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    Презентация без названия

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    Ivan
    The document proposes a video concept that tells a story through the eyes of an Amur tiger on a train. [1] The camera would move like the tiger, prowling through the train cars and stopping to observe objects and people. [2] The video aims to show the coexistence of wild beasts and human technological progress in a peaceful harmony. [3] It provides details on filming locations, equipment, post-production process, and crew needed to bring the concept to life.

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    Презентация без названия

    Uploaded by

    Ivan
    18 views8 pages
    The document proposes a video concept that tells a story through the eyes of an Amur tiger on a train. [1] The camera would move like the tiger, prowling through the train cars and stopping to observe objects and people. [2] The video aims to show the coexistence of wild beasts and human technological progress in a peaceful harmony. [3] It provides details on filming locations, equipment, post-production process, and crew needed to bring the concept to life.

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    about tigers

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    The document proposes a video concept that tells a story through the eyes of an Amur tiger on a train. [1] The camera would move like the tiger, prowling through the train cars and stopping to observe objects and people. [2] The video aims to show the coexistence of wild beasts and human technological progress in a peaceful harmony. [3] It provides details on filming locations, equipment, post-production process, and crew needed to bring the concept to life.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    18 views8 pages

    Презентация без названия

    Uploaded by

    Ivan
    The document proposes a video concept that tells a story through the eyes of an Amur tiger on a train. [1] The camera would move like the tiger, prowling through the train cars and stopping to observe objects and people. [2] The video aims to show the coexistence of wild beasts and human technological progress in a peaceful harmony. [3] It provides details on filming locations, equipment, post-production process, and crew needed to bring the concept to life.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 8

    AMUR TIGER TRAIN

    Treatment for HP INC


    by Reutov Ivan
    Overview

    We suggest you take a tour across the train through


    the eyes of the beast. Imagine the camera moving
    along the composition like a tiger: bottom
    foreshortening, prowling movements (deft),
    fast traveling. Deflect one interior object to another.
    We suppose wide format, short focus optics, light
    blur to the edges of the frame, somewhat distorted
    colors. Our “beast-camera” can stop at some
    especially remarkable objects of the train
    illustrations, "sniff" them, "meet heroes of story ".
    Perhaps the most important in our concept is
    camera interaction with people. Along the route of
    the camera meets heroes of history. These people
    not afraid of the beast, on the contrary, they lean to
    him carefully and respectfully interact (say replicas
    or just declare). Finishing the path of the train, the
    beast accepts him, gets comfortable and closes its
    eyes. We are going to integrate the interview in the
    video using parallel editing.
    Idea

    We want to convey in the video the interaction of


    the wild beast, on the one hand, and the
    technological progress of man, on the other. It is
    important that these two worlds should coexist in
    peace and harmony. The acceptance and final
    peace of the beast, at the end, convey the idea of
    harmony. In this context, we are not hunters or
    conquerors. We care. We are good friends
    Sound

    Shooting involves sharp dashes and


    dynamic movement in a train car,
    but at the same time dexterous and
    smooth. So we suggest following
    sound range:

    1) Background music with an


    abundance of drums,
    torn, alternating rhythmic patterns.
    2) The soft sounds of the steps of the
    beast, breathing, reactions to objects
    of the image (on the cub, on the
    person
    with weapon)
    References

    Here are some examples of reference videos that inspired us and which can be used
    in our project to understand mood, emotional background and shooting techniques.

    https://youtu.be/5kRDdu9ybcg

    Here we can see a good dynamic editing and good example of emotions that we are
    trying to reach in the clip.
    https://youtu.be/pI63Rbxml5U

    Here we do not see the world through the eyes of the beast, but it is close enough in
    visual mood.
    https://youtu.be/40ujKFD3z2g

    Cats do not see as people. They have unique vision. We want to use some of this
    information, taking off on anamorphic lenses.
    Production
    Location Shooting

    We plan to shoot everything during Shoot everything in 4k 3840×2160


    one day in the Amur train. We need resolution, 25 fps. Though we can
    to understand the number of light export whatever resolution you
    sources in the train, perhaps it will need.
    help reduce the budget.

    Gear

    -High end digital camera.


    -Wide anamorphic lenses (16\24 mm).
    -LED Lighting Kit plus diffuser / reflectors.
    -Zoom H4N Microphone.
    -Gimbal.
    Post-Production Crew

    Post production will take no more ● Storytelling - Ivan Merkutov


    than 5 days, not including edits. If ● Cameraman 1 - Ivan Reutov
    you need to create graphics or ● Cameraman 2 - Vasily Lyaporov
    motion design there may be ● Sound record
    amendments. The main work on ● Editor
    post-production will be to work
    with the "picture" to create the
    illusion of the view from the eyes of
    an animal. Some color aberrations
    and blurring. Cuts should be
    dynamic and rough.
    Thank you

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