English 7 OHSP LM Final

Grade 7 English Learning Package l 1
2 l Grade 7 English Learning Package

QUARTER I MODULE I (Lesson 1)
Valuing Our Elders’ Wisdom
This lesson allows you to appreciate the wisdom of our

ancestors that continues to influence our experiences.
Discover how their proverbs serve as guideposts towards
strengthening our values. You must aim to:
1. skim rapidly for major ideas using headings as guide;

2. determine words or expressions in a selection that are similar or
opposite;
3. recognize differences in voice levels and speech patterns;
4. use appropriate volume and enunciation in a given communication
situation;
5. observe the right phrasing and pacing when reading texts or passages
aloud or participating in conversations;
6. identify the unique features and properties of oral language;
7. observe rules on subject-verb agreement.

PRE-ASSESSMENT
Now that you know what you are expected to learn from this Module,
let’s find out first how much you know about them. Follow the directions for each
set of questions.
A. Tell whether each pair of words are synonyms or antonyms.

1. guess, estimate ___________________________
2. tired, energetic ___________________________
3. huge, gigantic ___________________________
B. For each of the following sentences, choose the correct answer from the
given options.
1. It is the way something is expressed in words. It is also the

style of expression.
a. enunciation c. tone
b. phrasing d. volume
2. The quality, feeling, or attitude expressed by the words that

someone uses in speaking or writing.
a. pacing c. tone
b. phrasing d. volume
3. It is the level of loudness and softness of the voice.

a. enunciation c. tone
b. pacing d. volume
4. It is the act of pronouncing words.

a. enunciation c. phrasing
b. pacing d. tone
C. Choose the correct verb that agrees with the subject in each sentence.
Underline the correct answer.
1. The number of participants is/are few.

2. A number of people has/have seen the car accident.
3. There is/are one table in the classroom.
4. My sister along with our friends is/are looking forward to this

weekend.

Now that you have an idea of what this module covers, are you eager to get
started? As you do the following activities, pay attention to the skills that can
help you study and learn more about the wisdom of your ancestors. Good luck
as you begin!
Task 1. Skimming
Skimming is a reading skill to locate specific information quickly. When

you skim, your eyes pass quickly over the reading material.
Below is a reading text that we will discuss. Follow the directions and
answer the question that follows.
1. Read the title.

2. Read the first and last sentence of each paragraph.
3. Don't read every word or every sentence. Let your eyes skim over the
text, taking in key words.
What do you think is the text about?

________________________________________________________
________________________________________________________
________________________________________________________
________________________________________________________
Are you done? Very well, now let’s proceed to the next task.
Task 2. Similar or Opposite?

In terms of meaning, a word may be synonymous (similar) or
antonymous (opposite) to another. Form the correct pairs of
synonyms and antonyms used in the selection.
compiled native ancestors gathered
comprehensive limited complex brief
elders simple lengthy indigenous

Words of Wisdom
Damiana L. Eugenio, the mother of Philippine Folklore compiled and
edited what may very well be considered as the most comprehensive collection
of proverbs in our country. There is a limited number of works like this in
existence. She spent a lifetime collecting pieces of folk literature that reveal our
ancestors‘ wisdom. When she gathered proverbs from various areas in our
country, she declared that our elders lived by simple, yet very meaningful rules
of righteous living. In fact, she asserted that even the Spaniards who colonized
our country noticed how proverbs formed part of the native spirit. Spanish
missionaries were found to have translated such proverbs and other oral
expressions in Spanish in order for their fellow religious people to learn our
indigenous languages. By doing so, they were able to interact with the early
Filipinos and eventually introduce the Catholic faith.
Proverbs are brief instructive expressions that suggest a specific action,

behavior, or judgment. Referred to by some scholars as ‘the wisdom of many
and the wit of one”, they are commonly written in the form of short assertions
or poetic two-liners which have rhyme. It is interesting to note that people are
easily struck by proverbs when they are woven in conversations or writings.
This is perhaps because they have the power to teach people the more
essential truths about life and the complexity of living. Compared to lengthy
narrations, descriptions, or argumentations, proverbs are able to effect quickly
a change in view or disposition.
In Filipino, proverbs are called salawikain or sawikain. They prescribe

norms, impart a lesson, or emphasize traditions and beliefs in a community. In
the anthology of Damiana L. Eugenio, she classified proverbs into six
categories: (1) proverbs expressing a general attitude towards life and the laws
that govern life; (2) ethical proverbs recommending certain virtues and
condemning certain vices; (3) proverbs expressing a system of values; (4)
proverbs expressing general truths and observations about life and human
nature; (5) humorous proverbs and (6) miscellaneous proverbs. Below are
examples of each category.
1. Proverbs expressing a general attitude towards life and the laws that
govern life
Walang ligaya sa lupa na di dinilig ng luha (Tagalog)

There is no earthly joy that is not watered with tears.
Say liket ban-bantayey ermen. (Pangasinan)

Joy is always guarded by sorrow.
Ang kapalaran ko di ko man hanapin, dudulog lalapit kung talagang
akin. (Tagalog)
The good fortune which is intended for me will come even without my
seeking it.
2. Ethical proverbs recommending certain virtues and condemning certain

vices
Walang utang na di pinagbayaran (Tagalog)
No debt remains unpaid.
Dai mo pagpaagahan an magigibo mo ngonyan. (Bikol)
Do not put off for tomorrow what you can do for today.
Ayau mo in kahui pila‟a ha kawa‟an mo bunga. (Tausug)
Do not cut the tree to get the fruit.
3. Proverbs expressing a system of values

Ti nasadot a baro cas carne a nadangro. (Ilokano)
A lazy young man is like foul-smelling meat.
Ang mga tulo singgot sa taong mangguibuhaton paga bayran gayud sa
guihapon. (Boholano)
Every drop of perspiration of an industrious man will be rewarded
accordingly.
Isa ka tuig nga tiponon, isa ka takna wagwagon. (Hiligaynon)
It takes only a moment to squander what took a year to save.
4. Proverbs expressing general truths and observations about life and

human nature
Huli man at magaling, ay naihahabol din. (Tagalog)

A good thing is never too late.
Ti saan a matimtemec, nauyong no macaunget. (Ilokano)

The quite person is slow to anger but terrible when aroused.
Ing mayap a babai, maiguit ya karing rubi. (Pampango)

A good woman is worth more than rubies.

5. Humorous proverbs
Ang gugma sang tigulang daw igui nga nagakamang. (Hiligaynon)

The love of an old man is like a snail that crawls.
Ako kanhi cabalyero nga wala‟y kabilinggan; pagdawat sa matrimonio,

sa hinanali ng lawas mingniwang. (Cebuano)
I was formerly a gentleman without a care at all, but when I got married,
my body shrank and became small.
Kay tagal nanindahan, kabili-bili‟y balindang. (Tagalog)

After shopping for a long time, he ended up with a poor purchase.
6. Miscellaneous proverbs (typically expressive of specific realities to a

certain area)
Ing matudtud a pemangca e na balu lebasa‟ ng sapa. (Pampango)

The sleeping boatman does not know the streams he has passed.
Mapipia nu sumavat ka a maysaosaod su sagap as canu caviden mu

du calawangan q manalamad su among. (Ivatan)
It is better to go home and weave a net than to stay on the shore and
watch the fish.
Dica agcapcapoy no bassit ti inapoy; dica agnengnengneng no bassit ti

diningdeng. (Ilokano)
Don‘t be too slow if there‘s only a little rice; don‘t be too shy if there‘s only
a little viand.
Our proverbs are not only witty expressions. They are also our cultural
treasures. As we continue to use them in various spoken or written forms and
as we explore ways of representing them in graphic, musical, or dramatic
modes, we facilitate their preservation. And through these, we strengthen our
identity as a people.

Task 1. Classify!
Use Damiana Eugenio’s system to classify the following proverbs. Use
the given codes. Write your answer in your notebook.
G - proverbs expressing a general attitude towards life and the laws

that govern life
E - ethical proverbs recommending certain virtues and condemning
certain vices
V - proverbs expressing a system of values
T - proverbs expressing general truths/observations about life and
human nature
H - humorous proverbs
M - miscellaneous proverbs
___1. Matibay ang walis, palibhasa’y magkabigkis.

A broom is a sturdy because its strands are tightly bound.
___2. Sa taong walang takot, walang mataas na bakod.
To a fearless person, no fence is high enough.
___3. Kung ano ang puno, sya ang bunga.
Whatever the tree,so is the fruit.
___4. Ang pili ng pili, natatapat sa bungi.
One who is choosy ends up with the least attractive choice.
___5. Ang hindi magmahal sa sariling wika, daig pa ang
malangsang isda.
He who does not love the national language is worse than a
smelly fish.

In the earlier part of the lesson, you are asked to pair the words into
synonym and antonym. I’m sure that you are very familiar with the terms
synonym and antonym but in case you forgot what those exactly mean, let me
have a brief review on these.
ANTONYM
An antonym is a word that shows the opposite meaning of another
word. For example, the word young is the opposite of the word old.
Therefore young and old are antonyms.
SYNONYM
A synonym is a word that means exactly the same as, or very nearly the
same as, another word in the same language. For example, "close" is a
synonym of "shut".
Now, are you ready to

answer the following tasks? I know you are!
Let’s try one more time!
Task 1. Enrichment
Write synonymous if the words given carry the same meaning,

write antonymous if the words have opposite meaning.
1. peaceful-calm 6. brave-courageous
2. bend-straighten 7. declare-affirm
3. accept-decline 8. dreary-cheerful
4. wrong-erroneous 9. preserve-maintain
5. common-rare 10. deep-shallow
It’s not that hard, right? Well done!

Task 3. Loud and Clear!
Now in the next activities, we will see how well you can read creatively a
passage. Practice reading the following passages.
(Read this fast and at your regular speaking volume)
There is much to learn from our folk literature. One important insight
from the sayings and stories of our ancestors is the relationship of human
beings and nature. Many myths and legends show how natural forces influence
or are influenced by human actions. The powerfulness of these forces is
commonly seen in creation stories. Across the archipelago, we will find creation
stories that highlight gods and goddesses controlling or working with natural
forces. These stories have become part of our indigenous knowledge.
(Read this slowly and softly)
In recent years, we have seen many books and films influenced by folk
beliefs, sayings and stories. They highlight fairies, mythical creatures, and
events in which they interact with human beings. They are treated with great
respect to the point of fear. Oftentimes, such creatures provide human beings
with supernatural powers. Human beings, on the other hand, use such gifts to
perform heroic acts. However, there are those who end up using powers for
evil. These creatures have also been depicted in paintings, dances and drama.
Were you able to apply what the text asks? Did you know that what you
have done is the application of volume, enunciation and phrasing & pacing?
For you to better understand these terms, let me give you the meaning.
Volume means the level of loudness and softness of the voice.

Enunciation is the act of pronouncing words.
Phrasing is the way something is expressed in words. It is also the
style of expression.
Pacing is a common technique in slowing down
Now, answer the following questions.

Task 4. Processing
1. Did volume, enunciation, and phrasing & pacing influence the understanding
of the message? Defend your answer in at least five sentences.
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2. What must the speaker do if he/she has a bigger audience and when there
are disturbances? Explain your answer in at least five sentences.
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Be guided by the rubrics below.

This task is done with the presence of the teacher.
Task 5. Listening to a Dialogue
Now that you have learned all about volume and enunciation, let’s
proceed to listening a taped dialogue between an elderly and a student. As you
listen twice to a short dialogue, write your observations and notes under the
appropriate columns.
Well done! To sum up the tasks in this part, here are the features of
oral language that are very useful in the conversations.
Features of Oral Language
 spontaneous
 very conversational
 allows being indirect
 follows cues in taking turns
 a dynamic transfer of information
 includes some cultural expressions
 allows shifts in meaning due to changes in sound-related features
retractable (one can immediately apologize for a mistake or offer
clarifications)
 highly subjective

Task 6. Examining a Paragraph
Examine the short paragraph below. It contains sentences with common

errors in subject-verb agreement. Identify the errors and make necessary
corrections. Rewrite the version of the paragraph that shows grammatically
correct sentences. Before you do the activity, be guided by the following rules
concerning subject-verb agreement.
 The expression the number is followed by a singular verb while the

expression a number is followed by a plural verb.
 We use there is/was for singular noun and there are/were for plural noun.
 Sometimes a word or phrase comes between the subject and the verb.
Ignore that word or phrase when locating the subject and verb, making
sure the verb agrees with the subject.
The number of recorded proverbs is unknown. A number of them is from

the Tagalog regions. There is many scholars who proved that many proverbs
have not yet been recorded. Prof. Jose, as well as Prof. Lacsamana have the
same belief. One of their findings are important to many folk literature scholars.
Prof. Ruiz, who studied their findings are very much interested in such finding.

Task 7. Extended Grammar Practice
Write two sentences that observe the subject-verb agreement for each
of the cases listed.
Case Sentence
A number 1.
2.
The number 1.
2.
There is 1.
2.
There are 1.
2.
Intervening phrase 1.
2.
Congratulations! You are able to finish this module. You can

now proceed to the next lesson. Are you familiar with the
other rules on subject-verb agreement? Would you like to
learn more about them? Well, let’s go!

QUARTER I MODULE 2 (Lesson 2)
Searching for Our Beginnings
This lesson prepares you to appreciate diversity in

our culture. Discover how stories from varied regions in our
country reveal ideals, customs, and beliefs regarding our
place in the world. You must aim to:
1. express your awareness of diversity in our culture;

2. use a variety of tones for an oral interpretation of a literary text;
3. scan for specific information;
4. observe rules on subject-verb agreement;
5. recognize the role of a father and a mother in maintaining close
family relations.
You already know the lessons that you

will acquire for this module.
Enjoy working on the exercises
and learn a lot from them!

PRETEST
A. Identify the sound of every word from the given choices. Write the symbol
of the sound on the space provided after each word.
[i] [I] [s] [∫]
1. Bring ___ 6. Chivalry ___

2. Pinnacle ___ 7. Minute ___
3. Breach ___ 8. Precious ___
4. Sweet ___ 9. Teacher ___
5. Racial ___ 10. East ___
B. Study the following sentences. Write C if the sentence observes correct

subject-verb agreement. If it does not, write I. Write your answers on a
one fourth sheet of paper.
1. Every deity have magical powers.
2. Somebody is shown as more powerful in creation stories.
3. The gods nor the goddess play favorite among the humans.
4. The boy and the girl was surfing the net.
5. Several Filipinos are hospitable.

Task 1. Identifying Our Fellow Filipinos
Let’s see how well you know the different ethnic groups in our country
by determining who our fellow Filipinos are and where they reside in our
country. Match items in columns A, B, and C.
Task 2. Knowing Further Our Fellow Filipinos
Complete the chart below.
WHAT I KNOW WHAT I WANT TO KNOW

What do you know about the… What else do you want to know about them?
Maranaws?
Negritos?
Ilongots?

If you have a limited knowledge about our fellow Filipinos, below is a
website for a video clip about them. Let’s go and watch them!
 Maranaw
https://www.youtube.com/watch?v=4VzzhNkbjgg&list=PLoNYuB
hHvBtYNsXGG56zr6j1tjJIWyU8M
Ilongots
 https://www.youtube.com/watch?v=fA1HZbD2p_0
Negritos
 https://www.youtube.com/watch?v=KTJKOF7Twzw
You may now add the details you have learned.
Task 3. Our Unique People
Read quietly the short article below to locate information that will
help you determine whether you will agree or disagree to the
following statements.
1. The Filipinos are uniquely diversified.
2. The Filipinos are religious in nature.
3. The diversity of the Filipinos in culture, language, and religion is a

hindrance to the country’s unity and progress.
4. The strength of the Filipino culture lies in the resiliency of its people
who overcame the colonizers’ oppressive rule.
5. Acceptance of differences in culture, belief, and language can only

start with awareness.

The People of the Philippines
by the Philippine Tourism Promotions Board
1
The Filipino is basically of Malay stock with a sprinkling of Chinese,
American, Spanish and Arab blood. The Philippines has a population of 70
million, and it is hard to distinguish accurately the lines between stocks. From
a long history of Western colonial rule, interspersed with the visits of merchants
and traders evolved a people of a unique blend of east and west, both in
appearance and culture.
2
The Filipino character is actually a little bit of all the cultures put
together. The bayanihan or spirit of kinship and camaraderie that Filipinos are
famous for is said to be taken from Malay forefathers. The close family relations
are said to have been inherited from the Chinese. The piousness comes from
the Spaniards who introduced Christianity in the 16th century. Hospitality is a
common denominator in the Filipino character and this is what distinguishes the
Filipino. Filipinos are probably one of the few, if not the only, English-proficient
Oriental people today. Pilipino is the official national language, with English
considered as the country's unofficial one.
3 The
Filipinos are divided geographically and culturally into regions, and
each regional group is recognizable by distinct traits and dialects – the sturdy
and frugal llocanos of the north, the industrious Tagalogs of the central plains,
the carefree Visayans from the central islands and the colorful tribesmen and
religious Moslems of Mindanao. Tribal communities can be found scattered
across the archipelago. The Philippines has more than 111 dialects spoken,
owing to the subdivisions of these basic regional and cultural groups.
4
Some 80 percent of the population is Catholic, Spain's lasting legacy.
About 15 percent is Moslem and these people can be found basically in
Mindanao. The rest of the population is made up mostly of smaller Christian
denominations and Buddhist.
5
The country is marked by a true blend of cultures; truly in the
Philippines, East meets West. The background of the people is Indonesian and
Malay. There are Chinese and Spanish elements as well. The history of
American rule and contact with merchants and traders culminated in a unique
blend of East and West, both in the appearance and culture of the people of the
Filipinos, or people of the Philippines.

Task 4. Loud and Clear!
The sounds of the vowel and consonant are very critical because there
is a chance that you will be misunderstood so, producing the sounds correctly
is very important.
Below are words, phrases and sentences from the selection. Practice
reading these for you to be more familiar with these sounds. Are you ready?
Then, get started.
.
Set A: Words
[I] [i]
bit unique
kinship east
basic appearance
archipelago camaraderie
Philippines fifteen
Set B: Phrases
1. a little bit of all the cultures
2. spirit of kinship
3. East meets West
4. Chinese and Spanish
5. people of the Philippines
Set C: Sentences
1. The Filipino character is actually a little bit of all the cultures put together
2. The bayanihan or spirit of kinship and camaraderie that Filipinos are

famous for is said to be taken from Malay forefathers.
3. Each regional group is recognizable by distinct traits and dialects – the

sturdy and frugal llocanos of the north, the industrious Tagalogs of the
central plains, the carefree Visayans from the central islands and the
colorful tribesmen and religious Moslems of Mindanao.

4. Some 80 percent of the population is Catholic, Spain's lasting legacy.
5. The history of American rule and contact with merchants and traders
culminated in a unique blend of East and West, both in the appearance
and culture of the people of the Filipinos.
Were you able to pronounce well the highlighted words? Very good.
Now answer the following tasks to improve your skill.
Task 5. WATCH OUT

Identify the sound that the words carry. Write the sound symbol
beside the word.
1. adhere ___________
2. please ___________
3. sign ___________
4. hush ___________
5. leader ___________
6. click ___________
7. mystery ___________
8. year ___________
9. visit ___________
10. mash ___________
Job well done! we can now proceed to our next topic which is about the
tone of voice. Let’s define tone.
Tone is the emotional content carried by the speaker which is important

in reading aloud. This only means that it is not the words that carry the emotion,
but how the words are said. To speak expressively is to energize words
appropriately.

Task 5. Tune Up Your Tone!
Going back to the text entitled The People of the Philippines, a tone
and part of the paragraph will be assigned to you. You will read aloud the
paragraph. The tone will be guessed by another student/s. Use the given scale
and chart below to examine one’s performance.
Alright, everyone was able to read very well the paragraph with the
assigned tone. Now, answer the following questions to help you note the
importance of tone.
 Did you now realize the importance of tone in expressing the message?
Does it affect the message?
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Task 6. Watch Out!
This time you are about to study sentences to identify the verbs that
agree with their subjects. In your previous lessons, you have already learned
some rules on subject-verb agreement. Here are other rules to guide you better.
RULES ON SUBJECT-VERB AGREEMENT

1. Compound subjects joined by and usually take plural verb form.
Example His daughter and his son want him to move to Florida.
Description plural subject/plural verb
However, if the two joined parts refer to a single person or thing,
use a singular verb.
Example The restaurant's chef and owner makes good fajitas.
Description singular subject (there is only one person which means that
the chef is also the owner of the restaurant) / singular verb
2. Every or each preceding singular subjects joined by and calls for a

singular verb.
Example Every toy and game has to be put away.
Example Each plate and glass is new.
3. Compound Subjects joined by either-or…neither-nor

Singular subjects joined by either-or…neither-nor take a singular verb.
Example Either Carla or Martha was late for class.
Plural subjects joined by either-or…neither-nor take a plural verb.
Example Neither the boys nor the girls like to watch movie.
Subjects joined by either-or…neither- nor, one subject is singular
and the other subject is plural, the verb agrees with the part of the
subject nearer to it.
Example Either her sister or her parents plan to visit her next week.
Neither her parents nor her sister drives a station wagon.
4. Indefinite Pronouns
Indefinite pronouns are words which replace nouns. They can be
singular or plural, depending on how they are used in a sentence.
Singular indefinite pronouns take a singular verb; plural indefinite
pronouns take a plural verb. Here are some guidelines to follow:

Indefinite pronouns that end in -one are always singular. These
words include anyone, everyone, someone, and one.
Example Someone wants to be loved.
Indefinite pronouns
You have already learned the basic rules on subject-verb agreement,

now answer the following tasks. You can do it!
Task 1. Choose the Right One
Choose the correct form of the verb that agrees with the subject.
1. Annie and her brothers (is, are) at school.

2. Either my teacher or my classmates (is, are) coming to the meeting.
3. George and Tamara (doesn't, don't) want to see that movie.
4. One of my sisters (is, are) going on a trip to France.
5. The movie, including all the previews, (take, takes) about two hours
to watch.
6. Every player (want, wants) to win.
7. Neither a myth nor a legend (explain, explains) the full nature of
creation.
8. Nobody (know, knows) the trouble I've seen.
9. Each man and woman (is, are) important.
10. Many tokens (was,were) given to the guests.
Does the activity make you understand better

the subject-verb agreement?
Let’s try one more activity.

Task 2. Practice Makes Perfect!
Below is an exercise based on the contents of the article The Maranao

Tribe from Lake Lanao. Underline the verb, which will agree with its subject in
each sentence.
The Maranao, together with the Illanun and Maguindanao ____ 1.

(is, are) an indigenous Muslim group in Mindanao in southwestern
Philippines. Their culture and identity ____ 2. (reflects, reflect) general
features of Southeast Asian tribes. Each of these, however, ____ 3.
(has, have) developed unique traditions.
Every historian or anthropologist who ____ 4. (studies, study)
Mindanao tribes ____ 5. (has, have) given common observations about
the Maranao. Almost all Maranaos ____ 6. (is, are) Muslims, but some
who live in the hills around Lake Lanao ____ 7. (follows, follow) a version
of Islam reflecting pre-Islamic beliefs and practices. Many scholars ____
8. (emphasizes, emphasize) that the Maranao, who ____ 9. (is, are) the
first inhabitants of the shores of Lake Lanao, still ____ 10. (inhabits,
inhabit) this region.
The name Maranao ____ 11. (means, mean) "People of the Lake"
or "Lake Dwellers". Both ____ 12. (refers, refer) to the natives who
settled around Lake Lanao. Neither photographers or a writer ____ 13.
(was, were) ever able to capture in images or words the beauty of this
lake. Lake Lanao, with the Maranaos living around it ____ 14.
(continues, continue) to be an attraction and source of inspiration. More
importantly, the spirit of the Maranaos ____ 15. (thrives, thrive) because
of its existence.

Answer the following questions.
1. In the text entitled, The People of the Philippines, one of the traits inherited
by Filipinos is having close family relations, how vital is the role of a father
and a mother in keeping the family close? Elaborate your answer in at least
5 sentences.
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_____________________________________________________________________
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_____________________________________________________________________
Congratulations!
You once again surpassed this module’s challenges!
You are now becoming a better learner!
Are you interested to learn the Panayan version of how our world was
created? How about the verb tense consistency? I know you can’t wait much
longer, so let’s go friend!

QUARTER I MODULE 3 (Lesson 3.1)
Explaining Our Beginnings
This lesson allows you to understand

some forms of conflict in our world. Discover a new
perspective on how you can manage and help
others resolve a conflict. You must aim to:
1. listen critically to match shifts in stress and intonation with intended

meaning;
2. observe the right syllable stress pattern in three categories.
3. determine words or expressions in a selection that have time or
place relations;
4. read intensively to find answers to questions;
5. use proper stress and intonation in dialogues;
6. transcode orally and in writing the information presented in
diagrams, charts, table or graphs;
7. observe rules on consistency of tense;
8. analyze the elements of creation stories, their intended purpose,
and the setting during which they were produced;
9. organize information from a material viewed;
10. identify the genre of a material viewed.
Hello friend! This lesson is divided

into two and this is the first part. Enjoy!

PRE TEST
A. Identify the appropriate word based on its usage in the sentence.

Underline your answer.
1. Our (PROject, proJECT) in English is to perform a recital.
2. Our group will (CONduct, conDUCT) a group presentation about the

story that we learned.
B. Choose the letter that best fits the description given.
1. It is a tale circulated orally among people or folk, especially one forming part
of the oral tradition of the common people.
a. fable c. legend
b. folktale d. myth
2. It is a traditional or legendary story, usually concerning some beings or

heroes or events, with or without a determinable basis of fact or a natural
explanation, especially one that is concerned
a. fable c. legend
b. folktale d. myth
3. It is a literary device which can be defined as a concise and brief story about
animals and that is intended to provide a lesson.
a. fable c. legend
b. folktale d. myth

Task 1. With Feelings
Enhance your understanding of stress and intonation by doing the
following exercises with your teacher and classmates.
A. Use the right stress to distinguish the following heteronyms or words

with the same spelling but with different pronunciations. Apply the
right stress on the syllable written in capital letters.
NOUN VERB
PROject proJECT
CONtent conTENT
COMbat comBAT
CONduct conDUCT
CONvert conVERT
DEfect deFECT
DEsert deSERT
OBject obJECT
PREsent preSENT
REcord reCORD
UPdate upDATE
B. Use the right stress to pronounce the following two- and three-
syllable words.
TWO SYLLABLES THREE SYLLABLES
NAtion eMOtion
MOtion eRUPtion
LOtion soLUtion
POtion conDItion
NOtion comPLExion

C. Use the right intonation to achieve the purpose or feeling indicated.
Provide the appropriate stress in the words that are highlighted.
Sentence Purpose/Feeling
You want flowers. State a fact.

You want flowers? Ask a question.
Eric, your friend, gave me
Emphasize the giver.
flowers.
Emphasize the relationship of the
Eric, your friend, gave me flowers.
giver to another person.
Eric gave you flowers? Turn a statement into a question.
Eric gave me flowers! Indicate excitement.
Indicate boredom or
Eric gave me flowers.
disappointment.
D. Study how the poem below should be read dramatically. Observe the
appropriate stress and intonation.
Misery
by Langston Hughes
Misery is when
your very best friend
calls you a name
she really didn’t mean
to call you at all.
Misery is when
you call your
very best friend
a name you didn‘t mean
to call her, either.

Task 4. Of Time and Place
From the words inside the box, choose the one that appropriately
substitutes for the underlined words/expressions. Write your answers on a one
fourth sheet of paper.
1. In the beginning there was no heaven or earth.

2. The breeze was forever cool.
3. After so many years, they got married.
4. Immediately after his return from the trip, he called
this act to her attention.
5. The whole place suddenly became cold and
desolate.
6. Then from the depth of this formless void, there

appeared two gods.
7. Their abode was in the highest realm of the
eternal space.
8. She sits down by a pool near their doorstep.
9. He was sailing across the regions of the clouds.
10. She might be somewhere in the regions above.

How the World Was Created (Panayan)
1One of the stories about the creation of the world,

which the old folks of Panay, especially those living near the
mountain, do not tire relating, tells us that in the beginning
there was no heaven or earth—only a bottomless deep and
a world of mist. Everything was shapeless and formless—
the earth, the sky, the sea, and the air were almost all mixed
up.
2Then from the depth of this formless void, there
appeared two gods, —Tungkung Langit and Alunsina. Just
where the two deities came from it was not known. However,
it is related that Tungkung Langit fell in love with Alunsina
and, after so many years of courtship, they got married and
had their abode in the highest realm of the eternal space
where the water was constantly warm and the breeze was
forever cool. It was in this place where order and regularity first took place.
3Tungkung Langit was an industrious, loving, and kind god whose chief
concern was how to impose order over the whole confused set-up of things. He
assumed responsibility for the regular cosmic movement. On the other hand,
Alunsina was a lazy, jealous, and selfish goddess whose only work was to sit
by the window of their heavenly home, and amuse herself with her pointless
thoughts. Sometimes, she would go down from the house, sit down by a pool
near their doorstep and comb her long, jet-black hair all day long.
4One day Tungkung Langit told his wife that he would be away from home
for sometime to put an end to the chaotic disturbances in the flow of time and
in the position of things. The jealous Alunsina, however, sent the sea breeze to
spy on Tungkung Langit. This made the latter very angry upon knowing about
it.
Immediately after his return from the trip, he called this act to her attention
saying that it was ungodly of her to be jealous, there being no other creature
living in the world except the two of them. This reproach was resented by
Alunsina, and a quarrel between them followed.

Tungkung Langit lost his temper. In his rage, he divested his wife of
powers and drove her away. No one knew where Alunsina went; she merely
disappeared.
Several days after Alunsina left, however,

Tungkung Langit felt very lonely. He realized what he
had done. Somehow, it was too late even to be sorry
about the whole matter. The whole place once vibrant
with Alunsina‘s sweet voice, suddenly became cold
and desolate. In the morning, when he woke up he
would find himself alone and in the afternoon when he
came home, he would feel the same loneliness
creeping deep in his heart because there was no one
to meet him at the doorstep or soothe the aching
muscles of his arms.
8For months, Tungkung Langit lived in utter
desolation. He could not find Alunsina, try hard as he would. And so, in his
desperation, he decided to do something in order to forget his sorrows. For
months and months he thought. His mind seemed pointless, his heart, weary,
and sick. But he must have to do something about his loneliness.
9One day, while he was sailing across the regions of the clouds, a thought
came to him. He would make a big basin of water below the sky so that he can
see the image of his wife, if she were just somewhere in the regions above.
And lo! The sea appeared. However, Alunsina was never seen.
10After a long time, the somber sight of the lonely sea irritated Tungkung
Langit. So he came down to the Middleworld and created the land; then he
planted this with grasses, trees, and flowers. He took his wife‘s treasured jewels
and scattered them in the sky, hoping that when Alunsina would see them she
might be induced to return home. The goddess‘ necklace became the stars,
her comb the moon, and her crown the sun. However, despite all these
Alunsina did not come back.
11And up to this time, the folks in Panay say that
Tungkung Langit is alone in his palace in the skies.
Sometimes, he would cry out of his pent-up emotions
and his tears would fall down upon the earth. The
people say that rain is Tungkung Langit‘s tears and
that is why in some localities in the island of Panay,
the first rain in May is received with much rejoicing
and sacrifice. Incidentally, when it thunders hard, the
old folks also say that it is Tungkung Langit sobbing,
calling for his beloved Alunsina to come back –
entreating her so hard that his voice thunders across
the fields and countryside.

Task 1. Character Study
Compare and contrast Tungkung Langit and Alunsina using the Venn
diagram below. The overlapping part of the diagram should contain at least
three similarities of the two characters while the external regions should contain
at least three of the unique qualities of each character.
Alunsina Tungkung Langit
Did you realize now the similarities

and differences of the two deities?
That’s probably why they fell in love
with each other, right?

Task 2. SEQUENCING
I know you enjoyed reading the story of Tungkung Langit and Alunsina.
Below are the most significant events in the story. Arrange the sentences in
correct order.
A. However, Alunsina was never seen again.
B. It is related that Tungkung Langit fell in love with Alunsina and, after so
many years of courtship, they got married.
C. For months, Tungkung Langit lived in utter desolation. He could not find
Alunsina, try hard as he would.
D. Immediately after his return from the trip, he called this act to her
attention saying that it was ungodly of her to be jealous, there being no
other creature living in the world except the two of them.
E. Tungkung Langit told his wife that he would be away from home for
sometime to put an end to the chaotic disturbances in the flow of time
and in the position of things.
F. From the depth of this formless void, there appeared two gods, —
Tungkung Langit and Alunsina.
G. He made a big basin of water below the sky so that he can see the image
of his wife, if she were just somewhere in the regions above.
H. Tungkung Langit lost his temper. In his rage, he divested his wife of
powers and drove her away.
I. The jealous Alunsina, sent the sea breeze to spy on Tungkung Langit.
You’ve done a great job!! Now, you are ready

to proceed to the next activity.
Come on!

Task 2. What’s the difference?
Can you tell the difference between and among a myth, a legend, and a
folktale? Let me give you brief details on these concepts through a chart.
Principal Sample
Form Usual Length Topics Depicted
Characters Titles
Fable is short, and has It is fiction in the It often uses The young Crab and
Fable no more than two or sense that it did not animals as the His Mother
three characters. really happen. main characters. The Lion and the
Beetle
The Lion, the Ass, and
the Fox
Legend can be It has at least a bit Legend includes The Legend of Mt.
Legend written as prose of historical truth. It a historical Kanlaon
(regular writing) or usually includes HUMAN hero. The Legend of the
poetry. beliefs and ideas of a Pineapple
culture. The Legend of
Makahiya
The Legend of
Mangoes
Plot is It is a tale or legend Ang Aso at ang Uwak
Folktale generally shorter originating and Abaheda Filipina
and simpler than in traditional among a Cinderella
other genres of people or folk, How the First Head
literature. especially one was Taken
forming part of the
oral tradition of the
common people.
Often longer than It is a traditional or Why Do the Moon and
Myth other traditional legendary story, Stars Appear Only at
stories, especially in usually concerning Night?
their original forms. some beings or heroes Why does a Rainbow
or events, with or Appear after the
without a Drizzle? Why does the
determinable basis of Philippine have 7000
fact or a natural Islands?
explanation,
especially one that is
concerned with deities
or demigods and
explains some
practices, rites, or
phenomena of nature.

Now that you have read the details on fable, legend, folktale and myth,
you are now ready to accomplish the chart below with the information that you
have gathered and answer the series of questions that follows.
Task 3. Compare and Contrast
Based on what you discovered and learned from the chart, compare and
contrast details about fable, legend, folktale and myth. Write your answer in two
(2) paragraphs with five (5) sentences for each paragraph. Be guided by the
rubrics below.
________________________________________________________
______________________________________________________________
______________________________________________________________
______________________________________________________________
______________________________________________________________
________________________________________________________
______________________________________________________________
______________________________________________________________
______________________________________________________________
______________________________________________________________
Way to go! Just fine! Nice try!

(11-15 points) (6-10 points) (1-5 points)
The explanation covers all The explanation covers at The explanation covers at
of the similarities/ least 4 similarities/ least 2 similarities/
differences and the differences and the differences and the
connections of the concepts. connections of the concepts. connections of the concepts.

Task 4. What Can You Say?
To sum up the concepts that you have learned for this module, reflect
and answer the following questions.
1. How would you define a myth using the information you have gathered?
Does the story How the World Was Created (Panayan) qualify as a
myth? Why or why not?
______________________________________________________________
______________________________________________________________
______________________________________________________________
______________________________________________________________
______________________________________________________________
Good job! You have completed the targeted tasks for this module. The
next part of this lesson will be about tense consistency and the rules on subject-
verb agreement. Join me as we continue this module. Let’s go!

Explaining Our Beginnings
Hello there! I know you are very eager to continue this module. So let’s
get started!
Task 1. Check the Sentence
Let’s start by examining closely the consistency of the verbs in the

following sentences
1. During the argument, Tungkung Langit stood up and then Alunsina

walks away.
2. When Alunsina walks inside the palace in the sky, Tungkung Langit will
stare.
3. Several people in Panay pass by and talk about the myth, yet never
question its tragic end.
What do you notice on the verbs used in each sentence? Does it have
the consistency? If you’re having a hard time analyzing, let me define first the
verb tense consistency. Then, we’ll go back to the sentences later, ok?

Verb Tense Consistency
It refers to keeping the same tense throughout a clause. We don’t

want to have one-time period being described in two different tenses. If
you have two or more time periods, start a new clause or a new
sentence.
Let’s take a closer look in this sentence. Focus on the verbs that
are written in bold font.
Mark finished his essay, tidies his room, and went out for
supper.
Finished and went are in past tense, but tidies is in present tense.
Logistically, this can’t happen. We could fix this in a couple of

different ways:
Mark finished his essay, tidied his room, and went out for
supper.
Mark finished his essay and went out for supper, and now he is
tidying his room.
Let’s have more examples.

The winds along the coast blow the trees over when the
weather got bad.
The winds along the coast blow the trees over when the
weather gets bad.
The winds along the coast blew the trees over when the
weather got bad.
I’m eating the cake which I made this morning.
The verb tense consistency in this sentence is logical, as the cake

must be made before it can be eaten. Still, we use two clauses to show
the different tenses.

Its clearer, isn’t it? Now, let’s go back
to the sentences and analyze them.

A. Recognizing Shifts in Sentences
Check the following sentences. If the tense of each underlined verb

expresses the time relationship accurately, write S (satisfactory). If the tense
consistency is not appropriate, write U (unsatisfactory) and make necessary
changes. Reading the sentences aloud will help you recognize differences in
time.
_______ 1. As Barbara puts in her contact lenses, the telephone rang.

_______ 2. Thousands of people will see the art exhibit by the time it closes.
_______ 3. After Capt. James Cook visited Alaska on his third voyage,
he is killed by Hawaiian islanders in 1779.
_______ 4. Harry wants to show his friends the photos he took last summer.
_______ 5. Scientists predict that the sun will die in the distant future.
B. Recognizing Shifts in Paragraph
Study the consistency of tense in the paragraphs. Write C if the

sentence correctly observes rules on tense consistency. If it does not,
rewrite the sentence and box the verb, the form of which must show its
correct tense.
Paragraph 1
1. The wide island of Panay was originally inhabited by Negritos or locally
called Ati tribe. 2Their disappearance is due to an innocent agreement
they made with the sultan of Borneo back in 1250 to give up their land in
exchange of a hat and gold necklace. 3Early in the 13th century,
Marikudo, a native chieftain, sold the coastal shores and lowlands to 10
Bornean Datus who escape from the repression of Sri Vishayan Empire.
4One of them named Paiburong received the area Irong-Irong, which is
now called Iloilo City, meaning nose-like, as its wide river mouth in the
narrow Guimaras Strait appears like a snout. 5The island lived peacefully
until the arrival of Juan Miguel de Legazpi in 1566 that discovered and
developed more towns.
http://www.camperspoint.com/spip.php?article241

Task 7. A Polished Finish
Tense consistency is important in writing news reports. Revise the
following news report so that rules on tense consistency are observed.
ILOILO CITY – 1An award-winning epic-chanter who belonged to an

indigenous group on Panay Island has raised concerns over the depiction of its
cultural beliefs and practices on GMA 7‘s new series, ―Amaya.‖
4About
the Kapuso series, Caballero objected to the characterization of a
supposed binukot (well-kept maiden) – Amaya, played by actress Marian
Rivera.
5In an article posted on the network‘s website, www.gmanews.tv, the
show‘s producers and writers say Amaya‘s character was inspired by the
binukot of the Panay-Bukidnon indigenous people.
6The show, which premiered on May 30, liberally uses words in Hiligaynon
and Kiniray, languages associated with the Panay-Bukidnon people.
7Caballero said it was inaccurate, at times offensive, to show supposed
binukot and members of the community half-naked or wearing skimpy clothes.
―Our people, most especially the binukot, are conservative. 8We wear clothes
that hardly expose skin, he stresses.
Philippine Daily Inquirer. 11 June 2011, http://entertainment.inquirer.net
Task 8. Watch and Learn

One of the basics in writing is learning the consistency of the tense and the
rules in subject verb agreement which you have already mastered.
But enough with writing because now, you will watch a TV program about
the traditional Filipino foods. This will be so entertaining!
Before you watch, of course, you must be guided by these questions that
we will process afterwards.
1. What is the program about?
2. What are the foods showed in the program?
3. Why do you think these foods were featured in the program?
Are you now ready? Then, let’s watch.
Kapuso Mo, Jessica Soho: Isla Kulinarya, a special food culinary:

https://www.youtube.com/watch?v=ITWkDAKy9_E

I know you enjoyed a lot watching the program. It’s fun to watch our
favorite foods being featured, right?
Below is a box where you will organize the important details that you
noted from the program.
A.
B. Below are the events from the program you just watched. Arrange them
in proper sequence.
I. After that, different versions of sinigang from other places in the

Philippines were demonstrated.
II. Aling Lucing from Pampanga was introduced as the Sisig Queen.
III. Then, Kare-Kare was introduced which is believed to be from
Malay term ‘’kari’’ which means “sarsa” (dressing)
IV. Lastly, an interview with Chef Alain Ducasse where he was asked
what Filipino dish has the chance to be known worldwide.
V. Introduction of some Pinoy foods.
VI. Different ways of cooking the famous “lechon’’ were featured.
Perfect! You are really good at this. Let’s keep going.

C. List at least two questions that you can formulate from the TV program.
1. ________________________________________________________
2. ________________________________________________________
3. ________________________________________________________
Now, you will ask these questions to your classmate. Then, your
classmate will also ask questions that he/she formulated.
D. We have already processed the content of the program we just watched.

Guided by the proper sequence of events from the program, narrate to
me the summary of the program. To make it easier for you, only focus
on the main points. I will give you 10 minutes to prepare for this.
That’s right! While you are taking a break, let me ask you this: Do you
know that TV programs are also categorized into different types? Below are
some of the basic genres of TV Programs;
Television Program Categories
News
Newscasts, newsbreaks, and headlines.
Programs reporting on local, regional, national, and
international events. Such programs may include
weather reports, sportscasts, community news, and
other related features or segments contained within
"News Programs."
Sports
Programs of live or live-to-tape sports events and
competitions including coverage of professional and
amateur tournaments. The category also includes
programs reviewing and analyzing professional or
amateur competitive sports events/teams (i.e. pre-
and post-game shows, magazine shows, scripted
sports, call-in and talk shows, etc.).

Drama and Comedy
Entertainment productions of a fictional nature,
including dramatizations of real events. They must be
comprised primarily of (i.e. more than 50%) dramatic
performances.
Music and Dance

Programs comprised primarily (i.e. more
than 50%) of live or pre-recorded
performances of music and/or dance,
including opera, operetta, ballet, and musicals.
The performance portion excludes video clips,
voice-overs or musical performances used as
background.
Game shows
Programs featuring games of skill and
chance as well as quizzes.
General entertainment and Human Interest

Programs primarily about the
world of entertainment and its people.
These programs include celebrity
profiles that may use promotional
footage, talk or interview shows,
award shows, galas and tributes.
They also include entertainment-
oriented magazine shows; fund-
raising shows which include
entertainers (i.e. telethons); human
interest programs consisting of live or live-to-tape footage without significant
portions devoted to in-depth analysis or interpretation; and coverage of
community events such as carnivals, festivals, parades and fashion shows.

You already learned the basic genres of TV program. I know well that
you can even name some TV programs that fall into the particular genre.
Now, kindly answer the following questions in at least three sentences.
 What genre of TV program does the Kapuso Mo: Jessica Soho belong? Explain
your answer.
______________________________________________________________
______________________________________________________________
______________________________________________________________
Way to go! You have brilliantly surpassed another module for this
subject. It’s time to proceed to the next lesson.
Come and join me!

Recalling Our Ancestors’ Beliefs
This lesson helps you discover how your ancestors

explained the world around them. You will relate these
olden stories with the current situation in your world.
Consequently, you will realize that the stories of before
remain relevant in today‘s modern world. For this
lesson, these are your goals:
1. Observe rules on pronoun-antecedent agreement.

2. Listen to shifts in stress and intonation in identifying important
information based on a text.
3. Observe correct sentence stress in reading a text.
4. Distinguish between colloquial language and slang.
5. Determine the text structure of essays.
6. Recognize the parts of essay or paragraph.
7. Retell a chosen myth or legend in a series of three three-to-
five- sentence paragraphs.
8. Formulate correct simple and compound sentences.
9. Write a five-to-seven sentence paragraph on information
learned.
What you have read are the coverage of this module.

Don’t worry, we will not take all at the same time.
The competencies are divided into two parts.
Let’s tackle the first part.

Task 1. My Multi-Layered Sky
Write all the ideas that you associate with the word “sky”. Write
your answers around the drawing. Draw lines to connect them
to the cloud.
Sky
It’s so easy right? Now, please read the story that follows and find out
why our sky is so high.

In all these stories, what is the reason that made the sky rise?
Why the Sky Is High

(Tagalog)
In the early days, when the sky was still low, two brothers named Ingat
and Daskol lived with their parents on earth.
As their names indicate, Ingat was careful in everything he did and was
therefore his father‘s right hand man. He was always helping with the work in
the field and his parents were very pleased with him.
On the other hand, Daskol did his work sloppily. In the absence of a
daughter in the family, the house work came to be Daskol‘s responsibility. He
fetched water, cleaned the house, and did the cooking. He also did the
pounding of the palay that his father and Ingat harvested. Even in pounding,
Daskol lived up to his name. Half of the grain he pounded scattered and fell to
the ground. Being naturally lazy and impatient, he did not like the work of
pounding rice.
One day, Daskol had to pound a greater quantity of palay than usual.
He was irritated because every time he raised the pestle higher, and every time
it hit the sky, the sky would be raised. In his hurry, Daskol did not notice that
the sky was rising. When he finished pounding the rice, he looked up and
discovered that the sky had risen and it is where it is today.
Why the Sky Is High

(Iloko)
In the olden days, the only people on earth were a man and a woman.
One day, they ate venison which the man had brought home from hunting. But
because the bones were very big and they wanted to eat the marrow, they
thought of pounding the bones. The woman removed her comb and necklace
and hung them on the low sky. But whenever she pounded, she would hit the
sky. So she requested the sky to rise higher. It thundered and the sky rose
higher. Still the pestle hit the sky. So the woman again asked the sky to go
higher. It thundered and the sky rose higher. Still the pestle hit the sky. So the
woman again asked the sky to go higher. Again it thundered and the sky rose
as high as could be. When the woman remembered what she had hung, it was
too late. They became the moon and the stars.

Why the Sky Is High
(Hiligaynon)
In the olden days the sky was so low---so low that it could be reached
by a stick of ordinary length. The people in those days said that God had
created the sky in such a way that he could hear his people when they called
to him. In turn, God could send his blessings to earth as soon as men needed
them. Because of this close connection between God and his subjects, the
people were provided for, and they did not need to work.
Whenever they wanted to eat, they could simply call God. Before their
request was made, almost, the food would be on the table; but after the
expulsion of Adam and Eve, God made men work for their own living. With this
change in their condition came the custom of holding feasts, when the men
would rest from their labors.
One day one of the chiefs, Abing by name, held a feast. Many people
came to enjoy it. A sayao, or native war-dance, was given in honor of the men
belonging to the chief, and it was acted by men brandishing spears. While
acting, one of the actors, who was drunk, tried to show his skill, but he forgot
that the sky was so low. When he darted his spear, he happened to pierce the
sky, and one of the gods was wounded. This angered God the Father: so he
raised the sky as we have it today far from the earth.
Task 2. Before and After
Review the lives of the characters before and after the sky rose. List
down your observations inside the arrows.
What can you say about the stories?

They are very interesting, right?
This time let’s study the sentences taken from the stories.

Task 3. Exploring the English Language
Read the following sentences. The nouns are written in

bold letters, underline the pronoun that agrees with it.
1. The woman removed her comb and necklace and hung them on the
low sky.
2. He was irritated because every time he raised the pestle higher, and
every time it hit the sky, the sky would be raised.
3. Because of this close connection between God and his subjects, the
people were provided for, and they did not need to work.
4. The woman removed her comb and necklace and hung them on the
low sky.
5. Ingat was careful in everything he did and was therefore his father‘s
right hand man.
Try to analyze the connection of the two words in every sentence. Did
you find it? Read the discussion below and find out if you are correct.
Pronoun-Antecedent Agreement
A pronoun is a word used to stand for (or take the place of) a noun.
A word can refer to an earlier noun or pronoun in the sentence.
Example:
We do not talk or write this way. Automatically, we replace the

noun Lincoln's with a pronoun. More naturally, we say
The pronoun his refers back to President Lincoln. President

Lincoln is the ANTECEDENT for the pronoun his.
An antecedent is a word for which a pronoun stands. (ante = "before")
The pronoun must agree with its antecedent in number.
These sample sentences tell us some important things about pronouns:

1. A pronoun takes the place of a noun.
2. The pronoun which replaces the noun must agree with it in these ways:

1. A subject pronoun must replace a subject noun.
Example Our carnivorous friends will not attend the picnic
because they despise tofu hotdogs and black bean
burgers.
2. An object pronoun must replace an object noun.
Example The girl enjoys playing with her doll. It was given to her by
her aunt.
3. A feminine pronoun must replace a feminine noun.
Example Adeline bit her lip.
4. A masculine pronoun must replace a masculine noun.
Example When Kris sprained his ankle, Coach Ames replaced
him with Jasper, a much slower runner.
5. A singular pronoun must replace a singular noun.
Example The cat yowled its happiness for tuna.
6. A plural pronoun must replace a plural noun.
Example The cats yowled their happiness for tuna.
It is already clear to you that a pronoun must always agree with the
noun that it replaces.
You are now ready to answer the following activities.
Task 5.1. Write the correct pronoun that agrees with the antecedent in the
following sentences3. Choose from options provided in the parentheses.
1. Visitors can expect to get __________ (his, hers, its, their) money’s worth
in Samal.
2. Year-round fiestas allow a tourist to celebrate to __________ (his, hers, its,
theirs) heart’s content.
3. Guests should prepare __________ (his, hers, its, their) bikes for Samal‘s
vast rugged terrain.
4. Samal‘s shore is lined with coconuts, white sand, and cozy cottages.
__________ (his, hers, its, theirs) resorts offer the best venue to view the
sunset.
5. The island offers great choices of unspoiled beaches, while __________
(his, hers, its, theirs) unspoiled underground caverns can be best explored
by foot.

Task 5.2. Complete the composition below by supplying the correct pronoun
for the sentences.
The Legend of White Rock

by Rene Estremera
Putting Bato (White Rock) is a popular tourist spot on Samal island. (1)
__________ is known not only for its beauty but for its mystery as well. (2)
_________ has puzzled both natives and visitors alike. A story was once told.
Two friends went up to explore the Puting Bato at eight in the morning.
But, (3) __________ were not able to return home. Six native island dwellers
waited for them to descend from the mountain.(4) __________ patiently waited
for the safe return of the climbers.
Hours had passed, but the hikers were still nowhere in sight. The eldest
of the natives frowned with concern. Though (5) __________ had expected this
to happen, the incident confirmed one thing. The supernatural beings spirits
known to inhabit this particular island peak have taken (6) __________ victims
again.
The natives remember (7) __________ elders telling stories about a

similar pair who climbed the peak thirty years ago. The pair was not able to
return home and was already considered dead by their relatives.
After six years, the two were seen again descending from the mountain.
(8) __________ amazingly bore no signs of aging or physical changes brought
after six years of absence.
The natives still patiently waited for a sign. (9) __________ were worried
but hopeful. If the lost pair won't appear, (10) __________ would scale the
mountain to search for the hikers. If still unfound, __________ will see the
hikers again, six years from now.

Task 6. Samal Tripping
Listen intently as your teacher demonstrates how stress

and intonation affect the presentation of meaning. Write down
important pieces of information that are signaled by shifts in stress and
intonation. You will listen to your teacher thrice, so make sure that you review
your answers through careful listening.
Were you able to write the important details? Great! Now, you will read
your answer aloud based on how I read the words.
This time, I will read the text again. Then, evaluate your own answer.
Task 7. Read Out (Home Work)
Use what you have learned from the discussion and listening activity on
sentence stress and intonation. Observe the rhythm rule guidelines in reading
the text below. Practice reading this text5 at home, in front of friends or family
members, or in the presence of a mentor who can guide you. Remember to
follow the discussed guidelines as you practice. Be ready to present this to me.
Generally, Samal Municipality is characterized by uneven distribution of

lowlands, wide expanse of mountain ranges and few isolated hills. Tayapoc,
renowned for its "Puting Bato" or White Stone is Samal range's highest peak
towering at 162 meters above the sea level. The Sopsopon Plateau lies on its
top with an approximate area of 400 hectares.
A number of waterways can also be found in the municipality, though

none of them is navigable. The Hagimit Falls which is approximately 15 feet
high, the Binoling River and several other natural springs, namely: Supa,
Alibungog, Tagbitinao, Tagbitan-ag, Aundanao, Licup, San Jose and Tagdaliao
Springs are among the few popular sites found in the island.
The historical traces of the name of this developing island town came to
surface from information gathered through investigations and personal
interviews with some native chieftains on how the place got its name. Based on
unrecorded history, the place was sparsely populated by few farming natives
called Isamals who first settled the coastal areas of the island. There were no
known surveyed roads then except for a few trails and pathways criss-crossing
the lowland areas. Thick forest and green land still covered the island's virgin
soil.
Great! I see no reason now not to continue with our activity. Come on!

Task 8. Know Your Words
Our conversations carry words

with different formality levels known as
register. Two of these are colloquial
and familiar. Study the definitions
below.
Colloquial refers to the level of language which is used in everyday

speech. This presents a neutral tone, not so much informal or formal. This is
the level used in ordinary conversations. This is the level used in speaking with
classmates, teachers, visitors, etc.
Familiar is a level of language that reflects the close relationship of the

people speaking. This intimacy is observed in the use of details and personal
references in speech. The authority that a speaker may have on others may
also be observed in familiar language. This is the level used when speaking
with people who are close to us.
Slang words that are not considered part of the standard vocabulary of
a language and that are used very informally in speech especially by a
particular group of people
Study the examples below and give three more pairs to complete the
table. You may use a dictionary for this task.
You already know the different formality levels in speaking. At this point,
we will move on to writing. One of the most common forms of writing is an
essay. Perhaps, you are already familiar with this. Let me show you the basic
structure of an essay.

Basic Essay Structure
The simplest, most conventional
essay structure in English
includes introduction > body >
conclusion. Many academic papers
involve this structure, although it is often
adapted in some way to suit different
topics and purposes.
This structure is popular because it ensures that the main points of the
essay are very clear and well supported. The introduction gives the point.
The body gives support for this overall point. The conclusion restates the
overall point.
In more details, a prototype essay of this structure includes:
INTRODUCTION
The purpose of the introduction is to capture the reader's attention,

lead the reader into your topic and give the reader your overall point or purpose.
It gives the writer's overall point and purpose in the essay.
Example:
Everyone knows that vitamin D is the sunshine vitamin, and that

vitamin D is essential for good health. Researchers have shown that
vitamin D prevents illnesses such as rickets, improves the condition of
the skin, regulates the immune system and increases the rate of
metabolism (Nordwist 2000). Despite this general knowledge, however,
many people today still suffer from vitamin D deficiencies around the
world. This essay overviews the causes of this continuing health
problem.
(Adapted from Reed 1988: The Process of Composition)
BODY
The body of the essay is divided into paragraphs. The aim in these
paragraphs is to clearly support your essay's thesis statement.

Clear paragraphs usually contain just one main point which is then
supported. The overall point in the paragraph is called the topic
sentence. This typically occurs at the beginning of the paragraph.
Make sure also that your paragraphs are sequenced logically so that the
reader can easily follow your line of thought throughout the essay. This often
involves starting paragraphs with logical connectors:
The most important cause...

Another important reason for...
The final issue which can lead to...
This reminds your reader of the overall point/purpose of the essay and
ties the essay together.
CONCLUSION
The purpose of the conclusion is to briefly remind the reader of your

overall point, possibly suggest wider implications, and give the essay a
satisfying sense of closure.
To conclude, vitamin D deficiency is both more wide-spread than

most people realize. In developing countries, the cause is often poverty
and resulting malnutrition. In Western countries, however, the problem
is typically an overly processed or imbalanced diet. More effort therefore
needs to be made to increasing public awareness of good vitamin D
sources.
The conclusion is another good opportunity to tie the essay together and
make it clear that you have supported your point well.
Task 10. Ready, get set, write!
You are now equipped with skills in writing a paragraph. For this task,

recall the myths and legends you have read. Choose one and retell it in three
paragraphs. Each paragraph should have three to five sentences. Use the
given rubric as a guide.
CATEGORY 4 3 2 1
Accuracy of The retelling The retelling The retelling The retelling
Retelling includes all includes all includes all does not
major points major points major points in include major
and 1-2
and several the points in the
significant
significant details in the myth/legend. myth/legend.
details in the myth/ legend.
myth/ legend.
Sequence The retelling The retelling The retelling The retelling
captures the captures the captures the of the
myth/legend in myth/legend myth/legend myth/legend
In correct with several
correct is out of
sequence with omissions, but
sequence with maintains sequence.
2-3 omissions.
all important sequence of
parts. those told.
Connections/ Connections Connections Connections The retelling

Transitions between between between seems very
events, ideas, events, ideas, events, ideas, disconnected
and feelings in and feelings in and feelings in and
the retelling the retelling the it is very
are creative, are clearly retelling are difficult to
clearly expressed and sometimes figure out the
expressed and appropriate. hard to figure
appropriate. out. More detail narrative.
or better
transitions are
needed.
Setting Lots of vivid, Some vivid, The reader can The reader
descriptive descriptive figure out when has trouble
words are used words are used and where the telling
myth/legend when and
to tell the to tell the
takes place, but where the
reader when reader when there isn't much myth/legend
and where the and where the detail (e.g.,
takes place.
myth/ legend myth/ legend once upon a
takes place. takes place. time in a land
far, far away).

Character The main The main The main It is hard to
character is character is character is tell who the
named and named and named. The main
clearly described reader knows character is.
described
(through words very little about
(through words
and/or and/or actions). the main
actions). The reader has character.
The reader a fairly good
knows and can idea of what
describe what the character
the character
looks like and looks like.
how s/he
typically
behaves.
Problem It is very easy It is fairly easy It is fairly easy It is not clear
for the reader for the reader for the reader what problem
to understand to understand to understand the main
what problem
what problem what problem character
the main
the main the main character faces faces.
character faces character faces but it is not
and why it is a and why it is a clear why it is a
problem. problem. problem.
Solution to The solution to The solution to The solution to No solution is
Problem the problem is the problem is the problem is a attempted or
easy to- easy to- little it is
hard to
understand and understand and impossible to
understand.
is logical. is somewhat understand.
There are no logical.
loose ends.
Characteristics of The retelling The retelling The retelling The retelling
a Myth/Legend reflects in reflects in reflects in little does not have
sufficient detail some detail detail a few of any detailed
the important some beliefs the beliefs reflection of
beliefs about about life, the about life, the the important
life, the natural natural world, natural world, beliefs about
world, human human beings, human beings, life, the
beings, and and other and other natural world,
other creatures, of creatures, of human
creatures, of the creators of the creators of beings, and
the creators of the the other
the myth/legend. myth/legend. creatures, of
myth/legend. the creators
. of the
myth/legend.
That’s all for now! In the next part of the module, you will learn about
simple and compound sentences and the steps in writing a paragraph.

Recalling Our Ancestors’ Beliefs
There you are! Are you now ready to conquer the challenges for this
module? Then come on!
Read the text below.
How to Protect the Ozone Layer
―Any long trip begins with a first step. To raise consciousness is the
first step to protect our damaged ozone layer. You should be responsible. Do
simple ways to save our ozone layer. This will reduce levels of pollution and
money. Consider the following tips.
 Buy energy saving gadgets and bulbs.
 Maintain clean air-conditioning. Malfunctioning air-conditioning

emits CFCs.
 Use alternative means of transport. Try riding buses or bicycles. Try

walking.
 Opt to buy a refrigerator or an air-conditioning unit without CFC.
 Reduce the use of your car and other gadgets.
 Buy energy saving gadgets and bulbs.
The text above presents tips to protect the ozone layer. The concise
presentation of information makes the tips easy to understand and remember.
The structure of the sentences also aids you in remembering the message.
This is because the message is presented using simple sentences.
Notice that the sentences used are simple sentences. But when can we
really say that a sentence is a simple sentence?

Take note of the following points below.
Simple Sentence
It has one thought or idea.

Every complete sentence contains two parts: a subject and
a predicate. The subject is what (or whom) the sentence is
about. The predicate tells something about the subject.
In the following sentences, the predicate is enclosed in braces ({}),

while the subject is highlighted.
Judy {runs}.
Judy and her dog {run on the beach every morning}.
You have already learned simple sentence; therefore, it will be

easier for you to learn compound sentence.
Compound Sentence
This sentence is composed of two simple sentences or two independent

clauses joined together by a comma and coordinating conjunctions such as:
 and ᵜ for
 but ᵜ nor
 so ᵜ yet
 or

Task 1. Watch Out!
A. Study the following sentences. Write C if the sentence is a compound
sentence and write S if it is a simple sentence.
1. The epic does not state where the monsters which ravaged Mindanao came
from.
2. The epic also doesn‘t state where Indarapatra and Sulayman came from
either.
3. Some experts say that Indarapatra and Sulayman came from Borneo, and
their arrival represented the Indones wave of migrants to the Philippine
islands.
4. Mindanao was depicted as a troubled land in the epic, and this depiction
seems true even to this age.
5. The people of Mindanao initially fought the monsters, but the monsters were
just too powerful for them to overcome.
6. Sulayman‘s revival is seen as proof of his supernatural heritage.
7. Epic heroes often have supernatural abilities, but they too have
weaknesses.
8. The heroes in this epic simply wanted to help people in distress.
9. Indarapatra‘s marriage to the headman‘s daughter explains how his people
came to Mindanao.
10. Many of us see epics as fiction, yet reading an epic often reveals a lot of
truths about the people who created them.
B. Study the sentences below. Fill in the blank with appropriate coordinating
conjunction.
1. The four monsters came out of nowhere, ____ they began to attack the
people of Mindanao.
2. The people of Mindanao were either devoured by the monsters, ____

they fled to the caves for sanctuary.
3. The Philippines during this time did not have a central government, ____
nor did it have a national force.
4. King Indarapatra was a foreigner, ____ he showed a lot of sympathy for

the people of Mindanao.
5. Sulayman managed to kill the giant bird, ____ the bird‘s wing managed
to crush him in the process.

Now that you already know how to properly write simple and compound
sentences, let me present to you how to write a paragraph.
Steps in Writing a Paragraph
Step1 — Write an Outline

When writing a paragraph, first write an outline of the paragraph and
include:
 the topic
 supporting information
Step 2 — Write the Topic Sentence
Step 3 — Write Supporting Sentences
Next write a supporting sentence for each point. Use facts or examples
to support your points.

Step 4 — Concluding Sentence
Then write a concluding sentence to sum up.
Step 5 — Final Paragraph
Write the final paragraph.
Task 2. Simple or Compound Sentence?

Directions: Write S for simple or C for compound in the blank.
____ 1. My dog eats fruit of any kind, but she will not eat meat or cheese.
____ 2. The new rug in the living room is beautiful, but it does not match the
furniture.
____ 3. Kelly applied for a job in accounting at the new medical facility in
town.
____ 4. My mother mopped and waxed the hardwood floors in our house.
____ 5. I went to the store without a list, so I bought all junk food.
____ 6. Bosco chased his tail, but he never did catch it.
____ 7. Minnie traveled through Europe and explored many interesting
castles.
____ 8. The flowers in the garden behind our house are in full bloom at this
time.
9. Write a compound sentence using the coordinating conjunction but.

________________________________________________________
10. Write a simple sentence with a compound subject.

________________________________________________________

Compose a five-to seven-sentence paragraph that presents four to
five harmful effects of a damaged ozone layer. Make sure that your work
has all the parts of a simple paragraph.
_________________________________________________________
_________________________________________________________
_________________________________________________________
_________________________________________________________
_________________________________________________________
_________________________________________________________
_________________________________________________________
_________________________________________________________
_________________________________________________________
_________________________________________________________
_________________________________________________________
___________
Well done! You have conquered all the challenges for this module.
I hope you realize how well you are becoming.

Revisiting My Past
This lesson takes you to the experiences of the past

that determines our present. Discover this past by knowing the
origin of things and how it affects us as a people. After
revisiting the past, you must be able to:
1. determine the effects of facial expressions and eye contact in

understanding a message;
2. observe the right oral language conventions when inquiring about,
summarizing, or reacting to what has been listened to, read, or
observed;
3. use information presented in an epic to infer, to evaluate, and to
express critical ideas;
4. use appropriate idiomatic expressions in a variety of basic
interpersonal communicative situations;
5. analyze the elements of epics, their intended purpose, and the
setting during which they were produced.

Task 1. What Do You Think?
Answer the following questions:
1. Who are heroes?

2. What are the qualities of heroes?
3. What are the powers of heroes?
Be ready to explain your answers to the class.
Task 2. Who Are They?
Watch and listen to your teacher carefully. Observe the gestures that
he/she will do and the concept that comes with it. Then, complete the table
as you do this.
Heroes Speaker‘s Gestures

Task 2. Can You Guess?
Fill in the boxes below to form a word from the given story about a
heroic brother. The meaning of the word and the paragraph number where
it can be found are provided to help you accomplish this task. Write your
answer on a half sheet of paper.
ACROSS DOWN
1 lead into error (paragraph 2) 2 put under a spell (paragraph 2)

4 defeated, won over (paragraph 3) 3 wild (paragraph 1)
5 courage, bravery (paragraph 3)
6 very violent (paragraph 1)

The Heroic Brother
1
Everyone in the land of Barogan feared the deep dark woods. The
people were afraid not only of savage animals that lived there but of
fierce monsters and giants that walked around the forest as well.
2
There were also stories about creatures that could change their
appearance to deceive people. One of these was a serpent that could
change into a lady. It had enchanted many of those who explored the
woods. Some of them were turned into stone while the others were put
to sleep forever.
3 One day, a man with extraordinary strength went into the forest in
search of his missing brother. Unafraid, he fought every monster and

giant with gallantry, until all of them were vanquished. The man returned
home with his brother and the people of Barogan never had to fear the
deep dark woods again.

Ibalon
(Three Heroes of the Bicol Epic)
1. When the hero Baltog came to the rich land

of Ibalon, many monsters still roamed
around in its very dark forest. Baltog, born in
Baltavara to the brave clan of Lipod, was the
first to cultivate the fields in the rich land of
Ibalon.
2. Then the Tandayag attacked and destroyed

Baltog‘s fields and crops. The Tandayag was
a monstrous wild boar but the hero Baltog
was not afraid. One night, he waited for the
Tandayag and wrestled with it with all his might. The Tandayag had very
long fangs. The earth shook at the Tandayag‘s step. But Baltog was
strong and brave. He was able to pin down the monstrous wild boar and
tear out its mouth.
3. Baltog carried the Tandayag and hung it on a talisay tree in front of his
house in Tondol. The people celebrated when they learned of the victory
of their king Baltog. The clans of Panicuason and Asog came over to
marvel at the monstrous wild boar in Ibalon.
4. At that time the hero Handiong came with a band of warriors to the land
of Ibalon. Handiong and his men had to fight thousands of battles, and
face many dangers to defeat the monsters. They first fought the one-
eyed giants in the land of Ponon. They fought without rest for ten months
until all the oneeyed giants were killed.
5. They went to the lair of the giant flying fishes called Tiburon which had
slimy, scaly, and hardy flesh and sawlike teeth that could crush rocks.
Handiong and his men did not stop until they vanquished every Tiburon.
6. They tamed the fierce tamaraws. They drove away the giant Sarimaw
which was larger than an elephant and very fierce. They used their
spears and arrows to kill all the crocodiles which were bigger than boats.
The savage monkeys were frightened and hid when they saw the rivers
and swamps of Ibalon turn red with blood.

7. Oriol was the hardest to kill. A serpent with a beautiful voice, Oriol could
change its image to deceive enemies. Oriol had escaped every trap and
disappeared.
8. All by himself, Handiong looked for Oriol in the heart of the forest. He
followed the beautiful voice and was almost enchanted by it in his
pursuit. It is said that Oriol admired Handiong‘s bravery and gallantry.
Thus, the serpent taught the hero how to conquer the monsters until
peace came to the whole Ibalon.
9. Handiong built a town in Isarog and a season of progress followed.

Under Handiong‘s leadership, the people planted rice which they named
after him. He built the first boat to ride the waves of Ibalon seas. Because
of his good example, inventors came forth from his people. Ginantong
made the plow, harrow, and other farming tools. Hablom invented the
first loom for weaving abaca clothes. Dinahon, an Aeta, created the
stove, cooking pot, earthen jar, and other kitchen utensils. The brilliant
Sural thought of the alphabet and started to write on white rock. It was
a golden period in Ibalon when even slaves were respected under the
laws of Handiong.
10. But there came the big flood freed by Unos, with earthquakes and the
eruption of the volcanoes of Hantik, Kolasi, and Isarog. Rivers dried up
and the seas receded. The earth parted, mountains sank, and many
towns in Ibalon were destroyed.
11. Then appeared the giant Rabot, half-man half-beast, with terrible
powers.
12. Bantong, Handiong‘s good friend, was ordered to kill the new monster
in Ibalon. He took with him a thousand warriors to attack Rabot‘s den.
Bantong used his wisdom against Rabot. He did not attack the giant‘s
den right away but instead observed Rabot‘s ways. He saw many rocks
around the den. They were people turned into rock by Rabot.
13. He also learned that Rabot loved to sleep. When Rabot slept very
soundly, Bantong was able to go near him. The giant died with a single
stab by the brave and wise Bantong. Ibalon was at peace once more.

Task 3. Make the Grade!
On a half sheet of paper, make a report card for each hero. Using the
given guide, grade how well each one saved Ibalon. Remark on the heroism of
each and choose the most heroic among them. You may refer to your answers
in the previous task (Task 1, “I Know It!”) to help you do this. Be ready to
explain your answers to your classmates.
GRADE
A – Outstanding
B – Excellent
C – Satisfactory
D – Needs Improvement
Report Card for:
____________________
Name of Hero Grade
Strength
Courage
Intelligence
Perseverance
Other Traits
Remarks
He is ________ heroic because

________________________________
________________________________
________________________________.

Task 4. Say You, Say Me
Task 5. Finding Meaning
Idiomatic expressions are common phrases or sayings whose

meanings cannot be understood by the individual words or parts. One kind of
idiomatic expressions is the phrasal verb. Below are examples of these
expressions and their meanings.
Idiomatic expressions
Meanings
(phrasal verbs)
Care for To show likeness or fondness
Carry out To do, to practice
Go on To continue
Take part To participate
Take pity To show compassion or kindness for
Win over To gain support
1. Use the given idiomatic expressions in meaningful sentences.
2. As a homework, look for at least five idiomatic expressions and their

meanings. Also, use each expression in a sentence. Use a table for your
answer.
Idiomatic
Meanings Sentences
Expressions
3. Using your assignment, make a dictionary of idiomatic expressions. Be

creative.

Task 6. Clearing the Way
There are different ways of saying things. One of which is using

idiomatic expressions. Below are examples of idiomatic expressions
used in the texts. Guess their meanings based on the sentences.
a. Take this cotton, clean it, and make out of it a dress for yourself.
b. He decided to pay the old man a visit.
c. He quickly gathered some stones which he threw at the children.
d. They begged of him to punish the selfish old man.
Idiomatic Meaning
Expression
Catch on To understand
Look over To examine
Hand in To submit
Pick out To choose
Cope with To adapt

Task 7. Then and Now
Read the following text. Fill in the table to show the similarities and
differences between this text and “Ibalon” in terms of topic, setting,
purpose, intended audience, and relevance today. Do this on a half sheet
of paper.
Overseas Filipino Workers as Everyday Heroes
1. Overseas Filipino Workers take a

huge risk when they travel and work
abroad. OFWs sacrifice a lot in order to
give a better life for their families. They
are heroes in their own right because
they live to help their families and
sometimes even other people they do not
even know, but are in need of their help and support.
2. Heroes think of other people first before they think of themselves.
Heroes are unique individuals that sacrifice themselves for the sake of
others. OFWs face great challenges head on with only their faith, hope,
and determination to carry them through. They strive hard to ensure that
their children‘s future would be bright and that they would live a life that
they have dreamed of.
3. What are OFWs made of? They are made of determination, courage,
a risk-taking attitude, a heart of gold, and other qualities that make them
everyday heroes to a lot of people. They go beyond their call of duty to
help their families, to help their country and sometimes people in need,
even if it means putting themselves in danger.
4. You do not have to be an OFW to be a hero. You are a hero if you

sacrifice a part of yourself to help other people who are in need. You
are a hero if you can make someone else smile despite the trials and
challenges he has. You are a hero if you can make others feel better
about themselves. If you do any of these, then you are a hero in a
person’s heart.

“OFWs as Everyday
“Ibalon”
Heroes”
Topic
Setting
Purpose
Intended audience
Relevance today
Task 8. Here and There

Read the given excerpt from an earlier retelling in verse of the Bicol
epic “Ibalon”. Take note of the underlined phrase.
Sing and tell us

of the kings of…
courage
and the war that took place
until the defeat of Oriol.
“Took place” in the stanza means “happened”. It is an idiomatic

expression or idiom. Its meaning is different from what the individual words
literally mean. Idioms are used for different purposes and in varied
situations.
Read the following idioms and their meanings. With a partner, use
each idiom in a sentence. Then identify to whom you will say it and in what
situation. Do this on one half sheet of paper.
1. grab a seat (sit down)

2. zip it (stop talking)
3. at your earliest convenience (as soon as possible)
4. look up to (admire)
5. on cloud nine (very happy)
6. on the ball (alert)
7. a piece of cake (very easy)
8. in a nutshell (as briefly as possible)
9. once in a blue moon (rarely)
10. an act of God (a natural and unavoidable event
that results in great loss)

Becoming a Real Hero
This lesson allows you to continue with your journey into

understanding the rich and colorful Filipino culture as
reflected in our local literature. Find out how the pre-
Hispanic Filipinos characterized the epic hero and
succeeded in nurturing the beginnings of Philippine
literature. You must aim to:
1. distinguish between and among the functions of verbal cues such as:
repetition, contradiction, substitution, complementation, and
accentuation;
2 use the right oral language conventions when inquiring about,
summarizing, or reacting to what has been listened to, read, or
observed;
3 identify the characteristics of the epic as a literary form;
4 use information presented in a narrative poem in inferring, evaluating,
and expressing critical ideas;
5 compare and contrast the verse and prose versions of a narrative
poem.

Task 1. Meet my Heroes
Complete the following table. Share your answers to the class.
Task 2. Meet another hero
Listen carefully to the short text to be played / read to you and be able to
identify still another type of hero.
First listening : Listen for general understanding.

Second listening : Listen for specific details and take down notes.
Now complete the following statement to identify and describe another type
of hero.
An __________ hero is the ___________ character of a _______________ poem.

A narrative poem or an ____________ tells of the exploits of the story’s main
character who possesses _________________ powers which allow him to win
over his opponents and triumph even against monsters and other evil forces.

Task 3. Spot the difference or the similarity
Arrive at the meaning of the italicized word by noting the difference or the
similarity among the words in the set.
1. Clams, snails, shrimps, and lobsters are examples of shellfish except

_________. A shellfish is a creature that lives in the
_________ and has a ___________.
2. Sharks, whales, and dolphins are all large ocean and sea creatures.
Sharks are most dangerous to man because they are
_______-eaters.
Study the following sets of words and their common prefix then guess the
meaning of the italicized words.
1. Overjoyed, overacting, overprotected, overwhelmed

Over- is a prefix which suggests “too much of something”. When
we say Cannoyan was overwhelmed with sorrow, we mean she was
_____________.
2. Exported, expanded, extended, expelled

Ex- is a prefix indicating “an outward movement”. The shark expelled
Lam-ang‘s bones. This means that Lam-ang‘s bones were
______________ by the shark.

An Excerpt from The Life of Lam- ang
(An Iloko epic)1
When the Captain had left, Surfacing, he tried once more

this is what the brave-man to locate them and
Lam-ang Said with a sigh: having seen some
dived once more—
“My wife Cannoyan
I have been chosen Right into the mouth
of the fish,
To dive for shellfish A big tioan-tioan shark,
called rarang.
And the signs came to pass:
I have dreamt that The stairs danced;
I shall doubtless be eaten The kitchen collapsed;
by the shark tioan-tioan. The stove broke to pieces.
I shall give you a sign; The woman Cannoyan

The stairs shall dance; The wept.
The kitchen shall collapse;
The stove shall break to pieces.” “My husband Don Lam-ang,
Where can you be now.
When morning came, There is none I can hire
Lam-ang prepared to leave. To look for you.”
Reaching an ideal spot, The woman Cannoyan

He undressed and then sought help
swam to where and found Marcos,
the rarang abounds. the diver.
He looked through She then tied the white rooster,

the crystal waters The yellow-legged hen,
then dived for the shellfish The woman Cannoyan.
but failed in his first try.
1Eugenio, Damiana L. (2007). Philippine Folk Literature Series, Vol. 1. Quezon City: UP Press,
pp. 55-57.

She also leashed And when no more bones
the hairy dog could be found,
with the curly locks The cock examined
then cradled the white rooster. the bones closely.
She left and soon reached He found nothing missing.

the spot where his clothes were. The bones of Lam-ang
There at the spot Having been completed,
where Lam-ang was, This is what he said:
“I shall turn my back
Cannoyan cried, While you cover
Overwhelmed by sorrow. the bones with your skirt.”
The cock comforted her thus:
The yellow-legged hen crowed;
“Mistress, don‟t you worry. The rooster shook its wings.
Master Lam-ang certainly shall live And the bones started to move.
If they can locate his bones.”
The dog with the curly locks
The diver, old man Marcos, Howled twice
Dived then. Then clawed the ground
But he failed to find the bones. As though to bury
the bones of Lamang.
The second time he dived,
He found the bones Then the man Lam-ang
Where the shark Got-up at once.
had expelled them.
“How soundly I slept,
The cock said: my wife Canoyan.
“Sir, take all the bones It‟s been seven nights
and beach them: Since we last slept together.”
None should be missing.”

Task 3. Meet them; know them
Complete the grid below for you to learn more about the characters and
their story through their actions. Be guided by the given example.
Character Character’s Purpose Result of Character’s

action of action action quality/ies
reflected by the
action
Lam-ang He dived into the To gather He was eaten He was daring
water despite the shellfish by the tioan- and brave but
danger. tioan shark. rather careless.
Task 4. Meet Lam-ang, the child

The excerpted text you just read only tells you about the ending of Lam-
ang‘s story. Meet him again as a child by reading the following prose version
summarizing his story.
The Story of Lam-ang (A Summary)2
Don Juan and his wife Namongan lived in Nalbuan, now part of La Union
in the northern part of the Philippines. They had a son named Lam-ang. Before
Lam-ang was born, Don Juan went to the mountains in order to punish a group
of their Igorot enemies. While he was away, his son Lam-ang was born. It took
four people to help Namongan give birth. As soon as the baby boy popped out,
he spoke and asked that he be given the name Lam-ang. He also chose his
godparents and asked where his father was.
2 http://tagaloglang.com/Philippine-Literature/Filipino-Epics/biag-ni-lam-ang-buod.html

After nine months of waiting for his father to return, Lam-ang decided he
would go look for him. Namongan thought Lam-ang was up to the challenge
but she was sad to let him go. During his exhausting journey, he decided to rest
for awhile. He fell asleep and had a dream about his father's head being stuck
on a pole by the Igorot. Lam-ang was furious when he learned what had
happened to his father. He rushed to their village and killed them all, except for
one whom he let go so that he could tell other people about Lam-ang's
greatness.
Upon returning to Nalbuan in triumph, he was bathed by women in the

Amburayan river. All the fish died because of the dirt and odor from Lam-ang's
body.
There was a young woman named Ines Kannoyan whom Lam-ang

wanted to woo. She lived in Calanutian and he brought along his white rooster
and gray dog to visit her. On the way, Lam-ang met his enemy Sumarang,
another suitor of Ines whom he fought and readily defeated.
Lam-ang found the house of Ines surrounded by many suitors all of

whom were trying to catch her attention. He had his rooster crow, which caused
a nearby house to fall. This made Ines look out. He had his dog bark and in an
instant the fallen house rose up again. The girl's parents witnessed this and
called for him. The rooster expressed the love of Lam-ang. The parents agreed
to a marriage with their daughter if Lam-ang would give them a dowry valued
at double their wealth. Lam-ang had no problem fulfilling this condition and he
and Ines were married.
It was a tradition to have a newly married man swim in the river for the
rarang fish. Unfortunately, Lam-ang dove straight into the mouth of the water
monster Berkakan. Ines had Marcos get his bones, which she covered with a
piece of cloth. His rooster crowed and his dog barked and slowly the bones
started to move. Back alive, Lam-ang and his wife lived happily ever after with
his white rooster and gray dog.
Lam-ang, the child

Task 5. Spot the Differences
Recall the events as narrated in the excerpted verse and compare them
with how they were told in the prose version. Explain why there are differences.
According to the verse excerpt: According to the prose summary:
LAM-ANG

Task 6. Match and check your understanding
Match each question with its answer.
_____ 1a. Who were Lam-ang‘s parents? a. to search for treasure
_____ 1b. Where did they live? b. No, the dog didn‘t express
Lam-ang‘s love for Ines.
_____ 2a. Why did Don Juan go to the mountains? c. Don Juan and Namongan
_____ 2b. What did his enemies do to him? d. He let go of someone.
_____ 3a. Were Don Juan‘s enemies forgiven e. to punish their Igorot enemies
by Lam-ang?
_____ 3b. Were all the enemies killed? f. The enemies were not forgiven.
_____ 4a. Did the dog express Lam-ang‘s g. The dog didn‘t cause the
love for Ines? nearby house to fall.
_____ 4b. Did it cause the nearby house to fall? h. No, they weren’t all killed.
i. They killed him.
j. Nalbuan
Task 7. Express ideas completely

Copy or construct complete sentences that answer each pair of the above
questions.
1a. __________________________________________________________
1b. __________________________________________________________
2a. __________________________________________________________
2b. __________________________________________________________
3a. __________________________________________________________
3b. __________________________________________________________
4a. __________________________________________________________
4b. __________________________________________________________

Task 8. Combine ideas
Now combine each pair of statements above using the appropriate

connector. Choose from the following: yet, but, nor, and.
Example: What did Lam-ang do after nine months of waiting?

What did the Igorots do to Don Juan?
Lam-ang looked for his father after nine months of waiting.

The Igorots killed him.
Lam-ang looked for his father after nine months of waiting,

but the Igorots had killed him.
1. ____________________________________________________________
2. ____________________________________________________________
3. ____________________________________________________________
4. ____________________________________________________________
Task 6. Epic Heroes
Re-read the Bicol epic (Ibalon) and compare it with the Iloko epic (The
Story of Lam-Ang) on the basis of the following:
The Epic hero’s

Title of Place of Epic hero’s
epic unique
the epic origin adventures
hero characteristics

QUARTER II MODULE I (Lesson 1)
How Others See Me
Welcome to Quarter 2 Modules
You must be familiar with the use of the modules because you have
worked on several modules already. We hope you have learned from them and
developed your skills as you performed the activities contained in the modules.
Lesson 1 How Others See Me
This lesson allows you to begin your journey into understanding yourself
which will hopefully lead you to mastering yourself. You must aim to:
1. use single word adjectives in describing yourself and your

classmates;
2. explain why your views about yourself may be different from how
others view you;
3. narrate an incident in your life which is similar to the one found in the
selection;
4. distinguish between figurative and literal language;
5. unlock the meaning of words as used in sentences;
6. use determiners correctly; and
7. write an anecdote based on a significant personal experience.
Good luck as you begin this module!

Before you proceed to the activities found in this module,
do the pre-test below:
PRE TEST
Encircle the letter of the option which is synonymous to the underlined word
in the sentence.
1. The flimsy wall collapsed over me.

a. expensive c. small
b. new d. weak
2. The centipede’s malignant red body twitched back and forth.

a. beautiful c. harmful
b. colorful d. useful
Determine whether each statement below is literal or figurative. Write L if

the statement is Literal and F if it is Figurative.
3. She came back from the hospital in the city.
4. There’s been an undeclared war between him and me.
5. My sister shrieked and the strip of white sheet flew off like an
unhanded hawk.
Study the following sentences. Choose the determiner that will best
complete each sentence.
6. ____ Mayon Rest House is a romantic destination (A, An, The)
7. _____ laptop is mine. (This ,Those,These)

Do you know yourself well? Try it in this activity.
Task 1. How I View Myself

On a half-sheet of paper, complete the visual organizer below by writing
five traits which you believe you have
WHAT I THINK
OF MYSELF
Task 2. How Others View Me
For this activity, you will need a piece of paper, and some tape. Write your
name at the center of this paper. It is advisable to encircle your name. Once
your teacher has finished giving you instructions, you are to move around the
classroom, look for your classmates, and write only one word on each of their
respective papers. That word must be an adjective which you think best
describes your classmate. After five minutes, take the piece of paper from your
back and look at how your classmates described you. Now compare the
descriptions that your classmates wrote for you with those you wrote for
yourself. How similar are they? How different are they?
Are you done comparing your classmate descriptions with that of your own
description? Now let’s proceed to the next task.
Before reading the story below, check your understanding of the following
underlined words.

When you read, you will almost always come across words you do not
know. Sometimes a dictionary is not available. Don’t lose hope. There are
ways to get the meaning of words you are not familiar with. One way is to use
what you find in the text or article. Often, you can pick up clues about a word’s
meaning from its context. The context of a word is the sentence, the
surrounding words, or the situation in which a word is used.
Task 1. Using Context Clues in finding Synonyms

(words with the same meaning).
.
1. George could only stand in shock as Lilian tramped across the field,
her angry eyes latched on to him.
a. walked gracefully c. walked slowly
b. walked happily d. walked heavily
2. The vendor, hoping to finish selling his goods before noon, ambled
toward the group of clueless tourists.
a. crawled c. jumped
b. danced d. walked
4. While Jonathan escaped the accident with just a scratch on his arm,
his car was badly mangled.
a. destroyed c. returned
b. scratched d. spared
5. Lourdes watched the performance with apprehension; she felt that

anytime now, someone would make a mistake and the audience
would laugh at her class.
a. excitement c. sadness
b. happiness d. fear
6. The mayor denounced the kidnapping of the eight year old year, and
vowed that he would do everything in his power to get the girl back
and punish the kidnappers to the fullest extent of the law.
a. condemned c. encouraged
b. commented d. liked
7. Kyla‘s lips started to quiver when she heard that her daughter had
been kidnapped.
a. close c. shrink
b. open d. tremble
8. The prima ballerina snickered when she saw her main rival
stumbling over the new dance steps.
a. coughed c. frowned
b. commented d. laughed

THE CENTIPEDE
By Rony V. Diaz
When I saw my sister, Delia, beating my dog with a stick, I felt hate heave
like a caged, angry beast in my chest. Out in the sun, the hair of my sister
glinted like metal and, in her brown dress, she looked like a sheathed dagger.
Biryuk hugged the earth and screamed but I could not bound forward nor cry
out to my sister. She had a weak heart and she must not be surprised. So I held
myself, my throat swelled, and I felt hate rear and plunge in its cage of ribs.
I was thirteen when my father first took me hunting. All through the
summer of that year, I had tramped alone and unarmed the fields and forest
around our farm. Then one afternoon in late July my father told me I could use
his shotgun.
Beyond the ipil grove, in a grass field we spotted a covey of brown

pigeons. In the open, they kept springing to the air and gliding away every time
we were within range. But finally they dropped to the ground inside a wedge of
guava trees. My father pressed my shoulder and I stopped. Then slowly, in a
half-crouch, we advanced. The breeze rose lightly; the grass scuffed against
my bare legs. My father stopped again. He knelt down and held my hand.
“Wait for the birds to rise and then fire,” he whispered.
I pushed the safety lever of the rifle off and sighted along the barrel. The
saddle of the stock felt greasy on my cheek. The gun was heavy and my arm
muscles twitched. My mouth was dry; I felt vaguely sick. I wanted to sit down.
“You forgot to spit,” my father said.
Father had told me that hunters always spat for luck before firing. I spat
and I saw the breeze bend the ragged, glassy threads of spittle toward the birds.
That‘s good,” Father said.
“Can‘t we throw a stone,” I whispered fiercely. “It‘s taking them a long

time.”
“No, you‘ve to wait.”
Suddenly, a small dog yelping shrilly came tearing across the brooding
plain of grass and small trees. It raced across the plain in long slewy swoops,
on outraged shanks that disappeared and flashed alternately in the light of the

cloud-banked sun. One of the birds whistled and the covey dispersed like
seeds thrown in the wind. I fired and my body shook with the fierce momentary
life of the rifle. I saw three pigeons flutter in a last convulsive effort to stay
afloat, then fall to the ground. The shot did not scare the dog. He came to us,
sniffing cautiously. He circled around us until I snapped my fingers and then
he came to me.
“Not bad,” my father said grinning. “Three birds with one tube.” I went
to the brush to get the birds. The dog ambled after me. He found the birds for
me. The breast of one of the birds was torn. The bird had fallen on a spot where
the earth was worn bare, and its blood was spread like a tiny, red rag. The dog
scraped the blood with his tongue. I picked up the birds and its warm, mangled
flesh clung to the palm of my hand.
“You‘re keen,” I said to the dog. “Here. Come here.” I offered him my
bloody palm. He came to me and licked my palm clean.
I gave the birds to my father. “May I keep him, Father?” I said pointing to
the dog. He put the birds in a leather bag which he carried strapped around his
waist.
Father looked at me a minute and then said: “Well, I‘m not sure.
That dog belongs to somebody.” “May I keep him until his owner comes
for him?” I pursued.
“He‘d make a good pointer,” Father remarked. “But I would not like my
son to be accused of dog-stealing.”
“Oh, no!” I said quickly. “I shall return him when the owner comes to
claim him.”
“All right,” he said, “I hope that dog makes a hunter out of you.”
Biryuk and I became fast friends. Every afternoon after school we went
to the field to chase quails or to the bank of the river which was fenced by tall,
blade-sharp reeds to flush snipes. Father was away most of the time but when
he was home he hunted with us.
Biryuk scampered off and my sister flung the stick at him. Then she
turned about and she saw me.
“Eddie, come here,” she commanded. I approached with appre-hension.

Slowly, almost carefully, she reached over and twisted my ear.
“I don‘t want to see that dog again in the house,” she said coldly. “That
dog destroyed my slippers again. I‘ll tell Berto to kill that dog if I see it around
again.” She clutched one side of my face with her hot, moist hand and shoved

me, roughly. I tumbled to the ground. But I did not cry or protest. I had passed
that phase. Now, every word and gesture she hurled at me I caught and fed to
my growing and restless hate.
My sister was the meanest creature I knew. She was eight when I was
born, the day my mother died. Although we continued to live in the same house,
she had gone, it seemed, to another country from where she looked at me with
increasing annoyance and contempt.
One of my first solid memories was of standing before a grass hut. Its
dirt floor was covered with white banana stalks, and there was a small box filled
with crushed and dismembered flowers in one corner. A doll was cradled in the
box. It was my sister‘s playhouse and I remembered she told me to keep out of
it. She was not around so I went in. The fresh banana hides were cold under
my feet. The interior of the hut was rife with the sour smell of damp dead grass.
Against the flowers, the doll looked incredibly heavy. I picked it up. It was slight
but it had hard, unflexing limbs. I tried to bend one of the legs and it snapped. I
stared with horror at the hollow tube that was the leg of the doll. Then I saw my
sister coming. I hid the leg under one of the banana pelts. She was running and
I knew she was furious. The walls of the hut suddenly constricted me. I felt sick
with a nameless pain. My sister snatched the doll from me and when she saw
the torn leg she gasped. She pushed me hard and I crashed against the wall of
the hut. The flimsy wall collapsed over me. I heard my sister screaming; she
denounced me in a high, wild voice and my body ached with fear. She seized
one of the saplings that held up the hut and hit me again and again until the
flesh of my back and thighs sang with pain. Then suddenly my sister moaned;
she stiffened, the sapling fell from her hand and quietly, as though a sling were
lowering her, she sank to the ground. Her eyes were wild as scud and on the
edges of her lips, drawn tight over her teeth, quivered a wide lace of froth. I ran
to the house yelling for Father.
She came back from the hospital in the city, pale and quiet and mean,
drained, it seemed, of all emotions, she moved and acted with the keen,
perversity and deceptive dullness of a sheathed knife, concealing in her body
that awful power for inspiring fear and pain and hate, not always with its drawn
blade but only with its fearful shape, defined by the sheath as her meanness
was defined by her body.
Nothing I did ever pleased her. She destroyed willfully anything I liked.
At first, I took it as a process of adaptation, a step of adjustment; I snatched
and crushed every seed of anger she planted in me, but later on I realized that
it had become a habit with her. I did not say anything when she told Berto to kill
my monkey because it snickered at her one morning, while she was brushing
her teeth. I did not say anything when she told Father that she did not like my
pigeon house because it stank and I had to give away my pigeons and Berto
had to chop the house into kindling wood. I learned how to hold myself because
I knew we had to put up with her whims to keep her calm and quiet. But when
she dumped my butterflies into a waste can and burned them in the backyard,
I realized that she was spiting me.

My butterflies never snickered at her and they did not smell. I kept them
in an unused cabinet in the living room and unless she opened the drawers,
they were out of her sight. And she knew too that my butterfly collection had
grown with me. But when I arrived home, one afternoon, from school, I found
my butterflies in a can, burned in their cotton beds like deckle. I wept and
Father had to call my sister for an explanation. She stood straight and calm
before Father but my tear-logged eyes saw only her harsh and arrogant
silhouette. She looked at me curiously but she did not say anything and Father
began gently to question her. She listened politely and when Father had
stopped talking, she said without rush, heat or concern: “They were attracting
ants.”
I ran after Biryuk. He had fled to the brambles. I ran after him, bugling
his name. I found him under a low, shriveled bush. I called him and he only
whimpered. Then I saw that one of his eyes was bleeding. I sat on the ground
and looked closer. The eye had been pierced. The stick of my sister had
stabbed the eye of my dog. I was stunned. For a long time I sat motionless,
staring at Biryuk. Then I felt hate crouch; its paws dug hard into the floor of its
cage; it bunched muscles tensed; it held itself for a minute and then it sprang
and the door of the cage crashed open and hate clawed wildly my brain. I
screamed. Biryuk, frightened, yelped and fled, rattling the dead bush that
sheltered him. I did not run after him.
A large hawk wheeled gracefully above a group of birds. It flew in a

tightening spiral above the birds.
On my way back to the house, I passed the woodshed. I saw Berto in

the shade of a tree, splitting wood. He was splitting the wood he had stacked
last year. A mound of bone-white slats was piled near his chopping block. When
he saw me, he stopped and called me.
His head was drenched with sweat. He brushed away the sweat and hair
from his eyes and said to me: “I‘ve got something for you.”
He dropped his ax and walked into the woodshed. I followed him. Berto
went to a corner of the shed. I saw a jute sack spread on the ground. Berto
stopped and picked up the sack.
“Look,” he said.
I approached. Pinned to the ground by a piece of wood, was a big

centipede. Its malignantly red body twitched back and forth.
“It‘s large,” I said.
“I found him under the stack I chopped.” Berto smiled happily; he looked
at me with his muddy eyes.

“You know,” he said. “That son of a devil nearly frightened me to death”.
I stiffened. “Did it, really?” I said trying to control my rising voice. Berto
was still grinning and I felt hot all over.
“I didn‘t expect to find any centipede here,” he said. “It nearly bit me.
Who wouldn‘t get shocked?” He bent and picked up a piece of wood.
“This wood was here,” he said and put down the block. “Then I picked it
up, like this. And this centipede was coiled here. Right here. I nearly touched it
with my hand. What do you think you would feel?”
I did not answer. I squatted to look at the reptile. Its antennae quivered
searching the tense afternoon air. I picked up a sliver of wood and prodded the
centipede. It uncoiled viciously. Its pinchers slashed at the tiny spear.
“I could carry it dead,” I said half-aloud.
“Yes,” Berto said. “I did not kill him because I knew you would like it.”
“Yes, you‘re right.”
“That‘s bigger than the one you found last year, isn‘t it?”
“Yes, it‘s very much bigger.”
I stuck the sliver into the carapace of the centipede. It went through the
flesh under the red armor; a whitish liquid oozed out. Then I made sure it was
dead by brushing its antennae. The centipede did not move. I wrapped it in a
handkerchief.
My sister was enthroned in a large chair in the porch of the house. Her
back was turned away from the door; she sat facing the window. She was
embroidering a strip of white cloth. I went near, I stood behind her chair. She
was not aware of my presence. I unwrapped the centipede. I threw it on her
lap.
My sister shrieked and the strip of white sheet flew off like an unhanded
hawk. She shot up from her chair, turned around and she saw me but she
collapsed again to her chair clutching her breast, doubled up with pain. The
centipede had fallen to the floor.
“You did it,” she gasped. “You tried to kill me. You’ve health… life… you
tried…” Her voice dragged off into a pain-stricken moan.
I was engulfed by a sudden feeling of pity and guilt.

‘But it‘s dead!” I cried kneeling before her. “It‘s dead! Look! Look!” I
snatched up the centipede and crushed its head between my fingers. “It‘s
dead!”
My sister did not move. I held the centipede before her like a hunter
displaying the tail of a deer, save that the centipede felt thorny in my hand.
The next activity will enrich your vocabulary. Try to distinguish the
difference between literal and figurative.
Literal means completely true and accurate; not exaggerated

Figurative means used with a meaning that is different from the basic
meaning and that expresses an idea in an interesting way by using
language that usually describes something else
Task 1. Literal or Figurative?
Determine whether each statement below is literal or figurative. Write L if

the statement is literal (i.e. there is no other meaning). Write F if the statement
is figurative (i.e. there is an underlying meaning).
1. Berto was tasked by Delia to kill Berto‘s adopted dog.

2. Centipedes often scare people because of how they look.
3. Delia‘s resentment toward Eddie could be traced back to their mother‘s
death.
4. Eddie saw his sister as a thorn on his side – something which should
be plucked.
5. Eddie‘s feelings toward his sister could be compared to that of an
overheated kettle.
6. Eddie‘s sister was stunned when she saw the centipede.
7. Even as a young boy, Eddie already had the instincts of a hunter.
8. For most of the story, Eddie and Delia were like oil and water.
9. Once, Eddie thought that Delia was extending the olive branch to him.
10. Their father often told Eddie and Delia to keep the peace.

Task 3. Locate, Reflect, Evaluate!
Locate information in the selection to complete the table below. Make sure
you can defend your answers.
How Eddie Viewed How Eddie Viewed How Eddie’s Sister How Eddie’s Sister
His Sister Himself Viewed Him Viewed Herself
Once you have finished with the table above, answer the following
questions in your notebook. Be prepared. Your teacher will check your
answers.
1. Do you think Eddie‘s actions at the end of the story were justified?
Why or why not?
2. Had you been in the same situation, would you have done what Eddie
did? Why or why not?
3. Why is the story entitled as such? What is the title‘s significance to

the developments in the story?
4. Point out the individual differences of Eddie and her sister. Explain.
Good job! You have successfully accomplished your tasks.

You will now proceed to grammar lesson on determiners. Here are pointers
to remember about determiners.
A determiner is used to modify a noun. It indicates reference to

something specific or something of a particular type. This function
is usually performed by articles, demonstratives, possessive
determiners, and quantifiers.
 The definite and indefinite articles are all determiners.
Definite article - the

Indefinite article - a or an (a is used before a consonant
sound; an is used before a vowel sound.)
Examples:
The environment is important to our lives.
A man should be true to his words.
An endangered animal is protected by law.
 There are four demonstrative determiners in English and they are: this,
that, these and those
Note that demonstrative determiners can also be used as demons-

trative pronouns. When they are used as determiners they are
followed by the nouns they modify.
Compare:
Those are my properties. (Demonstrative used as a pronoun, subject
of the verb are)
Those properties are mine. (Demonstrative used as a determiner
modifying the noun properties.)
 Possessive determiners are different from possessive

pronouns - mine, his, hers, yours, ours, their.
Possessive pronouns can stand alone and are not followed by nouns.
Possessive determiners, on the other hand, are followed by nouns.

Compare:
This is my house. (my is a possessive determiner. It is followed by the
noun house which it modifies)
Is that car yours? (yours is a possessive pronoun. It is not followed by
a noun.)
 Quantifiers are followed by nouns which they modify. Examples of

quantifiers include:
some, any, few, little, more,
much, many, each, every, both,
all, enough, half, little, whole,
less etc.
Quantifiers are commonly used before either countable or uncountable

nouns.
Examples:
He knows more people than his wife.
Little knowledge is a dangerous thing.
Task 4. Watch Out!
A. Study the following sentences. Choose the determiner that will best
complete each sentence.
1. ____ stolen cart was returned to the farmer the following day by the
policemen.(an, the, their)
2. Joseph ignored ________ warning that nobody should leave the

building. (Luke‘s, his, he‘s)
3. Lily managed to round up _____ bystanders to serve as the audience

for her seminar. (much, a little, a few)
4. Liza tried to retrieve _____ cap, but she was afraid to climb the tree.
(this, her, their)
5. Mr. Reyes told the restless crowd that everyone had to wait for ____
hour for the guest speaker. (a, an, the)
6. My father gave me ____ watch before I left for Manila. (these, this, an)
7. The branch manager told his staff to make sure that _____ important
documents should be sent to the main office by the end of the day. (a,
an, the)

8. The company lost _______ boxes of its products when its delivery
truck fell off a cliff. (three hundred, these, theirs)
9. The lawyers gave the complainants _____ days to respond to the

motion. (fifteen, the, those)
10. The teacher gave the students an exam after a few of them challenged
her lecture. ____ a behavior was unacceptable to the teacher. (what,
such, theirs)
B. Determine whether the sentences are using the underlined determiners

correctly. If the underlined determiner is wrong, encircle it, then provide
the determiner that will make the sentence correct. If the sentence
already makes proper use of the underlined determiner, write C in front
of the number.
1. A history of the Philippines was at first written by Americans.
2. A new president is often given a hundred days by the media before

they begin criticizing his or her policies.
3. As punishment for their offense, the students were told to make sure
that a school was always clean.
4. Because Mario couldn‘t find his wallet, he borrowed money from his
colleague.
5. Due to a President‘s motorcade, we were stuck in traffic for two hours.
6. Jonathan‘s record, which has remained unbroken until this day,

remains the legend.
7. Many water was needed in order to quench the debater‘s thirst.
8. Marjorie decided to leave her house when she saw several rat
colonies in her kitchen.
9. People should keep his noses in their own business.
10. This documents in my hands will determine the outcome of this

election.
Get ready with your final task.

A Story from my Past
Think of a story from your childhood when you played a prank on a

sibling, friend, or parent. If you are still in good terms with that person, interview
him or her so that you can get a more complete view of that episode. Complete
the statement that follows the grid.
I played a prank Because… The Result I learned that…

on… was…
Once you are done with the grid, you may be asked by your teacher to
share your anecdote with your classmates. Write it in story form using
appropriate determiners. You may change the names of the persons involved.
Congratulations! You are able to finish the first module.

You can now proceed to the next lesson. Ready…

Valuing My Family
This lesson makes you realize that family members wherever they may
be still form the core of our personhood. As you appreciate more your family,
you must be able to:
1. use demonstrations and examples to know meaning of words and

phrases;
2. determine the order of significant events in the text that you listened to
3. compare and contrast ideas presented in a selection or a set of related

selections;
4. identify simile that shows comparison;
5. use information presented in a reading selection to infer, evaluate, and

6. identify the features of primary and secondary sources;
7. distinguish between and among a journal entry, an anecdote, a

travelogue, a personal letter, and a blog entry;

Do the pre-test below:
PRE-TEST
Encircle the letter of the option which is synonymous to the underlined

word in the sentence.
1. A lot of gigantic red roses woven into it.

a. huge c. small
b. little d. tiny
2. His fingers were clumsy.

a. big c. weak
b. brave d. strong
3. The mat was almost austere in design.

a. big c. funny
b. colorful d. simple
4. A ____________ is a figure of speech that uses the word like or as

to describe someone or something else.
a. irony c. personification
b. metaphor d. simile
Give three examples of materials that you can locate in the library.
5. ___________________________________
6. ___________________________________
7. ___________________________________
Now that you have an idea of what this lesson is all about, get ready with
your initial tasks.

You will now start the lesson with unlocking of difficulties.
Task 1. Word Play

The following phrases will be demonstrated by the teacher and the
learners will guess what those phrases are.
a. with animation and lively talk

b. disengaged a ponderous bundle
c. breathless exclamation of delight
d. a swift constriction in her throat
Task 2. Total Recall
How do you and your family remember a dead loved one? Can you
share your experiences? In this activity we will find out how Mr. Angeles
remembered his dead children.

The teacher will assign, the parts of the text the learner will read. This
activity is a jigsaw reading and will be conducted during face to face.
1. Listen for the cue when you are to read your part.
2. Listen to the details that tell about how Mr. Angeles remembered his
dead children.
The Mats
by Francisco Arcellana
1 For the Angeles family, Mr. Angeles'; homecoming from his periodic
inspection trips was always an occasion for celebration. But his homecoming--
from a trip to the South--was fated to be more memorable than, say, of the
others.
He had written from Mariveles: "I have just met a marvelous matweaver--
a real artist--and I shall have a surprise for you. I asked him to weave a
sleeping-mat for every one of the family. He is using many different colors and
for each mat the dominant color is that of our respective birthstones. I am sure
that the children will be very pleased. I know you will be. I can hardly wait to
show them to you."
Nana Emilia read the letter that morning, and again and again every time
she had a chance to leave the kitchen. In the evening when all the children
were home from school she asked her oldest son, José, to read the letter at
dinner table. The children became very much excited about the mats, and
talked about them until late into the night. This she wrote her husband when
she labored over a reply to him. For days after that, mats continued to be the
chief topic of conversation among the children.
Finally, from Lopez, Mr. Angeles wrote again: "I am taking the Bicol
Express tomorrow. I have the mats with me, and they are beautiful. God willing,
I shall be home to join you at dinner."
2 The letter was read aloud during the noon meal. Talk about the mats
flared up again like wildfire.
"I like the feel of mats," Antonio, the third child, said. "I like the smell of
new mats."
"Oh, but these mats are different," interposed Susanna, the fifth child.
"They have our names woven into them, and in our ascribed colors, too."
The children knew what they were talking about: they knew just what a
decorative mat was like; it was not anything new or strange in their experience.
That was why they were so excited about the matter. They had such a mat in
the house, one they seldom used, a mat older than any one of them.

This mat had been given to Nana Emilia by her mother when she and Mr.
Angeles were married, and it had been with them ever since. It had served on
the wedding night, and had not since been used except on special occasions.
It was a very beautiful mat, not really meant to be ordinarily used. It had
green leaf borders, and a lot of gigantic red roses woven into it. In the middle,
running the whole length of the mat, was the lettering: Emilia y Jaime Recuerdo.
The letters were in gold.
3 Nana Emilia always kept that mat in her trunk. When any one of the
family was taken ill, the mat was brought out and the patient slept on it, had it
all to himself. Every one of the children had some time in their lives slept on it;
not a few had slept on it more than once.
Most of the time the mat was kept in Nana Emilia's trunk, and when it was
taken out and spread on the floor the children were always around to watch. At
first there had been only Nana Emilia to see the mat spread. Then a child--a
girl--watched with them. The number of watchers increased as more children
came.
The mat did not seem to age. It seemed to Nana Emilia always as new as
when it had been laid on the nuptial bed. To the children it seemed as new as
the first time it was spread before them. The folds and creases always new and
fresh. The smell was always the smell of a new mat. Watching the intricate
design was an endless joy. The children's pleasure at the golden letters even
before they could work out the meaning was boundless. Somehow they were
always pleasantly shocked by the sight of the mat: so delicate and so
consummate the artistry of its weave.
Now, taking out that mat to spread had become a kind of ritual. The
process had become associated with illness in the family. Illness, even serious
illness, had not been infrequent. There had been deaths...
4 In the evening Mr. Angeles was with his family. He had brought the usual
things home with him. There was a lot of fruits, as always (his itinerary carried
him through the fruit-growing provinces): pineapples, lanzones, chicos, atis,
santol, sandia, guyabano, avocado, according to the season. He had also
brought home a jar of preserved sweets from Lopez.
Putting away the fruit, sampling them, was as usual accomplished with
animation and lively talk. Dinner was a long affair. Mr. Angeles was full of stories
about his trip but would interrupt his tales with: "I could not sleep nights thinking
of the young ones. They should never be allowed to play in the streets. And you
older ones should not stay out too late at night."
The stories petered out and dinner was over. Putting away the dishes and
wiping the dishes and wiping the table clean did not at all seem tedious. Yet
Nana and the children, although they did not show it, were all on edge about
the mats.
Finally, after a long time over his cigar, Mr. Angeles rose from his seat at
the head of the table and crossed the room to the corner where his luggage
had been piled. From the heap he disengaged a ponderous bundle.
5 Taking it under one arm, he walked to the middle of the room where the
light was brightest. He dropped the bundle and, bending over and balancing
himself on his toes, he strained at the cord that bound it. It was strong, it would

not break, it would not give way. He tried working at the knots. His fingers were
clumsy, they had begun shaking.
He raised his head, breathing heavily, to ask for the scissors. Alfonso, his
youngest boy, was to one side of him with the scissors ready.
Nana Emilia and her eldest girl who had long returned from the kitchen
were watching the proceedings quietly.
One swift movement with the scissors, snip! and the bundle was loose.
Turning to Nana Emilia, Mr. Angeles joyfully cried: "These are the mats,
Miling." Mr. Angeles picked up the topmost mat in the bundle.
"This, I believe, is yours, Miling."
6 Nana Emilia stepped forward to the light, wiping her still moist hands
against the folds of her skirt, and with a strange young shyness received the
mat. The children watched the spectacle silently and then broke into delighted,
though a little self-conscious, laughter. Nana Emilia unfolded the mat without a
word. It was a beautiful mat: to her mind, even more beautiful than the one she
received from her mother on her wedding. There was a name in the very center
of it: EMILIA. The letters were large, done in green. Flowers--cadena-de-amor-
-were woven in and out among the letters. The border was a long winding twig
of cadena-de-amor.
The children stood about the spreading mat. The air was punctuated by
their breathless exclamations of delight.
"It is beautiful, Jaime; it is beautiful!" Nana Emilia's voice broke, and she
could not say any more.
"And this, I know, is my own," said Mr. Angeles of the next mat in the
bundle. The mat was rather simply decorated, the design almost austere, and
the only colors used were purple and gold. The letters of the name Jaime were
in purple.
"And this, for your, Marcelina."
Marcelina was the oldest child. She had always thought her name too long;
it had been one of her worries with regard to the mat. "How on earth are they
going to weave all of the letters of my name into my mat?" she had asked of
almost everyone in the family. Now it delighted her to see her whole name
spelled out on the mat, even if the letters were a little small. Besides, there was
a device above her name which pleased Marcelina very much. It was in the
form of a lyre, finely done in three colors. Marcelina was a student of music and
was quite a proficient pianist.
7 "And this is for you, José."
José was the second child. He was a medical student already in the third
year of medical school. Over his name the symbol of Aesculapius was woven
into the mat.
"You are not to use this mat until the year of your internship," Mr. Angeles
was saying.
"This is yours, Antonia."
"And this is yours, Juan."
"And this is yours, Jesus."
Mat after mat was unfolded. On each of the children's mats there was
somehow an appropriate device.

At least all the children had been shown their individual mats. The air was
filled with their excited talk, and through it all Mr. Angeles was saying over and
over again in his deep voice:
"You are not to use these mats until you go to the University."
Then Nana Emilia noticed bewilderingly that there were some more mats
remaining to be unfolded.
"But Jaime," Nana Emilia said, wondering, with evident repudiation,
"there are some more mats."
8 Only Mr. Angeles seemed to have heard Nana Emilia's words. He
suddenly stopped talking, as if he had been jerked away from a pleasant
fantasy. A puzzled, reminiscent look came into his eyes, superseding the deep
and quiet delight that had been briefly there, and when he spoke his voice was
different.
"Yes, Emilia," said Mr. Angeles, "There are three more mats to unfold. The
others who aren't here..."
Nana Emilia caught her breath; there was a swift constriction in her throat;
her face paled and she could not say anything.
The self-centered talk of the children also died. There was a silence as Mr.
Angeles picked up the first of the remaining mats and began slowly unfolding it.
The mat was almost as austere in design as Mr. Angeles' own, and it had
a name. There was no symbol or device above the name; only a blank space,
emptiness.
The children knew the name. But somehow the name, the letters spelling
the name, seemed strange to them.
Then Nana Emilia found her voice.
"You know, Jaime, you didn't have to," Nana Emilia said, her voice hurt
and surely frightened.
9 Mr. Angeles held his tears back; there was something swift and savage
in the movement.
"Do you think I'd forgotten? Do you think I had forgotten them? Do you
think I could forget them?
"This is for you, Josefina!
"And this is for you, Victoria!
"And this is for you, Concepcion."
Mr. Angeles called the names rather than uttered them.
"Don't, Jaime, please don't," was all that Nana Emilia managed to say.
"Is it fair to forget them? Would it be just to disregard them?" Mr. Angeles
demanded rather than asked.
10 His voice had risen shrill, almost hysterical; it was also stern and sad,
and somehow vindictive. Mr. Angeles had spoken almost as if he were a
stranger.
Also, he had spoken as if from a deep, grudgingly-silent, long-bewildered
sorrow.

The children heard the words exploding in the silence. They wanted to turn
away and not see the face of their father. But they could neither move nor look
away; his eyes held them, his voice held them where they were. They seemed
rooted to the spot.
Nana Emilia shivered once or twice, bowed her head, gripped her clasped
hands between her thighs.
There was a terrible hush. The remaining mats were unfolded in silence.
The names which were with infinite slowness revealed, seemed strange and
stranger still; the colors not bright but deathly dull; the separate letters, spelling
out the names of the dead among them, did not seem to glow or shine with a
festive sheen as did the other living names.
You will now reread the selection and be ready for discussion regarding
Total Recall and Check Point.
Task 1. Check Point
Answer the following questions .Write your answers in your notebook.
1. What presents did Mr.Angeles bring home for the family?
2. What made these mats special and unique?
3. How were the last three mats different from the rest?
4. What was the effect of death on the Angeles family?
5. If you were a member of Angeles family, can you cite an example how
your parents treated you?

Now that you have fully understood the selection The Mats, let us now
proceed to the next activity.
Task 1. We Are Family
 Describe the relationship among the members of the Angeles family

using a diagram.
 Include the following details:

a. Names of the family members
b. Relationship to each other
c. Qualities or characteristics
d. Attitudes/reactions towards the members
e. Family issues
Diagram of a family tree.
Good job! You have accomplished the family tree.

Now, you will proceed to the grammar lesson.

Task 2. As You Like It
1. Read the following sentences and take note of the underlined phrases.
a. Talk about the mats flared up again like wildfire.
b. To the children it seemed as new as the first time it was spread

before them.
c. The mat was almost as austere in design as Mr. Angeles' own,

and it had a name.
d. The separate letters, spelling out the names of the dead among
them, did not seem glow or shine with a festive sheen as did the
other living names.
2. Answer the following questions in your notebook.
a. What two items are being compared in each sentence?
b. What words or expressions are used to compare them?
c. How does simile make a sentence more meaningful?
Simile is a figure of speech that uses the word like or as to describe someone
or something else that is similar.
3. Compare and contrast the following people with objects. Use as and
like in your sentences. Be imaginative.
a. Your best friend
b. Your favorite artist
c. A political figure
d. A modern hero
e. You
Now enjoy doing your activity by simply

differentiating the source of information.
Task 1. Nothing But the Truth
1. When conducting research, what library sources do you use?
2. Below are different sources of information, Group them into two. The first
two items are done for you.

interviews books
experiments encyclopedia magazines

newspapers observations questionnaires
speeches computer software documents
3. What is the common characteristic of the sources in the first column? in

the second column?
4. What is the importance of primary sources in doing research?
5. When are secondary sources used?

Use simile in accomplishing any of the following tasks:
a. Assume that you are Mr. Angeles. Make a travelogue about your
trips in the Philippines. (A travelogue is a piece of writing about
someone’s experiences while travelling.)
b. Write a journal entry regarding personal experiences of losing a

loved one or facing difficult situation. (A journal is a diary or book of
personal experiences.)
c. Write a personal letter to Mr. Angeles expressing your sympathy

and encouragement. (A letter is a written message to someone.)
Criteria for evaluation:

1. Content (complexity and originality of ideas) 5 points
2. Organization (logical sequence of ideas) 5 points
3. Language (use of similes) 5 points
4. Mechanics (indention, capitalization,
and punctuation) 5 points
_________
20 points
Congratulations! You are able to finish the second module.

You can now proceed to the next lesson. Get ready…

Reconciling the Past and the Present
This lesson makes you understand the importance of relationships and

decision-making in relation to societal norms. As you weave the old and the
new, you must be able to:
1. identify terms that express local color and use them to better
understand a text;
2. note specific words or expressions that signal or emphasize crucial

details in the narrative listened to;
3. express agreement or disagreement on ideas presented in the

selection;
4. identify and use analogy when comparing and contrasting;
5. use predictive and anticipatory devices about the topic of reading

selection;
6. use information presented in a reading selection to infer, evaluate,

and express critical ideas;
7. use varied noun complementation forms.
Good luck as you

begin this module!

Before you proceed to the activities found in this module, do the pre-test
below:
PRE TEST
Encircle the letter of the option which is synonymous to the underlined word
in the sentence.
1. Maria is a typical city woman.

a. artistic c. genius
b. immature d. normal
2. My best friend writes a narrative.

a. Dance c. song
b. figure d. story
3. Make a travel brochure.

a. leaflet d. story
b. bible c. song
4. Biodata is a crucial document.

a. Important c. old
b. final d. simple
5. Mount Mayon is a scenic spot.

a. Beautiful c. dangerous
b. Big d. small
6. A _______ is a part of speech containing an implied comparison.

a. Irony c. paradox
b. Metaphor d. simile
7. The world is a stage.. is an example of

a. Irony c. paradox

Let’s get started with the initial tasks.
Let’s start the module by using your wild imagination and drawing skill
in the given activity.
Task 1. Password
Draw the following in a white cartolina.

a. caretela e. saw-tooth rim of the hills
b. calesa f. coconut husk
c. camino real g. sinta
d. papayas in bloom
1. Study the following words and tell what they represent.

a. Ca Celin f. Leon
b. Baldo g. Hoy!
c. Labang h. Waig
d. Manang/Manong i. Lacay Julian
e. Maria
2. Read through again the sets of words in numbers 1 and 2.

a. What is common among them?
b. In what context are they usually used?
c. What does local color do when telling a story and describing a place,
person, object, or event?
Task 2. Once in a Lifetime
1. What do Filipinos usually consider in choosing a lifetime partner? Make

a list of these considerations and rank them according to importance.
2. Find out if these considerations are also observed by Noel and his family.
Well you’ve done the given activities properly. Let us now proceed to
the listening activity.

Task 3: Father and Son
(This will be given during the face to face encounter with the facilitator)
1. Listen as your classmates read the dialogue between Baldo and his
father.
2. Take note of words or expressions that emphasize crucial or important

details.
You’re done with the task. Be ready now for the reading
selection. So as you read, find out how Maria pass through the test
of Leon’s family.
How My Brother Leon Brought Home a Wife

by Manuel Arguilla
(an excerpt)
There was no light in Father's room. There was no movement. He

sat in the big armchair by the western window, and a star shone directly
through it. He was smoking, but he removed the roll of tobacco from his
mouth when he saw me. He laid it carefully on the windowsill before
speaking.
"Did you meet anybody on the way?" he asked.

"No, Father," I said. "Nobody passes through the Waig at night."
He reached for his roll of tobacco and hitched himself up in the
chair.
"She is very beautiful, Father."
"Was she afraid of Labang?" My father had not raised his voice, but
the room seemed to resound with it. And again I saw her eyes on the
long curving horns and the arm of my brother Leon around her
shoulders.
"No, Father, she was not afraid."
"On the way---"
"She looked at the stars, Father. And Manong Leon sang."

"What did he sing?"
"---Sky Sown with Stars... She sang with him."
He was silent again. I could hear the low voices of Mother and my
sister Aurelia downstairs. There was also the voice of my brother Leon,
and I thought that Father's voice must have been like it when Father was
young. He had laid the roll of tobacco on the windowsill once more. I
watched the smoke waver faintly upward from the lighted end and vanish
slowly into the night outside.
Task 1. Checkmate
Answer the following questions. Do this in your notebook.
1. Who were Baldo and his father talking about?
2. How did Baldo describe the woman?
3. What was the reaction of the father regarding the woman? Cite details.
4. What was the relationship of the woman to Manong Leon? Say the lines
that indicate the relationship.
5. Find out the whole story behind the dialogue. Read “How My Brother
Leon Brought Home a Wife” by Manuel Arguilla.
Now that you have already an idea about the selection. You may now
continue exploring the whole story by reading the next part of it.
She stepped down from the carretela of Ca Celin with a quick,

delicate grace. She was lovely. She was tall. She looked up to my
brother with a smile, and her forehead was on a level with his mouth.
"You are Baldo," she said and placed her hand lightly on my
shoulder. Her nails were long, but they were not painted. She was
fragrant like a morning when papayas are in bloom. And a small dimple
appeared momently high on her right cheek. "And this is Labang of
whom I have heard so much." She held the wrist of one hand with the
other and looked at Labang, and Labang never stopped chewing his
cud. He swallowed and brought up to his mouth more cud and the sound
of his insides was like a drum.

I laid a hand on Labang's massive neck and said to her: "You may
scratch his forehead now."
She hesitated and I saw that her eyes were on the long, curving
horns. But she came and touched Labang's forehead with her long
fingers, and Labang never stopped chewing his cud except that his big
eyes half closed. And by and by she was scratching his forehead very
daintily.
My brother Leon put down the two trunks on the grassy side of the
road. He paid Ca Celin twice the usual fare from the station to the edge
of Nagrebcan. Then he was standing beside us, and she turned to him
eagerly. I watched Ca Celin, where he stood in front of his horse, and
he ran his fingers through its forelock and could not keep his eyes away
from her.
"Maria---" my brother Leon said.
He did not say Maring. He did not say Mayang. I knew then that he
had always called her Maria and that to us all she would be Maria; and
in my mind I said 'Maria' and it was a beautiful name.
"Yes, Noel."
Now where did she get that name? I pondered the matter quietly to
myself, thinking Father might not like it. But it was only the name of my
brother Leon said backward and it sounded much better that way.
"There is Nagrebcan, Maria," my brother Leon said, gesturing
widely toward the west.
She moved close to him and slipped her arm through his. And after
a while she said quietly.
"You love Nagrebcan, don't you, Noel?"
Ca Celin drove away hi-yi-ing to his horse loudly. At the bend of the
camino real where the big duhat tree grew, he rattled the handle of his
braided rattan whip against the spokes of the wheel.
We stood alone on the roadside.
The sun was in our eyes, for it was dipping into the bright sea. The
sky was wide and deep and very blue above us: but along the saw-tooth
rim of the Katayaghan hills to the southwest flamed huge masses of
clouds. Before us the fields swam in a golden haze through which floated
big purple and red and yellow bubbles when I looked at the sinking sun.
Labang's white coat, which I had washed and brushed that morning with
coconut husk, glistened like beaten cotton under the lamplight and his
horns appeared tipped with fire.

He faced the sun and from his mouth came a call so loud and
vibrant that the earth seemed to tremble underfoot. And far away in the
middle of the field a cow lowed softly in answer.
"Hitch him to the cart, Baldo," my brother Leon said, laughing, and
she laughed with him a big uncertainly, and I saw that he had put his
arm around her shoulders.
"Why does he make that sound?" she asked. "I have never heard
the like of it."
"There is not another like it," my brother Leon said. "I have yet to
hear another bull call like Labang. In all the world there is no other bull
like him."
She was smiling at him, and I stopped in the act of tying the sinta
across Labang's neck to the opposite end of the yoke, because her teeth
were very white, her eyes were so full of laughter, and there was the
small dimple high up on her right cheek.
"If you continue to talk about him like that, either I shall fall in love
with him or become greatly jealous."
My brother Leon laughed and she laughed and they looked at each
other and it seemed to me there was a world of laughter between them
and in them.
I climbed into the cart over the wheel and Labang would have
bolted, for he was always like that, but I kept a firm hold on his rope. He
was restless and would not stand still, so that my brother Leon had to
say "Labang" several times. When he was quiet again, my brother Leon
lifted the trunks into the cart, placing the smaller on top.
She looked down once at her high-heeled shoes, then she gave
her left hand to my brother Leon, placed a foot on the hub of the wheel,
and in one breath she had swung up into the cart. Oh, the fragrance of
her. But Labang was fairly dancing with impatience and it was all I could
do to keep him from running away.
"Give me the rope, Baldo," my brother Leon said. "Maria, sit down
on the hay and hold on to anything." Then he put a foot on the left shaft
and that instand labang leaped forward. My brother Leon laughed as he
drew himself up to the top of the side of the cart and made the slack of
the rope hiss above the back of labang. The wind whistled against my
cheeks and the rattling of the wheels on the pebbly road echoed in my
ears.

She sat up straight on the bottom of the cart, legs bent together to
one side, her skirts spread over them so that only the toes and heels of
her shoes were visible. her eyes were on my brother Leon's back; I saw
the wind on her hair. When Labang slowed down, my brother Leon
handed to me the rope. I knelt on the straw inside the cart and pulled on
the rope until Labang was merely shuffling along, then I made him turn
around.
"What is it you have forgotten now, Baldo?" my brother Leon said.
I did not say anything but tickled with my fingers the rump of
Labang; and away we went---back to where I had unhitched and waited
for them. The sun had sunk and down from the wooded sides of the
Katayaghan hills shadows were stealing into the fields. High up
overhead the sky burned with many slow fires.
When I sent Labang down the deep cut that would take us to the
dry bed of the Waig which could be used as a path to our place during
the dry season, my brother Leon laid a hand on my shoulder and said
sternly:
"Who told you to drive through the fields tonight?"
His hand was heavy on my shoulder, but I did not look at him or
utter a word until we were on the rocky bottom of the Waig.
"Baldo, you fool, answer me before I lay the rope of Labang on you.
Why do you follow the Waig instead of the camino real?"
His fingers bit into my shoulder.
"Father, he told me to follow the Waig tonight, Manong."
Swiftly, his hand fell away from my shoulder and he reached for the
rope of Labang. Then my brother Leon laughed, and he sat back, and
laughing still, he said:
"And I suppose Father also told you to hitch Labang to the cart and
meet us with him instead of with Castano and the calesa."
Without waiting for me to answer, he turned to her and said, "Maria,

why do you think Father should do that, now?" He laughed and added,
"Have you ever seen so many stars before?"
I looked back and they were sitting side by side, leaning against
the trunks, hands clasped across knees. Seemingly, but a man's height
above the tops of the steep banks of the Wait, hung the stars. But in the
deep gorge the shadows had fallen heavily, and even the white of

Labang's coat was merely a dim, grayish blur. Crickets chirped from their
homes in the cracks in the banks. The thick, unpleasant smell of dangla
bushes and cooling sun-heated earth mingled with the clean, sharp
scent of arrais roots exposed to the night air and of the hay inside the
cart.
"Look, Noel, yonder is our star!" Deep surprise and gladness were
in her voice. Very low in the west, almost touching the ragged edge of
the bank, was the star, the biggest and brightest in the sky.
"I have been looking at it," my brother Leon said. "Do you
remember how I would tell you that when you want to see stars you must
come to Nagrebcan?"
"Yes, Noel," she said. "Look at it," she murmured, half to herself.
"It is so many times bigger and brighter than it was at Ermita beach."
"The air here is clean, free of dust and smoke."
"So it is, Noel," she said, drawing a long breath.
"Making fun of me, Maria?"
She laughed then and they laughed together and she took my
brother Leon's hand and put it against her face.
I stopped Labang, climbed down, and lighted the lantern that hung
from the cart between the wheels.
"Good boy, Baldo," my brother Leon said as I climbed back into the
cart, and my heart sant.
Now the shadows took fright and did not crowd so near. Clumps of
andadasi and arrais flashed into view and quickly disappeared as we
passed by. Ahead, the elongated shadow of Labang bobbled up and
down and swayed drunkenly from side to side, for the lantern rocked
jerkily with the cart.
"Have we far to go yet, Noel?" she asked.
"Ask Baldo," my brother Leon said, "we have been neglecting him."
"I am asking you, Baldo," she said.
Without looking back, I answered, picking my words slowly:

"Soon we will get out of the Wait and pass into the fields. After the
fields is home---Manong."
"So near already."
I did not say anything more because I did not know what to make
of the tone of her voice as she said her last words. All the laughter
seemed to have gone out of her. I waited for my brother Leon to say
something, but he was not saying anything. Suddenly he broke out into
song and the song was 'Sky Sown with Stars'---the same that he and
Father sang when we cut hay in the fields at night before he went away
to study. He must have taught her the song because she joined him, and
her voice flowed into his like a gentle stream meeting a stronger one.
And each time the wheels encountered a big rock, her voice would catch
in her throat, but my brother Leon would sing on, until, laughing softly,
she would join him again.
Then we were climbing out into the fields, and through the spokes
of the wheels the light of the lantern mocked the shadows. Labang
quickened his steps. The jolting became more frequent and painful as
we crossed the low dikes.
"But it is so very wide here," she said. The light of the stars broke
and scattered the darkness so that one could see far on every side,
though indistinctly.
"You miss the houses, and the cars, and the people and the noise,
don't you?" My brother Leon stopped singing.
"Yes, but in a different way. I am glad they are not here."
With difficulty I turned Labang to the left, for he wanted to go

straight on. He was breathing hard, but I knew he was more thirsty than
tired. In a little while we drope up the grassy side onto the camino real.
"---you see," my brother Leon was explaining, "the camino real

curves around the foot of the Katayaghan hills and passes by our house.
We drove through the fields because---but I'll be asking Father as soon
as we get home."
"Noel," she said.
"Yes, Maria."
"I am afraid. He may not like me."

"Does that worry you still, Maria?" my brother Leon said. "From the
way you talk, he might be an ogre, for all the world. Except when his leg
that was wounded in the Revolution is troubling him, Father is the
mildest-tempered, gentlest man I know."
We came to the house of Lacay Julian and I spoke to Labang

loudly, but Moning did not come to the window, so I surmised she must
be eating with the rest of her family. And I thought of the food being
made ready at home and my mouth watered. We met the twins, Urong
and Celin, and I said "Hoy!" calling them by name. And they shouted
back and asked if my brother Leon and his wife were with me. And my
brother Leon shouted to them and then told me to make Labang run;
their answers were lost in the noise of the wheels.
I stopped labang on the road before our house and would have
gotten down but my brother Leon took the rope and told me to stay in
the cart. He turned Labang into the open gate and we dashed into our
yard. I thought we would crash into the camachile tree, but my brother
Leon reined in Labang in time. There was light downstairs in the kitchen,
and Mother stood in the doorway, and I could see her smiling shyly. My
brother Leon was helping Maria over the wheel. The first words that fell
from his lips after he had kissed Mother's hand were:
"Father... where is he?"
"He is in his room upstairs," Mother said, her face becoming

serious. "His leg is bothering him again."
I did not hear anything more because I had to go back to the cart
to unhitch Labang. But I hardly tied him under the barn when I heard
Father calling me. I met my brother Leon going to bring up the trunks.
As I passed through the kitchen, there were Mother and my sister Aurelia
and Maria and it seemed to me they were crying, all of them.
There was no light in Father's room. There was no movement. He

sat in the big armchair by the western window, and a star shone directly
through it. He was smoking, but he removed the roll of tobacco from his
mouth when he saw me. He laid it carefully on the windowsill before
speaking.
"Did you meet anybody on the way?" he asked.
"No, Father," I said. "Nobody passes through the Waig at night."
He reached for his roll of tobacco and hitched himself up in the

chair.

"She is very beautiful, Father."
"Was she afraid of Labang?" My father had not raised his voice, but
the room seemed to resound with it. And again I saw her eyes on the
long curving horns and the arm of my brother Leon around her
shoulders.
"No, Father, she was not afraid."
"On the way---"
"She looked at the stars, Father. And Manong Leon sang."
"What did he sing?"
"---Sky Sown with Stars... She sang with him."
He was silent again. I could hear the low voices of Mother and my
sister Aurelia downstairs. There was also the voice of my brother Leon,
and I thought that Father's voice must have been like it when Father was
young. He had laid the roll of tobacco on the windowsill once more. I
watched the smoke waver faintly upward from the lighted end and vanish
slowly into the night outside.
The door opened and my brother Leon and Maria came in.
"Have you watered Labang?" Father spoke to me.
I told him that Labang was resting yet under the barn.
"It is time you watered him, my son," my father said.
I looked at Maria and she was lovely. She was tall. Beside my
brother Leon, she was tall and very still. Then I went out, and in the
darkened hall the fragrance of her was like a morning when papayas are
in bloom.

Now that you have read the whole story, you can now answer the
comprehension questions. Write your answers in your notebook. Let us see if
you have fully understood the selection.
Task 1. First Impressions
1. What are your ideas about city women?
2. Is Maria a typical city woman? Illustrate her based on what Baldo had
seen from their first meeting to their arrival at home.
3. Will Maria a good wife for Leon? Justify your agreement or disagreement
by citing lines/details/events in the story.
Task 2. Rite of Passage
Trace their journey into a form of three-five frame comic strip showing
how Maria successfully undergone the test of Baldo’s family.
Task 3. Mirror Image
1. Complete the following phrases. Get your answers from the selection.
Example: white is to good as black is to evil .Do this in your notebook.
a. fragrance is to sweet as _________ is to papayas in bloom
b. Nagrebcan is to sky sown with stars as Ermita beach is to

__________
c. cars and noise are to city as clean air, free of dust and smoke is
to_________
d. Maria is to __________ as Noel is to _________
e. call of Labang is to earth trembling underfoot as _________ is to a

drum

2. Answer the following questions in your notebook.
a. What two items are being compared in each phrase?
b. Why are these items compared?
c. What words are used to show this comparison?
d. The given phrases are examples of analogy. How do you define

analogy?
You have learned that analogy is a comparison between two things

on the basis of their structure and for the purpose of explanation or
clarification. Here are examples: Shoe is to foot as tire is to
wheel…..Citizen is to president as solar is to galaxy…..sword is to
warrior as pen is to writer. Now, you are about to write a scenic spot
using analogy.
3. Look for a scenic spot in the Philippines. Study it and write descriptive
sentences using analogy. Bring the scenic spot that you used in doing
this activity when you report in the school.
After completing the writing activity, you will now have the
grammar lesson on noun complementation.
Task 4. Paint Me a Picture

(This activity can be done during face to face encounter with the
facilitator.)
Study the sentences and find out the relationship between the bold and
italicized words.
a. There was a world of laughter between them and in them.

b. Crickets chirped from their homes in the cracks in the banks.
c. Father gave instructions to pass the Waig and into the fields
instead of the camino real.
d. Labang‘s white coat, which I had washed and brushed that
morning, glistened like beaten cotton.
1. What is being modified in by the groups of words of laughter? in

the cracks? to pass the Waig and into the fields? which I had
washed and brushed that morning?
2. How are these modifiers or complements formed?
Grade 7 English OHSP Learning Package l 131

3. What do noun complements do in sentences?
4. Look for examples of noun complements in the story. Identify their

forms using the table below. Before you do this, be guided by the
following pointers on noun complement.
A noun complement functions as the subject of a sentence or a clause,

and as the object of a verb or a preposition.
Forms of noun complement:

1. Prepositional Phrase-is made up of preposition and its object that
relates a noun.
Example: The light of the stars broke and scattered.
2. Infinitives-is made up of two words “to + base form of the verb”

that relates a noun.
Example: My goal to finish the task is possible with your help.
3. Clauses-is attached to a preceding noun which is commonly

introduced by which, that, and who.
Example: The man who sat in the big armchair was his father.
Now, do the activity.
Prepositional Phrases Infinitives Clauses

I know you enjoyed a lot doing different activities. Let’s try if you
are really good at this final activity. Keep going.
Task 1: A Slice of Life
1. Think of an experience when expectations of loved ones like family or of

society are not met.
2. What were these expectations?
3. Why were you not able to fulfill them?
4. How did your decision affect your relationship with these people?
You also have reached the final part of this lesson and widened
awareness about our past .You have done a terrific job, so keep it going
as you discover the power of love in the next module.
Congratulations!!

Loving is Giving
1. Draw out the message of a song listened to.

2. Compare and contrast the emotion of the song.
3. Express differing views on when love is worth fighting for.
4. Establish a familiar ground on tribal culture.
5. Use information presented in a creation story to infer, to evaluate, and to
express critical ideas.
6. Determine the purpose of irony in a story.
7. Create a travelogue.
8. Use varied verb complementation forms.
9. Express creatively perspectives on a significant human experience drawn
out from the discussions.
Are you eager to get started? As you do the following activities, pay
attention to the skills that can help you study and learn more about that
loving is also giving.
Good luck as you

begin this module!

Do the pre-test below:
PRE TEST
Encircle the letter of the option which is synonymous to the underlined word in
the sentence.
1. A __________is a word that shows an action or state of being.

a. adjective b. noun c. pronoun d. verb
2. The story speaks of love and sacrifice. What is the verb used in the
sentence?
a. love b. sacrifice c. speaks d. story
3. He buried out into the night. What is the verb used in the sentence?
a. buried b. he c. night d. out
4. She took herself away from him. The underlined word is a

a. pronoun b. verb c. noun d. adjective
5. _______is the use of words to convey a meaning that is the

opposite of its literal meaning.
This will be done during face to face encounter with the facilitator.
Do you love singing or do you love listening to a song? You will now
listen to a love song which I think you are already familiar with. Enjoy listening
and be ready to share your insights.
Task 1. Sit Back, Relax, and Relish the Music

There are a lot of songs that take you somewhere back to your past. It
may be a past experience from your life or a past experience from a story you
have seen in a film or you have read from a book. Songs may even bring you
back from the stories told to you by a family member or a close friend.

Listen to the song (and glance at its lyrics) and you may:
1. take down words that caught your attention;

2. draw images which you could associate with the song;
3. write big words which may represent the emotion caught by the song;
4. enumerate as many feelings that the song may draw out from you; and
5. write your responses in your notebook.
I Don’t Want You to Go

(Music Version: By Kyla; MTV Direction:
TrebMonteras II fromhttp://www.lyricsmode.com/lyrics© 2012
Here I am
Alone and I don't understand
Exactly how it all began
The dream just walked away
I'm holding on
When all but the passion's gone
And from the start

Maybe I was tryin' too hard
It's crazy coz it's breakin' my heart
Things can fall apart but I know,
That I don't want you to go
And heroes die,

When they ignore the cause inside
But they learn from what's left behind
And fight for something else
And so it goes
That we have both learned how to grow
[ Ly
And from the start
Maybe we were tryin' too hard
It's crazy coz it's breakin' our heart
That I don't want you to goricom:
Oh it's just too much
Takin' all the whole world all by myself
But it's not enough Unless I stop trusting somebody else,
Somebody else
And love again
And from the start

Maybe we were tryin' too hard
It's crazy coz it's breakin' our hearts

That I don't want you to go, no
Maybe we were tryin' to hard
It's crazy coz it's breakin' our hearts
That I don't want you to go
Oh no, don't want you to go
1. What was the message of the persona in the song? Write T (True) if you
agree with the statement and F (False) if you disagree. Write your answer in
your notebook.
_____ 1. The persona in the song expresses the pain of letting go.
_____ 2.The persona, too, has let go of the relationship.
_____ 3. The persona is aware of how things will go in the end.
_____ 4. The persona and the beloved have grown by letting go.
_____ 5. The persona is ready to love again.
2. Express your opinion why sometimes people who love each other have to say
goodbye. You can take lines from the song to support your views. Write your
views in three-five sentences.
After doing the listening activity, you will now proceed to the reading activity.
HOMEWORK:
1. Read the story Wedding Dance by Amador Daguio
2. Note down important details about the selection.

Wedding Dance
By Amador Daguio
1Awiyao reached for the upper horizontal log which served as the edge
of the head high threshold. Clinging to the log, he lifted himself with one bound
that carried him across to the narrow door. He slid back the cover, stepped
inside, then pushed the cover back in place. After some moments during which
he seemed to wait, he talked to the listening darkness.
2"I'm sorry this had to be done. I am really sorry. But neither of us can
help it."
3
The sound of the gangsas beat through the walls of the dark house like
muffled roars of falling waters. The woman who had moved with a start when
the sliding door opened had been hearing the gangsas for she did not know
how long. There was a sudden rush of fire in her. She gave no sign that she
heard Awiyao, but continued to sit unmoving in the darkness.
4But Awiyao knew that she heard him and his heart pitied her. He
crawled on all fours to the middle of the room; he knew exactly where the stove
was. With bare fingers he stirred the covered smoldering embers, and blew into
the stove. When the coals began to glow, Awiyao put pieces of pine on them,
then full round logs as his arms. The room brightened.
5"Why don't you go out," he said, "and join the dancing women?" He felt
a pang inside him, because what he said was really not the right thing to say
and because the woman did not stir. "You should join the dancers," he said,
"as if--as if nothing had happened." He looked at the woman huddled in a corner
of the room, leaning against the wall. The stove fire played with strange moving
shadows and lights upon her face. She was partly sullen, but her sullenness
was not because of anger or hate.
6
"Go out--go out and dance. If you really don't hate me for this
separation, go out and dance. One of the men will see you dance well; he will
like your dancing; he will marry you. Who knows but that, with him, you will be
luckier than you were with me."
7"I don't want any man," she said sharply. "I don't want any other man."

8He felt relieved that at least she talked: "You know very well that I won't
want any other woman either. You know that, don't you? Lumnay, you know it,
don't you?"
9She did not answer him.
"You know it Lumnay, don't you?" he repeated.
"Yes, I know," she said weakly.
10"It
is not my fault," he said, feeling relieved. "You cannot blame me; I
have been a good husband to you."
11"Neither can you blame me," she said. She seemed about to cry.
12"No, you have been very good to me. You have been a good wife. I
have nothing to say against you." He set some of the burning wood in place.
"It's only that a man must have a child. Seven harvests is just too long to wait.
Yes, we have waited too long. We should have another chance before it is too
late for both of us."
13This time the woman stirred, stretched her right leg out and bent her
left leg in. She wound the blanket more snugly around herself.
14"You
know that I have done my best," she said. "I have prayed to
Kabunyan much. I have sacrificed many chickens in my prayers."
"Yes, I know."
15"You remember how angry you were once when you came home from
your work in the terrace because I butchered one of our pigs without your
permission? I did it to appease Kabunyan, because, like you, I wanted to have
a child. But what could I do?"
16"Kabunyan does not see fit for us to have a child," he said. He stirred
the fire. The spark rose through the crackles of the flames. The smoke and soot
went up the ceiling.
18Lumnay looked down and unconsciously started to pull at the rattan

that kept the split bamboo flooring in place. She tugged at the rattan flooring.
Each time she did this the split bamboo went up and came down with a slight
rattle. The gong of the dancers clamorously called in her care through the walls.
19Awiyao went to the corner where Lumnay sat, paused before her,
looked at her bronzed and sturdy face, then turned to where the jars of water

stood piled one over the other. Awiyao took a coconut cup and dipped it in the
top jar and drank. Lumnay had filled the jars from the mountain creek early
that evening.
"I came home," he said. "Because I did not find you among the dancers.
Of course, I am not forcing you to come, if you don't want to join my wedding
ceremony. I came to tell you that Madulimay, although I am marrying her, can
never become as good as you are. She is not as strong in planting beans, not
as fast in cleaning water jars, not as good keeping a house clean. You are one
of the best wives in the whole village."
"That has not done me any good, has it?" She said. She looked at him
lovingly. She almost seemed to smile.
He put the coconut cup aside on the floor and came closer to her. He
held her face between his hands and looked longingly at her beauty. But her
eyes looked away.
Never again would he hold her face. The next day she would not be his
anymore. She would go back to her parents. He let go of her face, and she bent
to the floor again and looked at her fingers as they tugged softly at the split
bamboo floor.
23"This house is yours," he said. "I built it for you. Make it your own, live
in it as long as you wish. I will build another house for Madulimay."
"I have no need for a house," she said slowly. "I'll go to my own house.
My parents are old. They will need help in the planting of the beans, in the
pounding of the rice."
24"Iwill give you the field that I dug out of the mountains during the first
year of our marriage," he said. "You know I did it for you. You helped me to
make it for the two of us."
"I have no use for any field," she said.
He looked at her, then turned away, and became silent. They were silent
for a time.
25"Goback to the dance," she said finally. "It is not right for you to be
here. They will wonder where you are, and Madulimay will not feel good. Go
back to the dance."
26"I
would feel better if you could come, and dance---for the last time.
The gangsas are playing."

"You know that I cannot."
27"Lumnay," he said tenderly. "Lumnay, if I did this it is because of my

need for a child. You know that life is not worth living without a child. The men
have mocked me behind my back. You know that."
"I know it," she said. "I will pray that Kabunyan will bless you and
Madulimay."
She bit her lips now, then shook her head wildly, and sobbed.
She thought of the seven harvests that had passed, the high hopes they
had in the beginning of their new life, the day he took her away from her parents
across the roaring river, on the other side of the mountain, the trip up the trail
which they had to climb, the steep canyon which they had to cross. The waters
boiled in her mind in forms of white and jade and roaring silver; the waters tolled
and growled, resounded in thunderous echoes through the walls of the stiff
cliffs; they were far away now from somewhere on the tops of the other ranges,
and they had looked carefully at the buttresses of rocks they had to step on---
a slip would have meant death.
They both drank of the water then rested on the other bank before they
made the final climb to the other side of the mountain.
She looked at his face with the fire playing upon his features---hard and
strong, and kind. He had a sense of lightness in his way of saying things which
often made her and the village people laugh. How proud she had been of his
humor. The muscles where taut and firm, bronze and compact in their hold
upon his skull---how frank his bright eyes were. She looked at his body the
carved out of the mountains five fields for her; his wide and supple torso heaved
as if a slab of shining lumber were heaving; his arms and legs flowed down in
fluent muscles--he was strong and for that she had lost him.
32She flung herself upon his knees and clung to them. "Awiyao, Awiyao,
my husband," she cried. "I did everything to have a child," she said passionately
in a hoarse whisper. "Look at me," she cried. "Look at my body. Then it was full
of promise. It could dance; it could work fast in the fields; it could climb the
mountains fast. Even now it is firm, full. But, Awiyao, I am useless. I must die."
33"It
will not be right to die," he said, gathering her in his arms. Her whole
warm naked naked breast quivered against his own; she clung now to his neck,
and her hand lay upon his right shoulder; her hair flowed down in cascades of
gleaming darkness.
34"I don't care about the fields," she said. "I don't care about the house.
I don't care for anything but you. I'll have no other man."

"Then you'll always be fruitless."
35"I'll go back to my father, I'll die."
"Then you hate me," he said. "If you die it means you hate me. You do
not want me to have a child. You do not want my name to live on in our tribe."
She was silent.
36"If
I do not try a second time," he explained, "it means I'll die. Nobody
will get the fields I have carved out of the mountains; nobody will come after
me."
37"If
you fail--if you fail this second time--" she said thoughtfully. The
voice was a shudder. "No--no, I don't want you to fail."
38
"If I fail," he said, "I'll come back to you. Then both of us will die
together. Both of us will vanish from the life of our tribe."
39The gongs thundered through the walls of their house, sonorous and
faraway.
40"I'll
keep my beads," she said. "Awiyao, let me keep my beads," she
half whispered.
"You will keep the beads. They come from far-off times. My grandmother
said they come from up North, from the slant-eyed people across the sea. You
keep them,
Lumnay. They are worth twenty fields."
"I'll keep them because they stand for the love you have for me," she
said. "I love you. I love you and have nothing to give."
41She took herself away from him, for a voice was calling out to him
from outside. "Awiyao! Awiyao! O Awiyao! They are looking for you at the
dance!"
"I am not in hurry."
"The elders will scold you. You had better go."
"Not until you tell me that it is all right with you."
42"It is all right with me."

He clasped her hands. "I do this for the sake of the tribe," he said.
"I know," she said.
He went to the door.
43"Awiyao!"
44He stopped as if suddenly hit by a spear. In pain he turned to her. Her

face was in agony. It pained him to leave. She had been wonderful to him. What
was it that made a man wish for a child? What was it in life, in the work in the
field, in the planting and harvest, in the silence of the night, in the communing
with husband and wife, in the whole life of the tribe itself that made man wish
for the laughter and speech of a child? Suppose he changed his mind? Why
did the unwritten law demand, anyway, that a man, to be a man, must have a
child to come after him? And if he was fruitless--but he loved Lumnay. It was
like taking away of his life to leave her like this.
45"Awiyao," she said, and her eyes seemed to smile in the light. "The
beads!" He turned back and walked to the farthest corner of their room, to the
trunk where they kept their worldly possession---his battle-ax and his spear
points, her betel nut box and her beads. He dug out from the darkness the
beads which had been given to him by his grandmother to give to Lumnay on
the beads on, and tied them in place. The white and jade and deep orange
obsidians shone in the firelight. She suddenly clung to him, clung to his neck
as if she would never let him go.
"Awiyao! Awiyao, it is hard!" She gasped, and she closed her eyes and
buried her face in his neck.
The call for him from the outside repeated; her grip loosened, and he
buried out into the night.
Lumnay sat for some time in the darkness. Then she went to the door
and opened it. The moonlight struck her face; the moonlight spilled itself on the
whole village.
She could hear the throbbing of the gangsas coming to her through the
caverns of the other houses. She knew that all the houses were empty that the
whole tribe was at the dance. Only she was absent. And yet was she not the
best dancer of the village? Did she not have the most lightness and grace?
Could she not, alone among all women, dance like a bird tripping for grains on
the ground, beautifully timed to the beat of the gangsas? Did not the men praise
her supple body, and the women envy the way she stretched her hands like the
wings of the mountain eagle now and then as she danced? How long ago did

she dance at her own wedding? Tonight, all the women who counted, who
once danced in her honor, were dancing now in honor of another whose only
claim was that perhaps she could give her husband a child.
50
"It is not right. It is not right!" she cried. "How does she know? How
can anybody know? It is not right," she said.
51Suddenly she found courage. She would go to the dance. She would
go to the chief of the village, to the elders, to tell them it was not right. Awiyao
was hers; nobody could take him away from her. Let her be the first woman to
complain, to denounce the unwritten rule that a man may take another woman.
She would tell Awiyao to come back to her. He surely would relent. Was not
their love as strong as the river?
52She made for the other side of the village where the dancing was.
There was a flaming glow over the whole place; a great bonfire was burning.
The gangsas clamored more loudly now, and it seemed they were calling to
her. She was near at last. She could see the dancers clearly now. The man
leaped lightly with their gangsas as they circled the dancing women decked in
feast garments and beads, tripping on the ground like graceful birds, following
their men. Her heart warmed to the flaming call of the dance; strange heat in
her blood welled up, and she started to run. But the gleaming brightness of the
bonfire commanded her to stop. Did anybody see her approach? She stopped.
What if somebody had seen her coming? The flames of the bonfire leaped in
countless sparks which spread and rose like yellow points and died out in the
night. The blaze reached out to her like a spreading radiance. She did not have
the courage to break into the wedding feast.
Lumnay walked away from the dancing ground, away from the village.
She thought of the new clearing of beans which Awiyao and she had started to
make only four moons before. She followed the trail above the village.
When she came to the mountain stream she crossed it carefully. Nobody
held her hand, and the stream water was very cold. The trail went up again,
and she was in the moonlight shadows among the trees and shrubs. Slowly
she climbed the mountain.
When Lumnay reached the clearing, she could see from where she
stood the blazing bonfire at the edge of the village, where the wedding was.
She could hear the far-off clamor of the gongs, still rich in their sonorousness,
echoing from mountain to mountain. The sound did not mock her; they seemed
to call far to her, to speak to her in the language of unspeaking love. She felt
the pull of their gratitude for her sacrifice. Her heartbeat began to sound to her
like many gangsas.
56Lumnay though of Awiyao as the Awiyao she had known long ago-- a
strong, muscular boy carrying his heavy loads of fuel logs down the mountains

to his home. She had met him one day as she was on her way to fill her clay
jars with water. He had stopped at the spring to drink and rest; and she had
made him drink the cool mountain water from her coconut shell. After that it did
not take him long to decide to throw his spear on the stairs of her father's house
in token on his desire to marry her.
58
The mountain clearing was cold in the freezing moonlight. The wind
began to stir the leaves of the bean plants. Lumnay looked for a big rock on
which to sit down. The bean plants now surrounded her, and she was lost
among them.
59A few more weeks, a few more months, a few more harvests---what
did it matter? She would be holding the bean flowers, soft in the texture, silken
almost, but moist where the dew got into them, silver to look at, silver on the
light blue, blooming whiteness, when the morning comes. The stretching of the
bean pods full length from the hearts of the wilting petals would go on.
60Lumnay's fingers moved a long, long time among the growing bean
pods.

Now that you have already read the selection, you will perform related
activities. Do these in your notebook.
Task 1. How Ironic!

Have you ever said one thing yet mean another thing? That is so ironic!
It happens often when your teacher asks you if you understood the
discussion then you would reply, “Yes, Sir,” or “Yes, Ma‘am,” when you really
are not so sure you understood. Or when your friend tells you how good the
film was and you would say, “I agree,” yet the expression in your face is so flat.
Write I (Ironic) if the statement of the characters in the story is ironic,

and then explain the meaning behind the ironic statement. If the statement is
not ironic just leave the item blank. Write your answer on a one-whole sheet of
paper.
_____ 1. “Of course, I am not forcing you to come, if you don't want to join
my wedding ceremony.” (Awiyao, Paragraph 20)
___________________________________________________
___________________________________________________
______ 2. “I have no need for a house… I have no use for any field.”
(Lumnay, Paragraphs 23 & 24)
___________________________________________________
___________________________________________________
______ 3. "I will pray that Kabunyan will bless you and Madulimay." She bit
her lips now, then shook her head wildly, and sobbed.
(Lumnay, Paragraphs 27 & 28)
___________________________________________________
___________________________________________________

______ 4. "No--no, I don't want you to fail."
(Lumnay, Paragraph 37)
_______________________________________________
_______________________________________________
_______ 5. "It is all right with me." (Lumnay, Paragraph 42)
________________________________________________
________________________________________________
Based from your answers, how do you define irony? Give at least
three examples.
________________________________________________________
________________________________________________________
________________________________________________________
Keep going…
you know already what is an irony…
That’s good!

Locate information in the selection to determine whether each
statement is true (T) or false (F).
_____ 1. The story says aloud that a man who loves unconditionally
should give up his or her happiness for the beloved.
_____ 2. The title speaks of the dance that happened in the wedding of
Awiyao and Madulimay.
_____ 3. Awiyao and Lumnay still confessed their love for each other in
the midst of their separation.
_____ 4. The presence of darkness in the story symbolizes the sadness in

their hearts in contrast to the glowing coal or wood in the fire
logs that represents their strong and deep love for each other.
_____ 5. The beads given to Lumnay by Awiyao will be given to

Madulimay in the wedding.
_____ 6. Awiyao is more courageous than Lumnay to surrender his love

and take all the hurt that goes with it.
_____ 7. The tribe‘s convention and practice on raising a family bore much
burden to Awiyao and Lumnay.
_____ 8. The gangsas represent the tribe‘s rule and power.
_____ 9. Lumnay is victorious in the end of the story.
_____10. The story speaks of sacrifice and love.
You will now proceed to the grammar lesson on verb complementation.

I’m pretty sure you can make it.

Task 5. Watch Out!
Study the following sentences. Each item has two sentences; one is
with the correct use of verb forms (words that follow the verb) while the other
one has an incorrect use of verb forms. Choose the correct sentence.
_____ 1. a. Lumnay seems having a problem.

b. Lumnay seems to have a problem.
_____ 2. a. Awiyao must start moving on with his life.

b. Awiyao must stop to move on with his life.
_____ 3. a. Awiyao and Lumnay found their love unbroken even

with the tribe‘s intrusion.
b. Awiyao and Lumnay
_____ 4. a. Lumnay explained to end her life.

b. Lumnay explained ending her life.
Verbs have features or complements to determine how many other

words would follow. Many verbs can be followed by:
1. An object;
2. A verb structure; or,
3. An expression that has information about the object (of the verb).
CHECK THE RULES!
So what are these forms or features which may follow the main verb
in the sentence?
1. Verbs followed by one object: the direct object (DO) or the indirect
object (IO).
a. Awiyao asked Lumnay.
b. Awiyao asked a question.
2. Verbs followed by two objects: the indirect object, usually a person,

comes first before the direct object.
a. Awiyao asked Lumnay a question.
b. Awiyao gave her the beads.
Some of the verbs which can be followed by two objects are:

bring, buy, cost, get, give, leave, lend, make, offer, owe, pass, pay,
play, promise, read, refuse, send, show, sing, take, teach, tell, wish,
write.

3. Verbs explain, suggest, and describe are not used with the
structure IO + DO.
a. “Awiyao, please explain your decision to me.’ (DO + IO)
b. “Can you describe a good wedding dance to me?”
Incorrect: “Can you describe me a good wedding dance?”
4. Verbs followed by object + infinitive, rather than by a that-clause

a. “I don‘t want him to go.”
Incorrect: “I don‘t want that he goes.”
b. “We didn‘t allow Awiyao and Lumnay to continue living
together.”
Incorrect: “We didn‘t allow Awiyao and Lumnay that they
continue living together.”
Task 6. It Wasn’t Meant to Be
Tragic love stories happen when people who are so much in love don‘t
end up together. Know about them as you identify the verb feature pattern.
Choose from the patterns below. Write the letter of the correct answer on
the one-half sheet of paper.
A. Verbs followed by one object

B. Verbs followed by two objects
C. Verbs followed by object + infinitive
1. Phantom of the Opera (2004);

______ a. The phantom led us to believe that he loves Christine.
______ b. Christine leaves the Phantom heart-broken when she
goes with Raoul.
2. Ghost (1990)
______ a. Molly and Sam looked like the perfect couple with a
love everyone would dream about.
______ b. Molly has the love of her life taken away from her all
too soon.
3. Titanic (1997)
______ a. It was the ship of dreams and Rose met Jack Dawson.
______ b. Rose never told anyone about Jack until telling her story
of the Titanic.

4. Gone with the Wind (1939)
______ a. Scarlet and Rhett were made for each other.
______ b. Scarlet realizes that she loves Rhett, but it’s too late.
5. The Bridges of Madison Country (1995)

______ a. The film shows us how love can really catch you off guard.
______ b. Francesca loves Robert, but she cannot leave her
children.
Task 7. A Trip to the Countryside
Lumnay would have wanted to have anyone as company in her time

of solitude. Would anyone be delighted to be by her side, to walk through
the clearing, and to sit in the middle of the bean flowers?
You need to create a travelogue and

invite people to the countryside where
Lumnay resides. A travelogue is a full-
page advertisement of a destination place
for travelers. Be resourceful. You can
choose the size of your creation.
In creating a travelogue, do not forget

to:
1. research about the place;
2. choose the best scenery

of potential interest;
3. decide what to include about the

place: the animals, the
people, or the food;
4. refer to some significant

elements in the story of
Awiyao and Lumnay; and,
5. make a colorful and creative

layout of your travel.

A Peek into the World of Awiyao and Lumnay
If you were to imagine Awiyao and Lumnay in a dance, how would you
classify their dance? Was it a dance of love or a dance of
disappointment? Why?
Express your side in three-five sentences with the use of verb complement

Creating Changes
This lesson allows you to envision possibilities in your dreams and

construct means to arrive at it. Discover how you can face your fear, extinguish
your weakness, and bank on your strength as you go out and meet people in
the big world. You must aim to:
1. create rap music;

2. differentiate several table manners and practices from varied
households;
3. imagine and visualize a given setting;
4. express meanings from a text listened to;
5. interpret the concept of contradictory words used together;
6. use information presented in a creation story to infer, to evaluate, and to
7. make connections between the story discussed and several other lines
lifted from other readings;
8. create unified sound and music against selected scenes in the story for a
silent movie effect;
9. use varied verb complementation forms.
Are you eager to get started? As you do the following activities, pay
attention to the skills that can help you study and learn more about
creating chances.

PRE-TEST
Encircle the best answer.

1. A word or group of words that completes the predicate of a
sentence.
a. complement c. fragment
b. clause d. phrase
2. “O, miserable abundance!” is an example of

b. oxymoron d. simile
3. He tried to say sorry for what he has done. The underline phrase is
an example of
a. clause c. prepositional phrase
b. noun complement d. verb complement
Now that you have an idea of what this lesson is all about, let’s get started.

This will be presented during your face to face encounter with the
facilitator.
Task 1.Wrap Up the Food!

Work in groups of five. Fill in the blanks with your favorite food. After
completion, your group should create a beat to tune it into a rap or chant.
Do not forget to create a title for your rap. Write the complete lyrics on a
one-half sheet lengthwise.
_________________________________
___________, __________, __________, __________, _________
I’m hungry. I’m hungry. I’m hungry. I’m hungry.

___________, __________, __________, __________, _________
I’d like some. I’d like some. I’d like some. I’d like some.
___________, __________, __________, __________, _________
Just a little. Just a little. Just a little. Just a little.
___________, __________, __________, __________, _________
That’s enough. That’s enough. That’s enough. That’s enough.
___________, __________, __________, __________, _________
I’m full. I’m full. I’m full. I’m full!
Great! You made it again.

Task 2. Please, Pass the Food!
Have you experienced eating in somebody else’s house. What do you
observe?
What is it like to eat in somebody else‘s house? Are there things you
do or you should not do at a dinner table? Is it polite to eat everything on your
plate or in your dish? Is it polite to eat with your hands? Make a survey!
1. Create a list of questions for you and your classmates, friends, or

neighbors.
2. Be able to survey at least 5 of your classmates, friends, or neighbors.
3. Tell them to answer your survey form after their response.
4. Create a table similar with the sample below on a one whole sheet of
paper.
My Classmates‘/Friends’/Neighbors’
My
Questions Response Responses Signature
1 2 3 4 5
1. Is it
polite to eat
with your
hands?
2.
3.
4.

Here we are again in the figures of speech…
Discover how do they differ from other figures of speech.
Task 3. Say What?
“O, miserable abundance, O, beggarly riches!”

-John Donne, Devotions Upon Emergent Occasions
Have you ever heard those expressions? Why would abundance be

miserable? Why would someone who has riches be beggarly? These
expressions are apparent contradictions. It is called an OXYMORON.
Oxymoron is a figure of speech that combines two contradictory terms.
Oxymoronic expression appears to be idiomatic or at times brings

humor or makes an idea nonsensical…
Here are some more oxymoronic expressions: act naturally, random

order, original copy, found missing, old news, peace force, deafening
silence.
Look for the oxymoronic expressions from the statements below. Then
specify the meaning of the expression based from the given context. Write
your answer on a one-fourth sheet of paper.
1. "My silence was too loud for comfort”
Meaning:
______________________________________________________
______________________________________________________
______________________________________________________
2. Your point of view is clearly misunderstood.
Meaning:
______________________________________________________
______________________________________________________
______________________________________________________

3. The speaker sounds seriously funny.
Meaning:
______________________________________________________
______________________________________________________
______________________________________________________
Use the following oxymoronic expressions in a sentence. Write your

answer in your notebook.
1. small crowd :
________________________________________________________
________________________________________________________
2. ill health :
________________________________________________________
________________________________________________________
3. clearly misunderstood:
________________________________________________________
________________________________________________________
How do you find the activity? Easy? Let’s move on to the reading
activity. Find out why pandesal called The Bread of Salt.
HOMEWORK:
1. Read the story The Bread of Salt by Amador Daguio
2. As you read, do not forget to pause at stop points and respond to the
quick queries. Write your answer in your notebook.

The Bread of Salt
by NVM Gonzalez (1958)
1Usually I was in bed by ten and up by five and thus was ready for one
more day of my fourteenth year. Unless Grandmother had forgotten, the fifteen
centavos for the baker down Progreso Street - and how I enjoyed jingling those
coins in my pocket!- would be in the empty fruit jar in the cupboard. I would
remember then that rolls were what Grandmother wanted because recently she
had lost three molars. For young people like my cousins and myself, she had
always said that the kind called pan de salought to be quite all right.
2
The bread of salt! How did it get
that name? From where did its flavor Do you have any idea what
come, through what secret action of flour bread is the character-narrator
and yeast? At the risk of being jostled
talking about?
from the counter by early buyers, I would
push my way into the shop so that I might
watch the men who, stripped to the waist,
worked their long flat wooden spades in
and out of the glowing maw of the oven.
Why did the
bread come nut-brown and the size of my little fist? And why did it have a pair
of lips convulsed into a painful frown? In the half light of the street, and hurrying,
the paper bag pressed to my chest, I felt my curiosity a little gratified by the
oven-fresh warmth of the bread I was proudly bringing home for breakfast.
3Well I knew how Grandmother would not mind if I nibbled away at one
piece; perhaps, I might even eat two, to be charged later against my share at
the table. But that would be betraying a trust; and so, indeed, I kept my
purchase intact. To guard it from harm, I watched my steps and avoided the
dark street corners.
4For my reward, I had only to look in the direction of the sea wall and the
fifty yards or so of riverbed beyond it, where an old Spaniard's house stood. At
low tide, when the bed was dry and the rocks glinted with broken bottles, the
stone fence of the Spaniard's compound set off the house as if it were a castle.
Sunrise brought a wash of silver upon the roofs of the laundry and garden
sheds which had been built low and close to the fence. On dull mornings the
light dripped from the bamboo screen which covered the veranda and hung
some four or five yards from the ground. Unless it was August, when the damp,
northeast monsoon had to be kept away from the rooms, three servants raised

the screen promptly at six-thirty until it was completely hidden under the
veranda eaves. From the sound of the pulleys, I knew it was time to set out for
school.
5
It was in his service, as a
With whom is the character- coconut plantation overseer, that
narrator living? Grandfather had spent the last thirty
years of his life. Grandmother had
been widowed three years now. I
often wondered whether I was being
depended upon to spend the years
ahead in the service of this great
house.
One day I learned that Aida, a classmate in high school, was the old
Spaniard's niece. All my doubts disappeared. It was as if, before his death,
Grandfather had spoken to me about her, concealing the seriousness of the
matter by putting it over as a joke. If now I kept true to the virtues, she would
step out of her bedroom ostensibly to say Good Morning to her uncle. Her real
purpose, I knew, was to reveal thus her assent to my desire.
6On quiet mornings I imagined the patter of her shoes upon the wooden
veranda floor as a further sign, and I would hurry off to school, taking the route
she had fixed for me past the post office, the town plaza and the church, the
health center east of the plaza, and at last the school grounds. I asked myself
whether I would try to walk with her and decided it would be the height of
rudeness. Enough that in her blue skirt and white middy she would be half a
block ahead and, from that distance, perhaps throw a glance in my direction,
to bestow upon my heart a deserved and abundant blessing. I believed it was
but right that, in some such way as this, her mission in my life was disguised.
Her name, I was to learn many years later, was a convenient mnemonic
for the qualities to which argument might aspire. But in those days it was a
living voice. "Oh that you might be worthy of uttering me," it said. And how I
endeavored to build my body so that I might live long to honor her. With every
victory at singles at the handball court the game was then the craze at school
-- I could feel my body glow in the sun as though it had instantly been cast in
bronze. I guarded my mind and
did not let my wits go astray. In class
From this point of the narrative, I would not allow a lesson to pass
would you say that this is going to unmastered. Our English teacher
be a love story? could put no question before us that
did not have a ready answer in my
head. One day he read Robert Louis
Stevenson's The Sire de Maletroit's
Door, and we were so enthralled that

our breaths trembled. I knew then that somewhere, sometime in the not too
improbable future, a benign old man with a lantern in his hand would also detain
me in a secret room, and there daybreak would find me thrilled by the sudden
certainty that I had won Aida's hand.
8Itwas perhaps on my violin that her name wrought such a tender spell.
Maestro Antonino remarked the dexterity of my stubby fingers. Quickly I raced
through Alard-until I had all but committed two thirds of the book to memory.
My short, brown arm learned at last to draw the bow with grace. Sometimes,
when practising my scales in the early evening, I wondered if the sea wind
carrying the straggling notes across the pebbled river did not transform them
into Schubert's "Serenade."
9At last Mr. Custodio, who was in charge of our school orchestra, became
aware of my progress. He moved me from second to first violin. During the
Thanksgiving Day program he bade me render a number, complete with
pizzicati and harmonics.
10"Another Vallejo! Our own Albert Spalding!" I heard from the front row.
11Aida,I thought, would be in the audience. I looked around quickly but

could not see her. As I retired to my place in the orchestra I heard Pete Saez,
the trombone player, call my name.
12"You must join my band," he said. "Look, we'll have many engagements
soon. It’ll be vacation time."
13Pete pressed my arm. He had for some time now been asking me to join
the Minviluz Orchestra, his private band. All I had been able to tell him was that
I had my schoolwork to mind. He was twenty-two. I was perhaps too young to
be going around with him. He earned his school fees and supported his mother
hiring out his band at least three or four times a month. He now said:
"Tomorrow we play at the funeral of a Chinese-four to six in the afternoon;

in the evening, judge Roldan's silver wedding anniversary; Sunday, the
municipal dance."
My head began to whirl. On the stage, in front of us, the principal had
begun a speech about America. Nothing he could say about the Pilgrim Fathers
and the American custom of feasting on turkey seemed interesting. I thought
of the money I would earn. For several days now I had but one wish, to buy a
box of linen stationery. At night when the house was quiet I would fill the sheets
with words that would tell Aida how much I adored her. One of these mornings,
perhaps before school closed for the holidays, I would borrow her algebra book
and there, upon a good pageful of equations, there I would slip my message,
tenderly pressing the leaves of the book. She would perhaps never write back.

Neither by post nor by hand would a reply reach me. But no matter; it would
be a silence full of voices.
16That night I dreamed I had returned from a tour of the world's music
centers; the newspapers of Manila had been generous with praise. I saw my
picture on the cover of a magazine. A writer had described how, many years
ago, I used to trudge the streets of Buenavista with my violin in a battered
black cardboard case. In New York, he reported, a millionaire had offered me
a Stradivarius violin, with a card that bore the inscription: "In admiration of a
genius your own people must surely be proud of." I dreamed I spent a weekend
at the millionaire's country house by the Hudson. A young girl in a blue skirt
and white middy clapped her lily-white hands and, her voice trembling, cried
"Bravo!"
What people now observed at home was the diligence with which I
attended to my violin lessons. My aunt, who had come from the farm to join her
children for the holidays, brought with her a maidservant, and to the poor girl
was given the chore of taking the money to the baker's for rolls and pan de sal.
I realized at once that it would be no longer becoming on my part to make these
morning trips to the baker's. I could not thank my aunt enough.
17I began to chafe on being given other errands. Suspecting my violin to

be the excuse, my aunt remarked: "What do you want to be a musician for? At
parties, musicians always eat last."
18Perhaps, I said to myself, she was thinking of a pack of dogs scrambling

for scraps tossed over the fence by some careless kitchen maid. She was the
sort you could depend on to say such vulgar things. For that reason, I thought,
she ought not to be taken seriously at all.
19But the remark hurt me.

Specify the paragraphs which Although Grandmother had coun-
speak of reality seled me kindly to mind my work at
for the character-narrator, and his school, I went again and again to Pete
dream-state. Saez's house for rehearsals. 20She
Use paragraph number for your had demanded that I deposit with her
answer. my earnings; I had felt too weak to
refuse. Secretly, I counted the money
and decided not to ask for it until I had
enough with which to buy a brooch.
Why this time I wanted to give Aida a
brooch, I didn't know. But I had set my
heart on it. I searched the downtown
shops. The Chinese clerks, seeing
me so young, were annoyed when I
inquired about prices.

At last the Christmas season began. I had not counted on Aida's leaving
home, and remembering that her parents lived in Badajoz, my torment was
almost unbearable. Not once had I tried to tell her of my love. My letters had
remained unwritten, and the algebra book unborrowed. There was still the
brooch to find, but I could not decide on the sort of brooch I really wanted. And
the money, in any case, was in Grandmother's purse, which smelled of "Tiger
Balm." I grew somewhat feverish as our class Christmas program drew near.
Finally it came; it was a warm December afternoon. I decided to leave the room
when our English teacher announced that members of the class might
exchange gifts. I felt fortunate; Pete was at the door, beckoning to me. We
walked out to the porch where, Pete said, he would tell me a secret.
22It was about an as alto the next Sunday which the Buenavista Women's
Club wished to give Don Esteban's daughters, Josefina and Alicia, who were
arriving on the morning steamer from Manila. The spinsters were much loved
by the ladies. Years ago, when they were younger, these ladies studied
solfeggio with Josefina and the piano and harp with Alicia. As Pete told me all
this, his lips ash-gray from practicing all morning on his trombone, I saw in my
mind the sisters in their silk dresses, shuffling off to church for the evening
benediction. They were very devout, and the Buenavista ladies admired that. I
had almost forgotten that they were twins and, despite their age, often dressed
alike. In low-bosomed voile bodices and white summer hats, I remembered, the
pair had attended Grandfather's funeral, at old Don Esteban's behest. I
wondered how successful they had been in Manila during the past three years
in the matter of finding suitable husbands.
23"This party will be a complete surprise," Pete said, looking around the
porch as ifto swear me to secrecy. "They've hired our band."
24I joined my classmates in the room, greeting everyone with a Merry

Christmas jollier than that of the others. When I saw Aida in one corner
unwrapping something two girls had given her, I found the boldness to greet
her also.
25
"Merry Christmas," I said in English, as a hairbrush and a powder case
emerged from the fancy wrapping. It seemed to me rather apt that such gifts
went to her. Already several girls were gathered around Aida. Their eyes
glowed with envy, it seemed to me, for those fair cheeks and the bobbed dark-
brown hair which lineage had denied them.
26I was too dumbstruck by my own meanness to hear exactly what Aida
said in answer to my greeting. But I recovered shortly and asked:
"Will you be away during the vacation?"

27"No,I'll be staying here," she said. When she added that her cousins
were arriving and that a big party in their honor was being planned, I remarked:
"So you know all about it?" I felt I had to explain that the party was meant to
be a surprise, an asalto.
And now it would be nothing of the kind, really. The women's club
matrons would hustle about, disguising their scurrying around for cakes and
candies as for some baptismal party or other. In the end, the Rivas sisters
would outdo them. Boxes of meringues, bonbons, ladyfingers, and cinnamon
buns that only the Swiss bakers in Manila could make were perhaps coming on
the boat with them. I imagined a table glimmering with long-stemmed punch
glasses; enthroned in that array would be a huge brick-red bowl of gleaming
china with golden flowers around the brim. The local matrons, however hard
they tried, however sincere their efforts, were bound to fail in their aspiration to
rise to the level of Don Esteban's daughters. Perhaps, I thought, Aida knew all
this. And that I should share in a foreknowledge of the matrons' hopes was a
matter beyond love. Aida and I could laugh together with the gods.
29At seven, on the appointed evening,

our small band gathered quietly at the gate of What do you think was in
Don Esteban's house, and when the ladies the mind of the character
arrived in their heavy shawls and narrator at the moment?
trimpanuelo, twittering with excitement, we What are his feelings about
were commanded to play the Poet and the upcoming event?
Peasant overture. As Pete directed the band,
his eyes glowed with pride for his having been
part of the big event. The multicolored lights
that the old Spaniard's
gardeners had strung along the vine-covered fence were switched on, and the
women remarked that Don Esteban's daughters might have made some
preparations after all. Pete hid his face from the glare. If the women felt let
down, they did not show it.
30The overture shuffled along to its climax while five men in white shirts
bore huge boxes of goods into the house. I recognized one of the bakers in
spite of the uniform. A chorus of confused greetings, and the women trooped
into the house; and before we had settled in the sala to play "A Basket of
Roses," the heavy damask curtains at the far end of the room were drawn and
a long table richly spread was revealed under the chandeliers. I remembered
that, in our haste to be on hand for the asalto, Pete and I had discouraged the
members of the band from taking their suppers.
31"You've done us a great honor!" Josefina, the more buxom of the twins,
greeted the ladies. "Oh, but you have not allowed us to take you by surprise!"
the ladies demurred in a chorus.

32There were sighs and further protestations amid a rustle of skirts and
the glitter of earrings. I saw Aida in a long, flowing white gown and wearing an
arch of sampaguita flowers on her hair. At her command, two servants brought
out a gleaming harp from the music room. Only the slightest scraping could be
heard because the servants were barefoot. As Aida directed them to place the
instrument near the seats we occupied, my heart leaped to my throat. Soon
she was lost among the guests, and we played "The Dance of the Glowworms."
I kept my eyes closed and held for as long as I could her radiant figure before
me.
33Alicia played on the harp and then, in answer to the deafening applause,
she offered an encore. Josefina sang afterward. Her voice, though a little
husky, fetched enormous sighs. For her encore, she gave "The Last Rose of
Summer"; and the song brought back snatches of the years gone by. Memories
of solfeggio lessons eddied about us, as if there were rustling leaves scattered
all over the hall. Don Esteban appeared. Earlier, he had greeted the crowd
handsomely, twisting his mustache to hide a natural shyness before talkative
women. He stayed long enough to listen to the harp again, whispering in his
rapture:
"Heavenly. Heavenly . . ."
34By
Was the character-narrator midnight, the merrymaking
enjoying the festivity in lagged. We played while the party
the household of Don Esteban? gathered around the great table at the
Do you think he wants to be a part end of the sala. My mind traveled
of the world of Aida? across the seas to the distant cities I
Was he enjoying the music or the had dreamed about. The sisters
company of people? sailed among the ladies like two great
white liners amid a fleet of tugboats in
a bay. Someone had thoughtfully
remembered-and at last
Pete Saez signaled to us to put our instruments away. We walked in single file
across the hall, led by one of the barefoot servants.
35Behind us a couple of hoarse sopranos sang "La Paloma" to the

accompaniment of the harp, but I did not care to find out who they were. The
sight of so much silver and china confused me. There was more food before us
than I had ever imagined. I searched in my mind for the names of the dishes;
but my ignorance appalled me. I wondered what had happened to the boxes of
food that the Buenavista ladies had sent up earlier. In a silver bowl was
something, I discovered, that appeared like whole egg yolks that had been
dipped in honey and peppermint. The seven of us in the orchestra were all of
one mind about the feast; and so, confident that I was with friends, I allowed
my covetousness to have its sway and not only stuffed my mouth with this and
that confection but also wrapped up a quantity of those egg-yolk things in

several sheets of napkin paper. None of
my companions had thought of doing Oh, no. What did the character-
the same, and it was with some pride narrator just do?
that I slipped the packet under my shirt. Who saw what he did?
There, I knew, it would not bulge. What do you think will happen?
36"Have you eaten?"
I turned around. It was Aida. My bow tie seemed to tighten around my

collar. I mumbled something, I did not know what.
"If you wait a little while till they've gone, I'll wrap up a big package for
you," she added.
I brought a handkerchief to my mouth. I might have honored her solicitude

adequately and even relieved myself of any embarrassment; I could not quite
believe that she had seen me, and yet I was sure that she knew what I had
done, and I felt all ardor for her gone from me entirely.
I walked away to the nearest door, praying that the damask curtains might
hide me in my shame. The door gave on to the veranda, where once my love
had trod on sunbeams. Outside it was dark, and a faint wind was singing in the
harbor.
41With the napkin balled up in my hand, I flung out my arm to scatter the
egg-yolk things in the dark. I waited for the soft sound of their fall on the garden-
shed roof. Instead, I heard a spatter in the rising night-tide beyond the stone
fence. Farther away glimmered the light from Grandmother's window, calling
42But the party broke up at one or thereabouts. We walked away
me home.
with our instruments after the matrons were done with their interminable good-
byes. Then, to the tune of "Joy to the World," we pulled the Progreso Street
shopkeepers out of their beds. The Chinese merchants were especially
generous. When Pete divided our collection under a street lamp, there was
already a little glow of daybreak.
43He What do you think
walked with me part of the way home. We
stopped at the baker's when I told him that I wanted to was the character-
buy with my own money some bread to eat on the way narrator’s feeling
to Grandmother's house at the edge of the sea wall. He at the moment?
laughed, thinking it strange that I should be hungry. We Was this the
found ourselves alone at the counter; and we watched ending that
the bakery assistants at work until our bodies grew you expected?
warm from the oven across the door. It was not quite Why? Why not?
five, and the bread was not yet ready.
Done reading? Now let us see what you have

learned from the selection by doing the next activities.

Task 1. Breaded Contradiction
What are the mixed feelings of the character-narrator in the story?
Choose the oxymoronic expression which will fit the given statement. Write
your answer on a one whole sheet of paper.
Set A
a. act naturally
b. awfully good
c. terribly pleased
d. even odds
e. alone together
_______ 1. Would there anything be more ______________ than a

given chance of a conversation with Aida?
_______ 2. He was ______________ upon knowing that he was

invited to the party.
_______ 3. It was difficult for him to _____________ before the girl he

admires; he was not confident if he would say the right
things.
_______ 4. The character was at ___________ on how he would

handle the secret that was shared to him; so, he cautioned
himself when Aida talked with him.
_______ 5. The character-narrator cannot avoid thinking of a moment

with Aida—to be ________________ would be a dream
come true.

Set B
a. loving hate
b. old news
c. deafening silence
d. real phony
e. miserable abundance
_______ 1. After the humiliating experience that the character-narrator

experienced, it is most certain that a ______________
atmosphere with Aida would happen unless they will move on to
maturity.
_______ 2. The character-narrator cannot decide what to pick from the buffet
table –with all the _________________of all the dishes he never
imagined before.
_______ 3. He thought himself as a ____________ with all his show of skills

and goodness, yet beneath it was unimaginable ways of fulfilling
his desire.
_______ 4. The beauty of the ladies in the house of Don Esteban was
____________ which goes with their display of charm and talent.
_______ 5. The walk home was a _________________ with his thoughts just
frozen, his lips closed, by the road--no one moved, nothing
unheard, all this stillness from the time Aida caught him in-the –
act.
Way to go…keep going!

Locate information in the selection to determine whether each

statement is true (T) or false (F).
_____ 1. The character narrator is 14 years old.
_____ 2. The pan de sal bread is the story’s bread of salt.
_____ 3. The pan de sal in the story is the character-narrator.
_____ 4. The character-narrator’s liking for Aida is similar to his passion

for playing music.
_____ 5. The character-narrator is ready for an adult life since he is

already earning money with his music.
_____ 6. The character-narrator is a courageous young man.
_____ 7. Aida belongs to an affluent family like the character-narrator.
_____ 8. The character-narrator knows when and how to behave at his

best.
_____ 9. The character-narrator shows maturity in most part of the

story.
_____ 10. The character-narrator, like the pan de sal—well-cooked,

that he is buying in the end of the story, is already ripe and
mature.
Great! You did it again.

Task 3. Watch Out!
Complete the meaning of the sentence by attaching a situation to the
underlined verb complement.
1. The character-narrator stopped to listen

_______________________________________.
2. The character narrator finally stopped playing

_______________________________________.
3. The band wanted to render

_______________________________________.
4. The band never wanted attending

_______________________________________.
Was there any difference in meaning when the verb complement

uses the infinitive, to + verb, form and when the verb complement is in
the –ing form?
CHECK THIS OUT!

The verb complement form used depends on the meaning, which is
not the same in each case.
1. The character-narrator stopped to listen wholeheartedly to Aida‘s

music.
2. The character-narrator stopped playing the violin.
In the first example, the infinitive from verb complement expresses the
reason for the action, while the –ing form verb complement refers to what
stopped.

Task 4. Tune in the Verb Complement
Complete the sentences by filling in the verb complement of your
choice. You may refer to the details of the story and derive ideas from
implied meanings in the story, The Bread of Salt.
a. to go
1. The character-narrator remembered b. going
________________.
a. playing
2. The band just went on b. to play ________________.
3. Aida tried a. to reach out

b.reachingout
_____________
4. After Aida saw what the character-narrator just did, she really can‘t
help a. to say
b. saying _______________.
a.to attend
b.attending ________________.
5. The character-narrator regrets
Recipe for Chances
Write down important human experiences that you may draw out from
the story. Include the moral of the story. The very first step that you should take
is to write a topic sentence. Then, narrow your topic by writing supporting
sentences. Don’t forget also to write your concluding sentence.
You also have reached the final part of this lesson and created new
challenges. You have done an awesome job, so keep going as you recognize
the beauty of nature in the next module.
Congratulations!

MODULE II (Lesson 6)
Coping with Challenges
This lesson helps you realize that our lives and our world is rocked by
challenges from time to time. We must learn to cope with these
challenges, so we can emerge as stronger and wiser individuals. You must
aim to:
1. make associations with titles and idioms to better understand a

given text;
2. identify and create symbols related to a text;
3. present points of view and opinions concerning the message of a
selection in creative oral means;
4. formulate assumptions or predictions about the contents of the
narrative texts;
5. give examples of figures of speech that show contrast (irony,
oxymoron, and paradox);
6. use information in reading texts to infer, to evaluate, and to express
critical ideas;
7. use basic electronic search engine protocols in researching for a
given topic;
8. compose a personal letter to a friend, relative, or other people;
9. formulate tips using meaningful kernel sentences;
10. respond to ideas, issues, and concerns presented in a reading or
viewing selection in creative forms.

PRE TEST
Determine whether each statement below is an irony, oxymoron or

paradox. Write your answer in your notebook.
1. The apple that puts Snow White into a deep sleep
2. Soft like concrete.
3. The participant acts naturally.
4. They clearly understood the message.
5. The sentence on the other side of this card is true.
6. A_______ is a figure of speech in which words are used in such a way

that their intended meaning is different from the actual meaning of
the words.
7. The ___________that means contrary to expectations, existing belief

or perceived opinion. It is a statement that appears to be self-
contradictory or silly but may include a latent truth.
Task 1. Bottled up
In your notebook, write the meaning of the following
idioms that use the word, bottle. You may use a
dictionary.
What do you notice about the bottle?
1. bottled-up emotions
2. bottle something up
3. hit the bottle
4. cork high and bottle deep
5. the genie if out of the bottle

Task 2. Get Bottled?
Think of several things that get put in a bottle. Draw these things
inside a bottle. Then, complete a list that presents the reasons for bottling-
up the things that you enumerated.
Task 3. What’s in a Title?

Several ideas are implied by a title. Among other things, a title gives
you an idea about what a text is about. Below is the title of the featured text.
Make associations with it. Give three guesses about what the text could be
based on what the title “The Baby in the Bottle” presents. Write your
guesses on a half-sheet of paper.
Great! you did it again. You can now proceed to the reading selection
and find out why the story entitled that way.
The Baby in the Bottle

by Benjamin Bautista
The truth was, Mr. Libre felt sorry for his wife. He was very careful to
hide it from her, of course, but day by day, through the years, as he saw her
watching the shriveled half-black baby in the bottle, he felt more and more sorry
for her. She would touch the bottle gently, once in a while, and run her hands
fondly over the cold glass; inside, the stiff, skinless body of a four-inch boy now
dead for five years, would bob up and down in the green alcohol. And then
sometimes, slowly, to herself, she would smile.
Mr. Libre‘s wife was a plain woman with high cheekbones and a sad
mouth, who was only twenty-nine years old but whose eyes were no longer
young. Mr. Libre himself was thirty-three but graying hair and some thick corded
veins on his hands made him look older. He was a small man and thin, and
long hours of bending over receipts had given him a stooped posture and made
him appear even smaller and thinner.

Very often, whenever he could, Mr. Libre would try to walk to his wife to
get her to start talking too, but it became harder and harder for them to find
things to talk about. The talk always turned to the past and how different it might
have been if they‘d had children. Mr. Libre didn‘t want to talk about those things
but his wife did, and gradually, the pauses stretched longer and made them
both uneasy. But he was always patient with her; even if he was tired or irritable
he never showed it in any way. By now he had learned to put up with many
good things.
He was married when he was twenty-two and just out of high school.
He had been alone in the city for four months when he met her. She understood
his dialect and they got along well together. At first he wanted to go on to college
but when he thought it over again, he felt that it wasn‘t fair. That would be asking
too much from his wife.
They moved into a rented room which the owner said was the ground
floor of a two-story building, but it was just a room actually, with thick cardboard
walls to divide it into smaller rooms. They planned to move out after a few years
because they thought the room would be too small for the children to come,
and they hoped to have many children. But five years passed before they had
their first child, and when it was only four months in the womb, it was
prematurely born.
It was a boy but it didn‘t even look like a baby. It had eyes and ears and
arms and its skinless body had been formed, but it was only four inches long
and looked cold and raw as though it was just a piece of peeled flesh that never
had life at all. Mr. Libre felt it to the nurses but his wife asked to keep it and take
it home with her; he didn‘t know why, until the doctor told him that his wife knew
that she could never have any more children. After that neither of them talked
about it much and they slipped back to the routine of everyday living. Still he
took it on himself to try to make it easier for her through the days.
One afternoon in the last busy week of January, Mr. Libre was looking
over some old files in the Recorder‘s cubicle when all of a sudden he
remembered that on that day the baby in the bottle was five years and seven
months old. He thought no more about it but kept it in the back of his mind to
tell his wife that night; she wanted to hear him talk about the baby. He went on
checking the old files but when he was almost finished, his eyes hurt again and
he had to go back to his desk.
Mr. Libre was a clerk in the freight department of an import-export

corporation and all day he had to sit behind a high desk and sort out receipts
and record them. At was not a hard job but it kept him constantly busy because
there were so many receipts and he was so very careful about his work, he
seldom found time to leave his desk from eight-thirty to five o‘clock every day.
He had been with the firm for nine years now and he knew his work well
but still did not find it easy. It demanded so much concentration from him and

there were days when it all seemed to be painfully hard but it only made him
try even harder. May times he would have to focus his eyes on the pink, yellow
and blue receipts and make an explicit act of the will to follow the items on
them. Usually he would have to strain his eyes excessively so that often the
muscles behind his eye sockets tightened and he would feel a smarting throb
in his eyes. He would stop work at once and close his eyes as tightly as he
could. The he would force a smile until his jaw hurt because, although that
didn‘t ease the pain any, it always held back the tears. Tears always
embarrasses him. They made him feel helpless.
He did not rest his eyes long because there were many late receipts that
he had to go through and he went back to work on them. But after a few minutes
he grew restless with the papers and he wanted to go over to the window and
get a breath of air. But the window was across the room and the assistant
manager was talking to a typist only two or three feet away. He tried to sit still
on his high chair. He shut his eyes and took a deep breath and continued to
line up the figures on the record sheet but his fingers shook and the pencil point
broke under his hand. He grew annoyed with himself for being upset over a
little thing like that. He was sure his wife was not having an easy day either.
Concentration always came hard to Mr. Libre because sometimes in the

middle of the day he would find it impossible to keep his thoughts off the many
unrelated little things that came into his mind. He would catch himself thinking
of his wife eating lunch alone every day or the cardboard walls of their room
that seemed to close in on them or perhaps the dead baby submerged in its
bottle of green alcohol. He thought of his wife a lot but many times he thought
of the baby, too.
During the first few months and on to the end of that first year, the bottle
had seemed too small for the baby. It looked as though it needed a glass jar
with a lid instead of that bottle with a wide mouth; it floated limply on the surface
and slumped against the glass sides. But after a while the alcohol seeped
through it and hardened it, and it sank stiffly to the bottom. Then little by little it
blackened and shriveled up and it would neither float nor sink but bobbed up
and down in its green world of alcohol and glass. And then the bottle didn‘t
seem too small for the baby anymore because now the baby‘s shrunken body
was completely confined. The bottle fully contained it.
Mr. Libre fully noticed too that his wife had changed. In the beginning
she was no different at all, although at times she did not fall into brooding. Then
slowly for no apparent reason she grew quiet and kept to herself, and that was
when the baby in the bottle took a strange hold on her. He tried to understand
her and be patient with her. She did not want to be the way she was, he told
himself, to live in a small cramped world of her own, to look at the baby, make
up daydreams about it all day, to want to touch it, hold it in her hands. She
could not help any of it, he knew, and he did not stop her, and day by day he
got used to her being that way. But still he felt sorry for her.

The blinds on the west window had been lowered and he knew it was
getting late. He shook himself from his thoughts and worked faster because he
wanted to finish the last batch of receipts for the day. It would hardly make any
difference because he would be back the next day anyhow and there would
always be more receipts, but there were things one should do and finishing the
day‘s work was one of them. He took everything as it came and he found it
possible to lose himself in his work. He wished he could do even more and he
felt he owed that much to his wife.
It was almost five-twenty when Mr. Libre got up, locked his papers under
his desk and shuffled out of the office. Almost everyone had gone by then
except some of the typists and a secretary doing overtime. He did not look at
them as he went out. He left quietly and alone.
Out in the street he hoped the crowd would not hold him up for long.
Heavy traffic snarled the afternoon rush and cars and buses and people on the
sidewalks hardly moved at all. On the pedestrian lanes as he waited for the go
signal, it became stickily hot; no wind stirred the inert air, thick with gasoline
exhaust fumes. But Mr. Libre did not mind the heat. As he crossed the street
he clenched and unclenched his fists and he tried to walk as fast as the crowd
would let him. He was getting impatient. He wished he were home that very
minute.
He pushed the old narrow door of their room open and sat down on the
first chair he saw. He felt very tired btu the chair was hard and rigid and it did
not help him any; it arched his back. His shoulders felt heavy and he was
breathing hard but did not rest long. His wife was in the other room. He stood
up and stretched behind the cardboard wall.
His wife sat on a cat staring at the baby in the bottle. She sat in half-
darkness a few feet away from the table where the bottle was. From where he
stood he could see sharply the hollows of her eyes and thin bloodless lips. Her
face was totally without expression. Hew hands were on her lap and she sat
unmoving but when he came in and she saw him, she turned slowly to him and
her face broke out in a clumsy uncertain smile. It was a slow half-silly smile that
twisted the corners of her mouth upwards and nothing else; her eyes remained
sad and empty. He has never seen her that way before. He was afraid she did
not recognize him.
He could not look at her directly. For a moment he felt it was cruel to
watch her. Instead he turned to the baby in the bottle. The tiny half-black thing
was drifting and circling as always in the green alcohol. But now he saw that
the bottle and the alcohol and the long years had gnawed it and little by little
the baby was shredding and peeling off its flesh. The bottle and the alcohol and
the long years had choked and shrunk it and now were eating it up. All the time,

through the years, as the baby bobbed up and down in its own cramped world,
it was slowly being destroyed. And no one could do anything about it.
Mr. Libre felt helplessly hollow inside; he turned his head and shut his
eyes tightly. He forced a smile until his jaw hurt because although he felt no
pain in his eyes now, he wanted to make sure he could hold back the tears.
These activities are already assigned to the you. During

class meeting, you will be grouped with others and do the
presentation.
Task 1. Creating Symbols

Form groups. Determine what the baby and the bottle symbolize in
the text. Illustrate a semantic map for your output. Use appropriate drawings
to enhance the meaning of your work.
Task 2. Explaining Divisions

Form groups. Reread the story and determine the bases for the division
of the story into three parts. What does each part present? Why is the
sequence of the parts done in this way. Brainstorm on these questions and
present your answers creatively to the class.

Task 3. Giving Assumptions and Predictions (Part 1)
Clarify the meaning of the words, prediction and assumption. Reread
the text. What assumptions and predictions can be made about the couple?
Give at least three of each. What lines in the text help in making the
assumptions and predictions you have?
Prediction is a statement about what will happen or might happen in the

future.
Assumption a fact or statement (as a proposition or notion) taken for

granted)
Present your answers in a table similar to the one below. Copy this table
on a sheet of paper. Be ready to present your output to the class.
Assumptions Supporting Lines Predictions Supporting

Lines
1. 1.
2. 2.
3. 3.
Task 4. Analyzing Emotions

Form groups. Answer the questions below. Then, copy the table below
on a sheet of paper. Put your answers to the questions to the corresponding
table columns. Think of appropriate headings for the columns. Review your
table entries, then present a generalization about the smiles and cries of Mr.
and Mrs. Libre. Present this generalization on the topmost row of the table.
1. What are the instances when Mr. Libre or Mrs. Libre smiled?
(Column 1)
2. What are the instances when Mr. Libre or Mrs. Libre cried?
(Column 2)
3. What are the reasons behind the smiling or crying of the couple?
(Column 3)

Generalization:
Reasons Reasons
1. 1.
2. 2.
3. 3.
Task 5. Reading Emotions

Form a group. Identify all the emotions that Mr. and Mrs. Libre felt during
the significant events of the story. For each of them, create a diagram that
shows the progression of their emotions as the story unfolds. Present
different levels or degrees of an emotion when necessary (e.g. unhappy,
miserable, heartbroken, etc.). You may consult a dictionary or thesaurus.
Be creative in your output.
Task 5. Weighing Consequences

Form a group. Argue on whether the couple should have kept or left the
baby in the bottle. Consider common practices related to this as you decide
on a stand (e.g. keeping urn of cremated ashes in houses, keeping
mementoes like lock of hair or a piece of clothing, keeping petrified remains
of pets or other animals, etc.). Explore the consequences of your stand.
Present this to the class and present the points that support your stand.
Task 6. Predicting Population Trends (Homework)

Study the handout of search protocols that your teacher will give you.
Be guided by this as you research on the following: population rate and
fertility rate of the Philippines and three other Asian countries in the last five
years. Review your data and derive implications from them. Be ready to
share your data and list of implications with the class.

Task 7. Analyzing Situations
The featured reading text presents several situations that could
represent the concepts below. Study the provided descriptions and
participate in a discussion led by the teacher.
A paradox is basically a sentence that presents a situation that

defies logic or the usual way things are expected to be. Despite this, the
idea presented remains true. An example is : One has to die in order to
live.
An irony is said to be present when the presented meaning of a

message is different from the one that is truly intended (verbal irony).
This is also associated with sarcasm or mockery (e.g. Saying ―I‘m so
happy‖ when one is truly sad.). Irony is also observed in the theatre
(dramatic or literary irony) when ―the audience knows more about the
situation than the characters‖ 1 and this ignorance causes several
conflicts. Situational irony is manifested when one does something for a
specific reason but is met with a result that contradicts his intention (e.g.
Exercising strenuously to be healthy but ending up ill because of
exhaustion.)
An oxymoron is a phrase or a two-word description where the two

words contrast with each other (e.g. deafening silence, sweet sorrow,
etc.). An oxymoron can be considered as a paradox reduced to two
words.
Review the story and your output for Task 6 (Predicting Population
Trends) and give 1-2 instances that present a paradox and 1-2 cases of
irony. Then, create or cite an oxymoron that can describe any of the
instances you gave. Write your answers on a sheet of paper.

Task 8. Giving Assumptions and Predictions (Part 2)
Recall what you did for Task 3. You will do the same for this activity
using a different text. Listen carefully as the teacher reads a text twice. List
down assumptions and predictions for the first listening segment. Pay
attention to supporting details for your assumptions and predictions during
the second listening segment. Present your answers using the table on the
next page. Copy this on a sheet of paper.
Assumptions Supporting Lines Predictions Supporting

Lines
1. 1.
2. 2.
3. 3.
Task 9. Identifying Kernels
Get a dictionary and look up the meaning of the word, kernel. Listen
as your teacher discuss the nature of kernel sentences. Keep in mind the
definition below.
A kernel sentence is a simple sentence that presents only one

piece of information. This means that a kernel does not have any
unnecessary information. It is positive or affirmative, that is, it does not
contain any negation marker such as the words no or not. Kernel
sentences or kernels are also in the active form. This means that the
subject of such sentences is the doer of the presented action.
Exercise 9.1
Read the text below. Identify whether the numbered sentences are
kernels by writing K (kernel) and NK (not kernel) for every item. Transform
those you have marked ‗NK‘ into kernel sentences. Write your answers on
a sheet of paper.

Supporting Someone Who Is Grieving 3
(1) Grief is a natural process that affects people when they
experience a loss—of a relative or friend; human or animal. (2) Grieving
people most often need others. (3) If you are trying to be supportive to
someone who is grieving, remember the depth of his emotions. (4) Grieving
people cannot be rushed. (5) You can nevertheless ease another person‘s
pain.
Exercise 9.2
Read the given text. Some sentences here are kernels and some are
not. Identify any five sentences that could be rewritten as kernels. Copy
these five sentences on a sheet of paper and give their corresponding kernel
transformations. You could use context clues in giving kernel equivalents.
Tips for Helping Someone Who Is Grieving 4

Mention the person who has died, and acknowledge your awareness
of the loss. Continue to do this as time goes on, not just right after the death.
Many people avoid mentioning the person who has died, fearing it will
remind the grieving person of his or her pain. Often, people avoid the topic
because they feel uncomfortable or helpless, but behaving as if you don‘t
remember or are unaware of your loved one‘s pain often leaves him or her
feeling very alone.
Listen to your loved one. A grieving person may need to tell his or
her story again and again as part of the grieving process. The most
important thing you can offer someone who is grieving is your ability to listen
without judgment.
Remember that grieving is a long process. The person you care

about may be grieving for a long time. Several months or more after the
death, he or she may actually be feeling the loss more acutely, and much of
his or her support system will have backed off. This is when your loved one
may need your support the most. Birthdays, holidays, and other events may
also evoke strong feelings for your grieving loved one.
Exercise 9.3
3 A LifeCare® Guide to Helping Others Cope With Grief

4 A LifeCare® Guide to Helping Others Cope With Grief

Form a group. Review the materials you have about coping with loss.
Come up with a 5-7-item list that addresses one of the topics below. Keep
your tips clear and simple by using kernels. Give a 2-3-sentence explanation
for every tip. Keep these simple too.
Teener‘s Guide to :
Coping with heartbreaks
Coping with the death of a loved one
Coping with depression
That was really a great job. You have successfully made your part in
doing the activity.
Task 10. Letter Writing

Write a letter inspired by any of the situations below. Your letter can be
based on the outputs you have produced for the past tasks. Write your letter on
a sheet of paper. Keep in mind the definition of letter below.
A letter, whether formal or informal, reveals your personality as a

writer/sender. Your letter should be clear, coherent and courteous. It should
have a friendly and sincere tone as if you were talking to a friend in person.
Thus, your language must be simple and direct. A personal letter normally
consists of five parts:
1. Heading- is written on the upper right -hand corner. It contains the

date and the place of writing.
2. Salutation- is written on the left-hand side of the letter sheet, a line or
two below the heading. In the friendly letter the salutation may be
followed by a comma, or a dash. It is the word of greeting used to
begin a letter. The first word in the salutation begins with a capital
letter.
3. Body- is the letter itself. It contains the message of the sender. It
should be interesting and should relate the experiences, emotions,
and thoughts of the writer.
4. Complimentary close- follows the body. It is written on the right-hand
side, below the body. Only the first word of the complimentary close
is capitalized. A comma follows the complimentary close.
5. Signature- follows the complimentary close. It contains the name of
the sender.

 Describe the current population of the world or the Philippines to
someone in the future or the past. Focus on one point only.
 Write to a friend or relative whose family size is very different from

yours. Ask all your questions about the dynamics they have at
home.
 Write a letter to Mr. Libre or Mrs. Libre. What would you want to tell
him or her?
Rubrics:
30 - content
10 - use of kernel sentences
10 – appropriate use of language
__________________________
50 points
What have you learned from the topics presented in this lesson? Copy
the statement below in your notebook. Complete this statement in relation
to what you have learned about 1) the experience of Mr. and Mrs. Libre, 2)
dealing with a loss, and 3) controlling populations. Give at least one
completed statement for each topic.
I realized that ___________ because ______________, so I will

_________the next time _____________
You also have reached the final part of this lesson and learned how to
cope up with the challenges. You have done an awesome job, so keep
going as you recognize the beauty of nature in the next module.
Congratulations!

Recognizing Beauty
Our land and culture is beautiful and we are the first ones who should
recognize this. The Philippines has been known to mesmerize foreigners
with the enthralling beauty of places that some of us do not even notice.
This acquaints you with another aspect that adds to the beauty of our land
and culture. For this lesson, you must aim to:
1. use predictive and anticipatory devices/tasks to activate prior

knowledge about the topic of reading/viewing selection;
2. use information presented in a creation story to infer, to evaluate, and
to express critical ideas;
3. identify figures of speech that show emphasis (hyperbole and litotes);
4. formulate meaningful embedded sentences;
5. infer appropriate responses to listening guide questions;
6. distinguish between credible and incredible electronic information
sources;
7. present points of view and opinions concerning the message of a
selection in creative oral means;
8. compose an entry based on a particular personal topic of interest.

PRE TEST
Determine whether each statement is hyperbole or litotes. Write your answer in

your notebook.
1. _______________is an exaggerated statement or claim not meant to be

taken literally.
2. ______________ is a figure of speech which employs an under-

statement by using double negatives or, in other words, positive
statement is expressed by negating its opposite expressions.
3. Nothing can stop our team from winning the championship.
4. My dress shoes are killing me.
5. He was skinny enough to jump through a keyhole.
Here we are again. Are you ready? Let’s try this one.
Task 1. Defining ‘Beauty’

Reflect on what makes something or someone beautiful. What
makes a place beautiful? Complete the statements below to clarify your
beliefs about this idea. Write your answer on a sheet of paper.
For me, beauty is ______________________________________. It

is present when ______________________________________. It is not
________________________________. It‘s always _________________

___________________. Examples of beauty are ___________________.

Task 2. Meet Your Match
Collocates are words that go together. The items of the pair are
bound to each other because of association of ideas. A classic example of
a pair is black and white. Supply the missing item to complete the collocate
pairs below. Write your answers on a sheet of paper.
_______________and butter
Rhythm and __________
Beauty and ___________
Task 3. Look it up!

Search for the meaning of the following words in a dictionary. Write the
definitions and construct sentences that use these words. Let your
sentences be about beauty. You may use ideas you have generated from
previous activities. Write your answers in your notebook.
1. serene 6. pave
2. ethereal 7. behest
3. effulgent 8. din
4. crestling 9. Olympia
5. lambent 10. presage
You made it again.

Keep moving.
Let’s proceed to the listening text.

(This will be done during face to face encounter.)
Listen to the teacher while she reads the poem with background music. As
you listen, take down notes to help you answer the following questions.
Write your answer in your notebook.
1. How is Manila bay described?
2. What details in the poem help you visualize the place?
3. What feelings are evoke in the description?
4. What does the speaker feel as he recollects?
5. What other aspect of Manila bay is presented?
6. To what event could the poem be referring?
7. What does historical association imply about Manila bay? What does
the speaker feel about this association?
8. How does the poem end?
9. What feelings are evoked by the conclusion?

Moonlight on Manila Bay
by Fernando M. Maramag (1912)
1 A light, serene, ethereal glory rests

2 Its beams effulgent on each crest ling wave;
3 The silver touches of the moonlight wave
4 The deep bare bosom that the breeze molests;
5 While lingering whispers deepen as the wavy crests
6 Roll with weird rhythm, now gay, now gently grave;
7 And floods of lambent light appear the sea to pave-
8 All cast a spell that heeds not time‘s behests.
9 Not always such the scene; the din of fight
10 Has swelled the murmur of the peaceful air;
11 Here East and West have oft displayed their might;
12 Dark battle clouds have dimmed this scene so fair;
13 Here bold Olympia, one historic night,
14 Presaging freedom, claimed a people’s care.
Good job! You made it again.

You will now proceed to grammar lessons.

Task 1. Promote Manila Bay
Study the lines below. Identify what makes them interesting.
Visit the land of a thousand smiles!

Witness a moonlight memory for a lifetime.
This is NOT your usual walk in the bay.
Manila Bay is not the typical moonlight experience.
A hyperbole is an exaggeration, while a litotes presents an

under-statement by using the negative marker not.
Litotes emphasize an idea through negation.
The lines present examples of hyperbole and litotes.
Which among the examples above are hyperboles and litotes? Do the
tasks below. Present your output on a sheet of paper.
1. Research on the beauty of Manila Bay by looking at travel guides and

other sources. Identify 3-5 places in Manila which possess both
beauty and history. You may also use credible Internet sources. Take
note of any suspicious, incredible sites.
2. Formulate three catchy and interesting lines that promote the beauty
of Manila Bay. Each line should use a different hyperbole.
3. Formulate two lines of litotes that will encourage tourists to visit

Manila Bay.

Task 2. Identifying Embedded Clauses
An embedded clause, as the term suggests, is a clause that is fixed

within a larger clause or sentence which is called the matrix clause. The
embedded clause is usually found in the beginning or at the end of
sentences. Markers commonly accompany or introduce embedded
clauses. These markers may be that, when, who, where, etc. However,
there are instances when a marker does not precede an embedded
clause. Such is the case with gerunds (e.g. swimming, eating, etc.).
An embedded clause does not have its own meaning, so it has to

be attached to the matrix clause to present a complete meaning. Do you
still remember the discussion about kernels? Basically, an embedded
clause presents a piece of information that is beyond the idea that a
kernel presents. Remember that a kernel presents one idea at a time
only.
Manila Bay presents a magnificent sunset experience that will

last a lifetime. The place is often crowded in the early morning and
late afternoon when people try to get a glimpse of its world-famous
sunrise and sunset.
Photographers take pictures of people sitting or walking along
the bay area.
In the examples above, which is the matrix clause? The embedded

clause?
Where is the embedded clause found? Is it introduced by a
marker?

Exercise 2.1
Identify the embedded clause in the following sentences. Write your
answers on a half sheet of paper.
1. Manila Bay is considered the finest harbor in the far east where the
famous "Battle of Manila Bay" was fought.
2. The Bay is also known as a stopover for the Galleon Trade which
lasted for 244 years.
3. The first Filipinos were Indo-Malaya migrants who established their first
settlements along the bay and a nearby river (now the Pasig River).
4. They named the place “Maynila” or “may nila” which means “there is
nila here”
5. Nila is a water plant that thrived in the area.
Exercise 2.2
Identify five embedded clauses in the text5 below. Write these on a
sheet of paper.
The long stretch of national highway, from the US Embassy to a portion

just before the Coastal Road to Cavite, offers a panoramic view of Manila
Bay. It is most picturesque in the afternoon when the dying sun emits golden
rays and lends golden tones especially to the towering hotels and office
buildings nearby. The renovated bay wall is now a tourist-class promenade
known as Bay Walk Area where stylish benches are propped up for
frolicking and where people roam around for fresh air or jog in early
mornings. Being now a popular sightseeing destination, it is among the top
5 tourist spots in Manila-Philippines.
5 Philippines Board

Exercise 2.3
Read the text below and note some information about Manila Bay.
Use these pieces of information in formulating five sentences with
embedded clauses. Write your sentences on a sheet of paper.
Why Manila Bay is a Tourist Attraction5
It is considered one of the best natural harbors in Southeast Asia.

With a total coastline of 190 km, the bay extends from the province of
Bataan to the north and the province of Cavite to the south. Scattered along
the shores of Bataan and Cavite are a number of beaches, resorts, foliages
and volcanoes.
The most popular segment of the bay is that part in Manila where
Fort Santiago, the old Spanish fort, still stands. Along the bay is a row of
important and historic tourist destinations and commercial areas, which
include the walled-city of Intramuros, the Cultural Center of the Philippines,
Star City, Coconut Palace, the United States Embassy, Manila Yacht Club,
the Philippine Senate, and Manila Ocean Park.
Recently, a promenade was constructed along the bay beside Roxas

Boulevard. Every day, hundreds of tourists and metro Manila residents
come here to jog, stroll around, bike, skate, listen to music from live acoustic
bands, sample the foods from a row of restaurants and snack areas, or
simply watch the breathtaking Manila Bay sunset.
Along this 2-km walk are coconut trees, foliage, and park benches.
Just a decade ago, this part of the bay was unlighted, unpaved, and was a
popular hangout spot for thieves, substance-users and pimps. Today, it is
well-lighted with a row of huge kaleidoscopic lamp posts. At nights, it is
never without sightseers and lovers taking a romantic stroll. Another
relatively new attraction along the bay is the SM Mall of Asia (MOA). Further
south of Roxas Boulevard and near the coastal road to Cavite stands the
third-largest mall in the world. On its Open Concert Grounds along the bay,
MOA had hosts a number of international events, which include international
fireworks competitions and concerts by Alicia Keys, David Archuleta and
Justin Bieber.

Beauty + History
Think of a place that possesses both history and beauty. Write a
paragraph that features the following about the place that you have chosen:
- Vivid description of the place

- Clear instructions/descriptions of its location
- short historical background
- activities to do in the place
- Attractions in the place
Use embedded sentences and figures of speech in describing the

place. Underline them. Remember that your objective is to inform tourists
about the beauty and history of the place. Your composition should invite
people to visit and enjoy the beauty of the place.
Rubrics:
10 Used informative and interesting content that addressed

requirements (use of embedded sentences)
10 Displayed stylistic and persuasive writing (use of figures of
speech such as hyperbole and litotes)
10 Coherence and grammar
10 Creativity in use of photos, layout, etc.
40
You also have reached the final part of this lesson and learned the
beauty of nature. You have done an excellent job, so keep going as you
recognize the importance of love in the next module.
Congratulations!

Those I Love
This lesson shows you that as you continue your journey toward
discovering your identity, it is inevitable that you will end up loving other
people. To be a complete human being, one has to experience love and its
many mysteries. In this lesson, you must aim to:
1. enumerate the various meanings of love;

2. use context clues in order to find the meaning of a word;
3. differentiate between figurative and academic language;
4. explain figurative lines in your own words;
5. describe the many contradictions of love;
6. predict the subsequent events in a narrative;
7. express your opinion on why there are too many definitions of love;
8. assign symbols to the people whom you love.

Task 1. What Love Is
On a one-half sheet of paper crosswise, write down five definitions of
love. They may be proverbs that you heard, or they may be your own words.
Be prepared to share your definitions with the rest of the class.
As you listen to your classmates sharing their own definitions of love,

keep track of how many of their definitions are similar to the ones that you
have written down.
Task 2. The Types of Love

Listen to short selection to be provided by your teacher. Complete
the grid below:
TYPE OF LOVE DEFINITION

1.
2.
3.

Bonsai
by Edith Tiempo
All that I love

I fold over once
And once again
And keep in a box
Or a slit in a hollow post
Or in my shoe.
All that I love?

Why, yes, but for the moment ---
And for all time, both.
Something that folds and keeps
easy,
Son‘s note or Dad‘s one gaudy tie,
A roto picture of a young queen,
A blue Indian shawl, even
A money bill.
It‘s utter sublimation

A feat, this heart‘s control
Moment to moment
To scale all love down
To a cupped hand‘s size,
Till seashells are broken pieces

From God‘s own bright teeth.
And life and love are real
Things you can run and Breathless
hand over
To the merest child.

Task 1. Context Clues
Choose the option that best approximates the underlined word in each
sentence.
1. After being chased by the cat, the mouse finally escaped through a
slit in the wall.
a. large gap b. narrow opening c. wide space
2. When the wind became chilly, the woman pulled the shawl tightly
against her shoulders.
a. dress b. garment c. hat
3. Art‘s depressing short stories were a form of sublimation for his

many frustrations.
a. activity b. example c. redirection
4. The woman was told by the doctor to scale down her fat intake as
she was nearing obesity.
a. decrease b. increase c. maintain
5. When the police was sent in to scatter the protesters, what followed
was utter chaos.
a. no b. partial c. total

Each number under the first column is a line from the poem.
Paraphrase each number so that it is better understood. The first one has been
done for you. Before you begin the task keep in mind the meaning of
paraphrasing below.
Paraphrasing refers to rewriting a given phrase or sentence using your

own words. When we need to use a sentence in our writing that someone else
wrote, we paraphrase it. That is, we use the same idea (s) in that sentence and
write it differently.
LINES PARAPHRASE
1. All that I love The persona attempts to reduce the people she
I fold over once loves into terms, words, or objects which she can
And once again understand.
2. All that I love?
Why, yes, but for the
moment
and for all time, both.
3. It‘s utter sublimation
A feat, this heart‘s control
4. Moment to moment
to scale all love down
to a cupped hand’s size
5. Till seashells are broken
pieces
From God‘s own bright
teeth.
6. And life and love are real
Things you can run and
Breathless hand over
To the merest child.

Task 4. Watch Out!
A. Study each paragraph. Write down the transition words and phrases
that will create cohesive paragraphs. Be careful. Each transition word
or phrase must only appear once.
Paragraph 1:
Afterwards Already Immediately

Meanwhile Then When she was ready
When they saw her
On the morning of Gina‘s birthday, she woke up very early. ________,

she took a bath and brushed her teeth. _______, she opened her closet and
wore her best dress. ________, she went down to the kitchen to see if her
family was having breakfast. Her mother was _______ cooking their
breakfast. __________, her father was drinking coffee. Her two brothers
were drinking warm milk. __________, they all looked at her and greeted
her “Happy Birthday.” Gina smiled and hugged them one by one.
_________, she went to the presents on the table and she began opening
them.
Paragraph 2:
A few moments later Consequently Immediately

In fact subsequently
When Rebecca reached school, the gate was locked. Due to her
rumbling stomach, she ________ began shouting for the guards to let
her in. ________, a guard showed up at the gate and told her to go
home. Rebecca had, ________, forgotten that today was a Saturday.
_________, the canteen was closed and even going inside the campus
would not do her any good. ________, Rebecca began walking away
from the school, her hunger continued.
B. Circle the letter of the transition word that will best complete each
sentence.
1. A survey reveals that the new president enjoys massive public

support in his decision to stop the former president from leaving the
country. _________, there are those who are still frustrated by the
manner by which the former president was treated.
a. and c. however
b. for instance d. still

2. The weather patterns in the country have been so far unpredictable.
PAGASA, ______, predicts that December will be a dry Christmas
for everyone.
a. In addition c. though
b. subsequently d. yet
3. The two northernmost island groups, ______ Batanes and

Babuyan, already receive Taiwanese radio signals.
a. consequently c. in particular
b. for example d. namely
4. The hospital owner announced that the hospital‘s nurses would now
have to work twelve hours for six days every week. _______, many
nurses resigned in protest.
a. as a result c. so that
b. likewise d. yet
5. The sales of wooden slippers have dropped to nearly zero in the

past two years. ______, the sales of rubber slippers have reached
more than half a million.
a. above all c. correspondingly
b. additionally d. in contrast
6. The Campus Director explained that in light of the new K to 12

curriculum, it would be necessary to retain all incoming freshmen
for six years. ______, the current freshmen will be the last batch to
graduate under the old curriculum.
a. consequently c. nevertheless
b. in order d. similarly
7. Pundits say that the situation in Maguindanao will improve very

slowly. _______, the problems the rest of Mindanao is
experiencing, the outlook is not that optimistic at all.
a. Furthermore c. in contrast
b. in comparison d. with reference to
8. The government has announced that all cars older than five years
will now be declared road hazards starting 2012. ______, car
owners who refuse to change their cars will be saddled with new
car taxes.
a. as well as c. in the same way
b. In addition d. now
9. Individual projects must be handed in by the deadline, ______ they
will receive substantial deductions.
a. as a result c. on the other hand

b. obviously d. otherwise
10. ________ people from all around the world scolded Justin, he still
manages to rake in a lot of money whenever he holds a concert
tour.
a. also c. eventhough
b. because d. nevertheless
The Persons I Love

Very much like the poem, list three people whom you love. Once you
have your list, find an appropriate object or symbol that best approximates
your feelings for that person. Explain why you chose that symbol. You may
search out for the numerous symbols that humans have used to represent
those that they love. As much as possible avoid using the heart as it is a
universal symbol.
THE PERSON I LOVE THE SYMBOL FOR THE EXPLANATION

THIS PERSON FOR THE USE OF
THE SYMBOL
Three things I learned while searching for love symbols are:
1. __________________________________________________________
2. __________________________________________________________
3. __________________________________________________________

When I Struggle
This lesson allows you to examine the reasons why we fight. You
must aim to:
1. discover the reasons why our people participated in several

upheavals;
2. recall and explain the instances when you found yourself in a fight;
3. decipher the meanings of words by looking for their antonyms;
4. use word clines in order to show the differences between synonyms;
5. paraphrase a long poem by turning each stanza into a meaningful
sentence;
6. rewrite paragraphs in order to make them more cohesive.
7. explain how an individual can generate numerous internal conflicts;
8. list down the main conflicts that your are currently undergoing and
mapping out solutions on how to resolve them.

Task 1. The Wars We Have Fought
Fill in the chart below. Your teacher may give this to you as
homework. If you use any other library source, make sure you cite your
sources.
Battle/Revolution/War Reasons for Filipino Result

Participation
1. The Battle of Mactan
2. The Revolution of 1896
3. The Filipino-American
War
4. World War II
5. The EDSA Revolution
Task 2. Why We Fight

Recall fights you have had with your parents, classmates, friends, or
teachers. Complete the spider map below by listing down the reasons for
those fights. Be prepared to share your answers with your classmates.
Reasons
Why You
Fought

If You Want to Know What We Are
by Carlos Bulosan
I
1 If you want to know what we are
who inhabit forest, mountain, rivershore,
who harness beast, living steel, martial music
(that classless language of the heart),
who celebrate labour,
wisdom of the mind, peace of the blood;

who become animate at the rain‘s metallic ring,
the stone‘s accumulated strength,
who tremble in the wind‘s blossoming
(that enervates earth‘s potentialities),
who stir just as flowers unfold to the sun;

who grow powerful and deathless
in countless counterparts,
each part pregnant with hope,
each hope supreme,
each supremacy classless,
each classlessness
nourished by unlimited
splendor of comradeship;
4 We are multitudes the world over,

millions everywhere; in violent factories,
sordid tenements, crowded cities;
in skies and seas and rivers,
in lands everywhere;
our number increase
as the wide world revolves
and increases arrogance,
hunger disease and death.
5 We are the men and women reading books,

searching in the pages of history

for the lost word,
the key to the mystery of living peace,
imperishable joy;
we are factory hands
field hands mill hand everywhere,
molding creating building structures,
forging ahead,
6 Reaching for the future,

nourished in the heart;
we are doctors, scientists,
chemists discovering,
eliminating disease
and hunger and antagonisms;
we are soldiers, navy-men citizens guarding
the imperishable will of man
to live in grandeur,
7 We are the living dream

of dead men everywhere,
the unquenchable truth
that class-memories
create to stagger the infamous world
with prophecies of unlimited happiness
- a deathless humanity;
we are the living
and the dead men everywhere….
II
8 If you want to know what we are,
observe the bloody club smashing heads,
the bayonet penetrating hallowed breasts,
giving no mercy;
watch the bullet crashing upon armorless citizens;
look at the tear-gas choking the weakened lung.
9 If you want to know what we are,

see the lynch trees blossoming,
the hysterical mob rioting;
remember the prisoner beaten by detectives
to confess a crime he did not commit
because he was honest,
and who stood alone before a rabid jury of ten men,

10 And who was sentenced to hang
by a judge whose bourgeois arrogance
betrayed the office he claimed his own;
name the marked man, the violator of secrets;
observe the banker,
the gangster, the mobsters who kill and go free;
11 We are the sufferers who suffer for natural love of man for man,
who commemorate the humanities of every man;
we are the toilers who toil to make the starved earth
a place of abundance who transform
abundance into deathless fragrance.
12 We are the desires of anonymous men everywhere,

who impregnate the wide earth‘s lustrous wealth
with a gleaming fluorescence;
we are the new thoughts and the new foundations,
the new verdure of the mind;
we are the new hope new joy life everywhere.
13 We are the vision and the star,

the quietus of pain;
we are the terminals of inquisition,
the hiatuses of a new crusade;
we are the subterranean subways of suffering;
we are the will of dignities;
we are the living testament of a flowering race.
If you want to know what we are –
WE ARE THE REVOLUTION!

Task 1. Opposites Attract
Encircle the letter of the option that is most opposite to the

underlined word in the sentence.
1. The corrupt governor accumulated a lot of luxury cars during his

stay in office.
a. collected b. donated c. kept
2. The constant air bombardment of the capital was the military‘s way
of enervating the opposition.
a. weakening b. strengthening c. embracing
3. The comradeship that develops between soldiers is one that

extends beyond the battlefield.
a. companionship b. romance c. fight
4. Leona‘s face showed her disgust as she entered the sordid

sausage factory.
a. clean b. dirty c. pleasing
5. Carlo went down on his knees and declared his imperishable love
to Carlita.
a. old b. lasting c. temporary
6. The day after the fire, the police released Lee‘s picture to the
public. Lee, who was wanted for arson, was now considered
infamous.
a. popular b. famous c. unknown
7. The children descended into hysterical laughter when the clown

began to perform his tricks.
a. controlled b. loud c. soft
8. Angela‘s lustrous hair was the reason for her newfound celebrity.
a. dry b. dull c. shiny

Task 2. Using Clines
Arrange the following words based on the degrees of their meanings.

Before you do this task keep in mind the meaning of word cline below.
Word cline is a way of building vocabulary by looking at words that all fit
into a particular category and arranging them in graduating intensity.
Examples:
Microscopic-tiny-small
Big-huge-gigantic
Mumble-whisper-speak
SET A: war, conflict, argument, battle, skirmish, hostilities

SET B: revolt, revolution, insurrection, mutiny, rebellion, uprising
SET C: heroism, martyrdom, patriotism, nationalism

The Things I Must Fight For
Just because we have the capability to fight, it doesn’t mean that we

should go around looking for trouble. There are always things worth fighting for.
They are called causes. Try interviewing people, asking them which three
things are worth the good fight. Once you have enough, list down the top five
causes. Provide an explanation for why you need to fight for them.
CAUSES WHY I MUST FIGHT FOR THEM
You have reached the final part of this lesson. You have done an
awesome job.
Congratulations!
Reference
Read more at http://examples.yourdictionary.com/examples-of-hyperbole-for-
kids.html#QvbvREIhkdaIwxHk.99

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Grade 7 English Learning Package l 1

2 l Grade 7 English Learning Package

Valuing Our Elders’ Wisdom

This lesson allows you to appreciate the wisdom of our

1. skim rapidly for major ideas using headings as guide;

Grade 7 English Learning Package l 3

A. Tell whether each pair of words are synonyms or antonyms.

1. It is the way something is expressed in words. It is also the

2. The quality, feeling, or attitude expressed by the words that

3. It is the level of loudness and softness of the voice.

4. It is the act of pronouncing words.

1. The number of participants is/are few.

3. There is/are one table in the classroom.

4. My sister along with our friends is/are looking forward to this

4 l Grade 7 English Learning Package

Skimming is a reading skill to locate specific information quickly. When

1. Read the title.

What do you think is the text about?

Task 2. Similar or Opposite?

Grade 7 English Learning Package l 5

Proverbs are brief instructive expressions that suggest a specific action,

In Filipino, proverbs are called salawikain or sawikain. They prescribe

Walang ligaya sa lupa na di dinilig ng luha (Tagalog)

Say liket ban-bantayey ermen. (Pangasinan)

6 l Grade 7 English Learning Package

2. Ethical proverbs recommending certain virtues and condemning certain

3. Proverbs expressing a system of values

4. Proverbs expressing general truths and observations about life and

Huli man at magaling, ay naihahabol din. (Tagalog)

Ti saan a matimtemec, nauyong no macaunget. (Ilokano)

Ing mayap a babai, maiguit ya karing rubi. (Pampango)

Grade 7 English Learning Package l 7

Ang gugma sang tigulang daw igui nga nagakamang. (Hiligaynon)

Ako kanhi cabalyero nga wala‟y kabilinggan; pagdawat sa matrimonio,

Kay tagal nanindahan, kabili-bili‟y balindang. (Tagalog)

6. Miscellaneous proverbs (typically expressive of specific realities to a

Ing matudtud a pemangca e na balu lebasa‟ ng sapa. (Pampango)

Mapipia nu sumavat ka a maysaosaod su sagap as canu caviden mu

Dica agcapcapoy no bassit ti inapoy; dica agnengnengneng no bassit ti

8 l Grade 7 English Learning Package

G - proverbs expressing a general attitude towards life and the laws

___1. Matibay ang walis, palibhasa’y magkabigkis.

Grade 7 English Learning Package l 9

Now, are you ready to

Write synonymous if the words given carry the same meaning,

It’s not that hard, right? Well done!

10 l Grade 7 English Learning Package

(Read this fast and at your regular speaking volume)

(Read this slowly and softly)

Volume means the level of loudness and softness of the voice.

Now, answer the following questions.

Grade 7 English Learning Package l 11

Be guided by the rubrics below.

12 l Grade 7 English Learning Package

Task 5. Listening to a Dialogue

Features of Oral Language

Grade 7 English Learning Package l 13

Examine the short paragraph below. It contains sentences with common

 The expression the number is followed by a singular verb while the

The number of recorded proverbs is unknown. A number of them is from

1. Bring _ 6. Chivalry _