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    Esclavo - TP Guastavino PDF

    Uploaded by

    Mauricio Guastavino
    The document contains sheet music for the tango "Esclavo" composed by Joaquín Mora with lyrics by José María Contursi. The sheet music provides notation for guitar and bandoneon accompaniment over 38 measures following the chord progression of the song. It outlines the melody and harmonies played by each instrument throughout the tango.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Esclavo - TP Guastavino PDF

    Uploaded by

    Mauricio Guastavino
    206 views1 page
    The document contains sheet music for the tango "Esclavo" composed by Joaquín Mora with lyrics by José María Contursi. The sheet music provides notation for guitar and bandoneon accompaniment over 38 measures following the chord progression of the song. It outlines the melody and harmonies played by each instrument throughout the tango.

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    Esclavo - TP Guastavino.pdf

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    The document contains sheet music for the tango "Esclavo" composed by Joaquín Mora with lyrics by José María Contursi. The sheet music provides notation for guitar and bandoneon accompaniment over 38 measures following the chord progression of the song. It outlines the melody and harmonies played by each instrument throughout the tango.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    206 views1 page

    Esclavo - TP Guastavino PDF

    Uploaded by

    Mauricio Guastavino
    The document contains sheet music for the tango "Esclavo" composed by Joaquín Mora with lyrics by José María Contursi. The sheet music provides notation for guitar and bandoneon accompaniment over 38 measures following the chord progression of the song. It outlines the melody and harmonies played by each instrument throughout the tango.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    Esclavo

    (tango)
    Acomp. Tp Guastavino Joaquín Mora / José María Contursi

     F     D¨     F        F    F7    G‹



                  
      
         

    Guitar       

    F      
            
    G‹7(b5) G7(b9) C7

     
    6


         

          
    F‹ F‹ G¨ C7 F‹ E¨7
    
    10

                       

    14
       A¨
    E¨7 A¨ G7/D B¨6 C7 D¨7 C7

                 
    3

         
     

            
    F‹ F‹ G¨ C7 C7/E F‹ F‹/E F/E¨

    18

           
        
        
    B¨7/D E¨/D¨ A¨7/C D¨/C¨ G¨ C7 F‹ C7 F
      
    22

       
     
    3

       
     
      
     3 
      
           
    F D¨ F F F/E F/E¨ G‹ D7
    
    26

       
            
    
     
    30 G‹ D/C G‹ G7/B G/F Eb7(9) Db7(9) C7(9)

      
                
     
     

      
          
    34 F D¨ F F F/E F/E¨ G‹

                   
    38 B¨6 Eb7(9) D7 G‹7 C7 F

                 

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