Prospectus: Film & Television Institute of India

www.ftiindia.
com
PROSPECTUS
2019
Film & Television Institute of India

Law College Road, Pune 411004
FILM AND TELEVISION
INSTITUTE OF INDIA
CONTENTS
1. About Film and Television Institute of India
2. Administrative Structure
3. Departments of Specialization
4. PG Diploma and Certificate Courses in Film Wing
• Overview of Curriculum
• Description of Specializations
• No of Seats, Eligibility and Selection Criteria
5. PG Certificate Course in Television
• Overview of Curriculum
• Description of Specializations
• No of Seats, Eligibility and Selection Criteria
6. Fee Structure
7. Allied Departments and Sections
8. Hostel & Facilities
9. Reservation Policy
10. Rules, Information & Instructions
11. Administration
12. About Pune
1.
ABOUT FILM AND TELEVISION INSTITUTE OF INDIA (FTII)
History
Established as ‘Film Institute of India’ in 1960 on the erstwhile Prabhat Studio premises at Pune, FTII boasts of a
rich legacy of quality education in cinema. The Television Wing, earlier located in New Delhi, was shifted to Pune in
the early 70’s, bringing together the training in film and television under one roof. The Institute was renamed ‘Film
and Television Institute of India’ in 1971. At its inception, the Television wing was concerned mainly with in-service
training to personnel from Doordarshan. However, over the years, it has developed into a full-fledged educational
department, offering intensive course in Television with core specializations.
Philosophy
Designed for a new generation of storytellers, as well as visual and performing artists, FTII takes pride in the talent
that it attracts from all corners of the country. Students from diverse backgrounds are encouraged to join the
full-time, hands-on, intensive academic programmes in various aspects of film and television. Small class sizes
ensure individual attention and extensive interaction among students and instructors. Collaborative exercises and
projects prepare students to become professionals in their respective fields. In addition, celebrities and renowned
professionals from the film, television, and media industries frequently visit FTII to share their knowledge and
experience with students.
Collaborations
FTII is a member of CILECT, an international association of film and television schools (Centre International de
Liaison des Ecoles de Cinéma et de Télévision). In addition, FTII also collaborates with many renowned film, TV and
media schools all over the world to conduct student exchange programmes every year.
Awards & Accolades

Films made by the students and alumni are well received in film festivals in India and abroad, winning National and
International awards every year. The alumni have left an indelible imprint across all facets of cinema, television and
its allied industries.
Significant National and International awards won by our students and alumni include
• Dadasaheb Phalke Award
• The Padma Awards – Padma Vibhushan, Padma Bhushan & Padma Shri
• National Awards for short films, features as well as documentaries in various categories
• Oscar (Academy of Motion Pictures Arts and Sciences)
• Awards and screenings in international festivals such as Cannes, Berlin, Venice, Sun-dance, Rotterdam.
• Awards and accolades in IFFI, MAMI, MIFF, etc.
2.
ADMINISTRATIVE STRUCTURE OF FTII
FTII functions as an autonomous organisation under the Ministry of Information & Broadcasting, Government of
India, and is registered under Societies’ Registration Act of 1860.
The FTII Society is headed by a President who is a well-known personality from film, television, arts, literature or
academic fraternity. The President of the Society also functions as the Chairman of the Governing Council (GC)
and the Standing Finance Committee (SFC). This position is currently held by Shri. B. P. Singh.
The Governing Council (GC) is constituted from amongst the members of the Society, and as the apex body of the
FTII. The Council is responsible for making all major policy decisions of the Institute in consonance with its aims
and objectives. The GC, in turn, appoints the Academic Council (AC) and the Standing Finance Committee (SFC),
who are responsible for advising FTII in policy matters related to academics and finance.
The Director of the Institute serves as its Executive Head and implements its policies and programmes. Shri
Bhupendra Kainthola is currently the Director of FTII.
3.
DEPARTMENTS OF SPECIALIZATION
Departments of specialization in Film and TV wings design and execute the Post Graduate Diploma and Certificate
Courses respectively. Breadth and depth of the curricula offered is guided by the philosophy of each department,
in tandem with the larger pedagogical objectives of the institute.
While each department is responsible for running the course in their own specialization, they all work together to
impart an integrated and multidimensional learning experience. Staffed with award-winning faculty, passionate
about cinema and dedicated to education in Film and TV, these departments are also provided with state of-the-
art facilities and equipment to offer industry-standard training.
As the nature and number of courses undergo constant revision to stay at the forefront of the emerging styles
and techniques, new departments have been established and newer courses of varying duration launched. This
evolution has made FTII a richer, more diverse and vibrant place to learn.
Film Wing
1. Direction & Screenplay Writing Department
2. Cinematography Department
3. Editing Department
4. Sound Department
5. Art Direction & Production Design Department
6. Acting Department
7. Feature Film Screenplay Writing Department
Television Wing
1. TV Production & Direction Department
2. TV Camera Department
3. TV Editing Department
4. TV Sound Department
5. TV Engineering Department
4.
P.G. Diploma and Certificate Course in Film Wing
Course Specializations, Direction & Screenplay Writing, Cinematography, Editing, Sound Recording & Sound
Design, Art Direction & Production Design, Acting and Feature Film Screenplay Writing.
The following post graduate diploma programmes offered by film wing of FTII, Pune, have been granted Master’s
Degree equivalence by Association of Indian Universities (AIU):
• Direction & Screenplay Writing
• Sound Recording & Sound Design
• Editing • Cinematography
• Art Direction & Production Design
• Acting
OVERVIEW OF THE CURRICULUM
Choice Based Credit System (CBCS)

Film Wing of FTII has recently adopted a Choice Based Credit System (CBCS) to offer a better learning experience
at par with the higher educational standards. Focal areas of the courses are based on a learner-centric approach
laying emphasis on continuous evaluation.
Academic calendar has been divided into two semesters (each approx. 20 weeks) per year.
Each course offers 16- 24 credits per semester.
Common Module
Semester I is an Introductory Common Course for the students of Cinematography, Editing, Direction and
Screenplay Writing, Sound Recording and Sound Designing, Art Direction & Production Design. Acting students
participate in this module for the first 12 weeks. This module includes theory classes, practical sessions and
collaborative & individual exercises for students to grasp basic concepts and skills related to film making.
Specialization
All diploma courses begin their specialization in Semester II (except Acting course, where specialization begins
in 13th week of Semester I). Here, students develop professional skills in their chosen field of specialization
through, lectures, practical sessions and workshops conducted by in-house faculty, visiting faculty and industry
professionals. Students showcase their conceptual and technical skills in their respective fields of specialization, by
teaming up with students of other specializations and working as members of a creative team.
Electives
Students are offered an opportunity to experiment with areas of film-making other than their chosen
specializations. Various electives are offered by the departments, which allows the students to develop their
creative talents.
Passing Criteria
To be considered for the subsequent semester, a student must earn minimum 75% of overall
credits and 90% of mandatory credits in preceding semester. 75% overall attendance in theory
and practicals is mandatory for students to clear a semester.
Direction & Screenplay Writing
The course offers multidimensional opportunities to learn the art and craft of direction and screenplay writing
through creative exploration of time, space and narrative. Students of this course are encouraged to assimilate from
reality and from the awareness of their collective histories when formulating the language of cinematic expression.
The emphasis is on the development of an aesthetic sensitivity and refinement of craft with rigorous ideation,
conceptualization and practice.
Specialization in this department begins on completion of a basic, all-inclusive common course in the first semester.
Apart from theory lectures, practicals and coordinated exercises, special enrichment modules on different aspects of
film making are conducted, where the students work closely with eminent professionals of national and international
repute.
Course Duration: 3 years divided into 6 Semesters.
Total No of Seats: 10
Faculty
Sandeep Chatterjee, Professor & HoD
Tuhinabha Majumdar, Associate Professor
Bharath Murthy, Associate Professor
Ganesh Gaikwad, Assistant Professor
Cinematography
Cinematography encapsulates the knowledge of painting and sculpting with light, cinematographic control of the
aesthetic, and the emotional possibilities of a well designed and executed photographic image. As both an art and
a craft, it is a dynamic process that involves the composition of light, shadow, time, movement and space. At FTII,
students of cinematography learn not only how to create captivating images but also understand the discipline
and achieve a synthesis of technical skill and creative sensibility.
Students of cinematography get acquainted will all aspects of film making in the first semester common module.
Once the specialization starts, they learn photographic theory, concepts and techniques in lighting with extensive
hands on practice on cameras. They also participate in master classes, Q&A sessions and interactions with leading
cinematographers. During coordinated exercises and projects, student learn lighting techniques of increasing
complexity, and advanced practices. Learning is facilitated through progressive instructions using portable HD
camcorders, Digital HD cine-cameras and the state of the art Digital Cinema cameras.
FTII has 2 fully equipped in-house shooting floors for filming and for lighting practicals, equipped with lighting rigs,
studio dollies, cranes, tungsten, fluorescents and HMI lamps. It also has a digital lab and the only functional Black
and White 16/35 Laboratory in India.
Course Duration: 3 years divided into 6 Semesters.
Faculty
Prasann Jain, Professor & HoD
Satyaprakash Rath, Associate Professor
Lalit Tiwari, Associate Professor
T. Thivakaran, Assistant Professor
Giri Ratan Singh, Assistant Professor
Editing
The editing students are encouraged to develop their own faculties with innovative applications and experiments
in the craft of editing & other allied areas of learning. The course enables the students to be conceptually rich,
aware of their own cultural resources and be able to engage with various forms of cinema. The course offers
multidimensional opportunities to practice the art and craft of editing and developing their own distinctive style.
Students participate in the common integrated module in the first semester, after which their specialization in
editing begins. Students learn and practice on non-linear systems such as AVID and FCP, for their assignments
as well as coordinated projects. Apart from regular classroom learning, the department organises workshops
conducted by renowned & acclaimed editors, plus field trips & study tours to gain insight into the film industry.
Editing Department is equipped with state of the art infrastructure and has one of the top most post-production
digital machines (AVID DS) for compositing / special effect and HD/2K output compatibility.
Duration: 3 years divided into 6 Semesters.
Faculty
K. Rajasekarn Associate Professor & HoD
Amlan Chakraborty, Assistant Professor
Deb Kamal Ganguly, Assistant Professor
Debasis Sarkar, Assistant Professor
Sound Recording & Sound Design
The course in Sound Recording & Sound Design is a blend of technology and the creative use of sound in the
media. The training in listening and analysis of sound is designed to hone skills needed for critical appraisal of
reproduced sounds.
After an initial phase of integration with all departments in the first semester, students undergo intensive knowledge
based learning in sound recording and sound design. The students have an opportunity to gain comprehensive
hands-on experience through original recordings, practical and group exercises and projects with other students.
The department has a combination of digital and analogue equipment with both tape and disk based systems.
There are two sound recording studios, one for live recordings and the other for dubbing, mixing and dialogue
looping. The larger studio is Dolby Digital enabled. The department also carries portable digital audio recorders,
HDD based workstations, several outboard effects processing equipment, automated mixing, electronic looping
system and a well-equipped electronics laboratory.
Faculty
Harish K.M., Associate Professor & HOD
Madhu Apsara, Associate Professor
Monaal Aron, Assistant Professor
Partha Sarthi Sanyal, Assistant Professor
Krishenendu Sarkar, Assistant Professor
Art Direction & Production Design
The course emphasizes on hands-on training in various aspects of art direction and production design, with an
understanding of scripts from the point of view of the art director.
Students learn the basics of film technique and develop a better understanding of the film-making process by
participating in the common module, after which the specialization begins. Theory and practical work include
story boarding, design principles for moving images, set design, costume and property to suit the narrative. The
study of various software used for drafting, designing and effects, virtual set designing etc. occurs concomitantly
in theory classes and practicals. The practicals include sessions on carpentry, painting, moulding and set
construction. In addition, students work with film and television exercises and projects as art directors.
Regular interactions with eminent art directors, study tours, workshops on special effects, animation techniques
and set analysis enhance the students’ potential to undertake independent work. Tours to shooting locales are
also organized for a closer study of set design and construction. Classrooms are equipped with drafting aids and
computers with high-end software. The Department also includes carpentry, painting, moulding, costume &
property sections.
Faculty
Vikram Varma, Associate Professor & HOD
Ashutosh Kavishwar, Assistant Professor
Prasad Thorat, Assistant Professor
Deepankan Das, Assistant Professor
Ujjwal Y. Gawand, Assistant Professor
Acting
This course is designed to equip students to deal with the ever changing scenario of the cinematic environment.
The purpose of FTII Acting Course is to awaken the imagination, emotion and intellect of the student actors by
making them aware of the transforming power of acting and teach them the skills required to achieve excellence
in performance.
Students will commence their training along with students of all other courses. The aim of this common course
is to understand the basics of film making and this will last for 12 weeks. In the next 8 weeks they will move into
specialization, which will include a live performance towards the end of the 2nd Semester.
In 3rd semester the focus will be on deeper understanding of film acting. This continues in the 4th semester where
eminent personalities from theatre and film will visit the Institute for masterclasses.
The department spans 3 large studios, each over 1000 sq ft in area, one of which is also equipped with a
professional sound and projection system.
Faculty
Benjamin Gilani Mentor Acting Course
Siddharth Shasta Professor & HOD
Jijoy P.R. Associate Professor
Feature Film Screenplay Writing
This is the only PG Certificate course in Film wing, of 1 year duration. It aims at producing regional, national as
well as international screenwriters with an ability to cinematically render diverse subject matters through the art
& craft of screenwriting. Our writing intensive approach draws the best from the American, Indian, and European
models to inculcate a sound understanding of the craft of dramatic writing as well as audio-visual design, with an
emphasis on narrative fiction.
In the duration of the course, the students write one feature length screenplay, one treatment for feature film, one
7-10 min. short film screenplay, three one-page feature concept notes and one 26-episode TV-bible to earn the
certificate of completion. Students start the course with two feature film story ideas which are then developed into
Treatments (detailed Story Outlines) through a series of submissions with feedback at each step, from faculty as
well as guest mentors. Students select one of the treatments to develop into a screenplay, under the guidance and
feedback of mentors.
Inputs are given in theory of dramatic writing, feature and television writing as well as basics of film making, along
with allied areas such as psychology, folklore, mythology, etc. Renowned academicians and professionals interact
with the students and discuss their work on a regular basis.
The department has its own library of books related to screenplay writing and over 300 DVDs, in addition to the
Institute’s vast collection. Each student is given a dedicated workstation equipped with all necessary software.
Duration: 1 year divided into 2 Semesters.
Faculty
Pubali Chaudhury Honorary HOD
Soumil Shukla Assistant Professor SPW
No. of Seats in Film Courses
Name of the Specialization Total Seats GEN OBC SC ST
Direction & Screenplay Writing 10 5 3 1 1
Cinematography 10C 5 3 1 1
Editing 10 5 3 1 1
Sound Recording & Sound Design 10F 5 3 1 1
Art Direction & Production Design 10 5 3 1 1
Acting 10E 5 3 1 1
Feature Film Screenplay Writing 12 6 3 2 1
C: 1 seat is reserved for Person with

Benchmark Disabilities: Locomotor Disability including Cerebral Palsy, Leprosy cured,
Dwarfism, Acid attack victims and Muscular Dystrophy.
E: 1 seat is reserved for Person with

Benchmark Disability: Multiple disabilities including Deaf-Blindness
F: 1 seat is reserved for Person with
Benchmark Disabilities: Other ‘specified disabilities’ mentioned in ‘The Schedule’ of
the RPwD Act 2016 Chronic Neurological conditions, Multiple
Sclerosis, Thalassemia, Hemophilia, Sickle Cell disease, Parkinson’s
disease, Speech and Language disability
Eligibility and Selection Criteria for PG Diploma and Certificate Courses in Film
Name of the Specializations Eligibility criteria
Direction & Screenplay Writing Bachelor’s degree in any discipline.
Cinematography Bachelor’s degree in any discipline.
Sound Recording & Sound Design Bachelor’s degree in any discipline with Physics as a
subject at senior secondary (10+2) level.
Art Direction & Production Design Bachelor’s degree in applied arts, architecture,
painting, sculpture, interior design or related fields
in fine arts or equivalent diploma from a recognized
institute in any of the above.
Acting Bachelor’s degree in any discipline.
Feature Film Screenplay Writing Bachelor’s degree in any discipline.
Selection criteria for all the above courses except Acting.

Candidates successful in the Joint Entrance Test (JET) will be called for Orientation and Interview.
*** Final merit list will be prepared on the basis of written examination(JET), orientation and interview with each
stage carrying 20%, 50% (20% practical +30% written) and 30% weightage respectively subject to qualifying in
Medical test.
Selection criteria for PG Diploma course in Acting.

*** Written examination of 03 hours duration (JET) for 100 marks, conducted at examination centres around
the country. Qualifying candidates in the written examination are further called for an audition. Based on the
performance of written test and audition, Result 1 is prepared with each stage carrying 50% weightage. Short-listed
Candidates (as per Result 1) will be called for orientation & interview and Medical test.
Result 2 is prepared on the basis of orientation & interview.
Final merit list will be prepared on the basis of Result 1 and Result 2, each carrying 50% weighting subject to
qualifying in the Medical test.
5.
P.G. Certificate Courses in Television Wing
Course Specializations:
Direction, Electronic Cinematography, Video Editing and Sound Recording & Television Engineering.
OVERVIEW OF CURRICULUM
Objectives
The course aims to develop in students an understanding of the medium of Television and its production
techniques besides imparting the skills to handle TV equipments. The pedagogy also strives to inculcate in
students a healthy team spirit essential for their professional careers.
Structure
The course is conducted in three phases.
Phase 1
The first phase is common for students of all specializations, with the purpose of introducing the students to the
basic concepts of audio – visual Programme making and familiarizes them with single-camera and multi-camera
production techniques.
Phase 2
The second phase emphasizes on development of skills in the various fields of specialization. Students attend
workshops conducted by inhouse faculty and Television professionals to acquaint themselves with production
techniques of various programme formats and carry out co-ordinated exercises.
Phase 3
In the final phase, students apply their understanding of the medium and skills developed in the earlier phases
to undertake their course-end exercises. Students receive theoretical inputs and extensive hands-on training on
state-of-the-art equipments through class room sessions, workshops, practicals, exercises with experienced
in-house teachers and professionals from the industry.
Direction
The course is designed to meet the current needs of television and audio-visual industry. Our strength lies in
effective story-telling, packaging innovative ideas along with stringent time and resource planning necessary for TV
productions. Students are trained in writing & directing fiction and documentary programmes as well as working
on multi-camera studio productions in the intense course activity of one year.
With experienced in-house teachers as mentors along with senior professionals from industry as visiting faculty,
students get ready to become industry professionals.
Course Duration: 1 year
Total Seats: 10
Faculty
M D Negi Professor
Milind Damle Assistant Professor & HOD
Ashwin B. Sonone Associate Professor
Milind Bapat Assistant Professor
Electronic Cinematography
The course has been designed to nourish the technical and aesthetic sense of cinematography and encouraging
students to explore the unseen. The students are exposed to various technical interactions and practical
workshops on framing, lighting, camera movement, lensing etc. by faculty and eminent professionals from
industry.
The focus is on the fine mixture of art and technology and the creative use of light & lens for visual story telling.
The Department encourages students to explore innovative ways of visual perception using latest digital cameras
and fully equipped TV Studios.
Total Seats: 10
Faculty
K Jagdeeswaran Assistant Professor & HOD

Bharat Nerkar Associate Professor
Video Editing
The Video Editing Course aims to equip the students to become creative and skilled professionals with a sound
understanding of their craft. Students explore the rhythms in television fiction and non-fiction while also gaining
knowledge of other aspects of television production.
Progressive learning is emphasized through each phase of the course, leading to a solid foundation in editing for
television. Through class-room theory lectures, extensive hands on practice on non-linear editing softwares, along
with workshops by industry experts and coordinated exercises, the students hone their skills.
Total Seats: 10
Faculty
Suchitra Sathe Assistant Professor & HOD

Sumit Kumar Assistant Professor
Sound Recording & Television Engineering
The Course in Sound Recording & TV Engineering exposes the students to various technical & aesthetic aspects of
Sound, enabling them to create effective soundscapes. Television Engineering input related to present day
television technology is also imparted for better understanding of technical issues.
Working on state-of-the art equipments and studios, gives students the confidence to take up professional
assignments. Interactions with the industry experts help them understand the current techniques and conventions
prevalent in the field.
Total Seats: 10
Faculty TV Sound
Vaibhav Gham Associate Professor & HOD

Issac Newton Assistant Professor
Faculty TV Engineering
Sandeep Shahare Professor & HOD

Rajendra Pathak Associate Professor
G B Singh Associate Professor
No. of Seats in Television Course
Name of the Specialization Total Seats GEN OBC SC ST
Direction 10B 5 3 1 1
Electronic Cinematography 10 5 3 1 1
Video Editing 10D 5 3 1 1

Sound Recording & Television Engineering 10 5 3 1 1
B: 1 seat is reserved for Persons with Benchmark Deaf and Hard of hearing.
Disabilities:
D: 1 seat is reserved for Persons with Benchmark Autism, Intellectual Disability, Specific Learning
Disabilities: Disability and Mental Illness.
Eligibility criteria for P.G. Certificate Course in Television
Name of the Specializations Eligibility criteria
Direction Bachelor’s degree in any discipline.
Electronic Cinematography Bachelor’s degree in any discipline.
Video Editing Bachelor’s degree in any discipline.
Sound Recording & Television Engineering Bachelor’s degree in any discipline with Physics as a
subject at senior secondary (10+2) level.
Selection criteria for PG Course in Television

Written examination Joint Entrance Test (JET) of 03 hours duration for 100 marks, conducted at examination
centres around the country. This exam is only qualifying in nature and does not carry any weightage in further
admission process. Qualifying Candidates in the written examination are further called for orientation, interview
and Medical test which will be held at Pune.
Final merit list will be prepared on the basis of orientation and interview, with each stage carrying 50% weighting;
subject to qualifying in medical test.
6.
FEE STRUCTURE FOR 2019 BATCH
Details of Tution Fee, Deposits & Hostel Rent for 2019 Batch
A Student of Film Wing Course has to pay fees as under :
SEMESTER – 1 SEMESTER – 2
Sr Name of The Course Tuition Hostel Total Tuition Hostel Total “TOTAL
No Fees (`) Rent, Fees (`) Fees (`) Rent, Fees (`) FEES
Deposits Deposits FOR SE-
& Other & Other MESTER
Fees (`) Fees (`) 1 & 2”
Three Year Post Graduate

Diploma in Film (Specialisation
1 35369 36276 71645 35369 11309 46678 118323
in Direction & Screenplay
Writing)

2 Diploma in Film (Specialisation 35369 36276 71645 35369 11309 46678 118323
in Cinematography)

3 Diploma in Film 35369 36276 71645 35369 11309 46678 118323
(Specialisation in Editing)

Diploma in Film
4 35369 36276 71645 35369 11309 46678 118323
(Specialisation in Sound
Recording & Sound Design)
Two Year Post Graduate

5 35369 36276 71645 35369 11309 46678 118323
Diploma Course in Acting

6 Diploma Course in Art 35369 36276 71645 35369 11309 46678 118323
Direction & Production Design
One Year Post Graduate

7 Certificate Course in Feature 35369 36276 71645 35369 11309 46678 118323
Film Screenplay Writing
Detailed break-up of deposits and other charges for film wing courses (2019 batch)
Sr. No. Particulars Semester 1 Semester 2
1 Admission Fee 146.41 Per Semester 146.41 Per Semester
2 Games Fee 146.41 Per Semester 146.41 Per Semester
3 Medical Fee 183.92 Per Semester 182.71 Per Semester
4 Library Fee 146.41 Per Semester 146.41 Per Semester
5 Internet Charges 366.63 Per Semester 365.42 Per Semester
6 Students’ Association Membership 146.41 Per Semester 146.41 Per Semester
7 Library Deposit 3660.25 One Time 0.0 - N/A -
8 Security Deposit 14641.00 One Time 0.0 - N/A -
9 Hostel Admission 146.41 Per Semester 146.41 Per Semester
10 Hostel Reading Room 146.41 Per Semester 146.41 Per Semester
11 Student Handbook 73.81 One Time 0.0 - N/A -
12 Hostel Rent 8784.60 Per Semester 8784.60 Per Semester
13 Electricity & Water Charges 1098.68 Per Semester 1097.47 Per Semester
14 Hostel Deposit 3660.25 One Time 0.0 - N/A -
15 Mess Deposit 2928.20 One Time 0.0 - N/A -
Total 36276 11309

Fee Structure for 2019 Batch
Details of Tution Fee, Deposits & Hostel Rent for 2019 Batch.
A Student of TV Course has to pay fees as under:
Hostel Rent,
Deposits & Total Fees
Sr. No. Name of the Specialization Tuition Fees (`)
Other Charges (`)
(`)
One Year Post Graduate Certificate in Television
1 (Specialisation in Direction)
70739 47584 118323

2 (Specialisation in Electronic Cinematography)
70739 47584 118323

3 (Specialisation in Video Editing)
70739 47584 118323

4 (Specialisation in Sound Recording & TV Engineering)
70739 47584 118323
Detailed break-up of deposits and other charges for tv wing course (2019 batch)
Sr. No. Particulars Fee (`)
1 Admission Fee 292.82 Per Year
2 Games Fee 292.82 Per Year
3 Medical Fee 366.63 Per Year
4 Library Fee 292.82 Per Year
5 Internet Charges 732.05 Per Year
6 Students’ Association Membership 292.82 Per Year
7 Library Deposit 3660.25 One Time
8 Security Deposit 14641.00 One Time
9 Hostel Admission 292.82 Per Year
10 Hostel Reading Room 292.82 Per Year
11 Student Handbook 73.81 One Time
12 Hostel Rent 17569.20 Per Year
13 Electricity & Water Charges 2196.15 Per Year
14 Hostel Deposit 3660.25 One Time
15 Mess Deposit 2928.20 One Time
Total 47584
Important
1. Once the result for admissions in 2019 is declared, the selected candidates will be required to confirm their
admission by paying the full fees of Semester – I (for film courses) or Total amount (for TV courses) within the
given time frame. Seats of candidates who fail to do so will be offered to the next candidate in waiting list.
2. Students of film courses must pay the fees at the beginning of each semester (2nd semester onwards) on or
before the notified date in order to be enrolled in the semester. Payment of fees in time is mandatory and students
will be struck off the rolls for non-payment of fees.
3. Fees & other charges will not be refunded under any circumstances.
4. Deposits are carried forward for courses longer than one year.
5. All deposits will be refunded either after completion of the course or in the event of a student discontinuing
studies after deducting any dues, breakages or loss of Institute property.
7.
ALLIED DEPARTMENTS & SECTIONS
• Screen Studies and Research
This department contributes significantly to the diploma courses by conducting classes in Film History and Film
Appreciation. It’s also responsible for the daily screenings of rare, classic as well avant-garde cinema for academic
purposes.
The department also conducts a very popular Film Appreciation course every summer and winter for film
enthusiasts in partnership with National Film Archives of India (NFAI).
Faculty
Indranil Bhattacharya Professor Screen Studies and Research
• TV Graphics & Animation Department

TV Graphics & Animation department is equipped with latest range of 2D and 3D Animation software, a
computer laboratory, high end graphic computers as workstations as well as a studio with twelve light boxes for
conventional animation.
Faculty
Mandar Digrajkar Associate Professor of TV Graphics
Syed Tanveer Tahir Assistant Professor TV Graphics
• Production
Production section looks after the logistics of all administrative and academic endeavours of FTII.
Coordination of academic activities including practical classes, workshops, exercises and projects is one of the
major responsibilities of production section.
Faculty:
Dhiraj A. Meshram Associate Professor of Film Production
• Academic Office
The Academic Office is the onepoint contact cell for all students of FTII for their academic requirements. The
office is responsible for issue of Result, Mark-sheets, Bona-fide Certificate, Students ID’s, Scholarship Disbursal etc.
Book, Film and Video Library
• Book and Video Library

The FTII library houses a large collection of books relating to film, television, theatre, arts and literature and
subscribes to a number of media-related periodicals and journals from India and abroad. The Institute has a
sizeable collection of films and videos and also has access to the collection of the National Film Archive of India
located near its campus.
• Multimedia & Computer

Multimedia and Computer department caters to computer, IT, Internet, wi-fi and multimedia related needs of
various academic and administrative sections of FTII. The department also manages the Institute’s website and
internal network. FTII has a 1 Gbps leased line through National Knowledge Network (NKN) and a standby line of
10 Mbps. The Institute’s data centre is equipped with modern servers and mail services, with applications for data
management, security, and back up. A 200 TB private cloud is used to store the data of student projects and a
collection of global films.
• Set Designing
This section is a part of Art Direction and Production Design Department which provides set-making services for
on campus Film and TV exercises, demonstrations and productions. The department also has carpentry, painting,
moulding, costume & property sections with an extensive collection of set-props and costumes to meet day to
day needs of all exercises and projects.
• Make-up
The section provides make up services for all Film and TV exercises, workshops and projects. In addition,
it demonstrates various aspects of make up with latest know how to the students of Acting course.
• Radio FTII
Radio FTII is a community radio station owned and managed by FTII, with a mission to give voice to the people at
the grass-root level. It provides informative and educative programmes on a diverse array of topics. Here, a cinema
enthusiast can enjoy interviews, lectures and interactions with noted film makers and alumni. People from
different sections of society also contribute significantly to the programming on Radio FTII.
• Film Processing Laboratory

The Film Processing Laboratory of FTII processes 35 mm and 16 mm Black & White films of FTII. It is the only
functional Black & White 16/35 Laboratory in India.
• Publication
The Institute publishes Lensight, a scholarly journal dedicated to film, TV and media since 1991. The journal
features articles contributed by students, faculty as well as outside experts on various topics relating to the theme
of the issue.
8.
HOSTEL & FACILITIES
• Hostel Accommodation
All students can apply for hostel accommodation. A committee constituted for the purpose will consider these
requests and make allotments as per rules and availability of space. Decision of committee in this regard would be
final and binding on all individuals concerned.
• Mess Arrangements
The girls’ hostel and the boys’ hostel have their separate mess facilities. The students operate the mess on a cost-
sharing basis. Mess arrangements are subject to a sufficient number of students keen to run a co-operative mess.
• Scholarships
Award of scholarships are governed by stipulated rules. A certain number of scholarships are awarded by
FTII to deserving students of all post graduate diploma and certificate courses. The scholarships are awarded
at the beginning of each academic semester / year based on the performance of the student at the time of
admission and later based on the performance in the annual / semester examinations in theory, practical and
projects. Various State Governments also award scholarships to the students belonging to their respective states.
Additionally, some organizations and individuals have also established scholarships / awards for students fulfilling
the stipulated criteria.
• Daily Screenings
The daily screenings are a unique part of student life at FTII. A variety of films ranging from classics to avant garde
and contemporary national and international films are screened every evening from Monday to Friday.
• Sports and Games Facility

FTII has a large playground for sports like football and cricket and a separate basketball court. The one-day cricket
match between students and Alumni of the FTII is a long standing tradition.
• Prabhat Museum
The museum has been set up to preserve and exhibit the various artefacts belonging to the Prabhat Film Company,
including original contracts and partnership deeds, costumes, properties, equipment, posters and stills of archival
value. The Museum is open daily to the general public.
• Bank and Post Office

A fully functional bank (an extension counter of a Nationalised Bank) with ATM facility and post office are situated
on campus for the convenience of students, staff and faculty.
9.
RESERVATION POLICY
Reservation of seats in each course is as per Government of India reservation rules.
• 15% seats in each specialization are reserved for candidates belonging to Schedule Castes (SC)
• 7.5% seats in each specialization are reserved for candidates belonging to Schedule Tribes(ST)
• 27% of the seats in each specialization are reserved for candidates belonging to non-creamy layer of the Other
Backward Class (OBC-NCL)
• 5% of total seats are reserved on horizontal basis for Person with Disabilities (PWDs (with 40% or more disability)
cutting across all sections i.e. SCs, STs, OBCs Non-Creamy and General category.
Applicants applying under these categories should declare their category in the application form itself.
Reservation Rules:
• SC/ST/PwD candidates and candidates belonging to OBC (non-creamy layer) (as per the Central list of OBC
available on website www.ncbc.nic.in) must enclose a photocopy of the certificate, either in English/ Hindi, issued
by a Competent Authority in the prescribed format as published in the prospectus, while submitting the application
form and while document verification. In case, the said certificates are in regional language, official translated
certificates in Hindi/English, notarized by a public notary, must be submitted along with the application form and at
the time of document verification. Candidates failing to meet the above requirements will be considered as general
candidate from the very first stage of admission process, i.e. from the written examination stage.
• In addition to above, OBC candidates will have to satisfy the caste and creamy layer requirements detailed on the
following National Commission for Backward Classes (NCBC) websites:
(a) www.ncbc.nic.in,
(b) http://ncbc.nic.in/html.creamylayer.html
(c) http://ncbc.nic.in/backward-classes/index.html
• Candidates claiming OBC-NCL status may please note that the OBC certificate, including non – creamy
layer status should have been issued on a date within one year before the closing date of receiving application.
Candidates claiming PwD reservation should submit latest certificate in the prescribed form which should have
been issued on a date within six months before the closing date of receiving application.
Certificates not fulfilling these condition will be held invalid, and therefore unacceptable.
1. All the selected candidates are required to submit an undertaking/ declaration stating that the information
provided by him/ her in the application form is true to the best of his/her knowledge & belief. It may be noted
that, the said admission is provisional and is subject to verification(s) of his/ her status of caste/ category and /or
disability (as the case may be) along with the status of educational qualifications from the concerned, competent
authorities. If at any stage during the course it is found that he/ she has furnished wrong information and/or
submitted false certificate(s), his/ her admission will be cancelled immediately even during the course of study
and he/ she will have no claim on the admission to the said course. Also, fees paid by him/ her will be forfeited.
Further, he/ she will be subject to legal and/or penal action as per the provisions of the Indian Penal Code for
submission of false certificate(s). Also, diploma/certificate if awarded, shall be cancelled forthwith. Furthermore,
such candidates shall also be debarred from appearing in any examination of this Institute in future.
2. As per the provisions of The Rights of Persons with Disabilities Act, 2016 (RPwD Act 2016), 5% of total seats
are reserved for Persons with Benchmark Disabilities (PwD). “Person with benchmark disability” means a person
with not less than forty percent (40%) of a specified disability where specified disability has not been defined in
measurable terms and includes a person with disability where specified disability has been defined in measurable
terms, as certified by the certifying authority. “Specified disability” means the disabilities as specified in the
Schedule of the RPwD Act 2016.
The categories of disability are:

A) blindness and low vision
B) deaf and hard of hearing
C) locomotor disability including cerebral palsy, leprosy cured, dwarfism, acid attack victims and muscular
dystrophy.
D) autism, intellectual disability, specific learning disability and mental illness
E) multiple disabilities from amongst persons under clauses (a) to (d) Including Deaf-Blindness.
F) Other ‘specified disabilities’ mentioned in ‘The Schedule’ of the RPwD Act 2016
The candidates with benchmark disability will be eligible for reservation under respective categories only after
fulfilling other prescribed qualification requirements in this regard.
As FTII provides audio-visual training, following are the eligibility rules for PwD candidates.
(i) Candidates with benchmark locomotor disability should be able to stand with aid and appliances (assessitive kit)
and should be able to work with both the hands.
(ii) Candidates with benchmark disabilities in the categories of “Deaf and Hard of Hearing”, “Deaf-Blindness”,
“Blindness” and “Low Vision” should be able to use aid and appliances (assistive kit) for all operational purpose.
(iii) The candidates suffering from following disabilities are not eligible for the specializations as stated below.
No Name of the Specializations Type of disability
1 Cinematography Blindness, Low vision, Deaf-Blindness
2 Electronic Cinematography Blindness, Low vision, Deaf-Blindness
3 Sound Recording & Sound Design Hearing Impairment (Deaf and hard of hearing)
Deaf-Blindness
4 Sound Recording & TV Engineering Hearing Impairment (Deaf and hard of hearing)
Deaf-Blindness
5 Editing Blindness, Low vision, Hearing Impairment

(Deaf and hard of hearing)
6 Feature Film Screenplay Writing Blindness, Low vision, Hearing Impairment
(Deaf and hard of hearing)
7 Art Direction & Production Design Blindness, Low vision, Deaf-Blindness
Candidates suffering from colour-blindness/colour vision deficiency are ineligible to apply for specializations as
stated at Sr No. 01, 02, 05, 06 & 07 in the above table.
(iv) Candidates applying under this category should have Certificate of Disability issued as per sub-section (2)(a)
of section 58 of The Rights of Persons with Disabilities Act, 2016(49 of 2016) in Form V, Form VI or Form VII as
per rule 18(1) of the notification vide number G.S.R. 591 (E) dated 15th June, 2017. The certificate should be issued
by a medical authority designated under sub-section (1) of section 57 of the act and rules 17 (a) and (b) of G.S.R.
591(E). Such candidates are required to produce the original Certificate of Disability both at the time of Orientation
/ Interview and at the time for Admission to the Institute.
(V) Board to assess PWD candidates

FTII will assess the actual physical / psychological capability of a candidate selected for Orientation / Interview of
a particular programme/course as per the specific requirements of that particular programme / course by a Board
constituted by the Director, FTII.
The five-member board will consist of a Medical Officer/Psychologist, a HoD/Faculty from the concerned
department, member of Academic Office, Dean of the concerned wing and Controller of Examination.
FTII may utilize its equipment/test materials for making such assessment of the physical/psychological capability
of a candidate for undertaking that programme/ course and may tailor such test for each individual separately as
decided by the Board.
The assessment is compulsory for all candidates. The Board in its proceedings will recommend whether the
candidate is capable or incapable of undertaking the particular programme/course applied for. A copy of such
decision will also be communicated to the candidate in writing. The recommendation of the Board will be final
and no further representation / review will be accepted. FTII reserves the right to disqualify the candidature of
the candidate for a particular programme / course based on the recommendation/ decision of the Board.
(VI) Candidates with benchmark disabilities may avail the services of a writer / scribe which must be indicated in
the application form. Compensatory time of 20 minutes per hour will be given to those PWD candidates who are
availing the services of a writer/scribe.
(VII) The candidate with benchmark disabilities has an option of making an arrangement for the writer / scribe
on his / her own. PwD candidates bringing their own scribe need to submit the prescribed affidavit at the time of
registration.
(VIII) Candidates selected under reservations for persons with benchmark disabilities will be adjusted against the
respective category i.e SC / ST / OBC / General. In other words, there will be 5% horizontal reservation for Person
with benchmark Disability cutting across all sections i.e. SCs, STs, OBC-NCLs and General category. Reservation
for the candidates belonging to SC, ST, OBC-NCL category is vertical reservation and persons with benchmark
disabilities category reservation is horizontal reservation. Horizontal reservation cuts across vertical reservation
(interlocking reservation) and candidates selected against the quota of persons with benchmark disabilities will be
adjusted against the category (SC/ ST/ OBC-NCL/ General) of that particular persons with benchmark disabilities
candidate.)
(IX) There will be no separate question paper(s) for candidates with benchmark disabilities.
(X) General Requirements: Candidates should have adequate cognitive functions to access mainstream curriculum
and no intellectual impairments. Other requirements are: Adaptive functioning showing mild deficit in academic
and/or communication skills but able to meet the requirements of curriculum and learning environment using
assistive devices independently, good social interaction skills and emotional stability to be adaptive with
large-group learning-setting and not having a challenging behaviour that disturbs the education of other students.
10.
RULES, INFORMATION & INSTRUCTIONS
• Medical Test
Qualifying candidates who have been invited for orientation and interview will be required to undergo Medical
Test as mentioned in the selection criteria. This test will be conducted by the Medical Officer(s) appointed by the
Institute when the candidates are on campus for orientation and interview.
A candidate will be required to pay Rs. 250/- as fee at the time of Medical Test.
A candidate needs to submit a self-declaration stating his/ her medical history, in a proforma, which would be
provided at the time of medical test.
Candidature of the shortlisted candidate can be cancelled on the basis of the outcome of Medical Test. Decision of
FTII in this regard would be final & binding on all concerned.
• International Students
A- ICCR (Indian Council for Cultural Relations) Sponsored Candidates:

One seat each is reserved (on supernumerary basis) in all one year PG certificate courses (Feature Film Screenplay
Writing and all specializations of Television wing) for foreign nationals on Indian Government sponsored
scholarships such as those sponsored by the Indian Council for Cultural Relations (ICCR). Candidates applying
through ICCR should get in touch with the respective Indian Embassies and High Commissions only. Candidates
must submit credentials regarding his / her knowledge of English Language.
B- Self sponsored International Candidates (Foreign Nationals):

One seat each is reserved (on supernumerary basis) in all one year PG certificate courses in Television, (all
specializations) for Self sponsored International Candidates
• Appeared Graduates:
Candidates appearing for the final year of Bachelor’s degree, and awaiting results, can also apply for JET 2019.
However, it may be noted that such candidates, if selected, will be allowed to join the programme, only if they
submit a passing certificate from the Principal / Registrar of their University/institution (issued on or before the date
of joining FTII) stating that they have completed all the requirements for obtaining the Bachelor’s degree, on the
date of the issue of the certificate.
• Discipline:
A handbook outlining the code of conduct and other rules and regulations to be observed by the students is given
to each student at the time of admission. Students are required to adhere to these, failing which FTII reserves the
right to take appropriate disciplinary action, including rustication. Decision of the Institute in this regard will be final
and binding on all parties concerned.
• Project Completion:
It is mandatory for students to complete all exercises and projects listed in the syllabus on schedule and within
the stipulated guidelines, failing which the students may be subject to disciplinary action. Adherence to technical
guidelines for the project is mandatory. FTII, reserves the right to cancel the project if it violates any norms.
Decision of the Institute in this regard will be final and binding on all parties concerned.
• Working Outside:
Students are not allowed to engage in professional work outside the Institute/curriculum during their enrolment at
FTII. Doing so may call for appropriate disciplinary action, including rustication.
General Rules / Instructions:
1. Candidates must carefully read conditions of eligibility as published in the prospectus and must satisfy the same
before filling the application. Candidates must also read & agree to the contents/ rules/ instructions as published
in the prospectus. After submitting the application form it will be presumed that they have fully understood and
accepted the same.
2. The Bachelors degree obtained through Indian University/ Foreign University/ State University/ Private University
and or equivalent must be recognized by the University Grants Commission (UGC)/ Association of Indian
Universities (AIU) of India. Candidate must submit said recognition (which must be valid for the course & duration
of studies in the said University/ Institute) at the time of document verification failing which such academic
qualification will not be considered and the candidature will be cancelled. Also, candidates claiming Diploma
courses equivalent to Bachelors degree must submit equivalence certificate from University Grants Commission
(UGC) of India or from Competent Govt. Authority. The onus of obtaining of recognition certificate lies with the
concerned candidate.
3. Degree(s) obtained through Open University / Distance Education mode, needs to be recognised by Distance
Education Council, Ministry of Human Resource Development. Unless such Degree(s) had been recognised for
the period when the candidates required qualification, it will not be accepted. The onus of obtaining recognition
certificate lies with the concerned candidate and must be submitted at the time of document verification failing
which candidate will not be allowed to participate in further admission process.
4. Candidates passing 12th standard/ Physics or equivalent from Open School or equivalent must submit
necessary equivalence certificate from State or Central Govt. at the time of document verification failing which
their candidature will not be considered. The onus of obtaining recognition certificate lies with the concerned
candidate.
5. Application form when submitted must be complete in all respects. Incomplete forms will be rejected.
6. Only one application per candidate in Film Wing and one in TV Wing will be accepted. Multiple applications in
one wing will be summarily rejected.
7. Passport size colour photograph must be uploaded at the time of applying online. Also, candidate must upload
his /her Signature as instructed. Without photograph and signature, the application will be treated incomplete and
summarily rejected.
8. If any relevant certificate is not in Hindi or English language, duly certified translated equivalent certificate in
Hindi or English, notarized by a public Notary, must be submitted at the time of document verification. Without it,
the candidate will lose the claim against such a certificate.
9. Candidates are advised to go through the requirements of educational qualifications, reservations etc. Copies of
supporting documents will be sought only from candidates short-listed for Orientation and Interview or Audition
(only for Acting course). At the time of document verification if any claim made in the application is not found
substantiated, the candidature will be cancelled. The decision of FTII in this regard will be final and binding on all.
10. The medium of instruction at FTII is mainly English. Candidate must have an adequate knowledge of English
and Hindi as regards to reading, writing and speaking.
11. FTII reserves the right to allot any examination centre to a candidate irrespective of his/ her preference.
12.The Status of all candidates is strictly provisional. The mere fact that Admit Card or Hall ticket has been issued
and the candidate is allowed to appear in the written test will not imply that FTII has accepted the candidature in
finality.
13. Candidates must carry hard copy of the Admit Card to the examination hall along with at least one original
photo bearing identity proof such as driving licence, voter card, Aadhaar card, identity card issued by University/
College, PAN card to the examination hall, failing which they will not be allowed to appear for the written test and/
or for Orientation and/or Interview and/or Audition (for Acting course) as the case may be. Digital images on an
electronic gadget will not be accepted and such candidates will not be allowed to appear for the examination. No
candidate will be allowed to enter the Examination Hall without a valid Admit Card and original photo ID proof.
14. Mobile phones and other electronic gadgets are not allowed inside the examination hall.
15. Apart from sketches, the test is to be written only with blue or black ink. No evaluation will be carried out if the
entire test paper or part(s) thereof is not written with blue or black ink.
16. In case of any discrepancy found in the Hindi and English versions of the question paper, English version will be
taken as final.
17. Handwriting should be clear and legible. Descriptive answers must be written in either Hindi or English
language only. Answer(s) in any other language, including the use of ‘Roman script’, will be rejected and no marks
will be awarded.
18. If more than required questions are attempted, then highest valid marks awarded against the said question(s)
will be considered subject to maximum allowed attempt.
19. For all Diploma & Certificate courses except for Acting, General and OBC (NCL) candidates will be short-listed
for Orientation and Interview in 1:3 ratio and SC / ST candidates will be will be short-listed in 1:5 ratio based on the
written examination merit list.
20. For Diploma course in Acting, initially General and OBC(NCL) candidates will be short-listed for Audition in
1:6 ratio and SC / ST candidates will be will be shortlisted in 1:10 ratio based on the written examination merit list.
Further, based on written examination & Audition marks, General and OBC(NCL) candidates will be short-listed in
1:3 ratio and SC / ST candidates will be short-listed in 1:5 ratio for Orientation and interview.
21. The list of short-listed candidates for orientation and Interview and Audition (Acting)
would be declared on FTII website. Intimation to that effect will also be sent to the candidates by email only. FTII
will not be responsible for any non-receipt of intimation to a candidate.
22. Minimum final cut-off marks to qualify for admission in FTII will be 50% for General category, 45% for OBC
NCL category and 40% SC/ST category. Candidates with benchmark disabilities belonging to SC/ST/OBC_NCL
categories will be awarded benefit of the respective category as well as the of persons with benchmark disabilities
separately. i.e. qualifying marks in FTII Entrance Examination for General candidates with benchmark disabilities will
be 40%. For OBC-NCL candidate with benchmark disabilities will be 36% & for SC / ST, candidate with benchmark
disabilities will be 32%
23. Candidates already admitted to any other academic institution or employed will be required to produce a
withdrawal / resignation certificate from the institution/ organization concerned at the time of admission. Students
are not allowed to be engaged academically or professionally with any other educational/ occupational institute or
organization.
24. As students at FTII are expected to work with electrical or heavy equipment, the responsibility of their personal
safety rests with them.
25. Mediclaim policy is compulsory for all the students who are admitted in the Institute and approximate
expenditure towards the same would be around Rs. 2000/- per year which would be borne by the students. In
case a student is already having Mediclaim policy, he/ she may be exempted on submission of details of the said
policy. However, final decision in this regard would be taken by the Director, FTII.
26. No Travelling Allowance or any other allowance will be paid to candidates at any stage of examination or
admission.
27. No change in written examination/ Audition/ Orientation/ Interview/ reporting date will be entertained.
28. Canvassing or unfair means in any form will disqualify the candidates from participating in the examination
process, and debar them for 5 years.
29.Admission of a candidate will be provisional till all admission formalities are completed which may even extend
after commencement of the academic session.
30.Decision of FTII in the examination process, qualifying criteria and other related matters etc. will be final and
binding on all concerned: Also, the decision of FTII in the matters relating to eligibility, acceptance or rejection of
applications, penalty for false information, mode of selection, conduct of examination(s), allotment of examination
centres will be final and binding on the candidates and no correspondence will be entertained in this regard.
31.As per the Directions of Honourable Supreme Court of India and Maharashtra Prohibition of Ragging Act 1999,
ragging in any form inside and outside of the FTII campus is completely banned. Whosoever directly or indirectly
commits, participates in, abets or instigates ragging within or outside FTII shall have to face disciplinary action as
per the provisions of the Act. The candidates as well as their parents, at the time of admission to the Institute will
be required to furnish an undertaking in the form of an affidavit that the candidate will not indulge in any form of
ragging.
32. Any dispute concerning FTII Admissions would be subject to jurisdiction of the competent courts within the
territorial jurisdiction of city of Pune only.
NOTE: 1.
All important information on admission process including any subsequent Corrigendum/Changes/Updates and
shall be made available on the website only.
2. Candidates must declare and maintain a valid and unique e-mail account and a mobile phone number
throughout the selection process and should simultaneously track FTII website for updates. FTII will not be
responsible for any non-receipt of intimation to a candidate.
WRITTEN EXAMINATION DATE AND CENTERS
Written examination will be held on 24th February 2019 at following centres;

Agartala, Ahmedabad, Allahabad, Bengaluru, Bhopal, Bhubaneshwar, Chandigarh, Chennai, Guwahati, Hyderabad,
Kolkata, Mumbai, New Delhi, Patna, Port Blair, Pune, Raipur, Ranchi, Srinagar, Lucknow, Dehradun, Jaipur, Imphal,
Jammu, Gangtok and Thiruvanathapuram.
Some examination centres may be clubbed together if need be. Decision of the Director of FTII in this regard
would be final and binding on all parties concerned.
Acts of Malpractices:
During the course of Entrance Examination, Candidates indulging in the following acts of malpractice will be
proceeded against:
1. Possession of printed/ photocopied/ written material(s) pertaining or not pertaining to the day’s examination,
or pertaining to the examination already appeared for by the candidate in the form of a book or loose sheets that
have been either made use of or not made use of in the examination.
2. Possession of any electronic gadget.
3. Writing any formula, definitions, sketches pertaining or not pertaining to the day’s examination, on any part of
the candidate’s body, dress, instrument box, wall, table, drawing board, question paper, admit card/ hall ticket etc.
and made use of them or not in the examination.
4. Writing the seat number anywhere in the answer-booklet.
5. Arranging some other person to write the examination for the candidate or attempting to write the examination
for somebody else.
6. Writing name, roll number, putting signature at a place other than the space provided for or any other mark in
the test booklet which may disclose the identity of the candidate.
7. Offering monetary or other forms to the examiner in the answer book, or providing contact details of self, etc.
8. Putting irrelevant identification marks such as name or religious symbols on the answer-booklet.
9. Noting down the answers / questions on admit card/ hall ticket or anywhere else before leaving the examination
hall.
10. Communicating with other examinees in any form or copying.
11. Exchanging/ giving/ getting answer-booklet, scales, instrument box, hall ticket/ admit cards with/ to / from
fellow candidate(s).
12. Inserting pre-written additional sheet(s) having matters related / not related to the subject of the day’s
examination into the main answer-booklet.
13. Replacing the answer-booklet supplied in the hall by prepared answer-booklet brought by the candidate or
taken from outsiders.
14. Striking off all or part of pages including the correct answers written by him/ her in the answer-booklet, when
being caught for any act of malpractice.
15. Refusing to give written statement, refusing to receive show cause notice, absenting from the enquiries,
running away from the examination hall when caught for any malpractice, trying to destroy the evidences by
tearing/ swallowing/ erasing/ throwing away the bits, materials etc.
16. Taking away written or unwritten answer-booklet instead of handing over the same to the invigilator.
17.Tearing off sheets from answer-booklet.

18. Trying to take away or damage other candidate’s answer-booklet.
19. Acts of threats, violence, creating disturbance inside/ outside the examination hall, preventing other candidates
from entering the hall, misbehaviour with the supervising staff etc.
20. Assaulting or attempting to attack any examination staff while being caught/ booked for any malpractice.
21. Causing damage to examination records.
22. Arranging outside person(s) to terrorise the examination staff.
23. Writing examination even after the final bell, not obeying to instructions of the invigilator(s).
24. Communicating either directly or indirectly with any person connected with the conduct of examination,
evaluation of test booklets and declaration of results with the object of influencing in any way.
25. Any other type of misconduct or arrangement to cheat in the examination.
26. Violating any other special rules/ regulations prescribed locally by the Invigilator or Centre Superintendent or
FTII representative.
27. Causing damage to the belongings of examiners, as an act of vengeance.
The above list is indicative but not exhaustive. Candidates found using any of the above unfair-means/
malpractice(s) and or not following FTII Entrance Examination Rules/ Instructions at any stage of FTII Entrance
Examination will be debarred from the Examination process.
Certificate as to be produced by candidate belonging to a Scheduled Caste or
a Scheduled Tribe in support of his/her claim.
Caste Certificate
This is to certify that Shri/Smt./Kum.*............................................. son/daughter* of .....................……..........................
. of village/ town*........................................in district/Division*............................................................. of the State / Union
Territory* ............................................... belongs to the............................................Caste/Tribe which is recognised as a

Scheduled Caste/Scheduled Tribe* under:

*The Constitution (Scheduled Caste) Order, 1950
*The Constitution (Scheduled Tribe) Order, 1950
*The Constitution (Scheduled Caste) (Union Territories) Order, 1951
*The Constitution (Scheduled Tribe) (Union Territories) Order, 1951
1. (as amended by the Scheduled Caste and Scheduled Tribes Lists (Modification Order), 1956, the Bombay
Reorganization Act, 1960, the Punjab Re-organization Act, 1966, the State of Himachal Pradesh Act, 1970
the North Eastern Areas (Reorganization) Act, 1971 and the Scheduled Castes and Scheduled Tribes Orders,
(Amendment) Act, 1976).
*The Constitution (Jammu and Kashmir) Scheduled Caste Order, 1956.

*The Constitution (Andaman and Nicobar Islands) Scheduled Tribes Order, 1959, as amended by the Scheduled
Castes and Scheduled Tribes Orders (Amendment) Act, 1976.
*The Constitution (Dadra and Nagar Haveli) Scheduled Caste Order, 1962.
*The Constitution (Dadra and Nagar Haveli) Scheduled Tribes Order, 1962.
*The Constitution (Pondicherry) Scheduled Caste Order, 1964
*The Constitution (Uttar Pradesh) (Scheduled Tribes) Order, 1967
*The Constitution (Goa, Daman & Diu) Scheduled Caste Order, 1968.
*The Constitution (Goa, Daman & Diu) Scheduled Tribes Order, 1968.
*The Constitution (Nagaland) Scheduled Tribes Order, 1970.
*The Constitution (Sikkim) Scheduled Caste Order, 1978.
*The Constitution (Sikkim) Scheduled Tribes Order, 1978.
*The Constitution (Jammu and Kashmir) Scheduled Tribes Order, 1989.
*The Constitution (Scheduled Castes) Orders (Amendment) Act, 1990.
*The Constitution (Scheduled Tribes) Order (Amendment) Act, 1991.
*The Constitution (Scheduled Castes) Order Second Amendment Act, 1991.
2. Applicable in the case of Scheduled Caste/Schedule Tribe persons who have migrated from one State/ Union
Territory Administration:
This certificate is issued on the basis of the Scheduled Caste/Scheduled Tribe certificate issued to
Shri/Smt*................................................................... father/ mother* of Shri/ Smt/ Kum*.................................................
of village/ town*........................... in District/ Division* of the State/ Union Territory*......................................................
who belongs to the ...................................... caste/ tribe which is recognised as a Scheduled Caste/ Scheduled
Tribe* in the State/ Union Territory* .......................................... issued by the (name of prescribed authority) vide their
No.................date..............
3. Shri*/Smt.*/Kum* .................................... and/or* his/her* family ordinary reside(s) in village/ town* .............................
................ of District/ Division* of the State/ Union Territory of....................................
Place……………………. Signature............................
Date……………………. (With Seal of Office)

Candidates must ensure that the caste certificate has been issued and signed by the competent authorities.
Competent Authorities
The authorities competent to issue the certificate are:-

- District Magistrate
- Additional District Magistrate
- Collector
- Deputy Commissioner
- Additional Deputy Commissioner
- Deputy Collector
- I Class Stipendiary Magistrate
- City Magistrate
- Taluka Magistrate
- Executive Magistrate
- Extra Assistant Commissioner
- Chief Presidency Magistrate
- Additional Chief Presidency Magistrate
- President Magistrate
- Revenue Officers not below the rank of Tahsildar
- Sub Divisional Officer of the area where the person and his family normally resides
- Development Officer
(ii) Certifying authority should be one concerned with the locality in which the person applying for a certificate has
his permanent place of abode.
(iii) Revenue Authorities have been empowered to issue certificates on the basis of a certificate issued by an MP,
MLA, Gazetted Officer etc. But they should do so only after having made proper verification and after having
satisfied themselves of the corrections of that certificate.
FORM OF CERTIFICATE TO BE PRODUCED BY NON CREAMY LAYER - OTHER BACKWARD CLASSES (NC – OBC)
IN SUPPORT OF HIS/ HER CLAIM.
This is to certify that Shri/Smt./Kumari ______________________________________ son/daughter of

_________________________of __________ village/town in ____________ District/Division in the
________________ State/Union Territory belongs to the _______________ community, which is recognised as
a backward class under the Government of India, Ministry of Social Justice and Empowerment’s Resolution No.
_________________ dated ____________*. Shri/Smt./Kumari ____________________________ and/or his/
her family ordinarily reside(s) in the ________________ District/Division of the _________________ State/Union
Territory.
This is also to certify that he/she does not belong to the persons/sections (Creamy Layer) mentioned in Column
3 of the Schedule to the Government of India, Department of Personnel & Training O.M. No. 36012/22/93 - Estt.
(SCT) Dated 08.9.1993**.
Dated: District Magistrate
Seal
*- The authority issuing the certificate may have to mention the details of Resolution of Government of India, in
which the caste of the candidate is mentioned as OBC.
**- As amended from time to time.
Note:- The term ”Ordinarily” used here will have the same meaning as in Section 20 of the Representation of the
People Act, 1950.
Form-V
Certificate of Disability
(In cases of amputation or complete permanent paralysis of limbs or dwarfism and in case of blindness)
[See rule 18(1)]
(Name and Address of the Medical Authority issuing the Certificate)
Recent passport
size attested
photograph
(Showing face only)
of the person with
disability
Certificate No. Date:
This is to certify that I have carefully examined
Shri/Smt./Kum. __________________ ___________________________ son/wife/daughter of Shri
__________________ Date of Birth (DD/MM/YY) ____________ Age ______ years, male/female
___________________________ registration No. ______________permanent resident of House No.
___________________ Ward/Village/Street __________________ Post Office _______________ District
__________ State ________________, whose photograph is affixed above, and am satisfied that:
A) he/she is a case of: (Please tick as applicable)

• locomotor disability
• dwarfism
• blindness
(B) the diagnosis in his/her case is __________________
(A) he/she has ________ % (in figure) __________________ percent (in words) permanent locomotor disability/
dwarfism/blindness in relation to his/her ______ (part of body) as per guidelines ( ……………number and date of
issue of the guidelines to be specified).
2. The applicant has submitted the following document as proof of residence:
Details of authority issuing

Nature of Document Date of Issue
certificate
Signature and Seal of Authorised Signatory of

notified Medical Authority)
Signature/thumb impression of the person in

whose favour certificate of disability is issued
Form – VI
(In cases of multiple disabilities) [See rule 18(1)]
(Name and Address of the Medical Authority issuing the Certificate)
Recent passport
size attested
photograph
(Showing face only)
of the person with
disability
This is to certify that we have carefully examined Shri/Smt./Kum. .........................................................................
son/wife/daughter of Shri ................................................................. Date of Birth (DD/MM/YY) ........................................
Age .............years, male/female ......................................................... Registration No. .....................................................
permanent resident of House No. ...................Ward/Village/Street .......................................Post Office .............................
District................................State................................, whose photograph is affixed above, and am satisfied that:
(A) he/she is a case of Multiple Disability. His/her extent of permanent physical impairment/disability has been
evaluated as per guidelines (……………number and date of issue of the guidelines to be specified) for the disabilities
ticked below, and is shown against the relevant disability in the table below:
Sr.No. Disability Affected part of Diagnosis Permanent physical

body impairment / mental
disability (in %)
1 Locomotor disability @
2 Muscular Dystrophy
3 Leprosy cured
4 Dwarfism
5 Cerebral Palsy
6 Acid attack Victim
7 Low vision #
8 Blindness #
9 Deaf £
10 Hard of Hearing £ £
11 Speech and Language disability
12 Intellectual Disability
13 Specific Learning Disability
14 Autism Spectrum Disorder
15 Mental illness
16 Chronic Neurological Conditions
17 Multiple sclerosis
18 Parkinson’s disease
19 Haemophilia
20 Thalassemia
21 Sickle Cell disease
(B) In the light of the above, his/her over all permanent physical impairment as per guidelines
(……….number and date of issue of the guidelines to be specified), is as follows :
In figures: - ------------------ percent
In words:- --------------------------------------------------------------------------percent
2. This condition is progressive/non-progressive/likely to improve/not likely to improve.
3. Reassessment of disability is:
(i) not necessary, or
(ii) is recommended/after ............... years ................ months, and therefore this certificate shall be valid till ----- ---
-- ----- (DD) (MM) (YY)
@ e.g. Left/right/both arms/legs
# e.g. Single eye
£ e.g. Left/Right/both ears
4. The applicant has submitted the following document as proof of residence:
Details of authority issuing

Nature of Document Date of Issue
certificate
5. Signature and seal of the Medical Authority.
Name and Seal of Member Name and Seal of Member Name and Seal of the Chairperson
Signature/thumb impression
of the person in whose favour
certificate of disability is issued

Form – VII
(In cases other than those mentioned in Forms V and VI)
(Name and Address of the Medical Authority issuing the Certificate) (See rule 18(1))
Recent passport
size attested
photograph
(Showing face only)
of the person with
disability
This is to certify that we have carefully examined Shri/Smt./Kum. .........................................................................
son/wife/daughter of Shri ................................................................. Date of Birth (DD/MM/YY) ........................................
Age .............years, male/female ......................................................... Registration No. .....................................................
permanent resident of House No. ...................Ward/Village/Street .......................................Post Office .............................
District................................State................................, whose photograph is affixed above, and am satisfied that:
(A) he/she is a case of Multiple Disability. His/her extent of percentage physical impairment/disability has been
evaluated as per guidelines (……..number and date of issue of the guidelines to be specified) and is shown against
the relevant disability in the table below:
Sr.No. Disability Affected part of Diagnosis Permanent physical

body impairment / mental
disability (in %)
1 Locomotor disability @
2 Muscular Dystrophy
3 Leprosy cured
4 Cerebral Palsy
5 Acid attack Victim
6 Low vision #
7 Deaf €
8 Hard of Hearing €
9 Speech and Language disability
10 Intellectual Disability
11 Specific Learning Disability
12 Autism Spectrum Disorder
13 Mental illness
14 Chronic Neurological Conditions
15 Multiple sclerosis
16 Parkinson’s disease
17 Haemophilia
18 Thalassemia
19 Sickle Cell disease
(Please strike out the disabilities which are not applicable)
2. The above condition is progressive/non-progressive/likely to improve/not likely to improve.
3. Reassessment of disability is:

(i) not necessary, or
(ii) is recommended/after _______ years ______________ months, and therefore this certificate shall be valid till
(DD/MM/YY) ____ ____ ____
@ e.g. Left/right/both arms/legs
# e.g. Single eye
€ e.g. Left/Right/both ears
4. The applicant has submitted the following document as proof of residence
Nature of Document Date of Issue Details of authority issuing certificate
(Authorised Signatory of notified Medical Authority)
(Name and Seal)
Countersigned
{Countersignature and seal of the Chief Medical Officer/Medical Superintendent/ Head of Government Hospital, in
case the Certificate is issued by a medical authority who is not a Government servant (with seal)}
Signature/thumb impression
of the person in whose favour
certificate of disability is issued
Note.- In case this certificate is issued by a medical authority who is not a Government servant, it shall be valid
only if countersigned by the Chief Medical Officer of the District

11.
ADMINISTRATION
1 B. P. Singh Chairman, Governing Council
2 Bhupendra Kainthola Director
3 Amit Tyagi Dean (Film)
4 R. N. Pathak Dean (Television)
5 Varun Bhardwaj Registrar
6 Mandar Digrajkar Controller of Examination & Principal Coordinator JET
7 Deb Kamal Ganguly Academic Coordinator
Faculty
1 Amlan Chakraborty Assistant Professor Editing
2 Ashutosh R. Kavishwar Assistant Professor of Art Direction
3 Ashwin B. Sonone Associate Professor of TV Production Management
4 Dhiraj A. Meshram Associate Professor of Film Production
5 G. B. Singh Associate Professor of TV Technical Management
6 Harish K. M. Associate Professor Sound (Films)
7 Indranil Bhattcharya Professor of Screen Studies & Research
8 Jijoy P. R. Associate Professor Acting
9 K. Jagdeeswaran Assistant Professor Cinematography
10 K. Rajasekaran Associate Professor of Film Editing
11 Mandar Digrajkar Associate Professor of TV Graphics
12 Mangal D. Negi Professor of TV Production
13 Milind Bapat Assistant Professor of TV Production
14 Milind Madhav Damle Assistant Professor ETV Film Production
15 Monaal Aron Assistant Professor Sound (Films)
16 R. N. Pathak Associate Professor of TV Engineering (Electronics)
17 Sandeep Chatterjee Professor of Film Direction
18 Sandeep K. Shahare Professor of TV Technical Operations
19 Issac Newton Assistant Professor Sound Recording
20 Sumit Kumar Assistant Professor Editing
21 Syed Tanveer Tahir Assistant Professor TV Graphics
22 Thivakaran T. Assistant Professor of Cinematography
23 Vaibhav A. Gham Associate Professor of TV Engineering (Technical Operations)
24 Parth Sarthi Sanyal Assistant Professor Sound (Films)
Adjunct Faculty
1 Prasanna Jain Professor Cinematography
2 Tuhinabha Majumdar Associate Professor Direction
3 Siddharth Shasta Professor Acting
4 Bharat Murthy Associate Professor Direction
5 Madhu Apsara Associate Professor Sound (Films)
6 Lalit Tewari Associate Professor Cinematography
7 Satyaprakash Rath Associate Professor Cinematography
8 Prasad Thorat Assistant Professor Art-Direction (Digital Design & Art)
9 Ujjwal Y. Gawand Assistant Professor Art Direction
10 Dipankan Das Assistant Professor of Art Direction
11 Ganesh Gaikwad Assistant Professor Direction
12 Soumil Shukla Assistant Professor SPW
13 Debasis Sarkar Assistant Professor Editing
14 Deb Kamal Ganguly Assitant Professor Editing
15 Krishnendu Sarkar Assistant Professor Sound (Films)
16 Giri Ratan Singh Assistant Professor Cinematography
17 Benjamin Gilani Mentor for Acting Course
18 Pubali Chaudhuri Mentor-cum-Honorary HOD SPW
19 Bharat Nerkar Associate Professor Electronic Cinematography
20 Suchitra Sathe Assistant Professor Video Editing
12.
ABOUT PUNE
Film and Television Institute of India is located in the heart of Pune city, at the foot of Hanuman Tekdi- one of
the many hills that give Pune a hill-station like feel. Located at an altitude of 560 meters above sea level on the
fringes Deccan plateau, Pune is known as the Queen of Deccan owing to its generally pleasant weather, healthy
monsoon, and greenery.
Founded in the 17th century by Chhatrapati Shivaji Maharaj this humble capital of Marathas flourished in the
administration of Peshwas, and became a hub of education and activism during colonial days. This is where
the first ever school for women in India was run by Savitribai & Jyotiba Phule and the first women’s college was
founded by Dhondo Keshav Karve. Since then, Pune has emerged as the Oxford of the East with its numerous
educational institutions and universities attracting a large number of outstation as well international students.
Besides FTII, Pune is also home to a number of national institutions of repute, such as the National Defence
Academy (NDA), Armed Forces Medical College (AFMC), National Film Archives of India (NFAI), National Chemical
Laboratory (NCL), Inter University Centre for Astronomy and Astro-physics (IUCAA), and National Institute for
Virology (NIV), to name a few. Several research institutes Like Bhandarkar Institute of Oriental Research and
language study centres like Maxmullar Bhavan have further enriched the city’s educational environment.
While the constant presence of youth brings vibrancy to Pune’s streets, many historical structures add to its
splendour. From Pataleshwar- the rock-cut cave temple that dates back to Rashtrakuta Dynasty in the 8th Century,
to the 16th Century relics of Shaniwarwada; and Sinhagad Fort that attests to the glory of Maratha kingdom, to Aga
Khan Palace where Mahatma Gandhi was held in detention, the city is bursting with stories- told and untold.
Owing to its rich legacy in Hindustani classical music, theatre, dance and literature that continues till date, Pune
has come to be recognized as the cultural capital of Maharashtra. Sawai Gandharva Music Festival that celebrates
Indian classical music, Vinod Doshi theater festival that showcases avant garde theatre, Pune Biennial that brings
together art, architecture and design and Pune International Film Festival are some of the most sough-after events
by Punekars (residents of Pune). Intercollegiate theatre and art competitions like Purushottam karandak and
Firodiya Karandak are an inseparable part of Pune’s cultural life. The city also has its share of museums, such as the
personal collection of Raja Dinkar Kelkar, a tribal museum and a railway museum, and is home to one of India’s
foremost state-of-the-art sporting arenas- Shree Shiv Chhatrapati Sports Complex at Balewadi.
For all its industrial development in recent years, with a burgeoning automotive industry and a thriving information
technology sector, Pune has, in a certain way, managed to sustain a certain quaint flavour of a small town. With
stone façade and tile-roofed cottages scattered all over the town and its innumerable old bakeries and restaurants,
Pune makes for a great place to live, learn, explore and enjoy.
FTII reserves the right to amend or add any rules related to any content in Prospectus 2019 as and when deemed
necessary.
Institute reserves the right to review course contents from time to time and effect changes due to advancement
in technology, obsolescence or any other reason to achieve its aims and objectives.
Enquiries:
Tel: +91 020 2558 0022
Tel: +91 020 25425656 (Direct line) / 25431817 Ext. 223
Fax: +91 020 25430416
E-Mail: academicsftii@gmail.com
Website: www.ftiindia.com
Corrigendum / amendments, if any, will be hosted ONLY on the FTII website www.ftiindia.com.
CAUTION – Film and Television Institute of India does not appoint / validate any agent or coaching centre for
any action on its behalf. Candidates are warned against any such claims made by any person or an agency. Also
candidates must beware / cautious of touts and racketeers trying to deceive by false information and promises
of securing an admission in FTII either through influence or by use of unfair or unethical means. Candidates are
selected purely on the basis of merit in FTII.

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Awards & Accolades

OVERVIEW OF THE CURRICULUM

Choice Based Credit System (CBCS)

Course Duration: 3 years divided into 6 Semesters.

Course Duration: 3 years divided into 6 Semesters.

Duration: 3 years divided into 6 Semesters.

Duration: 3 years divided into 6 Semesters.

Duration: 3 years divided into 6 Semesters.

Duration: 2 years divided into 4 Semesters.

Duration: 1 year divided into 2 Semesters.

Name of the Specialization Total Seats GEN OBC SC ST

Direction & Screenplay Writing 10 5 3 1 1

C: 1 seat is reserved for Person with

E: 1 seat is reserved for Person with

Name of the Specializations Eligibility criteria

Direction & Screenplay Writing Bachelor’s degree in any discipline.

Cinematography Bachelor’s degree in any discipline.

Acting Bachelor’s degree in any discipline.

Feature Film Screenplay Writing Bachelor’s degree in any discipline.

Selection criteria for all the above courses except Acting.

Selection criteria for PG Diploma course in Acting.

Result 2 is prepared on the basis of orientation & interview.

Course Duration: 1 year

Course Duration: 1 year

K Jagdeeswaran Assistant Professor & HOD

Course Duration: 1 year

Suchitra Sathe Assistant Professor & HOD

Course Duration: 1 year

Vaibhav Gham Associate Professor & HOD

Sandeep Shahare Professor & HOD

Name of the Specialization Total Seats GEN OBC SC ST

Video Editing 10D 5 3 1 1

Eligibility criteria for P.G. Certificate Course in Television

Name of the Specializations Eligibility criteria

Direction Bachelor’s degree in any discipline.

Electronic Cinematography Bachelor’s degree in any discipline.

Video Editing Bachelor’s degree in any discipline.

Selection criteria for PG Course in Television

Three Year Post Graduate

Three Year Post Graduate

Three Year Post Graduate

Three Year Post Graduate

Two Year Post Graduate

Three Year Post Graduate

One Year Post Graduate

Sr. No. Particulars Semester 1 Semester 2

1 Admission Fee 146.41 Per Semester 146.41 Per Semester

2 Games Fee 146.41 Per Semester 146.41 Per Semester

3 Medical Fee 183.92 Per Semester 182.71 Per Semester

4 Library Fee 146.41 Per Semester 146.41 Per Semester

5 Internet Charges 366.63 Per Semester 365.42 Per Semester

6 Students’ Association Membership 146.41 Per Semester 146.41 Per Semester

7 Library Deposit 3660.25 One Time 0.0 - N/A -

8 Security Deposit 14641.00 One Time 0.0 - N/A -

9 Hostel Admission 146.41 Per Semester 146.41 Per Semester

10 Hostel Reading Room 146.41 Per Semester 146.41 Per Semester

11 Student Handbook 73.81 One Time 0.0 - N/A -

. of village/ town........................................in district/Division............................................................. of the State / Union

Shri/Smt./Kum. _________ son/wife/daughter of Shri

____________ Date of Birth (DD/MM/YY) Age years, male/female

_____________ registration No. permanent resident of House No.

___ Ward/Village/Street Post Office _ District