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    Blurred Lines Trombone

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    Anonymous njY7RyD97
    This appears to be a musical score for trombone that consists of notation represented by symbols. It contains repeated rhythmic and melodic motifs across multiple lines of notation. The piece utilizes techniques such as slurs, dynamics, and indications to return to previously stated material.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Blurred Lines Trombone

    Uploaded by

    Anonymous njY7RyD97
    63 views1 page
    This appears to be a musical score for trombone that consists of notation represented by symbols. It contains repeated rhythmic and melodic motifs across multiple lines of notation. The piece utilizes techniques such as slurs, dynamics, and indications to return to previously stated material.

    Original Description:

    partie trombone

    Copyright

    © © All Rights Reserved

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    This appears to be a musical score for trombone that consists of notation represented by symbols. It contains repeated rhythmic and melodic motifs across multiple lines of notation. The piece utilizes techniques such as slurs, dynamics, and indications to return to previously stated material.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    63 views1 page

    Blurred Lines Trombone

    Uploaded by

    Anonymous njY7RyD97
    This appears to be a musical score for trombone that consists of notation represented by symbols. It contains repeated rhythmic and melodic motifs across multiple lines of notation. The piece utilizes techniques such as slurs, dynamics, and indications to return to previously stated material.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
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    Blurred

    Lines Paul murtha


    Trombone

                                         
    Trombone        

                            
          
    8

    Trb.

                               
           
    16

    Trb.

                                                
    20

       
    Trb.

                         
            
            

    25

    Trb.

       
        
              
           
                    
    32

    Trb.

           
                             
                    
      
    39
    To Coda

    Trb.

               

                            
    
    45

    Trb.

    
                                

          

    51

    Trb.

                  
                  

              
    56 D.S. al Coda

    Trb.

    2013 Arrangement

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