Scribd Logo
Upload

Welcome to Scribd!

  • 993 views

    Ghostbusters - Piano 4 Hands

    Uploaded by

    Robby LandbyQion
    The document discusses the history of the United States and how it became a world power after World War II. It describes events like the Marshall Plan and how the US rebuilt war-torn Europe and established new global institutions and alliances.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Ghostbusters - Piano 4 Hands

    Uploaded by

    Robby LandbyQion
    993 views5 pages
    The document discusses the history of the United States and how it became a world power after World War II. It describes events like the Marshall Plan and how the US rebuilt war-torn Europe and established new global institutions and alliances.

    Original Description:

    Ghosbuster - piano easy

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    The document discusses the history of the United States and how it became a world power after World War II. It describes events like the Marshall Plan and how the US rebuilt war-torn Europe and established new global institutions and alliances.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    993 views5 pages

    Ghostbusters - Piano 4 Hands

    Uploaded by

    Robby LandbyQion
    The document discusses the history of the United States and how it became a world power after World War II. It describes events like the Marshall Plan and how the US rebuilt war-torn Europe and established new global institutions and alliances.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    You are on page 1of 5
    At a glance
    Powered by AI
    The document provides musical notation for an arrangement of a piece. It includes notes, tempo and rhythm markings spread across 5 pages.

    The musical piece being arranged is 'Ghostbusters' as indicated at the top.

    The instruments indicated to play are piano (Pf.) as written under the staff on each page.

    GHOSTBUSTERS Arranged

    by
    Paolo Bertolotto

     44                                    

    4
    4    
    Piano 2 

    4    
    4

    4
    4     
       
    Piano

    

               
    5

              
    Pf.

             
       
     
               
    

           
    Pf. 2

       

            
    

     
         
    A

    
    8

      
     
    Pf. 

    
       
        
    
    
        
     
      
           
                                     
     
    Pf. 3 3

       

                        
         
    only 2nd time ↓

         
    11
    solo 2^ volta

    
          
      
    Pf.

               
          
          
     
      
     
         
     
         
     
      
                           
    Pf. 2 2 3 3

             
                   
    B

        
    14

      
      
    Pf.


        
     
    
      
     
    
      
     
    
     
                   
                         
    Pf. 2 2 3 3

                                        
                                  
    C

       
    only 1st time ↓
    17
    solo 1^ volta

                
                                    
    Pf.

              
      
                    
           
    Pf.

      
    3 3


       
    2
                             
                         
                           
        

           
    21

                                         
          
     
    Pf.

       

       
     
                    
    Pf.

        

    
              
          
    D (solos)

      
    25

         
                           
       
         
    Pf. 

       
            
      

       
     
                    
                     
    Pf.

     

       
    29

                           
        
    Pf. 2 3 4

                               
    2 3  4

    2    3    4   
     
                     
      
       
    Pf.

    3
      

    32

                           

    Pf. 5 6 7

                               


      
    5 6 7

             7     
     
                     
            
    Pf. 5 6

       
    35

                           
                    
    Pf. 8 9 10

                               
    8 9 10

    8    9    10   
     
                     
            
    Pf.

       
    38

                           
        
    Pf. 11 12 13

                               
    11 12 13

    11    12    13   


     
                     
      
       
    Pf.

    4
      

    41

                           

    Pf. 14 15

       
                              
    14 15

                 
      
                     
          
    Pf. 14 15

                    
                 
    44

           
            


    Pf.

       
    

    
        

    Pf.

     

    You might also like