Dop Research

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The Director of Photography (also DP, DOP, or Cinematographer),

 Transforming Directors concepts into visual images.


 Responsible for all matters pertaining to the photography of
the film: lighting, exposure, composition, cleanliness, etc.

 Quality of photography.
 Cinematic look if the film.

 Using knowledge of lighting, lenses, cameras, and film

emulsions creates the appropriate mood, atmosphere, and

visual style of each shot to evoke the emotions that the

Director desires. Working closely with the Director, the

Director of Photography determines the camera angles, shot

composition, and camera movement for every shot.

 Orders the lights and cameras to be set up in such a way to


attain the desired effect.
 Skills include choreographing and framing shots, knowledge
of and the ability to select appropriate photographic lenses,
and other equipment (dollies, camera cranes, etc.) to portray
dramatic scenes. The principles of dramatic story telling and
film editing fundamentals are important skills as well.
 The prime responsibility during production stage is to light
the set.
 The director will typically convey to the cinematographer
what he/she wants from a scene visually, and allow the
cinematographer latitude in achieving that effect.

 Shooting something as it is without attention to lighting is a


surefire way to look amateurish.
The Director of Photography (also DP, DOP, or Cinematographer),

Lighting. That's what shooting a professional video is all about!

Not just in the studio, but even in the wide open day - you still need to
take proper care of how your subject is lit. Shooting something as it is
without attention to lighting is a surefire way to look amateurish.

People need to realise that what you see is NOT what you will always
get on video. The amount of light entering a camera lens is adjustable by
opening or closing the iris. Indoor florescent lighting shows up darker
on video and is thus hardly ever enough. On the other hand, daylight
can sometimes prove too glaring so filters are often needed to reduce the
light.

When your subject's back is facing a light source, his/her face will
naturally look dark. Avoid that. If it's in the outdoors and you really
need that shot, consider shooting at another time or put a reflector in
front of your subject's face. That will work wonders.

Lighting is not just about making sure the audience can see what's going
on. It's about sharpness and contrast, about moods and shadows too.
Makeup often facilitates a character's sharpness on video. Other than
that, you may often find the need to put in a few different light sources
just to highlight certain aspects of a character or subject.

So if you want your video to look professional, you can either start
looking for a good lighting director or gaffer, or start experimenting
with various lighting techniques and equipment.

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