Roundhouse

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ROUNDHOUSE

The transformation of the redundant Grade II* listed Roundhouse as a leading London arts venue
required a fusion of architectural skill, historical respect, and the visionary determination of private
and public funders over a long period - a complex and cost-sensitive design scenario. A wide range of
architectural interventions, careful reinstatements, and newbuild have given the Roundhouse a new
identity, made it a major player on the national arts scene – and triggered new local commercial and
residential property development.

The practice led a multi-disciplinary team to repair existing main fabric, re-programme sections of the
building, modernise the auditorium, and create a three-level administrative and circulation ’girdle’.
Key features include a top-lit galleria, connected to the auditorium by post-industrially detailed glass
and metal bridges. The new wing allows a large section of the Roundhouse’s original facade,
originally below ground on the sloping site, to be exposed for the first time. This accentuates the co-
existence of historic and contemporary architecture to great effect and, with better connections to the
streetscape, has heightened the Roundhouse’\'s contribution to the urban scene.
Structural interventions were minimised to emphasise the Victorian building’s structure and aesthetic.
New circulation and administrative segments are thoroughly contemporary, but detailed in sympathy
with the building’s original industrial soul. McAslan also increased audience and specialist-use
capacity, and the building’s functional range, without disrupting key aspects of its form.

A particularly significant intervention concerned the railway turntable ash-pits in the Roundhouse’s
extraordinary radial undercroft. These were cleared of tons of detritus, subjected to meticulous
remedial work, and the installation of new services, access and circulation routes (without unduly
disrupting the geometry of the building’s brick-built substructure). The result is the new Roundhouse
Studios, for use by creative local youngsters. 
There was extensive remedial work on the rafters and boarding, with a ’sprung’ acoustic mass added
to the roof. This demanded a new steel upper structure, which supports a 20-tonne load from the new
technical grid. The solution, by Paul Gillieron Acoustic Design, has created virtually no disruptive
visual impact.
Of the total £30m spend, design and construction costs for the Roundhouse scheme were below
£20m – a fraction of the cost of an equivalent new arts venue of this versatility. One critic described
the new Roundhouse as ’one of the most radical experiments we have yet seen in cultural interaction,
a venture that aims to set a model for a multicultural society.’

TYPE
Buildings

LOCATION
Camden, London

CLIENT
Norman Trust

SIZE
6,600 sqm
COST
£30 million

TEAM
John McAslan + Partners, Architect
SKM Anthony Hunt Associates, Structural Engineer Buro Happold, MEP Engineer
Gardiner & Theobald, Cost Consultant
Paul Gillieron, Acoustic Engineer
Theatre Projects, Theatre Consultant
Anne Minors Performance, Performance and Seating Consultant
Modus Operandi, Art Consultant
Tolent Construction, Main Contractor
David Bonnett Associates, Access Consultant

STATUS
Completed 2006

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