CP750 Installation Manual - Issue 5 PDF

Dolby CP750 Digital

®
Cinema Processor
Manual
Issue 5 Part Number 9110270

Dolby Laboratories, Inc.
Corporate Headquarters
100 Potrero Avenue
San Francisco, CA 94103‐4813 USA
Telephone 415‐558‐0200
Fax 415‐863‐1373
www.dolby.com
European Headquarters
Wootton Bassett
Wiltshire SN4 8QJ England
Telephone 44‐1793‐842100
Fax 44‐1793‐842101
DISCLAIMER OF WARRANTIES:
EQUIPMENT MANUFACTURED BY DOLBY LABORATORIES IS WARRANTED AGAINST DEFECTS
IN MATERIALS AND WORKMANSHIP FOR A PERIOD OF ONE YEAR FROM THE DATE OF
PURCHASE. THERE ARE NO OTHER EXPRESS OR IMPLIED WARRANTIES AND NO WARRANTY
OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE, OR OF NONINFRINGEMENT
OF THIRD‐PARTY RIGHTS (INCLUDING, BUT NOT LIMITED TO, COPYRIGHT AND PATENT
RIGHTS).
LIMITATION OF LIABILITY:
IT IS UNDERSTOOD AND AGREED THAT DOLBY LABORATORIES’ LIABILITY, WHETHER IN
CONTRACT, IN TORT, UNDER ANY WARRANTY, IN NEGLIGENCE, OR OTHERWISE, SHALL NOT
EXCEED THE COST OF REPAIR OR REPLACEMENT OF THE DEFECTIVE COMPONENTS OR
ACCUSED INFRINGING DEVICES, AND UNDER NO CIRCUMSTANCES SHALL DOLBY
LABORATORIES BE LIABLE FOR INCIDENTAL, SPECIAL, DIRECT, INDIRECT, OR
CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, DAMAGE TO SOFTWARE OR
RECORDED AUDIO OR VISUAL MATERIAL), COST OF DEFENSE, OR LOSS OF USE, REVENUE, OR
PROFIT, EVEN IF DOLBY LABORATORIES OR ITS AGENTS HAVE BEEN ADVISED, ORALLY OR IN
WRITING, OF THE POSSIBILITY OF SUCH DAMAGES.
.
Dolby, Pro Logic, and the double‐D symbol are registered trademarks of Dolby Laboratories. Surround EX Part Number 9110270
is a trademark of Dolby Laboratories. All other trademarks remain the property of their respective owners. Issue 5
© 2011 Dolby Laboratories. All rights reserved. S11/21444/24795
ii Dolby® CP750 Digital Cinema Processor Manual

Regulatory Notices
FCC
NOTE: This equipment has been tested and found to comply with the limits for a Class A
digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide
reasonable protection against harmful interference when the equipment is operated in a
commercial environment. This equipment generates, uses, and can radiate radio frequency
energy and, if not installed and used in accordance with this instruction manual, may cause
harmful interference to radio communications. Operation of this equipment in a residential
area is likely to cause harmful interference in which case the user will be required to correct
the interference at his own expense.
Canada
This Class A digital apparatus complies with Canadian ICES‐003.
EU/EMC
This unit complies with the EMC requirement of EN55103‐1 and EN55103‐2 when operated
in an E2 environment in accordance with this manual.
Important Safety Instructions

1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to
rain or moisture.
7. Clean only with dry cloth.
8. Do not install near any heat sources such as radiators, heat registers, stoves, or other
apparatus (including amplifiers) that produce heat.
9. No naked flame sources, such as lighted candles, should be placed on the apparatus
10. Protect the power cord from being walked on or pinched particularly at plugs,
convenience receptacles, and the point where they exit from the apparatus.
11. Only use attachments/accessories specified by the manufacturer.
12. Unplug this apparatus when unused for long periods of time.
13. Refer all servicing to qualified service personnel. Servicing is required when the
apparatus has been damaged in any way, such as power‐supply cord or plug is
damaged, liquid has been spilled or objects have fallen into the apparatus, the
apparatus has been exposed to rain or moisture, does not operate normally, or has
been dropped.
14. Do not expose the apparatus to dripping or splashing and no objects filled with
liquids, such as vases, shall be placed on the apparatus.
Dolby® CP750 Digital Cinema Processor Manual iii

Regulatory Notices
15. CAUTION: Troubleshooting must be performed by a trained technician. To reduce the
risk of electric shock, do not attempt to service this equipment unless you are
qualified to do so.
16. Do not defeat the safety purpose of the polarized or grounding‐type plug. A polarized
plug has two blades with one wider than the other. A grounding‐type plug has two
blades and a third grounding prong. The wide blade or the third prong is provided
for your safety. If the provided plug does not fit into your outlet, consult an electrician
for replacement of the obsolete outlet.
17. This apparatus must be earthed (grounded) by connecting to a correctly wired and
earthed power outlet.
18. Ensure that your mains supply is in the correct range for the input power requirement
of the unit.
19. In order to reduce the risk of electrical shock, the power cord must be disconnected
when the power supply assembly is removed.
20. This equipment is designed to mount in a suitably ventilated 19” rack; ensure that any
ventilation slots in the unit are not blocked or covered.
21. The mains power disconnect device for this unit is the plug‐in mains cord rather than
a power switch. The mains cord must remain readily accessible for disconnecting
mains power.
22. To avoid exposure to dangerous voltages and to avoid damage to the unit, do not
connect the rear‐panel Ethernet port to telephone circuits.
23. As the colors of the cores in the mains lead may not correspond with the colored
markings identifying the terminals in your plug, proceed as follows:
• The green and yellow core must be connected to the terminal in the plug
identified by the letter E, or by the earth symbol , or colored green, or green
and yellow.
• The blue core must be connected to the terminal marked with the letter N or
colored black.
• The brown core must be connected to the terminal marked with the letter L or
colored red.
24. This apparatus must be earthed.
Fuses
Warning: Check that the correct fuses have been installed. For continued protection against
risk of fire, replace only with fuses of the same type and rating.
WEEE

PRODUCT END‐OF‐LIFE INFORMATION
This product was designed and built by Dolby Laboratories to provide many years of
service, and is backed by our commitment to provide high‐quality support. When it
eventually reaches the end of its serviceable life, it should be disposed of in accordance
with local or national legislation.
For current information please visit our website at: http://www.dolby.com/environment
iv Dolby® CP750 Digital Cinema Processor Manual

Regulatory Notices
IMPORTANT SAFETY NOTICE
This unit complies with safety standard EN60065 as appropriate. The unit shall not be exposed to dripping or splashing and no objects filled with liquids, such as
coffee cups, shall be placed on the equipment. To ensure safe operation and to guard against potential shock hazard or risk of fire, the following must be
observed:
GB
o Ensure that your mains supply is in the correct range for the input power requirement of the unit.
o Ensure fuses fitted are the correct rating and type as marked on the unit.
o The unit must be earthed by connecting to a correctly wired and earthed power outlet.
o The power cord supplied with this unit must be wired as follows:
Live—Brown Neutral—Blue Earth—Green/Yellow
IMPORTANT – NOTE DE SECURITE
Ce materiel est conforme à la norme EN60065. Ne pas exposer cet appareil aux éclaboussures ou aux gouttes de liquide. Ne pas poser dʹobjets remplis de liquide,
tels que des tasses de café, sur lʹappareil. Pour vous assurer dʹun fonctionnement sans danger et de prévenir tout choc électrique ou tout risque dʹincendie, veillez
à observer les recommandations suivantes. F
o Le selecteur de tension doit être placé sur la valeur correspondante à votre alimentation réseau.
o Les fusibles doivent correspondre à la valeur indiquée sur le materiel.
o Le materiel doit être correctement relié à la terre.
o Le cordon secteur livré avec le materiel doit être cablé de la manière suivante:
Phase—Brun Neutre—Bleu Terre—Vert/Jaune
WICHTIGER SICHERHEITSHINWEIS
Dieses Gerät entspricht der Sicherheitsnorm EN60065. Das Gerät darf nicht mit Flüssigkeiten (Spritzwasser usw.) in Berührung kommen; stellen Sie keine Gefäße, z.B.
Kaffeetassen, auf das Gerät. Für das sichere Funktionieren des Gerätes und zur Unfallverhütung (elektrischer Schlag, Feuer) sind die folgenden Regeln unbedingt
einzuhalten:
o Der Spannungswähler muß auf Ihre Netzspannung eingestellt sein. D
o Die Sicherungen müssen in Typ und Stromwert mit den Angaben auf dem Gerät übereinstimmen.
o Die Erdung des Gerätes muß über eine geerdete Steckdose gewährleistet sein.
o Das mitgelieferte Netzkabel muß wie folgt verdrahtet werden:
Phase—braun Nulleiter—blau Erde—grün/gelb
NORME DI SICUREZZA – IMPORTANTE
Questa apparecchiatura è stata costruita in accordo alle norme di sicurezza EN60065. Il prodotto non deve essere sottoposto a schizzi, spruzzi e gocciolamenti, e nessun tipo di
oggetto riempito con liquidi, come ad esempio tazze di caffè, deve essere appoggiato sul dispositivo. Per una perfetta sicurezza ed al fine di evitare eventuali rischi di scossa
êlettrica o dʹincendio vanno osservate le seguenti misure di sicurezza:
o Assicurarsi che il selettore di cambio tensione sia posizionato sul valore corretto.
o Assicurarsi che la portata ed il tipo di fusibili siano quelli prescritti dalla casa costruttrice.
I
o Lʹapparecchiatura deve avere un collegamento di messa a terra ben eseguito; anche la connessione rete deve
avere un collegamento a terra.
o Il cavo di alimentazione a corredo dellʹapparecchiatura deve essere collegato come segue:
Filo tensione—Marrone Neutro—Blu Massa—Verde/Giallo
AVISO IMPORTANTE DE SEGURIDAD
Esta unidad cumple con la norma de seguridad EN60065. La unidad no debe ser expuesta a goteos o salpicaduras y no deben colocarse sobre el equipo recipientes con liquidos,
como tazas de cafe. Para asegurarse un funcionamiento seguro y prevenir cualquier posible peligro de descarga o riesgo de incendio, se han de observar las
siguientes precauciones:
o Asegúrese que el selector de tensión esté ajustado a la tensión correcta para su alimentación. E
o Asegúrese que los fusibles colocados son del tipo y valor correctos, tal como se marca en la unidad.
o La unidad debe ser puesta a tierra, conectándola a un conector de red correctamente cableado y puesto a tierra.
o El cable de red suministrado con esta unidad, debe ser cableado como sigue:
Vivo—Marrón Neutro—Azul Tierra—Verde/Amarillo
VIKTIGA SÄKERHETSÅTGÄRDER!
Denna enhet uppfyller säkerhetsstandard EN60065. Enheten får ej utsättas för yttre åverkan samt föremål innehållande vätska, såsom kaffemuggar, får ej placeras på
utrustningen. För att garantera säkerheten och gardera mot eventuell elchock eller brandrisk, måste följande observeras:
o Kontrollera att spänningsväljaren är inställd på korrekt nätspänning.
o Konrollera att säkringarna är av rätt typ och för rätt strömstyrka så som anvisningarna på enheten föreskriver. S
o Enheten måste vara jordad genom anslutning till ett korrekt kopplat och jordat el‐uttag.
o El‐sladden som medföljer denna enhet måste kopplas enligt foljande:
Fas—Brun Neutral—Blå Jord—Grön/Gul
BELANGRIJK VEILIGHEIDS‐VOORSCHRIFT:
Deze unit voldoet aan de EN60065 veiligheids‐standaards. Dit apparaat mag niet worden blootgesteld aan vocht. Vanwege het risico dat er druppels in het apparaat vallen, dient
u er geen vloeistoffen in bekers op te plaatsen. Voor een veilig gebruik en om het gevaar van electrische schokken en het risico van brand te vermijden, dienen de
volgende regels in acht te worden genomen:
o Controleer of de spanningscaroussel op het juiste Voltage staat. NL
o Gebruik alleen zekeringen van de aangegeven typen en waarden.
o Aansluiting van de unit alleen aan een geaarde wandcontactdoos.
o De netkabel die met de unit wordt geleverd, moet als volgt worden aangesloten:
Fase—Bruin Nul—Blauw Aarde—Groen/Geel
Dolby® CP750 Digital Cinema Processor Manual v

Regulatory Notices
This symbol that appears on the unit rear panel is intended to alert the user
Figure ii‐1
to the presence of uninsulated “dangerous” voltage within the product’s
enclosure that maybe of sufficient magnitude to constitute a risk of electric
shock to persons.
Figure ii‐2
Figure ii‐3
This symbol is intended to alert the user to the presence of important
Figure ii‐4
safety operating and maintenance instructions.
Figure ii‐5
vi Dolby® CP750 Digital Cinema Processor Manual

Table of Contents
Chapter 1 Introduction
1.1 About This Manual..............................................................................................................2
1.2 CP750 Front Panel .............................................................................................................2
1.2.1 Front-Panel Menu Navigation Buttons .....................................................................3
1.2.2 Front-Panel Status Display ......................................................................................3
1.2.3 Mute Button..............................................................................................................4
1.2.4 Main Fader Knob .....................................................................................................4
1.2.5 USB Port ..................................................................................................................5
1.2.6 Digital Input Selection Buttons .................................................................................5
1.2.7 Valid Input LEDs ......................................................................................................5
1.2.8 Analog Inputs ...........................................................................................................6
1.3 CP750 Rear Panel..............................................................................................................6
1.3.1 AC Input ...................................................................................................................7
1.3.2 Backup Power Port ..................................................................................................7
1.3.3 Ethernet Port............................................................................................................7
1.3.4 RS-232 Serial Port ...................................................................................................7
1.3.5 Remote Connector...................................................................................................7
1.3.6 4xAES IN Connector................................................................................................7
1.3.7 Automation Connector .............................................................................................8
1.3.8 1x AES In Connectors..............................................................................................8
1.3.9 Opt In Connector......................................................................................................8
1.3.10 NonSync Input Connector .......................................................................................8
1.3.11 Aux Out Connectors ................................................................................................8
1.3.12 H/I Out Connector....................................................................................................9
1.3.13 Mic. Gain .................................................................................................................9
1.3.14 Mic. Input .................................................................................................................9
1.3.15 Main Audio Output Connector .................................................................................9
1.3.16 Multi-Channel Analog Input Connector....................................................................9
1.4 Questions or Feedback ......................................................................................................9
Chapter 2 Installation
2.1 CP750 Floating Signal Grounds .......................................................................................11
2.2 Digital Audio Inputs...........................................................................................................11
2.2.1 Consumer Interface Standards for Digital Audio....................................................12
2.2.2 Cable Issues ..........................................................................................................12
2.2.3 Multiple Sources: Conversion Between Interface Standards.................................12
2.3 Mounting the CP750 .........................................................................................................13
2.4 Connections......................................................................................................................13
2.5 Fuse Information...............................................................................................................13
2.6 Mains Power Wiring..........................................................................................................14
2.7 Cable Diagram..................................................................................................................14
Dolby® CP750 Digital Cinema Processor Manual vii

Table of Contents
Chapter 3 Installing, Launching, and Connecting the Setup Software

3.1 System Requirements ......................................................................................................17
3.2 Installing the Software ......................................................................................................17
3.3 Connecting the Hardware .................................................................................................18
3.4 Launching the Setup Application ......................................................................................18
3.5 Connecting to a Local or Remote Device .........................................................................18
Chapter 4 Configuring the CP750 Software

4.1 Using the Application Tabs to Configure a CP750 ...........................................................21
4.1.1 Profile Tab..............................................................................................................21
4.1.2 Network/Time Tab..................................................................................................22
4.1.3 General Settings ....................................................................................................24
4.1.4 Input Settings .........................................................................................................25
4.1.5 Digital Input 1 .........................................................................................................25
4.1.6 Digital Inputs 2, 3, and 4 ........................................................................................28
4.1.7 Analog Input...........................................................................................................29
4.1.8 Nonsync Input ........................................................................................................29
4.1.9 Mic Input ................................................................................................................30
4.2 Saving Settings in a Configuration File.............................................................................31
4.3 Loading a Saved Configuration File .................................................................................31
4.4 Using Expert View ............................................................................................................32
4.5 Updating the CP750 Firmware .........................................................................................32
Chapter 5 Playing Dolby Surround 7.1 Audio

5.1 Required Software ............................................................................................................35
5.2 Cable Connections ...........................................................................................................35
5.3 Connecting a DSP100 to a CP750 ...................................................................................36
5.4 Connecting a DSS200 to a CP750 ...................................................................................37
5.5 Manually Change the Audio Output of the DSP100 .........................................................37
5.6 Update Surround Speaker Wiring.....................................................................................38
5.7 HI and VI-N Channels.......................................................................................................38
5.8 Using the Correct Decode Mode ......................................................................................38
5.9 Managing Decode Mode Switches with v.4.2.0 Software.................................................39
5.10 Managing Decode Mode Switches with Prior Software ....................................................39
5.11 Using Software to Configure the CP750 for Dolby Surround 7.1......................................39
5.12 Calibration and Alignment ...............................................................................................39
5.13 Setting the Decode Mode of the CP750 ...........................................................................40
5.14 Manually Configuring the CP750 for Dolby Surround 7.1.................................................40
5.15 Serial and Ethernet ..........................................................................................................41
Chapter 6 Aligning the Auditorium

6.1 Checking Theatre Equipment ...........................................................................................43
6.1.1 Speakers................................................................................................................43
6.1.2 Amplifiers ...............................................................................................................44
6.1.3 Air Conditioning......................................................................................................44
6.2 Microphone Placement .....................................................................................................44
6.3 Initial Setup .......................................................................................................................45
6.4 Calibrating the Internal SPL Meter ...................................................................................46
viii Dolby® CP750 Digital Cinema Processor Manual

Table of Contents
6.5 Initial Output-Level Adjustment.........................................................................................47

6.5.1 Setting Main Channel Levels .................................................................................47
6.5.2 Subwoofer Levels ..................................................................................................48
6.6 Room Equalization ...........................................................................................................49
6.6.1 Setting Bulk EQ......................................................................................................50
6.6.2 Using EQ Assist .....................................................................................................50
6.6.3 Making Fine Adjustments to Individual Bands .......................................................50
6.6.4 Adjusting LFE Channel EQ ....................................................................................50
6.7 Final Output-Level Calibration ..........................................................................................51
6.7.1 Main Channels .......................................................................................................51
6.7.2 Subwoofer Channel Level......................................................................................51
6.7.3 Subwoofer Speaker Polarity Check .......................................................................52
6.8 Final Sound Check ...........................................................................................................52
6.9 Nonsync Level Adjustment ...............................................................................................52
6.10 Noise Floor Optimization ..................................................................................................53
Chapter 7 Remote Control and Monitoring

7.1 Status Monitoring and Level Control in the Setup Software .............................................55
7.2 ASCII Control....................................................................................................................55
7.2.1 Connections ...........................................................................................................55
7.2.2 Command Syntax ..................................................................................................56
7.2.3 Command Set ........................................................................................................56
7.3 SNMP ...............................................................................................................................59
Chapter 8 Technical Reference

8.1 CP750 Specifications .......................................................................................................61
8.1.1 Audio Inputs ...........................................................................................................61
8.1.2 Audio Outputs ........................................................................................................61
8.1.3 Other Input/Output .................................................................................................62
8.1.4 Audio Processing ...................................................................................................63
8.1.5 Other Parameters ..................................................................................................63
8.1.6 Optional Accessories Ordered Separately.............................................................64
8.1.7 Power Requirements .............................................................................................64
8.1.8 Construction...........................................................................................................64
8.1.9 Dimensions and Weight .........................................................................................64
8.1.10 PC Connection ......................................................................................................64
8.1.11 Input Selector Buttons ...........................................................................................64
8.1.12 Indicators ...............................................................................................................64
8.1.13 Environmental Conditions......................................................................................64
8.1.14 Regulatory Notices ................................................................................................65
8.2 Rear-Panel Connector Descriptions and Types ...............................................................65
8.2.1 Backup Power Connector ......................................................................................65
8.2.2 RS-232 Serial Port .................................................................................................66
8.2.3 Remote Fader Connector ......................................................................................66
8.2.4 4xAES IN Connector..............................................................................................67
8.2.5 Automation Connector ...........................................................................................67
8.2.6 Mic. Input Connector..............................................................................................68
8.2.7 Main Audio Output Connector................................................................................69
8.2.8 Multichannel Input Connector ................................................................................69
8.2.9 RS-232 ASCII String Commands...........................................................................71
Dolby® CP750 Digital Cinema Processor Manual ix

Table of Contents
8.3 Remote Commands and Control ......................................................................................71

8.3.1 Serial......................................................................................................................71
8.3.2 Ethernet .................................................................................................................72
Chapter 9 Replacement Parts ........................................................................................................73
x Dolby® CP750 Digital Cinema Processor Manual

List of Figures
Figure 1-1 CP750 Front Panel ................................................................................................................ 2

Figure 1-2 Front-Panel Display ............................................................................................................... 4
Figure 1-3 Fader Characteristic .............................................................................................................. 5
Figure 1-4 CP750 Rear Panel................................................................................................................. 6
Figure 2-1 Star Washers and Rack-Mounting Screws.......................................................................... 13
Figure 2-2 CP750 Inputs and Outputs .................................................................................................. 15
Figure 3-1 Installer Welcome Screen.................................................................................................... 17
Figure 3-2 Running the Installer Without Administrator Privileges........................................................ 18
Figure 3-3 Action Menu......................................................................................................................... 19
Figure 4-1 Profile Tab ........................................................................................................................... 22
Figure 4-2 Network/Time Tab ............................................................................................................... 23
Figure 4-3 General Settings Tab........................................................................................................... 24
Figure 4-4 Digital Input 1 Tab ............................................................................................................... 26
Figure 4-5 Digital Input 2 Tab ............................................................................................................... 28
Figure 4-6 Analog Input Tab ................................................................................................................. 29
Figure 4-7 Nonsync Input Tab .............................................................................................................. 30
Figure 4-8 Mic Input Tab....................................................................................................................... 31
Figure 4-9 Selecting Save in the File Menu .......................................................................................... 31
Figure 4-10 Selecting Open in the File Menu ......................................................................................... 32
Figure 4-11 Expert View Window............................................................................................................ 32
Figure 4-12 Dolby Software Update Screen ........................................................................................... 33
Figure 5-1 DSP100 Rear Panel with Cable Connections ..................................................................... 36
Figure 5-2 DSS200 Rear Panel with Cable Connections ..................................................................... 37
Figure 5-3 CP750 Front-Panel Menu Button ........................................................................................ 40
Figure 5-4 Confirm Button..................................................................................................................... 41
Figure 5-5 Dolby 7.1 Decode Mode ...................................................................................................... 41
Figure 6-1 Microphone Placement for Equalization .............................................................................. 44
Figure 6-2 Alignment Tab Showing Room Levels................................................................................. 46
Figure 6-3 Channel Tune Tab Showing the Center Channel................................................................ 48
Figure 6-4 Channel Tune Tab Showing LFE EQ .................................................................................. 49
Figure 7-1 Virtual Status Monitor .......................................................................................................... 55
Figure 8-1 Backup Power Connector Detail.......................................................................................... 65
Figure 8-2 Cat. No. 868 Remote Fader Connector Detail..................................................................... 66
Figure 8-3 Mic. Input Connector Detail ................................................................................................. 68
Dolby® CP750 Digital Cinema Processor Manual xi

List of Tables
Table 1-1 Digital Input Selection Button Functionality ............................................................................ 5

Table 1-2 Analog Input Options ..............................................................................................................6
Table 2-1 Examples of Available Balanced/Unbalanced Adapters....................................................... 12
Table 5-1 DSP100 Output Connector Pinout........................................................................................36
Table 5-2 DSS200 Audio Output Pinout ...............................................................................................37
Table 5-3 ASCII String Commands ...................................................................................................... 41
Table 7-1 Normal Commands...............................................................................................................56
Table 7-2 Supported MIB-2 MIBS......................................................................................................... 59
Table 7-3 Other Standard MIBs............................................................................................................59
Table 7-4 V3 MIBS ...............................................................................................................................59
Table 8-1 Rear-Panel Connector Descriptions and Types ................................................................... 65
Table 8-2 Backup Power Connector Pinout.......................................................................................... 66
Table 8-3 Serial Port Pinout..................................................................................................................66
Table 8-4 Remote Fader Connector Pinout.......................................................................................... 66
Table 8-5 4xAES IN Connector Pinout ................................................................................................. 67
Table 8-6 Automation Connector Pinout...............................................................................................67
Table 8-7 Mic. Input Connector Pinout ................................................................................................. 68
Table 8-8 Main Audio Output Connector Pinout ................................................................................... 69
Table 8-9 Multichannel Audio Input Connector Pinout ......................................................................... 69
Table 8-10 ASCII String Commands ...................................................................................................... 71
Table 9-1 Available Replacement Parts ...............................................................................................73
Dolby® CP750 Digital Cinema Processor Manual xii

Chapter 1
Introduction
The Dolby® CP750 Digital Cinema Processor is a direct result of Dolby Laboratories’
continued leadership in the development of innovative cinema technologies. The CP750 is
a self‐contained, all‐digital cinema processor. It supports PCM and Dolby Digital audio, as
well as Dolby Digital Surround EXTM, Dolby Pro Logic®, and Dolby Pro Logic II playback.
With the CP750, you can present high‐quality audio from the following audio sources and
formats:
• Dolby Digital Cinema system
• Onscreen advertising servers
• Digital VTRs
• Digital satellite or cable TV receivers
• Blu‐ray DiscTM
• DVDs
• PCM
• Dolby Digital consumer bitstreams
The CP750 provides analog audio inputs for:
• An external six‐ or eight‐channel processor
• A nonsync source
• A public address microphone
Its analog audio outputs are balanced, with a multipin connector configured to the THX
standard. Built‐in Ethernet, USB, and serial interfaces accommodate PC control and cinema
network connectivity.
An independently adjustable global audio delay is assigned to each input to ensure that
sound and picture are perfectly synchronized during digital cinema presentations.
Different delays can be assigned to different inputs, providing flexibility for alternative
content sources, which often require different delays.
The CP750 is compatible with existing theatre automation systems and ASCII command
strings. Its ability to handle multiple formats and future upgrades make it an essential tool
for an evolving digital cinema market.
Installation is simplified by built‐in test instrumentation that includes a real‐time analyzer
and signal generators for pink noise, sweep tones, tones, and a phase check thumper.
Third‐octave equalization, plus bass and treble trim controls, are provided for all channels.
A digital parametric equalizer is provided for the Subwoofer channel.
Easily programmed internal software manages audio settings and configuration. The
full‐featured software package facilitates the setup process.
Dolby® CP750 Digital Cinema Processor Manual 1

Introduction
Calibration settings for one unit can be stored on a PC, and, if desired, transferred directly
to another CP750, minimizing the need for additional calibration after repairs. As
improvements to the CP750 digital control and processing software are developed, the
latest revisions are transferable from a PC to the CP750.
Options available for the CP750 include the Cat. No. 868 Remote Fader and Cat. No. 994
External Power Supply.
1.1 About This Manual

This manual covers both installation and use of the CP750.
Following this introductory chapter are six chapters that give details of various topics:
• Chapter 2 Installation
• Chapter 3 Installing, Launching, and Connecting the Setup Software
• Chapter 4 Configuring the CP750 Software
• Chapter 5 Playing Dolby Surround 7.1 Audio
• Chapter 6 Aligning the Auditorium
• Chapter 7 Remote Control and Monitoring
• Chapter 8 Technical Reference
• Chapter 9 Replacement Parts
1.2 CP750 Front Panel

The CP750 front panel shown in Figure 1‐1 includes the following components from left to
right:
• Front‐panel menu navigation buttons.
• Status display.
• Mute button.
• Main fader knob.
• USB port for firmware upgrades and setup software.
• Seven buttons that select an input source: Digital 1, Digital 2, Digital 3, Digital 4, Multi-Ch
Analog, NonSync, and Mic.
• Four LEDs that indicate the presence of a Valid signal on each digital input. Digital 1
and Digital 4 have valid signals in Figure 1‐1.
Figure 1‐1
CP750
Digital Cinema Processor
Input Select
Multi-Ch
Digital 1 Digital 2 Digital 3 Digital 4 Analog NonSync Mic.
P Valid
Figure 1-1 CP750 Front Panel
2 Dolby® CP750 Digital Cinema Processor Manual

CP750 Front Panel
1.2.1 Front-Panel Menu Navigation Buttons
The menu control buttons to the left of the display, shown in Figure 1‐1, are used by both
the operator and the service engineer to navigate front‐panel screen menus, select various
menu options, and store setup data.
The menu button is used to step through the menu list. Pressing and releasing the button
once changes the display to the next menu item. Pressing and holding the button while
rotating the main fader knob steps the display through all menu items.
The check mark button is used to accept the settings displayed on the front‐panel screen
and store it in CP750 memory. Changes to settings occur immediately, but are not
immediately saved.
The button blinks when there are unsaved parameter changes.
Caution: Do not disconnect power to the unit while the checkmark button is blinking.
1.2.2 Front-Panel Status Display
Day‐to‐day operation of the CP750 is performed through interaction with the front‐panel
status display shown in Figure 1‐2.
Processing Display
The top line displays the processing being applied to the audio. The supported processes
are:
• Dolby Pro Logic
• Dolby Pro Logic II
• Dolby Digital
• Dolby Digital Surround EX
• Discrete
• Dolby 7.1
Volume Display
The main fader level is displayed as a two‐digit number. As with previous generations of
Dolby cinema processors, a fader setting of 7.0 (0 dB) is the nominal correct operating level.
7.0 matches the level used during production of the motion picture.
Input Display
The bottom line of the display shows the type of audio being input.
Meter Display
The circle of lights surrounding the display text serves as channel meters when the CP750
is in use.

Introduction
Figure 1‐2
Center
Left Right
Processing
Volume
Input
Subwoofer
Left Surround Right Surround
Figure 1-2 Front-Panel Display
1.2.3 Mute Button
Pressing the mute button shown in red in Figure 1‐1 fades the audio output to all channels
without disturbing the current main fader setting. Fade‐in and fade‐out speeds are
separately adjustable from 0.2 to 5 seconds, using the PC setup software. The mute button
flashes red when activated.
1.2.4 Main Fader Knob
Use this knob to adjust the sound level. A fader reading of 7.0 is the nominal correct
operating level. The main fader knob rotates continuously with no end stops. The knob is
also used to adjust parameters during setup operations.
When the fader knob is rotated between readings of 0 and 4.0, the output level changes in
20 dB steps between –90 and –10 dB. When the fader knob is rotated between readings 4.0
and 10, the output level changes in 3.33 dB steps between –10 and –10 dB. Figure 1‐3 shows
the characteristic graph.

CP750 Front Panel
Figure 1‐3
10
3 1/3 db
0 per step
-10
-20
-30
Output
-40
Level (dB)
20 dB
-50 per step
-60
-70
-80
-90
0 1 2 3 4 5 6 7 8 9 10
Fader Level
Figure 1-3 Fader Characteristic
1.2.5 USB Port
The USB port is provided for connecting to a PC. You can use it either to set up the unit or
to update the CP750 firmware.
1.2.6 Digital Input Selection Buttons
When you press any of the Digital 1, Digital 2, Digital 3, or Digital 4 push buttons, that button

lights up, indicating that the selected input channel is active. Pressing one of these buttons
selects a specific digital input source, as shown in Table 1‐1. The CP750 switches
automatically between PCM and Dolby Digital bitstreams.
Table 1-1 Digital Input Selection Button Functionality

Input Button Input Source Selected
Digital 1 Selects the input signal from the 4xAES DIGITAL 1 connector (four‐channel
pairs, 25‐pin D‐connector)
Digital 2 Selects the input signal from the 1xAES DIGITAL 2 connector (BNC)
Digital 3 Selects the input signal from the 1xAES DIGITAL 3 connector (BNC)
Digital 4 Selects the input signal from the 1xAES DIGITAL 4 connector (S/PDIF optical)
1.2.7 Valid Input LEDs
Each digital input push button has a green Valid LED located beneath it. These LEDs light
up when the CP750 detects a valid signal on the respective input, whether or not the input
is selected. Digital 1 and Digital 4 have valid signals in Figure 1‐1.

Introduction
1.2.8 Analog Inputs
The CP750 has the three analog inputs listed in Table 1‐2.
Table 1-2 Analog Input Options

Analog Input Rear-Panel Input Source Selected
Multi-Ch Analog Selects the input signal from the MULTI-CHANNEL ANALOG INPUT connector
(eight channels, 25‐pin D‐connector)
NonSync Selects the input signal from the NONSYNC INPUT L and R RCA jacks
Mic. Selects the input signal from the MIC. INPUT 3‐prong XLR connector
1.3 CP750 Rear Panel

Figure 1‐4
CP750 This device complies with Part 15 of the FCC Rules.

Operation is subject to the following two conditions: (1) this
Digital Cinema Processor device may not cause harmful interference, and (2) this
device must accept any interference received, including
interference that may cause undesired operation.
CAUTION This Class A digital apparatus complies with Canadian ICES003.

To reduce the risk of fire Risk of electric shock.
replace only with same
type and rating
Do not open.
MIC. MAIN
250V time-lag fuse. No user serviceable parts
4xAES IN NONSYNC AUX AUDIO OUTPUT
FUSE T 3.15A L BACK-UP inside. Refer all service
INPUT
to qualified personnel.
INPUT OUT
5 mm x 20 mm
POWER This equipment must be
PUSH
earthed/grounded. L 7 H/I
ETHERNET REMOTE DIGITAL 1 1xAES IN OUT
~ 50–60 Hz 30W
100–240 Vac RS-232 OPT IN MULTI-CHANNEL
MIC.
C UL US 25 R 8
LISTED GAIN
PROFESSIONAL AUDIO
EQUIPMENT 4J06
Dolby, Pro Logic and the double-D symbol
are registered trademarks of Dolby Laboratories.
ACT LINK NOT ETHERNET AUTOMATION DIGITAL 2 DIGITAL 3 DIGITAL 4 ANALOG INPUT
Figure 1-4 CP750 Rear Panel
The CP750 rear panel, shown in Figure 1‐4, includes the following components:
• AC input.
• BACKUP POWER: 4‐prong female XLR connector for use with the Cat. No. 994
External Power Supply.
• Ethernet: RJ‐45 port for remote control through ASCII command strings, Dolby Digital
Cinema Theatre Management Software, unit setup, and firmware updates. See
Section 8.2.9 for details on the command strings.
Note: The CP750 supports 10Base‐T and 100Base‐T data rates. Gigabit
Ethernet data rate is not supported.
• RS-232: 9‐pin female D‐connector for control via ASCII command strings. 9600 baud,
no parity, 1 stop bit. See Section 8.2.9 for details on the command strings. See
Section 8.2.2 for pinout details.
• REMOTE: RJ‐45 port for communication with the Cat. No. 868 Remote Fader. See
Section 8.2.3 for pinout details. This is not an Ethernet connection but can be
connected with any standard Ethernet cable.
• 4xAES IN: 25‐pin female D‐connector labeled DIGITAL 1 carrying four digital channel
pairs. See Section 8.2.4 for pinout details.
• AUTOMATION: 25‐pin female D‐connector for cinema automation control. See
Section 8.2.5 for pinout details.
• Two 1xAES IN: BNC connectors labeled DIGITAL 2 and DIGITAL 3.
• OPT IN: Optical S/PDIF input connector labeled DIGITAL 4.
• NONSYNC INPUT: 2 RCA jacks labeled L and R that accept 3 VRMS maximum input.
• AUX OUT: RCA jacks labeled 7 and 8 always carry channel pair 7/8 of the 4xAES input.
If present, HI and VI‐N signals likely use this pair.

CP750 Rear Panel
• H/I OUT: RCA jack for hearing impaired output. This is a center‐weighted sum of
L‐C‐R.
• MIC. GAIN: For adjusting the gain of the microphone preamp.
• MIC. INPUT: 3‐pin female XLR connector for a PA or auditorium equalization
microphone. Phantom power can be applied using the setup software.
• MAIN AUDIO OUTPUT: 25‐pin female D‐connector balanced audio output to the
auditorium sound system. See Section 8.2.7 for pinout details.
• MULTI-CHANNEL ANALOG INPUT: 25‐pin female D‐connector carrying eight balanced
analog channels. See Section 8.2.7 for pinout details.
1.3.1 AC Input
This is a simple unswitched IEC power inlet module.
1.3.2 Backup Power Port
This is a four‐pin female XLR connector for use with the Cat. No. 994 External Power
Supply.
1.3.3 Ethernet Port
This is an illuminated RJ‐45 10/100 Base‐T Ethernet port with activity LEDs, which
provides an interface to a Dolby Digital Cinema network and also ASCII string commands
over TCP to port 61408. You can also use this port for setup software and firmware
upgrades.
1.3.4 RS-232 Serial Port
You can use this port for serial control using ASCII string commands.
The equipment connected to this port should have its serial port set to 9600 baud, no parity,
1 stop bit. Use a pin‐to‐pin serial cable.
The same control functions are available through the Ethernet port.
1.3.5 Remote Connector
This is not an Ethernet connection, but an Ethernet cable is used to connect to the Cat. No.
868 Remote Fader.
1.3.6 4xAES IN Connector
This 25‐pin female D‐connector, linked to the Digital 1 button, receives four AES/EBU

streams. The four AES input signals must be time aligned with each other. Typically, this
input connects to a Dolby Digital cinema server. It accommodates PCM audio at 96, 48, and
44.1 kHz, and 32 kHz (16, 20, and 24 bits) and Dolby Digital at all data rates and sample
rates. The decoding of Dolby Digital is restricted to the first AES3 channel pair. This
connector has a floating ground.

Introduction
1.3.7 Automation Connector
This connector is used to select an audio input, to read back the currently‐selected input,
and to remotely assert the mute command. The pinout is listed in Section 8.2.5.
The automation subsystem is referenced to pin 12, Automation Return. This is the ground
for these functions, and is connected to the ground of the CP750 only through a 1 k
resistor. An isolated power supply is provided so that connection to automation systems
can be made without introducing hum due to ground loops.
Caution: The isolated power supply can only function properly if the Automation Return
pin is within ±5 volts DC (or peak AC) of the CP750 chassis ground.
The automation control system is designed to accept contact closure inputs. A closed
contact asserts a command. The low side of the contact closing switch or relay should be
connected to Automation Return.
Warning: Under no cirumstances should power from an external source be supplied to any
pin in this connector. Connecting external power is likely to damage the CP750.
1.3.8 1x AES In Connectors
These BNC connectors are linked to the Digital 2 and Digital 3 buttons. They accommodate

PCM audio at 96, 48, and 44.1, and 32 kHz (16, 20, and 24 bits) and Dolby Digital at all data
rates and sample rates. A BNC male to RCA female adapter can interface with most
consumer gear. These connectors have floating grounds.
1.3.9 Opt In Connector
This optical connector is linked to the Digital 4 button. It accommodates PCM audio at 96,

48, 44.1, and 32 kHz (16, 20, and 24 bits) and Dolby Digital at all data rates and sample rates.
1.3.10 NonSync Input Connector
Two RCA jacks labeled L and R that accept 3 VRMS maximum input.
1.3.11 Aux Out Connectors
These analog output represents channel pair 7/8 of the 4× AES input.
For the top output (labeled 7), the source is channel 7 of the 4× AES input. No equalization
or level control is applied.
For the lower output (labeled 8), the source is channel 8 of the 4× AES input. No
equalization or level control is applied.
These analog output connectors represent either channel pair 7/8 of the 4× AES input or the
input present on the Digital 2 input, depending on the selected output configuration and
the HI/VI-N Options setting on the General Settings tab.

Questions or Feedback
If the 5.1 output configuration is selected:
• For the top output (labeled 7), the source is channel 7 of the 4× AES input. No
• For the lower output (labeled 8), the source is channel 8 of the 4× AES input. No
If the Dolby Surround 7.1 output configuration is selected:
• For the top output (labeled 7), the source is channel 1 of the Digital 2 input. No
• For the lower output (labeled 8), the source is channel 2 of the Digital 2 input. No
1.3.12 H/I Out Connector
The hearing‐impaired output signal, on the female RCA connector labeled H/I Out, is

unbalanced. It is a center‐weighted analog sum of the L, C, and R channels.
1.3.13 Mic. Gain
This multi‐turn trimpot adjusts the gain of the mic preamp. If you use the microphone
input for public address purposes, adjust this control for the desired volume in the
auditorium. If you use it only for cinema alignment purposes, the trimpot will be adjusted
using the setup software.
1.3.14 Mic. Input
This input is for use with a balanced output microphone. Phantom power is provided, and
can be turned on and off under software control using the setup software.
1.3.15 Main Audio Output Connector
This connector is an 8‐channel analog output (L, C, R, Ls, Rs, SW, Bsl, and Bsr), which is
present on a male 25‐pin D‐connector (300 mV reference level).
Bsl and Bsr channels are required for Dolby Digital Surround EX™ installations. For other
installations these channel can be configured to represent channel pair 7/8 of the 4xAES
input. These mutually exclusive options are configured in the setup software.
1.3.16 Multi-Channel Analog Input Connector
This connector is an 8‐channel analog input (L, C, R, Ls, Rs, SW, Bsl, Bsr) designed to
receive 300 mVRMS (ref) inputs from external sources and inputs on a female 25‐pin
D‐connector. These inputs are balanced and floating, but the common mode voltage must
not exceed ±6 V peak.
1.4 Questions or Feedback

If you have questions or comments about this document, please contact technical
publications.

If you have technical questions about this product/technology, please contact technical
support.
Chapter 2
Installation
2.1 CP750 Floating Signal Grounds

The CP750 is designed to eliminate ground loops, which can occur when the unit is
connected to multiple external equipment grounds. For this reason, the following CP750
connectors have isolated grounds:
• MAIN AUDIO OUTPUT and MULTI-CHANNEL ANALOG INPUT: Eight‐channel input and
output are balanced and floating. Note that a common mode signal between the
CP750 audio outputs and its chassis ground must not exceed +6 V peak.
• AUTOMATION connector: The common is floating and can be +5 V peak from the
chassis ground.
• 1xAES IN BNC digital inputs: These are transformer isolated and their grounds can be
+10 V peak from the chassis ground.
• 4xAES D‐connector digital inputs: These are transformer isolated and their grounds
can be +10 V peak from the chassis ground.
Note: The RS‐232 input ground is connected to the CP750 chassis ground and is not
floating.
2.2 Digital Audio Inputs

There are two professional interface standards for digital audio transmission: AES/EBU
(also known as AES3) and AES‐3id. These methods stream the same digital data and
professional audio header information over copper conductor links, but use different types
of conductors and connectors.
AES/EBU uses a balanced connection (two conductors plus shield) with a characteristic
input impedance of 110, a nominal peak‐to‐peak signal level of 5 V, and, most commonly,
XLR connectors. The typical maximum transmission distance is 100 meters (328 feet).
AES‐3id uses an unbalanced connection (one signal conductor plus shield) with a
characteristic input impedance of 75, peak‐to‐peak signal level of 1 V, and BNC (“push
and twist”) connectors. The typical maximum transmission distance is 1,000 meters (3,280
feet).
Professional digital audio equipment typically uses the AES/EBU method because
balanced operation yields superior noise immunity, as it does with analog audio signals,
and because XLR connectors are the standard on analog professional audio equipment.
Professional video equipment typically uses the AES‐3id interface, with BNC connectors.
As with XLR connectors on professional audio equipment, the adoption of BNC
connectors for the audio on professional video equipment stems from their use for the
video signal. Also, the unbalanced AES‐3id signal can connect to more than one piece of

Installation
equipment by using the loop‐through connectors available on some devices. The signal is
robust for long cable runs.
2.2.1 Consumer Interface Standards for Digital Audio
The consumer interface standard for digital audio transmission is S/PDIF (IEC 61937).
S/PDIF uses coaxial unbalanced connections (one signal conductor plus shield) with a
characteristic input impedance of 75 with RCA (phono) connectors, or a fiber‐optic cable
link. The unbalanced coaxial connection has a peak‐to‐peak signal level of 0.5 V. The
typical maximum transmission distance is 10 meters (33 feet). Although S/PDIF‐specific
cables with suitable connectors can be purchased, you can also obtain good results using
high‐quality 75 video cable with the appropriate connectors and/or adapters.
2.2.2 Cable Issues
Even in digital audio, noise‐free signals are very important. The cable used for digital
signals is specifically designed for such use, although it looks the same as the cable used
for analog audio or video signals. Any professional audio equipment or broadcast supply
company can provide 110 cable with connectors (or without, if you’d like to terminate
them yourself) for AES/EBU connections, and high‐quality 75 video cables with BNC
connectors for AES‐3id connections. Use of cables or connectors not designed for digital
transmission or with incorrect impedance compromises the integrity of the bitstream. This
can result in unreliable hardware interconnections, especially with long cable runs.
2.2.3 Multiple Sources: Conversion Between Interface Standards
Although some details of the bitstreams used in the AES and S/PDIF standards are
different, the audio information is exactly the same. As a result, most audio equipment
accepts either standard with no need to convert the bitstream itself; this is the case with the
CP750. However, if you intend to connect sources across different types of digital audio
inputs, do not attempt to convert a digital interface type by directly wiring an XLR
connector to a BNC or RCA plug. This causes an impedance mismatch and signal
reflections, resulting in digital waveform degradation. This may appear to work, but the
results are unreliable and dropouts occur.
For conversion between the AES‐3id and S/PDIF formats, you can use high‐quality
RCA‐to‐BNC adapters because the cable and impedance are both the same (75).
For conversion between the AES/EBU and AES‐3id or AES/EBU and S/PDIF formats, a
simple and economical method uses inline transformers. These devices perform the
necessary impedance and balanced/unbalanced conversion. Table 2‐1 shows some
examples of suitable adapters. The unbalanced connector in these examples is BNC.
You can add BNC‐to‐RCA adapters for connecting to consumer S/PDIF connections. The
following units use passive circuitry.
Table 2-1 Examples of Available Balanced/Unbalanced Adapters
Adapter Type Neutrik® Canare®

XLR female 110 in to BNC female 75 out NA‐BF BCJ‐XJ‐TRA
BNC female 75 in to male XLR 110 out NA‐BM BCJ‐XP‐TRA
Higher‐priced units incorporating active circuitry are also available. These offer additional
features such as multiple inputs, inputs for optical connections, and multiple outputs.

Mounting the CP750
2.3 Mounting the CP750

To avoid heat or hum pickup problems, do not mount the CP750 immediately above or
below power amplifiers. Locate power amplifiers away from the CP750 to avoid hum
pickup problems. Always leave a 1‐U space (43 mm, or 1.75 in) above and below the CP750
to provide adequate ventilation. Install an air guide or baffle to deflect hot any air coming
from equipment below the CP750.
To ensure good ground contact, install a star washer on at least one (and preferably all)
rack‐mounting screws as shown in Figure 2‐1. This will also aid in the prevention of
electrical noise problems.
Figure 2‐1
Figure 2-1 Star Washers and Rack-Mounting Screws
Proper shielding and termination of cables and cable assemblies are also very important.
Follow the methods shown in the wiring diagrams.
2.4 Connections
To connect the CP750 to your auditorium equipment, refer to Figure 2‐2.
For proper operation in locations where there is considerable interference, strictly adhere
to the cable types, lengths, and pin assignments. Shields must connect only to the chassis
and should not be paralleled with the negative side of inputs or outputs.
Connector pinouts are listed in Section 8.2.
2.5 Fuse Information

The CP750 uses a universal‐switching power supply that handles the full range of nominal
mains voltages between 100 and 240 VAC, and any frequency between 50 and 60 Hz.
If a power supply fuseinside the unit blows, do not attempt to replace it. Instead, contact
Dolby Laboratories. The fuse on the unit rear panel is intended to be replaceable. If it blows,
replace it with a fuse of the same type.

Installation
2.6 Mains Power Wiring

In some countries, the primary mains cable may not have a connector fitted.
Nonterminated leads must be properly wired to an approved mains connector in
accordance with the following international code:
• Brown wire: live or hot
• Blue wire: neutral
• Green wire: mains ground
Warning: If you are uncertain about the wiring of your AC mains outlet, do not use it.
Consult a qualified electrician.
2.7 Cable Diagram

The cable diagram for the CP750 rear panel is shown in Figure 2‐2.

Installation Cable Diagram
Figure 2‐2
Notes:
Unbalanced Input amplifier
one channel shown, applicable to all
1. Follow all local electrical and building codes.
Surround Speakers
{ Red: 8
2. Use earthed (grounded) conduit wherever
possible. Avoid routing signal wiring near electric
motors, rectifiers, power wiring, dimmer wiring, or
other sources of electrical noise.
{
PA Microphone Input
(Or Mic-multiplexer for setup)
Screen Speakers 3. For two-conductor with shield wiring, use
Belden 8451 two-conductor shielded cable or
Hearing black
Impaired
equivalent: tinned copper, twisted pair, 22 AWG
{
System red Red: 19 stranded tinned copper drain wire, aluminum-
L+C+R BSR
Surround EX/7.1 Black: 6 polyester shield, 100 percent shield coverage,
Speakers Red: 16
conductor to conductor (111 pF per meter).
Digital Inputs:
PCM
{ BSL
Black: 3
4. All shields must be connected to the chassis of

Dolby Digital ( AC-3)
the CP750 or DSP100/DSS200 rather than to
circuit (audio) ground. This achieves the RF
interference immunity required by European EMC
standards. For D-connectors, a metal housing
4X AES Source must be used and the shields must be connected
Eight-channel PCM
from Server
This device complies with Part 15 of the FCC Rules.

CP750 Operation is subject to the following two conditions: (1) this
Digital Cinema Processor device may not cause harmful interference, and (2) this
device must accept any interference received, including
interference that may cause undesired operation.
CAUTION This Class A digital apparatus complies with Canadian ICES003.

To reduce the risk of fire Risk of electric shock.
replace only with same
type and rating
Do not open.
MIC. MAIN
250V time-lag fuse. No user serviceable parts
4xAES IN NONSYNC AUX AUDIO OUTPUT
FUSE T 3.15A L BACK-UP inside. Refer all service
INPUT
to qualified personnel. INPUT OUT
5 mm x 20 mm POWER This equipment must be
PUSH
earthed/grounded. L 7 H/I
ETHERNET REMOTE DIGITAL 1 1xAES IN OUT
~ 50–60 Hz 30W
100–240 Vac RS-232 OPT IN MULTI-CHANNEL
MIC.
C UL US 25 R 8
LISTED GAIN
PROFESSIONAL AUDIO
EQUIPMENT 4J06
Dolby, Pro Logic and the double-D symbol
are registered trademarks of Dolby Laboratories.
ACT LINK NOT ETHERNET AUTOMATION DIGITAL 2 DIGITAL 3 DIGITAL 4 ANALOG INPUT
F9110270_3A.CDR
Cat. No. 994

Back-up Power Supply
( Optional)
CD or DVD Player
14
2
3
16
17
5
6
19
20
L-
L+
BSL-
BSL+
C-
C+
BSR-
BSR+
R-
{ Eight-channel Analog Input
(all unlabeled pins are ground)
normal operating level = 300 mV
{
8 R+
10 LS-
Auditorium Network 23 LS+
11 RS-
Cat. No. 868 Remote Fader Automation Mic.

Non-sync
24
12
RS+
SW-
NonSync
(Optional) Input Multi-Ch Analog
Source
25 SW+
Digital 4
Digital 3
Digital 2 H/I OUT channel 7 (if present)
Digital 1
CP750
INSTALLATION WIRING
Figure 2-2 CP750 Inputs and Outputs
Dolby® DMA8Plus Digital Media Adapter Manual 15

Chapter 3
Installing, Launching, and Connecting

the Setup Software
The CP750 is designed and built to be set up and administered remotely by software. Once
installed and configured, the CP750 remote application gives you access to all unit
functions.
Begin by installing the software on a PC, which you can connect to the CP750 with a USB
cable.
3.1 System Requirements

The CP750 setup software runs on Microsoft® Windows® XP and Windows Vista®.
3.2 Installing the Software

To install the CP750 setup application:
1. Open the CP750 Setup folder and run CP750Setup_x_x_x.exe. This file is named with
the current software version number.
The installer opens displaying the screen shown in Figure 3‐1.
Figure 3‐1
Figure 3-1 Installer Welcome Screen
2. Select the desired language.
3. Follow the screen prompts.

Installing, Launching, and Connecting the Setup Software
We recommend running the installer as an administrator. If you run the installer without
administrative privileges, you will not be able to connect to the CP750 via USB. The
installer generates the warning shown in Figure 3‐2..
Figure 3‐2
Figure 3-2 Running the Installer Without Administrator Privileges
3.3 Connecting the Hardware

There are three ways to connect computer hardware to the CP750.
• The USB port on the front panel of the unit, shown in Figure 1‐1, is expressly designed
for easy connection to laptop computers with a standard A to B cable.
• You can connect directly to the Ethernet connector on the unit rear panel. If your
laptop supports Gigabit Ethernet, use a standard Ethernet cable. Otherwise, use a
crossover cable.
• You can connect a pin‐to‐pin serial cable to the RS-232 connector on the unit rear
panel.
3.4 Launching the Setup Application

To launch the CP750 setup application, click the Start button and scroll to Programs. In the
Dolby folder, double‐click Dolby CP750 Setup.
The Dolby® CP750 setup window appears, as shown in Figure 4‐1.
3.5 Connecting to a Local or Remote Device

You can use the setup software Action menu, shown in Figure 3‐3, to connect to a local or a
remote device.

Connecting to a Local or Remote Device
Figure 3‐3
Figure 3-3 Action Menu
These options allow you to connect to a CP750 that is either connected to your PC (local
device) or connected to an Ethernet network (remote device). If you select Connect to
remote device, the system prompts you to enter an IP address.
You must change TCP/IP properties of your laptop to communicate properly with the
CP750 when connecting the setup software to a CP750 using a PC Ethernet connection. We
recommend the following TCP/IP settings to enable your PC to communicate with a CP750
using its default setting.
IP address: 192.168.1.200
Subnet mask: 255.255.255.128
Default gateway: 192.168.1.129
Note: The CP750 default IP address (for connecting) is 192.168.1.136.

Chapter 4
Configuring the CP750 Software
Note: After you load a saved configuration file, you must adjust the Network tab settings
to reflect the correct auditorium. Loading a Saved Configuration File is a
convenient way to make these changes quickly.
4.1 Using the Application Tabs to Configure a CP750

Each setup application tab controls a different part of the application function. They are
discussed separately in the following sections:
• Profile Tab: Lets you enter identifying information that is important for service calls
and technical support.
• Network/Time Tab: Lets you specify unit addresses and connections
• General Settings: Lets you define a power‐on mode, a subwoofer filter frequency, and
a surround delay for the CP750.
• Input Settings: Lets you define attributes and processing for each input.
• Alignment: Lets you optimize the sound in the auditorium. This important topic is
described in detail in Chapter 6.
4.1.1 Profile Tab
When you launch and connect the CP750 setup software, the application opens with the
Profile tab active, as shown in Figure 4‐1.

Figure 4‐1
Figure 4-1 Profile Tab
Here you enter identifying information about the auditorium equipment. This system
information is particularly important if a service call is ever necessary. The key items are:
• CP750 Serial Number: Read the number from the back of the CP750 unit.
• Theatre Name: This must match the name registered in your Theatre Management
Software (TMS).
• Auditorium Number: This must match the number assigned to the Show Player.
• Cinema Processor: Enter a name for your CP750.
• Digital Cinema System: Identifying numbers for your cinema processing equipment.
• Digital Cinema Projector: Identifying information for your projector.
• Input Descriptions: The identifying text you enter here is repeated as the titles of the
Input Settings tab.
Tip: Assigning clear names to the digital inputs is an easy way to prevent input selection
errors.
The Profile tab displays the current network settings, but you can modify them only on the
Network/Time tab.
4.1.2 Network/Time Tab
The Network/Time tab, shown in Figure 4‐2, lets you configure the CP750 Ethernet settings
and time and date settings.
The host name and IP address are echoed, read‐only, on the Profile tab. Network
configuration and status are also available though the ASCII control interface.

Using the Application Tabs to Configure a CP750
Ethernet Settings
By default DHCP is turned off, and entries follow the Dolby® Digital Cinema private
network address naming convention in which the third octet indicates the auditorium
number:
• Host Name: CP750xxxxx
• IP Address: 192.168.x.136
• Subnet Mask: 255.255.255.128
• Default Gateway: 192.168.x.129
If you are using the Dolby TMS you need only enter the auditorium number in the third
triad of the IP Address and Default Gateway fields.
DHCP
We recommend assigning the unit a static IP address, and most installations rely on them.
However, the CP750 can support DHCP.
If you click Enable, the IP Address, Subnet Mask, and Default Gateway change to 0.0.0.0

while the unit searches for a server and acquires valid addresses. This search and
acquisition process may take up to 30 seconds.
If no server is found, the displays stay at 0.0.0.0 past 30 seconds.
Figure 4‐2
Figure 4-2 Network/Time Tab
If you make any changes, the system highlights two action buttons. Click one to either
Discard Changes or Apply Changes.

Time and Date
You can change the time manually by dialing with the arrows in the Apply Time field.
You can also load the local time from a server by clicking the Load Local Time button.
You must click Apply to make changes to the unit’s stored date and time.
4.1.3 General Settings
This tab, shown in Figure 4‐3, lets you set four system attributes:
• Power‐On Mode
• Surround Delay
• Main Output Configuration and HI/VI‐N Options
• Mute Duration
Figure 4‐3
Figure 4-3 General Settings Tab
Power-On Mode
The Power‐on Mode selects the input that is activated when the CP750 unit is powered on.
You can select Last Setting, or any of the inputs.
Surround Delay
The setup application can calculate and set the General surround delay value based on
theatre measurements entered here. Measurements may be entered in feet or meters.
1. Click Feet or Meters to choose a unit of measure.
2. Enter a Distance from screen to rear wall of theatre value between 0 and 200.
3. Enter an Average distance between left and right Surround channels value between
0 and 140.
4. Click Calculate.

The General value is adjustable from 0 to 150 ms in 1 ms steps. The display shows a marker
every 10 ms.
After you set the general surround delay for digital material, set the Pro Logic/Pro Logic II
value which is applied to analog material. The minimum value for this slider is 20 ms
because this value should always be 20 ms higher than the General value.
Main Output Configuration and HI/VI-N Options
You can choose either of two options:
• 5.1 Output Configuration (No BSL or BSR Installed): Selecting this option causes the
audio on channels 7 and 8 of the 4× AES input to be routed to the Aux Output
connector on the rear panel of the CP750 to support HI/VI‐N in the DCP.
• Dolby Surround 7.1 /Surround EX Output Option (BSL and BSR Installed):
Selecting this option enables 7.1‐channel support in the CP750, if the auditorium has
back surround speakers installed. When this option is selected, you can choose to:
• Disable 7/8 Aux Out: Selecting this option disables the Aux 7/8 output on the rear
panel of the CP750.
• Route Digital 2: Selecting this option causes the CP750 to route digital audio
present on the Digital 2 input to the Aux 7/8 output on the rear panel. This option
also disables the use of Digital 2 input selector via either the front panel or
automation.
Mute Duration
The Fade In and Fade Out sliders each have a range of 0.2 to 5 seconds in 0.1‐second steps.
Set either value by moving the slider.
4.1.4 Input Settings
The Input Settings tab of the set up application consists of a separate tab for each input
described separately in the sections that follow.
4.1.5 Digital Input 1
Figure 4‐4 shows the Digital Input 1 tab. The tab title is repeated from the Digital 1 input

description on the Profile tab.

Figure 4‐4
Figure 4-4 Digital Input 1 Tab
On the Digital Input 1 tab you can configure:
• Global Audio Delay
• Mute Main Bsl/Bsr Output Pins
• Fader Preset
• PCM Channel Assignment
• PCM Decode Mode
• PCM Processing Mode
• Dolby Digital Decode Mode
• Dolby Digital Dialogue Normalization
Global Audio Delay
The Global Audio Delay field specifies an audio delay in addition to the CP750 decoding
delay of approximately 13 ms for 4× AES PCM. Use this function to synchronize the audio
with the video from digital cinema projectors, which add a video processing delay. Use the
up and down arrows to set the Global Audio Delay between 0 and 250 ms. This delay
value is set independently for each digital input.
Note: Systems that use an external video scaler may add another decoding delay.
Mute Main Bsl/Bsr Output Pins
Choose Enable to mute these pins if your auditorium does not use them.

Fader Preset
To use the Fader Preset feature, choose Enable and indicate a value on the slider. This
ensures that inputs play at correct values each time they are selected.
PCM Channel Assignment
The analog audio output channels (L, R, C, LFE, Ls, Rs) are always fixed and hardwired to
a cinema processor. However, when the input‐channel mapping of a PCM bitstream is not
a default SMPTE configuration (L/R, C/LFE, Ls/Rs), you must reassign the input channels
to match the hardwired audio outputs. For channel reassignment, the surround delay and
the LFE filter are always tied at the output, and therefore cause no problem.
To reassign the input channels, use the drop‐down Assigned To menu for each of the AES
Input channels or click one of the three preset buttons (L/R C/Sw Ls/Rs; L/C R/Ls Rs/Sw;
or L/Ls C/Rs R/Sw). To activate your changes, click the Apply changes button. To cancel
your changes, click the Discard changes button.
PCM Decode Mode
You can select one of four surround channel processing options:
• None
• Pro Logic
• Pro Logic II
• Surround EX
• Dolby Surround 7.1
PCM Processing Mode
You have three choices of mode:
• Minimum Latency: When selected, this default mode provides the quickest audio
processing (approximately 7 ms) for PCM audio.
• Silent Switch: When selected, the CP750 constantly checks for transitions between
PCM and coded audio, and switches between the two silently. This mode adds a 40
ms latency to the audio processing (for a total latency of approximately 47 ms).
• Mute: When selected, PCM audio is muted. Dolby Digital plays normally.
Note: Both Minimum Latency and Silent Switch automatically switch between PCM
and coded audio. Minimum Latency may produce an audible snat during the
transition.
Dolby Digital Decode Mode
You choose how the system decodes a two‐channel input stream. There are four options:
• Auto
• Pro Logic
• Pro Logic II
• Surround EX

Auto decode mode follows the surround metadata parameter embedded in the coded
bitstream. There is no metadata in PCM audio. If you choose Pro Logic or Pro Logic II
decoding, your choice overrides the presence or absence of surround metadata in
two‐channel coded bitstreams.
Dolby Digital Dialogue Normalization
When enabled, this option sets the decoder level shift according to the metadata embedded
in the Dolby Digital bitstream. The default is Disable.
4.1.6 Digital Inputs 2, 3, and 4
The options available on these three tabs are identical. Figure 4‐5 shows the Digital Input
2 tab. The tab titles are repeated from the input descriptions on the Profile tab.
Figure 4‐5
Figure 4-5 Digital Input 2 Tab
For these inputs you can configure:
• Fader Preset
• PCM Decode Mode
• PCM Processing Mode
• Dolby Digital Decode Mode
• Dolby Digital Dialogue Normalization
The options for Global Audio Delay, Fader Preset, PCM Processing Mode, Dolby Digital
Decode Mode, and Dolby Digital Dialogue Normalization are identical to those on the
Digital Input 1 tab.

PCM Decode Mode
There are three decoding options for two‐channel PCM streams:
• None
• Pro Logic
• Pro Logic II
4.1.7 Analog Input
Figure 4‐6 shows the Analog Input tab.
Figure 4‐6
Figure 4-6 Analog Input Tab
On this tab you can set:
• Mute Main Bsl/Bsr Output Pins
• Fader Preset
• PCM Channel Assignment
• PCM Decode Mode
These choices operate identically to those on the Digital Input 1 tab.
4.1.8 Nonsync Input
On the Nonsync Input tab, shown in Figure 4‐7, you can choose:
• Fader Preset
The options operate identically to those on other tabs.

You can choose any of six supported formats for PCM:
• Format 60 Nonsync
• Format 70 Mono CS
• Format 71 Mono C
• Format 73 Pro Logic LCR
• Format 74 Pro Logic® with no subwoofer
• Format 75 Pro Logic with a subwoofer
You can also set an Input Trim using the slider.
Figure 4‐7
Figure 4-7 Nonsync Input Tab
4.1.9 Mic Input
On the Mic Input tab, shown in Figure 4‐8, you can choose:
• Fader Preset
The options operate identically to those on other tabs.
The PCM Channel Assignment field allows you to assign the microphone input to either
the Center channel or the Surrounds.
In the Phantom Power field, you can enable phantom power to the microphone as needed.

Saving Settings in a Configuration File
Figure 4‐8
Figure 4-8 Mic Input Tab
4.2 Saving Settings in a Configuration File

When you have completed configuration work on the CP750, you can save your settings to
a .dlb parameter file. We recommend saving configuration files for use in the event your
unit ever needs to be replaced.
Caution: Take care to identify the settings file clearly, and store it separately from software
update files, which also use the .dlb extension.
Chose Save in the File menu as shown in Figure 4‐9, browse to the location on your PC

where you want to save the file, enter a file name, and click Save.
Figure 4‐9
Figure 4-9 Selecting Save in the File Menu
To modify an existing .dlb file and save it under a different name, open the file, then select
Save As in the File menu.
4.3 Loading a Saved Configuration File

A CP750 can be restored from an existing .dlb configuration file.
To do so, choose Open in the File menu of the setup application, browse to the desired .dlb
file on your PC, and open it.

Figure 4‐10
Figure 4-10 Selecting Open in the File Menu
4.4 Using Expert View

When you choose Expert View on the Window menu, all the CP750 parameters and
command strings are available as shown in Figure 4‐11.You can modify a parameter
highlighted in green by double clicking it and typing a new value. To return to the tab
display, reselect Expert View.
Figure 4‐11
Figure 4-11 Expert View Window
4.5 Updating the CP750 Firmware

To update the CP750 firmware:
1. Obtain the latest version of the CP750 setup application from Dolby Laboratories and
install it on your PC.
2. Obtain the .dlb update file from Dolby Laboratories and copy it to your PC.
3. Connect your PC to the USB port on the CP750 front panel.
4. Click the Software Update tab to begin the update process. The tab is shown in
Figure 4‐12..

Updating the CP750 Firmware
Figure 4‐12
Figure 4-12 Dolby Software Update Screen
5. Click Browse to find the .dlb update file on your PC, then click Open.
6. Click Update.
After a few seconds, a progress bar displays the status of the update process. When the
process is completed, the CP750 automatically reboots with the updated firmware.

Playing Dolby Surround 7.1 Audio
Preparation of a Dolby® CP750 Digital Cinema Processor for Dolby Surround 7.1 audio
requires four steps:
1. Upgrade the cinema processor and server software, if necessary.
2. Make any necessary changes to the AES audio cable connecting the server and
processor.
3. Manually change the audio output of the DSP100 Dolby Show Player (if your
auditorium uses one).
4. If necessary, make changes to surround speaker wiring to accommodate Dolby
Surround 7.1 audio.
This chapter provides details of the setup processes for auditoriums using Dolby cinema
servers. If your auditorium does not contain a Dolby cinema server, contact the server
manufacturer to ensure you have 16‐channel playback capability and to obtain the
necessary digital audio pinouts of the server. Sixteen ‐channel playback is required because
the Back Surround Left (Bsl) and Back Surround Right (Bsr) audio channels are carried on
channels 11 and 12 (AES pair 6).
5.1 Required Software

The Dolby Digital Cinema server requires, at a minimum, software release v.4.2.1.
The CP750 requires software version 1.2.6.5 or later.
Install all required software updates before proceeding.
5.2 Cable Connections

Each combination of server and sound processor has its own cabling requirements. Refer
to the section that matches your equipment. The combinations are:
• Connecting a DSP100 to a CP750
• Connecting a DSS200 to a CP750
5.3 Connecting a DSP100 to a CP750
The pinout is listed in Table 5‐1.
Table 5-1 DSP100 Output Connector Pinout
Pin Description Pin Description

1 AES common 14 Channels 1/2 +
2 Channels 1/2 − 15 AES common
3 Channels 3/4 + 16 Channels 3/4 −
7 AES common 20 AES common
8 Not connected 21 Not connected
9 AES common 22 Not connected
10 Not connected 23 AES common
11 Not connected 24 Not connected
12 AES common 25 Not connected
13 Not connected
Channels 1–8 are balanced, 110 digital audio, carried via a 25‐pin D‐connector attached
to the DSP100 audio output connector. Channels 11 and 12 are unbalanced, 75 digital
audio output from the DSP100 on BNC connector 2. This must be terminated into the
channel 7/8 input on the CP750. You can order the cable (Dolby Part Number 8310110) from
your Dolby dealer.
Figure 5‐1
Figure 5-1 DSP100 Rear Panel with Cable Connections

5.4 Connecting a DSS200 to a CP750
Dolby Surround 7.1 requires changes to the wiring of the DSS200 output cable. The pinout
is listed in Table 5‐2.
Table 5-2 DSS200 Audio Output Pinout
Pin Description Pin Description

7 AES common 20 AES common
13 Channels 15/16 −
Pins 10 and 22, carrying the channel 11/12 signal (AES pair 6), must be terminated to inputs
7 and 8 (AES pair 4) on the CP750. You can order this cable (Dolby Part Number 8310160)
from your Dolby dealer.
Figure 5‐2
Figure 5-2 DSS200 Rear Panel with Cable Connections
5.5 Manually Change the Audio Output of the DSP100

The DSP100 must be reconfigured to allow playback of up to 16 audio channels. Once you
have verified or installed the necessary firmware, proceed as follows:
Using the front‐panel interface, navigate to the right‐hand last menu (where you manually
change the decode from 2D to 3D).
Scroll down until the last item in bottom of the menu, BNC Channel Mapping, is highlighted.

By default, this is set to the 1–8 channel assignment. Pressing the Enter key while BNC
Channel Mapping is highlighted gives you the option of changing to channels 9–16.
Use the down arrow key to select 9–16. Highlight and press the Enter key once.
Your DSP100 is now configured to pass up to 16 channels of audio.
5.6 Update Surround Speaker Wiring

If your auditorium is wired to support Dolby Digital Surround EX™ audio, you do not
need to make any additional changes. If your auditorium is not wired to support Dolby
Digital Surround EX, you may need to make changes to the wiring and add amplifiers, as
described in the CP650 Dolby Digital Surround EX Connections installation note. The sound
pressure level is 82 dB for each.
5.7 HI and VI-N Channels

With the introduction of Dolby Surround 7.1, AES pair 4 inputs to the CP750 are required
for routing the Bsl and Bsr channels into the cinema processor. If these CP750 inputs are
currently being used for routing hearing impaired (HI) or visually impaired narration
(VI‐N, also known as audio description) channels, an external digital‐to‐analog (D/A)
converter will be required for the HI/VI‐N channels. You may use aftermarket cables or
adapters to fit your installation.
HI/VI‐N channels may be placed in AES pair 4 (channels 7/8) or AES pair 8 (channels 15/16)
depending on territory or the configuration of the digital cinema package (DCP).
For the DSP100 and CP750 combination, when configured for Dolby Surround 7.1
playback, BNC connector 4 on the rear of the DSP100 will be accessible to retrieve AES pair
8. Dolby Laboratories offers a 7.1 cable to connect the DSP100 to the CP750; the cable
package also includes a dongle connector to access HI and VI‐N on AES pair 4.
For the DSS200 and CP750 combination, when configured for Dolby Surround 7.1
playback, all audio connections are made on the 25‐pin D‐connector port. A custom cable
or breakout board can be made to retrieve the AES pair 8 from the output of the DSS200 on
pins 25 and 13, as referenced in Table 5‐2. AES pair 4 from the output of the DSS200 is on
pins 6 and 19. Dolby Laboratories also offers a 7.1 cable to connect the DSS200 to the CP750;
the cable package includes two dongle connectors to access HI and VI‐N on either AES pair
4 or AES pair 8.
5.8 Using the Correct Decode Mode

At no time should 5.1 discrete content be played in Dolby Surround 7.1 mode, or vice versa,
because incorrect audio would be heard in the auditorium through the back surround
speakers.
This is an important consideration for show building in the Dolby Show Manager. Preshow
audio for a Dolby Surround 7.1 feature may be discrete 5.1‐channel audio. Trailers supplied
with a Dolby Surround 7.1 feature may also have 7.1 audio tracks. The auditorium server,
the cinema processor, and the automation system must therefore be capable of switching
among sound formats during the show. Automation or theatre management systems may
need to be upgraded.
5.9 Managing Decode Mode Switches with v.4.2.0 Software

Dolby Digital Cinema system version 4.2.0 and later supports the cues for 5.1 discrete
(CP750 Decode Mode: Discrete) and Dolby Surround 7.1 (CP750 Decode Mode: 4 Discrete
Surrounds). Place these cues in the show to ensure that the decode mode is correctly
selected.
5.10 Managing Decode Mode Switches with Prior Software

Dolby Digital Cinema system software prior to v.4.2.0 does not support the new Dolby
Surround 7.1 cue. In this case, configure the CP750 so that selecting Digital Input 1
automatically places the processor in Dolby Surround 7.1 mode. Detailed steps are
provided in Section 5.13.
Once the CP750 is properly configured, place a CP750 Input: Digital 1 cue at the start of the

show (which will switch the CP750 into Dolby Surround 7.1 mode), followed by a CP750
Decode Mode: Discrete cue to switch the CP750 to 5.1 discrete mode for the 5.1 discrete
preshow content.
Prior to Dolby Surround 7.1 content, place a CP750 Input: Digital 1 cue. This reselects Dolby

Surround 7.1 mode.
For shows containing 5.1 discrete content only, always place a CP750 Decode Mode:

Discrete cue after Digital Input 1 is selected to ensure that 5.1 discrete monitoring is used.
5.11 Using Software to Configure the CP750 for Dolby Surround 7.1
Using the CP750 PC setup software version 1.2.4.3 or later, connect to your CP750 and
select the general settings tab. In the Main Audio Output Configuration section, click Bsl/Bsr
(Surround EX) (shown in Figure 4‐3) to select it. This configuration is required for Dolby
Surround 7.1 and Dolby Digital Surround EX decode modes, and applies the required
surround delays for Ls/Rs and Bsl/Bsr.
5.12 Calibration and Alignment

Setting levels for Dolby Surround 7.1 is no different than current practices for Dolby Digital
Surround EX with a CP750. Sound pressure levels should be set to 82 dB per surround
channel.
5.13 Setting the Decode Mode of the CP750
The default decoding mode for Digital Input 1 can be set on another tab of the software.
Click the Input Settings tab, then click Digital Input 1 to see the tab shown in Figure 4‐4. In
the Decode Mode section, click Dolby Surround 7.1.
Note: The decode mode set here is applied whenever Digital Input 1 is selected.
Ensure that the Mute Main Bsl/Bsr Output Pins box is cleared, not checked. These channels

are required.
5.14 Manually Configuring the CP750 for Dolby Surround 7.1

The Digital Input 1 decode mode can also be set manually using the front‐panel interface.
Push the menu button on the front panel of the CP750 (shown circled in Figure 5‐3) to place
the unit into editing mode.
Figure 5‐3
Figure 5-3 CP750 Front-Panel Menu Button
Once in editing mode, you will be presented with the decode mode choices. Rotating the
volume knob allows you to choose among three options:
• Discrete 5.1
• Surround EX
• Dolby Surround 7.1
Once you have chosen a decode mode, push the confirm button (shown circled in
Figure 5‐4) to apply the selected decode mode.
Figure 5‐4
Figure 5-4 Confirm Button
After you confirm the decode mode, push the menu button to cycle back to the main
display, shown in Figure 5‐5. Verify that the decode mode the CP750 is running is what you
chose. Again, note that the decode mode you chose is applied whenever Digital Input 1 is
selected.
Figure 5‐5
Figure 5-5 Dolby 7.1 Decode Mode
5.15 Serial and Ethernet

Table 5‐3 lists the string parameters needed for ASCII control over serial or Ethernet.
Table 5-3 ASCII String Commands

CP750 ASCII String Parameter Action
cp750.sys.pcm_2_channel_decode_mode_1 lr_discrete 5.1 discrete decode mode
cp750.sys.pcm_2_channel_decode_mode_1 4_discrete_sur Dolby Surround 7.1 decode

mode
cp750.sys.input_mode dig_1 Select digital input 1
Chapter 6
Aligning the Auditorium
The CP750 allows you to quickly and easily optimize the sound quality in the auditorium.
The alignment process is discussed in the following sections:
• Checking Theatre Equipment
• Microphone Placement
• Initial Setup
• Calibrating the Internal SPL Meter
• Initial Output‐Level Adjustment
• Room Equalization
• Final Output‐Level Calibration
• Final Sound Check
• Nonsync Level Adjustment
6.1 Checking Theatre Equipment

Thoroughly check the loudspeakers and power amplifiers for any sources of poor
performance, using the checklists below as a guide.
6.1.1 Speakers
• Check loudspeaker cable condition and confirm that the cables are the correct gauge
for the impedance of the speakers and the length of the run.
• Check that the speakers are connected to the correct power amp channel.
• Check for leaks in the low‐frequency driver cabinet which may sound like rattles.
• Check for loose bolts or other hardware.
• Check the speakers with an ohmmeter. If one channel requires markedly more
equalization than the other, or if one speaker overloads at lower levels than the other
speakers, an open driver circuit could be the cause. In systems with pairs of drivers,
one voice coil of the pair may be open but the system will still function.
• Check for missing drivers or other components.
• Verify that crossover settings matching the type of drivers in use and the acoustics of
the theatre. The high‐frequency driver level control must be set for the best possible
frequency response before you attempt any equalization. This is especially true if the
system uses active crossovers with biamp equipment.
• Check for proper polarity between the low‐ and high‐frequency drivers, and between
the channels.
• Ensure that the speakers are correctly aimed into the auditorium, and that they are
not obstructed by the screen frame, struts, or other objects.

6.1.2 Amplifiers
• Check for distortion.
• Check for gross gain differences among amplifiers. If one amplifier differs in
performance from the others, it should be checked and repaired.
• Check for blown fuses.
• Ensure that there is good air movement through power amplifiers.
• Check any air filters.
6.1.3 Air Conditioning
If air‐conditioning noise is audible in the theatre, minimize it by:
• Lubricating the motor and fan bearings
• Adjusting belts and drives
• Cleaning the filters or screens on the air‐conditioning returns
6.2 Microphone Placement

Position a microphone multiplexer in the center of the auditorium listening area. Place each
microphone in the reverberant field rather than in an area that receives the most direct
energy from the speakers. In addition, avoid perfect symmetry. Arrange the microphones
so that they do not form a square or rectangle parallel to the sides of the room. Take care
not to place any of the multiplexing microphones on the auditorium center line. Standing
waves and nodes can cause measurement errors.
During final SPL calibration, microphone number 1 should be placed two‐thirds of the
distance from the front speakers to the rear, at the exact side‐to‐side center of the room,
approximately five feet above the floor level, and rotated 45 degrees upward toward the
screen. (Some multiplexer microphones are designed to be pointed directly at the ceiling.)
Placement of this microphone is important for output level adjustments.
Figure 6‐1
Figure 6-1 Microphone Placement for Equalization
If a single microphone is used, which we do not recommend, use the number 1 position
detailed above, but place it slightly off center during equalization.

Initial Setup
Route the output cable to the CP750 and connect it to the Mic. Input connector on the CP750

rear panel.
Note: Many microphones require phantom power, which can be enabled in the CP750
setup software.
6.3 Initial Setup

Prepare for the alignment process with the following steps:
1. Set all the gain controls on all power amplifiers to known, repeatable settings. The
preferred setting for most amplifier gain controls is the maximum. If a different
setting is required in order to optimize the noise performance of the system, the
controls should be locked in position or marked clearly.
Caution: The following process causes the CP750 to output pink noise to the power
amplifiers.
The CP750 output levels may be set too high. If you are unsure of the settings on
your unit, turn off the power amplifiers before calibrating SPL. Then, select and
observe the present output level adjustment settings.
2. Set up your crossovers if present.
3. Apply power to the CP750.
4. Launch the CP750 Setup Software, connect to the unit, and click Alignment.
The software displays a warning that entering alignment mode will disturb
auditorium audio.
5. Click Continue in the warning tab that appears to begin the auditorium alignment
process.
The Room Levels tab appears active.
Room Levels shows a summary of current settings, allows you to calibrate the internal SPL
meter, allows you to choose a channel with which to work, or to adjust any channel’s level
with a slider. Each increment of the displayed relative number from a value of 1 to 127,
represents an increment of approximately 0.25 dB of range adjustment.
Figure 6‐2 shows an example of the tab before the SPL is calibrated.

Figure 6‐2
Figure 6-2 Alignment Tab Showing Room Levels
6.4 Calibrating the Internal SPL Meter

You must calibrate the internal SPL before proceeding with alignment.
1. To start the process, click C under Signal Generator Enable to activate the Center
channel.
2. Select Pink Noise from the Signal Mode drop‐down list. Pink noise is sent to the
Center channel speaker.
Note: The CP750 is shipped from the factory with the Mic. Input level
control set to the minimum.
3. Check the microphone level to be sure it appears in the target range as shown in
Figure 6‐2.
If necessary, adjust the Mic. Gain on the rear panel of the CP750 until the level is within
the target range.

Initial Output-Level Adjustment
4. With a sound pressure level meter, measure the noise level in the room. Hold the
sound pressure level meter near the location of mic 1, discussed in Section 6.2.
5. Enter the measured value into the Measured Value field.
6. Wait while the system automatically calibrates to the room reading.
The calibration is retained in CP750 memory and can be used in future alignments.
However, it is advisable to recalibrate the system when rearranging microphones because
the sound pressure level varies slightly with microphone placement.
6.5 Initial Output-Level Adjustment

Next, adjust each channel slider to make sure the pink noise is audible and to achieve a
reasonable sound pressure level in the auditorium. It is not necessary to set exact levels
because the levels will change slightly during equalization. Exact output level adjustment
is performed after equalization.
Note: For this and all other adjustments using sliders, use the slider to get close to the
optimal value. Use the up and down arrow keys to make fine adjustments.
6.5.1 Setting Main Channel Levels
When the CP750 is first installed, you must repeat these steps for each channel. Values are
adjusted on the Channel Tune tab after a channel is chosen. Figure 6‐3 shows an example
with the Center channel selected.
1. Click a channel radio button to make it active and lock pink noise to it.
2. Check the level indicated underneath the Channel Level slider, and move it up or
down until the measured level reads 85 dB.
3. Repeat steps 1 and 2 for the R and L channels, setting the Channel Level to 85 dB.
4. Repeat steps 1 and 2 for the Rs, Ls, Bsr, and Bsl channels, setting each to read 82 dB.

Figure 6‐3
Figure 6-3 Channel Tune Tab Showing the Center Channel
6.5.2 Subwoofer Levels
After the last surround channel is adjusted, click LFE to calibrate the subwoofer. Pink noise
is now present on the subwoofer channel only (140 Hz bandwidth for EQ and level setting
screens).
The LFE has distinct options that appear on the Channel Tune tab, as shown in Figure 6‐4.

Room Equalization
Figure 6‐4
Figure 6-4 Channel Tune Tab Showing LFE EQ
Initial subwoofer level setting uses a blue reference line displayed on the LFE Channel
Tune tab, established from the Center channel pink‐noise level. Using the Channel Level
slider, adjust the level, moving the average subwoofer RTA display to match the reference
line on the screen as closely as possible. Final subwoofer level adjustments for both digital
and Dolby® Pro Logic® signal paths are carried out later, after the room is equalized.
6.6 Room Equalization

Room equalization is performed using the RTA built into the CP750. The desired result is
a frequency response that closely matches the “x‐curve” overlay (SMPTE 202M‐1998).
Results achieved within ±3 dB of the x‐curve are considered within tolerance of the
specification. Small diameter, pressure calibrated microphones are preferred for accuracy
over large diameter types. Use of a microphone multiplexer will accommodate spatial
averaging of different positions within the room, which is recommended for best results.
Follow this sequence:
1. Perform coarse adjustments of each channel using the Bulk EQ Bass and Treble
sliders.
2. Perform fine adjustments of each band using the 27‐band one‐third‐octave equalizer.
3. Perform LFE channel equalization by setting the frequency, Q (width), and level of
cut, using the single‐band parametric equalizer.

6.6.1 Setting Bulk EQ
This process simultaneously adjusts all bass or all treble frequencies. It is important to
adjust both of these prior to adjusting the individual one‐third octave bands.
Bass Level
The Bass level on the Channel Tune tab is adjustable from –6 to +6 dB in 0.2 dB steps. Using
the slider, approximate the reference curve as closely as possible.
Treble Level
The Treble level is adjustable from –10 to +10 dB in 0.2 dB steps. Using the slider,
approximate the reference curve as closely as possible.
Treble Frequency Corner
The Treble corner frequency can be set to 1, 2, 3, or 4 kHz, and applies to all channels.
Choose the setting that matches the reference curve most closely.
6.6.2 Using EQ Assist
The EQ Assist feature automatically adjusts the frequency response to the x‐curve. Use this
feature with care since it adjusts adjacent bands as necessary (even to extremes) to achieve
the exact x‐curve. The EQ Assist feature does not adjust to room anomalies as a human
operator can, avoiding overcompensation in any frequency bands.
Note: If you use this feature, be sure to use it after adjusting the bass and treble bulk EQ.
To prevent overcompensation for possible speaker problems, the 20, 25, 30, 40, 50, and
63 Hz, as well as the 12.5 and16 kHz, bands are not automatically adjusted. You must adjust
these bands manually.
6.6.3 Making Fine Adjustments to Individual Bands
Observe adjacent band effects when adjusting individual frequencies. Be aware of
frequency bands that are very different from neighboring bands, and use caution so as not
to overcompensate. (Major differences could be the result of a room node at the particular
microphone location.) Adjust each frequency band as necessary to achieve a smooth EQ
with results nearing the x‐curve overlay. The goal is to achieve (or come close to) the
x‐curve without overcompensating. Remember that the SMPTE tolerance is ±3 dB,
although closer results are often easily achieved.
6.6.4 Adjusting LFE Channel EQ
Begin with zero cut and observe the worst peak within the spectrum. Adjust the Center
slider until the frequency matches the peak, and then adjust the Cut to flatten that region.
Adjust the Q (width) and Cut, until the smoothest response is achieved.

Final Output-Level Calibration
Equalization facilities for the subwoofer channel are different than for the other channels.
The process in this manual is designed to correct the principal room resonance in the
operating range of the subwoofer. The subwoofer equalizer is a cut‐only filter, with
adjustable center frequency (25 to 125 Hz), Q (center width, selectable among four values),
and amount of cut (0 to 12 dB).
After all the full‐range channels have been equalized, follow these steps:
1. Click LFE to make it the active channel.
2. Using the slider reduce Cut to 0 dB. This disables EQ so that you can determine the
low‐frequency resonant peak to be equalized. Note the band where the unequalized
peak appears.
3. Using the slider increase Cut to its maximum, 12 dB.
Using the Center slider moves the dip in the frequency response along the frequency
axis of the RTA display.
4. Adjust the center frequency so that the center of the dip is in the same band as the
peak displayed in the previous unequalized frequency response.
5. Using the Cut slider, slowly reduce the amount of cut to flatten the dip. The center of
the dip should be at the same level as the skirts.
6. Click to check other Q values for the flattest possible frequency response.
6.7 Final Output-Level Calibration

Once room equalization is complete, the sound pressure level in the theatre can be set
accurately.
6.7.1 Main Channels
If a microphone multiplexer is being used in your auditorium, move Mic 1 to room center
two‐thirds back from the screen.
1. Click the Room Levels tab to activate it.
2. Using the sliders, set L, C, R to 85 dB, and the surround channels to 82 dB.
Note: Because the sound pressure level calibration was performed earlier, a recalibration
is not required unless the microphone placement has changed. Repeat the steps in
Section 6.4 if necessary.
6.7.2 Subwoofer Channel Level
Whereas the final sound pressure levels of the main audio channels are ideally adjusted
with a single microphone two‐thirds back from screen at room center, the subwoofer
channel level is best adjusted with the microphone multiplexer cycling (if available).
1. First complete the center channel equalization and level adjustment.
2. On the Channel Tune tab, click LFE to make it the active channel and select Pink
Noise as the Signal Mode.
3. Use the slider and arrow keys to achieve an average level of +10 dB as indicated on the
spectrum analyzer.
This is the “digital” level, which is always set 10 dB higher than the Center channel.

4. Click Force PL Cut to activate the Dolby Pro Logic subwoofer and adjust the Cut
slider to achieve an average level of 0 dB as indicated on the spectrum analyzer.
The Pro Logic subwoofer is always set to match the level of the center channel and to
act as bass extension during Pro Logic or Pro Logic II playback.
6.7.3 Subwoofer Speaker Polarity Check
To check subwoofer speaker polarity:
1. Click Center Channel Gen on the Channel Tune tab to generate center‐channel pink
noise.
2. Choose a Filter Frequency to select the crossover point between your main speakers
and the LFE.
Use 50 Hz if your main speakers are full spectrum. Use 100 Hz otherwise.
3. Click Phase Invert and watch the behavior of the filter frequency band. There should
be a level decrease as soon as you click Phase Invert. If you do not see a decrease, the
polarity of the subwoofer wiring is incorrect. Reverse the subwoofer speaker wire
connections to correct it.
The subwoofer polarity always resets to normal after completing this check. Phase
Invert is a temporary setting for this test only.
6.8 Final Sound Check

Follow these steps to do a final equalization check of the auditorium.
1. On the Room Levels tab, click Rotate under Signal Generator Enable.
2. Choose Signal Mode Pink Noise to start pink noise.
Pink noise is sent to each channel in turn, holding for five seconds at each channel.
Note: Unlike the different levels used during alignment, the rotating pink
noise is set to 85 dB for all channels during this test. Pressing <Enter>
stops the pink noise from moving to the next channel. Pressing
<Enter> again resumes pink‐noise rotation.
3. Go to the auditorium and sit two‐thirds of the distance from the front speakers to the
rear, and at the side‐to‐side center of the room. All channels should sound equally
loud and have similar frequency response as the noise rotates. An SPL meter can be
used to confirm accurate and equal level settings.
6.9 Nonsync Level Adjustment

You can adjust the Nonsync level on the Nonsync Input tab.
1. Click the Nonsync Input tab to open it.
2. Play a CD or other audio source on your nonsync device and adjust the slider in the
setup software for the desired level in the theatre. If possible, select a recording that
has a natural ambience, such as an orchestral work.

Noise Floor Optimization
6.10 Noise Floor Optimization

Noise Floor Optimization calculates and utilizes any available leftover capacity in each
channel to improve the overall noise floor of the CP750. It operates by measuring the extent
to which the unit uses the available headroom in the B‐chain, then boosts the overall gain
to use all available headroom. The analog output level trims are then reduced by the
amount of that boost, resulting in an optimally reduced noise floor. This adjustment also
factors in the headroom available to the fader. Changes to the output trim values are
transparent to the user, and no changes will be seen in the fader values in the setup
software. Clipping may occur on high level signals if the fader is set above 7.0.

Chapter 7
Remote Control and Monitoring
The CP750 was designed and built to make remote operation and monitoring easy. It
supports three different remote strategies:
• Status Monitoring and Level Control in the Setup Software
• ASCII Control
• SNMP
7.1 Status Monitoring and Level Control in the Setup Software

The virtual status monitor at the bottom of the setup software screens shown in Figure 7‐1
provides a user‐friendly interface. Its signal‐presence meter monitors the CP750 analog
output. There is a virtual input selector for each CP750 input. Clicking any of these buttons
activates the associated input. Each of the digital input virtual buttons has an associated
virtual LED, indicating a valid signal. The software also echoes the state of the front‐panel
display and fader. Any action available at the unit front panel can be executed through the
remote software.
Figure 7‐1
Figure 7-1 Virtual Status Monitor
7.2 ASCII Control

Full control of the CP750 is available through a set of ASCII commands and queries. No
error correction (CRC), sync bytes, or protocol is applied to this interface.
7.2.1 Connections
ASCII commands can be communicated over any of three ports:
• The RS-232 connector supports standard 9‐pin serial connections to PC serial ports
and other RS‐232 devices. It operates at 9600 baud with 8 data bits, 1 stop bit, no
parity, and no flow control. It cannot be invoked while the serial data port is in use by
the CP750 setup program.

• The Ethernet connector supports direct and switched Telnet connections to port 61408.
Note: Note the port number. Telnet programs default to port 23. You must
correctly enter 61408 to connect to the CP750.
The system accepts 20 simultaneous connections on the TCP port concurrent with one
on each of the other ports. The 21st TCP connection causes the oldest TCP session to
disconnect, and sends a warning message to the client.
• The Remote RJ‐45 connector operates at 9600 bps with 8 data bits, 1 stop bit, no parity,
and no flow control.
Characters are not echoed back to the controller, and the Ethernet and Remote connections
do not support terminal control characters such as <Backspace>. The RS-232 connector
does support terminal control characters and is therefore the most user friendly.
7.2.2 Command Syntax
Command parsing is not case sensitive. White space is ignored on input lines.
Most commands consist of a parameter name followed by a space and a value.
cp750.sys.input_mode dig_2 instructs the system to use digital input 2.
The system responds with status text verifying that the value has been set:
cp750.sys.input_mode dig_2
Queries consist of a parameter name followed by a space and a question mark.
cp750.sys.input_mode ? asks which input the system is currently using.
The system responds with status text for the specified parameter.
cp750.sys.input_mode dig_2
If you send an unrecognized value, the system takes no action and returns parameter
status. If you send an unrecognized parameter, the system returns a blank new line. No
error messages are generated.
There is also a small set of single word commands such as help, status, and exit.
7.2.3 Command Set
The set of serial commands is listed in Table 7‐1.
Table 7-1 Normal Commands

Parameter Name Valid Values Description and Comments
cp750.sysinfo.version 1.2.8.3
cp750.ctrl.calc_surround_delays 0, 1
cp750.ctrl.default_params 0, 1
cp750.ctrl.fader_delta –100 to 100
cp750.ctrl.log_erase 0, 1
cp750.ctrl.log_uptime 0 to 2147483647
cp750.ctrl.reboot 0 to 2147483647
cp750.sys.analog_global_delay 0 to 170

ASCII Control
Table 7-1 Normal Commands (Continued)

cp750.sys.analog_route [L R C Sw Ls Rs 7 8]
cp750.sys.dialnorm n_a, off, on
cp750.sys.dig_1_global_delay 0 to 170
cp750.sys.dig_1_route [L R C Sw Ls Rs 7 8]
cp750.sys.dolby_digital_2_channel_de 4_discrete_sur | auto | invalid
code_mode_1 | lr_discrete | n_a | prologic |
prologic_2 | surround_ex
cp750.sys.dolby_digital_dialnorm_1 n_a | off | on
cp750.sys.fader 0 to 100
cp750.sys.fader_preset_1 0 to 100
cp750.sys.fader_preset_1_enable 0, 1
cp750.sys.fader_preset_a 0 to 100
cp750.sys.fader_preset_a_enable 0, 1
cp750.sys.fader_preset_m 0 to 100
cp750.sys.fader_preset_m_enable 0, 1
cp750.sys.fader_preset_n 0 to 100
cp750.sys.fader_preset_n_enable 0, 1
cp750.sys.full_ascii_ctrl n_a | off | on
cp750.sys.input_7_8_mute 0, 1
cp750.sys.input_7_8_mute_1 0, 1
cp750.sys.input_7_8_mute_a 0, 1
cp750.sys.input_mode analog | dig_1 | dig_2 | dig_3
| dig_4 | last | mic | non_sync
cp750.sys.ip_setting [ip.ip.ip.ip nm.nm.nm.nm
gw.gw.gw.gw| off|on
hostname]
cp750.sys.log_content 0, 1
cp750.sys.mic_global_delay 0 to 170
cp750.sys.mic_route center | surrounds
cp750.sys.mute 0, 1

Table 7-1 Normal Commands (Continued)

cp750.sys.non_sync_format 60 | 61 | 70 | 71 | 73 | 74 | 75
cp750.sys.non_sync_global_delay 0 to 170
cp750.sys.output_aux_source dig_2 | none
cp750.sys.output_wiring_config bsl_bsr | le_re | none
cp750.sys.pcm_2_channel_decode_mode_ 4_discrete_sur | auto | invalid
1 | lr_discrete | n_a | prologic |
a | lr_discrete | n_a | prologic |
cp750.sys.pcm_process_mode minimum_latency | mute |
silent_switch
cp750.sys.pl_surround_delay 20–50
cp750.sys.power_on_input analog | dig_1 | dig_2 | dig_3
| dig_4 | last | mic | non_sync
cp750.sys.process_mode_1 minimum_latency | mute |
silent_switch
silent_switch
silent_switch
silent_switch
cp750.sys.screen_distance 0–147483647
cp750.sys.serial_number 0–147483647
cp750.sys.subwoofer_filter 50 to 100
cp750.sys.surround_boost 0, 1
0, 1
cp750.sys.surround_boost_a 0, 1
cp750.sys.surround_delay 0 to 150
cp750.sys.time
cp750.sys.time_update_int 1 to 60
cp750.sys.two_channel_decode_mode 4_discrete_sur | auto | invalid
| lr_discrete | n_a | prologic |
dump_log_4096 Prints most recent log events
dump_log Prints entire log
help
status
cp750.<category>.<parameter> ? Basic query format
exit

SNMP
7.3 SNMP
The CP750 runs an Simple Network Management Protocol (SNMP) agent that
communicates over the Ethernet connector in the rear panel.
The CP750 supports a wide variety of standard management information bases (MIBs)
listed in Table 7‐2, Table 7‐3, and Table 7‐4. In cases where the CP750 does not support the
entire MIB, the supported sections are indicated by title in the tables.
Table 7-2 Supported MIB-2 MIBS

RFC Supported Sections
RFC 1213 System group
RFC 4293 IP‐MIB scalars, ipAddressPrefix table, ipAddressTable, ipNetToPhysical
table, ipNetToMedia table, ipSystemStatsTable, ipIfStatsTable,
ipDefaultRouterTable, ipv4InterfaceTable, ipv6InterfaceTable,
ipv6ScopeZoneIndexTable, ipv6RouterAdvertTable, icmpStatsTable,
icmpMsgStatsTable
RFC 2683 IF‐MIB scalars, ifTable, ifXTable
RFC 4022 TCP‐MIB scalars, tcpConnection table, tcpListener table
RFC 4113 UDP‐MIB scalars, udpEndpoint table
Table 7-3 Other Standard MIBs

RFC Supported Sections
RFC2006 MIP‐MIB, faRegistration group
RFC 4292 IP‐FORWARD‐MIB ipForward, inetCidrRoutNumber,
inetCidrRouteDiscards, inetCidrRoute table
Table 7-4 V3 MIBS
RFC 3411 SNMP‐FRAMEWORK MIB
RFC 3412 SNMP‐MPD‐MIB
RFC 3413 SNMP‐TARGET‐MIB, SNMP‐NOTIFICATION‐MIB, SNMP‐PROXY‐MIB
RFC 3414 USM‐MIB
RFC 2786 USM‐DH‐OBJECTS‐MIB
RFC 3415 VACM‐MIB
RFC 3417 SNMPv2‐TM mib
RFC 3584 SNMP‐COMMUNITY‐MIB
In addition, the CP750 supports local SNMP variables, listed in the DOLBY‐CP750‐MIB.
All Dolby® MIBs are available on the Dolby Digital Cinema Resources CD, and from sales
representatives and technicians.

Chapter 8
Technical Reference
8.1 CP750 Specifications
8.1.1 Audio Inputs
Digital Input 1
4× AES, 25‐pin female D‐connector provides four AES/EBU channel pair inputs
Input impedance: 110 balanced. The four AES input signals must be time aligned with
each other.
Digital Input 2, Digital Input 3
1× AES, male BNC connector, unbalanced but floating, per AES‐3id‐1995/SMPTE 276M
Input impedance: 75
Digital Input 4
Optical Toslink™ connector for digital input
Multichannel Analog Input
Eight‐channel, balanced analog, 10 kdifferential input impedance, 300 mV reference
level 25‐pin female D‐connector
NonSync Input
Two‐channel, RCA connector, 21 k input impedance, adjustable input level
Microphone Input
XLR connector, standard pinout, 10 kdifferential input impedance, 12 V phantom power
available, adjustable gain
8.1.2 Audio Outputs
Main Audio Output
Eight‐channel, balanced analog, 100 differential output impedance, 25‐pin male
D‐connector
Do not load with less than 600 differential.

Technical Reference
Aux Output
Two‐channel, unbalanced analog, 200 mV reference level, 100 output impedance, RCA
connectors. Depending on the selected main audio output configuration, this connector
can:
• Route channel pair 7/8 of 4× AES input for alternative uses (such as H/I and VI‐N
transmitters)
• Route digital audio present on the Digital 2 input
Note: This fixed level output has no EQ and is not controlled by either the fader or mute
controls.
H/I Output
One‐channel, unbalanced analog, 70 mV fixed reference level, 100 output impedance,
RCA connector, center‐weighted sum of Left, Center, Right
8.1.3 Other Input/Output
Ethernet Port
RJ‐45 for network connection and PC setup software
Automation Port
25‐pin female D‐connector, floating ground
RS-232 Port
9‐pin female D‐connector
Remote Port
RJ‐45 connector for optional Cat. No. 868 Remote Fader (not an Ethernet connection)
Backup Power Connector
For optional Cat. No. 994 External Power Supply
AC Mains Input
Unswitched IEC power inlet module
USB Port
For connection to PC to run setup software

CP750 Specifications
8.1.4 Audio Processing
PCM
32, 44.1, 48, and 96 kHz; 16, 20, 24 bit
Dolby Digital (AC-3)
Up to 5.1 channels
Dolby Pro Logic
Left, Center, Right, Surround (subwoofer optional)
Dolby Pro Logic II
Left, Center, Right, Left Surround, Right Surround (subwoofer optional)
Dolby Surround EX
Left, Center, Right, Left Surround, Back Surround, Right Surround, subwoofer
Dolby Surround 7.1
Left, Center, Right, Left Surround, Right Surround, Back Surround Left, Back Surround
Right, subwoofer
Nonsync
Left, Right, Surround (subwoofer optional)
8.1.5 Other Parameters
Global Audio Delay
Adjustable delay of all channels from 0–250 ms; each input may be adjusted separately
Surround Delay
Digital Surround delay, 0–150 ms
Dolby® Pro Logic® Surround delay, 20–150 ms
Equalization
Eight‐channel one‐third‐octave plus parametric for subwoofer channel
Dynamic Range
105 dB clip to CCIR/AMR weighted typical without noise optimizer enabled

Technical Reference
Distortion
<0.005 percent, 4×AES input‐to‐analog output
8.1.6 Optional Accessories Ordered Separately
Cat. No. 994 Backup Power Supply
Cat. No. 868 Remote Fader
CP750‐CK Connector Kit
8.1.7 Power Requirements
100–240 VAC, 50–60 Hz
8.1.8 Construction
2‐U rackmount chassis frame
8.1.9 Dimensions and Weight
Width: 17 in (432 mm)
Height: 3.5 in (89 mm)
Overall depth, including connectors and fader knob: 10.6 in (269 mm)
Depth behind rack ears, including connectors: 9.75 in (248 mm)
Weight: 9.4 lb (4.2 kg)
8.1.10 PC Connection
Ethernet
USB port for setup operations and software upgrades
8.1.11 Input Selector Buttons
Four digital input source buttons
Eight‐channel analog input
Nonsync input
Mic input
8.1.12 Indicators
Valid LEDs indicate digital input clock presence for each digital input
LCD front‐panel indicates PCM or Dolby Digital processing
Pro Logic II, Pro Logic, or Discrete decode modes indicated by LCD text
8.1.13 Environmental Conditions
Operating: 0°C to 40°C (32°F to 104°F)
Nonoperating (storage): 0°C to 85°C (32°F to 185°F)
Humidity: 20 to 80 percent relative, noncondensing

Rear-Panel Connector Descriptions and Types
8.1.14 Regulatory Notices
North America: This unit complies with the limits for a Class A digital device, pursuant to
Part 15 of the FCC rules, and Industry Canada ICES‐003 specifications. It is UL Listed for
both US and Canada.
Europe: This unit complies with the requirements of Low Voltage Directive 2006/95/EC
and EMC Directive 2004/108/EC and carries the CE marking accordingly.
Warranty
One‐year limited, parts and labor. Specifications subject to change without notice.
8.2 Rear-Panel Connector Descriptions and Types

All connectors with nonstandard pinouts are described in this section.
Table 8-1 Rear-Panel Connector Descriptions and Types

Panel Label Description Type
BACKUP POWER 4‐pin XLR for connecting the Cat. No. 994 back up XLR F
power supply
RS-232 For ASCII command string automation control DB‐9 F
Ethernet For connection to the auditorium network RJ‐45
REMOTE For connection to Cat. No. 868 Remote Fader RJ‐45
(not Ethernet)
4xAES IN 4× AES/EBU input (eight‐channel PCM audio) DB‐25 F
AUTOMATION For theatre automation control input (momentary DB‐25 F
contact)
MAIN AUDIO OUTPUT Eight‐channel balanced floating analog output: DB‐25 M
L, C, R, Ls, Rs, Sw, 7, 8
MIC. INPUT 3‐pin, female XLR connector XLR F
MULTI-CHANNEL Eight‐channel balanced floating analog input for DB‐25 F
ANALOG INPUT external processor, such as a Dolby DA20
8.2.1 Backup Power Connector

Figure 8‐1
Figure 8‐2
Figure 8-1 Backup Power Connector Detail

Technical Reference
Figure 8‐3
Table 8-2 Backup Power Connector Pinout

XLR Pin Connection
1 +15 V input
2 +5 V input
3 Ground
4 –15 V input
5 (shell) Ground
8.2.2 RS-232 Serial Port
9600 baud, no parity, 1 stop bit
Table 8-3 Serial Port Pinout

Pin Connection
1 No connection
2 Data out (TXD)
3 Data in (RXD)
4 Connected to pin 6
5 Chassis ground
9 No connection
8.2.3 Remote Fader Connector

Figure 8‐4
Figure 8-2 Cat. No. 868 Remote Fader Connector Detail
Table 8-4 Remote Fader Connector Pinout

RJ-45 Pin Fader Connection
1 TX+
2 TX–
3 RX+
4 +15 V
5 No connection
6 RX–
7 Ground
8 No connection

8.2.4 4xAES IN Connector
This is a female 25‐pin D‐connector.
Table 8-5 4xAES IN Connector Pinout

D-Connector
Pin Connection
1 AES common
2 CH1/2 –
3 CH3/4 +
4 AES common
5 CH5/6 –
6 CH7/8 +
7 AES common
8 No connection
9 AES common
10 No connection
11 No connection
12 AES common
13 No connection
14 CH1/2 +
15 AES common
16 CH3/4 –
17 CH5/6 +
18 AES common
19 CH7/8 –
20 AES common
21 No connection
22 No connection
23 AES common
24 No connection
25 No connection
8.2.5 Automation Connector
This is a female 25‐pin D‐connector.
To assert a CTRLx pin, connect it to pin 12.
All output voltages and current are with respect to pin 12.
Table 8-6 Automation Connector Pinout

D-Connector
Pin Connection Description
1 CTRL0 – Automation Read Digital 1 button
5 CTRL4 – Automation Read Multichannel Analog button
6 CTRL5 – Automation Read Nonsync button
7 CTRL6 – Automation Read Microphone button

Technical Reference
Table 8-6 Automation Connector Pinout (continued)

D-Connector
Pin Connection Description
8 CTRL7 – Automation Read Unused
9 No connection
10 Mute command Input
11 No connection
12 Return (for all Automation functions as
well as Automaton Power)
13 Automation Power Output (+5 V at a Input
maximum of 50 mA.)
14 ID0 – Tally Output Digital 1 LED
18 ID4 – Tally Output Multichannel Analog LED
19 ID5 – Tally Output Nonsync LED
20 ID6 – Tally Output Microphone LED
21 ID7 – Tally Output Unused
22 No connection
23 Mute indicator (Low = muted) Output
24 No connection
25 No connection
8.2.6 Mic. Input Connector
This is a 3‐pin female XLR connector.
Figure 8‐5
Figure 8-3 Mic. Input Connector Detail
lMain Audio Ouput and Multi‐Channel Audio Input Connectors
Table 8-7 Mic. Input Connector Pinout

XLR Pin Signal
1 Shield
2 + Signal
3 – Signal

8.2.7 Main Audio Output Connector
The pinout is listed in Table 8‐8. The MAIN AUDIO OUTPUT connector is male, pin 1 is at the

upper left.
Table 8-8 Main Audio Output Connector Pinout

D-Connector
Pin Signal Name
1 Chassis
2 L+
3 Le–
4 Chassis
5 C+
6 Re–
7 Chassis
8 R+
9 Chassis
10 Ls–
11 Rs–
12 SW–
13 Chassis
14 L–
15 Chassis
16 Le+
17 C–
18 Chassis
19 Re+
20 R–
21 Chassis
22 Chassis
23 Ls+
24 Rs+
25 SW+
8.2.8 Multichannel Input Connector
The pinout is described in Table 8‐9. The MULTI-CHANNEL AUDIO INPUT connector is

female, pin 1 is at the upper right.
Table 8-9 Multichannel Audio Input Connector Pinout

D-Connector
Pin Signal Name
1 Chassis
2 L+
3 Bsl–
4 Chassis
5 C+
6 Bsr–
7 Chassis
8 R+
9 Chassis

Technical Reference
Table 8-9 Multichannel Audio Input Connector Pinout (continued)

D-Connector
Pin Signal Name
10 Ls–
11 Rs–
12 SW–
13 Chassis
14 L–
15 Chassis
16 Bsl+
17 C–
18 Chassis
19 Bsr+
20 R–
21 Chassis
22 Chassis
23 Ls+
24 Rs+
25 SW+

Remote Commands and Control
8.2.9 RS-232 ASCII String Commands

Table 8-10 ASCII String Commands
CP750 ASCII String Parameter or Action
CP750.sys.dig_1_global_delay 0–250
CP750.sys.dolby_digital_2_channel_ auto | lr_discrete | prologic | prologic_2
decode_mode
CP750.sys.dolby_digital_dialnorm off | on
CP750.sys.dolby_e_2_channel_decode auto | lr_discrete | prologic | prologic_2
_mode
CP750.sys.dolby_e_dialnorm off | on
CP750.sys.dolby_e_program 1–4
CP750.sys.input_mode dig_1 | dig_2 | dig_3 | dig_4 | film
CP750.sys.ip_setting [ ip.ip.ip.ip nm.nm.nm.nm gw.gw.gw.gw
off|on hostname ]
CP750.sys.ntp_server [ hostname | ip_address ]
CP750.sys.pcm_2_channel_decode_mod lr_discrete | prologic | prologic_2
e
CP750.sys.pcm_mute off | on
CP750.sys.pcm_route_1 C | L | LFE | Le | Ls | R | Re | Rs
CP750.sys.power_on_input dig_1 | dig_2 | dig_3 | dig_4 | film | last
CP750.sys.silent_switch off | on
CP750.sys.subwoofer_filter 50–100
CP750.sys.surround_delay 0–150
help Returns list of commands
status Returns all parameter status
mfg_print_log extract event log
Legacy ASCII Strings Parameter or Action
4xaes_input dig_1 input mode (DMA8 legacy string)
aes_input dig_2 input mode (DMA8 legacy string)
optical_input dig_4 input mode (DMA8 legacy string)
film film input mode (DMA8 legacy string)
8.3 Remote Commands and Control

The CP750 is designed for remote communication using serial or Ethernet connections.
8.3.1 Serial
ASCII character strings sent to the rear‐panel serial port can be used to set CP750
parameters and obtain current CP750 status information. The currently available remote
commands are listed in Table 8‐10.

Serial Communication
Connections can be made from the CP750 rear‐panel serial port to a PC serial port or other
RS‐232 device. The serial port speed on your PC should be set to 9600 baud, 8 data bits, no
parity, 1 stop bit. After the CP750 is powered on, the commands can simply be typed from
a program such as HyperTerminal.
8.3.2 Ethernet
ASCII character strings can be sent through telnet to set CP750 parameters and obtain
current CP750 status information. The currently available remote commands are listed in
Table 8‐10.
Ethernet Communication
Default CP750 Ethernet Parameters
IP Address: 192.168.1.136
Subnet Mask (Netmask): 255.255.255.128
Gateway: 192.168.1.129
ASCII control over TCP command strings must be sent to port 61408.
DHCP is off.
Chapter 9
Replacement Parts
The replacement parts described in Table 9‐1 may be ordered from Dolby Laboratories.
Table 9-1 Available Replacement Parts

Part Number Type Description
8310110.01 CBL 4XAES 7.1 DSP100‐CP750 12 12‐foot 7.1 audio cable from
DSP100 to CP750
8310160.01 CBL 4XAES 7.1 DSS200‐CP750 12 12‐foot 7.1 audio cable from
DSS200 to CP750
8310170.02 CBL 4XAES 7.1 DSS200‐CP750 25 25‐foot 7.1 audio cable from
DSS200 to CP750
4901490 Replacement power supply

CP750 Installation Manual - Issue 5 PDF

Uploaded by

Copyright:

Available Formats

CP750 Installation Manual - Issue 5 PDF

Uploaded by

Document Information

Original Title

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

CP750 Installation Manual - Issue 5 PDF

Uploaded by

Copyright:

Available Formats

Dolby CP750 Digital

Dolby Laboratories, Inc.

ii Dolby® CP750 Digital Cinema Processor Manual

Important Safety Instructions

Dolby® CP750 Digital Cinema Processor Manual iii

iv Dolby® CP750 Digital Cinema Processor Manual

Dolby® CP750 Digital Cinema Processor Manual v

vi Dolby® CP750 Digital Cinema Processor Manual

Dolby® CP750 Digital Cinema Processor Manual vii

Chapter 3 Installing, Launching, and Connecting the Setup Software

Chapter 4 Configuring the CP750 Software

Chapter 5 Playing Dolby Surround 7.1 Audio

Chapter 6 Aligning the Auditorium

viii Dolby® CP750 Digital Cinema Processor Manual

6.5 Initial Output-Level Adjustment.........................................................................................47

Chapter 7 Remote Control and Monitoring

Chapter 8 Technical Reference

Dolby® CP750 Digital Cinema Processor Manual ix

8.3 Remote Commands and Control ......................................................................................71

Chapter 9 Replacement Parts ........................................................................................................73

x Dolby® CP750 Digital Cinema Processor Manual

Figure 1-1 CP750 Front Panel ................................................................................................................ 2

Dolby® CP750 Digital Cinema Processor Manual xi

Table 1-1 Digital Input Selection Button Functionality ............................................................................ 5

Dolby® CP750 Digital Cinema Processor Manual xii

Dolby® CP750 Digital Cinema Processor Manual 1

1.1 About This Manual

1.2 CP750 Front Panel

Figure 1-1 CP750 Front Panel

2 Dolby® CP750 Digital Cinema Processor Manual

1.2.1 Front-Panel Menu Navigation Buttons

1.2.2 Front-Panel Status Display

Dolby® CP750 Digital Cinema Processor Manual 3

Left Surround Right Surround

Figure 1-2 Front-Panel Display

1.2.3 Mute Button

1.2.4 Main Fader Knob

4 Dolby® CP750 Digital Cinema Processor Manual

Figure 1-3 Fader Characteristic

1.2.5 USB Port

1.2.6 Digital Input Selection Buttons

When you press any of the Digital 1, Digital 2, Digital 3, or Digital 4 push buttons, that button

Table 1-1 Digital Input Selection Button Functionality

1.2.7 Valid Input LEDs

Dolby® CP750 Digital Cinema Processor Manual 5

1.2.8 Analog Inputs

Table 1-2 Analog Input Options

1.3 CP750 Rear Panel

CP750 This device complies with Part 15 of the FCC Rules.

CAUTION This Class A digital apparatus complies with Canadian ICES003.

Figure 1-4 CP750 Rear Panel

6 Dolby® CP750 Digital Cinema Processor Manual

1.3.2 Backup Power Port

1.3.3 Ethernet Port

1.3.4 RS-232 Serial Port

1.3.5 Remote Connector

1.3.6 4xAES IN Connector

This 25‐pin female D‐connector, linked to the Digital 1 button, receives four AES/EBU

Dolby® CP750 Digital Cinema Processor Manual 7