Novel Guide
Novel Guide
Novel Guide
William Shakespeare
Novel Guide
Teacher’s Discovery®
Note
The text used to prepare this novel guide was published by Dover Thrift Editions, Inc., an imprint of Dover Publications, Inc., 1991.
Julius_Caesar_NG 8/19/06 11:20 AM Page B
Published by:
Teacher’s Discovery®
2676 Paldan Drive
Auburn Hills, MI 48326
These materials are protected by copyright law. For each purchased copy of this
work, a limited license is granted to allow reproduction [of activity pages and
masters] to one teacher for use with that teacher’s class(es).
SKU: TS1351E
ISBN: 0-7560-0459-4
Julius_Caesar_NG 8/19/06 11:20 AM Page C
Julius Caesar
Table of Contents
Instructions
Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
How to Use This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Before We Start
Lesson Plan Details . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Background . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Author Biography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Book Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Character and Term List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Synopsis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Vocabulary Definition List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Pre-Reading Questions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Novel Road Map to Success . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Overall Grading Rubric . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Target on Text
Act I
Teaching Essentials . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Activities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Act II
Teaching Essentials . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Activities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Act III
Teaching Essentials . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Activities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Act IV
Teaching Essentials . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Activities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Act V
Teaching Essentials . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Activities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Reflect on Reading
Lesson Plan Details . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Discussion Questions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Activities/Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Pre-Reading Question Review . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Final Test . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Answer Key . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Publication Evaluation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Julius_Caesar_NG 8/19/06 11:20 AM Page D
Julius Caesar
Julius Caesar
1. Prepare your students to read by working through the Before We Start handouts.
a. Read through the background information to familiarize yourself with the play.
b. Print and hand out the Character and Term List, Synopsis, Vocabulary
Definition List, Novel Road Map to Success, and Overall Grading Rubric to
your students before they start reading.
c. Have your students complete the pre-reading questions to provide a firm
foundation for entering the text.
2. Target on Text contains everything you need as the students read. We have divided
the activities into five sections to reflect the five acts of the play. This provides the
necessary stopping places for review as students work their way through the text.
a. Read through the act summaries, target objectives, and lesson plan details
located on the Teaching Essentials page at the start of each section.
b. Print and hand out the activities provided in each section to your students as
they read through the play.
c. Hold a class discussion at the end of each section to review what your students
just read.
Julius Caesar
3. Reflect on Reading contains activities for students to complete after reading the play.
In this section, the students synthesize their learning.
a. Hold a final class discussion with the 20 discussion questions.
b. Assign the activities.
c. Return to the pre-reading questions for an interesting debate on whether or not
students’ original ideas and assumptions have changed.
d. Administer the final test.
Timeline
The entire unit lasts six weeks. Below are suggested time frames (based on a
50-minute class period) for each stage of your study. The lesson plan details,
located on the Before We Start, Reflect on Reading, and Teaching Essentials pages,
list approximate completion times for each activity.
1. Before We Start: two class periods
2. Target on Text: five class periods per act
3. Reflect on Reading: six class periods
Julius Caesar
Before We Start
T
his section contains preparatory information and
activities for both you and your students. You receive
background information on the play. Students get a
character and term list, synopsis, vocabulary definition list,
pre-reading questions, novel road map to success, and overall
grading rubric.
Julius Caesar
Little is known about Shakespeare’s early life, before his arrival on the London literary
scene. He was married and had three children. His only son, Hamnet, died in 1596, at age
11. Around 1600, Shakespeare wrote the play Hamlet.
In 1598, he appeared at the top of the list of actors for a production of a play by Ben
Johnson. Ultimately, Shakespeare was known as an actor, a playwright, and as a founder of
a theatre company. There is some dispute among scholars, however, as to whether the
actor William Shakespeare and the writer William Shakespeare were one and the same.
Some claim that they were two different people.
Like many of Shakespeare’s plays, Julius Caesar is a historical play, the first of his three
tragedies of ancient Rome (the others are Anthony and Cleopatra and Coriolanus), which
details the last days of the Roman general and ruler, Julius Caesar, the aftermath of
Caesar’s assassination, and the establishment of the Roman empire. The story of Caesar
has fascinated the world for centuries and Shakespeare’s rendition of the events has become
the standard version.
Source: http://www.knowledgerush.com/kr/biography/192/William_Shakespeare
Book Summary
Background
Political intrigue, betrayal and war converge in the book, Julius Caesar. Through its
conquests, Rome—ruled by Pompey the Great—had expanded its territory and the
Republic was on the verge of becoming an empire where power could become
consolidated to just one man.
With the unofficial dissolving of the “first triumvirate” (a group of three men who rule)—
consisting of Julius Caesar, the enormously wealthy Crassus and Pompey the Great—civil
war broke out between the remaining two rulers after the death of Crassus. Caesar crossed
the Rubicon River and brought his fight to Pompey. Pompey was subjugated and he fled
Rome to hide in Egypt where he was eventually murdered.
Julius Caesar
Caesar had quickly gained great power from this famous battle but the Roman Senators
were not happy with this change in power. They had been strong supporters of Pompey
yet they could do nothing to change the outcome.
Over time, Caesar was beloved by the people, still he was assassinated by a group of
conspirators who had various reasons for wanting him removed from power. Some, such as
Brutus, wanted to preserve the Republic. Others simply wanted power themselves.
Being historically accurate, Shakespeare likely drew his facts from Sir Thomas North’s,
Lives of the Noble Greecians and Romanes—a translation of Plutarch’s first century book,
Parallel Lives. Most likely, the play was first performed in 1599 at the old Globe Theater.
With the people memorializing Caesar’s death in 44 B.C., Shakespeare was allowed to
extrapolate similarities between ancient Rome and the 16th century England. Concerns
over Queen Elizabeth I’s degree of power and the consequences to England after her death
show some clear parallels to some of the events of Caesar.
Readers may recognize a few famous lines such as, “Et tu, Brute?” and “Friends, Romans,
Countrymen, lend me your ears,” while other dialog may seem difficult initially. Taking
the play line-by-line will help students understand it more easily than it may first appear
when confronting an entire page. Most of the action appears in the first three acts, but the
final battle scenes are important to the overall message of the play as well. Debates over
morality, discussion of leadership and deliberations of intent versus results, free will versus
fate, and words versus actions will pique your students’ interest in Julius Caesar.
Novel Setting
The play takes place in Rome in 44 B.C., near the end of Caesar’s reign. The action occurs
in the streets of Rome, in the houses of its leaders, and in its well-known seat of power, the
Roman Senate. These backdrops open windows onto two critical groups: the rulers and the
people. The upheaval in Rome then spills out onto the surrounding battlefields at Sardis
and Philippi, revealing the difference between the cultured city and the chaotic theater of
war. The dichotomy pits two essential themes against one another: peace and order versus
confusion and anarchy. Student research into some areas, such as ancient military camps,
will add an interesting context to the play.
Julius Caesar
Before We Start
Handout 1 Name
Date Hour
Characters
Julius Caesar: Caesar is a leader in both in the military and the senate. His recent
victories lead the people to offer him the crown, but he refuses. Other
leaders fear he will become ambitious and thus view him as a threat.
Octavius Caesar: Octavius is Julius Caesar’s adopted son and heir apparent. After Caesar’s
death he rules Rome with Marc Antony and Lepidus as part of the
triumvirate.
Marcus
Antonius: Loyal to Julius Caesar, Marcus Antonius seeks revenge against the
conspirators and shows some ambition of his own. Referred to as
Marc Antony.
Lepidus: He is a member of the triumvirate. Lepidus seems to have less power
than either Marc Antony or Octavius Caesar although Octavius relies
on him considerably.
Cicero: Cicero is a member of the Roman senate who is known for delivering
excellent speeches. He is unaware of the conspiracy.
Publius: Publius is another member of the Roman senate.
Popilius Lena: Popilius Lena is unaware of the conspiracy. He is also a member of the
Roman senate.
Marcus Brutus: Dedicated to preserving freedom in Rome by preventing the rise of a
sovereign, Marcus Brutus overcomes his loyalty to Caesar for what he
believes is the greater good. Referred to as Brutus.
Cassius: Cassius is a Roman general who conspires against Julius Caesar, using
treachery and deceit to accomplish his own desires.
Casca: Casca is a Roman who dislikes Julius Caesar and works to persuade
Brutus and Cassius that Caesar’s ambition will destroy Rome.
Trebonius: Trebonius is a member of the conspiracy against Julius Caesar.
Ligarius: Ligarius is also a member of the conspiracy against Julius Caesar.
Decius Brutus: Decius Brutus is a member of the conspiracy against Julius Caesar. He
plays a pivotal role in the plot.
Julius Caesar
Before We Start Character List and Term List
Handout 1, continued
Metellus
Cimber: Metellus Cimber is a member of the conspiracy against Julius Caesar.
Cinna: Cinna is also a member of the conspiracy against Julius Caesar.
Flavius &
Marullus: As elected officials, Flavious and Marullus fault the masses for switching
their allegiances quickly and easily. These tribunes are punished for
anti-Caesar activities.
Cinna, a poet: Cinna is a poet who unfortunately shares the same name as one of the
conspirators.
Calpurnia: Calpurnia is the wife of Julius Caesar. She fears for his safety, but,
ultimately, her pleas cannot overcome his wishes.
Portia: She is the wife of Marcus Brutus. Portia senses Brutus’ unease but is
unable to help him.
Terms
Characters: Characters are the names of all the people who appear in the play,
listed at the very beginning, often under the title Dramatis Personae,
a Latin phrase which means “people of the play.” After their initial
identification, you will find the name of each character, capitalized (and
often abbreviated), before he or she speaks.
Acts: Acts are the divisions of the plot or action into sections and indicated
with Roman numerals.
Scenes: Scenes are subdivisions within acts. The beginning of each scene
describes the physical appearance of the stage for this section,
suggesting the real surroundings for the historical time and action of
the play; usually printed in italics.
Stage directions: These are the directions given in brackets or parentheses to a character
before his or her speech. They are unspoken but important for
understanding characters and their behavior at the time.
Costumes: Costumes are the clothing actors wear that help us to identify the
individual characters, usually telling us when and where they lived. For
example, if we were to actually stage a performance of Julius Caesar, we
could indicate the time period by the type of military clothing.
Lighting: Lighting is the use of artificial lights and spotlights to suggest time of
day or night, as well as to highlight certain areas of the stage and
certain key characters in a particular scene.
Julius Caesar
Before We Start
Handout 2 Name
Date Hour
Synopsis
Ruling an empire, especially one with the size and
influence of ancient Rome, isn’t easy. With wars and
conspiracies, private strategizing mixed with public
feuding, and evil omens indicating great doom, a
leader must constantly guard against enemies from
within and without. When Julius Caesar returns from
battle, having defeated his archrival Pompey, the
citizens clamor to name him king, but it is an offer
fraught with peril. Although Caesar refuses the
crown, Roman senators and high public officials fear
the worst: Caesar’s ambition might lead him to
overthrow the Republic in favor of a monarchy. At this
moment, plans are set in motion and fates are sealed.
When you read Julius Caesar, you must familiarize yourself with two worlds: Shakespeare’s
16th-century England and Caesar’s ancient Rome. The Roman Empire, where some men
sought honor and power and others demonstrated betrayal and intrigue, will quickly draw
you in and help you think about important issues for today. Shakespeare’s language may
sound strange initially, but reading slowly and carefully will help you understand the
meaning. The blank verse will start to feel familiar as you read the words aloud.
Shakespeare’s blank verse is an iambic pentameter; pentameter means that each line has
five “feet,” or accents. Iambic means that each foot has two syllables in a soft-hard
(unaccented-accented) combination.
Julius Caesar
Before We Start
Handout 3 Name
Date Hour
Act I, Scene I
beseech: ask or plead for
intermit: stop or pause for a time
servile: submissive in the manner
of a servant
Act I, Scene II
hinder: obstruct or prevent
countenance: appearance of the face
or facial expression
impart: make known or disclose
feeble: weak
recount: tell or explain
seldom: rarely or infrequently
thrice: three times
rogues: people who are deceitful or criminally minded
10
Julius Caesar
Before We Start Vocabulary Definition List
Handout 3, continued
11
Julius Caesar
Before We Start Vocabulary Definition List
Handout 3, continued
Act V, Scene I
gallant: noble, majestic, brave
cur: a coward, an inferior person
peevish: argumentative, cranky
gorging: overeating, eating greedily
Act V, Scene IV
proclaim: announce in a public fashion
Act V, Scene V
tarry: wait or delay
save: except, with the exception of
12
Julius Caesar
Before We Start
Handout 4 Name
Date Hour
Pre-Reading Questions
Pre-reading questions help you explore your views in order to uncover important themes
in the play.
Directions: Write down your response to each of the questions below. Keep this handout.
You will need it after you finish the play.
2. Why is the life of an individual less important than the well-being of a society? Or is it?
4. What dominates your life, fate or free will? Why do you believe that?
5. What does foreshadowing add to a story? How much do you think there should be?
Julius Caesar
Before We Start
Handout 5 Name
Date Hour
Act I, Scene I
1. Why are the commoners wandering the streets instead of working?
2. How do Flavius and Marullus feel about the celebration?
3. How do Flavius and Marullus show their feelings toward Caesar?
Act I, Scene II
1. What does Caesar tell Antony to do during the race and why?
2. How does Antony respond to Caesar’s request?
3. What does the Soothsayer tell Caesar?
4. What does Brutus fear when he hears the crowds shouting?
5. Why does Cassius think Caesar isn’t fit to be king?
6. How does Brutus respond to Cassius’ ideas?
7. What does Caesar think about Cassius?
8. Who offers Caesar the crown?
9. What is Casca’s opinion of the way Caesar refused the crown?
10. What happens to Caesar after the third offering of the crown?
11. How does Brutus explain Caesar’s behavior?
12. What happened to Flavius and Marullus?
13. What does Brutus say to Cassius before departing?
14
Julius Caesar
Before We Start Novel Road Map to Success
Handout 5, continued
15
Julius Caesar
Before We Start Novel Road Map to Success
Handout 5, continued
Act V, Scene I
1. From which side will Antony attack?
2. How does Antony refer to Octavius?
3. What do Antony, Octavius, Brutus, and Cassius do when they meet?
4. What does Cassius tell Messala about his army’s situation?
16
Julius Caesar
Before We Start Novel Road Map to Success
Handout 5, continued
Act V, Scene II
1. What happens in this brief scene?
Act V, Scene IV
1. When Antony’s men capture
Lucilius, who do they believe
they have captured?
Act V, Scene V
1. How does Brutus die?
2. How does Brutus feel about
killing himself compared to
killing Caesar?
3. What does Antony say about
Brutus’ character at the end?
17
Handout 6
8/19/06
Excellent Good Competent Needs Improvement Weak
Before We Start
90%–100% 80%–89% 70%–79% 60%–69% 50%–59%
11:20 AM
Demonstrates an Demonstrates a generally Demonstrates a basic Frequently confuses Demonstrates little
Julius Caesar
accurate understanding accurate understanding of understanding of the the characters or or no understanding
of the characters and the characters and plot with characters and plot with misinterprets the plot. of the characters
plot, almost completely minor errors. minor, but more or plot.
Page 18
error free. frequent, errors.
Displays a strong Displays a good Displays some Understands one or two Uncertain of the
understanding of all the understanding of all of the understanding of most themes; may concentrate novel’s themes.
play’s themes, discussing play’s themes, mentioning of the play’s themes and on these ideas while
them easily and using them in activities and touches on them, excluding all others.
them in activities and writing assignments. at least briefly, in
writing assignments. activities and writing
assignments.
18
Shows an understanding Shows an understanding of Shows some Understands one or two May understand
of literary devices by literary devices and how understanding of most literary devices and how one or two literary
clearly explaining their they are used in the play; literary devices and how they are used in the play. devices, but cannot
use in the play and by attempts to apply this they are used in the describe how they
applying this knowledge knowledge to other play. are used in the play.
Date
Name
Excels in spoken, Performs well with spoken, Attempts assignments Chooses only one or Repeatedly uses the
written, and visual written, and visual language. in a variety of ways, two ways to complete same medium:
language. including spoken, assignments, including spoken, written, or
written, and visual spoken, written, and visual language.
language. visual language.
Correctly uses higher Correctly uses common Correctly uses common Misuses common Does not understand
level language rules in language rules in language rules in language rules in common language
assignments. assignments with some assignments. assignments. rules in assignments.
higher level examples.
Hour
Julius Caesar
Target on Text
N
ow it’s time to start reading. Target on Text contains an
act-by-act progression of activities to enhance your
students’ understanding and enjoyment of Julius Caesar.
This guide divides the play into five sections of roughly the
same length. Each section has individual act summaries, target
objectives, and a variety of activities to highlight key story and
literary elements.
19
Julius Caesar
Teaching Essentials... Just for YOU!
Act I, Scenes I–III
Act 1 Summary
The play opens with a celebration in the streets as Julius Caesar returns from his victory
over Pompey. The main characters enter, waiting for a race to begin in which Caesar’s dear
friend, Mark Antony, will be running. Brutus and Cassius move apart from the crowd and
discuss their concerns over Caesar’s overwhelming popularity. When they hear shouts from
the crowd, they fear that the people are trying to make Caesar a king despite the fact that
Rome is a republic. Casca joins Brutus and Cassius and tells them that Antony did indeed
offer Caesar a crown, but Caesar refused it all three times. The men agree to meet later to
continue their conversation. Later, Cicero meets Casca, who tells him of terrible omens he
has witnessed. When Cassius happens upon Casca, the two discuss the need to win noble
Brutus to their side.
Target Objectives
At the end of this section, students are able to:
• visualize the setting
• analyze literary techniques
• discuss the facts of the play thus far
• describe four major characters and their personalities
• use new vocabulary words correctly
• use the text to support their ideas
21
Julius Caesar
Act I, Scene I
✦ 1. Setting—hand out and have students complete at home (3 hours)
2. Literary Analysis: Humor—hand out and have students complete in class
(25 minutes)
Act I, Scene II
1. Character Journal—hand out and have students complete in class (30 minutes)
Act I
1. Vocabulary: Dictionary and Thesaurus Work—hand out and have students
complete in class (30 minutes)
22
Julius Caesar
Act I, Scene I
Handout 1 Name
Date Hour
Setting
Setting determines time, place, and tone in literature. Understanding the customs of the
time and visualizing key elements such as architecture and clothing will improve your
appreciation of what you are reading. This activity prepares you to enjoy Julius Caesar by
asking you to learn about ancient Rome.
Directions: Research Rome during Julius Caesar’s time, about 44 B.C. Use encyclopedias,
history books, reference works, or the Internet. (Reminder: When using the Internet,
choose official web sites such as those sponsored by national organizations [.org] or
educational institutions [.edu] to gather more reliable information. You want to be sure
your sources are credible.) Concentrate on the way life looked, meaning how people
dressed, the types of homes they lived in, how the city was built, etc. Use the box below to
write your notes.
23
Julius Caesar
Act I, Scene I
Handout 2 Name
Date Hour
Directions: Reread the beginning of the play starting with the opening line and ending
with the Second Commoner’s last line. Then answer the questions below in preparation for
a class discussion.
3. Why do you think Shakespeare opens the play with humor when the story is The
Tragedy of Julius Caesar?
24
Julius Caesar
Act I, Scene II
Handout 1 Name
Date Hour
Character Journal
Group Activity
Character journals help to reinforce the individual personality of each character as well as
give you practice in looking for information in the text. By the end of Act I, Scene II, the
audience learns a great deal about four main characters: Caesar, Antony, Brutus, and
Cassius. This activity increases your understanding of these characters and provides an
opportunity to work with your peers.
Directions: Create a group of four students and then assign one of the above mentioned
characters to each student in the group. Write a journal entry from your character’s point
of view, recounting the events that have occurred thus far and adding how you feel about
them. After completing your journal entry, share it with your group members.
25
Julius Caesar
Act I, Scene III
Handout 1 Name
Date Hour
Foreshadowing
Foreshadowing is a technique authors use to drop hints about future
events in the story. In Act I, Scene II, we met a Soothsayer who
told Caesar to “beware the ides of March.” Now in Act I, Scene
III, there are more ill omens. This activity highlights important
foreshadowing and asks you to analyze its use in Julius Caesar.
2. Why do you think Casca feels these omens are “portentous things”?
4. Explain whether or not you enjoy this type of foreshadowing in the stories that you
read.
26
Julius Caesar
Act I
Handout 1 Name
Date Hour
Using the dictionary and thesaurus lets you add to your vocabulary power by reinforcing
definitions and teaching you other words with similar meanings. This activity helps you
understand the meanings of new words, and it provides practice using a dictionary and a
thesaurus, either in hardcover or on the Internet.
Directions: Together with a partner, complete the chart below. Write the dictionary
definition as well as two synonyms.
intermit
servile
countenance
impart
feeble
seldom
portentous
perilous
rubbish
bestow
27
Julius Caesar
Act I, Scene I
1. Why do Marullus and Flavius feel compelled to take down the decorations?
Example: They have no other way to voice their opposition.
Act I, Scene II
1. What do you think about Antony based on his first lines in the play?
Example: He is loyal and obedient.
3. What does Cassius mean when he says he was born as free as Caesar?
Example: He says they both began life on the same level; Caesar is not inherently better.
4. What does it tell us about Cassius when he says, “The fault, dear Brutus, is not in our
stars, But in ourselves, that we are underlings”?
Example: He believes in free will and doesn’t blame his position on anyone else.
2. How does Casca feel about the idea of Caesar becoming king?
Example: He agrees with Cassius that death would be better and believes he has the power to
deliver himself from bondage.
3. What do you think about Cassius’ motives when he uses deceit to convince Brutus
to join him?
Example: He seems desperate.
4. Why do you think the men desperately want Brutus to join them?
Example: They think that Brutus’ good name will make other people believe they did a good
thing.
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Julius Caesar
Target Objectives
At the end of this section, students are able to:
• demonstrate an understanding of the storyline thus far
• identify imagery and explain its function
• discuss the two female characters in depth
• select major episodes in the rising action
• use new vocabulary words correctly
• use the text to support their ideas
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Julius Caesar
Act II
1. Vocabulary: Creative Writing—hand out and have students complete in class
(25 minutes)
2. Comprehension Check: Who are the Conspirators?—hand out and have students
complete in class (15 minutes)
30
Julius Caesar
Act II, Scene I
Handout 1 Name
Date Hour
Imagery
Imagery is language that stirs up one or all of the five senses: seeing, hearing, tasting,
smelling, or touching. When Brutus contemplates Caesar and the crown, he uses an
interesting metaphor to express his feelings. This activity provides insight into Brutus’s
point of view and demonstrates how imagery enhances writing.
1. Read this quote from Brutus: “It is the bright day that brings forth the adder; / And that
craves wary walking. Crown him?—that;— / And then, I grant, we put a sting in him, /
That at his will he may do danger with.”
2. What are the qualities of an adder?
3. Assume Caesar had qualities of an adder. Clearly, Brutus is not suggesting Caesar would
bite people. What do you think Brutus means? How might these qualities demonstrate
themselves in Caesar’s leadership?
1. Find another instance of imagery in Act II, Scene I, and copy it here:
3. Explain whether or not you think this was a good choice of imagery on Shakespeare’s
part. What does it do for the play?
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Julius Caesar
Act II, Scene II
Handout 1 Name
Date Hour
Drawing Comparisons
Comparing characters helps you examine their personalities in greater detail and helps you
identify their function in the play as a whole. This activity provides new insight into the
two women. Review Portia’s and Calpurnia’s roles thus far to prepare for this exercise.
Directions: Complete the chart for Portia and the chart for Calpurnia by choosing three
quotes that epitomize their roles and explaining what each one reveals about her
personality. Then answer the questions at the bottom of the page in preparation for a class
discussion.
Portia (Scene I)
Write three quotes spoken by or about Explain what the quote reveals about
Portia in Scene I Portia’s personality
1.
2.
3.
2.
3.
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Julius Caesar
Act II, Scene IV
Handout 1 Name
Date Hour
Directions: Create a comic strip of six events that take place up through Act II, Scene IV.
Use pictorial renditions of the events and include simple dialogue in bubbles.
33
Julius Caesar
Act II
Handout 1 Name
Date Hour
34
Julius Caesar
Act II
Handout 2 Name
Date Hour
Comprehension Check:
Who are the Conspirators?
Before reading the next act, it’s important to be sure you understand what each character
intends to do. This activity helps you demonstrate your knowledge of the characters in the
play.
Directions: Circle “Y” for yes if the character is one of the conspirators and “N” for no if
the character is not a conspirator.
1. Caesar Y or N
2. Casca Y or N
3. Mark Antony Y or N
4. Lucius Y or N
5. Cassius Y or N
6. Metellus Cimber Y or N
7. Brutus Y or N
8. Soothsayer Y or N
9. Portia Y or N
Julius Caesar
36
Julius Caesar
Target Objectives
At the end of this section, students are able to:
• demonstrate an understanding of a main character
• analyze speeches and discuss the power of words
• engage in a discussion of justice
• use new vocabulary words correctly
• place quotations in context
• use the text to support their ideas
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Julius Caesar
Act III
1. Vocabulary: Pictionary®—hand out and have students complete in class (20 minutes)
2. Comprehension Check: Quote Quiz—hand out and have students complete in class
(15 minutes)
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Julius Caesar
Act III, Scene I
Handout 1 Name
Date Hour
39
Julius Caesar
Act III, Scene II
Handout 1 Name
Date Hour
40
Julius Caesar
Act III, Scene III
Handout 1 Directions
2. Start the discussion after students have had time to ponder and respond (in writing) to
the questions. Act as a moderator, ensuring that every student has an opportunity to
contribute his/her own ideas. Call on students who raise their hands, then choose
students who have not yet spoken before calling on those who have already added to the
discussion.
3. Grade students based on the number of valid contributions each student makes.
Answering one of the primary questions, offering opinions in response to a follow-up
question, or making a thoughtful comment on another student’s observation all count
as valid contributions. Repetitive, off-topic, or derogatory comments about another
student’s answer are invalid.
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Julius Caesar
Act III, Scene III
Handout 1 Name
Date Hour
3. How should we apply justice in society? Whose rules do we follow? How do we punish
people who break the rules?
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Julius Caesar
Act III
Handout 1 Name
Date Hour
Vocabulary: Pictionary®
Group Activity
Here’s a fun opportunity to demonstrate your mastery of vocabulary words from Acts I–III
of Julius Caesar. The more you’ve learned, the easier it will be.
Directions: The teacher divides the class into three teams. Your team needs to elect a
“drawer” for each round. During each round, the teacher gives the drawer three
vocabulary words from Acts I–III. The drawer’s team members attempt to guess the
correct word based on the drawings. The team earns one point for each correct answer. A
round lasts 30 seconds, and there may be up to 12 rounds. The team with the most points
at the end of the game wins.
Julius Caesar
Act III
Handout 2 Name
Date Hour
Directions: For each quote below, explain who said it, what it means,
and why it is important to the play.
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Julius Caesar
45
Julius Caesar
Teaching Essentials... Just for YOU!
Act IV, Scenes I–III
Act IV Summary
In Rome, Antony, Octavius, and Lepidus, acting as the triumvirate, decide whom they will
eliminate to consolidate their power. Near Sardis, Cassius joins Brutus at his military
camp. They engage in a heated discussion over odd behaviors and misinterpretations
between them. Both men feel the other is treating him unfairly. After hurling insults, they
calm down and remain friends. Brutus tells Cassius that Portia has committed suicide;
Cassius laments this news and wonders that Brutus refrained from killing him during their
argument. Brutus receives word that the enemy is approaching Philippi. Cassius suggests
that they wait for Antony to reach them, but Brutus persuades Cassius to march toward
Philippi. Brutus has a restless night and is visited by Caesar’s ghost, who promises to meet
him on the battlefield.
Target Objectives:
At the end of this section, students are able to:
• write plausible yet creative potential conclusions
• identify and discuss symbolism
• present a coherent explanation of a key relationship
• use new vocabulary words correctly
• demonstrate an understanding of the plot
• use the text to support their ideas
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Julius Caesar
Act IV
✦ 1. Vocabulary: Write Your Own Sentences—hand out and have students complete in
class (30 minutes)
2. Comprehension Check: True or False—hand out and have students complete in
class (15 minutes)
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Julius Caesar
Act IV, Scene I
Handout 1 Name
Date Hour
Directions: In the space below, write the conclusion of the play. Include some action
scenes and maybe even a surprise ending.
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Julius Caesar
Act IV, Scene III
Handout 1 Name
Date Hour
Symbolism
Group Activity
A symbol is an object or action that stands for something else. Portia’s death may signal
many things to Brutus, to the other characters, and to the audience. This activity asks you
to work with your peers as well as individually to determine what her death signifies.
Directions: Brainstorm ideas with the class on the topic of what Portia’s death symbolizes.
Then, complete the second chart on your own to work through your personal views and
opinions.
As a class, discuss what Portia’s death symbolizes. Write your ideas here.
On your own, choose one idea that Portia’s death symbolizes and explain why you
think Shakespeare added this element to the play.
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Julius Caesar
Act IV, Scene III
Handout 2 Name
Date Hour
Be the Teacher
The relationship between Brutus and Cassius is strained in Act IV. Re-examine Scene III to
improve your understanding of the events. This activity puts you in the role of a teacher
presenting a short lecture to the class.
Directions: Imagine you are the teacher, and your class is studying Julius Caesar. In the
space below, prepare a short lecture about the events in Act IV, Scene III. You’ll want to
clarify the facts of the scene but also point out interesting elements your students may have
missed. For example, are there psychological factors or literary devices that enhance the
scene? Why do you think Shakespeare adds this scene? What does it do for the play as a
whole? Be prepared to give your brief lecture out loud.
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Julius Caesar
Act IV
Handout 1 Name
Date Hour
Directions: Below are ten vocabulary words from Act IV. For each word, write a sentence
that conveys its meaning as used in Julius Caesar.
1. slanderous:
2. covert:
3. salutation:
4. sober:
5. contaminate:
6. presume:
7. endure
8. immortal:
9. expedition:
10. strain:
Julius Caesar
Act IV
Handout 2 Name
Date Hour
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Julius Caesar
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Julius Caesar
Teaching Essentials... Just for YOU!
Act V, Scenes I–V
Act V Summary
Antony and Octavius meet with Brutus and Cassius on the verge of the battle and exchange
hostilities. Afterwards, Cassius tells his servant that he has seen ill omens and dislikes their
prospects of victory. Brutus and Cassius depart, each to lead his own army. The battle
begins. From up on a hill, Cassius believes he sees his friend Titinius taken by the enemy.
Unable to live with such knowledge, he asks Pindarus to kill him, and he dies. When
Titinius learns of this, he kills himself. Brutus mourns the death of both men. Lucilius,
acting in the guise of Brutus, is captured by Antony’s army. Elsewhere on the field, Brutus
tells Volumnius that he has seen Caesar’s ghost and knows his time is at hand. Brutus
convinces Strato to hold his sword so that Brutus might run himself upon it. When Antony
arrives and finds the corpse, he declares Brutus was the noblest Roman of them all.
Target Objectives:
At the end of this section, students are able to:
• discuss relevant themes
• explain the customs and practices of ancient warfare
• analyze the climax of the play
• use new vocabulary words correctly
• write an analytical essay
• demonstrate an understanding of key passages in context
• use the text to support their ideas
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Julius Caesar
Act V, Scene I
✦ 1. Theme—hand out and have students complete in class (30 minutes)
Act V, Scene II
1. Research: Ancient War Practices—hand out and have students complete in class
(1 class period); have students write the paper at home (45 minutes)
Act V
1. Vocabulary Matching Exercise—hand out and have students complete in class
(15 minutes)
✦ 2. Expository Writing—hand out and have students complete in class (1 class period)
3. Close Reading on Key Passages—hand out and have students complete in class
(1 class period)
4. Interview With the Author—hand out and have students complete in class
(1 class period)
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Julius Caesar
Act V, Scene I
Handout 1 Name
Date Hour
Theme
A theme is a general concept or idea, such as love, justice, or sorrow. One way to help you
think of themes is to complete the following sentence: “This is a play about __________ .”
Before beginning this assignment, take a minute to brainstorm possible themes. This
activity helps you think through the play’s message while asking you to do some creative
writing.
Directions: Imagine that you are a reporter for the London Times in 1599. Conduct an
interview with Shakespeare about his new play Julius Caesar to help you write a play
review. Some questions to “ask” him include: What are the themes of the play? What
would you like the audience to take away from the play? How are audiences responding
thus far? Do you think Julius Caesar will be performed 100 years from now? Of course, you
can “ask” other questions as well. Write your play review in the space below.
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Julius Caesar
Act V, Scene II
Handout 1 Name
Date Hour
Research is one way to provide context for a novel or play. In the case of Julius Caesar, the
final scenes will come alive once you understand the customs of ancient warfare. Learning
new information and writing a clearly organized paper helps you to exercise your research
skills while teaching you more about an historical concept.
1. Together with a partner, research ancient war practices, particularly as seen in the
Roman Empire around the time of Julius Caesar, 44 B.C. Use encyclopedias, history
books, reference works, or the Internet. (Reminder: When using the Internet, choose
official web sites such as those sponsored by national organizations [.org] or educational
institutions [.edu] to gather more reliable information. You want to be sure your sources
are credible.) Use the box below to write your notes.
2. Individually, write a one-page paper tonight that details what you have learned in a clear,
well-organized manner. Use the box below to complete your pre-writing.
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Julius Caesar
Act V, Scene III
Handout 1 Name
Date Hour
Plot: Climax
Group Activity
The climax of the story is the place where everything that has been brewing reaches its
boiling point. This is the point of no return. Some scholars point to Cassius’ death in Act
V, Scene III, as the climax of Julius Caesar. Others would call Caesar’s death in Act III,
Scene I, the point of no return. This activity lets you examine both sides of the issue.
Directions: The teacher divides the class in half and assigns each half one side of the
argument (that the climax occurs in Act V, Scene III or that the climax occurs in Act III,
Scene I). Use the space below to prepare an argument that supports your side. Then, find a
partner on the opposite side of the debate, share your opinions, and take notes on your
partner’s ideas. Finally, explain your personal opinion in the final box.
Ideas to support my side…
My personal opinion….
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Julius Caesar
Act V
Handout 1 Name
Date Hour
Directions: Match ten of the vocabulary words from Act V to the correct definitions
below without using references. After completing the activity, choose one word that you
find interesting, explain why it caught your eye, and describe a place you might be able to
use it.
gallant cur peevish gorging proclaim
assured hilts misconstrued proclaim tarry
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Julius Caesar
Act V
Handout 2 Name
Date Hour
Expository Writing
Expository writing helps you synthesize what you
have learned regarding a character, theme, or
literary device. In this activity you get to display
your writing skills while demonstrating your
insightful analysis of the play.
2. Early on Cassius tells Brutus, “The fault, dear Brutus, is not in our stars, But in
ourselves, that we are underlings.” Discuss the role of free will versus fate in Julius
Caesar. Does Cassius’ statement prove to be true? If so, how? If not, why not?
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Julius Caesar
Act V
Handout 3 Name
Date Hour
Passages to examine:
1. “Cowards die many times before their deaths…What say the augurers?”
(Act II, Scene II)
2. “I could be well moved, if I were as you… But there’s but one in all doth hold his place”
(Act III, Scene I)
3. “He was my friend, faithful and just to me… And, sure, he is an honourable man.”
(Act III, Scene II)
4. “It is a creature that I teach to fight… But as a property. “ (Act IV, Scene I)
5. “We, at the height, are ready to decline…Or lose our ventures.” (Act IV, Scene III)
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Julius Caesar
Act V
Handout 4 Name
Date Hour
The end of a reading experience can leave you feeling sad, satisfied, or curious. This
activity gives you an opportunity to interact with the writer, William Shakespeare! Be as
creative, humorous, or serious as you like, but you must ask some fundamental questions
regarding Julius Caesar that only Shakespeare could answer.
Directions: Write ten questions regarding the novel that you would like to ask William
Shakespeare. Use a separate piece of paper to do this assignment. After you write your
questions, exchange papers with another student who will answer the questions.
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Julius Caesar
Act V, Scene I
1. Why didn’t the enemies, Antony and Octavius versus Brutus and Cassius, simply kill
each other when they met?
Example: It doesn’t fit with their code of honor.
2. What was your opinion of the main characters as they exchanged insults?
Example: It showed their true feelings, their rage, and it also seemed odd that they’re willing
to do battle with one another but not draw their swords against one another.
3. Why does it seem strange that Cassius is concerned with the omen of two eagles falling?
Example: Earlier in the play he didn’t seem to put much faith in signs.
Act V, Scene II
1. Why does Shakespeare initiate the battle scene with Brutus as opposed to any of the
other three men?
Example: It reinforces Brutus’ role as the main protagonist.
Act V, Scene IV
1. What is the point of Brutus’ statement: “And I am Brutus, Marcus Brutus, I; Brutus,
my country’s friend; know me for Brutus!”
Example: It reminds us who he is and what he stands for in the play.
Act V, Scene V
1. Why is it difficult for Brutus to convince someone to hold his sword, for example, to
help him commit suicide?
Example: They have too much respect for him to kill him.
2. Why does a play labeled a “tragedy” end with the line “To part the glories of this
happy day”?
Example: It suggests that good triumphed in the end.
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Julius Caesar
Reflect on Reading
T
he following activities require students to work with the play as a whole.
This includes discussion questions, activities, a pre-reading question
review, and a final test.
1. The Famous Eulogy—hand out and have students complete in class (1 class period)
2. Pictorial Review—hand out and have students complete in class (1 class period)
3. Pre-Reading Question Review—hand out and have students complete in class
(1 class period)
Final Test—hand out and have students complete in class (1 class period)
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Julius Caesar
Reflect on Reading
Discussion Questions
Directions: Use the following questions to review what’s happened in the play and to
discuss the ideas and themes.
3. What message does Shakespeare give about fate versus free will?
Example: He seems to present instances of both without one taking precedence over the other.
4. Why do Brutus and Cassius take their own lives rather than put themselves at
Antony’s mercy?
Example: They are too proud to submit to their enemy.
7. How would you characterize Brutus’ intentions when he joined the conspiracy?
Example: Brutus was focused on the general good.
10. What does it suggest that Marullus and Flavius were killed for taking down Caesar’s
decorations?
Example: It shows that the Roman people were not free to express their opinions.
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Julius Caesar
Reflect on Reading, continued Discussion Questions
12. Why do you think Brutus was devoted to the idea of the Republic?
Example: He believed it was the only way for men to be free.
13. Why does Antony use Caesar’s will to persuade the people?
Example: Antony recognizes that people are often selfish and proud; by telling the Romans
that Caesar loved them enough to leave them money and land, he got them to automatically
love Caesar.
14. Why does the audience witness Brutus’ inner turmoil over killing Caesar, but none of
the other conspirators’ tension?
Example: Perhaps the other conspirators lack Brutus’ conscience; they had no inner turmoil.
16. How do you think the Elizabethan audience responded to this play?
Example: They probably enjoyed the sense of justice and liked seeing the evil omens fulfilled
because it was a style they were used to seeing.
18. Why do you think Julius Caesar became one of Shakespeare’s more famous plays?
Example: It discusses ideas of power and justice and righteousness that exist in every time and
in every place.
20. If you were the teacher, would you choose to have your students read Julius Caesar?
Why or why not?
Example: Yes, I would because there are a lot of scenes and lines that are part of our cultural
vocabulary.
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Julius Caesar
Reflect on Reading
Handout 1 Name
Date Hour
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Julius Caesar
Reflect on Reading
Handout 2 Name
Date Hour
Pictorial Review
Group Activity
Visual aids provide an excellent way to review a story quickly. In this activity, you will work
in a group to create pictorial representations of each scene in Julius Caesar. By studying
each group’s picture, you’ll be reminded of the key events in the play.
Directions: The teacher divides the class into 18 groups, one for each scene in the play. As
a group, create a poster that covers the major events in your assigned scene. Hang them up
around the room and view your classmates’ work for a great tutorial on Julius Caesar.
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Julius Caesar
Reflect on Reading
Handout 3 Name
Date Hour
Directions: Complete the chart below in preparation for a discussion with your classmates.
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Julius Caesar
Name
Date Hour
Final Test
The following test assesses your knowledge and understanding of Julius Caesar.
Multiple Choice
Directions: Circle the letter of the correct answer. (1 pt. each)
3. Antony is loyal to
a) Cassius. c) Octavius.
b) Casca. d) Caesar.
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Final Test, continued Final Test
Matching
Directions: Choose the letter that fits the description. Make sure that you use each letter
just once and that you have no letters left over. (1 pt. each)
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Final Test, continued Final Test
10. _____ these die many times before their deaths j. Portia
Event Sequencing
Directions: Order the following events chronologically from 1 to 10. (1pt. each)
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Julius Caesar
Final Test, continued Final Test
Short Answer
Directions: Write your answer to each question on a separate piece of paper. Use complete
sentences. (4 pts. each)
Essay Questions
Directions: Choose one of the three essay questions listed below. The length needs to be
approximately 350 words. Make sure your response is well-organized and grammatically
correct. Use a separate piece of paper. (20 pts.)
1. Evaluate the theme of free will versus fate as it is worked out in Julius Caesar.
2. Discuss betrayal and loyalty as seen in Julius Caesar.
3. Analyze the method Antony uses to turn the crowd against Brutus and the
conspirators.
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Julius Caesar
Answer Key
This section provides answers to activities and the test in the order in which they appear in
the guide.
Act I, Scene II
1. He wants Antony to touch his wife Calpurnia during the race because there is a superstition
that touching an infertile woman during the race will make her have children.
2. He says he will do anything Caesar asks of him.
3. He says to beware the ides of March.
4. He is afraid they are asking Caesar to be their king.
5. He believes that they were born equal, that Caesar has no right to have authority over him, and
that Caesar has exhibited cowardice and weakness that make him unfit to rule.
6. Brutus says he has had similar thoughts; he does not wish to continue the discussion now, but
he will at a later time.
7. He believes he is dangerous.
8. Antony offers it.
9. He thinks that each time it was harder for Caesar to refuse it.
10. He falls down foaming at the mouth.
11. He thinks Caesar has the falling-sickness, epilepsy.
12. They were executed.
13. He says he will meet with Cassius the next day.
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6. He has suffered terrible mental agitation; it haunts him.
7. It seems cowardly to him, and he wonders how they’ll ever show their faces during the day if
they’re afraid to show them at night when no one can see them anyway.
8. Cassius brings Casca, Decius Brutus, Cinna, Metellus Cimber, and Trebonius.
9. He believes that the oppression of their times is enough to support their endeavor and if any
man disagrees, then he should not join them.
10. He wants to kill Caesar and Mark Antony.
11. He says they will seem bloodthirsty if they kill both men and that Antony will lose his power
after Caesar’s death.
12. He has been superstitious lately, and the unnatural events might convince him to stay home.
13. It is clear that something is bothering him, but he won’t tell her what it is.
14. Caius Ligarius comes to join in the conspiracy.
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Julius Caesar
14. He asks Caesar to forgive him for appearing to agree with the conspirators, and he says he’ll
get revenge.
15. Antony tells Octavius to stay outside of Rome for now because it is too dangerous for him.
Act V, Scene I
1. Antony will attack from the left.
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2. He begins to call him Caesar.
3. They call each other names.
4. He says there was an ill omen of two eagles falling and it seems that the army stands under a
shadow of death.
Act V, Scene II
1. The battle has begun, and Brutus sends Messala with a message to Cassius that Brutus plans to
attack Octavius’s army.
Act V, Scene IV
1. They believe they have captured Brutus.
Act V, Scene V
1. He runs on his own sword.
2. Brutus thinks his motives for killing Caesar weren’t half as good as the ones he has for killing
himself.
3. Antony says Brutus was nobler than any other conspirator because he acted only for the good
of Rome and not for himself.
Foreshadowing
Act I, Scene III
Handout 1
1. First omen: a slave’s hand is on fire but doesn’t burn. Second omen: a lion walking through the
Capitol that didn’t harm him. Third omen: an owl shrieking at noon in the market.
2. These omens are unnatural. When things go against nature, it suggests the world is out of
control and chaotic, which means terrible events may occur.
3. The tone is one of foreboding, fear, and potential violence.
4. Answers will vary.
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Julius Caesar
3. Example: There should be a strong judicial system that deters people from committing crimes
and lets people know exactly what the penalty will be.
4. Example: It is best to let the people have a vote; a democratic government serves the people.
Final Test
Reflect on Reading
Multiple Choice
1. d 3. d 5. b 7. c 9. c 11. a 13. a 15. a
2. a 4. c 6. b 8. d 10. b 12. b 14. c
Matching
1. h 3. l 5 i 7. f 9. b 11. d 13. e 15. g
2. k 4. j 6. m 8. a 10. n 12. c 14. o
Sequencing
a. 6 b. 1 c. 4 d. 9 e. 2 f. 5 g. 8 h. 3. i. 7 j. 10
Short Answer
1. She dreams that Caesar’s statue pours blood from many holes and that Romans bathe in the
blood.
2. He says Antony has no power without Caesar and killing Antony would make them appear to
be butchers.
3. He says that Brutus said Caesar was ambitious and that Brutus is an honorable man.
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4. He tells Caesar that the senators plan to crown him king.
5. He likes him as an individual but feels he may become a tyrant if given unchecked power
over the people.
6. Antony tells the people that Caesar left them each 75 drachmas and his private arbors so that
the people will have sympathy for Caesar.
7. He is Caesar’s adopted son; he acts as part of the triumvirate immediately after Caesar’s death;
he rules Rome at the end.
8. He believes that his best friend, Titinius, has been captured and that his army will lose the
battle.
9. He respects her and loves her, but he refuses to tell her what is being planned.
10. Brutus is because he has the highest reputation, and the people will believe the conspirators
acted in good faith if Brutus is part of the conspiracy.
Essay Questions
These are general answer suggestions. Answers may include some or all of the points listed below.
1. Instances of free will include 1) The conspirators choosing to join together, 2) Cassius’ belief
that the fault lies in themselves, and 3) Caesar says it is in his “will” that he stay home.
Instances of fate include 1) the Soothsayer’s predictions, 2) Caesar’s statement that death comes
when it will come, 3) Cassius’ feeling that an evil “canopy” hangs over their armies, and 4)
Brutus’s idea that Caesar’s ghost dooms their enterprise. The play doesn’t hold one clearly
above the other. This can be taken as equal appreciation for both or left entirely to the
audience’s interpretation.
2. Instances of betrayal: 1) Marullus and Flavius tell the people they recently adored the now
defeated Pompey and that turning their love to Caesar is a betrayal, 2) Caesar’s acceptance of
a crown would betray Rome’s republic, 3) Caesar’s final words epitomize the betrayal he feels
from Brutus, and 4) Antony betrays the trust the conspirators place in him when he speaks at
Caesar’s funeral. Instances of loyalty: 1) Brutus’ loyalty to the Roman republic, 2) Antony’s
loyalty to Caesar, 3) the omens’ “loyalty” to their dire predictions, and 4) Portia’s and
Calpurnia’s loyalty to their husbands, respectively. The two sides of one coin are clearly
demonstrated throughout the play. Each follows through to its logical consequence.
3. Antony begins by asserting loyalty to the conspirators; this inclines the crowd to listen to him.
Antony continually calls Brutus an honorable man in order to identify with Brutus, whom the
people currently adore. Antony points to numerous instances where Caesar acted kindly,
compassionately, etc.; this slow build up of Caesar’s good qualities has time to take root in the
people’s minds. Antony shows personal grief over Caesar’s death, pausing to regain his
composure; this tells the people that a good man is mourning Caesar’s death and suggests they
should, too. Antony reads them Caesar’s will, of which the Roman people seemed to be the
greatest beneficiaries; this captures the people’s hearts for Caesar.
82
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