Saxophone Keri Degg

www.masquerade-music.co.uk

ABRSM Grade 7 Saxophone scales & Arpeggios

At grade 7, scales should be prepared to a minimum speed of q = 116
and arpeggios to q. = 66

Tongued and slurred articulations are required.

All scales & arpeggios should be known from memory.
At grade 7 BOTH harmonic AND melodic minors should be known.

       
F# major scale (a twelfth)
          

       

    
F# major arpeggio (a twelfth)
   
        

          
G major scale (a twelfth)
   
6

          
G major arpeggio (a twelfth)
    
  
9

       

       
11
          
A major scale (a twelfth)

      

    
 
A major arpeggio (a twelfth)
  
14

     

   
C major scale (two octaves)
 
16

     
   


   
 
20 C major arpeggio (two octaves)

    
   
    
2

     
22 D major scale (two octaves)

      
  

   
  
26 D major arpeggio (two octaves)

   
    

   

    
28 Eb major scale (two octaves)
 
       

Eb major arpeggio (two octaves)

  
     
32

       

     

34 B major scale (two octaves)
    
       

 


B major arpeggio (two octaves)
   
       
   

40
 
Bb major scale (two octaves)
  
      

  

44

Bb major arpeggio (two octaves)
   
 
      
 

      
      
46 Db major scale (two octaves)
   
         


  
  
Db major arpeggio (two octaves)

50

          
     
3
   
E major scale (two octaves)
   
52

  
  

  
   
E major arpeggio (two octaves)
 
56

    
 

      
   
58 F major scale (two octaves)


        

  
 
F major arpeggio (two octaves)
62
  
    
 

           
 
Ab major scale (a twelfth)
  
64
  
       

    
 
Ab major arpeggio (a twelfth)
  
67

      

       
Bb minor harmonic scale (two octaves)
 
69

                  
   

         
Bb minor melodic scale (two octaves)
  
73
  
               
  


   

77 Bb minor arpeggio (two octaves)
 
        
 

          
G minor harmonic scale (a twelfth)
   
79

          
4

           
G minor melodic scale (a twelfth)
  
82


          
G minor arpeggio (a twelfth)
      

85

    
   

       
F minor harmonic scale (two octaves)
  
         
87

        
 

         
F minor melodic scale (two octaves)
91
          

         

F minor arpeggio (two octaves)

  
95
     
       

        
    
G# minor harmonic scale (a twelfth)
 
97
   
       

           
G# minor melodic scale (a twelfth)
  
100

          

    
  
103 G# minor arpeggio (a twelfth)

   
    

       
F# minor harmonic scale (a twelfth)

    
105

        
   

          
F# minor melodic scale (a twelfth)
 
108

      
      
  
5

   
F# minor arpeggio (a twelfth)
 
111

    
  

         
   
A minor harmonic scale (a twelfth)
 
113

        

           
 
A minor melodic scale (a twelfth)
 
116
   
    

    
 
A minor arpeggio (a twelfth)
 
119

     

           
B minor harmonic scale (two octaves)

121

    
        

 

         
B minor melodic scale (two octaves)

125

         
    
 


129
   
 
B minor arpeggio (two octaves)

      
 

     
  
C# minor harmonic scale (two octaves)
     
131

    
  

              
C# minor melodic scale (two octaves)
 
135

      
  
 

    
 
139 C# minor arpeggio (two octaves)

    
   
         
6
 
C minor harmonic scale (two octaves)
  
141

            
 
           
C minor melodic scale (two octaves)
  
145
   
  
       


   
  
149 C minor arpeggio (two octaves)

     
   
       
D minor harmonic scale (two octaves)
 
 
151

          



  
D minor melodic scale (two octaves)
     
  
155

     
      

  
  
159 D minor arpeggio (two octaves)

    
   

      
D# minor harmonic scale (two octaves) also known as Eb minor harmonic
 
161
       
 
  
 


         
D# minor harmonic scale (two octaves) also known as Eb minor melodic
      
165

 
  
 

     
D# minor arpeggio (two octaves) also known as Eb minor arpeggio
 
169

     
   
          
E minor harmonic scale (two octaves)
171
       
      

      
E minor harmonic scale (two octaves)
         
175

    

 
7

 
E minor arpeggio (two octaves)
   
 
179

    
 

      
Chromatic scale starting on C (two octaves)
  
181
  
               

         
         
184

       
 
     
       
188 Chromatic scale starting on Eb (two octaves)

           
   
191
        
           

  
Chromatic scale starting on Bb (two octaves)
      
195
   
               
 
198  
        
               
   

   
202 Chromatic scale starting on E (two octaves)
       

            

 
205
      
               

209 Chromatic scale starting on C# (two octaves)

        
           
    
             
      
212

        

     
8
 
216 Chromatic scale starting on D (two octaves)
  
              

   
         
219

           


        
223 Chromatic scale starting on F (two octaves)
  
           

   
226           
      
    

    
Chromatic scale starting on B (two octaves)
  
230
    
             


          
233

      
          

237 Chromatic scale starting on F# (a twelfth)
     
       
   

                   
       
239

   

242 Chromatic scale starting on G (a twelfth)

      
          

                     
      
244

   
247 Chromatic scale starting on G# (a twelfth)
      
9
  
      
249                 
         
       

252 Chromatic scale starting on A (a twelfth)

        
 
     
254                        
      
 


257
    
Dominant seventh in the key of E (two octaves)

   
      
 
      
Dominant seventh in the key of Eb (two octaves)

260

      
    
     
Dominant seventh in the key of F (two octaves)
   
263

      
  
   
Dominant seventh in the key of F# (two octaves)
       
266

      
  
    
Dominant seventh in the key of Ab (two octaves)

      
269

        

  
   
272
Diminished seventh starting on B (two octaves)

  
     
  
     
Diminished seventh starting on Bb (two octaves)
 
275

     
     

   
Diminished seventh starting on C (two octaves)
 
   
278

        
 