A Portrait of A Lady by Juan Luna Y Novicio

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A Portrait of a Lady by Juan Luna Y Novicio (1857-1899)

We are a group of four when we went to


the National museum because it is the most
convenient museum to go to because of our
hectic schedule last week. It is the first time for
all of us to go to the National Museum and we
are mesmerized because of the interior
designing of our national museum and how rich
the art culture Philippines have, so many good
things to see inside and reason to be proud to
be a proud because of the contributions of our
national artists in the art industry. I am very
overwhelmed when I saw the Spolarium in real
life it was enormous! I did not expect it to be that
big but the details of the painting are so fine I
can’t help myself to idolize Juan Luna as the
artist but after exploring the Museum for fine
arts, another painting caught my attention and I
was surprised that it is also one of the painting
of Juan Luna Y Novicio which the painting
posted above.

This painting is also called as Mi Novia


or Portrait of Paz Parado de Tavera, It is said to
be a portrait of the wife of Juan Luna, Paz
Pardo de Tavera whom Juan Luna allegedly
murdered, one of the dark secrets of the famous artist, it is a picture of Paz before bedtime, seeing as the
woman is in bed, clutching a rosary, and there’s a prayer book and a night stand to her left. The painting
may have something about the backstory of the night he murdered his wife but Juan Luna according to an
article refused to share this story and to add more to my interest and mystery of this painting, the four
previous owners of this art piece suffered misfortunes like it’s first owner, Manuel Garcia, was forced to
sell it because his business had gone bad,” wrote the historian Ambeth Ocampo in his
book Looking Back. “Betty Bantug Benitez bought it and met a tragic road accident in Tagaytay. The
portrait then passed through the collection of Tony Nazareno, who also suffered bad luck and sudden
illness, so he sold it to Imee Marcos Manotoc, who suffered a miscarriage. In the Luna-Hidalgo exhibition
catalogue published by the Metropolitan Museum, the provenance given is not Imee Marcos, but Imelda
Marcos, whose fate in 1986 we are all familiar with. She donated the painting to the National Museum.”

But after all the myths and stories about this painting, it is still one of the best artwork that Juan
Luna produced during his prime and I am very pleased to see this on my own, maybe not own it
personally but only to appreciate it. People need to see this painting personally because I think digital
photographs cannot make one feel the real emotion that is poured to an artwork like in Spolarium
because back in my childhood I always saw the pictures of it but I cannot appreciate that much compared
when I saw it personally just like in my featured painting, when I saw it I already felt how special this art-
piece is even though I’m not still aware of its backstory.

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