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    Amanecer: Gentil Montaña (1942 - 2011)

    Uploaded by

    Fabrizio Ferrigno
    This document is a musical score composed of musical notation symbols. It consists of multiple pages of staff lines with notes, rests, and other symbols. The title of the piece is "Amanecer" and it was composed by Gentil Montaña between 1942 and 2011.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Amanecer: Gentil Montaña (1942 - 2011)

    Uploaded by

    Fabrizio Ferrigno
    143 views2 pages
    This document is a musical score composed of musical notation symbols. It consists of multiple pages of staff lines with notes, rests, and other symbols. The title of the piece is "Amanecer" and it was composed by Gentil Montaña between 1942 and 2011.

    Original Description:

    Amanecer

    Original Title

    Amanecer

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

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    This document is a musical score composed of musical notation symbols. It consists of multiple pages of staff lines with notes, rests, and other symbols. The title of the piece is "Amanecer" and it was composed by Gentil Montaña between 1942 and 2011.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    143 views2 pages

    Amanecer: Gentil Montaña (1942 - 2011)

    Uploaded by

    Fabrizio Ferrigno
    This document is a musical score composed of musical notation symbols. It consists of multiple pages of staff lines with notes, rests, and other symbols. The title of the piece is "Amanecer" and it was composed by Gentil Montaña between 1942 and 2011.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
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    Amanecer

    Gentil Montaña (1942 - 2011)

        To Coda    

     
         

              
             
          
        

       
         
             
             
      
    5

                 


           
     
                    
    9

       

                
      
    13

                   

            
        
               
    17

         
         

                
      
                 
    21

        
       

         
             
              
      
    25

       
      
      
                   
              
    1. 2.

       
    29

         

        
           
       
     
       
         
    33

           
     

        
           
          
                
    37

        


             
                      
    1.

     
    41

          
       

      
               
          
    45

         
         

      
      

        
                  
        
    49 2.

          


                   
       
    D.S. al Coda

       
    53

           

     
     

     
            

         
      
        
    56

       

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