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R S: S L S:: Everse Lapback Imulated Eslie Peaker

This document provides delay and effect pedal settings for various guitar effects, including: 1) Reverse slapback delay with 300ms delay, reverse mode, and level and tone settings. 2) The Edge dual delay with short delay of 10-20ms and long delay over 350ms in dual mode. 3) The Edge effect with 240-350ms delay in tape mode, and level, tone, and feedback settings for various songs.

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83 views1 page

R S: S L S:: Everse Lapback Imulated Eslie Peaker

This document provides delay and effect pedal settings for various guitar effects, including: 1) Reverse slapback delay with 300ms delay, reverse mode, and level and tone settings. 2) The Edge dual delay with short delay of 10-20ms and long delay over 350ms in dual mode. 3) The Edge effect with 240-350ms delay in tape mode, and level, tone, and feedback settings for various songs.

Uploaded by

wplais
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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REVERSE SLAPBACK: SIMULATED LESLIE SPEAKER:

• E Level: 4 o'clock • E Level: 4 o'clock


• F Back: 8 o'clock • F Back: Zero
• Tone: 1 o'clock • Tone: 4 o'clock
• Mode: Reverse • Mode: Modulate (Rate 100, Depth 78)
• Delay: 300ms • Delay: 1ms

THE EDGE DUAL DELAY: FLANGER:


• Mode: Dual • E Level: Full
• Short Delay: 10 - 20ms • F Back: 1:30
• Long Delay: 350ms - onward • Tone: 4:30
• Mode: Modulate (Rate 0, Depth 100)
THE EDGE: • Delay: 1ms
• E Level: Max
• F Back: 10 o'clock SMOOTH:
• Tone: 12 o'clock • E Level: 12 o'clock
• Mode: Tape (2 Heads) • F Back: 11 o'clock
• Delay: 240-350ms. • Tone: 12 o'clock
• Mode: Smooth
THE EDGE – PRIDE (IN THE NAME OF LOVE): • Delay: 375ms
• E Level: To taste
• F Back: 1 Repeat DUAL:
• Tone: 12 o'clock • E Level: 12 o'clock
• Mode: Modulate (Depth around 30) • F Back: 12 o'clock
• Delay: 418ms • Tone: 12 o'clock
• Mode: Dual
ERIC JOHNSON: • Delay: 500ms
• E Level: 1 o'clock • Short Delay: 50ms
• F Back: 11 o'clock
• Tone: 11 o'clock MODULATE:
• Mode: Tape (2 Heads) • E Level: 2 o'clock
• Delay: 150 – 300ms • F Back: 1 o'clock
• Tone: 12 o'clock
CHORD SWELLS: • Mode: Modulate (Rate 80, Depth 70)
• E Level: To taste • Delay: 330ms
• F Back: Max
• Tone: 12 o'clock ROOM AMBIENCE:
• Mode: Smooth • E Level: 3 o'clock
• Delay: 3000ms • F Back: Zero
• Tone: 11 o'clock
ROTATING CAB SIMULATION: • Mode: Smooth
• E Level: Max • Delay: 18ms
• F Back: Zero
• Tone: 11 o'clock SLAP BACK ECHO:
• Mode: Modulate (Rate 70, Depth 90) • E Level: 12 o'clock
• Delay: 25ms • F Back: 11 o'clock
• Tone: 11 o'clock
CHORUS: • Mode: Analogue
• E Level: 3 o'clock • Delay: 122ms
• F Back: Zero
• Tone: 3 o'clock MODULATE DOUBLING:
• Mode: Modulate (Rate 49, Depth 100) • E Level: Max
• Delay: 5ms (Could range from 2 to 30ms) • F Back: Zero
• Tone: 12 o'clock
SLOW, DEEP CHORUS: • Mode: Modulate (Rate 25, Depth 95)
• E Level: 3:00 (clock format) • Delay: 18ms
• F Back: none
• Tone: 3:00
• Mode: Modulate (Rate 13, Depth 100)
• Delay: 14ms (Could range from 2 to 30ms)

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