum
Flat low frequency band, mid-high frequency boost response Cardioid directivity ensure high gain before feedback, suppressed
High SPL capacity ambient noise
Wide dynamic range and low distortion Mini shape, easy to install and hardly noticeable
High gain before feedback Sturdy metal structure
Dedicated design for mid-high range instruments DRKB5C2MKII includes one PRA288A
DRKB5C2MKII includes 2 PRO268Bs
45
PRO268B PRA288A
Value Pack page 57 Value Pack page 57
D10B Hum-bucking
E124D
Instrument Microphone Instrument Microphone
The D10B is a dynamic supercardioid microphone designed for musical The E124D is a unidirectional electret condenser microphone with
instrument live sound and recording applications. The D10B exhibits frequency response tailored to meet the instrument demand for
a wide and flat frequency response and high SPL capacity, making it professional musicians and sound engineers in both live performance
resistant to distortion. Built-in hum-bucking circuitry effectively reduces and sound recording applications. Its smooth, flat frequency response
interference from electromagnetic waves and other devices. is free of either a presence peak or a low-frequency roll-off, and it is
powered by both 1.5V battery or phantom power, making it a perfect
The shock mount within the D10B also greatly reduces mechanical choice for musical instrument pick up, reinforcement systems, studio
vibration and stage noises. All metal construction with a strengthened recording, and TV interviews.
grille makes the D10B very durable for stage use. All accessories like
Best for reproduction of strings, brass and cymbals
requirement. It is a versatile, high value product. Powered by both 1.5V AA battery or phantom power
Dedicated design for mid-high range instruments Built-in shock mount structure reduces vibrating noise
Supercardioid polar pattern, high gain before feedback Pro-sumer product
High SPL capability. 6-meter microphone cable is included
Hum-bucking coil to reduce interference by power lines and electronic
devices E124D / P 6-meter XLR3F-6.3 mm TS mic cable
Value Pack includes microphone clip, shock mount, drum clamp and E124D / X 6-meter XLR3F-XLR3M mic cable
pouch.
46
D10B E124D
Instrument
E100 E102
Boundary Kick Drum Mic Instrument Microphone
Kick Drum / High SPL Bass Section Piano / Percussion / Strings / Brass
Type Back electret, Ø14 mm (Ø0.55") Type Back electret, Ø9.7 mm (Ø0.38")
Polar Pattern Cardioid Polar Pattern Cardioid
Frequency Response 30-18,000 Hz Frequency Response 50-16,000 Hz
Sensitivity -60 dBV/Pa (1 mV) Sensitivity -43 dBV/Pa (7.1 mV)
Output Impedance Output Impedance
Min. Load Impedance Min. Load Impedance
S/N Ratio 70 dB S/N Ratio 75 dB
Equivalent Output Noise 24 dB Equivalent Output Noise 19 dB
Max.SPL 149 dB SPL Max.SPL 149 dB SPL
Dynamic Range 125 dB Dynamic Range 130 dB
Power Requirements 12-52V DC, 4 mA Power Requirements 12-52V DC, 3 mA
Finish Black Finish Black
Connector XLR3M Connector XLR3M
Dimensions Ø85 × 20.5 mm (Ø3.35"x 0.81") Dimensions Ø21 × 200 mm (Ø0.83" × 7.90")
Net Weight 270 g (9.5 oz) Net Weight 140 g (5.00 oz)
Accessories Furnished Pouch Accessories Furnished S27 windscreen
Packaging Colorful outer packaging HM10S clip with screw knob
YA2 threaded adapter
Pouch
Packaging Colorful outer packaging
47
E100 E102
HO8
Multi-purpose Condenser Microphone
HO8
48
HO8
Instrument 安
裝
工
程
Kick Drum / Bass Drum / Onidaiko / Tom-Tom / Brass Snare / Brass / Winds
High Dynamic Low Frequency Instrument
The FT4 dynamic microphone is specially The FS6 is specially designed for snare
The FK2 is a dynamic microphone with high designed for tom-tom with its attached drum with its fixed microphone clip. Its high
SPL capacity and cardioid polar pattern. It is microphone clip. Its high SPL capacity, high SPL capacity, high dynamic range and low
best for low frequency signal pickup, especially dynamic range and low distortion make it distortion make it perfect for snare, brass and
for kick drum, or low frequency musical perfect for mid-low frequency instruments. winds.
instruments. It has an integrated with a mic clip.
Tailored mid-low frequency response Tailored frequency response for snare drum
Tailored low frequency response High SPL capacity High gain before feedback
Soft bass with power High dynamic range, low distortion DRKF5H3 includes one FS6
High gain before feedback DRKF5H3 includes 3 FT4s
DRKF5H3 includes one FK2
FK2 FT4 FS
49
FK2 FT4 FS6
HI10 E109
Hi-Hat Microphone Instrument Mic
The HI10 is an integrated electronics back electret condenser small The E109 is an integrated electronics 16 mm back electret condenser
diaphragm pencil style microphone with cardioid directivity tailored for microphone with interchangeable capsules, flat and uniform
cymbals and high frequency instruments. It provides bright , clear tone frequency response and a specific high frequency band elevation,
and cardioid directivity for high gain before feedback. making it perfect for hi-hat, cymbals, guitar, violin, and high frequency
instruments.
Wide frequency response
High sensitivity, low distortion High sensitivity for live performance
High gain before feedback High dynamic range
Pencil style condenser microphone Wide and uniform frequency response
Dedicated design for hi-hat and cymbals Uniform cardioid polar pattern
DRKF5H3 includes one HI10 Interchageable capsule: the Supercardioid and Omni capsule are
optional. Cardioid capsule is included
DRK681 includes 3 E109s
Type Back electret, Ø14 mm (Ø0.55") Type Back electret, Ø16 mm (Ø0.63")
Polar Pattern Cardioid Polar Pattern Cardioid
Frequency Response 50-18,000 Hz Frequency Response 40-20,000 Hz
Sensitivity -38 dBV/Pa (12.6 mV) Sensitivity -43 dBV/Pa (7.1 mV)
Output Impedance Output Impedance
Min. Load Impedance Min. Load Impedance
S/N Ratio 69 dB S/N Ratio 72 dB
Equivalent Output Noise 25 dB Equivalent Output Noise 22 dB
Max.SPL 134 dB SPL Max.SPL 137 dB SPL
Dynamic Range 109 dB Dynamic Range 115 dB
Power Requirements 12-52V DC, 5 mA Power Requirements 12-52V DC, 3.5 mA
Finish Grey Finish Black
Connector XLR3M Connector XLR3M
Dimensions Ø21 × 94 mm (Ø0.83" × 3.7") Dimensions Ø20 × 112 mm (Ø0.79" × 4.41")
Net Weight 120 g (4.2 oz) Net Weight 120 g (4.2 oz)
Accessories Furnished S20 windscreen, Accessories Furnished S20 windscreen
HM10S clip with screw knob, HM10S clip with screw knob
YA2 threaded adapter, YA2 threaded adapter,
Pouch Pouch
Packaging Colorful outer packaging Packaging Colorful outer packaging
50 HI10 E109
Instrument
Guitar Amp Pick Up / Bass Amp Pick Up / Speaker Pick Up Brass / Piano / Acoustic Guitar / Strings
The PRA628MKII is an optimized model of the PRA628. With extended The PRA638 is a general purpose instrument condenser microphone
frequency response, deeper in the lower bottom range, higher SPL with flat pop screen for placement closer to the sound source, and
its cardioid polar pattern, high gain before feedback and extended
frequency response make it perfect for general instrument reinforcement
reinforcement. and recording.
High dynamic range and extended frequency response Flat pop screen for placement closer to the sound source
High SPL up to 150 dB SPL Universal clamp and mic clip included
Flat pop screen design allows it to be closer to the sound source 16 mm back electret condenser capsule
Universal clamp and mic clip included Tailored frequency response reproduces the instrument's natural
Tailored frequency response reproduces the instrument's natural sound sound
Sturdy metal body Sturdy metal body
51
PRA628MKII PRA638
PRA218A PRA218B
Kick Drum Microphone Kick Drum Microphone
Bass Drum / Kick Drum / High Dynamic Range LF Instrument Kick Drum / Bass Drum / High SPL Instrument
The PRA218A is specially designed for kick drum with its warm sound The PRA218B is specially designed for kick drum with its warm sound
and high SPL capability, making it suitable for other bass band or and high SPL capability, making it suitable for other bass band or high
high SPL instruments. The PRA218A has a permanently attached SPL instruments.
microphone clip.
Special designed for kick drum and bass drum
Specially designed for kick drum and bass drum High SPL capacity up to 148 dB
High SPL capacity up to 134 dB Sturdy metal body
Sturdy metal body Durable, reliable professional performance
Durable, reliable professional performance High energy neodymium magnet for optimum output level
High energy neodymium magnet for optimum output level DRKK5C2 includes one PRA218B
DRKA5C2 includes one PRA218A
DRKA3C2 includes one PRA218A
52 PRA218A PRA218B
Instrument
PRA228A PRA268A
Tom-Tom Microphone Instrument Microphone
53
PRA228A PRA268A
Drum Sets
This full condenser drum set is comprised of 4 PRA383XLRs covering The DRKB5C2MKII drum microphone set is an ideal candidate for both
tom-tom and snare, 1 boundary E100 kick mic, and 3 E109s for stage performances and the professional recording studio. It includes 7
overheads and hi-hat. These high quality condenser microphones are mics to match different instruments.
also good for strings, winds and percussions and come packed in a
sturdy aluminum case.. The DRKB5C2 MKII is comprised of 1 PRO218A for kick mic, 3
PRO228A covering tom-toms and snares, 2 PRO268B condenser mics
DRK681 drum set includes: for overheads, and 1 PRA288A for snare drum metal noise.
1 E100 boundary kick mic, cardioid polar pattern
4 PRA383XLRs covering tom-tom and snare; cardioid polar pattern, These high quality condenser microphones are also good for strings,
gooseneck for capturing the best sound. winds and percussions, providing wide frequency response, high open
3 E109s condenser mics for overheads and hi-hat cardioid polar pattern. circuit sensitivity, fast impact response and high dynamic range.
For more detailed specifications, please refer to related pages of DRKB5C2 MKII drum set includes:
instrument microphones. 1 PRO218A for kick mic, supercardioid, 174 dB extra high SPL
3 PRO228As covering tom-tom and snare, super cardioid
2 PRO268Bs condenser mics for overheads, super cardioid
1 PRA288A for snare drum metal noise, cardioid.
Accessories Furnished 3 HM10S mic clips with screw knob for E109 Accessories Furnished 1 HM27S mic clips with screw knob for PR0218A
3 YA2 threaded adapters 2 HM30S mic clips with screw knob for PRO268Bs
3 S20 windscreen for E109s 1 HM10S mic clips with screw knob for PRA288A
4 PS418S preamps 2 S20 windscreens for PRO268Bs
Packaging #3 aluminum box and colorful outer packaging 7 YA2 threaded adapters
3 Fixed clips with screw knob
Optional Accessories HM12A universal clamp
Packaging A4 box and colorful outer packaging
54
Drum Sets
DRKF5H3 DRKK5C2
Super 8 Drum Mic Set 7 Drum Mic Set with Cables and Clamps
The frequency response of each microphone from the DRKF5H3 is This versatile drum 7 mic set is comprised of 3 tom-tom mics, 1 snare
tailored according to the instrument spectrum, SPL and close miking mic (with permanent clip), 1 PRA-218B for kick, and 2 E102s condensers
for overheads. Packed in an aluminum case with clips, drum clamps,
impact response of each individual drum in a set. threaded adapters and 7 microphone cables, this mic set can take care
of almost any miking need!
The DRKF5H3 is comprised of 2 HO8s covering cymbals, 1 FK2 for
kick drum, 3 FT4s for tom-tom, 1 FS6 for snare, and 1 HI10 for hi- DRKK5C2 drum set includes:
hat. This mic set is suitable for Jazz music and also excellent for other 1 PRA218B supercardioid, for kick.
instruments. 3 D10Cs supercardioid, for tom-tom
1 D10D supercardioid, for snare
DRKF5H3 drum set includes: 2 E102s condenser, cardioid, for cymbals
1 FK2 supercardioid, for kick
3 FT4s supercardioid, for tom-tom For more detailed specifications, please refer to related pages of
1 FS6 supercardioid, for snare instrument microphones.
2 HO8s large diaphragm condenser, super cardioid, for cymbals
1 HI10 condenser, cardioid, for hi-hat
Accessories Furnished 1 HM10S mic clip with screw knob for HI10 Accessories Furnished 1 HM27S mic clip with screw knob for PRA218B
8 YA2 threaded adapters 4 HM28 mic clips for tom-tom and snare
2 H6A brackets for HO8 5 Screw rings for PRA218B, D01C and D10D
2 Screw rings for HO8 2 HM10S mics clips with screw knob for E102s
5 Fixed clips with screw knob (FK2 / FT4 / FS6) 7 YA2 threaded adapters
Optional Accessories HM12A universal clamp 4 HM12A universal clamps
HM12D universal clamp with gooseneck 7 XLR3F-XLR3M 7-meter microphone cables
(1 of 7 cables has a 90 degree connector)
Packaging A6 protective carrying case and colorful outer packaging
Packaging #3 protective aluminum box and colorful outer packaging
55
DRKA3C2 DRKA5C2
Compact 5 Mic Set Extended 7 Mic Set
Live Stage / Practice Room Live Stage / Project Studio / Practice Room / Percussion
The DRKA3C2 drum set microphone is designed for live stage and The DRKA5C2 drum set microphone is designed for live stage and
practice rooms. Simple and complete, it is comprised of 2 PRA268AH practice rooms. It is comprised of 2 PRA268AH condensers for
condensers for overheads, 1 PRA218A for kick, and 2 PRA228A for tom- overheads, 1 PRA218A for kick, and 4 PRA228A for tom-tom and snare.
tom.
All microphones include permanent attached mic clip.
All microphones include permanent attached mic clip.
The DRKA5C2 drum set includes:
1 PRA218A supercardioid, for kick,
The DRKA3C2 drum set includes: 4 PRA228As supercardioid, for tom-tom and snare
1 PRA218A supercardioid for kick 2 PRA268AHs condenser, supercardioid, for cymbals and hi-hat.
2 PRA228As supercardioid for tom-tom and snare
2 PRA268AHs condenser, supercardioid for cymbals and hi-hat For more detailed specifications, please refer to related pages of
instrument microphones.
For more detailed specifications, please refer to related pages of
instrument microphones.
Accessories Furnished 5 permanent attached mic clips Accessories Furnished 2 HM10S mic clips with screw knob for PRA268A
5 YA2 threaded adapters 5 permanent attached mic clips
Optional Accessories HM12A universal clamp 7 YA2 threaded adapters
Optional Accessories HM12A universal clamp
Packaging A3 protective box and colorful outer box
Packaging A3 protective box and colorful outer box
56
Value Packs
For the professional artists who are always performing at different occasions, Superlux offers a convenient
microphone value pack. All the necessary elements are stored in one handy carrying bag, so it is very easy to
travel with this value pack. Choose the value pack for yourself. The value packs includes: microphone, mic cable,
mic clip, threaded adapter, microphone boom stand, nylon pouch, and a handy carry bag.
Nylon pouch
MSKA
Singer Pack
High C/P value vocal microphone ECOA, best selling microphone boom stand
MS108E, nylon pouch, HM9A mic clip, 6-meter mic cable, top-open carrying
bag that holds everything.
58
Value Packs
MSK10B MSK124
Instrument Mic Pack Condenser Mic Pack
Guitar Player / String Player / Brass Player / Percussion / Vocal Guitar Player / String Player / Brass Player
The MSK10B instrument microphone value pack contains instrument The MSK124 condenser mic pack is specially designed for professional
microphone D10B incorporating humbucking coil bundle with MS108E
boom stand, additional microphone cable, mic clip, and carrying bag. vocal microphone packed with light weight aluminium traveller stand
MS128. The E124D condenser microphone can be powered by phantom
The MSK10B instrument microphone value pack includes: or one 1.5V battery, making this package the best for acoustic instrument
touring musicians.
1 D10B instrument microphone
1 6-meter mic cable, XLR3F-XLR3M connector or XLR3F-1/4" TS The MSK124 condenser mic pack includes:
connector
1 Nylon mic pouch 1 E124D instrument/vocal condenser microphone (phantom power or
1 HM9A mic clip one 1.5V battery)
1 MS108E boom stand (5/8" to 3/8" threaded adapter included) 1 6-meter mic cable, XLR3F-XLR3M connector or XLR3F-1/4" TS
1 Top-open carrying bag connector
1 S09 wind screen
MSK10BX: mic cable with XLR3F-XLR3M connector 1 Nylon mic pouch
MSK10BP: mic cable with XLR3F-1/4" TS connector 1 HM16S mic clip with screw knob
1 YA2 threaded adapter
1 MS128 light weight aluminum boom stand (5/8" to 3/8" threaded
adapter included)
1 Top-open carrying bag
E124D on p.46.
59
60
Installation
Ø20 mm
Ø11.5 mm [0.79in]
Ø20 mm
[0.45in]
[0.79in]
Ø11.5 mm
98.5 mm [3.88in]
98.5 mm [3.88in]
114.5 mm
[4.51in]
98.5 mm
[3.88in]
Ø19 mm Ø19 mm Ø19 mm Ø19 mm
[0.75in] [0.75in] [0.75in] [0.75in]
E326PRO NEW
E321
High Quality Gooseneck Microphone Gooseneck Microphone
Conference / Lectern / House of Worship / Temple Conference / Lectern / House of Worship / Temple
The E326 PRO is a high quality compact gooseneck back electret The E321 gooseneck microphones are black, with inter-changeable
condenser conference microphone available in 45 and 60cm versions. capsules; the standard model comes with a supercardioid capsule.
Its durable double bend gooseneck has passed a bending test, of over Cardioid and omni capsules are also available as options. It features a
3000 times of bending. It has an inter-changeable capsule. A cardioid is built-in 150 Hz HPF.
included in the package, and the supercardioid and omni are optional.
High quality gooseneck vocal microphone
Rugged construction Inter-changeable capsules with supercardioid, cardioid, and omni
High precision engineered miniature condenser capsule capsules available
3 types of capsules: cardioid, supercardioid and omni One bend near the base
Highly reliable contact for capsule modules Three length options (S/M/L), an on/off switch and an LED lighted ring
Professional sound quality are available
RF immunity
Double bend gooseneck E321S 30 cm (12"), external HPF 150 Hz, -6 dB/oct
E321S/SL 30 cm (12"), with on/off switch, and LED ring
E326U/M PRO cardioid, 45 cm (18") long E321M 45 cm (18"), external HPF 150 Hz, -6 dB/oct
E326H/M PRO supercardioid, 45 cm (18") long E321M/SL 45 cm (18"), with on/off switch, and LED ring
E326O/M PRO omni, 45 cm (18") long E321L 60 cm (24"), external HPF 150 Hz, -6 dB/oct
E326U/L PRO cardioid, 60 cm (24") long E321L/SL 60 cm (24"), with on/off switch, and LED ring
E326H/L PRO supercardioid, 60 cm (24") long U: Cardioid capsule
E326O/L PRO omni, 60 cm (24") long H: Supercardioid capsule
O: Omni capsule
Type Back electret, Ø11.5 mm (Ø0.45") Type Back electret, Ø16 mm (Ø0.63")
Polar Pattern Cardioid / Supercardioid / Omni Polar Pattern Cardioid / Supercardioid / Omni
Frequency Response 20-20,000 Hz Frequency Response 20-18,000 Hz
Low Frequency Filter 150 Hz, -6 dB/oct Low Frequency Filter 150 Hz, -6 dB/oct
Sensitivity -42 dBV/Pa (7.9 mV) Sensitivity Cardioid / Supercardioid: -40 dBV/Pa (10 mV)
Output Impedance Omni: -42 dBV/Pa (7.9 mV)
Min. Load Impedance Output Impedance
S/N Ratio 72 dB Min. Load Impedance
Equivalent Output Noise 22 dB S/N Ratio Cardioid / Supercardioid: 72 dB; omni: 70 dB
Max. SPL 138 dB SPL Equivalent Output Noise Cardioid / Supercardioid: 22 dB; omni: 24 dB
Dynamic Range 116 dB Max. SPL Cardioid / Supercardioid: 135 dB SPL; omni: 137 dB SPL
Power Requirements 9-52V DC, 1.9 mA Dynamic Range Cardioid / Supercardioid: 113 dB; omni: 113 dB
Finish Black Power Requirements Phantom 9-52V DC, 4mA
Connector XLR3M Finish Titanium grey
Dimensions Capsule: Ø11.5 mm (Ø0.45") Connector XLR3M
Length: 450 / 600 mm (18" / 24") Dimensions Capsule: Ø20 mm (Ø0.79");
Net Weight 151 g ( 5.3 oz) / 167 g (5.9 oz) Length: 300 / 450 / 600 mm (12" / 18" / 24")
Accessories Furnished S55F windscreen Net Weight 200 g (7 oz)
Packaging Colorful outer packaging Accessories Furnished S20 windscreen
Packaging Colorful outer packaging
62 E326PRO E321
Installation
Ø12.5 mm
[0.5in] Ø12.5 mm
[0.5in]
[0.31in]
E322M 450 mm [18in]
E322L 600 mm [24in]
98.5 mm[3.88in]
114.5 mm
[4.51in]
E322 PRA518
Gooseneck Microphone Gooseneck Microphone
Conference / Lectern / House of Worship / Temple Conference / Lectern / House of Worship / Temple
The E322 is a miniature condenser capsule, gooseneck microphone Mini back electret gooseneck condenser conference microphone
for conference applications. It has a double bend for easy positioning. PRA518 provides the frequency response and cardioid directivity ideal
It comes in 2 lengths and is available in black or white. It possesses an for conference applications. There are 5 versions to choose from: full
bend, double bend or single bend, 30, 45 or 60 cm in length. The extra-
small capsule produces a sleek appearance.
High quality gooseneck vocal microphone
2 length (M/L) versions, available with on/off switch, and in black or white Ø8 mm mini capsule
Double bend for easy positioning Back electret cardioid capsule
Tailored conference speech frequency response
Single bend, double bend, and full bend goosenecks are available
E322MB
E322MB/S 46.5 cm, black, on/off switch
PRA518AS Ø8 × 30 cm (12") full bend
E322MW
PRA518AM Ø8 × 45 cm (18") double bend
E322MW/S 46.5 cm, white, on/off switch
PRA518AL Ø8 × 60 cm (24") double bend
E322LB
PRA518BM Ø8 × 45 cm (18") single bend
E322LB/S 61.5 cm, black, on/off switch
PRA518BL Ø8 × 60 cm (24") single bend
E322LW
E322LW/S 61.5 cm, white, on/off switch
B: Black W: White
E322 PRA518 63
Ø40.5 mm
[1.6in]
Ø12.5 mm Ø12.5 mm
[0.5in] [0.5in]
Ø40.5 mm
[1.6in]
PRA528CM 450 mm[17.7in]
PRA528CL 600 mm[23.5in]
PRA528BM 450 mm[17.7in]
PRA528BL 600 mm[23.5in]
600 mm
[23.5in]
mm*3M
Ø2.5
450 mm
[17.7in]
81 mm
[3.2in]
122 mm
[4.8in]
98.5 mm
91 mm [3.58in]
[3.88in]
[2.24in]
57 mm
Ø19 mm Ø19 mm
[0.75in] [0.75in] Ø19 mm Ø19 mm
Ø19 mm
[0.75in] [0.75in] [0.75in]
PRA528 PRA618
Gooseneck Microphone Gooseneck Dynamic Microphone
The PRA-528B/C series are specially designed back electret condenser The PRA618 is a dynamic gooseneck microphone for systems without
microphones for conferences. They have the features needed for phantom power supply. It's easy to use, just plug and play. No phantom
conferences such as tailored frequency response, excellent cardioid power is needed.
polar pattern, and high gain before feedback. Each member in the PRA-
528B/C series has an adjustable gooseneck, which makes it convenient Small dynamic supercardioid capsule
to change the direction when installed in fixed places. It has 2 length Tailored vocal frequency response
versions: 45 cm and 60 cm, and 2 connection methods: B, direct plug-in High gain before feedback
Double bend gooseneck structure
Direct plug-in at fixed lacations and separate preamp versions are PRA618M 45 cm, double bend
available PRA618L 60 cm, double bend
Back electret cardioid capsule
Tailored for conference with reinforced vocal frequency response
Single bend gooseneck structure
S05 windscreen
Packaging Colorful outer packaging
64 PRA528 PRA618
Installation
Ø40.5 mm
[1.59in] Ø29 mm
[1.14in]
200 mm [7.87in]
195 mm [7.68in]
300 mm
[11.8in]
295 mm
[11.6in]
Built-in 300 mm cable Built-in 300 mm cable
with open end with open end
M11 M11
Ø20 mm Ø20 mm
[0.79in] [0.79in]
D302 NEW
E306 NEW
The D302 conference style dynamic microphone is designed for The E306 conference style condenser microphone, which is designed
the speech and conference installation market. It incorporates high for the speech, conference, and installation market. Its frequency
sensitivity and wide frequency response for precision sound pick up. response is designed for precision sound pick up. Mounting is simple
Simple mounting with tightening gaskets installs the microphone onto a with tightening gaskets to install the microphone onto a podium or it can
podium or it can be attached with a 5/8" nut on the base. It shares the be attached with a 5/8" nut on a base. It shares the same capsule as the
same capsule as the PRA618. PRA528DS.
5/8" thread for easy mounting 5/8" thread for easy mounting
Supercardioid polar pattern emphasizes on-axis sound while Cardioid polar pattern to emphasize on-axis sound while suppressing
suppressing surrounding noise. surrounding noise
Tailored conference speech frequency response Tailored conference speech frequency response
Noiseless single bending Noiseless single bending
D302 Gooseneck 30 cm, pigtail: 30 cm cable E306 Gooseneck 29.5 cm, pigtail: 30 cm cable
D302 E306 65
Ø32 mm
PTT即按即通開關
[1.26in]
Ø11.5 mm
[0.45in]
[3.31in]
84 mm
445.2 mm [17.53in]
580 mm [22.83in]
480 mm [19in]
400 mm [15.75in]
300 mm [0.6in]
44.6 mm [1.75in]
Ø70 mm Ø70 mm
[2.76in] [2.76in] 123 mm [4.84in] 143 mm [5.63in]
The PRA538 is a heavy duty thick gooseneck microphone for The E309D PRO is a high quality gooseneck microphone with an inter-
heavier use and long life. It features a small dynamic supercardioid changeable capsule. It is mounted on a metal base which includes a
capsule, tailored for precision sound pick up, and good directivity. The membrane switch which provides 4 kinds of set-up: PTT, PTM, power
up on and power up off. The metal base has both a XLR3M output and a
are all included. terminal block connection.
Membrane switch,
4 programmable setups
Ø29 mm
[1.14in]
Ø16 mm
[0.63in]
460 mm [18in]
465.1 mm [18.31in]
50 mm
[1.97in]
44.6 mm [1.75in]
PUSH
188 mm [7.4in]
Ø19.5 mm
120 mm [4.72in] [0.75in]
123 mm [4.84in] 143 mm [5.63in]
E361 NEW
PRA528DS
Continuous Variable Pattern Gooseneck Mic with Base Gooseneck with Base
The E361 is a condenser gooseneck microphone with a continuously- The PRA528DS is a gooseneck microphone mounted on a base.
variable pickup pattern achieved by its dual capsule design. The variable Specially tailored with conference speech frequency response, it gets
pattern control is selected by the knob on its base, making the E361 higher gain before feedback, as well as greater sound pick up distance.
flexible for a variety of applications. It mounts on a metal base with a It can be powered by phantom or battery. It has a larger pop screen to
membrane switch that provides 4 kinds of set-up: PTT, PTM, power up
on, and power up off. The metal base has both a XLR3M output and
terminal block connection. Dual powered by phantom or battery
Back electret condenser
Membrane switch, 4 programmable setups Tailored for conference with enhanced speech frequency response
On/off switch with LED indicator Double bend goosneck
-31 dBV highly sensitive condenser capsule
RF immunity
Double bend gooseneck structure
POWER UP ON
PUSH ON/OFF
POWER UP OFF
PUSH TO MUTE
PUSH TO TALK
Type Back electret, Ø9.7 mm (Ø0.38") Type Back electret, Ø9.7 mm (Ø0.38")
Polar Pattern Continuous variable pattern Polar Pattern Cardioid
Frequency Response 80-18,000 Hz Frequency Response 50-16,000 Hz
Sensitivity -31 ± 2 dBV/Pa (28.2 mV) Sensitivity -35 dBV/Pa (17.8 mV)
Output Impedance Output Impedance
Min. Load Impedance Min. Load Impedance
S/N Ratio 79 dB S/N Ratio 70 dB
Equivalent Output Noise 15 dB Equivalent Output Noise 24 dB
Max. SPL 120 dB SPL Max. SPL Phantom: 124 dB SPL Battery: 114 dB SPL
Dynamic Range 105 dB Dynamic Range Phantom: 100 dB Battery: 90 dB
Power Requirements 48V DC, 8.6 mA Power Requirements Phantom: 12-52V DC, 3 mA
Finish Black Battery: 1.5V AA/UM3, 1.2 mA
Connector XLR3M Finish Black
Dimensions Capsule: Ø16 mm (Ø0.63") Connector XLR3M
Height: 465 mm (18.31") Dimensions Capsule: Ø29 mm (Ø1.14")
Net Weight 943 g (33.2 oz) Height: 460 mm (18.11") without the base
Accessories Furnished S56 windscreen Net Weight 1,000 g (35.3 oz)
Optional Accessories 10-meter microphone cable (pigtail-XLR3M) Accessories Furnished S18 windscreen
SFM10FM: 10-meter XLR3M-XLR3F microphone cable 1.5 V AA alkaline battery
Packaging Colorful outer packaging Optional Accessories SFM10FM : 10-meter XLR3F-XLR3M microphone cable
Packaging A3 protective carry case, colorful outer packaging
E361 PRA528DS 67
Gooseneck Microphone Optional Accessories
HM22 HM23
Mounting Flange Shock Mount Flange
Installation aperture: Ø42 mm (1.65") Installation aperture: Ø50.8 mm (2")
HM24 HM24C
Cable Length: 25 cm (10") Cable Length: 2-meter (6')
Installation aperture: Ø43 mm (Ø1.69") Installation aperture: Ø43 mm (Ø1.69")
DS003S DS003AS
68
Installation
E303 E304
Acoustic Boundary Cardioid Acoustic Boundary Omni
Lectern / Conference / Tap Dance / Piano Lectern / Conference / Tap Dance / Piano
Type Back electret, Ø9.7 mm (Ø0.38") Type Back electret, Ø9.7 mm (Ø0.38")
Polar Pattern Cardioid Polar Pattern Omni
Frequency Response 30-18,000 Hz Frequency Response 20-18,000 Hz
Sensitivity -39 dBV/Pa (11.2 mV) Sensitivity -39 dBV/Pa ( 11.2 mV)
Output Impedance Output Impedance
Min. Load Impedance Min. Load Impedance
S/N Ratio 70 dB S/N Ratio 70 dB
Equivalent Output Noise 24 dB Equivalent Output Noise 24 dB
Max. SPL 127 dB SPL Max. SPL 127 dB SPL
Dynamic Range 103 dB Dynamic Range 103 dB
Power Requirements Phantom 9-52V DC, 4 mA Power Requirements Phantom 9-52V DC, 4 mA
Finish Black, white Finish Black, white
Connector TA3M Connector TA3M
Dimensions Ø85 × 20.5 mm (Ø3.35" × 0.81") Dimensions Ø85 × 22.5 mm (Ø3.35" × 0.88")
Net Weight 180 g (6.3 oz) Net Weight 200 g (7 oz)
Accessories Furnished 33' (10-meter) TA3F-XLR3M microphone cable Accessories Furnished 33' (10-meter) TA3F-XLR3M microphone cable
Packaging Colorful outer packaging Packaging Colorful outer packaging
E303 E304 69
PRA418 PRA428
Omni Acoustic Boundary Cardioid Acoustic Boundary
Lectern / Conference / Tap Dance / Piano / Drama Lectern / Conference / Tap Dance / Piano / Drama
and high sensitivity signal results in clear sound without coloration. on the stage. The miniature condenser capsule provides wide frequency
phantom or 1.5V battery. is included in the PS418D. It can be powered by phantom or 1.5V
battery.
PS418D preamp, built-in 80 Hz HPF to reduce ambient noise
Sturdy die-cast case PS418D preamp, built-in 80 Hz HPF to reduce ambient noise
Double layer metal grille Sturdy die-cast case
AA battery allows 1200 hours continuous use Double layer metal grille
AA battery working 1200 hours continuously
Type Back electret, Ø9.7 mm (Ø0.38") Type Back electret, Ø9.7 mm (Ø0.38")
Polar Pattern Omni Polar Pattern Cardioid
Frequency Response 30-20,000 Hz Frequency Response 50-20,000 Hz
Low Frequency Filter 80 Hz Low Frequency Filter 80 Hz
Sensitivity Phantom: -42 dBV/Pa (7.9 mV) Sensitivity Phantom: -44 dBV/Pa (6.3 mV)
Battery: -44 dBV/Pa ( 6.3 mV) Battery: -45 dBV/Pa (5.6 mV)
Output Impedance Output Impedance
Min. Load Impedance Min. Load Impedance
S/N Ratio 68 dB S/N Ratio 66 dB
Equivalent Output Noise 26 dB Equivalent Output Noise 28 dB
Max. SPL Phantom: 132 dB SPL; Battery: 118 dB SPL Max. SPL Phantom: 134 dB SPL; Battery: 120 dB SPL
Dynamic Range Phantom: 106 dB; Battery: 92 dB Dynamic Range Phantom: 106 dB; Battery: 92 dB
Power Requirements Phantom 9-52V DC, 2 mA or 1.5V AA battery Power Requirements Phantom 9-52V DC, 2 mA or 1.5V AA battery
Finish Black Finish Black
Connector TA3M Connector TA3M
Dimensions Ø65 × 15 mm (Ø2.56" × 0.59") Dimensions 64 × 92 × 16 mm (2.44" × 3.62" × 0.63")
Net Weight 80 g (2.8 oz) Net Weight 110 g (3.9 oz)
Accessories Furnished Accessories Furnished
25' (7.5-meter ) TA3F-TA3F microphone cable 25' (7.5-meter) TA3F-TA3F microphone cable
1.5V AA alkaline battery 1.5V AA alkaline battery
Packaging A1 protective carrying case Packaging A1 protective carrying case
Colorful outer sleeve Colorful outer sleeve
70
PRA418 PRA428
Installation
E323 E324
Flush Mount Cardioid Boundary Flush Mount Omni Boundary
that can reduce the possibility of feedback when installed in a speaker wide range of pick up sound response. Finished in no-gloss black or
white, with built-in power circuit, and XLR3M connector.
with a built-in power circuit, and XLR3M connector.
Full metal structure, double layer grille
Full metal structure, double layer grille 2 anti-vibration rubber washers and mounting screws
2 anti-vibration rubber washers and mounting screws XLR3M output connector
XLR3M output connector
E324B black
E323B black E324W white
E323W white
Type Back electret, Ø9.7 mm (Ø0.38") Type Back electret, Ø9.7 mm (Ø0.38")
Polar Pattern Cardioid Polar Pattern Omni
Frequency Response 60-14,000 Hz Frequency Response 20-20,000 Hz
Sensitivity -35 dBV/Pa (17.8 mV) Sensitivity -32 dBV/Pa (25 mV)
Output Impedance Output Impedance
Min. Load Impedance Min. Load Impedance
S/N Ratio 68 dB S/N Ratio 68 dB
Equivalent Output Noise 26 dB Equivalent Output Noise 26 dB
Max. SPL 132 dB SPL Max. SPL 132 dB SPL
Dynamic Range 106 dB Dynamic Range 106 dB
Power Requirements Phantom 12-48V DC, 2 mA Power Requirements Phantom 12-48V DC, 2 mA
Finish Black or white Finish Black or white
Connector XLR3M Connector XLR3M
Dimensions Ø28 (34) × 73 mm [Ø1.1" (1.34") × 2.87"] Dimensions Ø28 (34)×73 mm [Ø1.1" (1.34")×2.87"]
Net Weight 53 g (1.87 oz) Net Weight 53 g (1.87 oz)
Accessories Furnished Accessories Furnished
Packaging White box Packaging White box
E323 E324 71
E308 PRA52
Ceiling Microphone with Inter-Changeable Capsules Ceiling Microphone
Conference / House of Worship / Surveillance / Stage Conference / House of Worship / Surveillance / Stage
E308B black
PRA52B black
E308W white
PRA52W white
U: indicates cardioid capsule
H: indicates supercardioid capsule
O: indicates omni capsule
Inter-changeable
capsules
Type Back electret, Ø16 mm (Ø0.63") Type Back electret, Ø9.7 mm (Ø0.38")
Polar Pattern Cardioid / supercardioid / omni Polar Pattern Cardioid
Frequency Response 20-18,000Hz Frequency Response 40-18,000 Hz
Sensitivity -44 dBV/Pa (6.3 mV) Sensitivity -43 dBV/Pa (7.1 mV)
Output Impedance Output Impedance
Min. Load Impedance Min. Load Impedance
S/N Ratio 76 dB S/N Ratio 70 dB
Equivalent Output Noise 18 dB Equivalent Output Noise 24 dB
Max. SPL 138 dB SPL Max. SPL 132 dB SPL
Dynamic Range 120 dB Dynamic Range 108 dB
Power Requirements Phantom 12-52V DC, 4 mA Power Requirements Phantom 12-52V DC, 4 mA
Finish Black or white Finish Black or white
Connector TA3F Connector XLR3M
Dimensions Capsule: Ø20 mm (Ø0.79"); cable: 10-meter (32.8') Dimensions Ø12×27 mm (Ø0.47"×1.06")
Net Weight 300 g (10.6 oz) Net Weight 220 g (7.76 oz)
Accessories Furnished Accessories Furnished S06 windscreen
S20 windscreen Steel holding spring
Steel holding spring Pipe clip
Pipe clip Packaging Colorful outer packaging
Packaging Colorful outer packaging
72 308 PRA52
Installation
D401S PRA535/NC
Omni Podcast Microphone Push to Talk Microphone
Podcaster / Interview / Speech Recording / Communication / Emergency / Communication / Transportation / Airplane / Noisy and
Language Learning Classroom Traveling Environments
The Superlux D401S is an omni-directional, dynamic microphone with The PRA535 series microphone has push to talk function with excellent
no proximity effect, and no coloration. It features uniform sensitivity and attenuation of ambient noise. The PRA535 is a noise cancelling type, the
PRA535NC is an ultra noise cancelling type, both with a built-in 3.4-meter
broadcasts, or podcasts. It is very suitable for recording application, as coil spring output cable.
there is no feedback concern or coloration.
Its sleek profile offers comfortable handling, attractive design and Push to talk switch
suppressed wind noise Excellent in clearness of speech recognition and intelligibility
Excellent attenuation of ambient noise
Omni directional, uniform sensitivity, balanced and natural sound. Premium durability to high temperature, humidity, vibration and
Low impedance, high dynamic range dropping
Spherical pick-up, capturing speech from all directions and delivering, Corrosion-resistant body (against oil, acid, and alkali)
consistent output signal when in long term use
Strengthened metal grille, sturdy die-cast shaft for maximum impact PRA535 6.3 mm TS connector, noise cancelling
protection PRA535NC Pigtail, ultra noise cancelling
PRA535NC/P 6.3 mm TS output connector, ultra noise cancelling
D401S PRA535 73
PRA448
Flush Mount Microphone
on a wall. It can be used both indoors and outdoors and comes with a
stainless steel plate, standard gauge box plate size for easier installation
and is available with, a DPDT push switch for momentary on/off.
Clear voice
Standard gauge box plate size
DPDT on/off switch (PRA448S)
Type Dynamic
Polar Pattern Omni
Frequency Response 150-4,500 Hz
Sensitivity -45 dBV/Pa (7.9 mV)
Output Impedance
Min. Load Impedance
Max. SPL 135 dB SPL
Finish Stainless steel
Connector Pigtail
Dimensions 115 × 70 × 33 mm (4.53" × 2.76" × 1.3")
Net Weight 80 g (2.8 oz)
Packaging White box
74 PRA448
Conference
System
& Measurment
SC70
Conference
System
SC70
Central Control Unit
SC 70 Series is a system whose ease of setup, operation and expansion Up to 70 Chairman/Delegate units per SC70 central unit
makes it ideal for conferences, boardrooms, government offices, Featuring expansion up to three SC70 central units for a total of 210
committee rooms, press centers, courtrooms, etc. With a variety of inputs Chairman/Delegate Units in one system
and outputs, the SC70 Central Control Unit features remote conference System supports having all microphones on for recording purposes
ability.
Easy Setup
Setting up the SC70 system is quick and easy. The basic requirements are
simply to attach the Chairman and Delegate Units to the system's central
unit, connecting each unit according to your requirements. Lockable
connectors make the system simple and reliable.
MIC LIMITER TIME OUT
Number of simultaneously usable Switches off the microphone
Easy Expansion Delegate Units can be selected. automatically even when the
A Central Unit can handle up to 70 chairman and delegate units. When When "0" is selected, only Chairman delegates forget to turn off after
there is a need for more than 70 delegates, the system allows connection Unit can be activated. a preset interval elapses (three
positions: off, 20 or 40 seconds).
of up to 3 central units and expansion of up to 210 delegate units daisy-
chained together. Each Chairman/Delegate Unit includes a unidirectional
gooseneck microphone, with 45 cm and 60 cm goosenecks to choose
from.
TEST/MIC ON
Easy Storage Easy checking of the connection
Each gooseneck microphone is detachable for easy storage. status of all connected units by
activating this feature
76
Conference System
SC70 SC71 Chairman Unit SC72 Delegate Unit SC72 Delegate Unit
Central Control Unit
Up to 70 units
System Expandable to
Connection maximum 210
units by connecting
Diagram 2 additional Central
Units
SC70 SC71 Chairman Unit SC72 Delegate Unit SC72 Delegate Unit
Central Control Unit
SC70 SC71 Chairman Unit SC72 Delegate Unit SC72 Delegate Unit
Central Control Unit
Recording
function
Internet
Remote
conferencing
E322M / BL4
SC71 push to talk and
priority override
SC72 E322L / BL4
control push to talk control
Chairman Unit Delegate Unit Condenser Gooseneck Microphone
77
Measurement
Microphones
ECM999 ECM888B
1/2" Measurement Microphone 1/4" Measurement Microphone
The ECM999 is an omni-directional microphone for free-field The ECM888B is a 1/4" standard measurement microphone powered
measurement with built-in highly-reliable circuit, 1/4" pre-polarized by an internal battery. There is no external power needed for easier
condenser capsule, high stability, low distortion, and less noise in connection to various devices such as a real time analyzer, PC, or palm-
performance. Its excellent flat frequency response makes it an ideal
candidate for sonic analysis systems and for special recording as well. an ideal measurement and recording microphone.
78
ECM999 ECM888B
Measurement
Rotatable
Omni measurement microphone is especially designed for home theater The Pink Stick is a random noise generator with built-in XLR-3M
automatic alignment setting. Permanent attached cable with 3.5 mm
stereo plug. It's suitable for popular plug-in power mic inputs and simple which provides phantom power, so no battery is needed. Its rotary switch
to use. selects between pink noise, 1 kHz tone, and pulse tone and there is
mute setting in between every signal for easy protection.
79
E302
If you like to unwind after work with a karaoke performance, then the Tenlux Karaoke
microphone series is exactly what you are looking for. With just the right bass and a
bright high-frequency response, these microphones are designed speci cally for the
ultimate karaoke experience. Whether your system is wired or wireless, the Tenlux
Karaoke series, combined with Tenlux ampli ers and speakers, can provide the best
choice for your recreational karaoke.
Karaoke Series
Wired Microphones
PRO108T
Premium Karaoke Microphone
With 30 years of R&D of microphones, Tenlux now is introducing the ultimate KTV dynamic
microphone to the KTV market. It represents pure, warm, smooth sound and is full of musical
character.
The PRO108T can easily pick up the high SPL dynamic and transient response. Feel the powerful,
solid sound penetrate your heart with lots of details. With the flat off-axis frequency response
against the unwanted acoustic coloration from other sources, it is an excellent microphone for live
vocal performance.
The PRO108T's supercardioid directivity enhances the sound coming from the front and
suppresses other sounds coming from the sides, thus ensuring a pure sound with no feedback. In
addition, the improved capsule suspension system reduces handling noise. No matter whether you
use it indoors or out, for speech or singing, the PRO108T is the best choice.
Type Dynamic
Polar Pattern Supercardioid
Frequency Response 50-16,000 Hz
Sensitivity -54 dBV/Pa (2 mV)
Output Impedance
Min. Load Impedance
Max.SPL 150 dB SPL
Finish Chrome plated
Connector XLR3M
Dimensions Ø54 × 180 mm (Ø2.13" × 7.09")
Net Weight 340 g (12 oz)
Accessories Furnished HM13 wall mount microphone holder
Optional Accessories MA08 wall mount microphone holder
S40 windscreen (black, blue, orange, red, yellow 5 colors to choose)
82
PRO108T
Tenlux
Tom's
Angel
Tom's II
Linda
Tom's III
Tom's Angel Tom's II Linda Tom's III Ruby
Ruby
Tom's Family Microphone Series
Karaoke Microphone
Tom's family microphone series is specially designed for the KTV market. It combines fashion, professional sound
quality and reliability, successfully capturing all KTV customers.
Tom's family microphone series has 6 models in three groups: TOM'S & ANGEL, TOM'S II & LINDA, TOM'S III & RUBY.
These express the concept of three generations singing together, and the microphones can meet the requirements of
all ages.
The high quality ND magnet and double-layer dome diaphragm design make it easy for singers to perform, and the
reinforced steel grille and anti-rolling design makes it perfect for KTV.
International vocal frequency response standard reproduces the high band detail and powerful low band
Supercardioid directivity with high gain before feedback
6 colors to choose from
3 frequency responses to suit different sound characters
Tom's
Type Dynamic
Polar Pattern Supercardioid
Frequency Response 50-16,000 Hz
Sensitivity -54 dBV/Pa (2 mV)
Output Impedance
Min. Load Impedance
Max.SPL 150 dB SPL
Finish TOM'S: Black ANGEL: Rose gold
Tom's II
TOM'S II: Grey LINDA: Champagne silver
TOM'S III: Glue RUBY: Red
Connector XLR3M
Dimensions Ø55 × 180 mm (Ø2.17" × 7.08")
Net Weight 362 g (12.7 oz)
Accessories Furnished Ø6 mm × 5-meter cable with XLR3F-6.3 mm (1/4") connector
Optional Accessories MA08 wall mount microphone holder
S40 windscreen (black, blue, orange, red, yellow 5 colors to choose)
Packaging A2 protective carry case
Tom's III
83
TOM'S PC
TOM'S PG Tom's PC Tom's PG
Commercial KTV Box Microphone In Pair
Type Dynamic
Polar Pattern Supercardioid
Frequency Response 50-15,000 Hz
Sensitivity -53 dBV/Pa (2.2 mV)
Output Impedance
Min. Load Impedance
Max.SPL 150 dB SPL
Finish TOM'S PC: Chrome plated TOM'S PG: Grey
Connector XLR3M Silver plated
Dimensions Ø55 × 180 mm (Ø2.17" × 7.09")
Net Weight 382.5 g (13.5 oz)
Accessories Furnished 2 hexagon anti-rolling ring
Optional Accessories MA08 wall mount microphone holder
S40 windscreen (black, blue, orange, red, yellow 5 colors
to choose)
Packaging A2 protective carry case
84 Tom's PC/PG
Tenlux
TOM'S FC
TOM'S FG
Commercial Karaoke Microphone for Installation Tom's FC Tom's FG
85
Tom's FC/FG
DM718 DM718A
Karaoke Microphone Karaoke Microphone
86
DM718 DM718A
Tenlux
DM858 87
DM838
E10B
DM102 NEW
VT9 Series NEW
The DM102 is a very high value karaoke microphone. With an ND The VT9 Series wireless system is built for karaoke and general PA
magnet diaphragm, high sensitivity, and a standard karaoke tone, it applications. This highly reliable wireless system has been carefully
presents the individual character of the performer.. designed to ensure that a clear and warm vocal sound will be reproduced
within an effective operating distance. This series is the most popular for
installation in karaoke boxes, schools, speech venues, and night clubs.
ND magnet diaphragm
Standard karaoke sound
Paper box with buffer protection Frequency range: 170 MHz-250 MHz
Type Dynamic
Polar Pattern Cardioid
Frequency Response 50-16,000 Hz
Sensitivity -55 dBV/Pa (1.8 mV)
Output Impedance
Min. Load Impedance
Max. SPL 155 dB SPL
Finish Black, plastic body
Connector XLR3M silver plated
Dimensions Ø53.5 × 173.5 mm (Ø2.11" × 6.83")
Net Weight 130 g (4.6 oz)
Accessories Funished 5-meter cable (XLR3F-6.3 mm (1/4"))
Pouch
Optional Accessories MA08 wall mount microphone holder
S40 windscreen (black, blue, orange, red, yellow 5 colors
to choose)
Packaging Colorful outer packaging
88 DM102
Tenlux
VT825
Practical Wireless System
VT8 Receiver
VHF band, Quartz oscillation fixed frequency reciever, no need to
match the channel
transmitter
TK300
TK300 TK200
TK200
TK300
karaoke market, with high quality components and a sleek, fashionable
Independent center channel with Treble and Bass EQ control
shape. The TK300 has 3 channels 300 W and the TK200 has 2 channels
Music channel with Treble and Bass EQ control
200 W; both feature high, mid, low EQ control, 4 effects, 11 stage key
change function and various types of input/output connectors, meeting
TK200
all yours karaoke needs.
4 standard karaoke effects: Reverb, Echo, Repeat, Delay Music channel with Treble, Mid and Bass EQ control
11 stage key change function to extend the key range
Blue LED display and blue LED backlight brighten the Tenlux
Mic input channel has high, mid, low EQ control
Front panel, 3 mic inputs; rear panel, 2 mic inputs (3 level adjust knobs)
Auto balance control switch to unify the level balance from different
sources
Built-in external effect in / out connectors
Input music source auto / manual control switch
Additional power output: unswitched output 200 W, switched output 100 W
Independent BGM level control
Additional signals output connectors: Pre, subwoofer, music, record out
Speakers
TS8
Superlux
TS10
TS8 Dual High Frequency Tweeters and 8-inch Woofer SF12AS
TS10 Dual High Frequency Tweeters and 10-inch Woofer 12" Active Subwoofer Speaker
Karaoke / KTV Box / Mid Event Stage Karaoke / KTV Box / Mid Event Stage
The TS series karaoke professional speaker is specially designed for The Superlux SF12AS molded powered subwoofer is the ideal solution
karaoke entertainment with professional stage speaker components. where big sound and compact cabinet are required. Combining the
The unique dual high frequency diaphragm design widens the speaker amazing low-frequency performance of a subwoofer driver with a high-
efficiency 500 watt amplifier channel and an electronic crossover, the
vocal texture, with high power, high sensitivity and good reliability. With SF12AS eliminates the need for a separate crossover to drive a full-
easy installation, the TS speakers are the best value for the karaoke range system. A line level XLR output is also provided for daisy chaining
market. to additional active subwoofer speakers or additional power amps.
Crystal mid-high frequency, rich and full low frequency Matched with TS8 & TS10, provides earth-shaking low frequency energy
Matched pair symmetry cabinet design, accurate sound field, good
ambient sound 12-inch long throw subwoofer
2-way, 3-component design
High power capacity, suitable for commercial location Frequency response:43 Hz-275 Hz
Metal protective grille, good looking, durable and safe Upright or horizontal position available
Suspension design, easy to install, less space
TOM'S PC TOM'S PC
wired wired
microphone microphone
A Pack
VT96 hand held
wireleess system B Pack
VT825 hand held
wireless system
Includes Includes:
2 TOM'S PC wired microphones 2 TOM'S PC wired microphones
1 VT96 hand held wireless system with 2 transmitters 1 VT825 hand held wireless system with 2 transmitters
Accessories
MA09 S40
Wall Mount Dual Microphone Holder Windscreen
Suitable for Ø46-52 mm microphone, 5 colors
to choose from: black, orange, blue, red,
yellow.
93
Wireless Systems
U H F
Wireless Systems
UT6 Series
99
FIC
99 channel true diversity
UT6
Infrared frequency control
1-button FIC frequency infrared communication, syncing transmitter and
receiver
True Diversity Receiver
The UT Series of UHF wireless systems is designed for professional users, offering
16 groups with a choice of up to 99 frequencies of UHF channels. The UT6 true
diversity receiver ensures the receiving stability of the wireless signal. Its color
LCD display, 1-button FIC frequency infrared communication, syncing transmitter
and receiver, and a choice of a variety of condenser and dynamic microphones
for transmitter to complete the system, all ensure that the UT series will meet the
critical demands of even professional users.
UT4 UT2
Handheld Transmitter Bodypack Transmitter
The UT4 is a professional handheld transmitter and can be used with The UT2 is a professional bodypack transmitter and can be used with
a variety of dynamic or condenser microphone capsules. It offers 16 a variety of high quality headsets or lavaliere microphones. It offers
groups of UHF channels with a choice of up to 99 frequencies. The 16 groups of UHF channels with a choice of up to 99 frequencies in a
UT4 features1-button FIC frequency infrared communication, syncing 24 MHz bandwidth. 1-button FIC frequency infrared communication,
transmitter and receiver. Its battery power status display gives an syncing transmitter and receiver, offers easy setup of frequencies.
indication of battery life. The UT2 also features a battery power status display. An adjustable
microphone or guitar gain control makes it equally suitable for vocal or
1-button FIC frequency infrared communication, syncing transmitter instrument applications.
and receiver
99 frequencies UHF channels 1-button FIC frequency infrared communication, syncing transmitter
Interchangeable capsule and receiver
LCD display for battery power status 99 frequencies of UHF channels
Two AA alkaline battery provides over 8 hours continuous use A variety of headworn and lavaliere microphones can work with the
UT2 transmitter
LCD display for battery power status
Two AA alkaline batteries give over 8 hours continuous use
Gain control for microphone and instrument
97
Optional
Microphones
S125
1/2" True Condenser Microphone
Handheld Microphones
The S125's precision 1/2" gold sputtered diaphragm presents
studio-grade quality with extended frequency response, high
resolution and detail. This all new design has added a triple-
layer windscreen for up-close vocals in recording studios as
well as on the stage.
PRA30TQG
Condenser Microphone
Headset Microphones
The PRA30 headworn microphone with its elastic steel
frames and adjustable head band carefully designed to
human ergonomic standards, gives the best wearability
performance for even active users. Its high sound quality
with no proximity effect can protect from pop sounds when
used in close miking applications. This microphone provides
a tailored frequency response that gives proper elevation
in the vocal range of singing. Especially designed for any
hands-free microphone occasion, the PRA30 is ideal for all
live performances.
PRA383TQG
Clip-on Microphone with Gooseneck
Instrument Microphone
Designed specifically for use with instruments such as
saxophones, woods, eastern and western strings, and
percussion, this condenser gooseneck mic is capable of
98
98
Wireless Systems
The D108A's tailored vocal sound profile The TOP248 microphone is designed for PRO238C is a multi-purpose cardioid
gives a clear and warm vocal reproduction. Its professional vocal and instrument live sound condenser microphone, offering high quality
supercardioid directivity gives high gain before applications. This dynamic microphone sound, low handling noise and an anti-
feedback and the modular capsule with its incorporates neodymium magnets and an rolling design. This all-purpose mic is suitable
gold- plated contacts is designed for reliability, aluminum voice coil on a double membrane for vocals, instruments, conferences and
making this sturdy microphone a best choice diaphragm. Due to its 60~240Hz band interviews.
for all professional users. boosting, the TOP248 provides more bass
punch, yet has transparency in the high
frequencies. The TOP248 is the best choice for
pop music, soul and Jazz music.
This comfortable, durable head-worn dynamic The E10A is a low impedance condenser
microphone is especially designed for those headworn mini-microphone designed for close- high gain before feedback, and is suitable for
occasions when a hand-held microphone is up applications where there is a constant use in a noisy environment. It is designed for
not desirable. Its high sound quality with no distance between the mic and the sound close-up speech where there is a constant
proximity effect can protect from pop sounds source. The frequency response is wide and distance between the mic and the sound
when used in close miking applications. With source such as in sports, interviews, live stage
its fully adjustable head band and a tailored interviews, drama, speech or musicians, the and personal sound reinforcement. It comes
frequency response that gives proper elevation improved cable arrangement of the E10ATQG with newly designed wiring for a sleek and
in the vocal range of singing, the PRA20TQG is designed both for simplicity and easy low profile appearance and its elastic steel
is especially suitable for speech and does not concealment. frame fits all head sizes, ensuring long-term
require phantom power to operate. comfortable wear, making it an excellent choice
for users in a noisy environment.
WO518TQG E12ATQG
Omni Directional Lavaliere Omni Directional Mini
Microphone Lavaliere Microphone
Lavaliere Microphones
The WO518TQG is an omni lavaliere clip-on The E12ATQG omni lavaliere mini clip-on
condenser microphone for hidden recording. condenser microphone is perfect for hidden
Its tailored frequency response gives accurate, recording. Its tailored frequency response gives
intelligible speech reproduction. Suitable for accurate, intelligible reproduction of speech
doing interviews for the broadcast industry, the and is suitable for interviews in the broadcast
extended bass frequency range of this lavaliere industry.
mic also makes it ideal for sound pick up of
such instruments as the cello and double bass.
99
Wireless
Systems UT
4
UT2
UT6
UT64 / 125
True Condenser Handheld System
Handheld Systems
UT4/125 Transmitter with S125 condenser capsule
UT6 True diversity receiver
UT62 / 20
Dynamic Headworn System
Headworn Systems
PRA20TQG Dynamic headworn microphone
UT2 Bodypack transmitter
UT6 True diversity receiver
100
Wireless Systems
UT4/108A Transmitter with D108 dynamic UT4/TOP248 Transmitter with TOP248 UT4/238CTransmitter with PRO238C
capsule dynamic capsule condenser capsule
UT6 True diversity receiver UT6 True diversity receiver UT6 True diversity receiver
PRA30TQG Condenser headworn microphone E10ATQG Cardioid headworn microphone E10BTQG Figure 8 headworn microphone
UT2 Bodypack transmitter UT2 Bodypack transmitter UT2 Bodypack transmitter
UT6 True diversity receiver UT6 True diversity receiver UT6 True diversity receiver
101
Optional Accessories for
UT6 Wireless System
UDA28 NEW
The UDA28 antenna distributer can work with four UHF diversity
receivers. It not only greatly expands receiving range and efficiency
but also reduces the time needed for antenna installation. The UDA28
adopts the latest wide dynamic range, utilizes low distortion components,
and its advanced circuit design achieves very low inter-modulation
distortion and eliminates the spurious interference present in multiple
system applications. The UDA28 can be coupled with the AT0 antenna AT2
extension kit and AT2 antenna signal booster, which offer a 13 dB gain Antenna Signal Booster
for the receiving wireless signal, and greatly increase the stability of the
wireless system. UHF antenna signal booster works between 620 MHz-960 MHz, offers
13 dB gain to compensate the loss from the very long antenna cable,
Frequency Range 620 MHz-960 MHz and allows better S/N ratio, improving the the operating range and signal
The UDA28 can work with four UHF diversity receivers stability.
Carrier Frequency Range 620-960 MHz Carrier Frequency Range 620~960 MHz
621.275-642.275 MHz 99CH Max. input level <+20 dBm
740.125-751.875 MHz 32CH
< 2.5 dB (Center Band)
799.275-820.675 MHz 99CH
Gain +13 dB (Center Band)
Third Order Interception +22 dBm
Input SWVR
Gain +1.0 dB (Center Band)
Impedance
Output Port Isolation 15 dB min
Power requirements 8V DC, regulated
Impedance
Max. consumption @80 mA
Bandwidth 24 MHz
Dimensions Ø28 × 102 mm (Ø1.1" × 4")
Connector TNC male
Net weight 102 g (3.6 oz)
Power Requirements 12-18V DC
Packaging White box
Current Drain @170 mA
Dimensions 420 × 226 × 44 mm (16.54" × 8.9" × 1.73")
Weight 2 kg (4.4 lbs)
Accessories furished 8 TNC-TNC (45 cm cable), power supply, rack mounting kit
Packaging White box
102
Wireless Systems
RK1 RK2
Rack Ears Rack Ears
The RK1 can install one UT6 reciever into a 1U The RK2 can install two UT6 recievers into a
rack space. 1U rack space.
AT0 NEW
AT1 NEW
The AT0 is an antenna extension for UHF system that provides a The AT1 directional antenna provides a high gain signal in a specific
direction when you use the wireless system over a very long distance,
is when the radials are angled downward at a 45-degree angle. This upgrading receiving and transmitting capabilities. With the built-in 12
creates a 1/2-wave dipole antenna effect, so the receiving status will dB booster and another 6 dBi gain from the high directional antenna
remain stable, giving better results than a 1/4-wave monopole antenna.
With the included threaded adpater, the AT0 can easily mount on a is greatly increased. The AT1 can be installed on any microphone stand
microphone stand. using the included 5/8" threaded adapter. The design of the overal
structure makes the AT1 suitable for outdoor environment applications.
Carrier Frequency Range UHF 620-960 MHz Carrier Frequency Range UHF 620~960 MHz
Impendence Gain 12 dB (receiving), 0 dB (receiving / transmitting)
Connector TNC male Standing Wave Ratio
Dimensions Ø166 × 150 mm (Ø6.6" × 5.9") 3 dB Beamwidth 80° vertical, 140° horizontal
Weight 230 g (8.1 oz) Connector 2 TNC female
Packaging White box Dimensions (H × W × D) 340 × 270 × 40 mm
13.4" × 10.6" × 1.6"
Net Weight 580 g (20.4 oz)
Packaging White box
103
VH F
Wireless System
VT9 Series
Family Karaoke / PA
The VT9 Series wireless system is built for karaoke and general PA applications. System
This system has been carefully designed to ensure that a clear and warm vocal Carrier Frequency VHF 170-270 MHz
sound will be reproduced. This highly reliable wireless system has excellent Frequency Response 80 Hz-15,000 Hz
Frequency Stability ± 0.005%
coverage with superior RF stability within its effective operating distance. This
S/N Ratio >70 dB
series is the most popular for installation in karaoke systems, schools, speech,
Total Harmonic Distortion <0.5% (1,000 Hz)
and night club applications.
Channel numbers 2
Operating Range 40 meters in open area
frequencies.
104
E10B E12A VT7 VT9 VT6
105
Microphone
Accessories
Preampli ers, Phantom Power Supplies
PS418D PS418S
The condenser miniature microphones, for example, PRA383, E308, The PS418S provides a pre-amplifier to miniature microphones, such
PRA30,and WU518, need phantom power to work. The PS418D is just as PRA383, E308, PRA30, and WU518 that have tiny inline design
what they need. It can be powered by phantom power or battery, and minimized space requirements. The PS418S is necessarily powered by
phantom supply.
PS2A PS2B
Phantom Power Supply Phantom Power Supply
The PS2A is a 48V dual channel phantom power supply. It widens the The PS2B provides both 12V and 48V output voltage, powered by two 9V
microphone output’s dynamic range and produces more output gain. It batteries or 12V DC output AC adapter (option). It is very convenient and
operates with an auto power source ranging from 110V AC to 230V AC. reliable for either indoor or outdoor use.
The PS2A phantom power unit can be used to power 2 condenser Powered by two 9V batteries or 12 VDC adapter (option)
microphones or a pair of stereo condenser microphones Supply power to 2 microphones simultaneously
Low undulation and background noise output (lower than common 3-position switch (12V / OFF / 48V): 48V for microphones with working
mixer's phantom unit around -12 dB), it is the best for recording. voltage between 24V- 48V; 12V for microphones with lower voltages
Low-noise circuit design
natural true sound.
Power Requirements AC 110~230V (50~60 Hz) Power Requirements Two 9V (1604A) batteries or 12V DC adapter (Optional)
DC Output 48 ± 2V Connectors Input: 2 XLR3F, Output: 2 XLR3M
Signal Separability Dimensions (with foot pads) 155×57×108 mm
Current Output Max. 2 × 6.5 mA (short circuit) (6.1"×2.2"×4.3")
Undulatory Voltage Weight (with batteries) 650 g (22.9 oz)
Power Consumption 2W Accessories Furnished 2 × 9V (1604A) batteries
Connector XLR Packaging Colorful outer packaging
Dimensions (W × H × D) 160×55×130 mm (6.3"×2.2"×5.1")
Net Weight 1.4 kg (3.1 lbs)
Accessories Furnished Power cord
Packaging White box
108
阻 抗轉換 器
Pop Filters
109
General Microphone Clips
Microphone clips
YA3(Plastic) HM39
HM42
32~38 mm
24~32 mm
5/8"-3/8" Threaded Adapter HM101B 16~45 mm
*1 in 1 pack or 10 in 1 pack
Camera
Microphone
Mount Adapters
110
懸 掛 式Mounts
Shock 避 震 夾&, Dual
避 震Microphone
麥 克 風 夾 Adapters
HM40
Elastic shock mount
Acoustic arrangement
2 ways to install rubber band,
Screw knob
Metal thread Pipe can be extended
Mic clip
C2 HM15 MA90
Dual Microphone Adapter Dual Microphone Adapter Stereo Recording Microphone Bar
The distance between 2 microphones The distance between 2 microphones MA90 is the best tool for A/B & ORTF stereo
can be adjusted from 6-17 cm is 17 cm for ORTF stereo recording recording
mode, the diameter of 2 microphones Length: 620 mm (24.4")
clip adapter is 3/8" , YA2 threaded Net Weight: 0.64 kg (1.41 lbs)
adapter for mic stand included Microphone angle detent every 15°
111
Drum Clamps
HM25
Drum Clamp
Clamps to drum rim, microphone
clip attached, microphone height
adjustable
300 mm [11.81 in.]
200 mm [7.87 in.]
160 mm [6.30 in.]
120 mm [4.72 in.]
160 mm [6.30 in.]
80 mm [3.15 in.]
120 mm [4.72 in.]
80 mm [3.15 in.]
S40 S65
S02 6 25 21 7-10 ECM999 Black
S04 6 31 25 7-10 PRA518 Black
S06 10 13 18 10-15 PRA52 Black, White
Vocal Handheld Microophone Large Diaphragm Microphone Foam S07 21 55 46 22-30 PRA318S / L Black
Foam Suitable for Ø50-55 mm microphone such E531
S08F 20 19 35 20 CMH8K Black
Suitable for Ø46-52 mm microphone. as CMH8 series
S09 22 52 46.5 23-30 E124 Black
There are 5 colors to choose from: S09F 22 36 46.5 22 S241 Black
Black, Orange, Blue, Red, Yellow S11 16 17 28 10-18 PRA20 / 30 Black
S12 8 5 11 8 WO(U)518 Black
S13 8 5 20 8 WO(U)518 Black
S14 17 260 43 18-21 PRA116B Black
PRA118S
S15 17 390 43 18-21 PRA118L Black
S18 20 52 38 21-29 PRA528DS Black
S19 29 30 50 30-34 PRA538 Black
S20 18 30 45 19-25 E109 Black
S21F 12.5 28 27 12.5 E322 Black, White
PRA528 Series
S22F 12.5 36 35 12.5 E322 Black, White
PRA528 Series
S23 7 25 25 8-12 E10A, E10B Black, Grey
S25 19 38 80x55x55 20-22 E524D Black
S27 6 25 21 7-10 E102 Black
S32 21 150 45 21.5-23 E525S Black
S33 21 295 45 21.5-23 E525L Black
S40 50 60 55 46-52 Hand held vocal Black, Blue,
Studio
The HD669 is a closed-back, circumaural headphones designed for FR charts shown at left are test results
professional monitoring applications. Although suitable for a very wide determined by China Standard IEC318 ear
simulation
range of applications, the exceptional attenuation of external noise
makes the HD669 particularly useful for use in a high noise environment.
adapter
Cable clip
Optional Accessories EPK602 ear pad kit
(includes a pair of ear pads and a pair of foam disks)
FD3YW/S 3-meter (9.8') coiled cable
116
Headphones
HD668B
Professional Studio Standard Monitoring Headphones
Studio
The HD668B is a semi-open dynamic headphone whose sound *FR charts shown at left are test results
quality meets the demands of even professional recording studios. determined by China Standard IEC318 ear
simulation
The balanced and high definition sound of the HD668B assures that
a professional sound engineer can have full confidence when mixing
down or during post production. Its patented sturdy headband structure
provides long-lasting durability even in challenging conditions, yet its
light weight and optimized mechanical pressure provides long-term Both the HD668B and DT990 have a similar frequency curve. The HD668B delivers
wearing comfort. The HD668B comes equipped with 2 detachable a natural and excellently balanced sound, presenting the crystal clarity and high
resolution demanded by professional users.
straight cables:
The short cable is 1-meter long for personal sound source on-the-
move applications and the long cable is 3-meter long for professional
monitoring applications. These cables can be connected together for
even more distance if desired. Included cable clip can secure detachable
cable from pulling out by incident.
Cable clip
Optional Accessories EPK601 ear pad kit
(includes a pair of ear pads and a pair of foam disks)
FD3YW/S 3-meter (9.8') coiled cable
117
HD662F / White HD662B / Grey
HD662 / Red
HD662 Series
Professional Monitoring Headphones
character: The HD662 features a deep and rich bass, the HD662F has a
true bass response, and the HD662B has a powerful bass punch. As for
the sound image presented by these headphones, the HD662 gives you
the feeling of actually being on stage with the artists while the HD662F HD662
makes you feel as if you sitting on the front row and the HD662B puts you Deep and rich bass response
"On stage" sound feel.
in the middle of the concert hall. These three headphones also deliver Both HD662 and DT770 have a similar
clarity, accurate and well balance sound. The ergonomically designed curve. HD662 delivers deep bass, natural
and well-balanced sound.
vinyl ear pieces combined with light weight and self-adjusting headband
of these headphones make them very comfortable. Whether you are
monitoring, tracking, mixing or just listening to your MP3 music, you can HD662F
expect comfort and sonic accuracy from HD662 series headphones. True bass response
"Front row" sound feel.
Both HD662F and SRH-440 have a
Dynamic, closed-back circumaural headphones similar curve. HD662F delivers true bass
response, crystal clarity and precise sound
High noise attenuation characters.
HD681 / Red
HD681 Series
Professional Monitoring Headphones
with its own character: The HD681 features an exceptionally deep low
frequency, the HD681F has a flat extended frequency response, and
the HD681B has an excellent balanced character, and powerful bass
punch. As for the sound image presented by these headphones, the HD681
HD681 gives you the feeling of actually being on stage with the artists Deep low frequency "On stage" sound,
perfect for enjoying the beauty of classical
while the HD681F makes you feel as if you sitting on the front row and music & other large ensembles. Both the
the HD681B puts you in the middle of the concert hall, enjoying a deep, HD681 & HP890 have a similar curve,
presenting a bright and clear sound.
rich sound. These three headphones also deliver excellent balance and When playing classical music, the HD681
clarity. The ergonomically-designed vinyl ear pieces combined with the willsurprise you with its breadth, clarity
anddynamic presence.
light weight and self-adjusting headband of these headphones make
them very comfortable. Whether you're monitoring, tracking, mixing, or HD681F
Flat extended frequency response "Front
just listening to an MP3 or other audio source, you can expect comfort
row" sound image, great for pop music and
and sonic accuracy from your HD681 series headphones. capturing that sweet vocal sound.
Both the HD681F & AD500 have a similar
curve. The HD681F delivers a sweet sound
Dynamic, semi-open circumaural earphones just as if the singer was standing right in
front of you.
Accurate and detailed sound greatly enhances your listening
experience
HD681B
Balanced character and powerful bass "In
Single sided, straight cable hall" feel, great for enjoying rock music
and similar exciting performance. Both the
Outstanding quality and value HD681B & K240 Studio have a similar
Environmentally friendly packaging, great for displays and ease to curve. The HD681B optimizes a powerful
bass and balanced tone, and it will be
store
rhythm from your headphones.
119
HD661 NEW
Studio / Onstage
The HD661 is a closed-back, circumaural headphone designed for FR charts shown at left are test results
professional monitoring applications in studio, on stage and in broadcast. HD661 determined by China Standard IEC318
Although suitable for a very wide range of applications, the exceptional 7506
ear simulation
120
Headphones
Monitor Headphones
Recording / DJ
The HD572 series is a supra-aural closed-back headphone that comes Great Value in a Foldable Headphone!
in 2 versions to suit both professionals and music lovers. The HD572 Two sound pro les to suit your tastes
features a powerful bass punch, expressly designed to convey the
power of drums, while the enhanced mid and high frequencies give HD572
high resolution and detail, working well even in noisy environments. HD572 features an exceptional bass punch to emphasize the power of
The HD572B presents a professional monitoring feel. With its excellent drums, while the enhanced mid and high frequencies give high resolution
balance in low, mid and high bands and comfortable wearing even in a and detail.
long session, the HD572B has become a great choice for professionals
and consumers alike. HD572B
The HD572B presents a professional monitoring feel with its excellent
The folding swing-arms allow for one-sided monitoring and will fold into a balance in low, mid and high bands and it will remain comfortable even in
small package that takes almost no space in your bag. All these features a long session.
plus a wide, comfortable, molded and detented adjustable headband,
make the HD572 series ideal for studio and DJ use. The ruggedly
constructed HD572 series' comfort level is as impressive as its powerful
low end and accurate sonic imaging.
The HD660 is a closed-back dynamic headphone for the most The HD330 is a semi-open dynamic audiophile headphone suitable
for most kinds of music. The accurate sound profile and comfortable
headband make the HD660 the perfect monitoring headphone for headband make the HD330 the perfect headphone for both the music
recording studios, post production or broadcasting applications. With enthusiast and the professional recording engineer. With a carefully
a carefully tailored frequency response, the HD660 offers an excellent tailored frequency response and enhanced bass, the HD330 offers a
clarity of sound with a natural and balanced character. Soft earpads and bass punch and excellent clarity of sound with a natural and balanced
adjustable, sliding earpieces, together with a single-sided connecting character. Soft earpads and adjustable, sliding earpieces, together with
cable, ensure listening comfort during long term use. A durable plastic a single-sided connecting cable, ensure listening comfort during long-
storage box ensures secure protection during transportation. term use. A sturdy plastic storage box ensures secure protection during
transportation.
Dynamic, closed-back headphones
Dynamic, semi-open headphones
Ultra-detailed high and mid-range reproduction Enhanced bass
High noise attenuation
Durable headband construction with optimized pressure Ultra-detailed high and mid-range reproduction
Single sided cable Durable headband construction with optimized pressure
Single sided cable
155 mm [6.10 in] 106 mm [4.17 in] 155 mm [6.10 in] 106 mm [4.17 in]
201 mm [7.91 in]
201 mm [7.91 in]
DJ Headphones
DJ / Professional Monitoring
character:
180.7 mm [7.11 in] 44.8 mm [1.76 in]
The HD631 features an exceptionally rich low-mid response, ideal for
delivering a powerful musical beat. The HD631B has excellent balance
in treble,middle and low frequencies while also giving a powerful bass
209.8 mm [8.26 in]
of the head, maintaining comfort even in long sessions. The HD631 series
comes equipped with a detachable 3m (9.8ft.) coiled cable for use with
your personal sound source or for professional monitoring applications.
MP3 / Entertainment
Patented self-adjusting
soft rubber headpad
HD651 presents accurate and rich bass, and excellent vocal sound.
These closed-back headphones combine excellent sound with optimum
price/performance and it is the best practical choice for a music
lover and artist. The patent self-adjusting headpad construction, soft,
circumaural leatherette ear pads, and low weight ensure a perfect fit.
Powerful 40 mm (1.6 in.) speakers provide a superbly natural, uncolored
sound. When you are listening to an MP3, you can expect comfort and
sonic accuracy from your HD651 headphones. HD651 comes multicolor
options and allow you to pick up one of your favorite color following your
feel.
HD651 comes multicolor options: purple, red, black, grey, white, yellow,
green, and more.
Rated Impedance
THD < 0.25% @ 1 kHz / 1V
Ear Pads Leatherette
Cable 2-meter (6.6 ft.)
]
8 in
HD572A NEW
MP3 / Entertainment
SPL, it will accurately present your music with little or no interference from
ambient noises in the environment. HD551F Flat extended frequency response
"Front row" sound image, great for pop
music and capturing that perfect vocal
its own character: The HD551 features an exceptionally deep low frequency, sound. The HD551F delivers a sweet
sound, just as if the singer was standing
right in front of you.
has an excellent balanced character with a powerful bass punch. As for
the sound image presented by these headphones, the HD551 gives you
the feeling of actually being on stage with the artists while the HD551F HD551B Powerful Bass Presence
"In hall" feel, great for enjoying rock music
makes you feel as if you sitting on the front row and the HD551B puts you
and similar exciting performances. The
in the middle of the concert hall, enjoying a deep, rich sound. These three HD551B optimizes a powerful bass and
headphones also deliver excellent balance and clarity. balanced tone, and it will be difficult to
resist the urge to dance to the rhythm from
your headphones.
The patented ergonomically-designed headbands and ear pieces, combined
with their light weight, make them very comfortable. The supra-aural earpads
are made with a green macromolecular soft rubber, featuring a self-adjusting
closed air chamber automatically adjusted by the caliper pressure to ensure
consistent sound quality and no sound leakage. The soft rubber earpads
do not have a cushion inside, but instead use the air to be the damping
material. Also, the custom design of the self-adjusting headband and
look. Whether you’re listening to an MP3 or other audio source, you can
Type Dynamic, supra-aura, closed-back
expect comfort and beautiful sound from your HD551 series headphones.
Driver Ø37 mm, neodymium
Sensitivity 102 dB SPL (1 mW)
Frequency Response 20-20,000Hz
Max. Input Power 200 mW
Detachable 1-meter (3.3') and 3-meter (9.8') cables included, single-sided Rated Impedance
Included cable clip to prevent pulling out the headphone cable by accident THD < 0.25% @ 1 kHz/1V
Ear Pads Green macromolecule soft rubber
Cable 1-meter (3.3 ft.) & 3-meter (9.8 ft.) straight ,single-sided;
plug-in cable on headphones
166 mm [6.54 in] Connector Gold plated stereo mini plug
Headphone Caliper Pressure Approx. 3.5 N
Patented self-adjusting headpads to
Net Weight (without cable) 90 g (3.17 oz)
Accessories Furnished Soft carrying pouch
1-meter (3.3 ft.) straight cable
164 mm [6.46 in]
HD440
Booming Bass Headphones
In-Ear Headphones
HD381 / Black
HD381 Series
In-Ear Headphones
MP3 / Portable Player / In-Ear Monitor *FR charts shown at left are test results
determined by China Standard IEC318 ear
simulation
with its own character: The HD381 features a rich bass and boosted
for most kinds of music and delivers a sweet vocal sound; the HD381B HD381
Rich bass and powerful low end, "On
has a crystal-clear sound quality that faithfully reproduces every detail, stage" sound, perfect for enjoying that
while also providing a deep and tight bass. As for the sound image booming bass sound. Both the HD381 &
CX400 have a similar curve, presenting a
represented by these headphones, the HD381 gives you the feeling of
pronounced bass presence. The HD381
actually being on stage with the artists while the HD381F makes you feel will surprise you with its powerful low end
as if you sitting on the front row and the HD381B puts you in the middle performance.
HD381B
Dynamic, in-ear headphones Crystal clear sound, deep and tight bass,
"In hall" feel, great for professional in-ear
monitoring applications. Both the HD381B
Natural, balanced sound & MA850G/ A have a similar curve. The
HD381B reproduces sound with a crystal
clarity and a deep and tight bass. It’s the
Patented dual function cable wrapper / clip included best choice for personal entertainment as
Included items: 0.6-meter (2 ft.) extension cable, 1 pair of large ear well as professional in-ear monitoring.
MP3 / Portable Player / Music Cell Phone High Noise Environments / Music Appreciation
The HD251 has an integrated volume control on the cable allowing The HD391NC in-ear headphones are the answer to being able to hear
you to adjust the level without taking out your music player. With its in a noisy environment. It utilizes a noise-cancelling technology which
ergonomic shape design, the HD251V is optimized for MP3, CD, music can greatly reduce unwanted background noise while still offering a
phones, and portable media players. Its dynamic speaker system has clear, rich sound. The HD391NC has a built-in miniature microphone in
powerful neodymium magnets for a clear, transparent, and powerful each earpiece that picks up ambient noises and feeds that signal to a
bass audio reproduction. Put on the HD251V and enjoy your music while processor which will produce a noise-cancelling signal that is designed
to specifically counteract the frequencies of the ambient noise. This
effectively eliminates almost all of the unwanted background noise
with you. without affecting the music you prefer to hear. Consequently, a quiet and
peaceful environment is created by the HD391NC for you to enjoy your
Integrated volume control music or other audio input.
Optimized for MP3, CD, music phones, and portable media players
Strong bass reproduction, stereo sound Advanced circuitry design reduces up to 90% of unwanted ambient sound
Outstanding wearing and handling comfort on the go Compact in-ear design is ideal for travel
Convenient carrying case for handling and storage Delivering an exceptionally clear, rich audio signal even when in noise-
Multicolor options cancelling mode
Ideal for use with all audio sources, including MP3 & other portable players
Monitor switch deactivates noise cancellation feature so you can listen
outside when you need to
Audio functions (in passive mode) even without a battery
Sleek control box offers on/off and monitor switches and a clothing clip
]
8 in
[3.5
mm
91
HMC651 NEW
Multi-Media Headset
The HMC651 combines both the HD651 stereo headphones and a high
quality condenser microphone, which will ensure the capture of clear
vocals. The patented self-adjusting headpad construction, automatically
self-adjusting ear cup structure, soft, circumaural leatherette ear pads,
and low weight ensure a perfect fit. Available multiple color options
makes the HMC651 a perfect choice for computer gaming and internet
chatting.
131
155 mm [6.10 in] 106 mm [4.17 in] 155 mm [6.10 in] 106 mm [4.17 in]
201 mm [7.91 in]
HMC660 HMD660
Professional Headset with Incorporated Condenser Mic Professional Headset with Incorporated Dynamic Mic
The HMC660 series of stereo headsets are designed for the The HMD660 series of stereo headset are designed for the professionals
professionals that demand high quality monitoring and communication. that demand high quality monitoring and communication. Their precision
Their precision acoustic design, integrating drivers, ear padding, and acoustic design integrating drivers, ear padding, and headband combined
headband, combined with a professional condenser microphone for a with a professional dynamic microphone for a balanced tone with high
balanced tone with high dynamic range make these headsets perfect dynamic range make these headsets perfect for both listening and talking.
for both listening and talking. They are ideal for live broadcasts, DJ's, They are ideal for live broadcasts, DJ's, desktop video conferences, on-
desktop video conferences, on-line gaming and multimedia applications. line gaming and multimedia applications.
HMC660 3 -meter (9.8') coil spring cord, open end HMD660 3-meter (9.8') coil spring cord, open end
HMC660X 3-meter (9.8') coil spring cord, screw-on 3.5 mm (1/8") stereo headphone HMD660X 3-meter (9.8') coil spring cord, screw-on 3.5 mm (1/8") stereo headphone
plug with a 3.5 mm (1/8") to 6.3 mm (1/4") adapter and an XLR mic plug. plug with a 3.5 mm (1/8") to 6.3 mm (1/4") adapter and an XLR mic plug
HMC660E 3-meter (9.8') coil spring cord, screw-on 3.5 mm (1/8") stereo headphone HMD660E 3-meter (9.8') coil spring cord, screw-on 3.5 mm (1/8") stereo headphone
plug with a 3.5 mm (1/8") to 6.3 mm (1/4") adapter and a 3.5 mm (1/8") plug with a 3.5 mm (1/8") to 6.3 mm (1/4") adapter and a 3.5 mm (1/8")
stereo mic plug wired as mono stereo mic plug wired as mono
132
Demo Stations
A/HD381
B/HD681 A/HD381 B/HD681 C/HD662
C/HD662 Battery powered / AC powered
HD381, HD381B & HD381F
Battery powered / AC powered
HD681, HD681B & HD681F
Battery powered / AC powered
HD662, HD662B & HD662F
Headphone Demo Station included included included
Superlux is now offering you a unique platform for headphone demonstrations and displays. It is a sales kit which allows
customers to test and compare various models of headphones. One kit can accommodate up to three headphones
simultaneously. Powered by two AA batteries or AC power, it is easy to use and easy to move anywhere you want to exhibit
your products.
133
134
Portable PA
Systems
& Speakers
SP
Series
Portable PA Systems
The SP Series compact design allows for ease of transportation, while its
user-friendly controls offer ease of operation, making it the perfect choice
for schools, churches, civic organizations and small musical groups. The SP
Series features dual two-way speakers driven by a powered mixer with a
class-D power amp, making it ideal for both vocal and musical applications.
The convenient accessory compartment storage for cables and additional
microphones. This clever design allows the powered mixer to be installed
in the speaker compartment or detached for easy positioning and access.
The SP Series is a high-performance live-sound system that will deliver your
music or message where you go, indoor or out.
System Includes
2 speakers: SP108 with 8" 2-way; SP110 with 10" 2-way
1 Powered Mixer
2 speaker cables, 4.5-meter
1 power cord
SP110
Phantom Power: LIMIT/COMP switches: DIGITAL REVERB:
Provides 15V DC Provides limiting or Adds high quality
phantom power for compression to mic/line digital reverb, giving
136
condenser mics on 4 mic channels 1 and 2 for additional ambience to
channels. dynamic control your sound source
PA Systems
Mixer
Model No. SP108 SP110
Max. Output Power
@10% THD at 1 kHz (Speaker L / R)
Output Power (RMS)
@10% THD at 1 kHz (Speaker L / R)
Frequency Response 20 Hz–20 kHz 20 Hz–20 kHz
THD
Sound
Reinforcement
Speakers
Full-range Speakers
Both passive and active versions are available in the SF series
Neodymium transducer provides incredibly deep bass and
acoustic power
High-output precision titanium compression driver
One piece structure of rear panel and heat-sink provides
optimized cooling
Molded composite cabinet is lightweight for ultimate portability
45 and 55 degree angles for aiming up toward performers
mountable
DESIGNED FOR PERFORMANCE If you prefer to have a deeper and extended low
This speaker series has been carefully designed from the ground up to ensure frequency response while using the SF series
that all of the necessary components for a portable system will work together speakers, then the SF118AS is the right choice for you.
in the most efficient manner, not only providing increased performance levels It offers a high energy boost to those low frequencies,
but also reliability. These design improvements have extended also into the giving your sound that extra punch.
construction of the speakers, making them sturdier than ever and tough enough
to handle the impacts incurred by road use. The SF series will satisfy the demand Professional 18-inch active subwoofer speaker
by professional users for a 3-way speaker system that is light weight, portable High power 500W(RMS), class-D
and tough while also delivering superior sound quality. Volume control and loop through output
LOW FREQUENCY Protection circuitry with limiter
The low frequency driver with neodymium magnet is light but can deliver a 35 mm pole mount socket
smooth frequency response while handling very high sound pressure levels. The
SF110 NEW
SF112 SF115 NEW
10-inch Passive Full-Range Speaker 12-inch Passive Full-Range Speaker 15-inch Passive Full-Range speaker
600W peak power handling 1200W peak power handling 1400W peak power handling
10-inch LF driver 12-inch LF driver 12-inch LF driver
1.75-inch HF compression driver 1.75-inch HF compression driver 1.75-inch HF compression driver
SF110A NEW
SF112A SF115A NEW
10-inch Active Full-Range Speaker 12-inch Active Full-Range Speaker 15-inch Active Full-Range Speaker
45° 55°
Sound
Reinforcement
Speakers
The SF Best Value Series inherits the SF Flagship Series' high performance and The Superlux molded powered subwoofer is the ideal solution
versatile enclosure. It comes in 10-inch, 12-inch, and 15-inch full range speakers in where big sound and compact portability are required.
passive and active versions, and 12-inch and 15-inch active subwoofers, making it Combining the amazing low-frequency performance of an
possible to form a complete 3-way system with molded enclosures whose extended
low frequency response and solid bass give an unmatched musical sound profile. and an electronic crossover, the SF12AS and SF15AS eliminate
Active full range speakers feature a dedicated 2-band EQ for perfect sound adjustment the need for a separate crossover to drive a full-range system.
and the studio-quality microphone preamp ensures excellent vocal sound. Built- Through the satellite speaker output, the performance match
in protection circuitry protects the power amplifier and speaker drivers to ensure active full range speaker can be connected to subwoofer
speaker. A line level XLR output is also provided for daisy
chaining to powered speakers or additional power amps.
series perfect for portable sound system or installation applications. The SF series Combing with full range speaker, the active speaker creates
was created to satisfy professionals' requirements, whether used in disco pubs, small/ an extended low frequency response and comes a big full
medium concerts, lectures or presentations. sound from a very small package. The result is a compact, self-
contained 3-way system that sounds much bigger than it looks.
Both passive and active versions are available in the SF series
Full-range Speakers Professional active subwoofer speakers
High sensitivity long-throw low frequency transducer provides incredibly deep bass
and acoustic power Very compact and lightweight - only 20.4kg (44.9 lbs) Integral
High-output precision titanium compression driver handle
Molded composite cabinet is lightweight for ultimate portability Aluminum cast frame high power subwoofer driver
Ergonomically shaped handles for easy carrying and setup 45 and 55 degree angles Integral limit and protection circuitry
XLR line level outputs for loop through and satellite output
Ultra-wide, smooth sound dispersion
Additional link output allows linking of additional speakers to the system
Integrated signal processor for ultimate system control and speaker protection 45° 55°
Extremely low noise Mic/Line input with volume control and LED clip indicator
Suspension On a stand SF12A+SF12AS Floor monitor On a wall
Dedicated 2-band EQ for perfect sound adjustment Stacking
Disco / Pub
A pair of SF12A and a pair of SF12AS, or
a pair of SF15A and a pair of SF15AS
Small Concert
A pair of SF12A and a SF12AS, or
a pair of SF15A and a SF15AS
Presentations
A pair of SF12A, or
140 SF12AS & SF15AS SF10A, SF12A, SF15A SF10, SF12, SF15 a pair of SF15A and a SF15AS
control and connecting panel control and connecting panel connecting panel
Speakers
SF10 NEW
SF12 SF15 NEW
10-inch Passive Full-Range Speaker 12-inch Passive Full-Range Speaker 15-inch Passive Full-Range Speaker
600 W peak power handling 1200 W peak power handling 1400 W peak power handling
10-inch LF driver 12-inch LF driver 15-inch LF driver
1.34-inch HF compression driver 1.34-inch HF compression driver 1.34-inch HF compression driver
SF10A NEW
SF12A SF15A NEW
10-inch Active Full-Range Speaker 12-inch Active Full-Range Speaker 15-inch Active Full-Range Speaker
Type 12-inch and 15-inch subwoofer 10-inch, two-way 12-inch, two-way 15-inch, two-way
Frequency Response (-10 43 Hz -275 Hz / 40 Hz -275 Hz 60 Hz - 20 kHz 55 Hz - 20 kHz 52 Hz - 20 kHz
dB)
Max. Peak SPL 128 dB SPL 122 dB SPL 125 dB SPL 124 dB SPL
Driver LF: L12E ferrite driver , 12" (305 mm) LF:L10G ferrite driver, 10" (254 mm) LF: L12G ferrite driver, 12" (305 mm) LF: L15G ferrite driver, 12" (381 mm)
HF: H34G, 1.34" (34 mm) HF: H34G, 1.34" (34 mm) HF: H34G, 1.34" (34 mm) HF: H34G, 1.34" (34 mm)
HF Horn Coverage Angles - 90° × 45° (H × V) 90° × 45° (H × V) 90° × 45° (H × V)
Mounting Method Integral 1 3/8" pole mount receptacle Integral 1 3/8" pole mount receptacle Integral 1 3/8" pole mount receptacle Integral 1 3/8" pole mount receptacle
Suspension 5 × M8 (2 on top, 2 on bottom, 1 on rear) 5 × M8 5 × M8 5 × M8
(2 on top, 2 on bottom, 1 on rear) (2 on top, 2 on bottom, 1 on rear) (2 on top, 2 on bottom, 1 on rear)
Enclosure Material PP PP PP PP
Finish Black Black Black Black
Dimensions (H×W×D) 62.3 × 37.8 × 36.3 cm 53 × 33.5 × 32 cm 62.3 × 37.8 × 36.3 cm 70 × 47 × 41 cm
(24.5 × 14.9 × 14.3 in.) 20.7 × 13.19 × 12.6 in. 24.5 × 14.9 × 14.3 in. 27.5 × 18.5 × 16.1 in.
70 × 47 × 41 cm (27.5 × 18.5 × 16.1 in.)
Optional Accessories SPS410B speaker stand SPS410B speaker stand SPS410B speaker stand SPS410B speaker stand
AX112 u-bracket mounting kit AX110 u-bracket mounting kit AX112 u-bracket mounting kit AX115 u-bracket mounting kit
141
SD
NEW
Series
Sound
Reinforcement
Speakers
SD10
10" Two-way Passive Speaker
500 W peak power handling 600 W peak power handling 1200 W peak power handling
Powerful 12" long-excursion LF driver Powerful 15" long-excursion LF driver Dual powerful 15" long-excursion LF driver
1.34" HF titanium-diaphragm compression driver 1.34" HF titanium-diaphragm compression driver 1.34" HF titanium-diaphragm compression driver
Sound
Reinforcement
Speakers
144
Speakers
300 W peak power handling 500 W peak power handling 600 W peak power handling
Powerful 10" long-excursion LF driver Powerful 12" long-excursion LF driver Powerful 15" long-excursion LF driver
1.34" HF titanium-diaphragm compression driver 1.34" HF titanium-diaphragm compression driver 1.34" HF titanium-diaphragm compression driver
Sound
Reinforcement
Speakers
SM12F
12" Two-way FOH Speaker
Both the SM12F and SM15F use a woofer with a 3" coil, while the upgraded versions
SM112F, SM115F, SM215 and SM118S come with a 4" coil woofer. All those models
with the suf x F feature the ying track, offering you the option of selecting economical,
forged eyebolts for xed installation or the convenience of detachable track ttings for
portable applications. Just choose the hardware kit that's right for your application.
146
Speakers
1400 W peak power handling 1800 W peak power handling 2400 W peak power handling
Powerful 15" long-excursion LF driver, 3" coil Powerful 12" long-excursion LF driver, 4" coil Powerful 15" long-excursion LF driver, 4" coil
1.75" HF titanium-diaphragm compression driver 1.75" HF titanium-diaphragm compression driver 1.75" HF titanium-diaphragm compression driver
Flying track extrusion Flying track extrusion Flying track extrusion
147
SM
Series
Sound
Reinforcement
Speakers
SM215
Dual 15" Two-way FOH Speaker
148
Speakers
1200 W peak power handling 1400 W peak power handling 2400 W peak power handling
Powerful 12" long-excursion LF driver, 3" coil Powerful 15" long-excursion LF driver, 3" coil Powerful 18" long-excursion LF driver, 4" coil
1.75" HF titanium-diaphragm compression driver 1.75" HF titanium-diaphragm compression driver
149
SA
Series
Line Array
Speakers
SA28
Modular Line Array Speaker
150
Speakers
SA215S SA118S
Dual 15" Subwoofer Speaker 18" Subwoofer Speaker
Dual powerful 15" long-excursion LF drivers with 4" coil Powerful 18" long-excursion LF drivers with 4" coil
151
BES
Series
Studio
Monitor
Speakers
BES5A
5" Two-way Active Studio Monitor Speaker
The Superlux BES Series monitors combine the best sound Project Studio / Near Field Monitoring / Computer Recording / Home
engineering, ID style, quality construction and superb value, making Theater
them ideal for all monitoring applications..
Engineers specializing in application, acoustics, mechanics and Its bass reflex system delivers outstanding monitoring precision for digital
electronics have worked together to create this series of active or analog production in stereo or surround formats, with performance
monitors including the active sub-woofer to match with the main comparable to much larger systems. Advanced driver and enclosure design
monitors. are carefully matched with superior amplifier and electronic circuitry. Bass
response has been widened down to 50 Hz while distortion is substantially
The best value represented by these monitors is achieved through its lower. The BES5A's excellent directivity characteristics and accurate imaging
production plan: Superlux builds these speakers with key components
in our own facility including the drivers and molded enclosures. perfect monitoring tool for a wide range of applications.
152
BES110A control and connecting panel
Speakers
Project Studio / Near Field Monitoring / Computer Recording / Project Studio / Near Field Monitoring / Computer Recording / Home Theater
Home Theater
BES6 and BES8 are active studio monitors with a MDF enclosure.
The BES110AS is a subwoofer speaker of the BES series and is the Professional Sound Engineers rely on studio monitors to reproduce an accurate
best match to work with the full range speakers for extending bass
response. In a speaker surround sound system, combined with the BES6 and BES8 to provide accuracy, detail and high definition in order to meet
BES5A or BES6, the BES110A will enhance the bass to very deep the requirements of even the most demanding professionals. The BES6 uses a
and low frequencies in order to achieve a precise wide frequency 6.5" woofer and the BES8 an 8" woofer; both employ a 1" silk dome tweeter. They
response monitoring system. Featuring XLR input/output connectors, all come with a 100 W in total bi-amp power amplifier plus a precise electronic
phase reverse switch, variable low pass filter and volume controls crossover network. All these features will achieve a reference grade studio monitor
makes the BES110AS an excellent subwoofer to meet the critical performance.
demands of studios. No matter whether it is in a stereo or a surround
sound system, adding a BES110AS subwoofer to the system will
enhance the performance of a studio monitoring system.
MID presence and overall volume controls
1" silk dome tweeter
Best for working with BES5A or BES6 full range monitors
Versatile input connectors with XLR3F, 6.3 mm (1/4") and RCA
180 watts advanced power amp
Magnetic shielding
Low frequency extend to 25 Hz
Balanced inputs (L/R/SUBWOOFER) with link outputs
Superlux HA3D is a portable, stereo headphone amplifier designed for demanding and critical audio
monitoring. This audiophile-quality headphone amp is ideal for adding headphone feeds for portable, studio,
and audio enthusiast applications.
The HA3D provides 3 independent headphone feeds from balanced or unbalanced line sources. Each
headphone output is controlled by the associated level control, equipped with independent peak LED, and
1/4-inch output connector. With its extended bandwidth and high current/voltage drive capability the HA3D
can drive headphones of various impedances to high levels with very low distortion, important for monitoring
in high SPL environments. It can be powered from two-AA batteries or external DC.The HA3D will provide
High power driving capability, drives headphones to high levels with very low distortion
Individual peak indicators show overload of each headphone feed
Master Stereo / Mono switch
Powered by 2 AA alkaline batteries or adapter with 5-17V DC output
Versatile input and output connectors
Sturdy Aluminum alloy structure
Frequency Response 10 Hz-50 kHz, ±1.0 dB, any input to any output, gain control set to 50%
Voltage Gain (Gain, Loop Out, Headphone output) Bal. Line, -3 dB, 34 dB; HP Input, -1 dB, 35 dB
Output Clipping Level
Note: only one set of inputs (balanced or unbalanced) should be connected at a time
Loop Output
Internal Voltage Rails ±15V, regulated
Power Internal
coaxial connector, (5.5 mm outer diameter, 2.1 mm inner diameter), pin positive, sleeve negative.
Voltages above 17 VDC cause no damage to unit, but will open an internal poly fuse. Poly fuse will
reset when voltage is removed.
Power LED Green indicates power and good battery; red indicates power with low batteries. LED turns
red when approximately 4 hours of battery life remain
Operating Temperature Range 0°-70°C (32°-160°F)
Dimensions (H × W × D) 43 × 94 × 140 mm (1.69" × 3.7" × 5.51")
Net Weight (unit only) 0.56 kg, 1.24 lbs
Accessories Furnished 1-meter length, tip-ring-sleeve interconnection cable, one end is 1/8" (3.5 mm), the other end
is 1/4" (6.3 mm), rubber feet(4 pcs)
Optioanl Accessoriew 12V DC / 500 mA power adapter
Packaging Colorful outer packaging
156
Electronics
FMX22D NEW
FMX42D NEW
The FMX22D is a 2 channel studio grade microphone mixer designed for The FMX42D is a 4-channel, compact, self-contained stereo mixer for
remote or field mixing in video, film, broadcast or professional recording applications in broadcasting, recording and sound reinforcement.
applications. The compact and lightweight mixer boasts an impressive The high-reliability FMX42D integrates all the operating features of a
feature set starting with 2 transformer balanced XLR microphone inputs and professional stereo mixer in a single unit that is small and lightweight enough
stereo (L/R) XLR outputs. Separate stereo tape output and tape return input for location use, but with the reliability of a studio console.
are provided, both feature 1/8" (3.5 mm) mini stereo jacks. Operating with 4 AA batteries or external DC power, the FMX42D is
The mixer supplies +15V and +48V phantom power and a 1/4" TRS phone/ designed for field recording or video taping.There are balanced outputs,
headphone monitor output allows monitoring of main and tape return inputs. as well as unbalanced line level or mic level outputs and dual headphones
Both channels feature user switchable, two-stage limiting for control over outputs: one with 1/8” (3.5 mm) for popular headphones, and the other with
signal overload and distortion. The low-cut filter removes low frequency XLR connector for the boom operator. It has tape return for camera audio
noise caused by wind and proximity effect. Also provided is an internal test monitoring to ensure the audio quality. Each input channel has independent
tone oscillator and slate microphone for signal calibration. The FMX22D is gain, low cut filter and pan L/C/R controls. All these features plus dual
powered via 2 AA alkaline batteries or external DC power source. 10-segment LED meters and tone generator make the FMX42D a perfect
choice for professionals.
2 full function microphone preamps with stereo link
48V or 15V phantom power supply
High reliability design for working in difficult temperature and humidity
Independent gain/level control for each input and L/C/R panning controls environments
Dual 7-segment peak level LED meter with 3 stage brightness control Protection circuitry will avoid interference from RF and damage from
Built-in 1 kHz tone generator plus slate microphone for sound file overload or short circuit
Balanced and unbalanced line level outputs for connecting with +48V phantom power supply
professional and prosumer recording detvices Built-in reference tone (1 kHz tone oscillator) for level matching and
Tape return monitor input with independent level alignments. A 3-position connection test
monitor switch with center position for normal monitoring, and left side to Headphone outputs with XLR and 1/8" (3.5 mm) jacks
switch on tape return, while the right side is instant release for momentary Master outputs with XLR jacks
tape return Aux input, tape return and line level output
Powerful headphone output for professional headphone monitoring Front panel slate mic with momentary push button for fail safe press-and-
Operates with 2 AA batteries as well as external DC power release voice slating
Sturdy aluminum alloy case Built-in limiter
Automatic Mixer
The FM41 is a microprocessor controlled, automatic switching, five-channel is suitable for small board rooms, paging, factories, schools, hospitals,
mixer. The four microphone inputs are XLRF-type balanced, with 48-volt stores, and commercial applications. With its integrated mixer, tone
phantom power available on pins 2 and 3. The Aux input is an RCA jack controls, voice priority and power amplifier, the E1250 is a multi-
accepting auxiliary-level input from sources such as tape decks and VCRs.
There is no signal processing of the Aux input. The mixer output is XLRM-type
balanced, non-inverting.
All FM41 auto mixers can be daisy-chained via the link cable and special 3 microphone inputs, 2 aux inputs, 1 aux output
connectors on the rear panel. The control bus and the audio are carried
between mixers by the link cable. The result is that all microphones on a multi-
mixer system can be controlled by one microphone connected to any mixer. Auto-mute priority function
Since all of the mixers are independently powered, there is no practical limit to Independent volume control for each channel
the number of auto mixers that can be daisy-chained. Treble and bass tone controls
5-segment LED meter for level monitoring
Four automatic Mic/Line inputs, plus Aux in Output short circuit protection
Automatic threshold setting
48V phantom power individually selectable for each channel
Limiters on each mic channel prevent individual channel overload
Balanced inputs and output, selectable Mic/Line-level
XLR inputs can be switched between mic and line signals
Sub-D connector for TTL output, plus closure-control input for external control
of each channel
NOMA operation provided, can be turned on/off
Daisy-chain capability for additional FMX41s, allowing more mic inputs
Input Impedance
Output Power 240 W
Output and Load
Output Impedance
Impedance
Output Voltage
Regulation
Maximum Input Level Mic: -24 dBV Aux:+17 dBV
Line: +27 dBV Output
Maximum Output Level +22 dBu Aux Output 1 V ( 0 dBV)
Nominal Output Level (0 VU) Line (Balanced) +4 dBu Input
Mic (Balanced) -46 dBu
Unbalanced -10 dBV (open circuit) Frequency Response 50 Hz-18 kHz (± 3 dB)
Preamp Out -10 dBV (open circuit) THD
Maximum Monitor Output S/N Ratio 20 Hz-20 kHz, volume control @ center
>65 dB (MIC 1-3)
Maximum Gain 72 dB
>75 dB (Aux 1-2)
Frequency Response 40 Hz-20 kHz
Tone Controls Bass: 100 Hz, ±10 dB
Equivalent Input Noise Treble: 10 kHz, ±10 dB
Input Attenuation 10 dB Protection Overload, short circuit
Mic/Line Input Pads 50 dB Mute Function Mic 1 overrides other inputs by 30 dB
Maximum NOMA Attenuation 20 dB Power Requirements 115/230V AC, 50/60 Hz
Microphone Phantom Power +48 V Power Consumption 495 W
Control Voltage Out +4V DC Dimensions (W × H × D) 420 × 89 × 384 mm (16.54" × 3.5" × 15.12")
Power Requirements 115/230V AC, 50/60 Hz Net Weight 12.8 kg (28.2 lbs)
Operating Temperature
Dimensions(H × W × D) 44 × 430 × 327 mm (1.75" × 16.93" × 12.88")
Net Weight 3.1 kg (6.83 lbs)
Accessories Furnished AC power cable, link cable, rack mount adapters, security caps
158
Electronics
H1500
H2200
H4000
Sound Reinforcement
capacitance to ensure generous energy reserves. This makes a critical difference in sound quality,
allowing the amp to effortlessly punch out high level transients, even when driving a very low impedance.
Its full protection system ensures reliability for the critical demands of professionals. These H series power
system.
Independent protection circuitry for each channel with DC offset, temperature and limiter
D303UT NEW
E203UT NEW
please refer to USB category page 22 please refer to USB category page 22.
E30AU NEW
U01 NEW
E302
USB Condenser USB converter Mini Test Microphone
Microphone Computer Gaming / Web Home Theater / Computer
Internet Chatting / Podcasting / Chattering The E302 is an omni-directional
Recording The U01 is a plug-and-play USB measurement condenser
The E30AU is designed for converter and is compatible with
recording music, podcasts, or Mac OS or Windows, allowing is specially designed for home
field recording, but its range you to adapt your analog theater speaker alignment setting.
of functionality also makes it microphone and headphone to Featuring an integrated cable with
more useful than a typical USB your computer for enhancing 3.5 mm stereo plug, the E302 is
microphone. It’s perfect for the sound performance while suitable for popular plug-in power
internet chatting, voice recognition computer gaming or listening to mic inputs to a computer.
software, web casting and even music. Featuring microphone input,
VoIP. The E30AU can be hung on headphone output, microphone please refer to Measurement
the top of a LCD monitor or put on mute button and volume control, Microphone category page 79.
a table, and it is also a fantastic the U01 is a perfect tool for your
device for recording on the go. computer entertainment and
conversations without needing a
please refer to USB category page 21 software driver.
162
162 please refer to USB category page 23.
Personal Audio
HD651 NEW
HMC651 NEW
HD551 NEW
HD440
Circumaural Closed-back Multi-Media Headset Music Appreciation Booming Bass Headphones
Headphones Computer Gaming / Network Headphones Entertainment & Computer
Music Appreciation / Meeting MP3 / Portable Player / Music Gaming
Entertainment The HMC651 combines both Cell Phone The HD440 features a booming
The HD651 presents accurate the HD651 stereo headphones The HD551 series of supra- bass and crystal-clear high
and rich bass, and excellent with a high quality condenser aural closed-back headphones frequency. It ’s great for m ost
vocal sound. These closed-back microphone, ensuring the capture feature highly efficient drivers, kinds of music and exceptional for
headphones combine excellent of clear vocals. The patented self- excellent sensitivity, and an ability computer gaming. The included
sound with optimum price/ adjusting headpad construction, to handle up to 102 dB SPL. It self-adjusting headband and
performance and are the most automatically self-adjusting ear will accurately present your music optimized headband pressure
practical choice for a music lover or cup structure, soft, circumaural with little or no interference from
artist. The patented self-adjusting leatherette ear pads, and low ambient noise in the environment. term use. The included sturdy
headpad construction, soft, weight ensure a perfect fit. The HD551 series headphones plastic storage box ensures secure
circumaural leatherette ear pads, Available multiple color options offer 3 distinctive sound profiles, protection during transportation.
makes the HMC651 a perfect each with its own character: The
HD651 comes in multicolor options choice for computer gaming and HD551 features an exceptionally please refer to Headphone
and allows you to select your internet chatting. deep low frequency, the HD551F category page 126.
favorite color to match your mood.
please refer to Headphone response, and the HD551B has
category page 129. an excellent balanced character
please refer to Headphone
category page 124. with a powerful bass punch. These
three headphones deliver excellent
balance and clarity.
HD391NC NEW
HD386 Series NEW
HD381 Series HD251V NEW
E421B NEW
E421B is comprised of 2 parts: a microphone and a battery box. The microphone can be connected
directly with any "plug-in power" recording devices. For those devices with plug-in power, the
with the battery box for cutting out unwanted wind or handling noise. A 5-meter extension cable is
included for setting the microphone away from the camcorder/recorder and close to the speakers or
performers for capturing good sound.
A simple rule for successful audio recording is -- the closer the microphone, the less problem.
164
E421B
Personal Audio
E401B NEW
E531B
Shotgun for Camcorder MS Stereo Microphone
The E401B is a compact shotgun for smaller camcorders. The E531B with stereo capsules in a MS setup arrangement makes it
easy to record in stereo and get a realistic, spacious sound capture at
The E401B incorporates a low cut filter to cut down wind noise and a live event. It can also be switched between its 90º and 120º setting to
includes a wind screen that provides extra protection against wind. Just control stereo image width. Choose the 90º setting for instrument solos
one AA alkaline battery powers the E401B for hundreds of operating and speech to get a clear and focused sound image when the sound
hours. The E401B is the right choice for your personal camcorder. source occupies a narrow space. The 120º setting is a good choice for a
band, choir, and large stage performances which occupy a wider space.
Compact shotgun microphone with highly directional and high
resolution recording Easy to use MS stereo recording
Powered by one AA battery MS stereo electret condenser capsules arrangement
Switchable between 90º and 120º stereo width
High-sensitivity condenser capsule Power switch and low batter power LED indicator
Flat on-axis response Permanent attached cable with stereo 1/4" (3.5 mm) angle plug
Powered by one AAA battery
Type Back electret, Ø9.7 mm (Ø0.39") Type Back electret, Ø9.7 mm (Ø0.39")
Polar Pattern Shotgun Polar Pattern
Frequency Response 50-18,000 Hz Frequency Response 100-15,000 Hz
Low Frequency Filter 80 Hz, 12 dB/oct Sensitivity -45 dBV/Pa (5.6 mV)
Sensitivity -40 dBV/Pa (10 mV) Output Impedance
Output Impedance Min. Load Impedance
Min. Load Impedance S/N Ratio 69 dB
S/N Ratio 72 dB Equivalent Output Noise 25 dB
Equivalent Output Noise 22 dB Max. SPL 110 dB SPL
Max. SPL 136 dB SPL Dynamic Range 85 dB
Dynamic Range 114 dB Power Requirements 1.5V AA/UM3 battery, 4 mA
Power Requirements 1.5V AA/UM3 battery, 4 mA Finish Black
Finish Black Connector 3.5 mm (1/8") stereo mini plug, 1.5-meter cable
Connector 3.5 mm (1/8") stereo mini plug, 1.5-meter cable Dimensions 29 × 126.5 × 29 mm (1.14" × 4.98" × 1.14")
Dimensions Ø29 × 167 mm (Ø1.14" × 6.59") Net Weight 110 g (3.9 oz)
Net Weight 140 g (4.9 oz) Furnished Accessories HM29B mic clip
Furnished Accessories HM29B mic clip YA2 threaded adapter
YA2 threaded adapter Table stand
Table stand S07 windscreen
Windscreen 1.5V AA alkaline battery
1.5V AA alkaline battery Optional Accessories HM35C camera microphone shock mount
Optional Accessories HM35C camera microphone shock mount Packaging Colorful outer packaging
Packaging Colorful outer packaging
165
E401B E531B
E532B E52
E532B NEW
E522B
XY Stereo Microphone XY Stereo Microphone
Flash Recording / Camcorder / Live Recording Broadcast / TV / Amateur Recording / Flash Recording
The E532B with stereo capsules in a XY setup arrangement makes it The E522B with stereo capsules in a XY setup arrangement makes it easy
easy to record in stereo and get a realistic, spacious sounds capture at to record in stereo and get a realistic, spacious sound capture at a live event.
Working very well with a camcorder or a flash recorder, the microphone
E532B has an integrated 1.5-meter cable with a 1/8" mini stereo plug , comes with a cable with 1/8" mini stereo plug, allowing users to place the
allowing placement of the microphone closer to performers to increase microphone closer to performers to increase recording quality. Its switchable
stage rumbling. It is powered by one AA alkaline battery that can last for AA alkaline battery that can last for hundreds of hours of use.
hundreds of hours of use.
Matched pair, XY arrangement capsules
Matched pair, XY arrangement capsules On/off switch with locking plate
Internal low cut switch for reducing wind noise and stage rumbling
Stereo unbalanced output
Powered by one AA battery and has a built-in low power indicator Powered by an AA battery and built-in low power indicator
Type Back electret, Ø9.7 mm (Ø0.39") Type Back electret, Ø9.7 mm (Ø0.39")
Polar Pattern Cardioid + Cardioid Polar Pattern Cardioid + Cardioid
Frequency Response 40-18,000 Hz Frequency Response 30-20,000 Hz
Low Frequency Filter 80 Hz, 12 dB/oct, internal Low Frequency Filter 150 Hz, internal
Sensitivity -40 dBV/Pa (10 mV) Sensitivity -47 dBV/Pa (4.4 mV)
Output Impedance Output Impedance
Min. Load Impedance Min. Load Impedance
S/N Ratio 69 dB S/N Ratio 70 dB
Equivalent Output Noise 25 dB Equivalent Output Noise 24 dB
Max. SPL 110 dB SPL Max. SPL 126 dB SPL
Dynamic Range 85 dB Dynamic Range 102 dB
Power Requirements 1.5V AA/UM3 battery, 4 mA Power Requirements 1.5V AA/UM3 battery, 2 mA
Finish Black Finish Black
Connector 3.5 mm (1/8") stereo mini plug, 1.5-meter cable Connector XLR3M
Dimensions 29×131×29 mm (1.14" ×5.16"×1.14") Dimensions Grille net: 64 × 38 mm, Ø23.5 × 218 mm
Net Weight 110 g (3.9 oz) (2.52" × 1.5", Ø0.93" × 8.59")
Furnished Accessories HM29B mic clip Net Weight 310 g (10.9 oz)
YA2 threaded adapter Furnished Accessories 3-meter XLR3F~3.5 mm mini stereo plug
Table stand 0.5-meter XLR3F~3.5 mm mini stereo plug
S07 windscreen HM38S clip with screw knob
1.5V AA alkaline battery YA2 threaded adapter
Optional Accessories HM35C camera microphone shock mount Nylon bag
1.5V AA alkaline battery
Packaging Colorful outer packaging
Optional Accessories HM40C camera shock mount
S50 windscreen
Packaging Colorful outer packaging
D106 D10A
Dynamic Microphone for Net Meetings Dynamic Microphone
The D106 is a very affordable cardioid microphone for net meetings and The D10A is a light weight omnidirectional microphone with a
general applications. Accompanied by a 3.5 mm plug and 3.5 mm to comfortable feel without handling noise or the proximity effect. Features
6.3 mm adapter, the D106 is also a convenient choice for the Superlux such as an integrated belt clip and 1.5-meter cable with anti-tensile
MA818 portable mini-PA. structure make the D10A a perfect microphone for home recordings,
small meetings and net meetings as well as general PA applications.
Tailored response for reproducing clear vocal sound The D10A is a convenient choice for use with the Superlux MA818
Cardioid directivity for high gain before feedback portable mini-PA and MA500 personal voice enhancer.
On/off switch
A convenient choice for MA818 1/8" (3.5 mm) mini plug, suitable for computer-type audio input
Includes 3.5 mm to 6.3 mm (1/8" to 1/4") adapter Omnidirectional directivity without handling noise or proximity effect
Belt clip for easy storage when not in use
Optional DS106 table stand for use in net meetings
A good match for the MA500 personal voice enhancer and also works
well with the MA818 portable mini-PA
1.5-meter cable with 3.5 mm stereo mini plug, wired as mono
D10A 167
D106
EM210
Miniature Lavaliere Microphone
168
EM210
Personal Audio
E105
Headworn Cardioid Microphone
The E105 is a condenser headworn miniature microphone designed for close-up applications, always keeping the same distance
between the mic and the sound source. Its cardioid directivity ensures high gain before feedback. The improved cable arrangement,
dramas, speech, and small PAs. The E105 is a convenient choice for the MA500 personal voice enhancer and the MA818 personal
mini-PA.
E105 169
E108
Headworn Bi-Directional Microphone
The E108 is a miniature headworn condenser microphone that is designed for close-up applications, always keeping the same
long-term use. It is suitable for sports, the gym, interviews, dramas, speeches, and small PAs. The E108 is a convenient choice for
the MA500 personal voice enhancer and the MA818 personal mini-PA.
170 E108
Portable mini-PAs
Volume and power switch
The MA818 is a light weight portable PA with a rechargeable battery and can work
with a variety of microphones for convenient speaking and music reinforcement. It
comes with a shoulder strap for voice-on-the-move and is a convenient PA tool for
school, church, presentations, and tour guides. There is a 5/8" threaded socket at
the bottom for mounting the MA818 onto a microphone stand.
Light weight and portable, allowing easy handling, hanging on the shoulder, or
placing on a mic stand or table
4-hours charge can give 8 hours of continuous use
1/8" (3.5 mm) stereo mini connector can accept MP3 players or other audio
sources
Power saving circuitry design
Highly intelligible voice and convenient PA tool
Battery or AC power
Can reach an audience of 200
MA500 is a light weight personal voice enhancer and can work with a variety of
microphones for convenient speaking reinforcement. This very light-weight portable
PA can be strapped to the waist as a belt pack. It can be powered by 6 AA alkaline
173
174
Cables
Stands, Mounts
and Racks
ECO Series
Cables
CFM Balanced Signal Cable CFI Instrument Signal Cable
Conduct Area AWG#26, 0.13 mm² AWG#26, 0.13 mm²
Composition of Conductor 10 × 0.12 mm bare copper + 2 × 1# (0.23 mm) 10 × 0.12 mm bare copper + 2 × 1# (0.23 mm)
copper foil and wire copper foil and wire
Conductor Isolation PE PE
Composition of Cores 2 cores twisted 1 core
Pair Screen/Screen Spiral wound Aluminum foil spiral wound Aluminum foil
Overall Jacket PVC black PVC black
Overall Diameter 6 ± 0.2 mm 6 ± 0.2 mm
Weight 45 g/m 45 g/m
Working Temperature: mobile
Straight Plug
XLR3F XLR3M P
Dual Straight
XLR3F~XLR3M 6.3 mm (1/4") Mono Plugs
Model No. Length Model No. Length
CFM0.5FM 0.5 M CFI0.3PP 0.3 M
CFM1FM 1M CFI0.6PP 0.6 M
CFM2.5FM 2.5 M CFI0.9PP 0.9 M
CFM5.0FM 5M CFI1.5PP 1.5 M
CFM7.5FM 7.5 M CFI3PP 3M
CFM10FM 10 M CFI4.5PP 4.5 M
CFI6PP 6M
CFI9PP 9M
XLR3F~
6.3 mm (1/4") mono plugs
Model No. Length
CFM5FP 5M
CFM7.5FP 7.5 M
CFM10FP 10 M
176
Cables
FAIRLINE Series
SFI Instrument Signal Cable SFS Speaker Cable SFM Balanced Signal Cable
Conductor Area AWG#24, 0.2 mm² AWG#14, 2.08 mm² AWG#24, 0.2 mm²
Composition of Conductor 25 × 0.12 mm bare copper 35 × 0.25 mm bare copper 25 × 0.12 mm bare copper
Conductor Isolation PE PVC PE
Composition of Conductor 1 core 2 core twisted 2 core twisted
Pair Screen / Screen 48 wires, spiral wound copper wire Screen spiral wound tissue paper 96 wires, spiral wound copper wire Screen
Overall Jacket PVC black PVC black PVC black
Overall Diameter (mm) 6 ± 0.2 mm 8 ± 0.3 mm 6 ± 0.2 mm
Weight 47 g/m 95 g/m 51 g/m
Working Temperature: mobile
FAIRLINE Specialties
177
E Bigfoot Willie. The 3 legs are extendable to enhance stability. A new and patent-pending design.
Microphone Stands BAG Convenient carrying bag included.
Telescopic arm
Cable clips Large locking knob
Plastic grip
MS131 E/BAG
Extension leg
Rubber silence pad
Microphone Stands
Without Extension Legs
NEW
198
Microphone Stands Without Extension Legs
NEW
Height 28-42 cm (0.91' -1.37' ) Height 34-47 cm (1.11' -1.54' ) Height 42-56 cm (1.37' -1.83')
Weight 2.3 kg (5.07 lbs) Boom Length 45-80 cm (1.47' -2.62' ) Weight 2.4 kg (5.29 lbs)
Material Iron Weight 2.61 kg (5.75 lbs) Material Iron
Base Iron Material Iron Base Iron
Accessories Mic stand thread adapter 5/8" to 3/8" Base Iron Accessories Mic stand thread adapter 5/8" to 3/8"
Furnished Accessories Mic stand thread adapter 5/8" to 3/8" Furnished
Furnished
HM48B
HM58B
Furnished Accessories
HM501
Elevated Base
HM502
Table Edge Clamp
HM48B HM58B
Table Arm Table Arm
HM503
Weight 1.5 kg ( 3.30 lbs) Weight 1.8 kg (3.96 lbs)
Material Iron Material Iron
Accessories HM501 Elevated base Accessories HM501 Elevated base
Furnished HM502 Table edge clamp Furnished HM502 Table edge clamp
MUS211 NEW
MUS298 NEW
GS518 NEW
GS528 NEW
201
202
Speaker Stands
Safety pin
Large tighten knob
LS718S SPA01
Crank Speaker Stand Subwoofer Stand
Designed for supporting a main speaker on
top of a subwoofer where the main speaker
incorporates a standard 35 mm (1 3/8")
diameter speaker stand socket in its base.
SPSK1
Speaker Stand Package
Includes:
1 SPS410B speaker stand
1 SPA01 subwoofer pole
1 Large carrying canvas bag
203
Speaker Stands & Mounts
SPS400 SPS430L
Indoor Speaker Stand Monitor Speaker Stand
Height 98-157 cm (3.21' -5.15' ) Height 81-146 cm (2.65' -4.79')
Capacity 20 kg (44.09 lbs) Capacity 20 kg (44.09 lbs)
Weight 2.92 kg (6.43 lbs) Weight 3.6 kg (7.93 lbs)
Material Iron Material Iron
204
Racks
RS921 DS70
21U Rack Display Rack
205
Grille Nets, Adapters and Gooseneck LED Lights
FO58
Flash recorders are becoming increasingly popular for Grille Net
those who do recording outside. When doing long-term Thread 1-1/4"-32
recording, a stand is a necessity, and most stands available
for a professional sound engineer are microphone stands.
Now the YA28 and YA38 ball head adapters can solve this
problem.
L01U L02X
Gooseneck LED Light with USB Connector Gooseneck LED Light with XLR Connector
The L01U gooseneck LED lights are the perfect The L02X gooseneck LED lights are perfect for
accessory for any equipment with USB power and mixing consoles, DJ mixers, power conditioners or
includes a power on/off switch for saving power. any electronic device that has an XLR-F jack and
These flexible lights provide an ample amount of
light when working in a dark area. an ample amount of light when working in a dark
area.
Eight-segment LED light for enhanced illumination
Eight segment LED light for enhanced illumination
Long lasting LED lights that rarely need replacing
On/off switch Long-lasting LED lights that rarely need replacing
206
Microphone Speci cations
Model No. Transducer Acoustic Specialties Polar Pattern Frequency Low Frequency Pad Sensitivity
Response Filter
ANGEL Dynamic Pressure Gradient Anti-rolling, Rose gold color, Karaoke Supercardioid 50 Hz-16 kHz NA NA -54 dBV/Pa
CMH8A True Condenser, 1" Pressure Gradient Large Diaphragm Cardioid 30 Hz-20 kHz 100 Hz (internal) NA -34 dBV/Pa
CMH8AH True Condenser, 1" Pressure Gradient Large Diaphragm Cardioid 30 Hz-20 kHz 100 Hz (internal) NA -34 dBV/Pa
CMH8B True Condenser, 1" Pressure Gradient Large Diaphragm Cardioid 30 Hz-20 kHz 100 Hz -10 dB -34 dBV/Pa
CMH8BH True Condenser, 1" Pressure Gradient Large Diaphragm Cardioid 30 Hz-20 kHz 100 Hz -10 dB -34 dBV/Pa
CMH8C True Condenser, 1" Pressure Gradient Dual capsule, 3 directivities Figure 8, Cardioid, 30 Hz-20 kHz 100 Hz -10 dB -35 dBV/Pa, -30 dBV/Pa, -35 dBV/
Omnidirectional Pa
CMH8CH True Condenser, 1" Pressure Gradient Dual capsule, 3 directivities Figure 8, Cardioid, 30 Hz-20 kHz 100 Hz -10 dB -30.5 dBV/Pa, -35.4 dBV/Pa ,
Omnidirectional -30.5 dBV/Pa
CMH8D True Condenser, 1" Pressure Gradient Vacuum, Dual capsules, 2 directivities Omnidirectional, Cardioid 30 Hz-20 kHz 100 Hz -10 dB -32 dBV/Pa, -28 dBV/Pa
CMH8E True Condenser, 1" Pressure Gradient Large diaphragm Cardioid 30 Hz-20 kHz 100 Hz, 150 Hz -10 dB -38 dBV/Pa
CMH8G True Condenser, 1" Pressure Gradient Vacuum, Dual capsules, Variable 9 Variable 9 directivities 30 Hz-20 kHz NA NA -32 dBV/Pa, -28 dBV/Pa, -32 dBV/
directivities Pa
CMH8K/U/H/O Electret condenser, Ø16 mm Pressure Gradient Pencil type, Interchangeable capsule Cardioid, Supercardioid, 40 Hz-20 kHz NA NA -40 dBV/Pa
Omnidirectional
D103 Dynamic Pressure Gradient Karaoke Supercardioid 50 Hz-15 kHz NA NA -52 dBV/Pa
D106 Dynamic Pressure Gradient Network meeting Cardioid 70 Hz-12 kHz NA NA -53 dBV/Pa
D107A, D108A Dynamic Pressure Gradient Handheld vocal Supercardioid 50 Hz-16 kHz NA NA -54 dBV/Pa
D107B, D108B Dynamic Pressure Gradient Handheld vocal Supercardioid 50 Hz-16 kHz NA NA -54 dBV/Pa
D109 Dynamic Pressure Gradient High impedance Supercardioid 80 Hz-12.5 kHz NA NA -38 dBV/Pa
D10A Dynamic Pressure Handheld vocal, Plastic body Omnidirectional 85 Hz-12.5 kHz NA NA -55 dBV/Pa
D10B Dynamic Pressure Gradient Instrument, Humbucking Supercardioid 50 Hz-18 k Hz NA NA -54 dBV/Pa
D112 Dynamic Pressure Harmonica Omnidirectional 100 Hz-6 kHz NA Volume -50 dBV/Pa
control
D201U Dynamic Pressure USB, Instrument Omnidirectional 50 Hz-15 kHz NA NA -56 dBV/Pa
D302 Dynamic Pressure Gradient Gooseneck, 5/8" thread Supercardioid 100 Hz-10 kHz NA NA -56 dBV/Pa
D303UT Dynamic Pressure Gradient USB, Vocal Cardioid 50 Hz-15 kHz NA NA -50 dBV/Pa
D401S Dynamic Pressure Podcast Omnidirectional 80 Hz-15 kHz NA NA -54 dBV/Pa
DM102 Dynamic Pressure Gradient Plastic body, Karaoke Cardioid 50 Hz-16 kHz NA NA -55 dBV/Pa
DM718 Dynamic Pressure Gradient Patented octagonal anti-rolling ring, Cardioid 80 Hz-12 kHz NA NA -53 dBV/Pa
Karaoke
DM718A Dynamic Pressure Gradient Patented octagonal anti-rolling ring, Supercardioid 50 Hz-16 kHz NA NA -54 dBV/Pa
Karaoke
DM838 Dynamic Pressure Gradient Karaoke Cardioid 80 Hz-12 kHz NA NA -53 dBV/Pa
DM858 Dynamic Pressure Gradient Smaller size, Karaoke Cardioid 50 Hz-16 kHz NA NA -55 dBV/Pa
E100 Electret condenser,Ø14 mm Pressure Gradient Kick drum, boundary Cardioid 30 Hz-18 kHz NA NA -60 dBV/Pa
E101 Electret condenser,Ø9.7 mm Pressure Gradient Guitar Cardioid 40 Hz-18 kHz NA NA -44 dBV/Pa
E102 Electret condenser,Ø9.7 mm Pressure Gradient Instrument Cardioid 50 Hz-16 kHz NA NA -43 dBV/Pa
E105 Electret condenser,6 mm Pressure Gradient Headworn Cardioid 80 Hz-18 kHz NA NA -46 dBV/Pa
E108 Electret condenser,6 mm Pressure Gradient Headworn Figure 8 80 Hz-18 kHz NA NA -46 dBV/Pa
E109 Electret condenser,Ø16 mm Pressure Gradient Instrument, Pencil Type Cardioid 40 Hz-20 kHz NA NA -43 dBV/Pa
E10A Electret condenser,Ø9.7 mm Pressure Gradient Headworn Cardioid 50 Hz-15 kHz NA NA -36 dBV/Pa
E10B Electret condenser,Ø9.7 mm Pressure Gradient Headworn Figure 8 50 Hz-15 kHz NA NA -33 dBV/Pa
E124D Electret condenser,Ø9.7 mm Pressure Gradient Instrument, Battery, Valued pack Cardioid 40 Hz-18 kHz 100 Hz (internal) NA -50 dBV/Pa
E12A Electret condenser,Ø4 mm Pressure Mini lavaliere Omnidirectional 20 Hz-20 kHz NA NA -33 dBV/Pa
E201U Electret condenser,Ø9.7 mm Pressure Gradient USB, Instrument Cardioid 40 Hz-18 kHz NA NA -42 dBV/Pa
E202 Electret condenser,Ø16 mm Pressure Gradient Recording Supercardioid 30 Hz-18 kHz NA NA -47 dBV/Pa
E203UT Electret condenser,Ø9.7 mm Pressure Gradient USB, Network meeting Cardioid 20 Hz-18 kHz NA NA -40 dBV/Pa
E204U Electret condenser,Ø14 mm Pressure Gradient USB, Classic mic Cardioid 20 Hz-18 kHz NA NA -42 dBV/Pa
E302 Electret condenser,Ø6 mm Pressure Measurement Omnidirectional 20 Hz-20 kHz NA NA -42 dBV/Pa
E303 Electret condenser,Ø9.7 mm Pressure Gradient Boundary Cardioid 30 Hz-18 kHz NA NA -39 dBV/Pa
E304 Electret condenser,Ø9.7 mm Pressure Boundary Omnidirectional 20 Hz-18 kHz NA NA -39 dBV/Pa
E306 Electret condenser,Ø9.7 mm Pressure Gradient Gooseneck, 5/8" thread Cardioid 50 Hz-16 kHz NA NA -40 dBV/Pa
E308 Electret condenser,Ø16 mm Pressure Gradient Hanging mic, Interchangeable capsule Cardioid, Supercardioid, 20 Hz-18 kHz NA NA -44 dBV/Pa
Omnidirectional
E309D PRO Electret condenser,Ø11.5 mm Pressure Gradient Gooseneck mic with base, soft touch Cardioid, Supercardioid, 20 Hz-20 kHz NA NA -42 dBV/Pa
switch Omnidirectional
E30AU Electret condenser,Ø9.7 mm Pressure Gradient USB, Network meeting, Can be hung on Cardioid 20 Hz-18 kHz NA NA -40 dBV/Pa
LCD monitor
E321S / M / L Electret condenser,Ø16 mm Pressure Gradient Gooseneck, LED ring is optional Cardioid, Supercardioid, 20 Hz-18 kHz 150 Hz (models NA -40 dBV/Pa, -40 dBV/Pa,
Omnidirectional without on/off switch) -42 dBV/Pa
E322M / L Electret condenser,Ø9.7 mm Pressure Gradient Gooseneck Cardioid 40 Hz-20 kHz 100 Hz(models NA -40 dBV/Pa
without on/off switch)
E323 Electret condenser,Ø9.7 mm Pressure Gradient Flush mount Cardioid 60 Hz-14 kHz NA NA -35 dBV/Pa
E324 Electret condenser,Ø9.7 mm Pressure Flush mount Omnidirectional 20 Hz-20 kHz NA NA -30 dBV/Pa
E326 PRO Electret condenser,Ø11.5 mm Pressure Gradient High quality gooseneck mic Cardioid, Supercardioid, 20 Hz-20 kHz NA NA -42 dBV/Pa
Omnidirectional
E361 Electret condenser,Ø9.7 mm Pressure Gradient Gooseneck mic with base, variable Omnidirectional, Cardioid, 80 Hz-18 kHz NA NA -31 dBV/Pa
directivity, soft touch switch Figure-8, continuously variable
E401B Electret condenser,Ø9.7 mm Interference tube Short shotgun, Camcorder Shotgun 50 Hz-18 kHz 80 Hz NA -40 dBV/Pa
E421B Electret condenser,Ø9.7 mm Interference tube Short shotgun, Battery box Shotgun 20 Hz-20 kHz 80 Hz NA -34 dBV/Pa
E502U Electret condenser,Ø14 mm Pressure Gradient USB, MS stereo Cardioid+Figure 8 20 Hz-20 kHz NA NA -42 dBV/Pa
E503U Electret condenser,Ø9.7 mm Pressure Gradient USB, XY stereo Cardioid+Cardioid 50 Hz-18 kHz NA NA -42 dBV/Pa
E522B Electret condenser,Ø9.7 mm Pressure Gradient XY stereo Cardioid+Cardioid 30 Hz-20 kHz 150 Hz NA -47 dBV/Pa
E523D Electret condenser,Ø9.7 mm Pressure Gradient XY stereo Cardioid+Cardioid 50 Hz-18 kHz 150 Hz NA -47 dBV/Pa
E524D Electret condenser,Ø16 mm Pressure Gradient XY stereo Cardioid+Cardioid 40 Hz-18 kHz NA NA -48 dBV/Pa
E525 S/L Electret condenser,Ø14 mm Interference tube MS, XY stereo shotgun Cardioid+Figure 8 20 Hz-20 kHz 100 Hz NA -34 dBV/Pa
E531B Electret condenser,Ø9.7 mm Pressure Gradient MS stereo Cardioid+Figure 8 100 Hz-15 kHz NA NA -45 dBV/Pa
E532B Electret condenser,Ø9.7 mm Pressure Gradient XY stereo Cardioid+Cardioid 40 Hz-18 kHz 80 Hz NA -40 dBV/Pa
ECM888B Electret condenser,Ø6 mm Pressure Measurement Omnidirectional 20 Hz-20 kHz NA NA -48 dBV/Pa
178 ECM999 Electret condenser,Ø6 mm Pressure Measurement Omnidirectional 20 Hz-20 kHz NA NA -37 dBV/Pa
Model No. Impedance Min. Load S/N Ratio Equivalent Output Max. SPL Dynamic Phantom Power Finish Connector Dimensions ( mm) Net Weight
Impedance Noise Range
ANGEL NA NA 150 dB NA NA Rose gold color XLR3M Ø55 x 180 362 g
CMH8A 76 dB 18 dB 132 dB 114 dB 48V DC, 2.7 mA Champagne silver XLR3M Ø54 × 200 550 g
CMH8AH 76 dB 18 dB 132 dB 114 dB 48V DC, 2.7 mA Black XLR3M Ø54 × 200 550 g
CMH8B 76 dB 18 dB 142 dB 124 dB 48V DC, 2.7 mA Champagne silver XLR3M Ø54 × 200 550 g
CMH8BH 76 dB 18 dB 142 dB 124 dB 48V DC, 2.7 mA Black XLR3M Ø54 × 200 550 g
CMH8C 76 dB / 80 dB / 76 dB 18 dB / 14 dB / 18 dB 142 dB / 138 dB / 142 124 dB 48V DC, 4 mA Champagne silver XLR3M Ø54 × 200 565 g
dB
CMH8CH 80 dB / 76 dB / 80 dB 14 dB / 18 dB / 14 dB 138 dB / 142 dB / 124 dB 48V DC, 4 mA Black XLR3M Ø54 × 200 565 g
138 dB
CMH8D 76 dB / 80 dB 18 dB / 14 dB 146 dB / 142 dB 128 dB PS-1 Champagne silver XLR7M Ø54 × 200 560 g
CMH8E 76 dB 18 dB 145 dB 127 dB 48V DC, 2.7 mA Champagne silver XLR3M Ø54 × 200 600 g
CMH8G 76 dB / 80 dB / 76 dB 18 dB / 14 dB /18 dB 146 dB /142 dB /146 dB 128 dB PS-3 Champagne silver XLR7M Ø54 × 200 550 g
CMH8K/U/H/O 72 dB 22 dB 134 dB 112 dB 48V DC, 3,5 mA Champagne silver XLR3M Ø20 × 150 170 g
D201U NA NA NA NA 140 dB NA USB 5V, <30 mA Champagne silver USB B-TYPE Ø36 × 203 160 g
D302 NA NA 140 dB NA NA Black Open end Grille Net Ø40.5/Length 300 150 g
D303UT NA NA NA NA 138 dB NA USB 5V, 68 mA Black USB Mini B-Type 30 × 32 × 104 160 g
D401S NA NA 135 dB NA NA Titanium grey XLR3M Ø47 × 174 280 g
DM102 NA NA 155 dB NA NA Black XLR3M Ø53.5 x 173.5 130 g
DM718 NA NA 148 dB NA NA Titanium blue XLR3M Ø55 x 176 268 g
E309D PRO 75 dB 19 dB 124 dB 105 dB 48V DC, 5.5 mA Black XLR3M Grille Net Ø11.5 / Height 445 938 g
E30AU NA NA NA NA 133 dB NA USB 5V, 70 mA Black USB Mini B-Type Ø47 265 g
3.5 mm
E321S / M / L 72 dB / 72 dB / 70 dB 22 dB / 22 dB / 24 dB 135 dB / 135 dB / 137 113 dB 9 -52V DC, 4 mA Titanium grey XLR3M Grille Net Ø20/Length 300, 165 g / 181 g /
dB 450, 600 200g
E322M / L 70 dB 24 dB 127 dB 103 dB 9 -52V DC, 4 mA Black /White XLR3M Grille Net Ø12.5 / 160 g / 200 g
Length 450, 600
E323 68 dB 26 dB 132 dB 106 dB 12-48V DC, 2 mA Black /White XLR3M Ø28 × 73 53 g
E324 68 dB 26 dB 132 dB 106 dB 12-48V DC, 2 mA Black /White XLR3M Ø28 × 73 53 g
E326 PRO 72 dB 22 dB 138 dB 116 dB 9-52V DC, 1.9 mA Black XLR3M Grille Net Ø11.5; 151 g / 167 g
Length 450 / 600
E361 79 dB 15 dB 120 dB 105 dB 48V DC, 8.6 mA Black XLR3M Grille Net Ø16 / Height 465 943 g
E401B 72 dB 22 dB 136 dB 114 dB 1.5V AA, 4 mA Black 3.5 mm Ø29 × 167 140 g
E421B 74 dB 20 dB 134 dB 114 dB 6V 4 × 1.5 V AA, Black 3.5 mm Ø20 × 205, 120 × 77 × 70 30 g , 219 g
6.7 mA
E502U NA NA NA NA 137 dB NA USB 5V <30 mA Champagne silver USB B-TYPE Ø55 × 156 220g
E503U NA NA NA NA 137 dB NA USB 5V <30 mA Champagne silver USB B-TYPE Grille Net 64 × 52 /Ø24.5 × 187 230 g
E522B 70 dB 24 dB 126 dB 102 dB 1.5V AA, 2 mA Black XLR3M Grille Net 64 × 38 / Ø23.5 × 218 310 g
E523D 70 dB 24 dB 126 dB 102 dB 12-52V DC, 2 mA Titanium grey XLR5M Grille Net 64 × 38 / Ø23.5 × 218 340 g
1.5V AA, 2 mA
E524D 72 dB 22 dB 134 dB 112 dB 12-52V DC, 2 mA Titanium grey XLR5M Grille Net Ø23.5/ 78 × 216 340 g
1.5V AA, 2 mA
E525 S/L 72 dB 22 dB 127 dB 105 dB 12-52V DC, 4 mA Titanium grey XLR5M Ø21.5 × 235/ Ø21.5 × 380 103 g / 153 g
E531B 69 dB 25 dB 110 dB 85 dB 1.5V AA, 4 mA Black 3.5 mm Ø29 × 126.5 × 29 110 g
E532B 69 dB 25 dB 110 dB 85 dB 1.5V AA, 4 mA Black 3.5 mm Ø29 × 131 × 29 110 g
ECM888B 72 dB 22 dB 132 dB 110 dB 6V 4 LR44, 0.5 mA Champagne silver XLR3M Ø21 × 170 150 g
ECM999 70 dB 24 dB 132 dB 108 dB 12-52V DC, 2 mA Black XLR3M Ø21 × 192 140 g 179
Microphone Speci cations
Model No. Transducer Acoustic Specialties Polar Pattern Frequency Low Frequency Pad Sensitivity
Response Filter
ECO88S Dynamic Pressure Gradient Handheld vocal Supercardioid 80 Hz-12 kHz NA NA -53 dBV/Pa
ECOA1 Dynamic Pressure Gradient Handheld vocal Supercardioid 80 Hz-12 kHz NA NA -53 dBV/Pa
EM210 Electret condenser,Ø9.7 mm Pressure Lavaliere, Vocal Omnidirectional 30 Hz-18 kHz NA NA -46 dBV/Pa
FH12 (S) Dynamic Pressure Gradient Handheld vocal Supercardioid 50 Hz-16 kHz NA NA -56 dBV/Pa
FI10 Dynamic Pressure Gradient Handheld vocal Supercardioid 50 Hz-18 kHz NA NA -56 dBV/Pa
FK2 Dynamic Pressure Gradient Kick drum Supercardioid 30 Hz-10 kHz NA NA -62 dBV/Pa
FS6 Dynamic Pressure Gradient Snare drum Supercardioid 50 Hz-16 kHz NA NA -55 dBV/Pa
FT4 Dynamic Pressure Gradient Tom-tom Supercardioid 20 Hz-12.5 kHz NA NA -55 dBV/Pa
HI10 Electret condenser,Ø14 mm Pressure Gradient Pencil Type, Cymbal Cardioid 50 Hz-18 kHz NA NA -38 dBV/Pa
HO8 Electret condenser,Ø14 mm Pressure Gradient Cymbal, Vocal Supercardioid 40 Hz-18 kHz NA NA -39 dBV/Pa
LINDA Dynamic Pressure Gradient Anti-rolling, Champagne silver, Karaoke Supercardioid 50 Hz-16 kHz NA NA -54 dBV/Pa (2 mV)
PRA116B Electret condenser,Ø9.7 mm Interference tube Battery power Shotgun 50 Hz-14 kHz 80 Hz NA -41 dBV/Pa
PRA118S Electret condenser,Ø14 mm Interference tube Short shotgun Shotgun 30 Hz-16 kHz NA NA -35 dBV/Pa
PRA118/L Electret condenser,Ø14 mm Interference tube Long shotgun Shotgun 30 Hz-16 kHz NA NA -33 dBV/Pa
PRA20 Dynamic Pressure Gradient Headworn Cardioid 50 Hz-15 kHz NA NA -64 dBV/Pa
PRA218A Dynamic Pressure Gradient Kick drum, 134 dB Supercardioid 20 Hz-12.5 Hz NA NA -53 dBV/Pa
PRA218B Dynamic Pressure Gradient Kick drum, 146 dB Supercardioid 30 Hz-10 kHz NA NA -61 dBV/Pa
PRA228A Dynamic Pressure Gradient Tom-tom Supercardioid 50 Hz-16 kHz NA NA -53 dBV/Pa
PRA268A Electret condenser,Ø9.7 mm Pressure Gradient Cymbal Supercardioid 50 Hz-16 kHz NA NA -43 dBV/Pa
PRA288A Dynamic Pressure Gradient Snare drum Cardioid 80 Hz-20 kHz NA NA -56 dBV/Pa
PRA30 Electret condenser,Ø14 mm Pressure Gradient Headworn Supercardioid 50 Hz-15 kHz NA NA -35 dBV/Pa
PRA383 Electret condenser,Ø9.7 mm Pressure Gradient Instrument, Gooseneck Cardioid 40 Hz-18 kHz NA NA -44 dBV/Pa
PRA418 Electret condenser,Ø9.7 mm Pressure Boundary Omnidirectional 30 Hz-20 kHz 80 Hz(PS418D) NA -42 dBV/Pa -44 dBVPa
PRA428 Electret condenser,Ø9.7 mm Pressure Gradient Boundary Cardioid 50 Hz-20 kHz 80 Hz(PS418D) NA -44 dBV/Pa -45 dBVPa
PRA448 (S) Dynamic Pressure Flush mount Omnidirectional 150 Hz-4.5k Hz NA NA -45 dBV/Pa
PRA518S /M /L Electret condenser,Ø6 mm Pressure Gradient Gooseneck Cardioid 50 Hz-16 kHz NA NA -39 dBV/Pa
PRA52 Electret condenser,Ø9.7 mm Pressure Gradient Hanging mic Cardioid 40 Hz-18 kHz NA NA -43 dBV/Pa
PRA528CM / L Electret condenser,Ø9.7 mm Pressure Gradient Gooseneck Cardioid 50 Hz-16 kHz NA NA -39 dBV/Pa
PRA528DS Electret condenser,Ø9.7 mm Pressure Gradient Gooseneck with base Cardioid 50 Hz-16 kHz NA NA -35 dBV/Pa
PRA535(NC) Dynamic Pressure Handheld, Noise-cancelling Omnidirectional 100 Hz-5 kHz NA NA -66 dBV/Pa
PRA538S / M Dynamic Pressure Gradient Super durable gooseneck Supercardioid 100 Hz-15 kHz NA NA -58 dBV/Pa
PRA618M / L Dynamic Pressure Gradient Gooseneck Supercardioid 100 Hz-10 kHz NA NA -56 dBV/Pa
PRA628MKII Dynamic Pressure Gradient Instrument, Flat grille net Supercardioid 80 Hz-18 kHz NA NA -55 dBV/Pa
PRA638 Electret condenser,Ø16 mm Pressure Gradient Instrument, Flat grille net Cardioid 50 Hz-20 kHz NA NA -42 dBV/Pa
PRAC Dynamic Pressure Gradient Handheld vocal Supercardioid 50 Hz-16 kHz NA NA -54 dBV/Pa
PRAD Dynamic Pressure Gradient Handheld vocal Supercardioid 50 Hz-16 kHz NA NA -54 dBV/Pa
PRO108 Dynamic Pressure Gradient Transformer output Supercardioid 50 Hz-16 kHz NA NA -54 dBV/Pa
PRO108T Dynamic Pressure Gradient Transformer output, Chrome plate Supercardioid 50 Hz-16 kHz NA NA -54 dBV/Pa
PRO218A Dynamic Pressure Gradient Kick drum, 174 dB Supercardioid 20 Hz-10 kHz NA NA -64 dBV/Pa
PRO228A Dynamic Pressure Gradient Tom-tom, Snare drum, 150 dB Supercardioid 50 Hz-16 kHz NA NA -54 dBV/Pa
PRO238 MKII True Condenser,1" Pressure Gradient Handheld, Large Diaphragm Cardioid 20 Hz-20 kHz 100 Hz (internal) NA -40 dBV/Pa
PRO238C Electret condenser,Ø14 mm Pressure Gradient Handheld vocal Cardioid 50 Hz-16 kHz NA NA -44 dBV/Pa
PRO248 / S Dynamic Pressure Gradient Handheld vocal Supercardioid 50 Hz-16 kHz NA NA -54 dBV/Pa
PRO258 Dynamic Pressure Gradient Instrument Supercardioid 50 Hz-16 kHz NA NA -54 dBV/Pa
PRO268B Electret condenser,Ø16 mm Pressure Gradient Cymbal, Instrument Cardioid 40 Hz-20 kHz 80 Hz -10 dB -43 dBV/Pa
PROH7F MKII Dynamic Pressure Gradient Classic Mic Supercardioid 50 Hz-15 kHz NA NA -55 dBV/Pa
R102 Ribbon, 2.5uM Pressure Gradient Active ribbon Figure 8 25 Hz-15 kHz NA NA -40 dBV/Pa
R102 MKII Ribbon, 2.5uM Pressure Gradient Active ribbon Figure 8 20 Hz-18 kHz NA NA -40 dBV/Pa
RUBY Dynamic Pressure Gradient Anti-rolling, Red, Karaoke Supercardioid 50 Hz-16 kHz NA NA -54 dBV/Pa
S125 True Condenser, 1/2" Pressure Gradient Handheld Vocal Cardioid 20 Hz-20 kHz 150 Hz (internal) -10 dB (internal) -45 dBV/Pa
S241 True Condenser, 1/2" Pressure Gradient Interchangeable capsule, Instrument Cardioid, Omnidirectional 20 Hz-20 kHz 75 Hz, 150 Hz -10 dB -20 dB -35 dBV/Pa
S502 True Condenser, 1/2" Pressure Gradient ORTF Stereo Cardioid + Cardioid 40 Hz-20 kHz NA NA -36 dBV/Pa
TOM'S Dynamic Pressure Gradient Anti-rolling, Black, Karaoke Supercardioid 50 Hz-16 kHz NA NA -54 dBV/Pa
TOM'S II Dynamic Pressure Gradient Anti-rolling, Grey, Karaoke Supercardioid 50 Hz-16 kHz NA NA -54 dBV/Pa
TOM'S III Dynamic Pressure Gradient Anti-rolling, Blue, Karaoke Supercardioid 50 Hz-16 kHz NA NA -54 dBV/Pa
TOM'S FC Dynamic Pressure Gradient Anti-rolling, Permanent 6-meter cable, Supercardioid 20 Hz-12.5 kHz NA NA -55 dBV/Pa
Karaoke
TOM'S FG Dynamic Pressure Gradient Anti-rolling, Permanent 6-meter cable, Supercardioid 20 Hz-12.5 kHz NA NA -55 dBV/Pa
Karaoke
TOM'S PC Dynamic Pressure Gradient Anti-rolling, Sold as pair, Karaoke Supercardioid 50 Hz-15 kHz NA NA -53 dBV/Pa
TOM'S PG Dynamic Pressure Gradient Anti-rolling, Sold as pair, Karaoke Supercardioid 50 Hz-15 kHz NA NA -53 dBV/Pa
TOP248 Dynamic Pressure Gradient Handheld vocal Supercardioid 50 Hz-16 kHz NA NA -54 dBV/Pa
TOP258 Dynamic Pressure Gradient Instrument Supercardioid 50 Hz-16 kHz NA NA -54 dBV/Pa
WH5 Dynamic Pressure Gradient Drum Supercardioid 30 Hz-10 kHz NA NA -62 dBV/Pa
Vocal 50 Hz-16 kHz -54 dBV/Pa
Instrument 20 Hz-12.5 kHz -55 dBV/Pa
WO518 Electret condenser,Ø6 mm Pressure Lavaliere Omnidirectional 20 Hz-20 kHz NA NA -32 dBV/Pa
WU518 Electret condenser,Ø6 mm Pressure Gradient Lavaliere Cardioid 60 Hz-15 kHz NA NA -33 dBV/Pa
180
Model No. Impedance Min. Load S/N Ratio Equivalent Max. SPL Dynamic Phantom Power Finish Connector Dimensions ( mm) Net Weight
Impedance Output Noise Range
ECO88S NA NA 130 dB NA NA Titanium blue XLR3M Ø54 × 180 250 g
ECOA1 NA NA 130 dB NA NA Black XLR3M Ø51 × 175 210 g
EM210 NA NA 110 dB NA 1.5V-6V, 0.5 mA Black 3.5 mm Ø13.5 × 20.5 25 g
FH12 (S) NA NA 134 dB NA NA Grey XLR3M Ø49 × 177 400 g
FI10 NA NA 134 dB NA NA Grey XLR3M Ø49 × 173 395 g
FK2 NA NA 147 dB NA NA Grey XLR3M Ø54.5 × 116.5 210 g
FS6 NA NA 140 dB NA NA Grey XLR3M Ø47 × 104.5 130 g
FT4 NA NA 150 dB NA NA Grey XLR3M Ø47 × 104.5 130 g
HI10 69 dB 25 dB 134 dB 109 dB 12-52V DC, 5 mA Grey XLR3M Ø21 × 94 120 g
HO8 74 dB 20 dB 136 dB 116 dB 12-52V DC, 3 mA Grey XLR3M Ø54 × 170 320 g
LINDA NA NA 150 dB NA NA Champagne XLR3M Ø55 × 180 362 g
silver
PRA116B 74 dB 20 dB 119 dB 99 dB 1.5V AA, 0.5 mA Black XLR3M Ø21x370 220 g
PRA118S 74 dB 20 dB 134 dB 114 dB 12-52V DC, 3 mA Black XLR3M Ø20 × 340 200 g
PRA118/L 76 dB 18 dB 130 dB 112 dB 12-52V DC, 3 mA Black XLR3M Ø20 × 540 250 g
PRA20 NA NA 136 dB NA NA Black 3.5 mm/ TA4F × Grille Net Ø16155 × 120 65 g
LR3M
PRA218A NA NA 134 dB NA NA Black XLR3M Ø43 × 120 210 g
PRA218B NA NA 148 dB NA NA Black XLR3M Ø58 × 140 375 g
PRA228A NA NA 134 dB NA NA Black XLR3M Ø42 × 110 185 g
PRA268A 69 dB 25 dB 137 dB 112 dB 12-52V DC, 4 mA Black XLR3M Ø29 × 165 180 g
PRA288A NA NA 140 dB NA NA Titanium blue XLR3M Ø29 × 107 110 g
PRA30 NA NA NA NA 1.5-9V DC, 0.5 mA Black 3.5 mm/TA3F/ Grille Net Ø17.8 65 g
TA4F 155 × 120
PRA318S/L NA NA 140 dB NA NA Black XLR3M Ø34 × 180 110 g
Ø34 × 230 140 g
PRA383 NA NA NA NA 3-12V DC, 0.5 mA Black TA3F / TA4F Ø20 × 150 160 g
PRA418 68 dB 26 dB 132 dB 106 dB 9-52V DC, 2 mA Black TA3M Ø65 × 15 80 g
118 dB 92 dB 1.5V AA, 4.5 mA
PRA428 66 dB 28 dB 134 dB 106 dB 9-52V DC, 2 mA Black TA3M 64 × 92 × 16 110 g
120 dB 92 dB 1.5V AA, 4.5 mA
PRA448 (S) NA NA 135 dB NA NA Steel original Open end 115 × 70 × 33 80 g
PRA518S /M /L 68 dB 26 dB 130 dB 104 dB 9 -52V DC, 3 mA Black XLR3M Grille Net Ø8 120 g / 140g / 155g
Length 300, 450, 600
PRA52 70 dB 24 dB 132 dB 108 dB 12-52V DC, 4 mA Black/White XLR3M Ø12 × 27 220 g
PRA528CM / L 68 dB 26 dB 132 dB 106 dB 9 -52V DC, 3 mA Black XLR3M Grille Net Ø12.5 150 -220 g
Length 450, 600
PRA528DS 70 dB 24 dB 124 dB 100 dB 12 -52V DC, 3 mA Black XLR3M Grille Net Ø29 1,000 g
114 dB 90 dB 1.5V AA, 1.2 mA Height 460
PRA535(NC) NA NA 145 dB NA NA Black Open end/6.3 mm 67 × 94 × 50 250 g
PRA538S / M NA NA 135 dB NA NA Black Open end Grille Net Ø32 490 g / 530 g
Length 400, 580
PRA618M / L NA NA 140 dB NA NA Black XLR3M Grille Net Ø40.5 250 g / 320 g
Length 450, 600
PRA628MKII NA NA 150 dB NA NA Black XLR3M Ø60 × 127 × 36 168 g
PRA638 70 dB 24 dB 146 dB 122 dB 12-52V DC, 3.5 mA Black XLR3M Ø60x 130 × 35 190 g
PRAC NA NA 140 dB NA NA Grey XLR3M Ø53 × 180 363 g
PRAD NA NA 140 dB NA NA Grey XLR3M Ø53 × 180 370 g
PRO108 NA NA 150 dB NA NA Titanium grey XLR3M Ø54 × 180 340 g
PRO108T NA NA 150 dB NA NA Chrome XLR3M Ø54 × 180 340 g
PRO218A NA NA 174 dB NA NA Titanium blue XLR3M Ø58 × 140 350 g
PRO228A NA NA 150 dB NA NA Titanium blue XLR3M Ø43 × 123 180 g
PRO238 MKII 78 dB 16 dB 136 dB 120 dB 48V DC, 3.5 mA Titanium grey XLR3M Ø50 × 182 350 g
PRO238C 70 dB 24 dB 136 dB 112 dB 9-52V DC, 3 mA Titanium blue XLR3M Ø45 × 180 240 g
PRO248 / S NA NA 150 dB NA NA Titanium blue XLR3M Ø52 × 165 270 g / 285 g
PRO258 NA NA 150 dB NA NA Titanium blue XLR3M Ø42 × 165 280 g
PRO268B 69 dB 25 dB 140 dB 115 dB 12-52V DC, 2 mA Titanium blue XLR3M Ø29 × 240 270 g
PROH7FMKII NA NA 134 dB SPL NA NA Chrome XLR3M 56 × 191 × 67.5 mm 520 g
R102 76 dB 18 dB 138 dB 120 dB 48V DC, 4 mA Titanium grey XLR3M 60 × 44 × 196 500 g
R102 MKII 76 dB 18 dB 138 dB 120 dB 48V DC, 4 mA Titanium grey XLR3M 60 × 44 × 196 500 g
RUBY NA NA 150 dB NA NA Red XLR3M Ø55 x 180 362 g
S125 76 dB 18 dB 148 dB 130 dB 48V DC, 3.5 mA Titanium grey XLR3M Ø48 × 180 350 g
S241 78 dB 16 dB 143 dB 127 dB 48V DC, 3 mA Titanium grey XLR3M Ø22 × 155 220 g
S502 76 dB 18 dB 135 dB 117 dB 48V DC, 4.5 mA Black XLR5M Grille Net Ø22.5 / 184.5 × 245 g
66.8
TOM'S NA NA 150 dB NA NA Black XLR3M Ø55 x 180 362 g
TOM'S II NA NA 150 dB NA NA Grey XLR3M Ø55 x 180 362 g
TOM'S III NA NA 150 dB NA NA Blue XLR3M Ø55 x 180 362 g
TOM'S FC NA NA 150 dB NA NA Chrome XLR3M Ø55 x 172 778 g
181
Headphone Speci cations
Headphones
Model No. Specialties Type Drivers Sensitivity Frequency Max. Input Rated Ear Pad
Response Power Impedance
HD251V Music appreciation In-ear 13.5 mm, Neodymium 110 dB SPL 20 Hz-20 kHz 50 mW 1 pair of ear pads
HD330 Music appreciation Semi-open 40 mm, Neodymium 96 dB SPL 10 Hz-30 kHz 100 mW Leatherette
HD381 Music appreciation In-ear 13.5 mm, Neodymium 103 dB SPL 20 Hz-20 kHz 50 mW 3 pairs of ear adapters: small,
medium, large
HD381B Music appreciation, In-ear 13.5 mm, Neodymium 103 dB SPL 20 Hz-20 kHz 50 mW 3 pairs of ear adapters: small,
Monitoring medium, large
HD381F Music appreciation In-ear 13.5 mm, Neodymium 103 dB SPL 20 Hz-20 kHz 50 mW 3 pairs of ear adapters: small,
medium, large
HD386 Music appreciation, Multiple In-ear 13.5 mm, Neodymium 103 dB SPL 20 Hz-20 kHz 50 mW 3 pairs of ear adapters: small,
colors medium, large
HD391NC Music appreciation Noise-cancelling, 13.5 mm, Neodymium 103 dB SPL 20 Hz-20 kHz 50 mW 3 pairs of ear adapters: small,
In-ear medium, large
HD440 Music appreciation Closed-back 40 mm, Neodymium 96 dB SPL 20 Hz-20 kHz 100 mW Leatherette
HD531 DJ monitoring Closed-back 51 mm, Neodymium 101 dB SPL 20 Hz-20 kHz 3,000 mW Leatherette
HD531B DJ monitoring Closed-back 51 mm, Neodymium 101 dB SPL 20 Hz-20 kHz 3,000 mW Leatherette
HD551 Music appreciation Closed-back 37 mm, Neodymium 102 dB SPL 20 Hz-20 kHz 200 mW Soft rubber
HD551B Music appreciation Closed-back 37 mm, Neodymium 102 dB SPL 20 Hz-20 kHz 200 mW Soft rubber
HD551F Music appreciation Closed-back 37 mm, Neodymium 102 dB SPL 20 Hz-20 kHz 200 mW Soft rubber
HD572 Monitoring, Folded Closed-back 30 mm, Neodymium 99 dB SPL 20 Hz-20 kHz 200 mW Leatherette
HD572B Monitoring, Folded Closed-back 30 mm, Neodymium 99 dB SPL 20 Hz-20 kHz 200 mW Leatherette
HD651 Music appreciation, Multiple Closed-back 40 mm, Neodymium 98 dB SPL 20 Hz-20 kHz 200 mW Leatherette
colors
HD660 Studio Closed-back 40 mm, Neodymium 96 dB SPL 10 Hz-30 kHz 100 mW Leatherette
HD661 Studio Closed-back 40 mm, Neodymium 102 dB SPL 10 Hz-20 kHz 200 mW Leatherette
HD662 Studio Closed-back 50 mm, Neodymium 98 dB SPL 10 Hz-30 kHz 200 mW Leatherette
HD662B Studio Closed-back 50 mm, Neodymium 98 dB SPL 10 Hz-30 kHz 300 mW Leatherette
HD662F Studio Closed-back 50 mm, Neodymium 98 dB SPL 10 Hz-30 kHz 300 mW Leatherette
HD668B Studio Semi-open 50 mm, Neodymium 98 dB SPL 10 Hz-30 kHz 300 mW Leatherette
HD669 Studio Closed-back Ø50 mm, Neodymium 98 dB SPL 10 Hz-30 kHz 200 mW Leatherette
HD681 Music appreciation Semi-open 50 mm, Neodymium 98 dB SPL 10 Hz-30 kHz 300 mW Leatherette
HD681B Music appreciation Semi-open 50 mm, Neodymium 98 dB SPL 10 Hz-30 kHz 300 mW Leatherette
HD681F Music appreciation Semi-open 50 mm, Neodymium 98 dB SPL 10 Hz-30 kHz 300 mW Leatherette
HMC651 Consumer headset, multiple Closed-back 40 mm, Neodymium 98 dB SPL 20 Hz-20 kHz 200 mW Leatherette
colors
HMC660 Professional headset Closed-back 40 mm, Neodymium 96 dB SPL 10 Hz-30 kHz 100 mW Leatherette
HMD660 Professional headset Closed-back 40 mm, Neodymium 96 dB SPL 10 Hz-30 kHz 100 mW Leatherette
Microphones
Model No. Type Polar Pattern Frequency Sensitivity Max. SPL Equivalent Rated Dynamic Range Phantom Power Power
Response Noise Level Impedance Consumption
HMC651 Electret Condenser Supercardioid 50 Hz-15 kHz -40 dB/Pa (5.6 mV) 130 dB SPL 26 dB 104 dB 1.5-5V DC 3 mA
HMC660 Electret Condenser Supercardioid 50 Hz-15 kHz -40 dB/Pa (10.0 mV) 136 dB SPL 24 dB 112 dB 9-52V DC 3 mA
HMD660 Dynamic Cardioid 150 Hz-10 kHz -60 dB/Pa (1 mV) 136 dB SPL NA NA NA NA
182
Model No. Cable Connector Head Band Net Weight Accessories Furnished Optional Accessories
Pressure
HD251V 3.3 ft. (1m) 3.5 mm NA 16 g 1 pair of ear pads, carrying case
HD330 10 ft. (3m) spring coiled, single 3.5 mm(Gold plated, Screw-on) 6N 300 g 3.5/6.3 mm adapter, carrying case model# A7 Ear pad kit model# EPK603
sided, permanently attached
HD381 2 ft. (0.6m) straight, permanently 3.5 mm(Gold plated) NA 12 g Cable wrapper, 2 ft. (0.6m) extension cable, 3 pairs of ear
attached and an additional 2 ft. pad with small, medium and large size
(0.6m) extension cable
HD381B 2 ft. (0.6m) straight, permanently 3.5 mm(Gold plated) NA 12 g Cable wrapper, 2 ft. (0.6m) extension cable, 3 pairs of ear
attached and an additional 2 ft. pad with small, medium and large size
(0.6m) extension cable
HD381F 2 ft. (0.6m) straight, permanently 3.5 mm(Gold plated) NA 12 g Cable wrapper, 2 ft. (0.6m) extension cable, 3 pairs of ear
attached and an additional 2 ft. pad with small, medium and large size
(0.6m) extension cable
HD386 4 ft. (1.2m) straight cable, NA 16 g 3 pairs of ear pad with small, medium and large size,
permanently attached Carrying case
HD391NC 4 ft. (1.2m) straight cable, 3.5 mm NA 42 g 3 pairs of ear pad with small, medium and large size,
permanently attached Airline adapter, AAA battery, Pouch
HD440 8.2 ft. (2.5m) straight cable, single 3.5 mm(Gold plated, Screw-on) 4N 300 g 3.5/6.3 mm adapter, carrying case model# A7
sided, permanently attached
HD531 10 ft. (3m) spring coiled, single 3.5 / 6.3(Gold plated) 4.5-5N 260 g (without cable) 3.5/6.3 mm adapter, 10 ft. (3m) spring coiled cable, cable 10 ft. (3m) straight cable model#
sided, detachable clip, soft pouch FD3YW
HD531B 10 ft. (3m) spring coiled, single 3.5 / 6.3(Gold plated) 4.5-5N 260 g (without cable) 3.5/6.3 mm adapter, 10 ft. (3m) spring coiled cable, cable 10 ft. (3m) straight cable model#
sided, detachable clip, soft pouch FD3YW
HD551 10 ft. (3m) and 3.3 ft (1m) straight, 3.5 mm(Gold plated) 3-3.5N 90 g (without cable) 3.5/6.3 mm adapter, 10 ft. (3m) and 3.3 ft. (1m) straight 10 ft. (3m) spring coiled cable
single sided, detachable cables, cable clip, soft pouch model# FD3YW/S
HD551B 10 ft. (3m) and 3.3 ft (1m) straight, 3.5 mm(Gold plated) 3-3.5N 90 g (without cable) 3.5/6.3 mm adapter, 10 ft. (3m) and 3.3 ft. (1m) straight 10 ft. (3m) spring coiled cable
single sided, detachable cables, cable clip, soft pouch model# FD3YW/S
HD551F 10 ft. (3m) and 3.3 ft (1m) straight, 3.5 mm(Gold plated) 3-3.5N 90 g (without cable) 3.5/6.3 mm adapter, 10 ft. (3m) and 3.3 ft. (1m) straight 10 ft. (3m) spring coiled cable
single sided, detachable cables, cable clip, soft pouch model# FD3YW/S
HD572 6 ft. (2m) straight cable, 3.5 mm(Gold plated) 3.5N 130 g 3.5/6.3 mm adapter, soft pouch
permanently attached
HD572B 6 ft. (2m) straight cable, 3.5 mm(Gold plated) 3.5N 130 g 3.5/6.3 mm adapter, soft pouch
permanently attached
HD651 6 ft. (2m) straight cable, single 3.5 mm(Nickel plated) 4.5N 185 g Soft pouch
sided, permanently attached
HD660 10 ft. (3m) spring coiled, single 3.5 mm(Gold plated, Screw-on) 6N 250 g 3.5/6.3 mm adapter, carrying case model# A7 Ear pad kit model# EPK603
sided, permanently attached
HD661 10 ft. (3m) and 3.3 ft (1m) straight, 3.5 mm(Gold plated) 4.5N 190 g (without cable) 3.5/6.3 mm adapter, 10 ft. (3m) and 3.3 ft. (1m) straight Ear pad kit model# EPK604, 10 ft.
single sided, detachable cables, cable clip, soft pouch (3m) spring coiled cable model#
FD3YW/S
HD662 8.2 ft. (2.5m) straight cable, single 3.5 mm(Gold plated, Screw-on) 5N 286 g 3.5/6.3 mm adapter, soft pouch Ear pad kit model# EPK602
sided, permanently attached
HD662B 8.2 ft. (2.5m) straight cable, single 3.5 mm(Gold plated, Screw-on) 5N 286 g 3.5/6.3 mm adapter, soft pouch Ear pad kit model# EPK602
sided, permanently attached
HD662F 8.2 ft. (2.5m) straight cable, single 3.5 mm(Gold plated, Screw-on) 5N 286 g 3.5/6.3 mm adapter, soft pouch Ear pad kit model# EPK602
sided, permanently attached
HD668B 10 ft. (3m) and 3.3 ft (1m) straight, 3.5 mm(Gold plated) 3.5N 222 g (without cable) 3.5/6.3 mm adapter, 10 ft. (3m) and 3.3 ft. (1m) straight Ear pad kit model# EPK601, 10 ft.
single sided, detachable cables, cable clip, soft pouch (3m) spring coiled cable model#
FD3YW/S
HD669 10 ft. (3m) and 3.3 ft (1m) straight, 3.5 mm(Gold plated) 5N 235 g (without cable) 3.5/6.3 mm adapter, 10 ft. (3m) and 3.3 ft. (1m) straight Ear pad kit model# EPK602, 10 ft.
single sided, detachable cables, cable clip, soft pouch (3m) spring coiled cable model#
FD3YW/S
HD681 8.2 ft. (2.5m) straight cable, single 3.5 mm(Gold plated, Screw-on) 3.5N 276 g 3.5/6.3 mm adapter, soft pouch Ear pad kit model# EPK601
sided, permanently attached
HD681B 8.2 ft. (2.5m) straight cable, single 3.5 mm(Gold plated, Screw-on) 3.5N 276 g 3.5/6.3 mm adapter, soft pouch Ear pad kit model# EPK601
sided, permanently attached
HD681F 8.2 ft. (2.5m) straight cable, single 3.5 mm(Gold plated, Screw-on) 3.5N 276 g 3.5/6.3 mm adapter, soft pouch Ear pad kit model# EPK601
sided, permanently attached
HMC651 6 ft. (2m) straight cable, single 3.5 mm(Nickel plated) 4.5N Windscreen for microphone, soft pouch
sided, permanently attached
HMC660 10 ft. (3m) spring coiled, single Headphone: open end or mini 6N 315 g S11 windscreen, carrying case model# A7 Ear pad kit model# EPK603
sided, permanently attached stereo plug(gold plated and
screw-on)
Microphone: open end, XLR
3-pin male or mini stereo plug
HMD660 10 ft. (3m) spring coiled, single Headphone: open end or mini 6N 315 g S11 windscreen, carrying case model# A7 Ear pad kit model# EPK603
sided, permanently attached stereo plug(gold plated and
screw-on)
Microphone: open end, XLR
3-pin male or mini stereo plug
183
CMH8A CMH8AH
CMH8B CMH8BH
CMH8C CMH8CH
CMH8A
CMH8AH
CMH8B CMH8BH
CMH8C CMH8CH
CMH8C CMH8CH
CMH8C CMH8CH
Front
Rear
CMH8D CMH8G
CMH8D CMH8G
CMH8E CMH8G
184
CMH8K D112
D103 D201U
D106 D302
D107&D108 D303UT
D109 D401S
D10A DM102
D10B DM718
DM718A
DM838
CMH8K D112
D201U
CMH8K
CMH8K D302
D103 D303UT
D106 D401S
DM102
D107 & D108
D109 DM718
D10A DM718A
D10B DM838
185
DM858 E124D
E100 E12A
E101 E201U
E102 E202
E105 E203UT
E108 E204U
E109 E302
E10A E303
E10B E304
DM858 E124D
E100 E12A
E101 E201U
E102 E202
E105 E203UT
E108
E109 E302
E10A E303
E10B E304
186
E306 E361
E308 E401B
E309D PRO E421B
E30AU E502U
E321 E503U
E322 E522B
E323 E523D
E324 E524D
E326 PRO E525S/L
E306 E361
308 E401B
E30AU
E321 E503U
E322 E522B
E323 E523D
E324 E524D
E525S E525L
E326PRO
E525S/L 187
E531B FK2
E532B FS6
ECM888B FT4
ECM999 HI10
ECO88S HO8
ECOA1 PRA116B
EM210 PRA118L
FH12/S PRA118S
FI10 PRA20
E531B FK2
E532B FS6
ECM888B FT4
ECM999 HI10
ECO88S HO8
ECOA1 PRA116B
PRA118L
EM210
FH12/S PRA118S
FI10 PRA20
188
PRA218A PRA428
PRA218B PRA448
PRA228A PRA518
PRA268A PRA52
PRA288A PRA528
PRA30 PRA528DS
PRA318S/L PRA535
PRA383 PRA538
PRA418 PRA618
PRA218A PRA428
PRA218B PRA448
PRA228A PRA518
PRA268A PRA52
PRA288A PRA528
PRA30 PRA528DS
PRA318S/L PRA535
PRA383 PRA538
PRA418 PRA618
189
PRA628MKII PRO238MKII
PRA638 PRO248
PRAC PRO258
PRAD PRO268B
PRO108 PROH7FMKII
PRO108T R102 & R102MKII
PRO218A S125
PRO228A S241
PRO238C S502
PRO238MKII
m
3m
mm
25
mm
50
0.6M
PRA638 PRO248
PRAC PRO258
PRAD PRO268B
PRO108
PRO108T
PRO218A S125
PRO228A S241
PRO238C S502
190
TOM'S FC/FG WH5
TOM'S WO518
TOM'S II WU518
TOM'S III
TOM'S PC/PG
TOP248/S
TOP258
Instrument
Drum
Tom's WH5
Vocal
Tom's II WH5
m
3m
mm
25
mm
50
M
0 .6
TOP248/S
TOP258
191
Which Microphone for You?
maybe there would only be one microphone in the world to fulfill all your needs. Since
demands differ, the answer varies accordingly.
Dynamic Condenser
With a durable and simple structure, it operates With an extremely light weight diaphragm, it is
in all kinds of environments. A good dynamic very sensitive to sound. Very small versions
microphone is capable of operating at a very are available for hidden applications. High
high sound pressure level without distortion. performance condenser microphones are
Due to structural limits, dynamics cannot be regarded as standard equipment in recording
as small as a condenser, but dynamics don't
require power to operate. They operate with either phantom or battery
power.
With equal sensitivity in all directions, an omni It picks up most on axis signals, rejects side A supercardioid is narrower in pickup pattern
microphone doesn't need to point toward the noise, and picks up almost none at the back. It than a cardioid and is suitable for a multiple
sound source. It features low handling and wind is suitable for live sound reinforcement. With its microphone setup. It is least sensitive toward
noise and is perfect for news gathering and music apparent proximity effect, most singers like to the side and rear, where most stage monitors
recording applications. take advantage of its bass boost. are located. It has the same proximity effect as
a cardioid microphone.
It is equally sensitive to both front and back Based on interference tube theory, this mic
while rejecting the sides. It is good in a noisy achieves the highest axial signal pick-up and
environment because it rejects distant noise rejects off-axis sound as much as possible. Due
and low frequencies. It is also a good choice for to poor wind noise rejection, a suitable wind
stereo recordings, such as Blumlein. It features a screen should be used outdoors.
typical pressure gradient characteristic.
This is suitable for working in a controlled This is based on years of practical experience by
environment, or for acoustic measurements. interference, such as a sub-sonic filter to cut
curves designed for various applications, making air-conditioner and floor vibrations. It allows
for non-professionals to make it work as expected. it easier to choose the right microphone. The full flat response when used in a controlled
strengths of having these curved responses are environment.
limiting bandwidth and emphasizing sounds.
192
Stereo Recording Techniques
ORTF Technique
ORTF stands for “Office de Radiodiffusion Television Francaise”. This
standard was established for stereo broadcasting and brings optimal stereo
performance to most audio systems. Two cardioid capsules are arranged with
brings more a spacious sound than the XY technique, yet avoids the “hole in Performing
the center” problem of the spaced AB technique that also exhibits a very good Ensemble
spacious sound.
The ORTF technique uses balanced stereo positioning, and producing a more
pleasing sound than the AB or XY/MS stereo techniques. ORTF is a technique
that can be easily handled by beginners or video production crews with a xed Angle
ORTF stereo microphone such as the Superlux S502. Experienced engineers
can also take advantage of this with the S502, or use a pair of S241s with the
stereo bracket model HM15 or MA90 for ORTF recording.
Spacing
XY Technique
XY stereo recording employs two identical directional microphones in the
same location, and typically placed off axis at 90° or more to each other. A
stereo effect is achieved through differences in sound pressure level between
the two microphones and varies by the microphone directivity character and
the angle between the two microphones. Performing
The following models from Superlux are permanently installed XY stereo Ensemble
microphones:
E522B、E523D、E524D、E532B、E525 (stereo shotgun)、E503U (USB
stereo)
Angle
Through use of two separate directional microphones (like the S241 or
CMH8K) plus a dual microphone adapter or bar (like the C2, HM15 or MA90),
you can also have an XY stereo recording setup.
MS Technique
MS comes from a Mid and a Side microphone. This coincident technique employs a
cardioid microphone pointing to the sound source (Mid) and a bidirectional microphone
facing sideways (Side). One mic is physically inverted over the other, so they share the
same distance. When the Mid and the Side microphone signal is mixed, the polar pattern Sound Source
becomes a directional microphone pointing toward the left. And when mixing the Mid and
Side in reverse phase, the polar pattern is the same as a directional microphone pointing
toward the right. Less Mid and more Side signal will make the polar point toward the outer
angle. And more Mid and less Side signal will make the pole point toward center.
The beautiful thing about MS decoded stereo is you can always go back to mono by simply
mixing the L and R to mono, and the Mid signal comes back with almost no Side signal.
Knowledgeable users tend to use this type of microphone with MS output, and manipulate Mid Mic
the MS decoding at the post production stage to determine the result they prefer. This (Cardioid)
Since the stereo image width can be altered by changing the Side level, some stereo Side Mic (Figure-8)
microphones claim they achieve the same “Zoom” effect as a video zoom lens. Now you
can achieve the same result by setting the microphone at MS output, and use any popular
NLE audio production software to get the effect you want.
Superlux offers the following models with permanent MS arrangement for your easy stereo
recording setup:
E525S and E525L: short and long shotguns for broadcasting
E531: compact microphone for camcorder users
E502U: USB microphone for recording
193
Product Index
194
DRKA5C2 56
F HM31
HM32
111
111
MS131 E/BAG
MS141
176
176
MS141 E/BAG 176 PS418S 108 SD12 141 TOM'S PC 84
MS152 176 PS518 68 SD12A 141 TOM'S PG 84
MS152 E/BAG 176 SD15 141 TOP248 28, 99
MS153 176 R SD15A 141 TOP248/S 28, 99
MS153 E/BAG 176 R102 15 SD215 141 TOP258 28
MS158 E/BAG 177 R102MKII 15 SD215A 141 TS10 91
MS200 178 RK1 103 SF10 139 TS8 91
MS300 178 RK2 103 SF10A 139
MS432 177 RS908 184 SF110 137 U
MSK10B 59 RS912 184 SF110A 137 U01 23, 160
MSK124 59 RS916 184 SF112 137 U02X 23
MSKA 58 RS921 184 SF112A 137 UT2 97
MTS004 179 RUBY 83 SF115 137 UT4 97
MTS014 179 SF115A 137 UT6 96
MTS024 179 S SF118AS 136 UT62/10A 101
MUS211 180 S02 113 SF12 139 UT62/10B 101
MUS298 180 S04 113 SF12A 139 UT62/12A 100
S06 113 SF12AS 91,138 UT62/20 100
P S07 113 SF15 139 UT62/30 101
PINK STICK 79 S08F 113 SF15A 139 UT62/383 101
PRA116B 18 S09 113 SF15AS 138 UT62/O518 100
PRA118S/L 17 S09F 113 SFI Instr. Cable 175 UT62G 101
PRA20 36 S11 113 SFI 100 175 UT64/108A 101
PRA20TQG 36, 99 S12 113 SFM Bal. Cable 175 UT64/125 100
PRA218A 52 S125 11, 26,98 SFM 100 175 UT64/238C 101
PRA218B 52 S13 113 SFS Speaker Cable 175 UT64/TOP248 101
PRA228A 53 S13F 113 SFS 100 175 UDA28 102
PRA268A 53 S14 113 SM012 147
PRA288A 45 S15 113 SM015 147 V
PRA30 36 S18 113 SM112F 145 VT2 89
PRA30TQG 36, 98 S19 113 SM115F 145 VT8 89
PRA318S/L 17 S20 113 SM118S 147 VT825 89
PRA383 42 S21F 113 SM12F 144 VT6 104
PRA383TQG 42, 98 S22F 113 SM15F 145 VT7 104
PRA418 70 S23 113 SM215 146 VT9 104
PRA428 70 S241 12 SMKH8K 13 VT9 SERIES 88, 104
PRA448 74 S25 113 SP108 134
PRA518 63 S27
S32
113
113
SP110 134 W
PRA52 72 SPA01 182 WH5 30
S33 113
PRA528 64 SPK1 182 WO518 39
S40 93,113
PRA528DS 67 SPK2 182 WO518TQG 39, 99
S50 113
PRA535NC 73 SPS400 183 WU518 39
S502 13
PRA538 66 SPS410A 182
PRA618 64
S53F
S55F
113
113
SPS410B 182 Y
PRA628 MKII 51 S56 113 SPS430L 183 YA1 110
PRA638 51 S58 113 SPS813 183 YA10 110
PRAC1/3/5 34 S65 113 SPS823 183 YA18 185
PRAD1/3/5 34 SA118S 149 SPS838 183 YA2 110
PRO108 27 SA215S 149 SPS867A 183 YA28 185
PRO108T 82 SA28 148 SPS869 93,183 YA3 110
PRO218A 44 SC70 76 SPS878 183 YA38 185
PRO228A 44 SC71 77 SPSK1 182
PRO238C 27,99 SC72 77 SPSK2 182
PRO238MKII
PRO248
11, 26
29
SD010
SD010A
143
143
T
PRO258 29 SD012 143 TK200 90
PRO268B 45 SD012A 143 TK300 90
PROH7F MKII 30 SD015 143 TOM'S 83
PS2A 108 SD015A 143 TOM'S FC 85
PS2B 108 SD10 140 TOM'S FG 85
PS418D 108 SD10A 140 TOM'S II 83
TOM'S III 83 195
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